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Order, please! Order! | 0:00:02 | 0:00:03 | |
This year's ball is in aid of Mr Goddard's soup kitchen. | 0:00:03 | 0:00:05 | |
Returned Soldiers' Refuge. | 0:00:05 | 0:00:07 | |
Well, why don't you come and have a look? | 0:00:07 | 0:00:10 | |
-Does he want something else? -N... N... | 0:00:10 | 0:00:12 | |
-Did you want something else? -HE STUTTERS | 0:00:12 | 0:00:14 | |
Shall I put you on the roster? | 0:00:16 | 0:00:17 | |
Oh, I don't think so, Mr Goddard. I'm not sure I'm of use. | 0:00:17 | 0:00:21 | |
Are you expecting, love? Is that it? | 0:00:21 | 0:00:23 | |
I can't have this baby, Peg. | 0:00:23 | 0:00:25 | |
You are carrying a child! | 0:00:25 | 0:00:27 | |
-Aunt Peg, please! -No. | 0:00:27 | 0:00:28 | |
So, I've decided to run for pre-selection as a candidate | 0:00:28 | 0:00:32 | |
for the Country Party. | 0:00:32 | 0:00:33 | |
Is Jack Anna's natural father? | 0:00:33 | 0:00:36 | |
Yes. | 0:00:36 | 0:00:38 | |
They can all keep a secret, that's for sure. | 0:00:38 | 0:00:40 | |
The most important thing, I think, | 0:00:40 | 0:00:41 | |
is that your parents loved Anna as if she were their own. | 0:00:41 | 0:00:47 | |
And who were you being? | 0:00:47 | 0:00:48 | |
I sent the soil from the West Hill to be analysed. | 0:00:48 | 0:00:51 | |
Very good soil for planting quality grapes. | 0:00:51 | 0:00:54 | |
Rightio, chaps, problem solved. Where am I? | 0:00:54 | 0:00:57 | |
Resident card shark Miss Bligh's offered to make up a table. | 0:00:57 | 0:00:59 | |
Watch out for my sister, she's lethal. | 0:00:59 | 0:01:02 | |
So it's Olivia you'll be painting, Lloyd. | 0:01:06 | 0:01:08 | |
And my son and husband. | 0:01:08 | 0:01:10 | |
Lucky me. | 0:01:10 | 0:01:12 | |
Cigarette? | 0:01:12 | 0:01:13 | |
No, thank you. | 0:01:14 | 0:01:15 | |
I don't want to...just be pretending. | 0:01:18 | 0:01:22 | |
SHE SCREAMS | 0:01:22 | 0:01:24 | |
I wanted to thank you for today, but I am a happily married woman. | 0:01:24 | 0:01:29 | |
SHE PANTS | 0:01:33 | 0:01:35 | |
The church teaches us that a child is a gift, a gift from God. | 0:01:37 | 0:01:44 | |
However, I've never been in your position. | 0:01:44 | 0:01:47 | |
-(ECHOED) -'Duck bill ready? | 0:01:58 | 0:02:00 | |
-'I love you. -I always will. | 0:02:05 | 0:02:07 | |
'You are carrying a child! | 0:02:07 | 0:02:10 | |
'It's so sad that your marriage to George didn't proceed.' | 0:02:11 | 0:02:14 | |
Stop. Stop! | 0:02:16 | 0:02:17 | |
-Lie down! -I've changed my mind! | 0:02:17 | 0:02:20 | |
It's way too late in the piece to change your mind. | 0:02:20 | 0:02:22 | |
If you leave now you, won't get your money back. | 0:02:22 | 0:02:24 | |
-I said get her out of here! -No! CLATTERING | 0:02:24 | 0:02:27 | |
No, not that door! | 0:02:27 | 0:02:28 | |
You should have told me you were a nurse. | 0:02:32 | 0:02:34 | |
Excuse me, Missus, you dropped... | 0:02:41 | 0:02:44 | |
Get back in here! | 0:02:44 | 0:02:46 | |
Now, sit down and I'll be with you in a moment. | 0:02:46 | 0:02:49 | |
I couldn't do it, Aunt Peg. | 0:02:54 | 0:02:57 | |
God was watching down, my love. He was. | 0:02:57 | 0:03:00 | |
A baby. | 0:03:04 | 0:03:05 | |
Babies only need love, darling. | 0:03:07 | 0:03:09 | |
You'll work it out. | 0:03:11 | 0:03:13 | |
OVERLAPPING CONVERSATIONS | 0:03:19 | 0:03:21 | |
Ah, excellent evening, thank you. | 0:03:23 | 0:03:26 | |
James, I've just been telling Sir Richard about your plans. | 0:03:26 | 0:03:30 | |
Excellent, James. Open the door and let the future in. | 0:03:30 | 0:03:33 | |
Graham Greene. | 0:03:33 | 0:03:35 | |
To paraphrase. | 0:03:35 | 0:03:36 | |
I'm not a total Philistine. | 0:03:36 | 0:03:39 | |
What a relief, Sir Richard. | 0:03:39 | 0:03:40 | |
Let the future in. Men from the boys. | 0:03:42 | 0:03:45 | |
-It's excellent. -Thank you, Sir Richard. | 0:03:45 | 0:03:48 | |
I wouldn't mind trading Macquarie Street for Inverness. | 0:03:49 | 0:03:52 | |
Oh, I could live on the land. | 0:03:52 | 0:03:55 | |
Or off the land. | 0:03:55 | 0:03:56 | |
On and off. | 0:03:56 | 0:03:58 | |
-Well, it's hard work. -It's all card games and morning tea. | 0:03:58 | 0:04:01 | |
A ride out on the horse from time to time to check on the sheep. | 0:04:01 | 0:04:04 | |
You medicos, | 0:04:04 | 0:04:05 | |
all sailing around on your yachts on whatever afternoon it is. | 0:04:05 | 0:04:10 | |
Yes, don't fall ill on a Wednesday. | 0:04:10 | 0:04:12 | |
