Browse content similar to That's Amore. Check below for episodes and series from the same categories and more!
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Thank you for everything. | 0:00:02 | 0:00:04 | |
Hers are the actions of someone with something significant to hide. | 0:00:06 | 0:00:10 | |
-Well, I'm willing to take a risk on her. -I'm not. | 0:00:10 | 0:00:12 | |
Get out of here! | 0:00:15 | 0:00:18 | |
I'd watch Bert. Doubt you made a friend there. | 0:00:18 | 0:00:21 | |
-What is it? -It's William. He's engaged. | 0:00:24 | 0:00:27 | |
# When the moon hits your eye | 0:00:41 | 0:00:44 | |
# Like a big pizza pie That's amore... # | 0:00:44 | 0:00:49 | |
GIGGLING | 0:00:49 | 0:00:51 | |
# When the world seems to shine like you've had too much wine | 0:00:51 | 0:00:55 | |
# That's amore | 0:00:55 | 0:00:57 | |
# When you walk in a dream | 0:01:01 | 0:01:03 | |
# But you know you're not dreaming... # | 0:01:03 | 0:01:06 | |
You're in love. | 0:01:08 | 0:01:10 | |
Don't worry. | 0:01:18 | 0:01:20 | |
We'll be careful. | 0:01:20 | 0:01:22 | |
You said you didn't mind getting your insulin now I'm doing it. | 0:01:43 | 0:01:46 | |
-I don't. -Well? | 0:01:46 | 0:01:49 | |
Why the misery face? | 0:01:49 | 0:01:51 | |
Mum's boyfriend's here. | 0:01:51 | 0:01:53 | |
Oh. He can't be that bad. Your mum likes him. | 0:01:53 | 0:01:59 | |
-I hate him. -Oh, come on. Why would you...? | 0:01:59 | 0:02:01 | |
DOOR OPENS | 0:02:01 | 0:02:04 | |
-What a joke! -Bert! Wait, I'm sorry! | 0:02:04 | 0:02:08 | |
-Sister. -Are you all right? | 0:02:08 | 0:02:10 | |
Running behind is all I am. | 0:02:12 | 0:02:14 | |
Colin, you haven't taken your sample yet. Go on. In you get. | 0:02:14 | 0:02:17 | |
Eve, his hand print is still on your face. | 0:02:17 | 0:02:20 | |
-Was a misunderstanding is all. -It's a pretty big one. | 0:02:20 | 0:02:23 | |
-I'm fine. Honest. I don't know what got into him. -I do. | 0:02:23 | 0:02:28 | |
Do your sample. | 0:02:28 | 0:02:30 | |
Mum said she likes you and he called you bad names, cos you bashed him. | 0:02:30 | 0:02:34 | |
Scoot. Now! | 0:02:34 | 0:02:36 | |
Is that really what happened? | 0:02:36 | 0:02:38 | |
It got around, what you did. | 0:02:38 | 0:02:39 | |
A man has his pride. | 0:02:39 | 0:02:41 | |
If my coming here's a problem, I can organise another nurse to do it. | 0:02:41 | 0:02:44 | |
Or if you think you can handle the needles, I can teach you how. | 0:02:44 | 0:02:47 | |
-Don't bother. -Colin! -He'll just find some other reason to belt her. | 0:02:47 | 0:02:50 | |
-How many times do I have to tell you...? Oh! -Eve? | 0:02:50 | 0:02:54 | |
It's just a cramp. | 0:02:54 | 0:02:55 | |
He pushes and pushes. | 0:02:56 | 0:02:59 | |
He's jealous. Bub expected and Bert being the dad. | 0:02:59 | 0:03:03 | |
Anyway, better test his wee or we'll be here all day. | 0:03:03 | 0:03:07 | |
Come on. | 0:03:07 | 0:03:08 | |
MEN CHATTER AND LAUGH | 0:03:10 | 0:03:13 | |
This is the wrong door, Miss. The Ladies' Lounge is through there. | 0:03:24 | 0:03:28 | |
-Here we go. Sugar Ray. -Hope you've been working on your jab, mate. | 0:03:33 | 0:03:37 | |
Shut your gobs. You heard them. That way. | 0:03:37 | 0:03:40 | |
Do you enjoy hitting a pregnant woman, do you? | 0:03:40 | 0:03:42 | |
-Is that your business? -Eve's my patient. -Just... | 0:03:42 | 0:03:45 | |
-Hey! -It's all right, Roy. | 0:03:45 | 0:03:47 | |
If you ever raise your hand to her again, | 0:03:47 | 0:03:49 | |
I will find you and I will kick your testicles so far up your throat, | 0:03:49 | 0:03:52 | |
you'll be eating them for breakfast, do you understand? | 0:03:52 | 0:03:55 | |
LAUGHTER | 0:03:55 | 0:03:57 | |
I've downed you before. I'll do it again. | 0:03:59 | 0:04:01 | |
And good on you, Miss. | 0:04:09 | 0:04:11 | |
WOMAN HUMS THE TUNE OF "That's Amore" | 0:04:17 | 0:04:20 | |
That's Amore? | 0:04:20 | 0:04:22 | |
It speaks to me. | 0:04:22 | 0:04:24 | |
"Pizza pie. Pasta fazool." Who even knows what they are? | 0:04:24 | 0:04:28 | |
Italian food, dummy, and they're delicious. | 0:04:28 | 0:04:31 | |
Right, well, let me tell you first-hand that love isn't something | 0:04:31 | 0:04:34 | |
-you can compare to food. -And why not? | 0:04:34 | 0:04:36 | |
Because love's more complex than that, isn't it, James? | 0:04:36 | 0:04:39 | |
