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It's too much. | 0:00:02 | 0:00:03 | |
It is a very generous gesture. | 0:00:03 | 0:00:05 | |
Sir Henry has a son. | 0:00:05 | 0:00:08 | |
Quite the golden-haired child. | 0:00:08 | 0:00:09 | |
-And? -Perhaps they're looking for the right girl. | 0:00:09 | 0:00:12 | |
Anna? | 0:00:12 | 0:00:14 | |
Do women really have such thoughts? | 0:00:14 | 0:00:16 | |
Yes. | 0:00:16 | 0:00:17 | |
Doesn't mean that we should do them. | 0:00:18 | 0:00:21 | |
Before we got married, I was in love with someone. | 0:00:21 | 0:00:25 | |
Someone totally wrong. | 0:00:25 | 0:00:26 | |
What could have made him love someone who is so wrong for him? | 0:00:26 | 0:00:29 | |
I need to see who she is. | 0:00:30 | 0:00:32 | |
That woman made a promise to James, and to me! | 0:00:34 | 0:00:36 | |
-She saved his life. -And now she threatens to ruin it. | 0:00:36 | 0:00:40 | |
My husband was Jewish. | 0:00:40 | 0:00:42 | |
Rene died. | 0:00:42 | 0:00:44 | |
In Dachau. | 0:00:46 | 0:00:47 | |
Anna's gone out, of all days! | 0:03:00 | 0:03:03 | |
Mother, will you stop fussing? | 0:03:03 | 0:03:04 | |
First impressions, George. | 0:03:04 | 0:03:06 | |
Can't we just enjoy the weekend? | 0:03:06 | 0:03:10 | |
Well? | 0:03:10 | 0:03:11 | |
-Apparently she's out riding. -Oh. | 0:03:11 | 0:03:14 | |
You made it. How was the journey? | 0:03:26 | 0:03:28 | |
Long. I must say, the roads around here... | 0:03:28 | 0:03:30 | |
I know. I know. | 0:03:30 | 0:03:32 | |
Now, you see, if you were a local member, George... | 0:03:32 | 0:03:34 | |
Oh, darling, you promised. Incorrigible. | 0:03:34 | 0:03:36 | |
It's been too long. | 0:03:36 | 0:03:38 | |
It has. | 0:03:38 | 0:03:39 | |
And finally, we get to see Ash Park. | 0:03:39 | 0:03:41 | |
Not before time. | 0:03:41 | 0:03:43 | |
And James. Oh, my goodness. | 0:03:43 | 0:03:45 | |
All grown up. And married! | 0:03:45 | 0:03:46 | |
My wife, Olivia. | 0:03:46 | 0:03:48 | |
-Lady Swanson. -Prudence, please. | 0:03:48 | 0:03:50 | |
The reports weren't wrong. | 0:03:50 | 0:03:51 | |
An English rose, indeed. | 0:03:51 | 0:03:53 | |
Andrew, what are you doing in there? | 0:03:55 | 0:03:57 | |
Can I answer that in polite society? | 0:03:57 | 0:03:59 | |
He will have his little jokes. | 0:04:01 | 0:04:02 | |
Nothing more sinister than needing a refill. | 0:04:04 | 0:04:07 | |
So...you, I'm guessing, would be Anna. | 0:04:08 | 0:04:12 | |
-No. -Unfortunately, Anna's been detained. | 0:04:12 | 0:04:16 | |
Charity work. At the hospital. | 0:04:16 | 0:04:18 | |
Your mother won't be happy. | 0:04:22 | 0:04:24 | |
I'm making a point. | 0:04:24 | 0:04:25 | |
I think you should go back. | 0:04:25 | 0:04:26 | |
You don't want me here? | 0:04:26 | 0:04:27 | |
It'll seem rude. | 0:04:27 | 0:04:28 | |
I'd much rather be here with you. | 0:04:28 | 0:04:30 | |
I'd much rather you were here, but... | 0:04:30 | 0:04:32 | |
Look who it is! | 0:04:32 | 0:04:33 | |
The dago hound dog! | 0:04:33 | 0:04:34 | |
Whoo! | 0:04:34 | 0:04:35 | |
Sure you want a real Aussie? | 0:04:35 | 0:04:37 | |
Looks like dago hound dog's got the scent of a pedigree bitch! | 0:04:37 | 0:04:41 | |
Whoo! | 0:04:41 | 0:04:43 | |
Do you know him? | 0:04:47 | 0:04:49 | |
Bert Forth. He used to work for you. | 0:04:49 | 0:04:51 | |
Did he? | 0:04:51 | 0:04:52 | |
Your dad fired him. | 0:04:52 | 0:04:53 | |
Why? | 0:04:53 | 0:04:54 | |
Why do you think? | 0:04:54 | 0:04:56 | |
All right. Don't go picking a fight. | 0:04:56 | 0:04:58 | |
After what he said? | 0:04:58 | 0:04:59 | |
Please. | 0:05:00 | 0:05:01 | |
Gino, promise me. | 0:05:01 | 0:05:03 | |
I promise. | 0:05:05 | 0:05:06 | |
Think I should have made my point by now. | 0:05:12 | 0:05:14 | |
I'll let you know how it goes. | 0:05:14 | 0:05:16 | |
Good luck. | 0:05:17 | 0:05:19 | |
Alma said you wanted to see me. | 0:05:21 | 0:05:24 | |
Sit. | 0:05:24 | 0:05:25 | |
Close the door. | 0:05:25 | 0:05:27 | |
Look... | 0:05:35 | 0:05:37 | |
As doctors and nurses, | 0:05:37 | 0:05:38 | |
the human body is something we deal with every day. | 0:05:38 | 0:05:40 | |
There's nothing shameful about it. | 0:05:42 | 0:05:43 | |
You were seen... | 0:05:46 | 0:05:47 | |
..swimming in the creek. | 0:05:48 | 0:05:50 | |
I wasn't swimming. | 0:05:50 | 0:05:52 | |
But you were naked. | 0:05:52 | 0:05:53 | |
Different actions have different meanings in different contexts. | 0:05:53 | 0:05:57 | |
Do you always have to be so mysterious? | 0:05:57 | 0:05:58 | |
Do people always have to jump to the wrong conclusions? | 0:05:58 | 0:06:01 | |
It's a country town, Sister. | 0:06:01 | 0:06:03 | |
