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I, er, apologise. I did not wish to...injure. | 0:00:02 | 0:00:06 | |
Have you told Rene? | 0:00:07 | 0:00:09 | |
-About the baby... -I can't. | 0:00:09 | 0:00:11 | |
-Why not? -Because the baby can't be his. | 0:00:11 | 0:00:14 | |
George must never know. | 0:00:14 | 0:00:15 | |
The only thing you need to make you unbeatable is the right wife. | 0:00:15 | 0:00:20 | |
George is having a second chance and you're taking yours. | 0:00:20 | 0:00:23 | |
I thought perhaps I might follow suit. | 0:00:23 | 0:00:25 | |
So you'll be leaving Ash Park? | 0:00:25 | 0:00:27 | |
If that's what George wants. | 0:00:27 | 0:00:29 | |
We do hope you'll do us the honour of being George's godparents? | 0:00:29 | 0:00:32 | |
-Oh, my goodness! -We can't. | 0:00:32 | 0:00:34 | |
-We thought that... -We're Catholic. | 0:00:34 | 0:00:36 | |
All because of James? | 0:00:36 | 0:00:38 | |
It's not natural, what he is. It goes against God. | 0:00:38 | 0:00:41 | |
HE YELLS IN PAIN | 0:00:44 | 0:00:46 | |
Quick! I need help! | 0:00:46 | 0:00:48 | |
I can't have this baby. I don't want it. | 0:00:48 | 0:00:50 | |
You running away from home, missy? | 0:00:50 | 0:00:52 | |
Aunt Peg isn't well. | 0:00:52 | 0:00:54 | |
I'm off to the shops, do you want anything? | 0:01:17 | 0:01:19 | |
I'll do the shopping. | 0:01:19 | 0:01:20 | |
I've just had a stroke, love. I'm not a cripple. | 0:01:20 | 0:01:23 | |
And I am still on the ball. | 0:01:23 | 0:01:25 | |
At least I think I am. | 0:01:25 | 0:01:27 | |
I just have to find my keys. SHE CHUCKLES | 0:01:27 | 0:01:29 | |
Well, then, I'm not making myself clear. | 0:01:35 | 0:01:37 | |
I just need you to confirm this is a registered | 0:01:37 | 0:01:39 | |
medical doctor's surgery before I make an app... | 0:01:39 | 0:01:42 | |
DEAD TONE ON PHONE | 0:01:42 | 0:01:44 | |
Well, would you mind telling me where the doctor's practising now? | 0:01:51 | 0:01:54 | |
Yes, I understand, but, er, do you know where the doctor's moved to? | 0:01:54 | 0:01:58 | |
Well, is there anyone else that you can refer me to | 0:02:00 | 0:02:03 | |
-who might be able to...? -DOOR SLAMS | 0:02:03 | 0:02:05 | |
Er, yes, the intravenous just needs to stay in another day. | 0:02:06 | 0:02:10 | |
I think that's it. OK. Bye. | 0:02:10 | 0:02:12 | |
Here, let me. | 0:02:12 | 0:02:14 | |
Oh, you can stay as long as you like! | 0:02:14 | 0:02:16 | |
THEY CHUCKLE | 0:02:16 | 0:02:17 | |
Next door pays for their telephone calls. | 0:02:20 | 0:02:22 | |
You certainly don't. | 0:02:22 | 0:02:23 | |
-Well, they don't either, half the time. -Aunt Peg! | 0:02:23 | 0:02:26 | |
Oh, don't "Aunt Peg" me! | 0:02:26 | 0:02:28 | |
But you have been on the blower quite a lot. It must be exhausting. | 0:02:28 | 0:02:32 | |
So, any luck finding a surgeon? | 0:02:32 | 0:02:35 | |
Oh, I suppose it must be a very specialised field, | 0:02:35 | 0:02:38 | |
that sort of brain operation. | 0:02:38 | 0:02:40 | |
Yes, yes, it is. | 0:02:40 | 0:02:42 | |
Oh, have you spoken to Rene this morning? | 0:02:42 | 0:02:44 | |
Yes, he's much better. Much. | 0:02:44 | 0:02:46 | |
-And George, any news? -They tell me he's making excellent progress. | 0:02:46 | 0:02:49 | |
It was a terrible thing to happen. | 0:02:49 | 0:02:51 | |
But on what you've told me, it could have been a lot worse. | 0:02:51 | 0:02:55 | |
When all's said and done, George is a very lucky man. | 0:02:55 | 0:02:59 | |
And how is he this morning? | 0:03:04 | 0:03:06 | |
Last heard boasting he'd had a long walk before breakfast. | 0:03:06 | 0:03:09 | |
That's very good news. And baby George? | 0:03:09 | 0:03:12 | |
Currently reading the morning paper out loud, | 0:03:12 | 0:03:14 | |
in ancient Greek, I believe. | 0:03:14 | 0:03:16 | |
I AM smiling. | 0:03:16 | 0:03:17 | |
And Dr Nordmann, any news? | 0:03:17 | 0:03:20 | |
I suppose the poor man is still under close supervision? | 0:03:20 | 0:03:22 | |
Jack's taken responsibility for watching over him. | 0:03:22 | 0:03:25 | |
-Jack takes on too much. -Well, Sarah had to go to Sydney. | 0:03:25 | 0:03:29 | |
Oh, really? Oh, d-do you know why? | 0:03:29 | 0:03:31 | |
Er...her Aunt Peg's unwell... | 0:03:31 | 0:03:34 | |
Sorry, Mother. I might have to go in a tick. | 0:03:34 | 0:03:36 | |
Oh, so do I. | 0:03:36 | 0:03:37 | |
Oh, but speaking of time, that clock radio contraption of yours | 0:03:37 | 0:03:41 | |
has proved rather a challenge, but I think I've managed to tame it. | 0:03:41 | 0:03:45 | |
I thought it was a two-day wonder! | 0:03:45 | 0:03:47 | |
Oh, I told you you'd enjoy waking up to music. | 0:03:47 | 0:03:49 | |
The instruction booklet was incomprehensible, of course. | 0:03:49 | 0:03:51 | |
I've written a letter to the manufacturers. | 0:03:51 | 0:03:54 | |
-Anything else you need help with? -No, no. Nothing at all. | 0:03:54 | 0:03:59 | |
-Bye-bye, dear, I've enjoyed the chat. -Bye. | 0:04:00 | 0:04:02 | |
Thank you. | 0:04:27 | 0:04:30 | |
So what brings you to Sydney? | 0:04:31 | 0:04:33 | |
-To find a good surgeon for my husband. -Oh! I see. | 0:04:35 | 0:04:38 | |
Carolyn mentioned that your aunt's unwell? | 0:04:38 | 0:04:42 | |
-Yes, yes, that as well. -Please do give her my best. | 0:04:42 | 0:04:45 | |
-I shall include her in my prayers. -I will. | 0:04:45 | 0:04:47 | |
I'm so glad you agreed to meet me, Sarah. | 0:04:47 | 0:04:50 | |
I did apologise for my hasty reaction at the hospital, | 0:04:51 | 0:04:55 | |
