Browse content similar to The Ghosts of Christmas Past. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-You've made me believe in you. -Really? -You're engaged. | 0:00:02 | 0:00:04 | |
Do you think I'm going to let some wop farm boy have her? | 0:00:04 | 0:00:06 | |
I thought I'd have to work to get you. | 0:00:06 | 0:00:08 | |
-I did love you. -And I loved you. | 0:00:08 | 0:00:10 | |
I don't care what it costs. | 0:00:11 | 0:00:13 | |
Find something that will rid us of her for ever. | 0:00:13 | 0:00:16 | |
I used my body. | 0:00:16 | 0:00:19 | |
They used it. | 0:00:19 | 0:00:21 | |
How can I marry without telling him? | 0:00:21 | 0:00:24 | |
See, he's a man. Don't risk destroying this. | 0:00:24 | 0:00:28 | |
What could be found? | 0:00:28 | 0:00:29 | |
The full story of what happened to me at Ravensbruck. | 0:00:29 | 0:00:32 | |
To hear it from anyone else would be the end of us. | 0:00:32 | 0:00:36 | |
RECORD CRACKLES WOOD CREAKS | 0:00:41 | 0:00:44 | |
CHATTER AND LAUGHTER | 0:00:46 | 0:00:49 | |
I got through it by going somewhere in my mind. | 0:01:03 | 0:01:07 | |
Somewhere far away. | 0:01:09 | 0:01:11 | |
I feel as if it happened to someone else. | 0:01:11 | 0:01:15 | |
But it happened to me. | 0:01:21 | 0:01:23 | |
I feel so... | 0:01:23 | 0:01:26 | |
I should have told you before. | 0:01:29 | 0:01:33 | |
-It has to affect how you see me. -I won't let it. | 0:01:33 | 0:01:36 | |
I won't. | 0:01:36 | 0:01:38 | |
-I'm so sorry. -I've come to terms with it... | 0:01:40 | 0:01:45 | |
..within myself. | 0:01:46 | 0:01:48 | |
Well, it seems rather poor timing, I must say. | 0:02:00 | 0:02:03 | |
It's for one night, and he'll check on James before he goes. | 0:02:03 | 0:02:07 | |
And the reason for this gathering? | 0:02:07 | 0:02:09 | |
It's my annual pre-Christmas bash for glorious misfits. | 0:02:09 | 0:02:13 | |
-The reason for Jack to go? -It may help him understand James. | 0:02:13 | 0:02:16 | |
He'll certainly see that his kind come in all shapes and sizes. | 0:02:16 | 0:02:20 | |
Well, I think it's a marvellous idea. | 0:02:20 | 0:02:22 | |
Sarah agrees, don't you? | 0:02:22 | 0:02:24 | |
I don't see it can hurt. | 0:02:24 | 0:02:27 | |
Avoiding facts does more harm than facing them ever does. | 0:02:27 | 0:02:30 | |
-George. -Sorry? | 0:02:34 | 0:02:37 | |
-I'm interested in your opinion. -I'd rather not discuss it. | 0:02:37 | 0:02:41 | |
Fear not, Mother, I'll send Jack home unsullied. | 0:02:41 | 0:02:44 | |
Have you known men like James, Miss Adams? | 0:02:44 | 0:02:47 | |
-I have. -Oh. | 0:02:47 | 0:02:49 | |
-So you've mixed in the demimonde? -Not really. | 0:02:49 | 0:02:51 | |
They're found in all sorts of circles. | 0:02:51 | 0:02:53 | |
LAUGHTER I'm aware of that. | 0:02:53 | 0:02:56 | |
Well, perhaps one day you may enlighten us | 0:02:56 | 0:02:58 | |
about your clearly colourful past. | 0:02:58 | 0:03:01 | |
Do I detect a certain tension between yourself and Miss Adams? | 0:03:12 | 0:03:17 | |
Stay out of it...please. | 0:03:17 | 0:03:20 | |
HE GROANS | 0:03:31 | 0:03:34 | |
James. James, wake up. HE GASPS | 0:03:35 | 0:03:39 | |
It's all right, darling, it's just a nightmare. | 0:03:39 | 0:03:42 | |
You're home. You're here. BREATHES SHAKILY | 0:03:42 | 0:03:46 | |
You're safe. | 0:03:46 | 0:03:48 | |
It was dreadful. I was hitting him. | 0:03:48 | 0:03:51 | |
-Who? -Again and again with my fists. | 0:03:51 | 0:03:57 | |
I was hitting our son because he's like me. | 0:03:57 | 0:04:01 | |
It was just a nightmare. | 0:04:01 | 0:04:03 | |
If it's a boy, my grandfather and me, William on your side of the family... | 0:04:03 | 0:04:09 | |
-If it's hereditary... -You're upsetting yourself. | 0:04:09 | 0:04:11 | |
-What would you do if you knew before he was born? How would you feel? -Stop it! | 0:04:11 | 0:04:16 | |
SHE SIGHS | 0:04:18 | 0:04:21 | |
I would love him like any other child. | 0:04:21 | 0:04:26 | |
Really? | 0:04:27 | 0:04:28 | |
How could I not? | 0:04:30 | 0:04:32 | |
He comes from our love. | 0:04:32 | 0:04:35 | |
Lie down. | 0:04:37 | 0:04:39 | |
Sleep. | 0:04:41 | 0:04:42 | |