-People talk. -All too often out of ignorance. | 0:06:03 | 0:06:05 | |
Would it help if I explained to the offended party? | 0:06:07 | 0:06:10 | |
I'm not sure it's a party you're inclined to explain to. | 0:06:10 | 0:06:14 | |
Mrs Collins. | 0:06:21 | 0:06:23 | |
Miss Adams. | 0:06:23 | 0:06:24 | |
I was hoping to speak with you. | 0:06:24 | 0:06:26 | |
Yeah? | 0:06:26 | 0:06:27 | |
Look, I know we didn't get off to the best of starts. | 0:06:27 | 0:06:29 | |
Perhaps we can forget all that and begin again. | 0:06:29 | 0:06:32 | |
What's brought this on? | 0:06:32 | 0:06:34 | |
Tomorrow is Yom Kippur. | 0:06:34 | 0:06:36 | |
For people of my faith, a time for various rituals. | 0:06:36 | 0:06:38 | |
One is seeking atonement from God and our fellow man. | 0:06:38 | 0:06:41 | |
Oh, so this has nothing to do with being spoken to | 0:06:41 | 0:06:44 | |
by Dr Duncan about swimming nude in broad daylight? | 0:06:44 | 0:06:48 | |
It's one of the rituals. | 0:06:48 | 0:06:49 | |
It's a Mikveh. | 0:06:49 | 0:06:50 | |
A what? | 0:06:50 | 0:06:52 | |
It's a ritual cleansing, like a, um... | 0:06:52 | 0:06:55 | |
Well, it's like a baptism. | 0:06:55 | 0:06:56 | |
Nothing like any baptism I've ever attended. | 0:06:56 | 0:06:59 | |
Well, if it caused any offence, please accept my apology. | 0:06:59 | 0:07:02 | |
Let me offer you some advice. | 0:07:03 | 0:07:06 | |
Next time you feel the need | 0:07:06 | 0:07:07 | |
to indulge in one of your strange religious frolics, | 0:07:07 | 0:07:11 | |
do so somewhere more private. | 0:07:11 | 0:07:13 | |
I'll keep that in mind. | 0:07:13 | 0:07:15 | |
Good. | 0:07:15 | 0:07:16 | |
Thank you. | 0:07:16 | 0:07:17 | |
Good. | 0:07:19 | 0:07:20 | |
Ah, thank you, Amy. | 0:07:24 | 0:07:25 | |
You didn't have to do this as well. | 0:07:25 | 0:07:27 | |
Yes, the gramophone was more than generous. | 0:07:27 | 0:07:30 | |
Prudence. Sir Henry. Thank you. | 0:07:30 | 0:07:32 | |
I had a hand in it. | 0:07:32 | 0:07:33 | |
Thank you all. | 0:07:33 | 0:07:34 | |
More records. | 0:07:34 | 0:07:36 | |
There's little point giving someone a gramophone | 0:07:36 | 0:07:38 | |
with only one record to play. | 0:07:38 | 0:07:39 | |
Can you...buy records in this part of the world? | 0:07:39 | 0:07:42 | |
I rather assumed not. | 0:07:42 | 0:07:44 | |
Mother. I think we all grasped your intention. | 0:07:44 | 0:07:46 | |
Inverness is still without a music store of its own, so thank you. | 0:07:46 | 0:07:50 | |
It's mostly good music. | 0:07:50 | 0:07:51 | |
Plus a few contemporary ones. Hank Williams. | 0:07:51 | 0:07:54 | |
-Andrew. -You heard of him? | 0:07:54 | 0:07:55 | |
I told him to leave that one out! | 0:07:55 | 0:07:57 | |
Don't be so stuffy. | 0:07:57 | 0:07:58 | |
-Well, it's inappropriate. -May I? | 0:07:58 | 0:08:00 | |
Your Cheatin' Heart. | 0:08:04 | 0:08:06 | |
We give them 'The Anniversary Waltz' | 0:08:06 | 0:08:08 | |
and he gives them a song about infidelity. | 0:08:08 | 0:08:11 | |
I call that poor taste. | 0:08:11 | 0:08:12 | |
He thinks I'm old-fashioned. | 0:08:12 | 0:08:14 | |
Could this be your daughter? | 0:08:14 | 0:08:15 | |
Greetings, all. | 0:08:18 | 0:08:20 | |
My darling. Finally. | 0:08:20 | 0:08:22 | |
Ah, Henry. | 0:08:22 | 0:08:23 | |
Good morning, my dear. | 0:08:23 | 0:08:25 | |
And Prudence! | 0:08:25 | 0:08:26 | |
Sir Henry and Lady Swanson. | 0:08:26 | 0:08:28 | |
And you must be Andrew. | 0:08:29 | 0:08:31 | |
Pleasure to meet you. | 0:08:31 | 0:08:32 | |
I've heard so much about you. | 0:08:32 | 0:08:34 | |
I've heard so much about you too. | 0:08:34 | 0:08:37 | |
Darling, wouldn't you be more comfortable | 0:08:37 | 0:08:39 | |
out of those riding clothes? | 0:08:39 | 0:08:40 | |
No, I like trousers. | 0:08:40 | 0:08:43 | |
Oh, good. I'm parched. | 0:08:43 | 0:08:45 | |
All that charity work? | 0:08:45 | 0:08:46 | |
So exhausting. | 0:08:49 | 0:08:51 | |
How long have you been sitting there like that? | 0:09:10 | 0:09:13 | |
Not long. | 0:09:13 | 0:09:15 | |
You look a bit down in the dumps. | 0:09:15 | 0:09:16 | |
I'm just thinking. | 0:09:16 | 0:09:18 | |
About forgiveness. | 0:09:18 | 0:09:20 | |
Righto. | 0:09:20 | 0:09:22 | |
No, thanks. | 0:09:28 | 0:09:29 | |
Aaahhh. | 0:09:31 | 0:09:32 | |
Aahh. | 0:09:37 | 0:09:39 | |
That's the doctor. | 0:09:39 | 0:09:40 | |
Has it got anything to do with your Yom Whatchy? | 0:09:44 | 0:09:46 | |
Yes. | 0:09:46 | 0:09:47 | |
Let me see if I've got this straight. | 0:09:47 | 0:09:50 | |
You go around apologising to any one you ever done wrong by, | 0:09:50 | 0:09:53 | |