Well, I'm sure it's different for everyone. | 0:04:41 | 0:04:43 | |
-Livvy, if you're not up to company... -I am. | 0:04:43 | 0:04:47 | |
-Where's your grandmother? -We were wondering the same thing. | 0:04:47 | 0:04:49 | |
But enjoying the peace too much to investigate? | 0:04:49 | 0:04:52 | |
Olivia, how are you? | 0:04:54 | 0:04:56 | |
-Improving? -I wasn't aware any improvement was required. | 0:04:56 | 0:05:00 | |
You have been very quiet. | 0:05:00 | 0:05:02 | |
Excuse my tardiness. | 0:05:02 | 0:05:03 | |
Amy has just been telling me the most remarkable story | 0:05:03 | 0:05:07 | |
involving Sister Adams. | 0:05:07 | 0:05:09 | |
-Mother. -She barged into the public bar during the six o'clock swill | 0:05:09 | 0:05:14 | |
threatening to rearrange a man's delicate area. | 0:05:14 | 0:05:17 | |
Amy? | 0:05:18 | 0:05:20 | |
The man was Albert Banks. My sister Eve's friend. | 0:05:20 | 0:05:23 | |
The shearer, the war widow | 0:05:23 | 0:05:24 | |
and the out-of-wedlock pregnancy in case you've missed the gossip. | 0:05:24 | 0:05:27 | |
Anna, please. It's sordid enough without talking about it. | 0:05:27 | 0:05:32 | |
Miss Adams was under the impression | 0:05:32 | 0:05:34 | |
that Bert had struck Eve during an argument. | 0:05:34 | 0:05:37 | |
Did he? | 0:05:37 | 0:05:38 | |
It's a matter for the police, George, not the community nurse. | 0:05:38 | 0:05:41 | |
Her behaviour is outrageous. | 0:05:41 | 0:05:43 | |
For heaven's sake. | 0:05:43 | 0:05:45 | |
-Will you just leave her be?! -Livvy. | 0:05:45 | 0:05:49 | |
This ridiculous obsession! | 0:05:49 | 0:05:51 | |
Excuse me. | 0:05:53 | 0:05:55 | |
One has only to mention the woman's name | 0:05:57 | 0:06:00 | |
and decency flies out the window. | 0:06:00 | 0:06:02 | |
You may serve. | 0:06:02 | 0:06:03 | |
KNOCK ON DOOR | 0:06:06 | 0:06:08 | |
I want to be alone. | 0:06:09 | 0:06:11 | |
Not until you tell me what's going on. | 0:06:17 | 0:06:19 | |
Nothing's going on. | 0:06:19 | 0:06:21 | |
-That was not nothing. -Please. | 0:06:21 | 0:06:23 | |
You've been strange for days. What is it? Tell me. | 0:06:23 | 0:06:26 | |
Will you please just go? | 0:06:26 | 0:06:28 | |
Once you've composed yourself, Grandmother deserves an apology. | 0:06:33 | 0:06:37 | |
This will be for you, Missy. | 0:07:21 | 0:07:23 | |
-Morning, Mr Bligh. -Hey, Roy. | 0:07:23 | 0:07:25 | |
Sorry to barge in so early. | 0:07:25 | 0:07:27 | |
No need to apologise to me for keeping farmer's hours. | 0:07:27 | 0:07:30 | |
Wanted to make sure I caught you before you left. | 0:07:30 | 0:07:32 | |
Now, what she did yesterday was as right | 0:07:32 | 0:07:34 | |
as what that animal did was wrong. | 0:07:34 | 0:07:35 | |
Let me guess? Your mother heard and hit the roof. | 0:07:37 | 0:07:41 | |
-The ceiling maybe. -Oh, I'm off my game. | 0:07:41 | 0:07:44 | |
I'm not here to give you a lecture. | 0:07:44 | 0:07:46 | |
I thought I might get reprimanded for invading the public bar. | 0:07:46 | 0:07:50 | |
Inverness, it isn't London. It isn't even Sydney, for that matter. | 0:07:50 | 0:07:56 | |
Say it. | 0:07:56 | 0:07:59 | |
Some people think Eve Walker is simply getting what she deserves. | 0:07:59 | 0:08:02 | |
She deserves to be beaten? | 0:08:02 | 0:08:03 | |
She's having a younger man's illegitimate child, Sarah. | 0:08:03 | 0:08:05 | |
This is a small country town. | 0:08:05 | 0:08:07 | |
I didn't do what I did to make friends. | 0:08:07 | 0:08:09 | |
I understand your sense of injustice. I share it. | 0:08:09 | 0:08:12 | |
But if you need help with Bert Ford | 0:08:12 | 0:08:14 | |
or any other man in the future, come to me. | 0:08:14 | 0:08:17 | |
I learnt to take care of myself a long time ago, | 0:08:17 | 0:08:21 | |
but I appreciate your concern. | 0:08:21 | 0:08:23 | |
You must be tired of supporting someone | 0:08:25 | 0:08:26 | |
who only seems to make your life more difficult. | 0:08:26 | 0:08:28 | |
"Interesting" is the word that I'd use. | 0:08:28 | 0:08:32 | |
The offer is there. | 0:08:35 | 0:08:37 | |
DRAWERS SLAM | 0:08:44 | 0:08:45 | |
What are you doing? | 0:08:47 | 0:08:50 | |
I'm looking for the wedding album. Have you seen it? | 0:08:50 | 0:08:54 | |
-You had it out when the Swansons were here. -Is it really that urgent? | 0:08:54 | 0:08:59 | |
I thought if we sat down and looked at it, | 0:08:59 | 0:09:01 | |
