Browse content similar to Auld Lang Syne. Check below for episodes and series from the same categories and more!
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KNOCK AT DOOR Just a tick! | 0:00:02 | 0:00:04 | |
I can't. I'm sorry. | 0:00:04 | 0:00:05 | |
-I'm sorry. -Jack? | 0:00:05 | 0:00:07 | |
Anna Bligh, would you do me the honour... | 0:00:10 | 0:00:14 | |
I'm engaged! | 0:00:14 | 0:00:15 | |
Keep it. | 0:00:15 | 0:00:17 | |
-ANNA: -I won't change my mind. | 0:00:17 | 0:00:19 | |
You've been very good today, haven't you, little one? | 0:00:21 | 0:00:24 | |
No kicking to disturb Mummy. | 0:00:24 | 0:00:27 | |
I know what you're doing. | 0:00:27 | 0:00:29 | |
And I've told George the worst that can possibly be told. | 0:00:29 | 0:00:33 | |
Nothing Regina unearths can hurt us if we weather this. | 0:00:33 | 0:00:36 | |
I don't care what it costs. | 0:00:36 | 0:00:37 | |
Find something that will rid us of her forever. | 0:00:37 | 0:00:41 | |
ALL: Three, two, one! | 0:00:48 | 0:00:52 | |
Happy New Year! | 0:00:52 | 0:00:55 | |
Happy New Year. | 0:00:59 | 0:01:00 | |
Happy New Year. | 0:01:02 | 0:01:03 | |
Well, thank you, and for coming tonight. | 0:01:03 | 0:01:06 | |
You seemed to enjoy yourself. | 0:01:06 | 0:01:08 | |
A brave face is a requirement lately. | 0:01:08 | 0:01:11 | |
He does make her happy, you know. | 0:01:13 | 0:01:15 | |
George, Miss Adams? James, Olivia? Young Poletti, Anna? | 0:01:15 | 0:01:20 | |
The choices do rather highlight my need for a fixed smile. | 0:01:20 | 0:01:24 | |
Gino and Anna. | 0:01:24 | 0:01:27 | |
I can't share your optimism. | 0:01:27 | 0:01:29 | |
What about you? What does 1954 hold for you? | 0:01:29 | 0:01:33 | |
Well, life goes on. | 0:01:33 | 0:01:35 | |
The thing about wearing a mask | 0:01:37 | 0:01:39 | |
is that you recognise one when you see one. | 0:01:39 | 0:01:42 | |
Good luck with whatever it is. | 0:01:43 | 0:01:45 | |
Happy New Year. Good night. | 0:01:46 | 0:01:48 | |
ANNA LAUGHS | 0:01:53 | 0:01:54 | |
JACK: Well, watch out when you come into town. | 0:01:54 | 0:01:57 | |
Doris is busting to congratulate you. | 0:01:57 | 0:01:58 | |
Oh, I think it's sweet she's so excited. | 0:01:58 | 0:02:00 | |
Yeah, once she got over the shock | 0:02:00 | 0:02:02 | |
of Italian lessons leading to an engagement ring. | 0:02:02 | 0:02:04 | |
What about her shock at your tales of the party? | 0:02:04 | 0:02:06 | |
'Night. | 0:02:06 | 0:02:08 | |
Happy New Year. | 0:02:08 | 0:02:10 | |
-Did you notice? -What? | 0:02:11 | 0:02:13 | |
Whenever I mentioned Carolyn or the party, | 0:02:13 | 0:02:16 | |
it either went very well and he's too shy to talk about it, or very... | 0:02:16 | 0:02:21 | |
Or he thinks it's no-one's business, Doris. | 0:02:21 | 0:02:24 | |
SHE GASPS | 0:02:24 | 0:02:25 | |
I want romance. I want him in the family. | 0:02:25 | 0:02:28 | |
I'm making it my business. | 0:02:28 | 0:02:30 | |
LANGUID MUSIC PLAYS | 0:02:30 | 0:02:32 | |
CHATTER AND LAUGHTER | 0:02:32 | 0:02:35 | |
# I can see | 0:02:39 | 0:02:43 | |
# No matter how near you'll be | 0:02:43 | 0:02:48 | |
# You'll never belong to me | 0:02:48 | 0:02:54 | |
# But I can dream, can't I? | 0:02:56 | 0:03:01 | |
# Can't I pretend that I'm locked in the bend | 0:03:01 | 0:03:07 | |
# Of your embrace? # | 0:03:07 | 0:03:08 | |
-I was thinking... -Mm-hm? | 0:03:08 | 0:03:11 | |
My summer wardrobe's looking a little sparse. | 0:03:11 | 0:03:15 | |
I might pop up to the city. | 0:03:15 | 0:03:18 | |
-I'm not sure I'm ready for crowds. -That's all right. | 0:03:21 | 0:03:25 | |
You've much better things to do than watch me shopping, anyway. | 0:03:25 | 0:03:29 | |
Well, how about you take Anna? | 0:03:31 | 0:03:33 | |
I think I'd enjoy a day alone. | 0:03:34 | 0:03:37 | |
I may even drive. | 0:03:38 | 0:03:40 | |
What's this, the new independent you? | 0:03:42 | 0:03:45 | |
My driving skills will ossify if I'm not careful. | 0:03:45 | 0:03:50 | |
Well, it's our car, it's our money. | 0:03:54 | 0:03:58 | |
Feel free to use them both. | 0:03:58 | 0:04:00 | |
You will be sorry you said that. | 0:04:00 | 0:04:03 | |
Just drive safely. | 0:04:03 | 0:04:06 | |
Good night. | 0:04:07 | 0:04:09 | |