and from sundown tomorrow you do bugger-all. | 0:09:53 | 0:09:55 | |
You don't eat or drink, | 0:09:55 | 0:09:57 | |
and you're just meant to pray and feel miserable all day. | 0:09:57 | 0:09:59 | |
-That about it? -In fairly broad terms, yes. | 0:09:59 | 0:10:01 | |
I got that from Isaac Gold. | 0:10:01 | 0:10:03 | |
-I doubt he'd put it quite like that. -What it boils down to. | 0:10:03 | 0:10:06 | |
It's the holiest day in the Jewish calendar. | 0:10:06 | 0:10:09 | |
Seek forgiveness. | 0:10:09 | 0:10:10 | |
Seek to forgive. | 0:10:10 | 0:10:12 | |
You just tell me what I have to do and I'll do it. | 0:10:12 | 0:10:15 | |
Anything to help. | 0:10:15 | 0:10:16 | |
Someone who acts as if it's vaguely normal. | 0:10:16 | 0:10:19 | |
If it makes sense to you, it makes sense to me. | 0:10:19 | 0:10:22 | |
I guess it makes you feel close to your hubby too, eh? | 0:10:24 | 0:10:26 | |
Yeah. | 0:10:27 | 0:10:29 | |
Like Anzac Day does me the boys. | 0:10:29 | 0:10:31 | |
Rene and I were working for the Resistance in Paris. | 0:10:40 | 0:10:44 | |
It was just before Yom Kippur that we were arrested. | 0:10:44 | 0:10:47 | |
1942. | 0:10:48 | 0:10:50 | |
That was the last time I ever saw him. | 0:10:51 | 0:10:54 | |
Is that beer still going? | 0:10:59 | 0:11:01 | |
I'll get you a glass. | 0:11:02 | 0:11:04 | |
# Heart and soul | 0:11:46 | 0:11:48 | |
# I fell in love with you heart and soul | 0:11:48 | 0:11:53 | |
# The way a fool would do | 0:11:53 | 0:11:55 | |
# Madly | 0:11:55 | 0:11:58 | |
# Because you held me tight | 0:11:58 | 0:12:01 | |
# And stole a kiss in the night... # | 0:12:01 | 0:12:04 | |
Please, James. Take it off. | 0:12:04 | 0:12:05 | |
# Heart and soul | 0:12:05 | 0:12:07 | |
# I begged to be adored | 0:12:07 | 0:12:10 | |
# Lost control | 0:12:10 | 0:12:12 | |
# And tumbled overboard | 0:12:12 | 0:12:14 | |
# Gladly... # | 0:12:14 | 0:12:16 | |
We have guests. | 0:12:16 | 0:12:17 | |
They gave it to us. | 0:12:17 | 0:12:18 | |
They're waiting. | 0:12:18 | 0:12:20 | |
Thank you. | 0:12:25 | 0:12:27 | |
I've been thinking. | 0:12:30 | 0:12:32 | |
About? | 0:12:32 | 0:12:33 | |
Our child. | 0:12:33 | 0:12:35 | |
His name. | 0:12:35 | 0:12:36 | |
I thought we decided, assuming it's a boy. | 0:12:36 | 0:12:40 | |
I'm not sure William is appropriate. | 0:12:40 | 0:12:43 | |
It was your idea after your father. | 0:12:43 | 0:12:45 | |
And my brother. | 0:12:45 | 0:12:47 | |
Do you mind if we don't call him after William? | 0:12:48 | 0:12:51 | |
Darling, whatever name makes you happy. | 0:12:52 | 0:12:55 | |
Better check what my errant sister is up to. | 0:12:55 | 0:12:57 | |
So you're not intent on the name William? | 0:12:57 | 0:13:00 | |
I said so, didn't I? | 0:13:00 | 0:13:02 | |
You look exquisite. | 0:13:05 | 0:13:07 | |
KNOCK ON DOOR | 0:13:15 | 0:13:17 | |
You can't be serious. | 0:13:18 | 0:13:20 | |
Why? What do you mean? | 0:13:20 | 0:13:22 | |
-Honestly. -It's an old favourite. | 0:13:22 | 0:13:24 | |
No, it's just old. | 0:13:24 | 0:13:25 | |
And you're not being the least bit subtle. | 0:13:25 | 0:13:27 | |
One can't please everyone. | 0:13:27 | 0:13:29 | |
-Grandmother will see right through it. -Mmm. | 0:13:29 | 0:13:31 | |
It'll make her even more determined to bring you to heel. | 0:13:31 | 0:13:34 | |
It was bad enough being dragged around London like some trophy. | 0:13:34 | 0:13:37 | |
I'm not going to let her start that here. | 0:13:37 | 0:13:38 | |
She sees it as her job. | 0:13:38 | 0:13:40 | |
This is Australia 1953, for goodness' sake. | 0:13:40 | 0:13:43 | |
-And she's manning the barricades against change. -Why? | 0:13:43 | 0:13:46 | |
So we women can continue to have dismal choices forced upon us? | 0:13:46 | 0:13:49 | |
Andrew Swanson is hardly dismal. | 0:13:49 | 0:13:51 | |
That dress, however, is. | 0:13:51 | 0:13:52 | |
What happened to making your own choices? | 0:13:53 | 0:13:56 | |
He doesn't seem that bad. | 0:13:59 | 0:14:00 | |
That's all. | 0:14:00 | 0:14:02 | |
Come on. | 0:14:02 | 0:14:04 | |
It won't be the first time the royals have visited our shores. | 0:14:04 | 0:14:07 | |
But she'll be the first reigning monarch. | 0:14:07 | 0:14:09 | |
The festivities around it will be marvellous. | 0:14:09 | 0:14:13 | |
She's so radiant. | 0:14:13 | 0:14:14 | |
-So young. -They're not coming until next year. | 0:14:14 | 0:14:17 | |
He thinks there's something wrong with being excited about seeing one's queen. | 0:14:17 | 0:14:20 | |
I didn't say that. | 0:14:20 | 0:14:21 | |
You would have been there for the coronation. | 0:14:21 | 0:14:24 | |
Oh, it was splendid. | 0:14:24 | 0:14:25 | |
