Browse content similar to Living in the Shadow. Check below for episodes and series from the same categories and more!
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Douglas Goddard telephoned. Seems he's trying to chase you down. | 0:00:02 | 0:00:04 | |
If you're not doing anything this evening, we might have dinner? | 0:00:04 | 0:00:07 | |
Can you write? Why don't you show me what you can do? | 0:00:07 | 0:00:11 | |
Write me a critique, a review. | 0:00:11 | 0:00:12 | |
SHE SCREAMS | 0:00:12 | 0:00:14 | |
I wanted to thank you for today. | 0:00:14 | 0:00:17 | |
But I am a happily married woman. | 0:00:17 | 0:00:19 | |
How often do they have to be watered? | 0:00:23 | 0:00:25 | |
Every day for the first month. | 0:00:25 | 0:00:28 | |
'Why were you working at Carlo's?' | 0:00:28 | 0:00:29 | |
Lie down. | 0:00:31 | 0:00:32 | |
I've changed my mind! | 0:00:32 | 0:00:33 | |
Linda's very sick, Nancy. | 0:00:36 | 0:00:38 | |
She needs to go to the hospital. | 0:00:38 | 0:00:39 | |
Hysterectomy at 15. | 0:00:39 | 0:00:41 | |
The uterine wall's perforated. | 0:00:41 | 0:00:43 | |
The man was a butcher. He should be struck off. | 0:00:44 | 0:00:47 | |
I don't know how I'm going to tell Rene about the baby. | 0:00:47 | 0:00:49 | |
SHE SPEAKS IN FRENCH | 0:00:49 | 0:00:50 | |
You can't avoid me forever, you know. | 0:02:35 | 0:02:38 | |
If you had any decency, you'd leave. | 0:02:38 | 0:02:40 | |
Is that what you want from me? | 0:02:40 | 0:02:43 | |
Decency? | 0:02:43 | 0:02:44 | |
I have a husband. | 0:02:45 | 0:02:47 | |
You do. | 0:02:47 | 0:02:48 | |
Darling, the portrait. | 0:03:13 | 0:03:14 | |
Truth be told, I'm not convinced the artist is a good fit for us. | 0:03:14 | 0:03:18 | |
BABY FUSSES | 0:03:18 | 0:03:19 | |
His style... I'm worried it's too modern. | 0:03:19 | 0:03:22 | |
Well, I think Lloyd's a decent chap, and I trust Aunt Carolyn's recommendation. | 0:03:22 | 0:03:25 | |
He makes me feel uncomfortable. | 0:03:25 | 0:03:28 | |
Darling, it's natural to be shy. | 0:03:28 | 0:03:30 | |
Besides, I want a memento of this happy time... | 0:03:30 | 0:03:33 | |
so I'm afraid I'm putting my foot down. | 0:03:33 | 0:03:35 | |
Acceptances are flooding in for the little prince... | 0:03:35 | 0:03:39 | |
whom I believe needs changing. | 0:03:39 | 0:03:41 | |
Rose, would you mind? | 0:03:43 | 0:03:45 | |
Come here, my handsome lad. | 0:03:45 | 0:03:47 | |
-Hey! -Bye-bye, Georgie. | 0:03:47 | 0:03:49 | |
Bye-bye! | 0:03:49 | 0:03:50 | |
BABY FUSSES | 0:03:50 | 0:03:51 | |
Ah, how's my bonny boy this morning huh? | 0:03:54 | 0:03:56 | |
-Good morning, George. -Good morning. | 0:03:56 | 0:03:58 | |
-Morning. -Morning. | 0:03:58 | 0:03:59 | |
I trust you slept well? | 0:03:59 | 0:04:01 | |
I won't take any this morning. | 0:04:04 | 0:04:06 | |
But the doctor... | 0:04:06 | 0:04:07 | |
Is not here and I'm sure would agree I'm in good health. | 0:04:07 | 0:04:10 | |
Besides, I want to have my wits about me from now on. | 0:04:10 | 0:04:12 | |
I've seen the flyers in town. Mrs Collins has been very thorough. | 0:04:12 | 0:04:15 | |
No telegraph pole left untouched. | 0:04:15 | 0:04:17 | |
It's not premature? You haven't received the official nod yet. | 0:04:17 | 0:04:20 | |
The emphasis on "yet". | 0:04:20 | 0:04:22 | |
It's a forum, not a political speech. | 0:04:22 | 0:04:25 | |
If I'm to represent the district, I want to know their concerns. | 0:04:25 | 0:04:28 | |
Spoken like a true statesman. | 0:04:28 | 0:04:30 | |
I don't want a nurse. | 0:04:53 | 0:04:54 | |