You too, little one. | 0:04:10 | 0:04:12 | |
Oh... | 0:04:31 | 0:04:33 | |
-Have you slept? -Oh, barely. | 0:04:34 | 0:04:36 | |
-You? -Soon. | 0:04:36 | 0:04:38 | |
Oh. | 0:04:38 | 0:04:41 | |
Oh, 1953, my annus horribilis, gone. | 0:04:41 | 0:04:48 | |
-On a river of champagne. -It helped. | 0:04:48 | 0:04:51 | |
Look who's made the New Year's Honours list. | 0:04:51 | 0:04:53 | |
-A friend of yours, no less. -Really? | 0:04:53 | 0:04:56 | |
SHE GASPS | 0:04:58 | 0:04:59 | |
Dame Pattie! | 0:04:59 | 0:05:02 | |
That bash, the one you promised to throw for Elizabeth Bligh, | 0:05:02 | 0:05:06 | |
if you want something a secret, | 0:05:06 | 0:05:08 | |
I suggest you keep your voice down while discussing it. | 0:05:08 | 0:05:10 | |
Rather plays into my plans too. | 0:05:12 | 0:05:15 | |
The telephone, ma'am. Lady Swanson. | 0:05:18 | 0:05:20 | |
Oh, thank you, Amy. | 0:05:20 | 0:05:22 | |
-Prudence, Happy New Year. -And to you. | 0:05:26 | 0:05:29 | |
-How's Andrew? -Well, nursing his wounds. | 0:05:29 | 0:05:33 | |
Have you seen this morning's Herald? | 0:05:33 | 0:05:35 | |
Pattie Menzies is now Dame Pattie. | 0:05:35 | 0:05:38 | |
Oh, how lovely! | 0:05:38 | 0:05:40 | |
I suspect there's benefit in it for you. | 0:05:40 | 0:05:43 | |
-The party? -Oh. | 0:05:43 | 0:05:45 | |
I rather assumed that Anna's behaviour | 0:05:45 | 0:05:47 | |
had forfeited me any chance of a favour. | 0:05:47 | 0:05:49 | |
Oh, my dear, that's between the young ones. | 0:05:49 | 0:05:52 | |
Now, George can hardly refuse an invitation | 0:05:52 | 0:05:55 | |
to congratulate the Prime Minister's wife. | 0:05:55 | 0:05:58 | |
If you're sure... | 0:05:58 | 0:05:59 | |
Well, I restore my social bona fides and you destroy the Jew's. | 0:05:59 | 0:06:04 | |
Well, sooner is better under the circumstances. | 0:06:04 | 0:06:07 | |
Mm-hm, then soonest is best. Within the fortnight, then? | 0:06:07 | 0:06:10 | |
I'll send out invitations immediately. | 0:06:10 | 0:06:13 | |
-I can't thank you enough. -It's nothing. | 0:06:13 | 0:06:16 | |
Bye-bye. | 0:06:16 | 0:06:17 | |
Don't make me regret this. | 0:06:20 | 0:06:22 | |
Oh, you didn't wait. | 0:06:26 | 0:06:28 | |
My apologies. | 0:06:28 | 0:06:29 | |
-Miss Adams not joining us? -I dropped her at work. | 0:06:29 | 0:06:32 | |
-Well, that's why we have Norman. -It's a labour of love. | 0:06:32 | 0:06:35 | |
-You old romantic. -And proud to be so. | 0:06:35 | 0:06:39 | |
Olivia's off to the city on Monday if there's anything you require. | 0:06:39 | 0:06:43 | |
My summer wardrobe needs replenishing. | 0:06:43 | 0:06:46 | |
Well, you must buy something very special | 0:06:46 | 0:06:49 | |
for the Swansons' garden party. | 0:06:49 | 0:06:51 | |
-Pattie Menzies has been made a dame. -Ah. | 0:06:51 | 0:06:53 | |
-Oh. -Dame Pattie. | 0:06:53 | 0:06:55 | |
Prudence is hosting a celebration. | 0:06:55 | 0:06:57 | |
I'm sure you'll enjoy it. | 0:06:57 | 0:06:58 | |
We're all invited, and after Anna's disgraceful antics | 0:06:58 | 0:07:02 | |
no-one, George, will add insult to injury by declining. | 0:07:02 | 0:07:06 | |
Nor you by accepting. | 0:07:06 | 0:07:08 | |
I'm surprised I'm even included. | 0:07:08 | 0:07:10 | |
Some people know the meaning of the word courtesy. | 0:07:10 | 0:07:14 | |
And naturally Prudence included Miss Adams in the invitation. | 0:07:14 | 0:07:17 | |
Amy, this oatmeal's a little underdone this morning. | 0:07:17 | 0:07:21 | |
Jack. | 0:07:26 | 0:07:28 | |
You're back. | 0:07:31 | 0:07:33 | |
Someone had to break the impasse. | 0:07:35 | 0:07:37 | |
-I've given you a week. -I've been busy. | 0:07:37 | 0:07:39 | |
I accept that our situation is complex, | 0:07:40 | 0:07:42 | |
but my kisses aren't that repulsive. | 0:07:42 | 0:07:44 | |
-I have a patient. -Unless they're dying... | 0:07:44 | 0:07:47 | |
You were ashen when you fled. | 0:07:48 | 0:07:50 | |
The party can't have horrified you that much. | 0:07:50 | 0:07:52 | |
-Of course not. -So it's not the differences in our worlds? | 0:07:52 | 0:07:56 | |
No. | 0:07:56 | 0:07:57 | |
-Whatever the problem is... -I can't say. | 0:07:57 | 0:07:59 | |
-Why not? -I just can't. | 0:07:59 | 0:08:01 | |
It's private. | 0:08:02 | 0:08:04 | |