but I must not let myself off the hook. | 0:04:55 | 0:04:57 | |
I truly regret treating you so poorly in the past. | 0:04:59 | 0:05:02 | |
Thank you, Elizabeth. | 0:05:02 | 0:05:04 | |
I know that if it hadn't been for your courage | 0:05:04 | 0:05:07 | |
and your sharp thinking, I might have lost George. | 0:05:07 | 0:05:11 | |
Then again, if I hadn't brought Rene back to Inverness, | 0:05:11 | 0:05:14 | |
the accident would never have happened. | 0:05:14 | 0:05:15 | |
It's so sad for George that your marriage didn't proceed. | 0:05:20 | 0:05:24 | |
Marriage is of course about so much more than just love, isn't it? | 0:05:24 | 0:05:29 | |
For so many women since the war, | 0:05:29 | 0:05:31 | |
their husband is no longer the man they married. | 0:05:31 | 0:05:34 | |
I feel for you. | 0:05:35 | 0:05:37 | |
It's not an easy cross to bear. | 0:05:37 | 0:05:38 | |
Well, they say the two most powerful healers are patience...and time. | 0:05:38 | 0:05:44 | |
So, tell me how you're settling into city life. | 0:05:47 | 0:05:51 | |
It's very different. | 0:05:54 | 0:05:56 | |
You know, when I left Ash Park, I thanked you for the impetus to go. | 0:05:56 | 0:06:00 | |
You were one of the very few people | 0:06:00 | 0:06:01 | |
who truly understood why I had to leave. | 0:06:01 | 0:06:03 | |
I admired...ADMIRE your courage. | 0:06:03 | 0:06:07 | |
You know, I... | 0:06:07 | 0:06:09 | |
I used to be disdainful of women | 0:06:09 | 0:06:12 | |
who made their decisions based on emotions, feelings. | 0:06:12 | 0:06:18 | |
I'm coming to realise that feelings are not necessarily to be ignored. | 0:06:20 | 0:06:24 | |
Mind you, if my feelings about the dreadful Regina Standish | 0:06:26 | 0:06:31 | |
were ever allowed to surface... | 0:06:31 | 0:06:33 | |
-SARAH CHUCKLES -..heaven help us all! | 0:06:33 | 0:06:36 | |
When in doubt, ask a busy person. | 0:06:36 | 0:06:38 | |
I shouldn't have promised Sir Richard a card party, | 0:06:38 | 0:06:41 | |
you've got the christening to rearrange. | 0:06:41 | 0:06:43 | |
And now all these men descending upon the house... | 0:06:43 | 0:06:45 | |
I'll greet the chaps as they arrive throughout the day, how's that? | 0:06:45 | 0:06:49 | |
I think everything's under control, but...thank you. | 0:06:49 | 0:06:51 | |
I'll ask the staff to check the card tables. | 0:06:51 | 0:06:53 | |
Moths do love felt. | 0:06:53 | 0:06:55 | |
That's been done. Thank you. | 0:06:55 | 0:06:57 | |
Good cigars, plenty of? | 0:06:57 | 0:06:59 | |
I've done a few men's cards parties in my time, that's all. | 0:06:59 | 0:07:03 | |
Actually, our estate in England was known for its games evenings. | 0:07:03 | 0:07:09 | |
I can hear my mother's instructions to the staff, | 0:07:09 | 0:07:12 | |
as if she were here beside me. | 0:07:12 | 0:07:13 | |
And how satisfying it is to be busy! | 0:07:13 | 0:07:16 | |
-The time just seems to fly, don't you think? -Always. | 0:07:16 | 0:07:20 | |
Excuse me. Olivia, my artist friend Lloyd has written to say | 0:07:20 | 0:07:23 | |
that he's arriving tomorrow to start on your family portrait, | 0:07:23 | 0:07:25 | |
on top of everything else! Sorry. | 0:07:25 | 0:07:27 | |
-We'll just have to make time, won't we? And room. -Good. | 0:07:27 | 0:07:32 | |
I'll walk with you. How does this sound for the supper menu? | 0:07:32 | 0:07:37 | |
There you are. | 0:07:41 | 0:07:42 | |
George, do we have any more records to spare? Some jazz? | 0:07:44 | 0:07:48 | |
Jack thinks a variety might be therapeutic for Dr Nordmann. | 0:07:48 | 0:07:51 | |
-Yes, of course. Of course. -Thank you. | 0:07:51 | 0:07:54 | |
Jack's a good man, isn't he? | 0:07:54 | 0:07:55 | |
He is indeed. | 0:07:57 | 0:07:59 | |
What? | 0:08:00 | 0:08:01 | |
Sit down for a moment. | 0:08:01 | 0:08:03 | |
Is he... | 0:08:07 | 0:08:09 | |
Is Jack... | 0:08:09 | 0:08:11 | |
How do I put this? | 0:08:12 | 0:08:13 | |
..Anna's natural father? | 0:08:13 | 0:08:15 | |
Carolyn? | 0:08:18 | 0:08:19 | |
Yes. | 0:08:19 | 0:08:20 | |
-Jack Duncan. -Yes. | 0:08:25 | 0:08:28 | |
When Anna was a baby... | 0:08:29 | 0:08:30 | |
..Elaine and I would speculate who the father was | 0:08:32 | 0:08:35 | |
and why you would never tell us. | 0:08:35 | 0:08:37 | |
Then... | 0:08:39 | 0:08:40 | |
..life takes over, Anna was ours. | 0:08:42 | 0:08:43 | |
How much does she know? | 0:08:46 | 0:08:47 | |
She knows that I gave birth to her. | 0:08:47 | 0:08:50 | |
And she knows about Jack. | 0:08:51 | 0:08:53 | |
She put two and two together, George, | 0:08:53 | 0:08:55 | |
-I had to tell her the truth. -Does Jack know that he's her...? | 0:08:55 | 0:08:58 | |
Yes. | 0:08:58 | 0:08:59 | |
I told him not long before Anna realised. | 0:08:59 | 0:09:02 | |
There was so much going on for you and Sarah, | 0:09:02 | 0:09:04 | |
I was...I was waiting for the right time. | 0:09:04 | 0:09:08 | |
Of course. | 0:09:08 | 0:09:09 | |
So. | 0:09:12 | 0:09:14 | |
-What is the etiquette here? -CAROLYN LAUGHS | 0:09:14 | 0:09:16 | |
Shall I speak with Jack, or...would you like to ask Jack | 0:09:17 | 0:09:20 | |
if he'd like to speak with me? | 0:09:20 | 0:09:22 | |
How does one share one's daughter? | 0:09:22 | 0:09:24 | |
You are Anna's father, George. | 0:09:27 | 0:09:29 | |
She thinks of you as her father and she loves you as her father. | 0:09:29 | 0:09:33 | |
-I hope that doesn't change. -Father? | 0:09:34 | 0:09:37 | |
-Is now a good time to talk about the ram figures? -Course. | 0:09:37 | 0:09:40 | |