Doris is on a decorations frenzy. | 0:05:20 | 0:05:22 | |
I'm getting out before I end up draped in tinsel and holly. | 0:05:22 | 0:05:26 | |
Problem? | 0:05:27 | 0:05:29 | |
I'm here to help with yours, I hope. | 0:05:29 | 0:05:31 | |
I'm sure everyone's asking for time off over Christmas. | 0:05:31 | 0:05:33 | |
I'm juggling it. Just. | 0:05:33 | 0:05:35 | |
I'll take as many extra shifts as you need. | 0:05:35 | 0:05:37 | |
Won't you be expected at Ash Park? | 0:05:37 | 0:05:40 | |
Well, given my faith, I'd rather be with my patients. | 0:05:40 | 0:05:42 | |
-Surely George wants his... -He understands. | 0:05:42 | 0:05:44 | |
-Well, his loss is my gain. -Yes. | 0:05:46 | 0:05:48 | |
I want you to drink all of it. | 0:06:22 | 0:06:23 | |
Well done. | 0:06:26 | 0:06:27 | |
Excuse me. | 0:06:35 | 0:06:36 | |
I love you. That will never change. | 0:06:52 | 0:06:56 | |
I-I don't want to, but I keep seeing you... | 0:06:58 | 0:07:01 | |
I can't keep these images out of my mind. | 0:07:04 | 0:07:06 | |
-You can't imagine what it was like. -I'm sure. | 0:07:06 | 0:07:08 | |
But I see you...with all those men. | 0:07:08 | 0:07:12 | |
There was no pleasure. | 0:07:12 | 0:07:15 | |
There was only violence and horror. | 0:07:15 | 0:07:17 | |
I feel such anger. | 0:07:23 | 0:07:25 | |
But I will come to terms with it. | 0:07:28 | 0:07:30 | |
But can you marry someone with that in their past? | 0:07:32 | 0:07:35 | |
-I can't let you go. -Don't come back until you're sure. | 0:07:35 | 0:07:39 | |
This is too painful. | 0:07:42 | 0:07:44 | |
HOOF BEATS GROW LOUDER | 0:07:56 | 0:07:59 | |
So what do you reckon, Mrs Bligh? | 0:08:03 | 0:08:04 | |
Oh, well, you certainly have the wherewithal for a real schoolroom. | 0:08:04 | 0:08:08 | |
Thank Mr Bligh from the men. | 0:08:08 | 0:08:10 | |
We're very grateful you've offered to teach them. | 0:08:10 | 0:08:13 | |
I do hope Mrs Duncan doesn't mind us taking your spare time. | 0:08:13 | 0:08:18 | |
Ah, there's no Mrs Duncan, ma'am, just footloose and fancy free me. | 0:08:18 | 0:08:23 | |
-LAUGHS -Then we don't have to worry. | 0:08:23 | 0:08:26 | |
Ah, we know that it's mostly your doing. | 0:08:26 | 0:08:28 | |
So thank you, ma'am. | 0:08:28 | 0:08:30 | |
I'm glad for the chance to be as busy as my husband is | 0:08:32 | 0:08:35 | |
with the property and his affairs in the city. | 0:08:35 | 0:08:39 | |
Good day. | 0:08:42 | 0:08:43 | |
Ah, Mrs Bligh, before you go. | 0:08:43 | 0:08:46 | |
-Merry Christmas from the men. -Oh. | 0:08:47 | 0:08:51 | |
You said that roses are your favourite. | 0:08:51 | 0:08:54 | |
I don't think you've got one like it. | 0:08:54 | 0:08:56 | |
Thank you, John. I have just the spot for it. | 0:08:56 | 0:09:00 | |
It's Jack, ma'am. | 0:09:00 | 0:09:02 | |
To most. | 0:09:03 | 0:09:05 | |
-It's a beautiful rose. -It is. A fine hybrid. | 0:09:22 | 0:09:27 | |
However, I suspect you're not here for a lesson in horticulture. | 0:09:27 | 0:09:30 | |
No. | 0:09:30 | 0:09:32 | |
I thought you should know I'm moving into the hospital | 0:09:32 | 0:09:34 | |
over the Christmas period. | 0:09:34 | 0:09:36 | |
-I'll be doing double shifts. -Oh. I see. | 0:09:36 | 0:09:39 | |
I know what you're doing. | 0:09:42 | 0:09:45 | |
And I've told George the worst that can possibly be told. | 0:09:47 | 0:09:51 | |
Nothing Regina unearths can hurt us if we weather this. | 0:09:51 | 0:09:54 | |
Merry Christmas. | 0:09:56 | 0:09:59 | |
When we settled on your three months with us, | 0:09:59 | 0:10:02 | |
I foretold that you would decide its outcome. | 0:10:02 | 0:10:05 | |
I'll only be gone a short while. | 0:10:05 | 0:10:07 | |
Will you? | 0:10:07 | 0:10:09 | |
How may I help you, Mrs Duncan? | 0:11:00 | 0:11:02 | |
I apologise, being a total stranger and all, | 0:11:04 | 0:11:08 | |
um, but I didn't know where else to turn. | 0:11:08 | 0:11:10 | |
It-it's about my Jacky. | 0:11:10 | 0:11:14 | |
He's named after his father. | 0:11:14 | 0:11:15 | |
I know things didn't end well, here with Jacky's dad. | 0:11:15 | 0:11:19 | |
-It was a long time ago. -It was. | 0:11:19 | 0:11:22 | |