Don't tell me James isn't the only one. | 0:08:04 | 0:08:07 | |
That's not even funny. | 0:08:07 | 0:08:08 | |
I'm just trying to make sense of this. | 0:08:08 | 0:08:10 | |
Clearly you want me and at the last minute you rush from the room | 0:08:10 | 0:08:14 | |
You owe me some sort of explanation. | 0:08:14 | 0:08:16 | |
I can't. | 0:08:20 | 0:08:22 | |
It's too personal. | 0:08:23 | 0:08:25 | |
I see. | 0:08:27 | 0:08:29 | |
I am falling in love with you all over again, Jack. | 0:08:32 | 0:08:36 | |
I've fallen. There, it's said. | 0:08:36 | 0:08:39 | |
Right. | 0:08:41 | 0:08:42 | |
We're too old to be coy. You feel it too. | 0:08:42 | 0:08:45 | |
Course I do. | 0:08:47 | 0:08:49 | |
I'll be back Monday. | 0:08:51 | 0:08:53 | |
I hope you're ready to trust. | 0:08:55 | 0:08:57 | |
-Happy New Year. -Oh! | 0:09:36 | 0:09:38 | |
We announce ourselves in polite society. | 0:09:38 | 0:09:42 | |
Welcome home. | 0:09:42 | 0:09:44 | |
-Tea? -Later. | 0:09:44 | 0:09:47 | |
I thought you'd had your fill of the bucolic life. | 0:09:47 | 0:09:51 | |
I'd like to move down here for an indefinite period, | 0:09:51 | 0:09:54 | |
take over the cottage. | 0:09:54 | 0:09:55 | |
I'd like that very much. But I insist you stay here. | 0:09:55 | 0:09:59 | |
The cottage is best. | 0:09:59 | 0:10:01 | |
I've developed feelings for Jack | 0:10:01 | 0:10:04 | |
and I'd like a private space in which to explore them. | 0:10:04 | 0:10:06 | |
-Jack Duncan? -Yes. | 0:10:08 | 0:10:11 | |
This is very sudden. | 0:10:14 | 0:10:16 | |
Love often is. | 0:10:16 | 0:10:18 | |
And it is love. | 0:10:23 | 0:10:26 | |
And that's why I want to be here. | 0:10:26 | 0:10:28 | |
Many a woman has tried with him and failed. | 0:10:28 | 0:10:31 | |
-They weren't the right woman. -Oh, Carolyn, he's a country doctor. | 0:10:31 | 0:10:34 | |
Your existence is... | 0:10:34 | 0:10:36 | |
I'm a lot more at home with a good book | 0:10:36 | 0:10:38 | |
than hanging from the chandelier of late. | 0:10:38 | 0:10:40 | |
Some consolation. | 0:10:40 | 0:10:42 | |
I don't want to sneak around behind your back. | 0:10:44 | 0:10:47 | |
For that I thank you. | 0:10:47 | 0:10:49 | |
I'll take possession Monday. | 0:10:49 | 0:10:52 | |
I'd rather you stayed well out of it. | 0:10:54 | 0:10:57 | |
I will say one thing. | 0:10:58 | 0:11:00 | |
If this might possibly be a whim, walk away. Now. | 0:11:01 | 0:11:06 | |
He deserves better than a broken heart. | 0:11:06 | 0:11:08 | |
Was it...anything that I did? | 0:11:20 | 0:11:24 | |
Looking for cause is pointless. It only adds to the sorrow. | 0:11:24 | 0:11:29 | |
-There's no doubt? -No. I'm sorry, Mrs Bligh. | 0:11:29 | 0:11:33 | |
My baby... | 0:11:37 | 0:11:39 | |
Is there someone I can contact, someone to collect you? | 0:11:41 | 0:11:43 | |
No. No-one must know of this. | 0:11:43 | 0:11:46 | |
Your husband, surely. | 0:11:46 | 0:11:48 | |
I want to tell him myself. | 0:11:51 | 0:11:53 | |
In my own time. | 0:11:53 | 0:11:56 | |
Thank you for your concern, but I will manage. | 0:11:56 | 0:12:00 | |
It won't be easy carrying your dead child to term. | 0:12:01 | 0:12:04 | |
You'll need all the support your loved ones can give you. | 0:12:04 | 0:12:07 | |
Time enough to grieve together when the baby is born. | 0:12:07 | 0:12:11 | |
Don't add secrecy to your burden. | 0:12:11 | 0:12:13 | |
I expect your discretion until I say otherwise. | 0:12:13 | 0:12:18 | |
I'm obliged to give it. | 0:12:18 | 0:12:20 | |
I do so reluctantly. | 0:12:20 | 0:12:23 | |
Thank you. | 0:12:26 | 0:12:28 | |
She's just outside. I won't be a moment. | 0:13:25 | 0:13:27 | |
Oh, the operator has Mrs Standish in Paris on the line. | 0:13:27 | 0:13:30 | |
Would you like to talk while I fetch Mrs Bligh? | 0:13:30 | 0:13:33 | |
Oh, there's no need for Mrs Bligh. | 0:13:33 | 0:13:35 | |
-Oh, she asked... -Thank you, Amy. | 0:13:35 | 0:13:36 | |
Put Mrs Standish through, operator. | 0:13:40 | 0:13:43 | |
-Regina. -George. | 0:13:44 | 0:13:47 | |
What a pleasant surprise. | 0:13:47 | 0:13:49 | |
So, have you discovered anything? | 0:13:49 | 0:13:52 | |
It seemed important to your mother | 0:13:53 | 0:13:55 | |
to be sure of Miss Adams' background. | 0:13:55 | 0:13:57 | |