All right, Carolyn? | 0:09:43 | 0:09:44 | |
So that's the greasy fleece weight, | 0:09:46 | 0:09:48 | |
that's the body weight and that's the wool type. | 0:09:48 | 0:09:50 | |
350 guineas was the price from a similar sale. | 0:09:50 | 0:09:52 | |
Now, question is, do we go that high? | 0:09:52 | 0:09:54 | |
I have every faith in you. | 0:09:54 | 0:09:57 | |
You've seen enough auctions, you'll get the best price. | 0:09:57 | 0:09:59 | |
Thanks, Father. | 0:09:59 | 0:10:00 | |
James? | 0:10:00 | 0:10:02 | |
There's something Carolyn and I need to tell you. | 0:10:02 | 0:10:05 | |
I'm actually Anna's cousin. | 0:10:09 | 0:10:12 | |
And of course, that's why Jack was best man at the wedding. | 0:10:12 | 0:10:16 | |
It's...it's like something out of one of Anna's novels. | 0:10:16 | 0:10:19 | |
She's obviously handled it all very well. | 0:10:19 | 0:10:22 | |
I never guessed. | 0:10:22 | 0:10:23 | |
Not once. | 0:10:25 | 0:10:27 | |
I remember when my parents brought Anna home as a baby. | 0:10:27 | 0:10:30 | |
And my mother putting her in my arms and she said, | 0:10:30 | 0:10:34 | |
"This is your little sister." | 0:10:34 | 0:10:35 | |
She still is, James. | 0:10:35 | 0:10:38 | |
-BABY GURGLES Oh! Oh! -I'll take him. | 0:10:39 | 0:10:43 | |
Hello, Georgie. Georgie Porgy. | 0:10:47 | 0:10:50 | |
They can all keep a secret, that's for sure. | 0:10:52 | 0:10:55 | |
Can't they, Georgie? | 0:10:55 | 0:10:57 | |
From a good place, though. | 0:10:57 | 0:10:59 | |
Not wanting to hurt each other. | 0:10:59 | 0:11:01 | |
The most important thing, I think, is that your parents loved Anna | 0:11:01 | 0:11:06 | |
as if she WERE their own. | 0:11:06 | 0:11:08 | |
Ooh... Ah... | 0:11:09 | 0:11:10 | |
I think he needs a change. Can you...? | 0:11:12 | 0:11:14 | |
One day, I will show you how to do it. | 0:11:17 | 0:11:20 | |
Mind you, what if she had never been told? | 0:11:26 | 0:11:29 | |
Or worse still, found out accidentally? | 0:11:29 | 0:11:31 | |
All's well that ends well, I suppose. | 0:11:32 | 0:11:35 | |
BABY CRIES Ssh! | 0:11:39 | 0:11:42 | |
SHEEP BLEAT | 0:11:43 | 0:11:47 | |
Hello! | 0:11:47 | 0:11:49 | |
Look at you, riding! | 0:11:49 | 0:11:51 | |
Does your doctor know? | 0:11:51 | 0:11:54 | |
No, he doesn't. | 0:11:54 | 0:11:55 | |
-And you're not about to tell him. -SHE LAUGHS | 0:11:55 | 0:11:59 | |
Carolyn and I had a talk this morning. | 0:12:02 | 0:12:04 | |
Are you cross with me? | 0:12:07 | 0:12:09 | |
Father... | 0:12:09 | 0:12:10 | |
I know some people tell their children - why didn't we? | 0:12:10 | 0:12:13 | |
As I said to Carolyn, you always seemed so...carefree. | 0:12:13 | 0:12:16 | |
And I was yours. Yours and Mother's. | 0:12:16 | 0:12:19 | |
I still am. | 0:12:19 | 0:12:20 | |
George. | 0:12:26 | 0:12:27 | |
Gino. | 0:12:27 | 0:12:28 | |
Father knows. That I know, and about Jack. | 0:12:30 | 0:12:33 | |
Is everything OK? | 0:12:33 | 0:12:35 | |
My greatest hope, truly, is that nothing changes between us. | 0:12:35 | 0:12:39 | |
There's no chance of that. | 0:12:39 | 0:12:40 | |
Then, please. You're both welcome in Ash Park any time. | 0:12:40 | 0:12:44 | |
Thank you, Father. | 0:12:44 | 0:12:45 | |
I'll be over this afternoon to race Stardust. | 0:12:45 | 0:12:48 | |
-You should bring her down here! -SHE LAUGHS | 0:12:48 | 0:12:50 | |
Can you imagine Stardust sleeping in that draughty old barn? | 0:12:50 | 0:12:54 | |
But we're going to fix it up, and then she can. | 0:12:54 | 0:12:56 | |
Take your father in for a cold drink, eh? | 0:12:59 | 0:13:01 | |
I'll just finish up with Carlo. | 0:13:01 | 0:13:03 | |
-Now, don't faint. -Mm-hm? | 0:13:03 | 0:13:05 | |
But, um, I've made some limonata and panforte cake. | 0:13:05 | 0:13:09 | |
It's...like a cake. | 0:13:09 | 0:13:11 | |
So on top of everything else, | 0:13:11 | 0:13:13 | |
my daughter is turning into an Italiana? | 0:13:13 | 0:13:15 | |
IN ITALIAN ACCENT: Ah, of course! | 0:13:15 | 0:13:18 | |
Grazie, Carlo. | 0:13:23 | 0:13:24 | |
I should be back before the end of the week. | 0:13:25 | 0:13:28 | |
Yes. | 0:13:29 | 0:13:30 | |
OK, thanks, Jack. | 0:13:30 | 0:13:32 | |
-I'm just popping out for a while. I won't be long. -Sarah! | 0:13:34 | 0:13:38 | |
Anything you need? | 0:13:38 | 0:13:40 | |
When Mrs Bligh called earlier, | 0:13:40 | 0:13:42 | |
she seemed to know that I'd been unwell. | 0:13:42 | 0:13:45 | |
I get the sense that I'm an excuse. | 0:13:45 | 0:13:48 | |
Well, I have been concerned about you since... | 0:13:48 | 0:13:50 | |
That you didn't really come down to look for a surgeon for Rene. | 0:13:50 | 0:13:53 | |
Well, there's a health matter of mine I need to attend to. | 0:13:56 | 0:13:59 | |
It's nothing. Really. I'll be as right as rain. | 0:13:59 | 0:14:01 | |
I just need to find my purse. | 0:14:01 | 0:14:03 | |
I know I'm an old lady, | 0:14:06 | 0:14:08 | |
but...I didn't come down in the last shower. | 0:14:08 | 0:14:10 | |
Are you expecting, love? Is that it? | 0:14:12 | 0:14:15 | |
Are you and the baby healthy? | 0:14:16 | 0:14:18 | |
Then that's all that matters. | 0:14:22 | 0:14:24 | |
Everything else can be solved! Sit down. | 0:14:24 | 0:14:26 | |
How far gone are you? | 0:14:28 | 0:14:30 | |
Nearly three months. | 0:14:32 | 0:14:33 | |
I will do everything I can to help you and Rene. | 0:14:33 | 0:14:37 | |
It won't be easy, I know, | 0:14:37 | 0:14:39 | |
he has a long way to go before, you know, all that... | 0:14:39 | 0:14:41 | |
Peg, it isn't... | 0:14:41 | 0:14:42 | |