Doctor has the tiller in the one hand and a lager in the other. | 0:04:12 | 0:04:15 | |
So, what sort of portrait's this Ellis-Parker going to do? | 0:04:44 | 0:04:48 | |
All your abstract swirly bull dust, "My child can do better than that" | 0:04:48 | 0:04:51 | |
sort of thing? Another Archibald scandal? | 0:04:51 | 0:04:54 | |
Good abstract painters, take Picasso... | 0:04:54 | 0:04:57 | |
Someone has to, I suppose. | 0:04:57 | 0:04:59 | |
..began his painting career with portraits. | 0:04:59 | 0:05:01 | |
Modelling Velasquez. | 0:05:01 | 0:05:03 | |
The question for our modern times... | 0:05:03 | 0:05:04 | |
Oh, don't tell me Lloyd wants 'em nude. | 0:05:04 | 0:05:07 | |
..is why anyone would want a portrait. | 0:05:07 | 0:05:09 | |
They are simply a substitute photograph. | 0:05:09 | 0:05:12 | |
One wants an expression of the subject, | 0:05:12 | 0:05:14 | |
and that's what Lloyd will do. | 0:05:14 | 0:05:17 | |
It's not a real job, is it? | 0:05:17 | 0:05:19 | |
It's not something a real man does. | 0:05:19 | 0:05:21 | |
Did you know that he was an official war painter on the front line | 0:05:21 | 0:05:25 | |
of France? Since his return, every exhibition he's had has sold out. | 0:05:25 | 0:05:28 | |
Oh, an investment tip, Sir Richard. | 0:05:28 | 0:05:30 | |
You go to all of those, do you? Exhibitions? Opening nights? | 0:05:30 | 0:05:35 | |
Red dots. | 0:05:35 | 0:05:36 | |
I do, when I'm in town. | 0:05:36 | 0:05:38 | |
Can you write? Why don't you show me what you can do? | 0:05:38 | 0:05:40 | |
Write me, what do you call it, a critique, a review. | 0:05:40 | 0:05:43 | |
Let's Sydneysiders know what they should like about art. | 0:05:43 | 0:05:47 | |
That's not the role of a critic. | 0:05:47 | 0:05:48 | |
Course it's bloody not. I know that. I'm trying you out for a job. | 0:05:48 | 0:05:53 | |
A word with George. | 0:05:53 | 0:05:55 | |
SHE LAUGHS | 0:05:58 | 0:05:59 | |
What's he talking about? | 0:06:04 | 0:06:05 | |
Art reporter. | 0:06:07 | 0:06:08 | |
Moi?! | 0:06:08 | 0:06:10 | |
So, this is it. | 0:06:12 | 0:06:14 | |
You'll head back to the city. | 0:06:14 | 0:06:18 | |
The art scene is hardly a full-time job. | 0:06:18 | 0:06:20 | |
You'll get seduced by the bright lights. | 0:06:20 | 0:06:23 | |
First part of that sentence I quite like. | 0:06:23 | 0:06:26 | |
You're back to health. You're ready. | 0:06:33 | 0:06:36 | |
All my regional editors are on board, very keen to see you run. | 0:06:36 | 0:06:41 | |
Pre-selection committee knows which way to jump, | 0:06:41 | 0:06:43 | |
and all you have to do is pull your finger out. | 0:06:43 | 0:06:46 | |
Brace yourself, George. I back winners. | 0:06:46 | 0:06:49 | |
Do you come down to Sydney very often? | 0:06:57 | 0:06:59 | |
Yes, sometimes. | 0:06:59 | 0:07:01 | |
You'll dine with me next time, I hope. | 0:07:04 | 0:07:06 | |
Monday to Friday, my body is a temple. | 0:07:10 | 0:07:12 | |
Saturday to Sunday, a ruin. | 0:07:13 | 0:07:15 | |
Goodnight, Mr Fox. | 0:07:20 | 0:07:21 | |
Thank you for everything you've done for my father. | 0:07:22 | 0:07:24 | |
How's my beautiful boy? | 0:08:10 | 0:08:12 | |
Georgie? | 0:08:19 | 0:08:20 | |
Georgie? | 0:08:22 | 0:08:23 | |
James, it's Georgie. | 0:08:24 | 0:08:27 | |
The baby's not there. | 0:08:27 | 0:08:29 | |
I can't find him. Georgie, where are you?! | 0:08:31 | 0:08:35 | |
Oh, dear God, where is he? | 0:08:38 | 0:08:40 | |
James, I can't find him. | 0:08:40 | 0:08:43 | |
-I can't find him! -Livvy, just calm down. | 0:08:43 | 0:08:46 | |
I need to know where he is! I... I need you to find him. | 0:08:46 | 0:08:50 | |
-Just find him! -I will. We will. Just calm down! | 0:08:50 | 0:08:52 | |
All right! All right. | 0:08:52 | 0:08:54 | |
George, we need to notify the police. | 0:08:56 | 0:08:58 | |
Not until we've finished searching the house. | 0:08:58 | 0:09:00 | |
Please, we are wasting time. | 0:09:00 | 0:09:02 | |
Ah, nothing, sir. I checked all the bedrooms. | 0:09:02 | 0:09:05 | |
Someone has taken him. | 0:09:06 | 0:09:08 | |
They must have, because...because where else could he be? | 0:09:09 | 0:09:12 | |
I've found him. | 0:09:12 | 0:09:14 | |
Thank God. | 0:09:14 | 0:09:15 | |
Now we can all go to bed. | 0:09:15 | 0:09:18 | |
There you are, my darling. | 0:09:18 | 0:09:19 | |
Georgie. | 0:09:20 | 0:09:22 | |
Oh...shh! BABY CRIES | 0:09:22 | 0:09:24 | |
Quite a relief. | 0:09:24 | 0:09:25 | |
Make yourself decent. | 0:09:27 | 0:09:28 | |