-It's none of your business. -There are things... | 0:13:57 | 0:14:01 | |
If you want to be welcome at Ash Park, you'll stop. Now. | 0:14:01 | 0:14:04 | |
-There are matters that... -Don't. | 0:14:04 | 0:14:06 | |
And don't telephone again. | 0:14:06 | 0:14:08 | |
I insist you avoid any attempts by Mother to contact you. | 0:14:08 | 0:14:11 | |
-George... -Unless you... | 0:14:11 | 0:14:13 | |
want to lose my friendship forever. | 0:14:13 | 0:14:15 | |
-Well, I'd die rather than risk that. -Good. | 0:14:15 | 0:14:19 | |
The Thomas Cook desk. | 0:14:31 | 0:14:33 | |
I wish to book a plane journey to Australia. | 0:14:33 | 0:14:35 | |
So I am to be forbidden communication now? | 0:14:36 | 0:14:39 | |
I will not have you making mischief. | 0:14:39 | 0:14:41 | |
I have done nothing that I did not consider necessary. | 0:14:41 | 0:14:44 | |
That justification is becoming very stale. | 0:14:44 | 0:14:47 | |
You sure you're ready for that? | 0:14:59 | 0:15:01 | |
It's good to use my body again. | 0:15:03 | 0:15:05 | |
Doing is good. Overdoing isn't. | 0:15:05 | 0:15:07 | |
-This party... -What about it? | 0:15:08 | 0:15:11 | |
Don't feel badgered into going. | 0:15:11 | 0:15:13 | |
Ah. | 0:15:13 | 0:15:15 | |
Yeah, I'll...I'll decide on the day. | 0:15:15 | 0:15:18 | |
Same goes for you. | 0:15:18 | 0:15:20 | |
George Bligh's Jewish nurse - the knives will be sharpened. | 0:15:20 | 0:15:25 | |
I'm well up to the challenge. | 0:15:25 | 0:15:27 | |
Hello? | 0:15:31 | 0:15:33 | |
Anyone home? | 0:15:35 | 0:15:37 | |
Yoo-hoo! | 0:15:37 | 0:15:39 | |
I was doing my rounds and I thought, "Oh, that's Miss Anna's horse! | 0:15:39 | 0:15:45 | |
"I must let her know how thrilled we all are." | 0:15:45 | 0:15:49 | |
Oh, I'm all a-puff. | 0:15:49 | 0:15:50 | |
-May I? -Oh. | 0:15:50 | 0:15:52 | |
I can? Oh, how charming, yet so discreet. | 0:15:52 | 0:15:57 | |
One understands, given that Gino ekes a living from the land. | 0:15:57 | 0:16:02 | |
I can't imagine a better ring. | 0:16:02 | 0:16:05 | |
As I said to Mr Collins the day he proposed, | 0:16:05 | 0:16:08 | |
"It's not what you spend, it's what you feel." | 0:16:08 | 0:16:12 | |
First your father and Miss Adams, now you. | 0:16:12 | 0:16:15 | |
Yes. | 0:16:15 | 0:16:16 | |
Even the intimacy between your grandmother and myself. | 0:16:16 | 0:16:21 | |
One hears the social barriers tumbling. | 0:16:21 | 0:16:25 | |
And who knows, perhaps even between | 0:16:25 | 0:16:27 | |
a country doctor and a glamorous woman of the world, hmm? | 0:16:27 | 0:16:30 | |
Who knows? | 0:16:30 | 0:16:32 | |
I'm not back to badger you for answers. | 0:16:34 | 0:16:36 | |
Good. | 0:16:36 | 0:16:38 | |
I told Mother I love you. | 0:16:39 | 0:16:41 | |
How'd she take that? | 0:16:44 | 0:16:45 | |
If she hasn't talked to you, obviously as well as I thought. | 0:16:45 | 0:16:49 | |
But that's not the point. | 0:16:49 | 0:16:51 | |
Do you think I would have braved her if I truly didn't want you? | 0:16:52 | 0:16:57 | |
Whatever there is to tell, you'll tell in your own good time. | 0:17:04 | 0:17:07 | |
And I promise I won't let you down. | 0:17:09 | 0:17:12 | |
Wait. | 0:17:17 | 0:17:19 | |
You said at your party that | 0:17:25 | 0:17:27 | |
any woman deserved better than a compromise. | 0:17:27 | 0:17:30 | |
Testosterone. | 0:17:42 | 0:17:44 | |
Injected twice a week for the last eight years. | 0:17:46 | 0:17:49 | |
Manhood in a syringe. | 0:17:51 | 0:17:54 | |
Japs took mine. | 0:17:57 | 0:17:59 | |
Tortured me and smashed them between two stones. | 0:18:03 | 0:18:06 | |
Still keen? | 0:18:06 | 0:18:08 | |
-I shouldn't have told you. -Please. | 0:18:16 | 0:18:19 | |
-I don't want pity. -It's not pity! | 0:18:19 | 0:18:21 | |
-Isn't it? -No. | 0:18:21 | 0:18:22 | |
-I'm no bloody use to a woman. -That's pity. | 0:18:22 | 0:18:26 | |
That's self-pity. | 0:18:26 | 0:18:28 | |
This is... | 0:18:28 | 0:18:30 | |
..is sorrow. | 0:18:31 | 0:18:32 | |
It's pain. It's love. | 0:18:34 | 0:18:36 | |
Love me. | 0:18:38 | 0:18:40 | |
JAMES: This is where I kissed Harry. | 0:19:29 | 0:19:31 | |
OLIVIA: Then how do we proceed? | 0:19:34 | 0:19:36 | |
JAMES: As husband and wife. | 0:19:36 | 0:19:39 | |