You attended the abbey? | 0:14:25 | 0:14:26 | |
-Hardly. -Olivia's parents were there. | 0:14:26 | 0:14:29 | |
Of course. They're related. | 0:14:29 | 0:14:31 | |
-Yes, they are. -Distantly. | 0:14:31 | 0:14:33 | |
We'll go in to dinner as soon as... | 0:14:35 | 0:14:37 | |
Ah, here they are. | 0:14:37 | 0:14:38 | |
Well... | 0:14:44 | 0:14:46 | |
Aren't you a sight to behold. | 0:14:46 | 0:14:49 | |
I believe I'm on your arm for the evening. | 0:14:49 | 0:14:51 | |
Shall we lead the way? | 0:14:53 | 0:14:54 | |
Please. | 0:14:54 | 0:14:55 | |
I'm going to kill her. | 0:15:04 | 0:15:06 | |
LOUD BELCH | 0:15:06 | 0:15:08 | |
I'll take that as a compliment. | 0:15:09 | 0:15:11 | |
Sorry. | 0:15:11 | 0:15:14 | |
I've been living on me own too long. | 0:15:14 | 0:15:16 | |
Thanks. | 0:15:17 | 0:15:18 | |
Suppose you'll be wanting to get a place of your own | 0:15:21 | 0:15:23 | |
now you've decided to stay. | 0:15:23 | 0:15:25 | |
Suppose so, yes. | 0:15:26 | 0:15:28 | |
You are staying, aren't you? | 0:15:28 | 0:15:29 | |
If I'm not run out of town. | 0:15:29 | 0:15:31 | |
By Doris Collins? | 0:15:31 | 0:15:32 | |
Among others. | 0:15:32 | 0:15:33 | |
She probably thinks we're living in sin. | 0:15:35 | 0:15:37 | |
No doubt. | 0:15:37 | 0:15:38 | |
Doesn't bother ya? | 0:15:38 | 0:15:40 | |
She already thinks I'm a pagan. | 0:15:40 | 0:15:42 | |
Why not stay on here? | 0:15:45 | 0:15:47 | |
Permanent. | 0:15:48 | 0:15:49 | |
Ray, that's a very kind offer. | 0:15:51 | 0:15:53 | |
I didn't say rent-free. | 0:15:53 | 0:15:55 | |
Not much of a palace, but... | 0:15:56 | 0:15:58 | |
Lucky seems to like it. | 0:15:58 | 0:16:00 | |
Anyway... | 0:16:03 | 0:16:04 | |
..you think about it. | 0:16:05 | 0:16:08 | |
No rush. | 0:16:08 | 0:16:09 | |
Oh, aren't the flower girls divine? | 0:16:16 | 0:16:19 | |
Olivia's nieces. | 0:16:19 | 0:16:20 | |
Six and four. | 0:16:20 | 0:16:21 | |
Oh, charming. | 0:16:21 | 0:16:23 | |
Oh. And the best man. | 0:16:23 | 0:16:25 | |
Do I see a family resemblance? | 0:16:25 | 0:16:27 | |
My brother. | 0:16:27 | 0:16:28 | |
So handsome. | 0:16:28 | 0:16:30 | |
And you met James through him? | 0:16:30 | 0:16:31 | |
She did. | 0:16:31 | 0:16:32 | |
Oh, so romantic. | 0:16:32 | 0:16:35 | |
I'm sorry. | 0:16:37 | 0:16:39 | |
Would it be rude of me to retire early? | 0:16:39 | 0:16:42 | |
You're not unwell? | 0:16:42 | 0:16:43 | |
Simply tired. | 0:16:43 | 0:16:45 | |
Oh, you mustn't stay up on our account. | 0:16:45 | 0:16:47 | |
We'll see you in the morning. | 0:16:47 | 0:16:49 | |
Sleep well, my dear. | 0:16:50 | 0:16:52 | |
The first 12 weeks. | 0:16:54 | 0:16:55 | |
Yes. | 0:16:55 | 0:16:56 | |
What is it with old men and cigars? | 0:17:03 | 0:17:05 | |
What is it with young men and cigarettes? | 0:17:07 | 0:17:10 | |
No, thank you. | 0:17:10 | 0:17:12 | |
Horrible things. | 0:17:12 | 0:17:13 | |
Have you always lived here? | 0:17:20 | 0:17:22 | |
No. I was a boarder in the city. | 0:17:22 | 0:17:24 | |
Before you went to Europe? | 0:17:24 | 0:17:26 | |
Yes. | 0:17:26 | 0:17:27 | |
But you prefer it here? | 0:17:27 | 0:17:29 | |
I should get back inside. | 0:17:30 | 0:17:32 | |
You know, I loathe these silly games as much as you do. | 0:17:34 | 0:17:37 | |
A ride before breakfast? | 0:17:40 | 0:17:41 | |
Why not? | 0:17:46 | 0:17:48 | |
Amy? | 0:18:23 | 0:18:24 | |
-Yes, ma'am? -Has anyone risen yet? | 0:18:26 | 0:18:28 | |
Yes. Mr George and Sir Henry are out walking. | 0:18:28 | 0:18:31 | |
-And Miss Anna... -Where is she? | 0:18:31 | 0:18:33 | |
-Out riding... -Oh, for goodness' sake. | 0:18:33 | 0:18:35 | |
With young Mr Andrew. | 0:18:35 | 0:18:37 | |
Oh. | 0:18:37 | 0:18:38 | |
Ah. | 0:18:38 | 0:18:39 | |
DOORBELL RINGS | 0:19:02 | 0:19:04 | |
Ma'am? | 0:19:09 | 0:19:10 | |
-Yes. -Someone here to see you. | 0:19:10 | 0:19:12 | |
Miss Adams. | 0:19:12 | 0:19:14 | |
This is ridiculous. | 0:19:16 | 0:19:17 | |
She said she's happy to wait at your convenience. | 0:19:17 | 0:19:20 | |
Show her in. | 0:19:21 | 0:19:23 | |
Tea for two? | 0:19:23 | 0:19:24 | |
For one. | 0:19:24 | 0:19:26 | |
I can't imagine what brings you here at this unreasonable hour. | 0:19:40 | 0:19:44 | |
I hoped to see you before work. | 0:19:44 | 0:19:46 | |
I would like to clear the air between us. | 0:19:48 | 0:19:50 | |
I'm not your only apology of late, I hear. | 0:19:51 | 0:19:54 | |
Some sort of religious rite, am I correct? | 0:19:55 | 0:19:57 | |
I assume you mean Mrs Collins. | 0:19:57 | 0:19:59 | |
I did speak with her yesterday. | 0:19:59 | 0:20:01 | |
I'd prefer an expression of genuine regret, | 0:20:01 | 0:20:05 | |