Where was he? | 0:09:30 | 0:09:31 | |
He was in Rose's room. He was in bed with her. | 0:09:31 | 0:09:34 | |
I didn't mean to worry you. | 0:09:34 | 0:09:36 | |
Of course you didn't. | 0:09:36 | 0:09:37 | |
In bed with her? | 0:09:37 | 0:09:39 | |
He wasn't settling. The poor wean's gums were sore. | 0:09:39 | 0:09:43 | |
He's teething. Everyone was busy. You wasn't here. | 0:09:43 | 0:09:45 | |
Of course I was here, you stupid girl! | 0:09:45 | 0:09:48 | |
Giving us all a fright like that. | 0:09:48 | 0:09:50 | |
-He's perfectly fine, Olivia. -Sh. | 0:09:50 | 0:09:52 | |
Thank you, Reggie. | 0:09:52 | 0:09:54 | |
-BREATHLESSLY: -Livvy. | 0:10:34 | 0:10:36 | |
Livvy. | 0:10:36 | 0:10:37 | |
SHE EXHALES | 0:10:39 | 0:10:41 | |
It's all right. It's all right. The baby's right here. | 0:10:41 | 0:10:45 | |
He's sound asleep. | 0:10:46 | 0:10:47 | |
You go back to sleep now. | 0:10:49 | 0:10:50 | |
Hello! | 0:11:20 | 0:11:21 | |
Oh! Gino! | 0:11:21 | 0:11:23 | |
-I thought you said they were vines. -They are. | 0:11:25 | 0:11:27 | |
-It's all rootstock. -They're like weensy little baby vines. | 0:11:27 | 0:11:31 | |
It's a twig, darling. | 0:11:31 | 0:11:32 | |
It's sangiovese rootstock. | 0:11:32 | 0:11:34 | |
It'll grow into a beautiful vine that'll produce grapes | 0:11:34 | 0:11:38 | |
that will make a beautiful bottle of Chianti. | 0:11:38 | 0:11:41 | |
It's Hans Christian Anderson. | 0:11:41 | 0:11:42 | |
It's the Ugly Duckling. | 0:11:42 | 0:11:44 | |
You are such a romantic, | 0:11:44 | 0:11:46 | |
and you are a much more attractive vine than I thought you were. | 0:11:46 | 0:11:51 | |
So, how much is all this going to cost? | 0:11:51 | 0:11:53 | |
Caro. | 0:11:53 | 0:11:54 | |
It's an investment. | 0:11:55 | 0:11:57 | |
But you would ask if you needed any help, wouldn't you, Gino? | 0:11:57 | 0:11:59 | |
If you needed money or anything? | 0:11:59 | 0:12:02 | |
I got the money. | 0:12:02 | 0:12:04 | |
How long till they start producing? | 0:12:04 | 0:12:06 | |
Oh, five years. | 0:12:06 | 0:12:07 | |
Maybe ten. | 0:12:07 | 0:12:08 | |
Well, ah, I need to get your mother back to Ash Park before her | 0:12:11 | 0:12:15 | |
reputation's in tatters. | 0:12:15 | 0:12:17 | |
Bye, Mama. | 0:12:17 | 0:12:19 | |
Bye, Jack. | 0:12:19 | 0:12:21 | |
Bye, Papa. | 0:12:24 | 0:12:25 | |
Papa. | 0:12:29 | 0:12:31 | |
Papa! | 0:12:32 | 0:12:34 | |
Dear Prudence, do forgive me. | 0:12:39 | 0:12:41 | |
Poor Norman was forced to remind me of the time. | 0:12:43 | 0:12:46 | |
I was thoroughly absorbed by the Women's Weekly. | 0:12:46 | 0:12:49 | |
Did you know they are planning to enter an all-women team | 0:12:49 | 0:12:52 | |
in the Redex Car Trails? It's quite remarkable. | 0:12:52 | 0:12:55 | |
Good on them. I can't think of anything worse. | 0:12:55 | 0:12:57 | |
The lack of facilities. Can you imagine? | 0:12:57 | 0:12:59 | |
They breed them differently these days. | 0:12:59 | 0:13:01 | |
Clearly with scant regard for personal hygiene. | 0:13:01 | 0:13:05 | |
Now, the fundraiser. | 0:13:05 | 0:13:07 | |
The rest of the committee have seen fit to | 0:13:07 | 0:13:09 | |
ignore your - how shall I put it - | 0:13:09 | 0:13:11 | |
unconventional critique of the proposed event? | 0:13:11 | 0:13:15 | |
If you're referring to my observation that the primary purpose | 0:13:15 | 0:13:18 | |
of a fundraiser is to raise funds, I hardly regard that as a critique. | 0:13:18 | 0:13:22 | |
Critique or not, it put a few noses out of joint. | 0:13:22 | 0:13:25 | |
Douglas Goddard telephoned. | 0:13:30 | 0:13:32 | |
Seems he tried to chase you down. | 0:13:33 | 0:13:36 | |
Thought you might still be staying here. | 0:13:36 | 0:13:39 | |
Oh, probably wanted a donation. | 0:13:39 | 0:13:41 | |
Sarah, she is coming? | 0:13:50 | 0:13:51 | |
She's in Sydney, remember? | 0:13:53 | 0:13:56 | |
Her Aunt wasn't well. | 0:13:56 | 0:13:57 | |
Peg? | 0:13:57 | 0:13:59 | |
Mm. | 0:13:59 | 0:14:00 | |
She did not tell me she was leaving. | 0:14:00 | 0:14:02 | |
They're an independent lot these days, Rene. | 0:14:02 | 0:14:05 | |
Bloody women. | 0:14:07 | 0:14:08 | |
The rubbish that some of these so-called critics | 0:14:15 | 0:14:17 | |
write about modern art. | 0:14:17 | 0:14:18 | |
They probably think Monet is avant-garde. | 0:14:18 | 0:14:21 | |
My wife just bought a Monet. | 0:14:21 | 0:14:23 | |
Oh, I imagine it went with the wallpaper. | 0:14:23 | 0:14:26 | |
Doesn't Jack serve breakfast? | 0:14:26 | 0:14:28 | |