I want a wife. | 0:04:56 | 0:04:58 | |
You have a wife. | 0:04:58 | 0:04:59 | |
Rene, please. | 0:05:07 | 0:05:08 | |
It's been days. | 0:05:11 | 0:05:12 | |
I know this is a difficult situation, | 0:05:15 | 0:05:18 | |
but I can't change what's happened. | 0:05:18 | 0:05:20 | |
We're having a baby! | 0:05:22 | 0:05:23 | |
No! | 0:05:23 | 0:05:24 | |
No, YOU are having a baby! | 0:05:24 | 0:05:25 | |
I thought you were dead. | 0:05:28 | 0:05:29 | |
Jules Manet, he saw you shot in the head, trying to escape! | 0:05:30 | 0:05:33 | |
-You did not wait for me! -I did! | 0:05:33 | 0:05:35 | |
I went to the station every day, searching for you, | 0:05:35 | 0:05:38 | |
for news of you, mon amour. | 0:05:38 | 0:05:41 | |
Don't you dare question my love for you. | 0:05:46 | 0:05:49 | |
You have no idea, the things I did to survive, to be with you again. | 0:05:52 | 0:05:57 | |
I wish you had never found me. | 0:05:59 | 0:06:01 | |
Thank you. | 0:06:08 | 0:06:09 | |
A politician. | 0:06:11 | 0:06:12 | |
You must be so proud. | 0:06:14 | 0:06:15 | |
Well, there remain a number of hoops to be jumped through. | 0:06:15 | 0:06:18 | |
Not according to Sir Richard. | 0:06:18 | 0:06:20 | |
A little birdy tells me that you've been giving private recitals | 0:06:26 | 0:06:31 | |
at Douglas Goddard's soup kitchen. | 0:06:31 | 0:06:33 | |
Refuge. | 0:06:33 | 0:06:35 | |
-Ha! -And yes, music does have proven benefits, | 0:06:35 | 0:06:37 | |
as you could witness for yourself if you paid a visit. | 0:06:37 | 0:06:40 | |
My dear, I'm run off my feet selling tickets to the ball. | 0:06:40 | 0:06:44 | |
But how Bolshevik of you to roll up your sleeves and muck in. | 0:06:45 | 0:06:49 | |
I intend to propose to the committee | 0:06:49 | 0:06:51 | |
that we raise funds for unwed mothers next. | 0:06:51 | 0:06:53 | |
Well, aren't you the suffragette! Look at you, you're wearing purple! | 0:06:53 | 0:06:57 | |
Next, you'll be throwing yourself under horses. | 0:06:57 | 0:07:00 | |
Can't you smoke around the back with the rest of the staff? | 0:07:18 | 0:07:21 | |
Well, you'd know all about the tradesman's entrance. | 0:07:21 | 0:07:23 | |
Oh, aren't you chirpy? Let me guess, | 0:07:23 | 0:07:25 | |
George managed to look at you without retching? | 0:07:25 | 0:07:28 | |
How is your precious country doctor? | 0:07:28 | 0:07:31 | |
A little unsettled? | 0:07:31 | 0:07:33 | |
Poor creature did pale somewhat, | 0:07:33 | 0:07:35 | |
digesting news of your sordid past. | 0:07:35 | 0:07:37 | |
It's not surprising, really. | 0:07:38 | 0:07:40 | |
Your cavalcade of ex-lovers would make a streetwalker blush. | 0:07:40 | 0:07:43 | |
-If you cross me when it comes to Jack... -Indeed. | 0:07:43 | 0:07:46 | |
That's how I feel about George. | 0:07:46 | 0:07:48 | |
Sweet James. | 0:07:53 | 0:07:55 | |
Such a sensitive boy. | 0:07:55 | 0:07:56 | |
What are you saying? | 0:07:58 | 0:07:59 | |
I think it's clear. He's so vulnerable to scandal and... | 0:07:59 | 0:08:03 | |
innuendo. | 0:08:03 | 0:08:05 | |
Carolyn... | 0:08:10 | 0:08:12 | |
Carolyn! He's busy, Carolyn! Carolyn! | 0:08:12 | 0:08:14 | |
-Good morning... -There is something you need to know... -He's still recovering! -Be quiet! | 0:08:16 | 0:08:21 | |
Regina is using James's secret as a weapon | 0:08:21 | 0:08:23 | |
to ensure her continued presence at Ash Park. | 0:08:23 | 0:08:26 | |
-She is threatening to expose him. -No! | 0:08:26 | 0:08:28 | |
It sickens me and I will not tolerate it. | 0:08:28 | 0:08:31 | |