As parents. | 0:19:39 | 0:19:41 | |
SHE SOBS | 0:19:43 | 0:19:45 | |
JAMES: You're home early. | 0:20:28 | 0:20:29 | |
Hope that's good news for my wallet. | 0:20:31 | 0:20:33 | |
I restrained my worst impulses. | 0:20:35 | 0:20:37 | |
I'm desperate for a cup of tea. | 0:20:39 | 0:20:41 | |
How are you? How is everyone? | 0:20:43 | 0:20:45 | |
Let me know when the caterers arrive. | 0:20:55 | 0:20:57 | |
Oh, keep an eye on Cook with the champagne. | 0:20:57 | 0:20:59 | |
Yes, ma'am. | 0:20:59 | 0:21:01 | |
-Top it up with the champagne. -Oh, must you? | 0:21:01 | 0:21:04 | |
I need an early start if I'm to deal with the bores you've invited. | 0:21:04 | 0:21:08 | |
You're up to something. | 0:21:08 | 0:21:10 | |
That is rather the pot calling the kettle black. | 0:21:10 | 0:21:13 | |
Well, we'd best not dally if we're to be punctual. | 0:21:13 | 0:21:16 | |
Now, James, are you sure you're feeling up to this? | 0:21:16 | 0:21:19 | |
-Have to face the world sometime. -Excellent. | 0:21:19 | 0:21:22 | |
9:30, in the sitting room? | 0:21:22 | 0:21:24 | |
-Ooh, synchronise watches. Attention. -ELIZABETH: I heard that, miss. | 0:21:24 | 0:21:30 | |
I am so lucky to have a leave pass. | 0:21:30 | 0:21:34 | |
-You're awfully quiet, Olivia. -Am I? -Oh. | 0:21:35 | 0:21:39 | |
Our first appearance in Sydney society together. | 0:21:39 | 0:21:43 | |
Lavender and lace and boring small talk. | 0:21:43 | 0:21:46 | |
Are you sure about this? | 0:21:46 | 0:21:49 | |
The way Anna describes it, who could resist? | 0:21:49 | 0:21:51 | |
-You just want an excuse not to go. -How did you guess? | 0:21:51 | 0:21:54 | |
Excuse me. | 0:21:54 | 0:21:56 | |
Well, I for one am looking forward to it. | 0:21:56 | 0:21:59 | |
Remind him he said that | 0:21:59 | 0:22:01 | |
when he's being bored witless by dreary society dames. | 0:22:01 | 0:22:04 | |
We might be pleasantly surprised. | 0:22:04 | 0:22:06 | |
And you have a lovely day at home. | 0:22:09 | 0:22:12 | |
Is it just me or has Olivia been odd? | 0:22:12 | 0:22:15 | |
She's had this strange fixed smile on all week. | 0:22:15 | 0:22:19 | |
She has a lot on her mind. | 0:22:19 | 0:22:22 | |
Their problem's not one that's solved overnight. | 0:22:22 | 0:22:25 | |
I suppose it is that. | 0:22:25 | 0:22:26 | |
Do you think they'll divorce? | 0:22:26 | 0:22:29 | |
I think she'll do anything to make sure they don't. | 0:22:31 | 0:22:34 | |
I'd be thoughtful in her shoes too. | 0:22:34 | 0:22:37 | |
Part of me wanted to say absolutely not, | 0:22:43 | 0:22:45 | |
but I can't lock myself away forever. | 0:22:45 | 0:22:49 | |
I do worry about my memory. | 0:22:50 | 0:22:52 | |
The treatment's left me with some blanks. | 0:22:52 | 0:22:55 | |
I hope I don't run into somebody I know and just stare at them. | 0:22:56 | 0:23:00 | |
Are you sure you want to go? | 0:23:06 | 0:23:08 | |
Whatever's right for you. | 0:23:08 | 0:23:10 | |
Hey. | 0:23:12 | 0:23:14 | |
Are you positive? | 0:23:20 | 0:23:22 | |
James... | 0:23:24 | 0:23:26 | |
You can't do it, can you? | 0:23:26 | 0:23:29 | |
-I mean, us. -No. | 0:23:29 | 0:23:31 | |
No, of course I can. We can. | 0:23:31 | 0:23:34 | |
Then what? | 0:23:37 | 0:23:39 | |
We will make it work. | 0:23:42 | 0:23:45 | |
The three of us. | 0:23:46 | 0:23:48 | |
What? | 0:23:50 | 0:23:51 | |
I'm sorry. | 0:23:53 | 0:23:55 | |
We will step out as a family. | 0:23:57 | 0:24:01 | |
I'd like that. | 0:24:03 | 0:24:05 | |
-You've got that look in your eye. -What look? | 0:24:12 | 0:24:16 | |
You've never been one to allow a slight to go unpunished. | 0:24:16 | 0:24:20 | |
I agree what Anna did to you is outrageous, | 0:24:20 | 0:24:22 | |
but try to avoid your baser instincts. | 0:24:22 | 0:24:25 | |
Of course, Mother. | 0:24:25 | 0:24:26 | |
We couldn't have Dame Elizabeth unsettled, could we? | 0:24:26 | 0:24:30 | |
What's it to do with Elizabeth? | 0:24:30 | 0:24:32 | |
She put me in a position to be humiliated. | 0:24:32 | 0:24:35 | |
It's unfair to blame others. | 0:24:35 | 0:24:37 | |
The girl was simply being foolish. | 0:24:37 | 0:24:39 | |
She knew exactly what she was doing and she sniggered while she did it. | 0:24:39 | 0:24:42 | |