you'd remember how happy we can be. | 0:09:01 | 0:09:03 | |
James, I was sound asleep. | 0:09:03 | 0:09:06 | |
-Where is it? Livvy? -Do you really want to know? | 0:09:06 | 0:09:10 | |
-Yes. -It's gone. I ripped it to shreds. | 0:09:10 | 0:09:14 | |
Why on earth would you do that? | 0:09:15 | 0:09:17 | |
Because I never want to be reminded of that hypocritical day | 0:09:17 | 0:09:21 | |
I married the man who loves my brother. | 0:09:21 | 0:09:24 | |
You heard me. | 0:09:28 | 0:09:31 | |
Well, that's ridiculous. | 0:09:31 | 0:09:33 | |
It made everything suddenly make sense. | 0:09:33 | 0:09:35 | |
-I'm calling Dr Duncan. -I don't need a doctor. | 0:09:35 | 0:09:37 | |
Clearly you're not coping. | 0:09:37 | 0:09:38 | |
You leave without admitting it, this marriage is over. | 0:09:38 | 0:09:42 | |
You don't mean that. | 0:09:50 | 0:09:52 | |
If not for the baby, it already would be. | 0:09:52 | 0:09:55 | |
I don't know if we've any hope for a future, | 0:09:55 | 0:10:00 | |
but if you don't tell me the truth right now, | 0:10:00 | 0:10:05 | |
I will pack and leave. | 0:10:05 | 0:10:07 | |
Tell me. | 0:10:09 | 0:10:10 | |
After what you did by marrying me, it is the least you can do. | 0:10:11 | 0:10:18 | |
Tell me. | 0:10:18 | 0:10:20 | |
We were at...at Balliol together. | 0:10:29 | 0:10:33 | |
We shared tutorials. | 0:10:35 | 0:10:37 | |
Sports. | 0:10:38 | 0:10:40 | |
Spare moments and... | 0:10:40 | 0:10:42 | |
Well, we became friends. | 0:10:44 | 0:10:47 | |
And... | 0:10:48 | 0:10:50 | |
Please, you're gonna hate me. | 0:10:53 | 0:10:54 | |
It seemed like there were two different worlds. | 0:11:02 | 0:11:04 | |
The real one, the one in public, | 0:11:06 | 0:11:10 | |
that was demanding and judgmental. | 0:11:10 | 0:11:14 | |
And then there was this other world. | 0:11:14 | 0:11:16 | |
'The one in private. Inside our rooms. | 0:11:17 | 0:11:21 | |
'We could be open with each other. Free. | 0:11:23 | 0:11:27 | |
'Discuss all our problems and fears, struggles and dreams.' | 0:11:27 | 0:11:31 | |
And, after a while, it... seemed only natural that we... | 0:11:32 | 0:11:38 | |
..shared... | 0:11:39 | 0:11:40 | |
All those trips to our estate. | 0:11:49 | 0:11:51 | |
All those parties. | 0:11:51 | 0:11:54 | |
I knew you never looked at me. | 0:11:54 | 0:11:57 | |
How could I be so blind? | 0:11:59 | 0:12:02 | |
You weren't the only one. | 0:12:13 | 0:12:15 | |
Grandmother was the only one who saw it for what it was. | 0:12:18 | 0:12:22 | |
She arrived for my graduation and just... | 0:12:22 | 0:12:25 | |
And that was when you proposed to me. | 0:12:25 | 0:12:28 | |
Well, I had to get married like a normal person. | 0:12:28 | 0:12:33 | |
Your grandmother said it couldn't go on, didn't she? | 0:12:33 | 0:12:36 | |
She knew that, since she'd noticed, eventually others would too, | 0:12:36 | 0:12:39 | |
and they'd start to talk, | 0:12:39 | 0:12:41 | |
and where would that leave the great Bligh name? | 0:12:41 | 0:12:43 | |
So what did you do? You thought, | 0:12:43 | 0:12:46 | |
"Who is the most stupid, desperate, gullible woman I know?" | 0:12:46 | 0:12:51 | |
-No. -I don't believe you. -It wasn't like that. | 0:12:51 | 0:12:54 | |
Then what was it like, James? Why did you choose me? | 0:12:54 | 0:12:59 | |
Why? | 0:13:01 | 0:13:02 | |
-Why?! -Because you reminded me of him, all right? | 0:13:03 | 0:13:07 | |
I'm sorry. | 0:13:12 | 0:13:15 | |
You asked for honesty. | 0:13:18 | 0:13:20 | |
That's how it started. | 0:13:22 | 0:13:24 | |
But, Livvy, I love you for you now. Not him, not anymore. | 0:13:26 | 0:13:31 | |
No, I saw your face when the telegram came about his engagement. | 0:13:31 | 0:13:34 | |
You looked like you wanted to die. | 0:13:34 | 0:13:37 | |
No, we...we agreed to leave it behind us. | 0:13:39 | 0:13:42 | |
But? | 0:13:44 | 0:13:46 | |
Just...give me time. I'll forget him. I promise. | 0:13:46 | 0:13:51 | |
Is it only your grandmother who knows? | 0:13:54 | 0:13:57 | |
If it can stay that way. | 0:13:59 | 0:14:01 | |
Why should anyone else have to feel this disgust? | 0:14:03 | 0:14:08 | |
Oh. | 0:14:33 | 0:14:34 | |
We have a disaster. | 0:14:43 | 0:14:46 | |
KNOCK ON DOOR Olivia? | 0:14:49 | 0:14:52 | |
Not now. | 0:14:52 | 0:14:54 | |
We have to talk. | 0:14:54 | 0:14:56 | |
SHE LOCKS THE DOOR Oh, don't be foolish, dear. | 0:14:58 | 0:15:01 | |