I've gotta tell you, though, he often spoke of you, and well. | 0:11:22 | 0:11:27 | |
Things have been hard since he passed. | 0:11:27 | 0:11:29 | |
Ah. | 0:11:29 | 0:11:31 | |
I'm not looking for a hand-out, not for myself. | 0:11:31 | 0:11:34 | |
But Jacky's a real clever lad, | 0:11:34 | 0:11:36 | |
and he'll go far if he can stay at school. | 0:11:36 | 0:11:39 | |
I don't have the money. | 0:11:40 | 0:11:43 | |
John always said that you cared about that sort of thing, so I... | 0:11:43 | 0:11:46 | |
I understand. | 0:11:46 | 0:11:47 | |
And what would you like to do with your life, Jack? | 0:11:49 | 0:11:52 | |
A clerk, perhaps. | 0:11:52 | 0:11:54 | |
What if you could do anything? | 0:11:56 | 0:11:58 | |
I reckon a doctor, ma'am. | 0:12:01 | 0:12:03 | |
A few more days and James should be back to rights. | 0:12:07 | 0:12:10 | |
Good. | 0:12:10 | 0:12:11 | |
-He's following conversation again, he's stopped drifting. -Thank you. | 0:12:11 | 0:12:15 | |
I'll give him another once-over as soon as I'm back from Sydney. | 0:12:15 | 0:12:19 | |
Please don't return spouting any of Carolyn's nonsense. | 0:12:19 | 0:12:22 | |
If she and Miss Adams had their way | 0:12:22 | 0:12:24 | |
they'd see James in some bohemian menage. | 0:12:24 | 0:12:28 | |
Well, what if that's what he wants? | 0:12:28 | 0:12:29 | |
He's a married man expecting a child. | 0:12:29 | 0:12:32 | |
He's chosen to embrace his family duty. | 0:12:32 | 0:12:33 | |
-Fair enough. -Hmm. | 0:12:33 | 0:12:36 | |
No doubt that woman's been in your ear already. | 0:12:36 | 0:12:39 | |
What, Sarah? | 0:12:39 | 0:12:40 | |
My best efforts have been met with paranoid ramblings. | 0:12:40 | 0:12:43 | |
Any tensions are of her making. | 0:12:43 | 0:12:46 | |
Have you two had a stoush? | 0:12:46 | 0:12:47 | |
Jack, if we discuss it, we'll disagree. | 0:12:47 | 0:12:50 | |
I don't like it when we disagree. | 0:12:50 | 0:12:52 | |
-You never have. -No. | 0:12:52 | 0:12:55 | |
Come on, I've got your Christmas present in the car. | 0:12:55 | 0:12:58 | |
-Oh. -Don't think you've got one like it. | 0:13:02 | 0:13:05 | |
-What? -Oh, your timing is... | 0:13:08 | 0:13:12 | |
Thank you. | 0:13:12 | 0:13:14 | |
-It's been a tough year. -It has. | 0:13:16 | 0:13:20 | |
-Look at us, eh, still friends. -Oh. | 0:13:23 | 0:13:27 | |
Always. | 0:13:27 | 0:13:28 | |
Merry Christmas, Jack. | 0:14:04 | 0:14:06 | |
Is that...? | 0:14:06 | 0:14:08 | |
Taken from last year's gift, yes. | 0:14:08 | 0:14:11 | |
Thank you for all the work you've been doing with the men. | 0:14:12 | 0:14:15 | |
They've made wonderful progress. | 0:14:15 | 0:14:17 | |
We've done well, haven't we? | 0:14:17 | 0:14:20 | |
Yes. | 0:14:20 | 0:14:22 | |
You don't have to do that. | 0:14:29 | 0:14:31 | |
Well, you can't leave everything strewn about. | 0:14:31 | 0:14:34 | |
-Oh, Jack. -It's OK. | 0:14:35 | 0:14:38 | |
You know how I feel about you, you must. | 0:14:38 | 0:14:42 | |
-I... -You feel the same way. | 0:14:42 | 0:14:45 | |
I know you do. It's wrong but you do. | 0:14:45 | 0:14:49 | |
I can't give you what you've got | 0:14:51 | 0:14:52 | |
but I could make you happy, and you're not. | 0:14:52 | 0:14:56 | |
Come with me. | 0:14:58 | 0:15:00 | |
Come away, Elizabeth. | 0:15:01 | 0:15:04 | |
That's Mrs Bligh. | 0:15:06 | 0:15:09 | |
How dare you presume to know what constitutes my happiness! | 0:15:11 | 0:15:14 | |
You will go to the overseer, Mr Duncan, and offer your notice, | 0:15:14 | 0:15:17 | |
or I'll go to my husband and have you flogged off this property. | 0:15:17 | 0:15:20 | |
-You love me. You know you do. -Go. | 0:15:20 | 0:15:23 | |
Now! | 0:15:26 | 0:15:27 | |
Grandmother? | 0:15:56 | 0:15:57 | |
-Is it James? -No. | 0:16:00 | 0:16:04 | |
-Me? -LAUGHS No. | 0:16:05 | 0:16:07 | |
I know I've disappointed you. CAR PULLS UP | 0:16:07 | 0:16:12 | |
Whatever our differences, you know I'll always love you. | 0:16:12 | 0:16:17 | |
CAR DOOR OPENS AND SHUTS Well, that is a comfort. | 0:16:17 | 0:16:20 | |
What is he doing here? | 0:16:23 | 0:16:25 | |
I invited him to join us for Christmas. | 0:16:25 | 0:16:27 | |
How could you? | 0:16:27 | 0:16:28 | |