The baby isn't Rene's. | 0:14:45 | 0:14:46 | |
It's George's. | 0:14:52 | 0:14:53 | |
Oh, my dear Godfather. Did...did you and George...? | 0:14:53 | 0:14:58 | |
Oh, yes, you did. | 0:14:58 | 0:14:59 | |
Look, I know I'm old-fashioned, but... Sorry. | 0:14:59 | 0:15:02 | |
You don't need me going crook on you. | 0:15:02 | 0:15:04 | |
The thing is that I need to face facts. | 0:15:04 | 0:15:06 | |
Rene may take years to recover fully, | 0:15:09 | 0:15:10 | |
he'll probably never practise medicine again. | 0:15:10 | 0:15:13 | |
-He can find some other employment. -I can't be a mother | 0:15:13 | 0:15:15 | |
and a nursing sister. | 0:15:15 | 0:15:17 | |
Oh, don't, don't! | 0:15:17 | 0:15:18 | |
Don't adopt this baby out to strangers, please! | 0:15:18 | 0:15:22 | |
This could be your last chance! | 0:15:22 | 0:15:24 | |
You would regret it for the rest of your life! | 0:15:24 | 0:15:26 | |
I'll take it! I'll look after it until you're...until you're ready! | 0:15:26 | 0:15:33 | |
-I can, I will! -Peg... -Please, please don't adopt out this baby. | 0:15:33 | 0:15:36 | |
I have thought about this long and hard. | 0:15:37 | 0:15:40 | |
But I can't go through with it. I...I need to find a doctor. | 0:15:40 | 0:15:44 | |
No. Oh, no, no, no. | 0:15:44 | 0:15:46 | |
You're going to say what I think you're going to say?! | 0:15:46 | 0:15:48 | |
If I thought there was an alternative... | 0:15:48 | 0:15:50 | |
Adopt it out then, do that. | 0:15:50 | 0:15:51 | |
-Give yours to couple who can't have a child. -I have to work! | 0:15:51 | 0:15:54 | |
-George will help you! -He can never know. | 0:15:54 | 0:15:57 | |
I can't have this baby, Peg. | 0:15:57 | 0:15:59 | |
All the times I've stood up for you. | 0:15:59 | 0:16:01 | |
Don't think I haven't agonised over this! | 0:16:01 | 0:16:03 | |
You are carrying a child! | 0:16:03 | 0:16:05 | |
-TEARFULLY: -I could never forgive you this! | 0:16:05 | 0:16:08 | |
All the terrible things you've been through, this is... | 0:16:08 | 0:16:11 | |
-I can't even look at you. -Aunt Peg, please! | 0:16:11 | 0:16:14 | |
-No. No, no, no, no. -Peg! | 0:16:14 | 0:16:16 | |
-I don't even know who you are! -Please! -No! | 0:16:16 | 0:16:20 | |
-The physical symptoms are difficult to deal with. -It is hard, yes. | 0:17:05 | 0:17:08 | |
When I...when I had my...dark times... | 0:17:08 | 0:17:14 | |
..I tried to place myself way back to the person I was before the war. | 0:17:16 | 0:17:20 | |
So that I wasn't defined by it. | 0:17:20 | 0:17:23 | |
Focus on a happier time. | 0:17:23 | 0:17:25 | |
A student in Paris. That must have been... | 0:17:25 | 0:17:28 | |
-Well, I can't even imagine that. -So music and parties... | 0:17:28 | 0:17:33 | |
-Life. -There you are. | 0:17:33 | 0:17:35 | |
Because while we need to address the underlying physical problem, | 0:17:35 | 0:17:38 | |
-there's also the psychological... -Sarah. Where is Sarah? | 0:17:38 | 0:17:41 | |
She's still in Sydney. She left yesterday. | 0:17:41 | 0:17:44 | |
You have told me this, yes? | 0:17:46 | 0:17:49 | |
Yes, Dr Nordmann. | 0:17:49 | 0:17:51 | |
Each time you ask. | 0:17:51 | 0:17:53 | |
More than ten? | 0:17:53 | 0:17:54 | |
Do I ask more than...20 times? | 0:17:56 | 0:17:58 | |
No. | 0:17:58 | 0:18:00 | |
I improve. | 0:18:00 | 0:18:03 | |
Improvement. | 0:18:03 | 0:18:05 | |
Dr Duncan? | 0:18:05 | 0:18:07 | |
Mrs Timms is waiting on her medication | 0:18:07 | 0:18:09 | |
and a trunk call for Dr Nordmann. | 0:18:09 | 0:18:10 | |
Rene? | 0:18:15 | 0:18:16 | |
SPEAKS FRENCH: | 0:18:19 | 0:18:22 | |
Parlez-moi. | 0:18:22 | 0:18:23 | |
Er...it's me. | 0:18:31 | 0:18:32 | |
How is he, Jack? | 0:18:32 | 0:18:34 | |
He was good this morning. | 0:18:34 | 0:18:36 | |
I see. | 0:18:36 | 0:18:37 | |
Everything all right there? | 0:18:37 | 0:18:40 | |
Hello. | 0:18:52 | 0:18:53 | |
Mm! | 0:18:56 | 0:18:58 | |
See, if I had this every lunchtime, I'd fly through the afternoons. | 0:18:58 | 0:19:01 | |
Aw. Imagine how you'd go if you had dessert. | 0:19:01 | 0:19:05 | |
HE CHUCKLES | 0:19:05 | 0:19:06 | |
George knows. | 0:19:09 | 0:19:11 | |
-About Anna. -Really? | 0:19:11 | 0:19:14 | |
It's good. He's pleased that it's you. | 0:19:14 | 0:19:17 | |
-And Anna? -George has spoken with her | 0:19:18 | 0:19:21 | |
and he said that he would like to talk with you. | 0:19:21 | 0:19:23 | |
All right. Good. | 0:19:24 | 0:19:27 | |
Did you happen to see that weeklies article? | 0:19:32 | 0:19:35 | |
Didn't Her Majesty look simply charming? | 0:19:35 | 0:19:37 | |
And the Duke - so handsome. | 0:19:37 | 0:19:39 | |
Order, please. Order. | 0:19:39 | 0:19:40 | |
Now, ladies, as we all know, | 0:19:40 | 0:19:43 | |
this year's ball is in aid of Mr Goddard's soup kitchen. | 0:19:43 | 0:19:47 | |
-Refuge. -Oh, I'm sorry, Mr Goddard. -Returned soldiers' refuge. | 0:19:47 | 0:19:52 | |
Which will soon have a much healthier bank account | 0:19:52 | 0:19:56 | |
with Mrs Bligh having recently joined the committee. | 0:19:56 | 0:20:00 | |
-THEY APPLAUD -Thank you. | 0:20:00 | 0:20:02 | |
Mrs Bligh has to only wave her magic wand | 0:20:02 | 0:20:05 | |
and the well-heeled open their cheque books. | 0:20:05 | 0:20:08 | |
That's not entirely true. | 0:20:08 | 0:20:10 | |
I look forward to seeing Mrs Bligh in action. | 0:20:10 | 0:20:12 | |
Patrons respond to first-rate entertainment. | 0:20:14 | 0:20:17 | |
My point - and I would like this minuted, please - | 0:20:17 | 0:20:20 | |