Well, it's a good thing she declined the invitation, then. | 0:24:42 | 0:24:45 | |
Yes. | 0:24:45 | 0:24:46 | |
What are your intentions? | 0:24:49 | 0:24:51 | |
As yours. To be the perfect host. | 0:24:51 | 0:24:55 | |
-Ah. -Go easy with that. | 0:24:55 | 0:24:58 | |
Don't fret, Mother. | 0:24:58 | 0:25:00 | |
To us. | 0:25:00 | 0:25:02 | |
FOOTSTEPS APPROACH | 0:25:04 | 0:25:06 | |
Ah, Miss Adams, more than punctual. | 0:25:06 | 0:25:09 | |
I wanted a moment alone. | 0:25:09 | 0:25:11 | |
Today is obviously designed to see me out of my depth. | 0:25:11 | 0:25:14 | |
Well, I'm sure you'll make of it | 0:25:14 | 0:25:16 | |
whatever your social skills will allow. | 0:25:16 | 0:25:18 | |
I will. | 0:25:18 | 0:25:21 | |
If Regina's already discovered this, I apologise for the repetition. | 0:25:21 | 0:25:25 | |
My husband was well connected in Parisian literary circles. | 0:25:25 | 0:25:30 | |
Gide and Malraux were our friends. We mixed in all manner of society. | 0:25:30 | 0:25:34 | |
If you spent less time fighting me and more time knowing me, | 0:25:34 | 0:25:37 | |
you'd know there's nothing today that might throw me off kilter. | 0:25:37 | 0:25:40 | |
It's a lovely morning. | 0:25:44 | 0:25:47 | |
I'll wait outside. | 0:25:47 | 0:25:48 | |
ELEGANT STRING MUSIC PLAYS | 0:25:48 | 0:25:51 | |
Darling Pattie and I were together at Fintona Girls' of course. | 0:26:02 | 0:26:05 | |
Pattie Leckie she was called then. | 0:26:05 | 0:26:08 | |
Oh, it's Elizabeth Bligh's party. | 0:26:08 | 0:26:10 | |
Her son's brought his working-class Jewess. | 0:26:10 | 0:26:13 | |
Quite the scandal. | 0:26:13 | 0:26:16 | |
Elizabeth darling! | 0:26:16 | 0:26:18 | |
Oh, and Olivia! | 0:26:18 | 0:26:20 | |
Mwah! | 0:26:20 | 0:26:22 | |
James. | 0:26:22 | 0:26:24 | |
George. This must be your fiancee, I presume. | 0:26:24 | 0:26:27 | |
Sarah Adams. | 0:26:27 | 0:26:29 | |
Thank you for inviting me, Lady Prudence. | 0:26:29 | 0:26:30 | |
Lady Swanson. My husband is a knight but I have no title myself. | 0:26:30 | 0:26:34 | |
Oh, you'll capture these social subtleties with time. | 0:26:34 | 0:26:37 | |
They're becoming increasingly irrelevant, aren't they, with time? | 0:26:37 | 0:26:41 | |
-She's no wilting violet. -I'll see her out of her depth. | 0:26:46 | 0:26:50 | |
James and Olivia, there's no need to feel discomfort because of Anna. | 0:26:50 | 0:26:54 | |
I hope you don't mind my monopolising your lovely wife. | 0:26:54 | 0:26:58 | |
I need a barrier against | 0:26:58 | 0:27:00 | |
the simpering eligibles Mother's invited. | 0:27:00 | 0:27:02 | |
-How have you been since Christmas? -Sir? | 0:27:05 | 0:27:07 | |
Thank you. | 0:27:07 | 0:27:09 | |
-I couldn't help myself. -She deserved it. | 0:27:09 | 0:27:11 | |
-She was being a snob. -So it seemed. | 0:27:11 | 0:27:14 | |
It came out in a way I didn't intend. | 0:27:14 | 0:27:17 | |
Some time together perhaps before the guest of honour arrives? | 0:27:17 | 0:27:21 | |
-Introductions. -Excuse me. | 0:27:21 | 0:27:24 | |
Although I can't imagine there'd be anyone here that you'd know. | 0:27:26 | 0:27:30 | |
ANNA: Stop! Stop, stop, stop, stop. | 0:27:32 | 0:27:34 | |
He's there. | 0:27:38 | 0:27:40 | |
If they're doing what I think they're doing, let's leave them to it. | 0:27:40 | 0:27:44 | |
-Maybe they're not. -Maybe they are. | 0:27:44 | 0:27:47 | |
Maybe we should. | 0:27:49 | 0:27:51 | |
Nothing has to happen that you don't feel ready for. | 0:27:56 | 0:27:59 | |
Most men wear trousers. I hide behind them. | 0:28:08 | 0:28:11 | |
Don't. | 0:28:11 | 0:28:12 | |
No? | 0:28:24 | 0:28:25 | |
Yes? | 0:28:28 | 0:28:30 | |
I wanted this... I dreaded it for years, | 0:28:46 | 0:28:50 | |
letting someone see. | 0:28:50 | 0:28:53 | |
I want to give you so much more than I can. | 0:28:58 | 0:29:02 | |
I want to give you all of myself. | 0:29:02 | 0:29:05 | |
Kiss me. | 0:29:21 | 0:29:23 | |
Lower. | 0:29:33 | 0:29:34 | |
This is the first family invitation I've been able to say no to. | 0:30:20 | 0:30:25 | |
How does that make you feel? | 0:30:25 | 0:30:27 | |
Free. | 0:30:27 | 0:30:29 | |
Like Anna Poletti. | 0:30:29 | 0:30:31 | |
-You're still a Bligh. -I'm not the Bligh I thought I was. | 0:30:31 | 0:30:35 | |