I said not now. | 0:15:01 | 0:15:04 | |
Olivia. | 0:15:04 | 0:15:06 | |
We do need to talk. | 0:15:06 | 0:15:09 | |
Olivia? | 0:15:09 | 0:15:10 | |
Later. | 0:15:14 | 0:15:16 | |
She said she wouldn't tell anyone. | 0:15:24 | 0:15:26 | |
I'm sure she won't. | 0:15:26 | 0:15:28 | |
No, let her come to us when she's ready. | 0:15:28 | 0:15:31 | |
We both know who's to blame. | 0:15:31 | 0:15:33 | |
Who? | 0:15:33 | 0:15:34 | |
Olivia's questions started the minute she barged in here | 0:15:34 | 0:15:37 | |
babbling about your suicide attempt. | 0:15:37 | 0:15:39 | |
-Sarah? -From the minute she arrived, something like this was inevitable. | 0:15:39 | 0:15:43 | |
-For heaven's sake. -She will rue the day! | 0:15:43 | 0:15:45 | |
KNOCK ON DOOR | 0:15:50 | 0:15:51 | |
If it's more work, go away. | 0:15:51 | 0:15:53 | |
I've got enough already. | 0:15:53 | 0:15:55 | |
Sister Adams no longer works here. | 0:15:55 | 0:15:58 | |
She's gone? | 0:15:58 | 0:16:00 | |
She will be as soon as you fire her. | 0:16:00 | 0:16:02 | |
I'm not asking and, if necessary, I will go over your head to the | 0:16:02 | 0:16:05 | |
-hospital board - I'm hoping to spare you that humiliation. -Elizabeth. | 0:16:05 | 0:16:09 | |
This is not a conversation, Doctor. Fire her. | 0:16:09 | 0:16:13 | |
-You can't keep doing this. -Exactly. | 0:16:13 | 0:16:16 | |
What did you do to Elizabeth? | 0:16:30 | 0:16:32 | |
I haven't seen her for days. Why? | 0:16:32 | 0:16:35 | |
-She's on the warpath again. -I have no idea. | 0:16:35 | 0:16:37 | |
I've had just about enough of this. | 0:16:37 | 0:16:39 | |
I can only assume it's to do with yesterday. | 0:16:39 | 0:16:41 | |
Something that happened at the pub. | 0:16:41 | 0:16:43 | |
Yeah, well, whatever it is, don't make it any worse. | 0:16:43 | 0:16:46 | |
I can only protect you so much, and this time I'm not even sure of that. | 0:16:46 | 0:16:49 | |
SHE HUMS TO HERSELF | 0:16:54 | 0:16:56 | |
PEBBLES SPLASH | 0:16:56 | 0:16:58 | |
-Oh! -For you. | 0:17:00 | 0:17:02 | |
THEY LAUGH Hello. | 0:17:02 | 0:17:04 | |
Oh, I haven't stopped humming it. | 0:17:04 | 0:17:06 | |
Now you can hum it in tune, huh? | 0:17:06 | 0:17:09 | |
You sing like an angel. | 0:17:09 | 0:17:11 | |
-An angel would think to bring you something. -Oh, you don't have to. | 0:17:11 | 0:17:15 | |
-I love you so much. -I love you too. | 0:17:19 | 0:17:22 | |
What is it? | 0:17:33 | 0:17:35 | |
Nothing. | 0:17:35 | 0:17:37 | |
-You don't want to? -Of course. | 0:17:37 | 0:17:40 | |
For so long, I've been told it's wrong. | 0:17:42 | 0:17:45 | |
You know, by Mamma and Papa. | 0:17:45 | 0:17:48 | |
-Caro... -Father Joe. | 0:17:48 | 0:17:50 | |
What we do, he'd say we'd be in Hell already for what we do. | 0:17:50 | 0:17:54 | |
-I don't believe that. -I know, but... | 0:17:54 | 0:17:58 | |
This isn't Hell. | 0:17:58 | 0:18:00 | |
This is Heaven. | 0:18:01 | 0:18:03 | |
If something were to go wrong? | 0:18:06 | 0:18:08 | |
Well, then we'll have to make sure it doesn't, won't we? | 0:18:11 | 0:18:13 | |
Come on. | 0:18:19 | 0:18:21 | |
Come on! WHIP CRACKS | 0:18:23 | 0:18:26 | |
Come on. | 0:18:26 | 0:18:27 | |
Come on! | 0:18:30 | 0:18:32 | |
Whoa. | 0:18:37 | 0:18:39 | |
Whoa-oa. Whoa-oa. | 0:18:39 | 0:18:42 | |
Whoa-oh. Whoa-oa. | 0:18:42 | 0:18:44 | |
You say you love me, but... I don't know who you are. | 0:19:03 | 0:19:08 | |
I look at you, the man I married, | 0:19:08 | 0:19:12 | |
and I see a...stranger. | 0:19:12 | 0:19:15 | |
That's not true. | 0:19:15 | 0:19:17 | |
No. | 0:19:17 | 0:19:18 | |
The fact remains that I did marry you. | 0:19:21 | 0:19:25 | |
For the sake of our child, and our child alone, | 0:19:25 | 0:19:30 | |
I will try to honour that. | 0:19:30 | 0:19:33 | |
That side of you... | 0:19:36 | 0:19:38 | |
It's over. | 0:19:38 | 0:19:41 | |
Swear it on your life. | 0:19:42 | 0:19:45 | |
I swear...it's over. | 0:19:46 | 0:19:50 | |
ENGINE REVS | 0:20:36 | 0:20:38 | |
Anna. | 0:21:45 | 0:21:48 | |
I was just thinking about you. This is so strange. | 0:21:49 | 0:21:54 | |
-What are you doing here? -Just needed to relax for a moment. | 0:21:54 | 0:21:58 | |
-We should go riding again. -I'd love that. Soon. | 0:21:58 | 0:22:02 | |
I was wondering... | 0:22:02 | 0:22:04 | |
This is embarrassing. | 0:22:06 | 0:22:07 | |
Yes? | 0:22:07 | 0:22:10 | |