is that a lower budget for decor and the band | 0:20:20 | 0:20:23 | |
would have a significant effect on funds raised. | 0:20:23 | 0:20:25 | |
I note the figure... | 0:20:25 | 0:20:28 | |
Final cost for last year, page three of the annual report, | 0:20:28 | 0:20:32 | |
surely far higher than strictly necessary. | 0:20:32 | 0:20:34 | |
Mm-hm. | 0:20:34 | 0:20:35 | |
So, we've decided on a Hollywood theme for the decor. | 0:20:37 | 0:20:40 | |
Do keep a note of your tasks, please. | 0:20:40 | 0:20:42 | |
They signed the Treaty of Versailles | 0:20:42 | 0:20:44 | |
quicker than we got to that conclusion. | 0:20:44 | 0:20:46 | |
And for music, Sammy's Big Band is our first choice? | 0:20:46 | 0:20:49 | |
I'm going to contact them. | 0:20:49 | 0:20:50 | |
Prudence, please, only if Mr Sammy is prepared to lower his fee. | 0:20:50 | 0:20:54 | |
A good five-piece ensemble will still have people on their feet. | 0:20:54 | 0:20:58 | |
The object of the game is to raise money, not spend it. | 0:20:58 | 0:21:01 | |
I'm with Mrs B. | 0:21:01 | 0:21:02 | |
Very true. However, as we've heard, | 0:21:02 | 0:21:04 | |
there's strong competition this fundraising season. | 0:21:04 | 0:21:08 | |
We need to promise them a good bash and I do so love a big band. | 0:21:08 | 0:21:12 | |
-Thank you. -Excuse me a minute. -Of course. | 0:21:21 | 0:21:24 | |
Thank you. | 0:21:27 | 0:21:29 | |
We're on the same team, you and I, Mrs Bligh. | 0:21:31 | 0:21:34 | |
People don't need bells and whistles and big bands to cough up. | 0:21:34 | 0:21:37 | |
They either support these diggers or they don't. | 0:21:37 | 0:21:40 | |
It must be very satisfying, Mr Goddard, | 0:21:40 | 0:21:42 | |
helping the men as you do. | 0:21:42 | 0:21:43 | |
Why don't you come and have a look? You'd be the first of this lot. | 0:21:43 | 0:21:47 | |
Why not? | 0:21:48 | 0:21:50 | |
I'm afraid I don't have the address, Mr Goddard. | 0:21:50 | 0:21:53 | |
People often ask for the address. | 0:21:58 | 0:22:00 | |
Not too many turn up. | 0:22:01 | 0:22:03 | |
As long as you understand, I couldn't tell you, | 0:22:08 | 0:22:11 | |
not until Father knew. | 0:22:11 | 0:22:12 | |
I do understand. I just keep thinking how, | 0:22:12 | 0:22:15 | |
if Mother and Father hadn't brought you in, | 0:22:15 | 0:22:17 | |
-I could have been spared a little sister. -You...! | 0:22:17 | 0:22:19 | |
You're still my big brother. | 0:22:19 | 0:22:21 | |
You're still my irritating little sister. | 0:22:21 | 0:22:24 | |
My James is much too nice to do that! | 0:22:24 | 0:22:27 | |
That wine took a while. | 0:22:27 | 0:22:29 | |
Now, come here and settle something for me. | 0:22:29 | 0:22:32 | |
I need your support. Olivia doesn't believe me. | 0:22:32 | 0:22:35 | |
He would never have done such a thing. | 0:22:35 | 0:22:37 | |
I was telling her about the time you put Anna's favourite teddy bear | 0:22:37 | 0:22:41 | |
on your billy cart and sent it down the hill. | 0:22:41 | 0:22:43 | |
No, no, no. That was her. | 0:22:43 | 0:22:44 | |
I loved my teddies. I never would have done that. | 0:22:44 | 0:22:47 | |
You pushed them down the steepest hill you could find. | 0:22:47 | 0:22:49 | |
You sent it off a cliff and then you blamed me. | 0:22:49 | 0:22:52 | |
-I need a testimony from the teddies. -Calling Mr Teddy to the stand! | 0:22:52 | 0:22:57 | |
-Wasn't one of them named Felix? -Yes. Mother named him Felix | 0:22:57 | 0:23:01 | |
because she liked the cartoon. | 0:23:01 | 0:23:03 | |
-Yes. Yes, she did. -Miss... | 0:23:03 | 0:23:06 | |
Little Georgie had quite a cry. He's asleep now. | 0:23:06 | 0:23:10 | |
Thank you so much, Rose. | 0:23:10 | 0:23:11 | |
Speaking of Georgie, | 0:23:14 | 0:23:16 | |
we met with the reverend to discuss the christening | 0:23:16 | 0:23:20 | |
and you could both be witnesses. | 0:23:20 | 0:23:23 | |
Can we please stop talking about this? | 0:23:23 | 0:23:26 | |
As Roman Catholics, it's against our religion to be godparents | 0:23:26 | 0:23:30 | |
to children who are not of our faith, | 0:23:30 | 0:23:32 | |
because we have to promise to raise that child in our church. | 0:23:32 | 0:23:35 | |
-Same for you if we had a baby. I'm not being... -Of course. | 0:23:35 | 0:23:38 | |
Of course. | 0:23:38 | 0:23:41 | |
Well, here's to a wonderful family dinner. | 0:23:41 | 0:23:43 | |
Thank you, Father. | 0:23:43 | 0:23:44 | |
MUSIC PLAYS | 0:23:56 | 0:23:58 | |
You were looking at James strangely all night. | 0:24:02 | 0:24:04 | |
I can't help it. It's unnatural. | 0:24:05 | 0:24:08 | |
But they were holding hands. They seemed happy. | 0:24:08 | 0:24:11 | |
So, is he cured? | 0:24:11 | 0:24:13 | |
He could be. | 0:24:13 | 0:24:15 | |
-And who are you being? -I made an experiment. | 0:24:23 | 0:24:26 | |
It's good, uh? | 0:24:26 | 0:24:27 | |
-It's lovely. -Blackberry. | 0:24:27 | 0:24:29 | |
Strong tannins. | 0:24:29 | 0:24:33 | |
I sent the soil from the west hill to be analysed. | 0:24:33 | 0:24:37 | |
Very good soil. | 0:24:37 | 0:24:39 | |
-Very good drainage for... -For cucumbers. | 0:24:39 | 0:24:41 | |
..for planting quality grapes. | 0:24:43 | 0:24:45 | |
Right here. | 0:24:46 | 0:24:48 | |
But don't grape vines take a long time to grow? | 0:24:48 | 0:24:51 | |
We can do it. | 0:24:51 | 0:24:52 | |
I know we can. You sacrificed a lot to be with me, but... | 0:24:52 | 0:24:55 | |
-Gino. -..I'm going to make you proud, Mrs Poletti. | 0:24:55 | 0:24:58 | |
You don't have to make me proud. | 0:24:58 | 0:24:59 | |