Anna, you've never given him a proper chance. | 0:16:28 | 0:16:31 | |
Promising start. | 0:16:36 | 0:16:38 | |
GIRL: Gino, it's not fair. | 0:16:47 | 0:16:51 | |
Anna, don't cry, please. | 0:16:51 | 0:16:55 | |
I don't want to go to Darwin. | 0:16:57 | 0:16:59 | |
At least you get to see your papa. I'm not allowed to see mine. | 0:16:59 | 0:17:05 | |
-Why did they lock him up? -Cos he's Italian. | 0:17:05 | 0:17:10 | |
You should go. | 0:17:11 | 0:17:13 | |
I'm going to marry you when I grow up. | 0:17:20 | 0:17:23 | |
-LAUGHS -Don't be so soppy. | 0:17:23 | 0:17:25 | |
Andrew Swanson's here. | 0:17:29 | 0:17:32 | |
And he's staying for Christmas. | 0:17:34 | 0:17:36 | |
It now makes sense why she made us delay the announcement. | 0:17:36 | 0:17:41 | |
There's no need to be jealous, she's just making mischief. | 0:17:42 | 0:17:45 | |
He should know the truth. | 0:17:45 | 0:17:46 | |
Maybe it's time he did. | 0:17:46 | 0:17:48 | |
Why she'd invite him under the circumstances is beyond me. | 0:17:52 | 0:17:57 | |
He knows you've been unwell. He won't be curious. | 0:17:57 | 0:17:59 | |
-I meant the circumstances with Anna. -Oh. | 0:17:59 | 0:18:02 | |
Some sort of last-ditch effort. | 0:18:02 | 0:18:06 | |
-Sure you're up to this? -It's a good test. | 0:18:06 | 0:18:09 | |
DOOR OPENS LAUGHTER | 0:18:12 | 0:18:15 | |
-Andrew. -Olivia. Radiant as ever. | 0:18:15 | 0:18:18 | |
We are so pleased to have you with us. | 0:18:18 | 0:18:21 | |
A great improvement on dinner for one. | 0:18:21 | 0:18:22 | |
Mother's with an aunt I can't abide. LAUGHS | 0:18:22 | 0:18:25 | |
There's nothing worse than being alone at Christmas. | 0:18:25 | 0:18:27 | |
-Good to see you on your feet, James. -It's good to be on them. | 0:18:27 | 0:18:30 | |
Father speaks well of Dr Stewart. Certainly dried him out. | 0:18:30 | 0:18:33 | |
Not that I'm implying... | 0:18:33 | 0:18:35 | |
Oh, of course not. | 0:18:35 | 0:18:37 | |
How is Sir Henry? | 0:18:37 | 0:18:40 | |
In London, trying to outrun the scandal. | 0:18:40 | 0:18:42 | |
And there we shall draw a veil over unsavoury matters. | 0:18:42 | 0:18:45 | |
-Sarah's not joining us? -She's at the hospital. | 0:18:45 | 0:18:49 | |
George's intended. I met her at the engagement party. | 0:18:49 | 0:18:52 | |
Of course. Well, Christmas means little to those of her faith. | 0:18:52 | 0:18:55 | |
I hope we're not late. | 0:18:55 | 0:18:58 | |
Welcome back, James. Uh, Anna says you've been sick. | 0:18:58 | 0:19:02 | |
I'm much improved. Thank you. | 0:19:02 | 0:19:04 | |
-You know Gino, Andrew. You've met. -Not in person. | 0:19:04 | 0:19:08 | |
How are you, old boy? | 0:19:08 | 0:19:10 | |
What happened to you at the engagement party? You disappeared. | 0:19:10 | 0:19:13 | |
Andrew has difficulty focusing on any one thing for too long. | 0:19:13 | 0:19:17 | |
Anna. | 0:19:17 | 0:19:18 | |
It seems your granddaughter has me pegged. | 0:19:18 | 0:19:20 | |
There are exceptions, though, when I find something worth focusing on. | 0:19:20 | 0:19:24 | |
Well, I'm afraid to say that dinner is about to be served. | 0:19:24 | 0:19:27 | |
Gino has come with an invitation for us. | 0:19:27 | 0:19:30 | |
This year Father Joe would like to | 0:19:30 | 0:19:32 | |
invite all faiths to our midnight mass. | 0:19:32 | 0:19:33 | |
Our family would like to invite your family to share it with us. | 0:19:33 | 0:19:38 | |
I'm going. I think we all should. | 0:19:38 | 0:19:40 | |
Well, thank your parents, but I think not. | 0:19:40 | 0:19:43 | |
What about you, old boy? | 0:19:43 | 0:19:45 | |
I've always wondered what sort of blood sacrifices | 0:19:45 | 0:19:48 | |
you papists get up to. | 0:19:48 | 0:19:49 | |
You can't let him go on his own, Grandmother. | 0:19:49 | 0:19:52 | |
As I said, dinner awaits. | 0:19:52 | 0:19:54 | |
There must be an extra chair for my fiance, | 0:19:54 | 0:19:58 | |
surely, even without his generous invitation. | 0:19:58 | 0:20:00 | |
That's one piece of news I hadn't caught up on. | 0:20:00 | 0:20:03 | |
We're announcing it after Christmas, but as we're all here en famille... | 0:20:03 | 0:20:09 | |