In more ways than one. | 0:14:28 | 0:14:29 | |
Your sister thinks I'm an ignoramus. | 0:14:30 | 0:14:33 | |
Don't take it personally. | 0:14:33 | 0:14:34 | |
When I mentioned I liked Stubbs, she almost wept. | 0:14:34 | 0:14:36 | |
I'd rather ride a horse than see it on a wall. | 0:14:36 | 0:14:38 | |
Thankfully, George's political views are slightly more progressive. | 0:14:38 | 0:14:41 | |
Well, not too progressive, I hope. | 0:14:41 | 0:14:43 | |
We don't want to frighten the horses. | 0:14:43 | 0:14:45 | |
CLOCK CHIMES Oh, if I don't get moving soon, | 0:14:45 | 0:14:47 | |
my secretary's going to bring out the old whip, | 0:14:47 | 0:14:49 | |
which might not be an altogether unpleasant experience. | 0:14:49 | 0:14:52 | |
-Ladies. -I'll see you out. | 0:14:52 | 0:14:54 | |
Tell me when they've confirmed pre-selection, | 0:14:54 | 0:14:57 | |
and I'll get things rolling. | 0:14:57 | 0:14:58 | |
As I said, George, I back winners. | 0:14:58 | 0:15:00 | |
Well, we've had too many politicians around here who make promises | 0:15:00 | 0:15:02 | |
they never keep. I do intend to get things done. | 0:15:02 | 0:15:05 | |
That what we want to hear on the hustings. | 0:15:05 | 0:15:08 | |
You're a shoe-in, George, but you do need a wife. | 0:15:08 | 0:15:11 | |
I'll see you in Sydney. | 0:15:11 | 0:15:12 | |
I didn't mean to scare you, Miss Olivia, I truly didn't. | 0:15:20 | 0:15:23 | |
I love little Georgie. | 0:15:23 | 0:15:24 | |
I know you do. I know. | 0:15:24 | 0:15:27 | |
Let's just... We'll leave it at that, shall we? | 0:15:27 | 0:15:31 | |
Thank you, Miss Olivia. | 0:15:31 | 0:15:33 | |
Darling. | 0:15:39 | 0:15:40 | |
I feel so silly, making all that fuss last night. | 0:15:44 | 0:15:50 | |
But you don't think it a bit much she had our son in bed with her? | 0:15:50 | 0:15:54 | |
Darling Livvy, you're like a tiger with her cub. | 0:15:54 | 0:15:57 | |
You're right. | 0:15:57 | 0:15:59 | |
Come here. | 0:15:59 | 0:16:01 | |
Livvy. | 0:16:06 | 0:16:08 | |
Not in front of the baby. | 0:16:08 | 0:16:10 | |
It's not right. | 0:16:10 | 0:16:11 | |
No. Course not. | 0:16:14 | 0:16:16 | |
Thank you, sir. I do appreciate your time. | 0:16:31 | 0:16:34 | |
-Hooroo, Ted. We'll see ya. -See ya, Roy. | 0:16:34 | 0:16:38 | |
-He's a good bloke, Ted. -Yeah. | 0:16:38 | 0:16:40 | |
-Where's that bloody dog gone? -HE WHISTLES | 0:16:40 | 0:16:42 | |
Thank you for this, Roy. | 0:16:42 | 0:16:44 | |
Given the circumstances, I didn't think it appropriate to | 0:16:44 | 0:16:47 | |
call on the farmers in my vehicle. | 0:16:47 | 0:16:48 | |
-ROY LAUGHS -Mr Bligh, your vehicle would have bust her hump up that first hill. | 0:16:48 | 0:16:52 | |
-HE WHISTLES -Here! | 0:16:52 | 0:16:54 | |
-Pretty serious about this politics lark, eh? -Yes, I am. | 0:16:54 | 0:16:57 | |
I want to drag Inverness into the 20th century, | 0:16:57 | 0:17:01 | |
kicking and screaming if need be. | 0:17:01 | 0:17:03 | |
ROY LAUGHS | 0:17:03 | 0:17:04 | |
You heard Ted. Two days of rain and this road's impassable. | 0:17:04 | 0:17:07 | |
How's a man supposed | 0:17:07 | 0:17:08 | |
to make a living if he can't even get his stock to market? | 0:17:08 | 0:17:11 | |
Some people don't take too kindly to change. | 0:17:11 | 0:17:14 | |
Which is why I may need your help. | 0:17:14 | 0:17:16 | |
Well, I'll be glad to talk to 'em for ya. | 0:17:16 | 0:17:18 | |
Whether or not they'll listen, that's another thing. | 0:17:18 | 0:17:21 | |
Thank you, Roy. | 0:17:21 | 0:17:22 | |
I'll drop you on the way to the hospital. | 0:17:25 | 0:17:27 | |
Something I want to do for Missy. | 0:17:27 | 0:17:29 | |
DOG BARKS | 0:17:30 | 0:17:33 | |
Here! Get in the back! | 0:17:33 | 0:17:34 | |
I thought I'd get you out and about, doing a bit of hard yakka. | 0:17:36 | 0:17:40 | |
Ah, there's to be no hard yakka, just gentle physical work. | 0:17:40 | 0:17:44 | |
Gentle. | 0:17:44 | 0:17:46 | |
You understand? | 0:17:46 | 0:17:48 | |
Um, Roy wants you to move back in with him. He's right. | 0:17:48 | 0:17:51 | |
Fresh air and exercise will do you more good than lying about here. | 0:17:51 | 0:17:54 | |
-I leave the hospital? -Too right. | 0:17:54 | 0:17:56 | |
Today, if you like? | 0:17:56 | 0:17:58 | |
I think the nurses will like not to have the scary man. | 0:17:58 | 0:18:02 | |
-HE LAUGHS -Yeah. | 0:18:02 | 0:18:04 | |
-KNOCK ON DOOR -I'll get it! | 0:18:04 | 0:18:05 | |
DISTANT CONVERSATION | 0:18:07 | 0:18:09 | |