All the best restaurants. Imagine. "A bottle of your finest Poletti." | 0:24:59 | 0:25:03 | |
"Thank you, waiter." | 0:25:03 | 0:25:04 | |
"Poletti wine is for that special occasion!" | 0:25:04 | 0:25:08 | |
Look at this. My uncle's going to Toscana. | 0:25:08 | 0:25:11 | |
They're making wines in traditional bottle, see? | 0:25:11 | 0:25:15 | |
Straw. We've got plenty of straw! | 0:25:15 | 0:25:17 | |
SONG STARTS | 0:25:17 | 0:25:19 | |
Oh, this is my new favourite song! | 0:25:19 | 0:25:22 | |
-SHE TURNS VOLUME UP -Ballare con me. | 0:25:22 | 0:25:26 | |
HE SIGHS | 0:25:43 | 0:25:46 | |
George? | 0:25:46 | 0:25:47 | |
I so much want to help you, | 0:25:49 | 0:25:51 | |
but I know you want to do it on your own. | 0:25:51 | 0:25:53 | |
-That's right. -I'm here if you need me. | 0:25:53 | 0:25:56 | |
I could telephone Sir Richard. Postpone the card party. | 0:25:56 | 0:26:00 | |
-I'm sure he'd understand. -No. | 0:26:00 | 0:26:02 | |
It was an excellent idea of yours. You make sure he stays the night. | 0:26:02 | 0:26:06 | |
Thank you. | 0:26:06 | 0:26:08 | |
It all seems so much fuss, this christening. | 0:26:12 | 0:26:15 | |
Over one chubby boy. | 0:26:17 | 0:26:19 | |
Our chubby boy. | 0:26:21 | 0:26:23 | |
Sleep well. | 0:26:26 | 0:26:27 | |
-Oh! Lloyd Ellis-Parker, you ratbag! -Carolyn Bligh, you old tart! | 0:26:59 | 0:27:06 | |
-Remember where you are, please! -Well, yes. Hallowed ground. | 0:27:06 | 0:27:10 | |
The family pile. | 0:27:10 | 0:27:12 | |
Lo, this is what being in love looks like. | 0:27:12 | 0:27:16 | |
Iridescent. Or perhaps just smug. | 0:27:16 | 0:27:20 | |
You'll be staying in the outhouse if you're not careful. | 0:27:20 | 0:27:23 | |
Did you find a room for him away from Mr Bligh's guests? | 0:27:25 | 0:27:27 | |
-The groundsman's quarters, miss. -Good girl. | 0:27:27 | 0:27:30 | |
Ah, Olivia. Your guest has arrived. | 0:27:32 | 0:27:35 | |
Mrs Bligh, Mrs Standish, may I introduce Mr Ellis-Parker? | 0:27:35 | 0:27:38 | |
-Pleased to meet you both. -And you, Mr Ellis-Parker. | 0:27:38 | 0:27:42 | |
-Welcome to Ash Park. -Thank you. | 0:27:42 | 0:27:44 | |
Wait, please! We've put you in the groundsman's quarters | 0:27:44 | 0:27:46 | |
we had set aside as your studio. | 0:27:46 | 0:27:48 | |
I'm sure you'll be much more comfortable there. | 0:27:48 | 0:27:50 | |
You will be. Full house, I'm afraid. | 0:27:50 | 0:27:54 | |
Do have a very pleasant stay, Mr Ellis-Parker. | 0:27:54 | 0:27:57 | |
Let's talk card tables when you have a moment. | 0:27:57 | 0:28:00 | |
-So, it's Olivia you'll be painting, Lloyd. -Ah. | 0:28:03 | 0:28:06 | |
And my son and husband. | 0:28:06 | 0:28:08 | |
Well, for a terrible moment, I thought it was that snow queen. | 0:28:08 | 0:28:12 | |
But, quelle fortunato. | 0:28:12 | 0:28:16 | |
A perfect English rose. Thank you, Carolyn. | 0:28:16 | 0:28:18 | |
Lucky me. | 0:28:18 | 0:28:21 | |
O clement, O loving, O sweet Virgin Mary pray for us... | 0:28:27 | 0:28:30 | |
O holy Mother of God, that we may be made worthy | 0:28:34 | 0:28:37 | |
of the promises of Christ... | 0:28:37 | 0:28:39 | |
Overall, I'm very pleased. | 0:29:27 | 0:29:29 | |
Your wound is healing very well indeed. | 0:29:29 | 0:29:31 | |
Quite proud of my handiwork actually. | 0:29:31 | 0:29:34 | |
How's the morphine going? Do you need another prescription? | 0:29:34 | 0:29:37 | |
It certainly takes the pain away. | 0:29:37 | 0:29:38 | |
Well, that's what it's supposed to do. | 0:29:38 | 0:29:41 | |
But too much of it and you'll be three sheets to the wind, | 0:29:41 | 0:29:44 | |
so do keep an eye on it, as I'm sure you will. | 0:29:44 | 0:29:46 | |
-You've done a wonderful job, Mr Fox. -Henry, please. | 0:29:46 | 0:29:48 | |
KNOCK AT DOOR Yes? | 0:29:48 | 0:29:51 | |
Tea for Mr Fox. | 0:29:51 | 0:29:52 | |
Thank you. | 0:29:52 | 0:29:53 | |
No, credit where credit's due, George. If Sister... | 0:29:53 | 0:29:57 | |
-Oh, the nurse who was in the ambulance. -Nordmann. | 0:29:57 | 0:30:01 | |
If she hadn't have pulled her brilliant rabbit out of the hat, | 0:30:01 | 0:30:04 | |
I doubt you would have made it to my table. | 0:30:04 | 0:30:07 | |
Well, as you can see, I continue to be well looked after. | 0:30:07 | 0:30:10 | |
And, Henry, if you care to stay the evening after you | 0:30:10 | 0:30:12 | |
-finish your rounds, you're most welcome. -Oh, thank you. | 0:30:12 | 0:30:16 | |
-Tell me, is Sister Nordmann still working up here? -Yes. Yes, she is. | 0:30:16 | 0:30:19 | |
Tell her she's still the talk of the tea room. | 0:30:19 | 0:30:22 | |
Do give her my best, will you? | 0:30:22 | 0:30:24 | |
Of course. | 0:30:24 | 0:30:25 | |
Ah, for Sarah? I thought those were for me. | 0:30:27 | 0:30:30 | |
Er...she's not here. She's gone to Sydney. | 0:30:30 | 0:30:33 | |
-Rene? -No, he's here. | 0:30:33 | 0:30:35 | |
-Is that the...? -Yes, it is. | 0:30:36 | 0:30:38 | |
I'll get a nurse to put those in water. | 0:30:38 | 0:30:40 | |
-You're making an excellent recovery. -Yes. | 0:30:51 | 0:30:54 | |
-I suppose I should have twigged it was you. At the wedding. -Ah. | 0:30:55 | 0:31:00 | |
-Yes. -But I didn't. | 0:31:00 | 0:31:02 | |
You were too focused on giving your daughter away. | 0:31:02 | 0:31:05 | |
A daughter you have every right to be very, very proud of. | 0:31:05 | 0:31:08 | |
Jack... | 0:31:11 | 0:31:14 | |
I'd feel more comfortable if this remained within our family. | 0:31:14 | 0:31:16 | |
-No-one's business but our own. -Thank you. | 0:31:16 | 0:31:20 | |