You know Gino? | 0:22:10 | 0:22:12 | |
Yes. | 0:22:12 | 0:22:14 | |
And...well... | 0:22:14 | 0:22:17 | |
He was just here and he and I... | 0:22:17 | 0:22:20 | |
You know I like him? | 0:22:22 | 0:22:24 | |
-Yes? -I love him. | 0:22:24 | 0:22:27 | |
-Please, don't make me say it. -Anna. | 0:22:29 | 0:22:31 | |
But I love him and he loves me. And we're going to be married. | 0:22:31 | 0:22:35 | |
We are, we're going to tell everyone and get married, but not now. | 0:22:35 | 0:22:38 | |
-The time, it has to be right. -Anna, please. | 0:22:38 | 0:22:41 | |
And it's not dirty or anything like that. It's not. | 0:22:41 | 0:22:43 | |
It's actually wonderful, but we can't risk anything happening. | 0:22:43 | 0:22:47 | |
-You understand, like an accident? -Anna, just stop now. | 0:22:47 | 0:22:51 | |
I know what you're going to ask and I...I can't help you. | 0:22:51 | 0:22:54 | |
-But you're a nurse. -I'm a friend of your father. | 0:22:54 | 0:22:57 | |
I just want help, some advice. | 0:22:57 | 0:22:59 | |
I can't repay his generosity by helping you get birth control. | 0:22:59 | 0:23:03 | |
-He'd never have to know. -I would. | 0:23:04 | 0:23:07 | |
Talk to Dr Duncan. | 0:23:10 | 0:23:12 | |
-I can't ask Jack. -He's a doctor. -He watched me grow up. | 0:23:12 | 0:23:15 | |
What does the fact you can't tell him what you're doing | 0:23:15 | 0:23:18 | |
say about what you're doing? | 0:23:18 | 0:23:19 | |
Don't make it sound dirty. It's not. | 0:23:19 | 0:23:22 | |
Please don't break your father's heart. | 0:23:22 | 0:23:24 | |
I won't. | 0:23:24 | 0:23:27 | |
If you're going to continue, you must take precautions. | 0:23:29 | 0:23:32 | |
Do find someone to help you. | 0:23:34 | 0:23:36 | |
THEY GIGGLE | 0:23:46 | 0:23:48 | |
THEY CHATTER HAPPILY IN ITALIAN | 0:23:48 | 0:23:50 | |
-RECORD PLAYS: -# When the moon hits your eye like a big pizza pie | 0:23:55 | 0:24:00 | |
# That's amore! | 0:24:00 | 0:24:02 | |
# When the world seems to shine like you've had too much wine | 0:24:05 | 0:24:09 | |
# That's amore! | 0:24:09 | 0:24:11 | |
# Bells will ring | 0:24:13 | 0:24:15 | |
# Ting-a-ling-a-ling! Ting-a-ling-a-ling! | 0:24:15 | 0:24:17 | |
-# And you'll sing... # -Gino, where are you going? -Town. | 0:24:17 | 0:24:20 | |
-MOTHER: What? -I gotta get something. | 0:24:20 | 0:24:23 | |
WOMAN SCREAMS, MAN SHOUTS | 0:24:26 | 0:24:29 | |
Sister! | 0:24:42 | 0:24:43 | |
Sister! Help. Come quick! | 0:24:43 | 0:24:47 | |
It's Mum. Mum's hurt. Please, come. | 0:24:51 | 0:24:55 | |
He smashed her into a chair. | 0:24:59 | 0:25:01 | |
-Eve. -Sorry. | 0:25:01 | 0:25:03 | |
Colin says that you've hurt your back. | 0:25:03 | 0:25:05 | |
-Can you... Can you move your legs? -SHE SCREAMS IN PAIN: -I... | 0:25:05 | 0:25:09 | |
OK, don't try to talk, just squeeze my hand | 0:25:09 | 0:25:12 | |
if you can feel me touching them. | 0:25:12 | 0:25:13 | |
-Is she gonna be OK? -You can hope for a bit better than OK. | 0:25:15 | 0:25:20 | |
-I'm sorry. I've wet myself. -That's nothing to be ashamed of. | 0:25:20 | 0:25:24 | |
I'm just gonna quickly examine the baby. Please don't move. | 0:25:24 | 0:25:28 | |
You're doing really well. | 0:25:30 | 0:25:33 | |
Your waters have broken. Colin, listen to me. | 0:25:35 | 0:25:37 | |
Ride to Ash Park and get Auntie Amy to call the ambulance immediately. | 0:25:37 | 0:25:41 | |
You understand? | 0:25:41 | 0:25:43 | |
Go! Quickly! | 0:25:43 | 0:25:45 | |
Let's just lift your head up. There. | 0:25:48 | 0:25:51 | |
-Gently. Gently. -SHE SOBS | 0:25:51 | 0:25:54 | |
Eve, listen to me. There's something important I have to ask you. | 0:26:13 | 0:26:17 | |
When you had Colin, how long was your labour? | 0:26:17 | 0:26:19 | |
An hour. Less. | 0:26:19 | 0:26:21 | |
Right. | 0:26:21 | 0:26:23 | |
I don't want to scare you, but we have a choice to make. | 0:26:23 | 0:26:26 | |
Ideally, we would wait and deliver by caesarean. | 0:26:26 | 0:26:29 | |
But with your back and your history | 0:26:29 | 0:26:32 | |
and if the ambulance takes too long... | 0:26:32 | 0:26:34 | |
..you could lose sensation at any time | 0:26:36 | 0:26:38 | |
and you wouldn't be able to push. | 0:26:38 | 0:26:39 | |
What could happen to the baby? | 0:26:39 | 0:26:41 | |
I wanna get this bub out as quickly as possible. | 0:26:43 | 0:26:46 | |