How could you say such a thing? | 0:08:31 | 0:08:32 | |
Do you deny it? | 0:08:32 | 0:08:33 | |
Is this true? | 0:08:35 | 0:08:37 | |
George, you know I love James. | 0:08:37 | 0:08:39 | |
I would never do anything to hurt him. | 0:08:39 | 0:08:41 | |
Is it true? | 0:08:41 | 0:08:43 | |
I don't...deny the charge. | 0:08:46 | 0:08:48 | |
But you must hear the context. | 0:08:50 | 0:08:52 | |
Without, the words are monstrous. | 0:08:52 | 0:08:54 | |
What I said about James... | 0:08:54 | 0:08:55 | |
..it was that terrible night I sought refuge here, | 0:08:56 | 0:08:59 | |
after that... | 0:08:59 | 0:09:01 | |
brute raised a hand to me. | 0:09:01 | 0:09:02 | |
-What are you talking about? Don't believe her, George... -Let her speak. | 0:09:02 | 0:09:06 | |
You saw me. I was petrified. | 0:09:06 | 0:09:08 | |
I was not in my right mind. | 0:09:08 | 0:09:10 | |
I regret saying it now, but I was sure you would turn me away. | 0:09:10 | 0:09:12 | |
This never happened! | 0:09:12 | 0:09:14 | |
You know how much I adore James. | 0:09:14 | 0:09:16 | |
I am ashamed I said such a disgusting thing. | 0:09:18 | 0:09:21 | |
It was a hollow threat, | 0:09:24 | 0:09:26 | |
born of terror. | 0:09:26 | 0:09:27 | |
I'm so very, very sorry. | 0:09:29 | 0:09:32 | |
George, this is lies. | 0:09:32 | 0:09:35 | |
She made the same threat to me only two minutes ago! | 0:09:35 | 0:09:37 | |
-She has ALWAYS hated me! -Enough! -You know I'd never deceive you... | 0:09:37 | 0:09:40 | |
That is enough! | 0:09:40 | 0:09:42 | |
GEORGE SIGHS | 0:09:43 | 0:09:44 | |
I will never presume to come between blood. | 0:09:48 | 0:09:51 | |
Carolyn is your sister. | 0:09:54 | 0:09:55 | |
You must stand with her. | 0:09:56 | 0:09:58 | |
I'll return to the farmhouse. | 0:10:00 | 0:10:03 | |
That would be your decision. | 0:10:04 | 0:10:05 | |
I stopped by the Kirkpatricks'. | 0:10:10 | 0:10:13 | |
And I want to pop in to the Aboriginal Mission. | 0:10:13 | 0:10:15 | |
Tilly Harrison's having her fifth child. | 0:10:15 | 0:10:18 | |
-I'm concerned she's hypertensive. -Do you remember that address? | 0:10:18 | 0:10:21 | |
The one who butchered Linda. | 0:10:23 | 0:10:25 | |
-Jack... -The thought that he's | 0:10:27 | 0:10:28 | |
doing it again, right now, to some other poor girl... | 0:10:28 | 0:10:31 | |
-You did everything you could. -HE SIGHS | 0:10:31 | 0:10:34 | |
And you've lied on Linda's death certificate. | 0:10:34 | 0:10:37 | |
To protect her honour. | 0:10:37 | 0:10:38 | |
And by doing that, I'm protecting him. | 0:10:39 | 0:10:41 | |
I know. | 0:10:41 | 0:10:42 | |
I'll just sign paperwork, shall I, while another dozen girls | 0:10:46 | 0:10:49 | |
are dumped outside Crown Street, bleeding to death? | 0:10:49 | 0:10:52 | |
Oh, Gino! Look, it's our invitation to the christening! | 0:11:00 | 0:11:05 | |
-How lovely. -We're not going, Anna. | 0:11:05 | 0:11:07 | |
-If this is about James... -I told Carlo I'd help him with the harvest. | 0:11:09 | 0:11:13 | |
Why is his farm more important than ours? | 0:11:13 | 0:11:15 | |
Bella, trust me, what I'm doing here, it's for our future! | 0:11:15 | 0:11:20 | |
You said it wouldn't be like this. | 0:11:21 | 0:11:23 | |
-Like what? -Like your parents. | 0:11:23 | 0:11:26 | |
Working all the time. | 0:11:26 | 0:11:27 | |
I'm so tired, Gino. | 0:11:27 | 0:11:29 | |
If you weren't up all night, writing your novel... | 0:11:30 | 0:11:32 | |
-That's the only chance I get! -Why are you getting like this? | 0:11:32 | 0:11:35 | |