rather than a ritual obeisance at the time of year for atonement. | 0:20:05 | 0:20:09 | |
This is genuine. | 0:20:09 | 0:20:11 | |
Your timing, however, is suspect. | 0:20:11 | 0:20:13 | |
So tell me why exactly you broke your promise to me. | 0:20:13 | 0:20:19 | |
At the time, my intention was to return to the city and... | 0:20:20 | 0:20:23 | |
But you did promise | 0:20:23 | 0:20:25 | |
to keep what happened to James strictly between ourselves. | 0:20:25 | 0:20:27 | |
Quite solemnly, as I recall. | 0:20:27 | 0:20:29 | |
What does your religion say about that? | 0:20:29 | 0:20:31 | |
-Mrs Bligh... -Why did you come here? | 0:20:31 | 0:20:34 | |
A few ritual platitudes and you're away, | 0:20:34 | 0:20:36 | |
with your conscience salved. | 0:20:36 | 0:20:38 | |
It seems to me your atonement is rather a hollow affair. | 0:20:39 | 0:20:43 | |
A life is more important than a promise. | 0:20:43 | 0:20:45 | |
I was worried for James. | 0:20:46 | 0:20:48 | |
He had my shoulder to lean on. | 0:20:48 | 0:20:50 | |
He still does. | 0:20:50 | 0:20:51 | |
He needs his father's too. | 0:20:51 | 0:20:53 | |
He has that now. | 0:20:53 | 0:20:55 | |
I don't know if it's to do with your faith... | 0:20:55 | 0:20:57 | |
..but there's something very lost about you. | 0:20:59 | 0:21:01 | |
A wandering Jew can clearly be a very dangerous entity. | 0:21:05 | 0:21:08 | |
-I should leave. -Yes, you should. | 0:21:08 | 0:21:10 | |
Are you all right? | 0:21:11 | 0:21:13 | |
It's nothing. | 0:21:13 | 0:21:14 | |
-Perhaps you should sit down. -It's nothing. Go! Now! | 0:21:14 | 0:21:17 | |
Where's Mr Bligh? | 0:21:25 | 0:21:26 | |
At the sheds, I think. | 0:21:26 | 0:21:27 | |
-See to Mrs Bligh. -Did she ask for me? | 0:21:27 | 0:21:29 | |
She needs you. | 0:21:29 | 0:21:31 | |
10,000 head. Impressive. | 0:21:36 | 0:21:38 | |
You can see why I don't have the time to spare for politics. | 0:21:38 | 0:21:41 | |
The next time you're in the city, let's have dinner at the club. | 0:21:41 | 0:21:44 | |
There are some matters I'd like to discuss | 0:21:44 | 0:21:46 | |
that are best got into | 0:21:46 | 0:21:47 | |
away from the frivolities of the ladies' romantic machinations. | 0:21:47 | 0:21:50 | |
Mr Bligh. | 0:21:52 | 0:21:53 | |
-Excuse me. -Ah, another one of the local distractions. | 0:21:53 | 0:21:56 | |
I'll keep walking. | 0:21:56 | 0:21:57 | |
Sarah. | 0:21:57 | 0:21:58 | |
My visit's upset your mother. | 0:21:58 | 0:21:59 | |
She seems unwell. | 0:21:59 | 0:22:01 | |
-She should see Dr Duncan. -Thank you. | 0:22:02 | 0:22:04 | |
Mr Bligh. | 0:22:07 | 0:22:09 | |
Ah, George. | 0:22:09 | 0:22:10 | |
Reverend Green wants us to select the hymns for the service. | 0:22:10 | 0:22:13 | |
I just saw Sarah. She thinks we should call Jack. | 0:22:13 | 0:22:15 | |
She's wrong. | 0:22:15 | 0:22:17 | |
No, really. I took a pill. I'm feeling much better. | 0:22:20 | 0:22:22 | |
No thanks to her. | 0:22:22 | 0:22:23 | |
She's worried about you. | 0:22:23 | 0:22:25 | |
She came here to ask for forgiveness. | 0:22:27 | 0:22:29 | |
The Jews, honestly. | 0:22:29 | 0:22:32 | |
I know they gave us the Old Testament, but some of their ways... | 0:22:32 | 0:22:35 | |
It is Yom Kippur, Mother. | 0:22:35 | 0:22:36 | |
It's all Greek to me. | 0:22:36 | 0:22:38 | |
Elizabeth, George. | 0:22:40 | 0:22:42 | |
I'm told Andrew and Anna were up and away early. | 0:22:42 | 0:22:44 | |
Riding. | 0:22:44 | 0:22:46 | |
Oh, isn't that nice? | 0:22:47 | 0:22:48 | |
How is she? | 0:22:55 | 0:22:56 | |
Oh, she seems fine now. | 0:22:56 | 0:22:58 | |
I know you have guests. Don't let her take on too much. | 0:22:58 | 0:23:01 | |
Thank you. I'll try. | 0:23:01 | 0:23:02 | |
Not many in your position... | 0:23:04 | 0:23:07 | |
would care what happened to her. | 0:23:07 | 0:23:08 | |
Well, I'm partly to blame. | 0:23:08 | 0:23:10 | |
For apologising? | 0:23:10 | 0:23:11 | |
She took it as a ritual gesture. | 0:23:11 | 0:23:13 | |
I doubt anything less than a full acceptance of blame | 0:23:13 | 0:23:16 | |
will satisfy her. | 0:23:16 | 0:23:18 | |
She'll never have that. | 0:23:18 | 0:23:20 | |
I didn't think so. | 0:23:20 | 0:23:21 | |
So I'm going to have to be somewhat discreet... | 0:23:24 | 0:23:27 | |
if I'm to see you without giving my mother conniptions. | 0:23:27 | 0:23:30 | |
-Wouldn't it be better if... -I am there to visit the dog, though. | 0:23:30 | 0:23:33 | |
Ah, the dog. Yes. | 0:23:33 | 0:23:35 | |
I'm finding our guests somewhat wearing. | 0:23:35 | 0:23:38 | |
How about tonight? | 0:23:38 | 0:23:40 | |
I'm at the Goldbergs and then no pleasure until sundown tomorrow. | 0:23:40 | 0:23:43 | |