I've been told you'd like some new recordings. | 0:31:24 | 0:31:27 | |
I took a guess as to what you might enjoy. | 0:31:27 | 0:31:30 | |
-Oh? Grappelli! -There's some Maxine Sullivan, Josephine Baker. | 0:31:33 | 0:31:38 | |
Shall I put this one on? | 0:31:38 | 0:31:41 | |
Not here. | 0:31:41 | 0:31:42 | |
Sorry? | 0:31:42 | 0:31:44 | |
Not here. Sarah is not here. | 0:31:44 | 0:31:46 | |
No, she's in Sydney, as I understand. | 0:31:46 | 0:31:50 | |
Her Aunt Peg. | 0:31:50 | 0:31:52 | |
Stephane Grappelli and Django Reinhardt, I like very much. | 0:31:53 | 0:31:57 | |
Satie, aussi. | 0:31:57 | 0:31:58 | |
Good. | 0:31:58 | 0:32:00 | |
So do I. | 0:32:00 | 0:32:02 | |
Very kind of you to chauffeur Mr Bligh during his convalescence. | 0:32:05 | 0:32:10 | |
I like to help wherever I can. | 0:32:10 | 0:32:13 | |
What a compassionate man, to visit Dr Nordmann, | 0:32:13 | 0:32:16 | |
given the circumstances. | 0:32:16 | 0:32:18 | |
And also to thank Sister Nordmann in person. | 0:32:18 | 0:32:22 | |
What a shame. She's not here. | 0:32:22 | 0:32:25 | |
She had to go to Sydney. | 0:32:25 | 0:32:27 | |
Oh. We weren't aware. | 0:32:27 | 0:32:30 | |
I imagine she's gone to seek medical help for her husband. | 0:32:30 | 0:32:33 | |
I wouldn't know. | 0:32:33 | 0:32:35 | |
-Poor man. -I'm told she telephones him twice a day. Sometimes more. | 0:32:35 | 0:32:40 | |
-It's Mr Briggs I worry about. -Why? | 0:32:40 | 0:32:42 | |
Well, the man's been a saint to take in the Nordmanns as he did. | 0:32:42 | 0:32:45 | |
I'm sure he enjoys the company. | 0:32:45 | 0:32:47 | |
But would it be wise to take Mr Nordmann back | 0:32:47 | 0:32:51 | |
after what happened? | 0:32:51 | 0:32:52 | |
Mr Briggs is entirely capable. And where else would they go? | 0:32:52 | 0:32:57 | |
That is where the Nordmanns live now. | 0:32:57 | 0:32:59 | |
That is their home. | 0:32:59 | 0:33:00 | |
I just assumed Dr Nordmann would be needing full-time care. | 0:33:00 | 0:33:04 | |
As I said, you'll find Mr Briggs entirely capable. | 0:33:04 | 0:33:08 | |
-These things have a way of working out. -Mm. | 0:33:13 | 0:33:16 | |
Mrs Bligh! Welcome! | 0:34:11 | 0:34:14 | |
Back to the pond. Back to the pond, lads. | 0:34:14 | 0:34:17 | |
-Oh, don't take any notice of them. -I've heard worse, Mr Goddard. | 0:34:17 | 0:34:21 | |
Douglas. | 0:34:21 | 0:34:23 | |
So this is our refuge. | 0:34:23 | 0:34:26 | |
Ah, yes. Some of our men sleep rough. | 0:34:26 | 0:34:31 | |
"Weary is he, and sick of the sorrow of war. | 0:34:31 | 0:34:34 | |
"Hating the shriek of loud music, the beat of the drum." | 0:34:34 | 0:34:38 | |
"Is this the shadow called glory men sell themselves for?" | 0:34:38 | 0:34:42 | |
How do you take your tea, Mrs Bligh? | 0:34:42 | 0:34:44 | |
Oh, I'm here to be of use, Mr Goddard, | 0:34:44 | 0:34:46 | |
not to sit about drinking tea. | 0:34:46 | 0:34:48 | |
How are you managing? Everything all right? | 0:34:53 | 0:34:55 | |
I'm very, very well, thank you. | 0:34:55 | 0:34:57 | |
-Well, I'm sure it'll be delicious. -Ha! | 0:34:57 | 0:35:00 | |
And if it isn't, they'll throw something. | 0:35:00 | 0:35:03 | |
Ah. | 0:35:03 | 0:35:05 | |
-I hope you're settling in all right. -Yes. | 0:35:20 | 0:35:23 | |
We have a card party this evening, if you'd care to join the men. | 0:35:23 | 0:35:26 | |
Oh, I think I'd rather poke my eye out with a pencil! | 0:35:26 | 0:35:31 | |
Oh, is that too rude? | 0:35:31 | 0:35:32 | |
Not at all. | 0:35:32 | 0:35:34 | |
I don't play poker either. | 0:35:35 | 0:35:37 | |
-Oh, I'm not here for a sitting. -Just indulge me. | 0:35:39 | 0:35:42 | |
All right. | 0:35:43 | 0:35:45 | |
My brother-in-law's wine. It's grown here. | 0:35:48 | 0:35:52 | |
Thought you might like to try it. | 0:35:52 | 0:35:54 | |
Never trust a country that doesn't make its own wine. | 0:35:54 | 0:35:57 | |
I hope it's not too rough. Not for me. | 0:35:57 | 0:36:01 | |
Thank you. | 0:36:01 | 0:36:02 | |
Righty-ho. | 0:36:02 | 0:36:04 | |
Also, I wasn't sure if you'd eaten. Just in case you're peckish. | 0:36:04 | 0:36:09 | |
And I am sorry you've had to stay so far from the house. | 0:36:09 | 0:36:13 | |
If there's anything you need, just let me know. | 0:36:13 | 0:36:15 | |
Should I stop talking? | 0:36:15 | 0:36:18 | |
Depends on what you have to say. | 0:36:18 | 0:36:20 | |
Boring practical matters, I'm afraid. | 0:36:22 | 0:36:26 | |
How you'll get us all together. | 0:36:26 | 0:36:29 | |
My husband is busy with an auction today and after that, he's... | 0:36:29 | 0:36:32 | |
What's it called? Oh, it's something else to do with the stock. | 0:36:32 | 0:36:36 | |
-Um... -Slaughtering them, perhaps? | 0:36:36 | 0:36:38 | |
No! | 0:36:38 | 0:36:40 | |
-I can't think when someone's sketching me. -There. | 0:36:40 | 0:36:44 | |
I'll paint you all separately. | 0:36:47 | 0:36:49 | |
-That way I can get to know you better. -Goodness! | 0:36:49 | 0:36:53 | |
It's me, but... | 0:36:53 | 0:36:55 | |
Yes. | 0:36:55 | 0:36:56 | |
..in a different way. | 0:36:56 | 0:36:57 | |
A painter friend of mine once described art as deception. | 0:36:57 | 0:37:02 | |
Just... | 0:37:05 | 0:37:07 | |
Yes. | 0:37:10 | 0:37:12 | |
Any favourite painters, Olivia? | 0:37:14 | 0:37:17 | |
Um... I used to love the Dutch Masters. | 0:37:19 | 0:37:23 | |
-Yes. -The National Gallery in London. | 0:37:23 | 0:37:26 | |
-My father used to take me whenever we went to town. -Van Eyck. | 0:37:26 | 0:37:30 | |