I see. | 0:20:09 | 0:20:10 | |
Nothing like a long drive to give a man an appetite. | 0:20:10 | 0:20:14 | |
-Shall we? -Yes. | 0:20:14 | 0:20:17 | |
I'm just not playing her game any more. | 0:20:23 | 0:20:25 | |
Very well. As long as it's done with respect. | 0:20:25 | 0:20:29 | |
James, when you're up to socialising again | 0:20:32 | 0:20:34 | |
I must show you both some hospitality. | 0:20:34 | 0:20:37 | |
Well, it might be some time before we're back in the city. | 0:20:37 | 0:20:39 | |
-When you are. -Well, thank you. | 0:20:39 | 0:20:42 | |
And for being so kind to Livvy while I was unwell. | 0:20:42 | 0:20:46 | |
She's fine company. | 0:20:46 | 0:20:48 | |
-Perhaps you could join us. -We'd love to. | 0:20:49 | 0:20:52 | |
-Wouldn't we? -We would. | 0:20:52 | 0:20:55 | |
Perhaps a visit to the cinema. | 0:20:55 | 0:20:58 | |
I'd love to see one of the new widescreen films. | 0:20:58 | 0:21:01 | |
CinemaScope. | 0:21:01 | 0:21:02 | |
I find it rather like peering through the slit in a letter box. | 0:21:02 | 0:21:05 | |
Well, you'd know, Andrew. | 0:21:05 | 0:21:07 | |
I've become rather a fan of the foreign film lately. | 0:21:07 | 0:21:11 | |
The last one I saw, oddly enough, was called "Anna". | 0:21:11 | 0:21:13 | |
-Oh. -Italian. | 0:21:13 | 0:21:16 | |
How intriguing. | 0:21:16 | 0:21:17 | |
The story of a dancer torn between two men. | 0:21:17 | 0:21:20 | |
Full of murder and cruelty. | 0:21:20 | 0:21:22 | |
Crazy lot, you Italians, if your films are anything to go by. | 0:21:22 | 0:21:26 | |
Passionate. | 0:21:26 | 0:21:28 | |
The main thing I've learned from Italian films | 0:21:28 | 0:21:30 | |
is that when an Italian gives his heart, he gives it truly. | 0:21:30 | 0:21:35 | |
Such a hopeless romantic. | 0:21:36 | 0:21:39 | |
Hopeless. | 0:21:39 | 0:21:41 | |
KNOCK AT DOOR | 0:21:45 | 0:21:47 | |
Was that exhibition absolutely necessary? | 0:21:48 | 0:21:52 | |
You brought it on yourself. | 0:21:52 | 0:21:54 | |
You don't understand, do you? | 0:21:54 | 0:21:55 | |
He could do your reputation irreparable damage if he so chose. | 0:21:55 | 0:21:59 | |
In the world of debs and tea parties, maybe. | 0:21:59 | 0:22:01 | |
That's not my world any more. It never really was. | 0:22:01 | 0:22:05 | |
The irony of your rebellion. | 0:22:05 | 0:22:07 | |
I wouldn't mind all this nonsense, Anna, | 0:22:07 | 0:22:09 | |
if you were fighting for true independence, | 0:22:09 | 0:22:11 | |
but you're simply tying yourself to that boy's stove | 0:22:11 | 0:22:14 | |
to dutifully deliver new little Polettis on an annual basis. | 0:22:14 | 0:22:18 | |
Foolish, foolish girl! | 0:22:18 | 0:22:20 | |
DOOR SLAMS | 0:22:20 | 0:22:23 | |
If you'd prefer your privacy, sir... | 0:22:30 | 0:22:32 | |
-I don't understand. -What? | 0:22:35 | 0:22:39 | |
Why you're still interested in Anna. She's engaged. | 0:22:39 | 0:22:43 | |
-It hasn't been announced. -It will be. | 0:22:43 | 0:22:45 | |
I'll throw in the towel if you prefer. | 0:22:45 | 0:22:48 | |
It's not up to me. I simply don't see the possibility of your success. | 0:22:48 | 0:22:52 | |
We shall see, sir. | 0:22:53 | 0:22:55 | |
KNOCK AT DOOR Yes. | 0:23:40 | 0:23:43 | |
-I hope you don't mind. -As a matter of fact, I do. | 0:23:48 | 0:23:51 | |
The time for games is over. | 0:23:51 | 0:23:53 | |
So, Anna Bligh... | 0:23:53 | 0:23:57 | |
LAUGHS | 0:23:59 | 0:24:01 | |
..would you do me the honour of becoming... | 0:24:01 | 0:24:03 | |
-Andrew, stop it. -..of becoming my wife? | 0:24:03 | 0:24:05 | |
-LAUGHS -What? | 0:24:05 | 0:24:08 | |
Get up. Stop being silly. | 0:24:08 | 0:24:11 | |
I thought you'd appreciate the romantic approach. | 0:24:11 | 0:24:13 | |
-I'm engaged. -Come now. | 0:24:13 | 0:24:15 | |
You don't love me. | 0:24:15 | 0:24:17 | |
You interest me, which is more than I can say of anyone else. | 0:24:17 | 0:24:20 | |
You've run, I've chased. | 0:24:20 | 0:24:22 | |
-Now you stop, I catch. -I've been caught. | 0:24:22 | 0:24:25 | |
-The joke is wearing thin, Anna. -It's no joke. | 0:24:25 | 0:24:27 | |
-You can't be serious. -Yes, I am. | 0:24:27 | 0:24:31 | |