I am flattered. | 0:23:43 | 0:23:45 | |
You consider my visit a pleasure. | 0:23:45 | 0:23:47 | |
Of course I do. | 0:23:47 | 0:23:48 | |
Tomorrow night. | 0:23:50 | 0:23:51 | |
I'll look forward to that. | 0:23:52 | 0:23:54 | |
Good. | 0:23:54 | 0:23:56 | |
So this is your eastern boundary. | 0:24:09 | 0:24:13 | |
Just down there. | 0:24:13 | 0:24:15 | |
Whose grapevines? | 0:24:15 | 0:24:16 | |
Italian family. | 0:24:16 | 0:24:17 | |
After the war when they were freed, Father gave them some freehold. | 0:24:17 | 0:24:20 | |
Freed? | 0:24:20 | 0:24:22 | |
Enemy aliens. | 0:24:22 | 0:24:23 | |
Of course. | 0:24:23 | 0:24:25 | |
Any good? | 0:24:25 | 0:24:26 | |
They're lovely people. | 0:24:26 | 0:24:27 | |
-The wine. -Oh. | 0:24:27 | 0:24:30 | |
You ever tasted any of it? | 0:24:30 | 0:24:31 | |
Some. | 0:24:31 | 0:24:33 | |
Not that our local wines compare with Europe's. | 0:24:33 | 0:24:35 | |
No. | 0:24:35 | 0:24:37 | |
Not yet, anyway. | 0:24:37 | 0:24:38 | |
Is that the maker? | 0:24:41 | 0:24:43 | |
I might like to have a word with him. | 0:24:43 | 0:24:45 | |
No, we're late for breakfast as it is. | 0:24:45 | 0:24:47 | |
I thought we agreed to enjoy ourselves. | 0:24:47 | 0:24:50 | |
He's not the maker. His father is. | 0:24:50 | 0:24:52 | |
I'll race you back. | 0:24:56 | 0:24:58 | |
Andrew. | 0:25:48 | 0:25:50 | |
You play well. | 0:25:52 | 0:25:54 | |
Oh. | 0:25:54 | 0:25:55 | |
It was considered an essential skill when I was a young girl. | 0:25:55 | 0:25:59 | |
Does Anna play? | 0:25:59 | 0:26:01 | |
Times change. | 0:26:01 | 0:26:03 | |
-Well, good night, then. -Oh, stay. | 0:26:03 | 0:26:06 | |
I was just about to retire. | 0:26:06 | 0:26:07 | |
Please. | 0:26:07 | 0:26:08 | |
We haven't had a chance to speak all day. | 0:26:08 | 0:26:11 | |
How was your ride this morning? | 0:26:12 | 0:26:14 | |
We raced. | 0:26:14 | 0:26:15 | |
Anna won. Both ways. | 0:26:15 | 0:26:17 | |
I didn't mind at all. | 0:26:18 | 0:26:20 | |
Of course. | 0:26:20 | 0:26:21 | |
I like her. | 0:26:23 | 0:26:24 | |
I'm pleased to hear it. | 0:26:25 | 0:26:26 | |
But I don't respond well to being... played any more than Anna does. | 0:26:26 | 0:26:32 | |
So we should step back and let nature take its course? | 0:26:34 | 0:26:37 | |
Yes. | 0:26:37 | 0:26:39 | |
And that course might be? | 0:26:40 | 0:26:42 | |
Is there anyone else? Another man? | 0:26:42 | 0:26:45 | |
No. | 0:26:45 | 0:26:46 | |
Oh, trust me. The field is open. | 0:26:46 | 0:26:48 | |
There isn't anyone around here remotely suitable for her. | 0:26:48 | 0:26:51 | |
I thought there might be. | 0:26:51 | 0:26:53 | |
It's the way she's attracted, but holds back. | 0:26:54 | 0:26:57 | |
I often find that in attached women. | 0:26:57 | 0:26:59 | |
Absolutely not. | 0:27:01 | 0:27:03 | |
You sound quite the Lothario. | 0:27:04 | 0:27:06 | |
I've lived. | 0:27:06 | 0:27:07 | |
Are you trying to shock me? | 0:27:09 | 0:27:10 | |
I'm just being honest. | 0:27:10 | 0:27:12 | |
I will keep in touch with her. | 0:27:12 | 0:27:14 | |
Who knows? | 0:27:14 | 0:27:15 | |
And you. | 0:27:17 | 0:27:18 | |
Do you play? | 0:27:19 | 0:27:20 | |
The piano. | 0:27:22 | 0:27:24 | |
I retired when I was seven, having mastered Chopsticks. | 0:27:25 | 0:27:28 | |
Ah! | 0:27:28 | 0:27:30 | |
Pull up a chair. | 0:27:30 | 0:27:32 | |
You may regret this. | 0:27:35 | 0:27:36 | |
Nothing like a good duet. | 0:27:38 | 0:27:41 | |
He's awfully handsome. | 0:27:56 | 0:27:58 | |
Sorry? | 0:27:58 | 0:27:59 | |
Andrew. | 0:27:59 | 0:28:02 | |
If you say so. | 0:28:02 | 0:28:03 | |
Don't pretend you haven't noticed. | 0:28:03 | 0:28:06 | |
Not particularly. | 0:28:06 | 0:28:07 | |
You men. | 0:28:07 | 0:28:09 | |
I certainly have no problem admitting another woman's beauty. | 0:28:09 | 0:28:12 | |
Unless she's competing for the same prize. | 0:28:12 | 0:28:15 | |
Andrew isn't competition to you, is he? | 0:28:15 | 0:28:19 | |
I didn't think so. | 0:28:19 | 0:28:21 | |
Then why be so coy? | 0:28:21 | 0:28:22 | |
Darling, I'm trying to read. | 0:28:22 | 0:28:24 | |
My brother never had that problem. | 0:28:27 | 0:28:29 | |
In fact, I distinctly recall his reaction upon meeting you. | 0:28:29 | 0:28:34 | |
"Charming and handsome." | 0:28:34 | 0:28:36 | |
Those were his words. | 0:28:36 | 0:28:37 | |
Now I'm beginning to think he is. | 0:28:37 | 0:28:39 | |
Is what? Who? | 0:28:39 | 0:28:41 | |
Andrew. Competition. | 0:28:41 | 0:28:43 | |
Come here. | 0:28:45 | 0:28:46 | |
Darling... | 0:28:49 | 0:28:50 | |
there is no-one in the world more beautiful or charming than you. | 0:28:50 | 0:28:54 | |