No, I'm sorry, she was younger, blonde. | 0:18:10 | 0:18:13 | |
You must mean my niece, Sarah. I'll just get her. Hang on a minute. | 0:18:13 | 0:18:17 | |
Sarah! | 0:18:18 | 0:18:19 | |
I telephoned the doctor. I told him | 0:18:23 | 0:18:24 | |
Linda was unwell but he didn't listen. | 0:18:24 | 0:18:26 | |
I overheard you were a nurse. | 0:18:26 | 0:18:27 | |
SHE PANTS | 0:18:27 | 0:18:28 | |
Yes. Yes, come in. She needs to lie down. | 0:18:28 | 0:18:31 | |
STRAINED BREATHING | 0:18:33 | 0:18:35 | |
I'm so sorry. | 0:18:35 | 0:18:37 | |
Can I talk to you for a moment? | 0:18:38 | 0:18:40 | |
Linda's very sick, Nancy. She needs to go to the hospital. | 0:18:48 | 0:18:51 | |
No. If I take her to the hospital, they will report her. | 0:18:51 | 0:18:53 | |
-She needs to see a doctor. -Can't you fix her? | 0:18:53 | 0:18:56 | |
No. Only a doctor can help her now. | 0:18:56 | 0:18:58 | |
They will report her to the police. It would kill her father. | 0:18:58 | 0:19:02 | |
Right now, the only thing we need to be concerned about is | 0:19:02 | 0:19:04 | |
saving your daughter's life. | 0:19:04 | 0:19:06 | |
You think...Linda could die? | 0:19:06 | 0:19:09 | |
Yes. | 0:19:10 | 0:19:11 | |
-Call for you, Dr Duncan. -Ah, I'll take it in my office. | 0:19:20 | 0:19:24 | |
Jack Duncan. | 0:19:32 | 0:19:34 | |
Are you all right? | 0:19:35 | 0:19:36 | |
Yes. | 0:19:39 | 0:19:40 | |
Yes. Ah, get her here as soon as possible. | 0:19:44 | 0:19:46 | |
Has the mother got a car? | 0:19:48 | 0:19:50 | |
I'll organise transport. | 0:19:52 | 0:19:53 | |
I'll think of something. | 0:19:54 | 0:19:56 | |
-Elizabeth. -Jack telephoned me. He said you had urgent need | 0:20:02 | 0:20:05 | |
of Norman's services. | 0:20:05 | 0:20:07 | |
Sarah, I'm fully apprised of the situation. | 0:20:07 | 0:20:10 | |
Come in. | 0:20:10 | 0:20:11 | |
It was an incomplete procedure. | 0:20:18 | 0:20:20 | |
Let's get you to the hospital. | 0:20:24 | 0:20:26 | |
Here's your case, dear. | 0:20:28 | 0:20:29 | |
Thanks, Peg. | 0:20:29 | 0:20:31 | |
Oh, darling, I love you. | 0:20:31 | 0:20:34 | |
Sarah! | 0:21:06 | 0:21:08 | |
Where is Sarah?! | 0:21:09 | 0:21:11 | |
Now calm down, dear old mate. She'll be home directly. | 0:21:12 | 0:21:16 | |
Where do you want this? How about right there? | 0:21:16 | 0:21:19 | |
I'll get a bit of grub on. | 0:21:19 | 0:21:21 | |
Got a couple of lamb chops with your name written all over 'em. | 0:21:21 | 0:21:24 | |
SOFT PIANO MUSIC PLAYS | 0:21:38 | 0:21:40 | |
That's better, eh? | 0:21:47 | 0:21:49 | |
Ugh... | 0:22:00 | 0:22:01 | |
How often do they have to be watered? | 0:22:01 | 0:22:05 | |
Every day for the first month. | 0:22:05 | 0:22:07 | |
By hand? | 0:22:07 | 0:22:08 | |
After that, once a week. | 0:22:08 | 0:22:10 | |
So we...cart the water over here and then we | 0:22:11 | 0:22:14 | |
water each one of them by hand, every day? | 0:22:14 | 0:22:17 | |
One day we'll get irrigation. | 0:22:17 | 0:22:19 | |
What about everything else, Gino? | 0:22:19 | 0:22:21 | |
When...when do we find time to do all the rest of the work? | 0:22:21 | 0:22:24 | |
Hey. | 0:22:24 | 0:22:25 | |
Everything will be good. | 0:22:27 | 0:22:29 | |
Yeah? It'll all work out. | 0:22:29 | 0:22:31 | |
Come on, just one more row and we're done. | 0:22:32 | 0:22:34 | |
But I haven't ridden Stardust in days. | 0:22:34 | 0:22:36 | |
You can ride him tomorrow. I promise. | 0:22:36 | 0:22:39 | |
Please, just wait here. I'll be back in a moment. | 0:22:56 | 0:22:59 | |
You up to assisting? | 0:23:00 | 0:23:01 | |
-Of course. -It'll just be the two of us. | 0:23:01 | 0:23:03 | |
What's happening? Why aren't they saying anything? | 0:23:05 | 0:23:08 | |
Your daughter is in the best of hands now. | 0:23:08 | 0:23:11 | |
Linda is all I've got. | 0:23:12 | 0:23:13 | |
You know you're going to have to be very strong. Come along. | 0:23:13 | 0:23:16 | |
I'll wait with you. | 0:23:16 | 0:23:17 | |
She's still bleeding. | 0:23:20 | 0:23:21 | |
Blood pressure fluctuating. | 0:23:21 | 0:23:23 | |
Thank you, Marjorie. | 0:23:25 | 0:23:26 | |
She'll be all right, won't she? | 0:23:31 | 0:23:33 | |
We'll do our best. | 0:23:33 | 0:23:34 | |
Linda, my name is Jack Duncan. | 0:23:34 | 0:23:37 | |
I'm a doctor here at Inverness. I'm going to be looking after you. | 0:23:37 | 0:23:40 | |
Hysterectomy at 15. | 0:23:48 | 0:23:50 | |
There's a lot of blood here. | 0:23:55 | 0:23:57 | |
Thank you. And a bowl? | 0:23:57 | 0:23:59 | |