-Rembrandt? -Vermeer was my favourite. | 0:37:30 | 0:37:34 | |
-Yeah. -Have you been there? London? | 0:37:34 | 0:37:36 | |
You must miss it? England? | 0:37:36 | 0:37:39 | |
No. | 0:37:42 | 0:37:44 | |
This is home now. | 0:37:44 | 0:37:45 | |
Cut it up. I can't eat that. | 0:38:12 | 0:38:13 | |
Oh, no, no. Not to worry. | 0:38:13 | 0:38:15 | |
Bill has to have it cut up for him. Hang on a sec, mate. | 0:38:15 | 0:38:18 | |
Won't be long. | 0:38:18 | 0:38:19 | |
He was an Anzac, that bloke. | 0:38:19 | 0:38:22 | |
Tale to tell, if anyone could get it out of him. | 0:38:22 | 0:38:25 | |
-Want me to do it? -No. No, no. Not at all. | 0:38:25 | 0:38:28 | |
How's that for you, Mr... Um... Bill? | 0:38:37 | 0:38:40 | |
Is that small enough? | 0:38:40 | 0:38:42 | |
HE MUMBLES | 0:38:42 | 0:38:44 | |
Could you repeat that, please? | 0:38:44 | 0:38:47 | |
HE MUMBLES | 0:38:47 | 0:38:49 | |
No, no, no. | 0:38:49 | 0:38:50 | |
Could you just say it again, | 0:38:50 | 0:38:52 | |
or shall I leave you to have your meal in peace? | 0:38:52 | 0:38:54 | |
-MUMBLING: -I was only... Stay and have a chinwag. | 0:38:54 | 0:38:58 | |
I'll leave you. | 0:38:58 | 0:39:01 | |
HE MUMBLES | 0:39:01 | 0:39:04 | |
Does he want something else? Do you want something else? | 0:39:04 | 0:39:07 | |
-MUMBLING: -Sit down...sit down... | 0:39:07 | 0:39:09 | |
I think I might be better in here. | 0:39:13 | 0:39:16 | |
Shall I put you on the roster? Another day this week? | 0:39:16 | 0:39:18 | |
I don't think so, Mr Goddard. I'm not sure I'm of use. | 0:39:18 | 0:39:22 | |
Where's my handbag? I left it there. | 0:39:22 | 0:39:25 | |
Being down and out doesn't make a man a thief. | 0:39:27 | 0:39:30 | |
Could it be any more garish? | 0:39:48 | 0:39:50 | |
SHE SIGHS | 0:39:52 | 0:39:55 | |
DOOR CLOSES | 0:39:55 | 0:39:57 | |
This isn't fair on you, Peg. | 0:40:00 | 0:40:04 | |
I've put you in a terrible position. | 0:40:04 | 0:40:06 | |
I've found a hotel and I'll move in there. | 0:40:06 | 0:40:10 | |
The church teaches us | 0:40:10 | 0:40:14 | |
that a child is a gift. | 0:40:14 | 0:40:17 | |
A gift from God. | 0:40:17 | 0:40:19 | |
However, I've... | 0:40:19 | 0:40:21 | |
I've never been in your position. | 0:40:21 | 0:40:24 | |
Judge not and ye shall not be judged. | 0:40:25 | 0:40:29 | |
I had to have two sherries at the Captain Cook to get this. | 0:40:37 | 0:40:41 | |
You won! Fourth prize. | 0:40:58 | 0:41:01 | |
It's a boiled fruitcake. | 0:41:01 | 0:41:02 | |
-So it will last. -I don't even remember buying a ticket. | 0:41:02 | 0:41:05 | |
It's what everybody always says. Look. Your name. | 0:41:05 | 0:41:09 | |
Well, we'll make short work of it. Thanks a lot. | 0:41:09 | 0:41:12 | |
The nurses tell me that Dr Nordmann's been quite agitated. | 0:41:12 | 0:41:16 | |
Well, he would be with missy away. I'll drop by and see him directly. | 0:41:16 | 0:41:20 | |
He's safe at the hospital, which is a good thing. | 0:41:20 | 0:41:23 | |
He'll be safe back here as well. | 0:41:23 | 0:41:25 | |
Do you really think so, Mr Briggs? Given George Bligh's lucky escape? | 0:41:25 | 0:41:29 | |
I know you mean well, | 0:41:29 | 0:41:31 | |
but that poor bugger was trying to kill himself, not anyone else. | 0:41:31 | 0:41:34 | |
Well... | 0:41:34 | 0:41:36 | |
We'll have this for the coming home tea, eh? | 0:41:36 | 0:41:39 | |
Ahem. | 0:41:47 | 0:41:48 | |
Just relax. | 0:41:54 | 0:41:57 | |
-I am relaxed. -No, you're not. | 0:41:57 | 0:41:58 | |
You're too straight, you're too erect. | 0:41:58 | 0:42:00 | |
I mean, you look like you have something stuck up your... | 0:42:00 | 0:42:03 | |
..spine. | 0:42:03 | 0:42:04 | |
My mother was wont to say my posture was my most attractive feature. | 0:42:08 | 0:42:12 | |
Well, your mother was a damn fool. | 0:42:12 | 0:42:15 | |
May I ask how long these preliminary sketches take? | 0:42:22 | 0:42:26 | |
Change of plan. | 0:42:27 | 0:42:30 | |
Argh! | 0:42:30 | 0:42:32 | |
HE LAUGHS | 0:42:32 | 0:42:33 | |
Argh! | 0:42:33 | 0:42:35 | |
Oh, no, no! I don't like this! | 0:42:36 | 0:42:37 | |
Woo-hoo! | 0:42:41 | 0:42:44 | |
THEY BOTH LAUGH | 0:42:44 | 0:42:46 | |
-Are you relaxed now? -I'm relaxed! | 0:42:46 | 0:42:49 | |
James. | 0:42:55 | 0:42:58 | |
This artist chap, he won't make up the numbers? | 0:42:58 | 0:43:01 | |
Apparently not. | 0:43:01 | 0:43:03 | |
Do you want me to make up a table or not? | 0:43:12 | 0:43:15 | |
Chap can't play cards without his lucky tie. | 0:43:15 | 0:43:18 | |
You'll make a fool out of George. Go and change. | 0:43:18 | 0:43:19 | |
Or I could play starkers. What would you prefer? | 0:43:19 | 0:43:21 | |
Righty-ho, chaps. Problem solved. Where am I? | 0:43:21 | 0:43:24 | |
Resident cardsharp Miss Bligh's offered to make up a table. | 0:43:24 | 0:43:27 | |
Good on you, Carolyn. | 0:43:27 | 0:43:29 | |
You never cease to amaze me. You watch out for my sister. | 0:43:29 | 0:43:32 | |
She's lethal. | 0:43:32 | 0:43:34 | |
Sir Richard? | 0:43:35 | 0:43:37 | |
KNOCKS ON WINDOW Hello there. | 0:43:45 | 0:43:48 | |
Come in. | 0:43:48 | 0:43:51 | |
-I'm so sorry. -Come on in. | 0:43:51 | 0:43:53 | |
I know this is unexpected. | 0:43:56 | 0:43:58 | |
Don't mind me. | 0:43:58 | 0:43:59 | |
I wanted to thank you today. | 0:44:04 | 0:44:06 | |
It was lovely. | 0:44:07 | 0:44:10 | |
It was really lovely! And I had a marvellous time, | 0:44:10 | 0:44:12 | |
but I just wanted to say that... | 0:44:12 | 0:44:14 | |
..I am a happily married woman. | 0:44:16 | 0:44:18 |