It's time to sleep. | 0:28:59 | 0:29:00 | |
Good night. | 0:29:03 | 0:29:04 | |
Gino! | 0:29:22 | 0:29:24 | |
Gino? | 0:29:28 | 0:29:30 | |
Come on. Take a rest. | 0:29:30 | 0:29:32 | |
Waited for you all day yesterday. | 0:29:34 | 0:29:36 | |
Well, I couldn't get away. | 0:29:36 | 0:29:37 | |
You been having a nice time? | 0:29:37 | 0:29:39 | |
Hmm? | 0:29:40 | 0:29:42 | |
Well, it looked like you were. | 0:29:42 | 0:29:44 | |
We were discussing the vineyard. | 0:29:44 | 0:29:45 | |
He's interested in winemaking. | 0:29:45 | 0:29:47 | |
-Should have introduced us. -Well, he's not stupid. | 0:29:47 | 0:29:50 | |
He would have sensed it. Us. | 0:29:50 | 0:29:52 | |
Oh? Smart as well as rich, hmm? | 0:29:52 | 0:29:54 | |
Your nonna's chosen well. | 0:29:55 | 0:29:56 | |
I make my own choices. | 0:29:56 | 0:29:58 | |
But he likes you, hmm? | 0:29:58 | 0:30:00 | |
And you like him. | 0:30:00 | 0:30:02 | |
-No, not especially. -Not especially. | 0:30:02 | 0:30:04 | |
No, not at all! | 0:30:04 | 0:30:06 | |
You're being childish. | 0:30:07 | 0:30:08 | |
I'm speaking to you. | 0:30:11 | 0:30:13 | |
Well, at least he has manners. | 0:30:20 | 0:30:22 | |
-What you reading? -Oh. | 0:30:39 | 0:30:41 | |
-Sorry. I didn't mean to pry. -No, it's fine. | 0:30:41 | 0:30:43 | |
Poems. | 0:30:43 | 0:30:44 | |
I think I might go for a walk. | 0:30:44 | 0:30:46 | |
Mind if I have a squiz? | 0:30:46 | 0:30:48 | |
A bit of a poet meself. | 0:30:48 | 0:30:49 | |
Of course. | 0:30:51 | 0:30:52 | |
Lorca. | 0:30:53 | 0:30:56 | |
He and Rene were friends. | 0:30:56 | 0:30:58 | |
He was shot during the Spanish Civil War. | 0:30:58 | 0:31:01 | |
CAR HORN HONKS | 0:31:17 | 0:31:19 | |
Whoo! Hey! | 0:31:29 | 0:31:31 | |
The dago hound dog! | 0:31:32 | 0:31:33 | |
Hey, Gino! How's it going, mate? | 0:31:33 | 0:31:36 | |
Well, that's not very friendly. | 0:31:36 | 0:31:39 | |
Hey, how's that little bitch of yours? She still on heat? | 0:31:39 | 0:31:41 | |
What'd you say? | 0:31:43 | 0:31:44 | |
I said, "How's that little bitch of yours? Is she still on heat?" | 0:31:44 | 0:31:48 | |
Come on, mate. | 0:31:48 | 0:31:49 | |
Come on, mate. Come on, dago. Have a go. | 0:31:52 | 0:31:55 | |
One more for luck, hey? | 0:31:58 | 0:32:00 | |
Hey, Gino. Gino. | 0:32:02 | 0:32:03 | |
-Smile for me, buddy. -Stop it! | 0:32:04 | 0:32:06 | |
Are you all right? | 0:32:12 | 0:32:14 | |
-Bert, can you hear me? -What happened? | 0:32:14 | 0:32:16 | |
Get out of here! | 0:32:16 | 0:32:18 | |
Hey. You just got beaten by a girl. | 0:32:24 | 0:32:26 | |
Shut your bloody gob! | 0:32:26 | 0:32:28 | |
Who started it? I wasn't there. | 0:32:35 | 0:32:37 | |
It doesn't matter. | 0:32:37 | 0:32:39 | |
Still reckon you should report it. | 0:32:39 | 0:32:41 | |
-If he doesn't want to. -Finished? | 0:32:42 | 0:32:44 | |
For now. | 0:32:44 | 0:32:47 | |
No hard yakka, at least for the rest of the day. | 0:32:47 | 0:32:49 | |
You should have seen the way she downed him. | 0:32:51 | 0:32:53 | |
I'll be out in a moment. | 0:32:53 | 0:32:55 | |
Just as well Doris wasn't there. | 0:33:00 | 0:33:03 | |
Skinny-dipping, now public brawling. | 0:33:03 | 0:33:05 | |
-Believe me, I didn't want to. -Taking on Bert, though. | 0:33:05 | 0:33:07 | |
Where'd you learn how to fight? | 0:33:08 | 0:33:11 | |
I got lucky. | 0:33:11 | 0:33:12 | |
Really? | 0:33:13 | 0:33:14 | |
Yeah, well, you watch Bert. | 0:33:15 | 0:33:17 | |
I doubt you made a friend there. | 0:33:17 | 0:33:19 | |
Almost time to break the fast. | 0:33:30 | 0:33:32 | |
Almost. | 0:33:32 | 0:33:34 | |
How'd you go with your forgiving? | 0:33:35 | 0:33:37 | |
How'd you go with the poems? | 0:33:38 | 0:33:40 | |
Oh, what do you reckon? | 0:33:40 | 0:33:41 | |
That's Spanish, eh? | 0:33:41 | 0:33:43 | |
Yes. | 0:33:43 | 0:33:44 | |
Can you read that? | 0:33:44 | 0:33:45 | |
Yes. | 0:33:45 | 0:33:47 | |
What about you give us one? | 0:33:47 | 0:33:48 | |
In English. | 0:33:48 | 0:33:50 | |
This was Rene's favourite. | 0:33:53 | 0:33:55 | |
Righto. | 0:33:55 | 0:33:57 | |
"Tell my friends that I've died. | 0:34:01 | 0:34:05 | |
"Tell them that I'm out here in the sky, my eyes wide open. | 0:34:05 | 0:34:11 | |
"My face covered up by this endless blue shroud. | 0:34:11 | 0:34:16 | |
"That I've gone off, empty, to the stars." | 0:34:16 | 0:34:21 | |
Rene used to say it reminded him of his friend. | 0:34:26 | 0:34:29 | |
Now it just reminds me of him. | 0:34:31 | 0:34:34 | |
Excuse me. | 0:34:36 | 0:34:37 | |
There you are. | 0:34:44 | 0:34:46 | |
Just finished. | 0:34:46 | 0:34:47 | |