I wonder what my real father's surname is. | 0:30:36 | 0:30:39 | |
Ask your mamma. | 0:30:39 | 0:30:41 | |
Do you think you ever will? | 0:30:44 | 0:30:46 | |
-Ask about him? -Mmm. | 0:30:46 | 0:30:48 | |
I didn't want to add to father's burdens. | 0:30:50 | 0:30:52 | |
But he's happy with us now and he has Sarah. | 0:30:54 | 0:30:58 | |
He does. | 0:30:58 | 0:30:59 | |
So? | 0:31:01 | 0:31:02 | |
So if the party goes well... | 0:31:04 | 0:31:06 | |
..I'll tell him. | 0:31:07 | 0:31:10 | |
It's so hard trusting anyone. | 0:31:16 | 0:31:18 | |
But you did. | 0:31:20 | 0:31:22 | |
I understand now why it meant so much to you to learn about Anna. | 0:31:25 | 0:31:29 | |
It's a miracle to me. | 0:31:29 | 0:31:32 | |
So are you. | 0:31:35 | 0:31:36 | |
-Was it how you remember? -Being with you? | 0:31:36 | 0:31:40 | |
-More beautiful. -Hardly. | 0:31:40 | 0:31:43 | |
To me you are. | 0:31:43 | 0:31:45 | |
You? | 0:31:47 | 0:31:49 | |
It's as intense, in a different way. | 0:31:50 | 0:31:55 | |
Yeah. | 0:31:55 | 0:31:57 | |
I never thought I'd have this again either. | 0:32:00 | 0:32:03 | |
-How are you bearing up? -I'm fine. | 0:32:16 | 0:32:19 | |
Although I do wonder what all these people would think | 0:32:19 | 0:32:21 | |
if they knew what I'd just been through. | 0:32:21 | 0:32:23 | |
I know. That's why I asked. | 0:32:23 | 0:32:26 | |
-Your wife's been commandeered. -I'm glad she's enjoying herself. | 0:32:28 | 0:32:32 | |
She's not the only one. | 0:32:32 | 0:32:34 | |
SPEAKS FRENCH | 0:32:34 | 0:32:38 | |
SPEAKS FRENCH | 0:32:40 | 0:32:42 | |
Sarah and I won't be returning with you. | 0:32:50 | 0:32:52 | |
I thought we'd stay in town for the night to celebrate her success. | 0:32:52 | 0:32:55 | |
Smugness is most unbecoming, George. | 0:32:55 | 0:32:59 | |
ALL SPEAK FRENCH | 0:33:00 | 0:33:03 | |
I separate them into the simpering, the whimpering | 0:33:03 | 0:33:05 | |
and the just plain desperate. | 0:33:05 | 0:33:07 | |
Whatever Anna was, she was none of those. | 0:33:07 | 0:33:10 | |
I should get back to James. | 0:33:15 | 0:33:17 | |
You will, but first... | 0:33:17 | 0:33:19 | |
Yes? | 0:33:21 | 0:33:23 | |
I'm going to be presumptuous. | 0:33:28 | 0:33:30 | |
You've been lying about James | 0:33:31 | 0:33:33 | |
from the first time I ran into you at the hospital. | 0:33:33 | 0:33:36 | |
I know a troubled marriage when I see one. | 0:33:38 | 0:33:40 | |
I want you to know that you can trust me. | 0:33:40 | 0:33:44 | |
You've only family in Australia, no friends. | 0:33:44 | 0:33:47 | |
If you ever need a good friend... | 0:33:47 | 0:33:50 | |
Thank you. | 0:33:51 | 0:33:53 | |
I'm sorry. | 0:33:56 | 0:33:58 | |
-I'm not prying. -Oh, I know. | 0:33:58 | 0:34:01 | |
There is something dreadful I have to tell James. | 0:34:04 | 0:34:10 | |
I don't know how to. | 0:34:12 | 0:34:13 | |
I'm...I'm just terrified that... | 0:34:13 | 0:34:18 | |
..I'll lose him. | 0:34:20 | 0:34:22 | |
The one thing I salvaged from that debacle with Anna | 0:34:22 | 0:34:25 | |
is an affection for you. | 0:34:25 | 0:34:27 | |
Any help in any way. | 0:34:27 | 0:34:30 | |
It's the baby. | 0:34:40 | 0:34:42 | |
Dame Pattie, Mr George Bligh. | 0:34:53 | 0:34:57 | |
Congratulations, Dame Pattie. | 0:34:57 | 0:34:58 | |
I had the pleasure of meeting Sir Robert last year. | 0:34:58 | 0:35:01 | |
How nice, young man. | 0:35:01 | 0:35:02 | |
-I see you've met my fiancee. -She's charming. | 0:35:02 | 0:35:05 | |
HE SPEAKS FRENCH | 0:35:05 | 0:35:07 | |
It's a compliment. | 0:35:07 | 0:35:09 | |
And I concur, Louis. | 0:35:09 | 0:35:12 | |
I was recently unwell | 0:35:12 | 0:35:13 | |
and I have nothing but admiration for the nursing profession, Miss Adams. | 0:35:13 | 0:35:17 | |
-How is your local hospital in...? -Inverness. | 0:35:17 | 0:35:20 | |
A great change from London, I'm sure. | 0:35:20 | 0:35:22 | |
Yes, it's quite charming, actually. | 0:35:22 | 0:35:25 | |
Oh, he won't notice I've been crying? | 0:35:26 | 0:35:29 | |
Just say it's the glare. Nothing you've said goes any further. | 0:35:29 | 0:35:33 | |
I might steal this one off you, old man, | 0:35:33 | 0:35:35 | |
now I have no other prospects. | 0:35:35 | 0:35:37 | |