A good soldier never retires from the field. | 0:24:34 | 0:24:37 | |
-Keep it. -I won't change my mind. | 0:24:42 | 0:24:45 | |
You won't marry him. | 0:24:45 | 0:24:47 | |
You won't dine with a monkey at your table every night. | 0:24:52 | 0:24:56 | |
JAUNTY MUSIC PLAYS CHEERFUL CHATTER | 0:25:01 | 0:25:04 | |
SONG: # Jingle bells, jingle... # | 0:25:05 | 0:25:07 | |
HE VOMITS | 0:25:07 | 0:25:08 | |
# Jingle all the way | 0:25:08 | 0:25:10 | |
# Oh, what fun it is to ride in a one-horse open sleigh | 0:25:10 | 0:25:13 | |
# Jingle bells, jingle bells Jingle all the... | 0:25:13 | 0:25:16 | |
Your behaviour has become impossible to ignore. | 0:25:16 | 0:25:19 | |
I didn't ask you to come after me. | 0:25:19 | 0:25:20 | |
-You're not driving like that. -None of your ruddy... | 0:25:20 | 0:25:23 | |
-Let's get you to bed. -You're not my mother! | 0:25:23 | 0:25:26 | |
I did not give you everything | 0:25:26 | 0:25:28 | |
to stand back and watch you turn into this. | 0:25:28 | 0:25:31 | |
You don't know. | 0:25:33 | 0:25:35 | |
Well, how can I help you if you won't tell me? Tell me! | 0:25:35 | 0:25:39 | |
Bloody Japs. Bloody Japs. | 0:25:41 | 0:25:44 | |
Oh, God, what did they do to you? | 0:25:44 | 0:25:47 | |
Jack, trust me. | 0:25:48 | 0:25:51 | |
Take my hand. | 0:25:51 | 0:25:53 | |
Take it. | 0:25:56 | 0:25:57 | |
Now stand up. Come on. | 0:25:58 | 0:26:01 | |
I refuse to see you in the gutter. | 0:26:03 | 0:26:06 | |
This is going to stop and it's going to stop here and now! | 0:26:06 | 0:26:11 | |
You be a man. | 0:26:11 | 0:26:13 | |
-KNOCK AT DOOR -Just a tick. | 0:26:19 | 0:26:21 | |
Yes. | 0:26:34 | 0:26:35 | |
I just need your signature on these and then you're free to go. | 0:26:35 | 0:26:39 | |
-Do you have everything you need? -Yeah. | 0:26:42 | 0:26:44 | |
-Even packed my feather boa. -Hmm. | 0:26:44 | 0:26:46 | |
Then according to Elizabeth, you'll be right at home. | 0:26:46 | 0:26:48 | |
SHE LAUGHS | 0:26:48 | 0:26:49 | |
What? | 0:26:51 | 0:26:52 | |
Oh...maybe I should stay. | 0:26:52 | 0:26:57 | |
-James might need me. -James will be fine. | 0:26:59 | 0:27:01 | |
I can't imagine you won't be enlightened in some way. | 0:27:01 | 0:27:04 | |
And entertained. | 0:27:04 | 0:27:05 | |
Yeah, I guess it does give me | 0:27:05 | 0:27:08 | |
something to talk about over Christmas pud. | 0:27:08 | 0:27:09 | |
-There you go then. -Sarah. | 0:27:09 | 0:27:12 | |
-Moving in here? -It's temporary. | 0:27:14 | 0:27:16 | |
I hope so. | 0:27:18 | 0:27:20 | |
JAUNTY MUSIC | 0:27:27 | 0:27:30 | |
SONG: # I know a gal A wonderful gal | 0:27:39 | 0:27:42 | |
# She's the sweetest gal in town | 0:27:42 | 0:27:45 | |
# You can search for miles around | 0:27:45 | 0:27:48 | |
# But no-one can be found like this one | 0:27:48 | 0:27:51 | |
# She has a smile that will open your eyes | 0:27:51 | 0:27:54 | |
# With a certain little way | 0:27:54 | 0:27:57 | |
# And every time that you get near her | 0:27:57 | 0:28:00 | |
# You look at her and say | 0:28:00 | 0:28:02 | |
# A red-hot momma | 0:28:02 | 0:28:05 | |
# A red-hot momma | 0:28:05 | 0:28:06 | |
-# You're the one I need... -# | 0:28:06 | 0:28:08 | |
I was starting to think you'd lost your nerve. | 0:28:08 | 0:28:11 | |
# A red-hot momma, a red-hot momma | 0:28:11 | 0:28:13 | |
# Yes, indeed... # | 0:28:13 | 0:28:15 | |
Hope I didn't interrupt anything. | 0:28:15 | 0:28:18 | |
Harold? Oh, I'm not his type at all. | 0:28:18 | 0:28:21 | |
-Oh. -Not like that. | 0:28:21 | 0:28:23 | |
-He likes the dusky ladies. -Right. | 0:28:23 | 0:28:26 | |
They, on the other hand, do like men, dusky or otherwise. | 0:28:26 | 0:28:30 | |
Thank you. | 0:28:32 | 0:28:33 | |
Carolyn, darling, a triumph. | 0:28:37 | 0:28:40 | |
Brian, this is my dear friend, Jack. | 0:28:40 | 0:28:44 | |
-Pleased to meet you, Brian. -Oh, no, no, no. | 0:28:44 | 0:28:46 | |
Tonight, darling, it's Mary. | 0:28:46 | 0:28:48 | |
Mary Christmas. Nice? | 0:28:48 | 0:28:52 | |
Excuse me. Oooh! | 0:28:52 | 0:28:55 | |
It's one thing to have an eye for a bloke, | 0:28:56 | 0:28:59 | |
but why do they have to act so bloody flamboyant? | 0:28:59 | 0:29:01 | |