It will be painful, but if we work together, we can do it. | 0:26:46 | 0:26:50 | |
-Will you trust me? -The baby could die? | 0:26:51 | 0:26:56 | |
Yes. | 0:26:56 | 0:26:58 | |
All right. | 0:26:58 | 0:27:00 | |
Thank you. | 0:27:00 | 0:27:02 | |
OK. | 0:27:05 | 0:27:06 | |
-What's that? -Castor oil. | 0:27:06 | 0:27:09 | |
To make the labour even faster. Here we go. | 0:27:09 | 0:27:12 | |
Eugh! Argh! | 0:27:14 | 0:27:18 | |
Oh, her decision is a great relief. | 0:27:33 | 0:27:36 | |
The look in her eyes. | 0:27:36 | 0:27:38 | |
-Shock. -Disgust. | 0:27:40 | 0:27:43 | |
You have to help her understand. | 0:27:43 | 0:27:46 | |
I'll happily wear the label of villain | 0:27:46 | 0:27:48 | |
if it helps her to forgive you. | 0:27:48 | 0:27:50 | |
There's only one label to wear, and it's mine. | 0:27:50 | 0:27:53 | |
It's what you were. Not what you are. Convince her. | 0:27:55 | 0:28:00 | |
And remember, you have a child to live for. | 0:28:04 | 0:28:07 | |
I'm not gonna do anything foolish. | 0:28:07 | 0:28:10 | |
Good. | 0:28:10 | 0:28:12 | |
What on earth? | 0:28:14 | 0:28:16 | |
Auntie Amy, Auntie Amy! | 0:28:16 | 0:28:18 | |
Are you out of your mind? You're not allowed... | 0:28:18 | 0:28:20 | |
-It's Mum. It's an emergency. -Is it the baby? | 0:28:20 | 0:28:23 | |
I dunno. It's... She's hurt. He hurt her. | 0:28:23 | 0:28:26 | |
Slow down. Slow down, son. What's the matter? | 0:28:26 | 0:28:28 | |
Mum's hurt. Bad. Sister Adams wants to get her to hospital. | 0:28:28 | 0:28:32 | |
-Did Sister Adams send you? -So Auntie could call the ambulance. | 0:28:32 | 0:28:35 | |
James, place the call. Wait here. | 0:28:35 | 0:28:37 | |
I'll get my keys. I'll drive you both over. | 0:28:37 | 0:28:39 | |
George, let Norman take them. | 0:28:41 | 0:28:43 | |
I need to check your dilation. | 0:29:03 | 0:29:06 | |
I'm going to have to separate and raise your legs. | 0:29:06 | 0:29:09 | |
I'm sorry, but it's gonna hurt. | 0:29:09 | 0:29:12 | |
SHE GRUNTS AND GROANS | 0:29:15 | 0:29:18 | |
Oh. I think I've... | 0:29:18 | 0:29:21 | |
That's OK. That's OK. | 0:29:21 | 0:29:24 | |
That just means... | 0:29:24 | 0:29:25 | |
..castor oil worked, you're ready to start pushing. | 0:29:28 | 0:29:30 | |
It's gonna hurt but you have to try. | 0:29:30 | 0:29:33 | |
Give it a go. Yes? | 0:29:33 | 0:29:34 | |
I'm sorry, Eve. I'm sorry. | 0:29:34 | 0:29:37 | |
Push and it will all be over with, OK? Push! | 0:29:37 | 0:29:40 | |
-Again, push. -I can't. | 0:29:43 | 0:29:46 | |
-Push. -I can't. -VEHICLE APPROACHS | 0:29:46 | 0:29:49 | |
Rest. | 0:29:49 | 0:29:51 | |
Mummy! | 0:29:51 | 0:29:53 | |
-This isn't something he should see. -Of course. | 0:29:55 | 0:29:57 | |
And I...I could use some fresh towels and boiling water. | 0:29:57 | 0:30:01 | |
-Go on in, son. -Is she OK? | 0:30:01 | 0:30:02 | |
Yes, she's having the baby. Amy, Amy, come and help. | 0:30:02 | 0:30:05 | |
I can't. I'm sorry. | 0:30:05 | 0:30:07 | |
It's all right. You look after Colin. I'll help out here. | 0:30:07 | 0:30:10 | |
EVE SOBS | 0:30:10 | 0:30:12 | |
Whatever you need. | 0:30:15 | 0:30:16 | |
Eve, George Bligh's gonna help us give it another go. | 0:30:16 | 0:30:19 | |
-No, please. -There's no need to feel embarrassed. | 0:30:19 | 0:30:23 | |
It's almost here. It's her back injury, it's making it agony. | 0:30:23 | 0:30:26 | |
Eve, everything is gonna be fine. | 0:30:26 | 0:30:30 | |
The ambulance is on its way. | 0:30:30 | 0:30:31 | |
But we'll keep going, won't we, Eve? | 0:30:31 | 0:30:33 | |
We can't risk harming baby by stopping now. | 0:30:33 | 0:30:35 | |
Just take her leg. | 0:30:35 | 0:30:37 | |
Careful. | 0:30:37 | 0:30:38 | |
Now, ready for another try? | 0:30:38 | 0:30:40 | |
I can't. It hurts. | 0:30:40 | 0:30:42 | |
-Yes, you can. -It hurts so much. | 0:30:42 | 0:30:45 | |
That's why we wanna get it over and done with. What do you say? | 0:30:45 | 0:30:47 | |
All right, Eve. On the count of three. | 0:30:47 | 0:30:50 | |
One, two... | 0:30:50 | 0:30:53 | |
SHE SCREAMS | 0:30:54 | 0:30:56 | |
I think it best you close the door. | 0:31:06 | 0:31:08 | |
James never would have done what he did to me without being forced. | 0:31:08 | 0:31:12 | |
My dear, that's... | 0:31:12 | 0:31:14 | |
Don't. | 0:31:14 | 0:31:15 | |
This is your house and I will respect that, | 0:31:17 | 0:31:21 | |
and I will respect the need to keep this between we three. | 0:31:21 | 0:31:25 | |