Well, you'll have a fight on your hands. | 0:35:37 | 0:35:39 | |
I should hope so. | 0:35:39 | 0:35:41 | |
-You disappeared. -Oh, Andrew needed a shoulder. | 0:35:44 | 0:35:48 | |
Your eyes are red. | 0:35:48 | 0:35:51 | |
Oh, it's the glare. | 0:35:51 | 0:35:54 | |
You're spending an awful lot of time with Olivia Bligh. | 0:35:55 | 0:35:58 | |
She's a very good friend of Anna's. | 0:35:58 | 0:36:01 | |
I wanted to prove there was no ill feeling. | 0:36:01 | 0:36:03 | |
-I did my best. -Oh, you did. | 0:36:10 | 0:36:12 | |
I threw her together with anyone who could raise her hackles | 0:36:12 | 0:36:15 | |
and she put them in their place as charmingly as she did me. | 0:36:15 | 0:36:20 | |
And now there's Pattie's seal of approval. | 0:36:20 | 0:36:23 | |
Yes. | 0:36:23 | 0:36:24 | |
So? | 0:36:26 | 0:36:27 | |
I suspect check, if not checkmate. | 0:36:27 | 0:36:31 | |
Well... | 0:36:31 | 0:36:33 | |
KNOCK AT DOOR | 0:36:56 | 0:36:57 | |
AMY: Miss Anna? | 0:36:57 | 0:36:59 | |
Miss? | 0:36:59 | 0:37:01 | |
Miss? | 0:37:03 | 0:37:05 | |
I was napping. | 0:37:08 | 0:37:10 | |
Mrs Standish has arrived. | 0:37:10 | 0:37:12 | |
-She's in Europe. -She's in the sitting room. | 0:37:12 | 0:37:14 | |
-Does she know I'm here? -I said that I wasn't sure. | 0:37:14 | 0:37:17 | |
You can't find me. | 0:37:17 | 0:37:19 | |
Get dressed. | 0:37:22 | 0:37:24 | |
Shouldn't you at least say hello? | 0:37:24 | 0:37:26 | |
She'll want to know about Andrew. I'm not in the mood. | 0:37:26 | 0:37:29 | |
Thank you. | 0:37:32 | 0:37:35 | |
Is that a car? | 0:37:35 | 0:37:36 | |
Oh, that's just, uh, one of the workers' vehicles, ma'am. | 0:37:36 | 0:37:41 | |
-Can I bring you anything else? -No, thank you, dear. | 0:37:41 | 0:37:46 | |
Before you go, your brother... | 0:37:46 | 0:37:50 | |
-Yes, ma'am? -And Mr James. | 0:37:50 | 0:37:54 | |
Yes? | 0:37:54 | 0:37:56 | |
There's no need to feel awkward. | 0:37:56 | 0:37:59 | |
I'm a woman of the world and privy to all family secrets. | 0:37:59 | 0:38:03 | |
So tell me, how is the unfortunate matter proceeding? | 0:38:03 | 0:38:07 | |
The party was a great success for you at least. | 0:38:12 | 0:38:15 | |
I have rather restored my social credibility. | 0:38:15 | 0:38:17 | |
Ah, yes. Thank you. | 0:38:17 | 0:38:18 | |
And you mustn't be a stranger, George. | 0:38:18 | 0:38:22 | |
-Whenever you're in town. -Thank you for a splendid day. | 0:38:22 | 0:38:26 | |
-It was a pleasure. -Yes, it was. | 0:38:26 | 0:38:29 | |
-We were both surprised, I think. -I think we were. | 0:38:29 | 0:38:33 | |
-Lovely to see you so recovered. -It's good to be amongst company. | 0:38:35 | 0:38:40 | |
Oh, and all the very best for your confinement. | 0:38:40 | 0:38:42 | |
-We had a marvellous time. -Ah. 'Bye, then. | 0:38:42 | 0:38:46 | |
-Thank you. -Don't tell him. | 0:38:48 | 0:38:50 | |
-But I... -Not yet. | 0:38:50 | 0:38:52 | |
I've had a thought. | 0:38:52 | 0:38:54 | |
I'd love to visit again, once the dust has settled. | 0:38:55 | 0:38:58 | |
You'd be most welcome. | 0:38:58 | 0:39:00 | |
Say nothing until we've spoken more. | 0:39:01 | 0:39:04 | |
I apologise for my earlier suspicions. | 0:39:17 | 0:39:19 | |
-You behaved impeccably. -I did, didn't I? | 0:39:19 | 0:39:24 | |
# When I fall in love | 0:39:28 | 0:39:32 | |
# It will be forever | 0:39:34 | 0:39:38 | |
# Or I'll never | 0:39:39 | 0:39:42 | |
# Fall | 0:39:42 | 0:39:44 | |
# In love | 0:39:44 | 0:39:47 | |
# In a restless world | 0:39:50 | 0:39:54 | |
# Like this is | 0:39:54 | 0:39:57 | |
# Love is ended before it's begun | 0:39:57 | 0:40:02 | |
# And too many moonlight kisses | 0:40:04 | 0:40:09 | |
# Seem to cool in the warmth of the sun | 0:40:09 | 0:40:15 | |
# And the moment I can feel that | 0:40:19 | 0:40:26 | |
# You feel that way too | 0:40:27 | 0:40:32 | |
# Is when I fall in love | 0:40:32 | 0:40:38 | |
# With you. # | 0:40:39 | 0:40:44 | |
-You're sure? -Absolutely. | 0:40:54 | 0:40:58 | |
You'd have known last week if George hadn't forbidden communication. | 0:40:59 | 0:41:03 | |
-And she has no idea? -None at all. | 0:41:03 | 0:41:07 | |
Isn't it delicious? | 0:41:07 | 0:41:09 | |
You've won. | 0:41:09 | 0:41:11 |