Let's broaden your horizons. | 0:29:02 | 0:29:04 | |
George, your unhappy mood is becoming obvious to our guest. | 0:29:09 | 0:29:13 | |
You invited him. | 0:29:13 | 0:29:15 | |
Miss Adams has confided in me that | 0:29:15 | 0:29:17 | |
you and she are grappling with certain revelations that she's made. | 0:29:17 | 0:29:21 | |
I'd be a hypocrite if I didn't express my hope | 0:29:23 | 0:29:26 | |
that it will bring this misalliance to an end. | 0:29:26 | 0:29:28 | |
It won't! | 0:29:28 | 0:29:30 | |
-CAROLYN: -Jack, Charles. Charles, Jack. | 0:29:39 | 0:29:42 | |
Jack's a doctor from Inverness, my dear friend. | 0:29:42 | 0:29:45 | |
Charles is a divorce lawyer. He does all the best people. | 0:29:45 | 0:29:48 | |
-In the nicest possible way. -JACK LAUGHS | 0:29:48 | 0:29:50 | |
Ah, Elva darling, meet Jack. | 0:29:50 | 0:29:52 | |
Jack, my wife, Elva. | 0:29:52 | 0:29:54 | |
-And you are? -Gorgeous, aren't you, sweetheart? | 0:29:54 | 0:29:57 | |
-You're married. -In the nicest possible way. | 0:29:57 | 0:30:01 | |
DARK MUSIC | 0:30:33 | 0:30:36 | |
LAIDBACK MUSIC | 0:30:49 | 0:30:51 | |
MAN: One win, three losses. Disappointing performance. | 0:30:51 | 0:30:54 | |
-JACK: -Don't worry, we'll get them next time. | 0:30:54 | 0:30:56 | |
Doubt it. | 0:30:56 | 0:30:58 | |
You can't blame Solomon for the loss. The poor bloke was ill. | 0:30:58 | 0:31:02 | |
Taking on the Saffas with crook guts is madness. | 0:31:02 | 0:31:04 | |
He's too young to be captain. | 0:31:04 | 0:31:06 | |
I bet you weren't saying that | 0:31:06 | 0:31:07 | |
when he scored that try at the death against Fiji last year. | 0:31:07 | 0:31:10 | |
That test was a nail-biter, all right. | 0:31:10 | 0:31:13 | |
I'll never understand the fascination | 0:31:13 | 0:31:15 | |
you lads have with football. | 0:31:15 | 0:31:17 | |
Not all football. Just rugby. | 0:31:17 | 0:31:19 | |
Anyway, that's me done. | 0:31:22 | 0:31:24 | |
Look me up when you're next in town then. Caro's got my address. | 0:31:25 | 0:31:28 | |
-Yeah, will do, Wally. -Good on you, mate. | 0:31:28 | 0:31:31 | |
-SHE LAUGHS -Don't get your hopes up. -Hmm. | 0:31:33 | 0:31:36 | |
Bye-bye. | 0:31:36 | 0:31:38 | |
SHE LAUGHS | 0:31:40 | 0:31:43 | |
What's so funny? | 0:31:43 | 0:31:45 | |
You just made a date. | 0:31:45 | 0:31:47 | |
-He's not. -He is. | 0:31:48 | 0:31:50 | |
But he just seemed so...normal. | 0:31:50 | 0:31:54 | |
All shapes and sizes. | 0:31:54 | 0:31:55 | |
-Were you tempted? -No. | 0:31:57 | 0:31:59 | |
So no matter what they want you to be, you are who you are. | 0:31:59 | 0:32:02 | |
-Of course. -That's exactly the way James feels. | 0:32:02 | 0:32:06 | |
-James wants to change. -SHE SCOFFS | 0:32:06 | 0:32:08 | |
Only because he's been told he should. | 0:32:08 | 0:32:11 | |
He should be free to live his life without shame. | 0:32:11 | 0:32:13 | |
-What, like Mary Christmas? -Like all of them. | 0:32:13 | 0:32:16 | |
I don't think Elizabeth would ever forgive me | 0:32:16 | 0:32:18 | |
if I got James waltzing around like Carmen Miranda. | 0:32:18 | 0:32:21 | |
But it's his choice to make. | 0:32:21 | 0:32:22 | |
Although maybe not the bowl of fruit on his head. | 0:32:22 | 0:32:25 | |
You're serious. | 0:32:26 | 0:32:28 | |
Olivia deserves better than a compromise. Any woman does. | 0:32:28 | 0:32:32 | |
Yeah. | 0:32:37 | 0:32:38 | |
What? | 0:32:38 | 0:32:40 | |
Nothing. | 0:32:41 | 0:32:43 | |
It's late. | 0:32:45 | 0:32:47 | |
We used to stay up much later than this. | 0:32:47 | 0:32:49 | |
Yeah, well, we're not that young any more. | 0:32:49 | 0:32:51 | |
-We're not that old either. -Carolyn... | 0:32:51 | 0:32:54 | |
The way I felt back then... it hasn't changed. | 0:32:54 | 0:32:59 | |
-Not a day's gone past... -OK, I should go. | 0:33:00 | 0:33:03 | |
What just happened? | 0:33:03 | 0:33:05 | |
Nothing. | 0:33:05 | 0:33:07 | |
-Was it what I said about James? -No, no. | 0:33:07 | 0:33:09 | |
-It was something. -Just forget it. | 0:33:09 | 0:33:12 | |
There's a perfectly good bed right here, Jack. | 0:33:13 | 0:33:16 | |
Merry Christmas. | 0:33:22 | 0:33:24 | |