Take a closer look at that, will you? | 0:24:02 | 0:24:05 | |
Can't see for the blood. | 0:24:05 | 0:24:06 | |
The uterine wall's perforated. | 0:24:08 | 0:24:09 | |
Come on, Linda, stay with us. | 0:24:14 | 0:24:16 | |
Why is it taking so long? They've been in there for hours. | 0:24:19 | 0:24:22 | |
PHONE RINGS | 0:24:22 | 0:24:24 | |
Inverness Hospital? | 0:24:29 | 0:24:31 | |
Is that you, Mrs Collins? | 0:24:31 | 0:24:33 | |
Yeah? | 0:24:33 | 0:24:35 | |
Um, there was a young girl brought in earlier. | 0:24:35 | 0:24:40 | |
Oh, yeah... | 0:24:40 | 0:24:41 | |
As a matter of fact, I'm very worried, Mrs Bligh. | 0:24:46 | 0:24:49 | |
They are still in surgery and it has been quite some time. | 0:24:49 | 0:24:53 | |
These will go nicely in the dining room. | 0:24:59 | 0:25:01 | |
And perhaps some white ones as well? | 0:25:01 | 0:25:03 | |
Great Maiden's Blush. | 0:25:05 | 0:25:06 | |
What did you say? | 0:25:09 | 0:25:10 | |
Oh, it's the name of the rose. | 0:25:10 | 0:25:12 | |
Father gave it to my mother on their first wedding anniversary. | 0:25:12 | 0:25:16 | |
He always was a romantic. | 0:25:16 | 0:25:19 | |
So, is this the young prince? | 0:25:21 | 0:25:23 | |
Yes. | 0:25:24 | 0:25:26 | |
Does he have a name? | 0:25:28 | 0:25:30 | |
George. After his grandfather. | 0:25:30 | 0:25:33 | |
And a fine, solid young fellow you are. | 0:25:33 | 0:25:36 | |
I will try to do justice to you, young George. | 0:25:36 | 0:25:39 | |
And particular justice to you. | 0:25:40 | 0:25:42 | |
You look a little flushed, Olivia. | 0:25:58 | 0:26:00 | |
I'm sorry. | 0:26:23 | 0:26:24 | |
I couldn't stop the bleeding. | 0:26:26 | 0:26:28 | |
I tried. There was nothing I could do. | 0:26:28 | 0:26:31 | |
But you said...! | 0:26:31 | 0:26:33 | |
-You said! -I'm so sorry. | 0:26:33 | 0:26:35 | |
SHE CRIES | 0:26:36 | 0:26:37 | |
HE SIGHS | 0:26:52 | 0:26:54 | |
(Oh, Jack.) | 0:26:58 | 0:27:00 | |
Barukh atah Adonai Eloheinu melekh ha'olam, dayan ha-emet. | 0:27:12 | 0:27:18 | |
Ruptured appendix. | 0:27:21 | 0:27:22 | |
I thought "miscarriage" was the usual euphemism | 0:27:22 | 0:27:24 | |
on the death certificate. | 0:27:24 | 0:27:26 | |
The man was a butcher. | 0:27:28 | 0:27:30 | |
I had to remove the uterus and I still couldn't save... | 0:27:30 | 0:27:32 | |
Elizabeth doesn't need to know the details. | 0:27:32 | 0:27:34 | |
He should be struck off. | 0:27:34 | 0:27:37 | |
He probably is struck off. | 0:27:37 | 0:27:38 | |
Christ. | 0:27:41 | 0:27:42 | |
She was 15. She was only a child. | 0:27:43 | 0:27:46 | |
Maybe we shouldn't have brought her here. All that way. | 0:27:46 | 0:27:50 | |
If she'd gone to a Sydney hospital | 0:27:50 | 0:27:52 | |
-she might still... -Now, Jack, enough. | 0:27:52 | 0:27:54 | |
You did the best you could. | 0:27:54 | 0:27:56 | |
You really shouldn't be here, Elizabeth. | 0:27:56 | 0:27:58 | |
You're too involved as it is. | 0:27:58 | 0:28:01 | |
-Sarah's right. -Thank you both for your consideration, | 0:28:01 | 0:28:03 | |
but it's quite unnecessary. | 0:28:03 | 0:28:04 | |
I'll run you home. | 0:28:11 | 0:28:12 | |
That could have been me. | 0:28:27 | 0:28:28 | |
I almost went through with it. | 0:28:33 | 0:28:34 | |
But you didn't. | 0:28:36 | 0:28:37 | |
I don't know how I'm going to tell Rene about the baby. | 0:28:43 | 0:28:46 | |
We often spoke of having children. | 0:28:50 | 0:28:52 | |
And then the war came. | 0:28:54 | 0:28:56 | |
I know it's going to break his heart. | 0:28:59 | 0:29:01 | |
Hey, he may surprise you. | 0:29:05 | 0:29:07 | |
Sarah. | 0:29:39 | 0:29:40 | |
WHISPERING | 0:30:08 | 0:30:10 | |
Evening, Dr Duncan. I thought you'd left. | 0:30:10 | 0:30:12 | |
I have paperwork to finish. Sergeant Franklin? | 0:30:12 | 0:30:15 | |
Got a bloke in lock up I want you to see. | 0:30:15 | 0:30:18 | |
Got a nasty gash on his leg. | 0:30:18 | 0:30:19 | |
And how'd he come by that? | 0:30:19 | 0:30:21 | |
Came in with it. | 0:30:21 | 0:30:23 | |
I hear you've had a busy night yourself. | 0:30:24 | 0:30:27 | |
KNOCKING | 0:30:27 | 0:30:28 | |
Yes. | 0:30:28 | 0:30:30 | |
Mrs Bligh. I was going to leave you a message. | 0:30:31 | 0:30:34 | |
I believe it was your car that brought the girl in here. | 0:30:34 | 0:30:38 | |
Yes, it was. | 0:30:38 | 0:30:40 | |
I might need you to make a statement to that effect in the near future. | 0:30:40 | 0:30:44 | |
Might you? | 0:30:44 | 0:30:45 | |
Right then. | 0:30:45 | 0:30:47 | |
Sergeant. | 0:30:48 | 0:30:49 | |