But I will never respect you again. | 0:31:27 | 0:31:30 | |
EVE GRUNTS AND CRIES | 0:31:37 | 0:31:39 | |
That's it. That's it, Eve. | 0:31:41 | 0:31:43 | |
That's good, Eve. Again. | 0:31:43 | 0:31:44 | |
Again! | 0:31:44 | 0:31:47 | |
Mummy! | 0:31:47 | 0:31:48 | |
Inside, Colin. Now. | 0:31:48 | 0:31:50 | |
Keep going, Eve. Amy! | 0:31:50 | 0:31:53 | |
I can't. | 0:31:53 | 0:31:55 | |
You just did. A couple more, Eve. Push. | 0:31:55 | 0:31:57 | |
-Push, Eve. -Almost there. -Push, you can do it. | 0:31:57 | 0:32:02 | |
No, it hurts. | 0:32:02 | 0:32:04 | |
Come on, Eve. One more time. | 0:32:04 | 0:32:06 | |
-The baby needs you to, Eve. Push! -Almost there. -Come on, push. | 0:32:06 | 0:32:10 | |
LOUD SCREAMS | 0:32:10 | 0:32:13 | |
SHE GASPS AND PANTS | 0:32:15 | 0:32:17 | |
BABY CRIES | 0:32:17 | 0:32:19 | |
Well done, Eve. Well done. | 0:32:22 | 0:32:25 | |
There you go. | 0:32:28 | 0:32:30 | |
Well done, Eve. | 0:32:33 | 0:32:35 | |
Oh, my goodness. She's beautiful. | 0:32:35 | 0:32:38 | |
Congratulations. | 0:32:38 | 0:32:40 | |
We suspect two fractured vertebrae. | 0:33:05 | 0:33:08 | |
She's stabilised. We'll operate once we're sure. | 0:33:08 | 0:33:10 | |
-Would you send any bills to me? -She's gonna be in for a while. | 0:33:10 | 0:33:13 | |
I don't care how much or how long. | 0:33:13 | 0:33:15 | |
Good on you. | 0:33:15 | 0:33:16 | |
That's the least I can do. | 0:33:16 | 0:33:18 | |
She's asking for you both. | 0:33:18 | 0:33:19 | |
-Her family? -Over there. | 0:33:19 | 0:33:22 | |
Keep it short. | 0:33:22 | 0:33:23 | |
Sister. | 0:33:37 | 0:33:39 | |
Mr Bligh. I'm so sorry you had to see me like that. | 0:33:39 | 0:33:43 | |
It's all right. | 0:33:43 | 0:33:45 | |
Now, I've spoken to Dr Duncan. | 0:33:45 | 0:33:47 | |
I'd like to look after all of your expenses. | 0:33:47 | 0:33:49 | |
And we'll look at whatever help you need to keep the farm going. | 0:33:49 | 0:33:52 | |
-You're so kind. -Just get better. | 0:33:52 | 0:33:54 | |
-Sister. -Yes? | 0:34:02 | 0:34:04 | |
Could I name my little girl after you? | 0:34:04 | 0:34:07 | |
-I'd be honoured, but that's... -Don't worry about Bert. | 0:34:07 | 0:34:12 | |
After what you've done, he'll forget all that other stuff. | 0:34:12 | 0:34:16 | |
I know he's not perfect. | 0:34:17 | 0:34:20 | |
But he'll make a good dad. | 0:34:20 | 0:34:22 | |
You know him better than I do. | 0:34:22 | 0:34:26 | |
-Could I ask one more thing? -Sure. | 0:34:27 | 0:34:30 | |
Could you find him, tell him his little girl's here? | 0:34:30 | 0:34:34 | |
Yeah. | 0:34:34 | 0:34:36 | |
Rest. | 0:34:38 | 0:34:39 | |
OK, not for long. She needs to rest. | 0:34:48 | 0:34:50 | |
Thank you. | 0:34:51 | 0:34:53 | |
A lumbar spine fracture coupled with an emergency parturition. | 0:34:57 | 0:35:01 | |
-Amazing. -I took a punt and hoped to God it was the right choice. | 0:35:01 | 0:35:06 | |
If you'd waited for the ambulance, | 0:35:06 | 0:35:07 | |
there's a good chance both Eve and the baby would be dead. | 0:35:07 | 0:35:10 | |
-I was just doing my job. -It's yours for as long as you want. | 0:35:10 | 0:35:12 | |
There's no way Elizabeth's gonna be able to justify your dismissal now. | 0:35:12 | 0:35:17 | |
It's your get out of jail free card. | 0:35:17 | 0:35:19 | |
Eve went through hell. It's hard to celebrate. | 0:35:19 | 0:35:22 | |
And now I've gotta find that brute and let him know he's a father. | 0:35:22 | 0:35:25 | |
No need. It's been taken care of. | 0:35:25 | 0:35:28 | |
See, that's good. That's good. Means she understands. | 0:35:28 | 0:35:33 | |
What? | 0:35:37 | 0:35:40 | |
-GLASS SMASHES -Hey...! | 0:35:40 | 0:35:42 | |
Eve and your daughter are at the hospital. | 0:35:42 | 0:35:44 | |
You can thank Sarah Adams they're alive. | 0:35:44 | 0:35:47 | |
I always knew you were scum, Ford. | 0:35:47 | 0:35:50 | |
Today...just confirmed it. | 0:35:50 | 0:35:54 | |
Any man in this town who raises his hand against a woman, | 0:35:56 | 0:36:01 | |
any man, will suffer the consequences. | 0:36:01 | 0:36:05 | |
I won't stand for it. | 0:36:07 | 0:36:09 | |
-Hear, hear, Mr Bligh. -OTHERS: Hear, hear, Mr Bligh! | 0:36:10 | 0:36:14 | |
You're a father now. | 0:36:16 | 0:36:18 | |
Act like one. | 0:36:18 | 0:36:20 | |
STONES CLICK ON WINDOW | 0:36:34 | 0:36:36 | |