I can't. I'm sorry. | 0:33:35 | 0:33:37 | |
-I'm sorry. -Jack? | 0:33:37 | 0:33:39 | |
-Wait! -DOOR CLOSES | 0:33:39 | 0:33:42 | |
James, aren't you supposed to be sleeping? | 0:34:10 | 0:34:13 | |
Jungle Man - I should have known. | 0:34:13 | 0:34:16 | |
He could beat all the rotten old Japs, Mummy. | 0:34:16 | 0:34:18 | |
Daddy will keep us safe. We don't need him. | 0:34:18 | 0:34:21 | |
-OLIVIA: -You've been very good today, haven't you, little one? | 0:34:42 | 0:34:46 | |
No kicking to disturb Mummy. | 0:34:46 | 0:34:49 | |
Did you hear what Andrew said? | 0:34:51 | 0:34:53 | |
Hmm? | 0:34:55 | 0:34:56 | |
He said I looked as if I'd stepped out of a Nativity play. | 0:34:56 | 0:34:59 | |
What's that? | 0:35:01 | 0:35:03 | |
I was testing myself, seeing if it nauseated me. | 0:35:06 | 0:35:11 | |
-And did it? -Quite the opposite, actually. | 0:35:11 | 0:35:14 | |
Brought back some happy memories. | 0:35:16 | 0:35:18 | |
My mother used to catch me reading comic books by torchlight. | 0:35:19 | 0:35:23 | |
My favourite weekly was School Friend. | 0:35:23 | 0:35:27 | |
I would devour it as soon as it arrived. | 0:35:27 | 0:35:30 | |
Under the covers? | 0:35:30 | 0:35:31 | |
Only if I hadn't finished by bedtime. | 0:35:31 | 0:35:34 | |
You see, no-one wore a loincloth in School Friend. | 0:35:34 | 0:35:39 | |
I'm sure. | 0:35:39 | 0:35:40 | |
I do feel like Mary in a way. | 0:36:02 | 0:36:05 | |
I'm carrying all the hopes of our little world inside me. | 0:36:05 | 0:36:09 | |
SHE LAUGHS | 0:36:11 | 0:36:13 | |
That sounded very silly. | 0:36:13 | 0:36:16 | |
Not at all. | 0:36:18 | 0:36:19 | |
Good night. | 0:36:22 | 0:36:24 | |
Soon it will all be like it was a bad dream. | 0:36:36 | 0:36:40 | |
That's what Father said. | 0:36:47 | 0:36:49 | |
There's something we need to do. | 0:36:55 | 0:36:57 | |
With Father. | 0:36:58 | 0:36:59 | |
Tomorrow. | 0:37:01 | 0:37:02 | |
-Is this really necessary? -Yes. | 0:37:13 | 0:37:15 | |
I don't mean to be cruel | 0:37:24 | 0:37:26 | |
but something needs saying and I need to say it here. | 0:37:26 | 0:37:28 | |
-In Olivia's condition... -I'm fine. | 0:37:28 | 0:37:32 | |
-If it helps. -I hope so. | 0:37:32 | 0:37:35 | |
All my life, I've been running and I want it to stop. | 0:37:36 | 0:37:43 | |
-This is where I kissed Harry. -James... | 0:37:45 | 0:37:47 | |
I wouldn't be saying this if it wasn't necessary. | 0:37:47 | 0:37:50 | |
-We've put all that behind us. -No, we haven't. | 0:37:50 | 0:37:54 | |
That's the point. | 0:37:54 | 0:37:56 | |
We can't until you both accept who I am. | 0:37:56 | 0:38:01 | |
No more talk of...of bad dreams. | 0:38:02 | 0:38:05 | |
No more sweeping it under the carpet | 0:38:05 | 0:38:08 | |
to avoid the fact that I will always be this. | 0:38:08 | 0:38:11 | |
I tried changing. | 0:38:13 | 0:38:15 | |
I can't. | 0:38:17 | 0:38:19 | |
Then how do we proceed? | 0:38:21 | 0:38:23 | |
As husband and wife, I hope. | 0:38:23 | 0:38:27 | |
As parents. | 0:38:27 | 0:38:31 | |
As father and son. | 0:38:31 | 0:38:34 | |
I made marriage vows, I'll never betray them, | 0:38:34 | 0:38:36 | |
but if I did, you have to accept it would be with a man. | 0:38:36 | 0:38:39 | |
Oh, son... | 0:38:39 | 0:38:40 | |
The only way I can move forward is by facing the truth... | 0:38:40 | 0:38:44 | |
..and then moving beyond it. | 0:38:46 | 0:38:48 | |
Then we face it. | 0:38:52 | 0:38:55 | |
Father? | 0:38:58 | 0:39:00 | |
And move beyond it. | 0:39:01 | 0:39:03 | |
Yes. | 0:39:03 | 0:39:05 | |
BING CROSBY SINGS: # Silent night | 0:39:15 | 0:39:21 | |
# Holy night | 0:39:21 | 0:39:26 | |
# All is calm | 0:39:26 | 0:39:32 | |
# All is bright | 0:39:32 | 0:39:37 | |
# Round yon virgin | 0:39:37 | 0:39:43 | |
# Mother and child | 0:39:43 | 0:39:49 | |
# Holy infant | 0:39:49 | 0:39:54 | |
# So tender and mild | 0:39:54 | 0:40:01 | |
# Sleep | 0:40:01 | 0:40:03 | |
# In heavenly | 0:40:03 | 0:40:07 | |
# Peace | 0:40:07 | 0:40:12 | |
# Sleep | 0:40:12 | 0:40:16 | |
# In heavenly | 0:40:16 | 0:40:20 | |
# Peace. # | 0:40:20 | 0:40:24 | |
Excuse me. | 0:40:31 | 0:40:33 |