Remind me, the reason you didn't join up? | 0:30:51 | 0:30:53 | |
Well, I couldn't. | 0:30:57 | 0:30:59 | |
And I had to look after my mother. | 0:30:59 | 0:31:02 | |
Hm. | 0:31:02 | 0:31:04 | |
I miss your mother. | 0:31:04 | 0:31:06 | |
I knew her well. | 0:31:06 | 0:31:08 | |
As you know, we served on the War Memorial Committee together. | 0:31:08 | 0:31:11 | |
Very competent woman. | 0:31:11 | 0:31:12 | |
More than capable of running the farm single-handedly, | 0:31:12 | 0:31:15 | |
I'd have thought. | 0:31:15 | 0:31:16 | |
Mrs Bligh. | 0:31:19 | 0:31:20 | |
I promised your mother I would look after you | 0:31:27 | 0:31:30 | |
and I intend to keep that promise. | 0:31:30 | 0:31:32 | |
You have more than acquitted that promise, we both know that. | 0:31:32 | 0:31:35 | |
You're wrong, Jack. | 0:31:35 | 0:31:37 | |
You went to war. | 0:31:37 | 0:31:38 | |
You fought and suffered for this country. | 0:31:39 | 0:31:42 | |
It's I who shall be forever in your debt. | 0:31:43 | 0:31:45 | |
No, no, no, no, no, that needs to be in the middle of the room. | 0:31:51 | 0:31:54 | |
Somewhere the men can gather around it. | 0:31:54 | 0:31:56 | |
That's it. Very good. | 0:32:00 | 0:32:02 | |
Feet secure... | 0:32:07 | 0:32:09 | |
Yes. Thank you, Rodney. | 0:32:09 | 0:32:11 | |
SHE STARTS PLAYING | 0:32:50 | 0:32:52 | |
# When I grow too old to dream | 0:32:55 | 0:33:01 | |
# I'll have you to remember | 0:33:01 | 0:33:08 | |
# When I grow too old to dream | 0:33:08 | 0:33:15 | |
# Your love will live in my heart | 0:33:15 | 0:33:23 | |
# So kiss me, my sweet... # | 0:33:30 | 0:33:38 | |
-MEN JOIN IN -# And so let us part | 0:33:38 | 0:33:44 | |
# And when I grow too old to dream | 0:33:45 | 0:33:53 | |
# That kiss will live in my heart | 0:33:53 | 0:34:00 | |
# When I grow too old to dream | 0:34:02 | 0:34:07 | |
# I'll have you to remember... # | 0:34:07 | 0:34:13 | |
HORSE WHINNIES | 0:34:13 | 0:34:15 | |
All this coming and going must put quite a strain on a relationship. | 0:35:00 | 0:35:04 | |
Sydney's such a wild old place. | 0:35:04 | 0:35:06 | |
Don't waste your breath, Regina. | 0:35:06 | 0:35:08 | |
I've had better men than you try to rattle my cage. | 0:35:08 | 0:35:11 | |
Carolyn had quite the reputation at one time. | 0:35:11 | 0:35:13 | |
'Are you sure you're all right?' | 0:35:14 | 0:35:16 | |
I'm very happy to stay. | 0:35:16 | 0:35:18 | |
I'm fine, honestly. | 0:35:18 | 0:35:20 | |
Regina has everything in hand. | 0:35:20 | 0:35:21 | |
You promised you'd go with Olivia with Georgie to the hospital, | 0:35:24 | 0:35:27 | |
remember? | 0:35:27 | 0:35:28 | |
Regina isn't Elaine, George. | 0:35:30 | 0:35:33 | |
They may look alike, but that's as far as it goes. | 0:35:33 | 0:35:35 | |
It wasn't just Regina. It was Mother, too, remember? | 0:35:35 | 0:35:37 | |
She is worming her way into this place far too much | 0:35:37 | 0:35:40 | |
-and I don't trust her. -Carolyn... | 0:35:40 | 0:35:42 | |
..you worry too much. | 0:35:43 | 0:35:44 | |
Miss Art Reporter. | 0:35:54 | 0:35:56 | |
I can do this, Jack. I know I can. | 0:35:57 | 0:35:59 | |
There you are... | 0:36:17 | 0:36:18 | |
-Edward. -..Edward. | 0:36:18 | 0:36:20 | |
What a brave little boy. | 0:36:20 | 0:36:22 | |
A bit of redness and swelling is normal. | 0:36:22 | 0:36:24 | |
He may get a slight temperature. | 0:36:24 | 0:36:26 | |
Telephone or just contact us if you're at all worried. | 0:36:26 | 0:36:29 | |
BABY CRIES Shh... It's all right. | 0:36:29 | 0:36:32 | |
All done? | 0:36:34 | 0:36:35 | |
He hasn't had the injection yet. | 0:36:35 | 0:36:37 | |
CRYING INTENSIFIES | 0:36:37 | 0:36:39 | |
Can I help? | 0:36:39 | 0:36:40 | |
Oh, would you? He always settles for his grandfather. | 0:36:40 | 0:36:44 | |
-Of course he does. -It's all right. Shh. | 0:36:44 | 0:36:47 | |
I need to freshen up. I'll just be a moment. | 0:36:48 | 0:36:51 | |
I believe it's baby George's turn. | 0:37:04 | 0:37:06 | |
I hope Rene's enjoying the Satie. | 0:37:09 | 0:37:12 | |
We seem to share similar tastes in music. | 0:37:12 | 0:37:15 | |
Yes, he loves... | 0:37:15 | 0:37:17 | |
George... | 0:37:19 | 0:37:20 | |
These gifts, this kindness. | 0:37:24 | 0:37:26 | |
It has to stop. | 0:37:27 | 0:37:28 | |
I think it's best you stay away. | 0:37:30 | 0:37:32 | |
-Sarah! -Ah, Olivia. Come on in. | 0:37:32 | 0:37:35 | |
I am so glad it's you. | 0:37:35 | 0:37:36 | |
Yes, well, the waiting's the worst. | 0:37:36 | 0:37:38 | |