It's time to dress for dinner. | 0:34:47 | 0:34:49 | |
I got lost in this. | 0:34:49 | 0:34:51 | |
KNOCKING | 0:34:51 | 0:34:52 | |
Yes? | 0:34:52 | 0:34:53 | |
Telegram, sir. For Mrs Bligh. | 0:34:53 | 0:34:56 | |
Were you expecting something? | 0:34:57 | 0:34:58 | |
No. | 0:34:58 | 0:34:59 | |
They're not all bad. | 0:35:02 | 0:35:03 | |
Open it, please. | 0:35:03 | 0:35:04 | |
I'll take it. | 0:35:06 | 0:35:07 | |
What is it? | 0:35:16 | 0:35:17 | |
James? | 0:35:21 | 0:35:22 | |
It is bad news, isn't it? | 0:35:23 | 0:35:26 | |
No. It's... It's marvellous. | 0:35:27 | 0:35:30 | |
It's William. He's engaged. | 0:35:30 | 0:35:33 | |
-To whom? -It doesn't say. | 0:35:33 | 0:35:35 | |
Um, details to follow. | 0:35:35 | 0:35:38 | |
I should dress. | 0:35:38 | 0:35:39 | |
Do I really have to go? | 0:35:47 | 0:35:49 | |
You most certainly do. | 0:35:49 | 0:35:51 | |
Our guests would be insulted. | 0:35:51 | 0:35:52 | |
Andrew won't care. | 0:35:52 | 0:35:54 | |
It's true. And with his mother around, | 0:35:54 | 0:35:56 | |
it's not as if I'm needed to keep the conversation going. | 0:35:56 | 0:35:58 | |
That's enough. | 0:35:58 | 0:35:59 | |
My apologies. I couldn't find my prayer book. | 0:35:59 | 0:36:01 | |
-Oh. -A gift from my grandmother. | 0:36:01 | 0:36:04 | |
Printed in 1842. | 0:36:04 | 0:36:05 | |
Among my most cherished possessions. | 0:36:05 | 0:36:07 | |
Seem to have left mine at home. | 0:36:07 | 0:36:09 | |
Oh, where's, um... Ah. | 0:36:10 | 0:36:12 | |
Olivia sends her apologies. She's feeling off colour. | 0:36:12 | 0:36:15 | |
All the excitement, I expect. | 0:36:15 | 0:36:17 | |
Last night's news. | 0:36:17 | 0:36:18 | |
Perhaps I should stay and keep her company. | 0:36:18 | 0:36:20 | |
I'm sure that won't be necessary. | 0:36:20 | 0:36:22 | |
You'll be returning for lunch, won't you, before you go home? | 0:36:22 | 0:36:25 | |
I believe that's the plan. | 0:36:25 | 0:36:26 | |
I'll see you back here, then. | 0:36:26 | 0:36:27 | |
-Anna. -Oh, settle, Grandmother. | 0:36:27 | 0:36:30 | |
-Anna. -Enjoy the service. | 0:36:30 | 0:36:32 | |
Livy! | 0:36:58 | 0:36:59 | |
James said that you weren't feeling well. | 0:36:59 | 0:37:01 | |
I lied. | 0:37:01 | 0:37:03 | |
Oh. | 0:37:03 | 0:37:05 | |
-Well, if you need anything... -I'll call Amy. | 0:37:06 | 0:37:08 | |
I'll be fine. | 0:37:11 | 0:37:12 | |
Really. Thank you. | 0:37:14 | 0:37:16 | |
MUSIC: Your Cheatin' Heart by Hank Williams | 0:37:45 | 0:37:50 | |
# Your cheatin' heart | 0:37:53 | 0:37:56 | |
# Will make you weep | 0:37:56 | 0:37:59 | |
# You'll cry and cry | 0:37:59 | 0:38:03 | |
# And try to sleep... # | 0:38:03 | 0:38:06 | |
I thought I might find you here. | 0:38:18 | 0:38:20 | |
What happened? | 0:38:23 | 0:38:24 | |
It's nothing. I was being stupid. | 0:38:24 | 0:38:26 | |
Just fooling around. | 0:38:26 | 0:38:28 | |
No, I'm the one who's been stupid. | 0:38:30 | 0:38:32 | |
I'm so... | 0:38:34 | 0:38:35 | |
It's you that I want. | 0:38:38 | 0:38:40 | |
I do want you. | 0:38:49 | 0:38:50 | |
I'm off to get my dose of religion. | 0:39:03 | 0:39:05 | |
You could do with it. | 0:39:05 | 0:39:07 | |
When I lost my boys... | 0:39:16 | 0:39:18 | |
at first, I couldn't forgive the bastards that done for them | 0:39:18 | 0:39:21 | |
and I wanted to get over there | 0:39:21 | 0:39:23 | |
and kill every one of them with me bare hands. | 0:39:23 | 0:39:26 | |
But at the end of the day, | 0:39:26 | 0:39:28 | |
something didn't sit right about me being here and them not | 0:39:28 | 0:39:32 | |
and it was myself I had to forgive. | 0:39:32 | 0:39:35 | |
There's no shame in survival, lass. | 0:39:40 | 0:39:42 | |
Right. Well, it's been a while, so I better not keep God waiting. | 0:39:50 | 0:39:54 | |
Roy... | 0:39:55 | 0:39:56 | |
My aunt gave me a, um... | 0:39:59 | 0:40:01 | |
a welcome mat to put out when I found a place to call home. | 0:40:01 | 0:40:04 | |
If you wouldn't mind... | 0:40:07 | 0:40:08 | |
I'd be honoured. | 0:40:10 | 0:40:12 | |
I'd be honoured to wipe my boots on it. | 0:40:13 | 0:40:15 | |
# Amazing Grace | 0:40:21 | 0:40:26 | |
# How sweet the sound | 0:40:26 | 0:40:32 | |
# That saved a wretch like me | 0:40:32 | 0:40:40 | |
# I once was lost | 0:40:44 | 0:40:49 | |
# But now I'm found | 0:40:49 | 0:40:56 | |
# Was blind, but now I see | 0:40:56 | 0:41:04 | |
# Amazing Grace | 0:41:07 | 0:41:13 | |
# How sweet the sound | 0:41:13 | 0:41:18 | |
# That saved a wretch like me | 0:41:18 | 0:41:26 | |
# I once was lost | 0:41:31 | 0:41:38 | |
# But now I'm found | 0:41:38 | 0:41:45 | |
# Was blind, but now I see. # | 0:41:45 | 0:41:53 |