GINO: Anna! | 0:36:47 | 0:36:49 | |
-What are you doing? -I have to see you. | 0:36:50 | 0:36:53 | |
-You're crazy! -Only for you! | 0:36:53 | 0:36:56 | |
Come down! | 0:36:56 | 0:36:58 | |
No, you come up! | 0:36:58 | 0:37:00 | |
Go on! | 0:37:02 | 0:37:05 | |
Yeah, do it. | 0:37:05 | 0:37:07 | |
Go, go! | 0:37:47 | 0:37:48 | |
I almost ran straight into your nonna! | 0:37:51 | 0:37:53 | |
Shhh. James and Olivia, they're next door. | 0:37:53 | 0:37:56 | |
-Do you think I'm crazy? -I wanted you here with...with me. | 0:37:56 | 0:37:58 | |
-I missed you. -I missed you too. | 0:37:58 | 0:38:01 | |
I missed all of you. | 0:38:01 | 0:38:02 | |
It's OK, no-one's going to come in. | 0:38:05 | 0:38:07 | |
It's not that. | 0:38:07 | 0:38:09 | |
It's just... I came because... | 0:38:09 | 0:38:12 | |
-I wanna talk. -Later! No. | 0:38:15 | 0:38:18 | |
Are you still worried about the risk? | 0:38:22 | 0:38:24 | |
Because I...I've written to my aunt in Sydney, | 0:38:24 | 0:38:27 | |
and she'll help us, I'm sure of it. | 0:38:27 | 0:38:29 | |
You know what we talked about? | 0:38:31 | 0:38:33 | |
-Yes. -How what we do is wrong? | 0:38:33 | 0:38:36 | |
-Yes, but...if I... -It is. In the eyes of the Church. | 0:38:36 | 0:38:41 | |
It is. | 0:38:43 | 0:38:44 | |
-Well, we can stop. -No. | 0:38:44 | 0:38:48 | |
-But you believe it's wrong. -Because we're not married. | 0:38:48 | 0:38:51 | |
So I was thinking, uh... | 0:38:54 | 0:38:56 | |
Maybe we could make it right? | 0:38:57 | 0:39:00 | |
More right. | 0:39:02 | 0:39:04 | |
-If we... -What? | 0:39:04 | 0:39:07 | |
Anna... | 0:39:09 | 0:39:10 | |
I wanna be with you. | 0:39:12 | 0:39:14 | |
Together. Forever. | 0:39:14 | 0:39:17 | |
We will be. We will. | 0:39:17 | 0:39:19 | |
Anna... | 0:39:21 | 0:39:22 | |
Marry me. | 0:39:32 | 0:39:34 | |
I will. I will. | 0:39:37 | 0:39:40 | |
I will marry you. | 0:39:40 | 0:39:42 | |
SHE LAUGHS | 0:39:48 | 0:39:51 | |
THEY LAUGH | 0:40:01 | 0:40:03 | |
I will not fire Sarah Adams just because you want me to. | 0:40:10 | 0:40:14 | |
I've never tugged my forelock to you before and I won't do it now. | 0:40:14 | 0:40:17 | |
I thought you understood. Negotiations are over. | 0:40:17 | 0:40:22 | |
-Too right they are. -Then I will go to the board. | 0:40:22 | 0:40:25 | |
And say what? | 0:40:25 | 0:40:26 | |
You don't like her? You can't fault her nursing, Elizabeth. | 0:40:28 | 0:40:31 | |
-Her behaviour has been absolutely unacceptable! -There are explanations for everything she has done. | 0:40:31 | 0:40:36 | |
Good ones. | 0:40:36 | 0:40:38 | |
Same be said for you? | 0:40:39 | 0:40:41 | |
She won't be the only one on trial in that room, I'll make sure of it. | 0:40:41 | 0:40:45 | |
Are you quite finished? | 0:40:45 | 0:40:47 | |
After what Sarah did today, | 0:40:47 | 0:40:50 | |
you'll only damage yourself by attacking her. | 0:40:50 | 0:40:53 | |
I'm trying to spare YOU the humiliation. | 0:40:56 | 0:40:58 | |
You've made your position clear. | 0:41:00 | 0:41:02 | |
Go. | 0:41:03 | 0:41:05 | |
Thank you. | 0:41:36 | 0:41:38 | |
What for? | 0:41:38 | 0:41:40 | |
You know what. | 0:41:40 | 0:41:42 | |
MUSIC: That's Amore | 0:41:49 | 0:41:53 | |
# When the moon hits your eye like a big pizza pie | 0:41:53 | 0:41:57 | |
# That's amore | 0:41:57 | 0:41:59 | |
# When the world seems to shine like you've had too much wine | 0:42:02 | 0:42:06 | |
# That's amore | 0:42:06 | 0:42:09 | |
# Bells will ring | 0:42:11 | 0:42:12 | |
# Ting-a-ling-a-ling Ting-a-ling-a-ling | 0:42:12 | 0:42:15 | |
# And you'll sing "Vita bella" | 0:42:15 | 0:42:19 | |
# Hearts will play | 0:42:21 | 0:42:22 | |
# Tippy-tippy-tay Tippy-tippy-tay | 0:42:22 | 0:42:24 | |
# Like a gay tarantella | 0:42:24 | 0:42:28 | |
# When the stars make you drool just like a "pasta fazool" | 0:42:30 | 0:42:35 | |
# That's amore... # | 0:42:35 | 0:42:37 | |
SHE SNIFFS | 0:42:37 | 0:42:40 | |
# When you dance down the street with a cloud at your feet | 0:42:40 | 0:42:44 | |
# You're in love | 0:42:44 | 0:42:48 | |
# When you walk in a dream | 0:42:49 | 0:42:54 | |
# But you know you're not dreaming | 0:42:54 | 0:43:00 | |
# Seniore | 0:43:00 | 0:43:03 | |
# Scuzza me, but you see back in old Napoli | 0:43:03 | 0:43:09 | |
# That's amore! | 0:43:09 | 0:43:12 | |
# Amore! | 0:43:12 | 0:43:13 | |
# That's amore! # | 0:43:13 | 0:43:17 |