Oh, thank you. | 0:37:54 | 0:37:55 | |
I've never seen the men so happy. | 0:37:55 | 0:37:57 | |
So...engaged. | 0:37:58 | 0:38:01 | |
I talk to them, of course. I make sure they're fed, | 0:38:01 | 0:38:03 | |
but this, this was living. They were...alive. | 0:38:03 | 0:38:06 | |
I must be going. May I leave this here? | 0:38:08 | 0:38:10 | |
Yes, yes, of course. | 0:38:10 | 0:38:12 | |
-My coat? -Ah, I hung it up. I'll get it for you. | 0:38:12 | 0:38:14 | |
I have so many ideas for this place. | 0:38:21 | 0:38:24 | |
Things we could do with the men. | 0:38:24 | 0:38:26 | |
If it's not too much of an imposition, | 0:38:26 | 0:38:28 | |
I'd really like to talk to you about them. | 0:38:28 | 0:38:29 | |
Oh, certainly, Mr Goddard. I'd be most interested. | 0:38:29 | 0:38:32 | |
Well, if you're not doing anything this evening, | 0:38:32 | 0:38:34 | |
perhaps we might have dinner. | 0:38:34 | 0:38:35 | |
I don't think so. | 0:38:38 | 0:38:39 | |
B-B-But thank you for the invitation. | 0:38:41 | 0:38:43 | |
If Prudence Swanson could have seen you with those men. | 0:38:47 | 0:38:51 | |
A toast to the Chronicle's newest art critic! | 0:39:00 | 0:39:03 | |
Well, I'm not going to drink to something that may never happen. | 0:39:03 | 0:39:07 | |
You haven't even written anything | 0:39:07 | 0:39:08 | |
yet, and has it occurred to you Sir Richard may not like what you write? | 0:39:08 | 0:39:11 | |
Don't be so presbyterian, Mother. | 0:39:11 | 0:39:13 | |
I don't expect him to like what I write. | 0:39:13 | 0:39:15 | |
I expect him to publish what I write. | 0:39:15 | 0:39:17 | |
Vanity, thy name is woman. | 0:39:17 | 0:39:18 | |
Oh, all right. | 0:39:20 | 0:39:21 | |
Thank you. | 0:39:22 | 0:39:24 | |
There are two openings next Wednesday. | 0:39:24 | 0:39:26 | |
I plan to go to both. | 0:39:26 | 0:39:28 | |
One of the artists is very avant-garde. | 0:39:28 | 0:39:31 | |
You have a good brain, Carolyn. It's about time it was used. | 0:39:31 | 0:39:35 | |
Oh, good heavens. | 0:39:39 | 0:39:41 | |
Oh, is that a flea? | 0:39:42 | 0:39:44 | |
Where on earth have you been, Mother? | 0:39:44 | 0:39:46 | |
Playing piano at a returned servicemen's refuge all day, | 0:39:46 | 0:39:49 | |
since you ask. | 0:39:49 | 0:39:50 | |
Suddenly at a loss for words? | 0:39:52 | 0:39:54 | |
Not a very good omen for your future career, I wouldn't have thought. | 0:39:54 | 0:39:58 | |
Why were you working at Carlo's? | 0:40:08 | 0:40:10 | |
I was helping a friend. | 0:40:10 | 0:40:11 | |
You've got to learn to say no, Gino. | 0:40:13 | 0:40:16 | |
I'm not saying it's not good to help friends, it is, | 0:40:16 | 0:40:19 | |
but...we don't have the time to do our own work, | 0:40:19 | 0:40:22 | |
let alone anyone else's. | 0:40:22 | 0:40:23 | |
Gino! | 0:40:23 | 0:40:26 | |
Maybe he will help us one day. | 0:40:26 | 0:40:27 | |
The men were initially a little reticent, but we persisted. | 0:40:29 | 0:40:33 | |
I have completely exhausted my wartime repertoire. | 0:40:33 | 0:40:36 | |
I never knew you had one. | 0:40:36 | 0:40:37 | |
I found the whole experience profoundly moving. | 0:40:40 | 0:40:43 | |
Mr Goddard said he'd never seen the men look so alive. | 0:40:44 | 0:40:47 | |
No, what was the word he used? | 0:40:47 | 0:40:49 | |
"Engaged." That was it. | 0:40:49 | 0:40:51 | |
He said the men were "engaged". | 0:40:51 | 0:40:54 | |
These men, they're all war veterans? | 0:40:54 | 0:40:56 | |
Yeah, damaged beyond repair, some of them. | 0:40:59 | 0:41:02 | |
Jack was lucky to have you. | 0:41:03 | 0:41:05 | |
So, tell me, who is this Mr Goddard you keep talking about? | 0:41:07 | 0:41:12 | |
Douglas Goddard? | 0:41:13 | 0:41:14 | |
I've mentioned his name precisely twice. | 0:41:14 | 0:41:18 | |
-Goddard's Menswear? -Mm. | 0:41:18 | 0:41:20 | |
Widower, about your age? | 0:41:20 | 0:41:23 | |
I am interested in the welfare of our returned servicemen, | 0:41:23 | 0:41:26 | |
and so is Mr Goddard. | 0:41:26 | 0:41:27 | |
Has Regina been behaving herself? | 0:41:29 | 0:41:32 | |
That woman has an uncanny knack for making herself invaluable to George. | 0:41:32 | 0:41:36 | |
You know, I cannot credit your brother's apparent | 0:41:36 | 0:41:38 | |
inability to see through her wiles. | 0:41:38 | 0:41:40 | |
-This is George we're talking about, Mother. -Hmm. | 0:41:40 | 0:41:42 | |
Sweet, kind George. | 0:41:42 | 0:41:44 | |
GENTLE MUSIC PLAYS | 0:41:48 | 0:41:51 | |
IN FRENCH: | 0:42:22 | 0:42:25 |