Huh? You knew you were marrying a farmer. | 0:11:35 | 0:11:37 | |
I am black and blue, thanks to your incompetence. | 0:11:48 | 0:11:51 | |
You found every pothole between Ash Park and this godforsaken dump. | 0:11:51 | 0:11:55 | |
And if you think you're getting a tip, | 0:11:55 | 0:11:57 | |
then you're more stupid than you appear. | 0:11:57 | 0:11:59 | |
Excuse me! | 0:12:01 | 0:12:02 | |
A long distance call please, Mildred. M2248. | 0:12:20 | 0:12:23 | |
Sir Richard Bennett. | 0:12:23 | 0:12:24 | |
Mrs Poletti to see you. | 0:12:28 | 0:12:30 | |
I was just thinking about you! Tea, please, Rose. | 0:12:31 | 0:12:35 | |
I hardly see you now you're Mrs Poletti! | 0:12:39 | 0:12:41 | |
Anna, what's wrong? | 0:12:43 | 0:12:44 | |
Is it Gino? He's not unwell, is he? | 0:12:46 | 0:12:50 | |
Oh, I wouldn't know. I never see him. | 0:12:50 | 0:12:53 | |
Oh, come and sit. | 0:12:53 | 0:12:54 | |
He would be so angry that I'm here, but I didn't know where else to go. | 0:12:54 | 0:12:58 | |
Angry? | 0:12:59 | 0:13:01 | |
Why? | 0:13:01 | 0:13:02 | |
Livvie, it's just all such a mess! | 0:13:03 | 0:13:06 | |
We fought tooth and nail to be together | 0:13:06 | 0:13:09 | |
and now it's as though we've turned on each other. | 0:13:09 | 0:13:12 | |
Surely it's not that bad? | 0:13:12 | 0:13:14 | |
No, it's worse. | 0:13:14 | 0:13:15 | |
Something always needs chopping or scrubbing or watering. | 0:13:15 | 0:13:21 | |
Gino spends more time at Carlo's farm than ours | 0:13:21 | 0:13:23 | |
and I have no idea why, and I just wonder if our marriage is cursed. | 0:13:23 | 0:13:28 | |
Every since Andrew Swanson and that loathsome letter. | 0:13:28 | 0:13:31 | |
Letter? | 0:13:34 | 0:13:36 | |
-No, I didn't come to talk about that. -Anna. | 0:13:36 | 0:13:38 | |
What letter? | 0:13:40 | 0:13:41 | |
It was just Andrew being hateful. | 0:13:41 | 0:13:43 | |
What did he say? | 0:13:55 | 0:13:56 | |
He just made up the most horrible story about you and baby Georgie. | 0:13:58 | 0:14:04 | |
That he isn't yours. That he was bought at the hospital. | 0:14:04 | 0:14:07 | |
Oh, Livvie, I'm so sorry. | 0:14:09 | 0:14:11 | |
Please, just...forget I said anything at all. | 0:14:11 | 0:14:14 | |
I know that you were close to Andrew, | 0:14:15 | 0:14:18 | |
and so this will come as a shock, but, please, Livvie. | 0:14:18 | 0:14:22 | |
Oh, darling, look at me. | 0:14:22 | 0:14:23 | |
Oh, God! | 0:14:33 | 0:14:34 | |
Thank you, Rose, we can manage. | 0:14:44 | 0:14:45 | |
Are you sure, ma'am? It's no bother. | 0:14:45 | 0:14:47 | |
No, that will be all. Thank you, Rose. | 0:14:47 | 0:14:49 | |
Does James know? | 0:15:01 | 0:15:02 | |
Olivia! | 0:15:05 | 0:15:06 | |
You don't know what it's been like. | 0:15:08 | 0:15:10 | |
-Please don't judge me. -How could you do such a thing?! | 0:15:10 | 0:15:13 | |
I did it FOR James. | 0:15:15 | 0:15:17 | |
Our baby... | 0:15:20 | 0:15:21 | |
Our baby didn't live. | 0:15:24 | 0:15:25 | |
And... | 0:15:25 | 0:15:29 | |
I couldn't tell him. | 0:15:29 | 0:15:30 | |
The thought of being a father was the only thing that | 0:15:30 | 0:15:33 | |
saved him in that dreadful clinic. | 0:15:33 | 0:15:36 | |
It was the only thing that kept us together. | 0:15:36 | 0:15:39 | |
Olivia, you must tell him. | 0:15:41 | 0:15:44 | |
Anna, I can't. | 0:15:44 | 0:15:46 | |
James adores Baby Georgie and you. He will forgive you. | 0:15:46 | 0:15:51 | |
No, he won't. Nor will his father, nor will his grandmother. | 0:15:51 | 0:15:54 | |
Olivia! | 0:15:54 | 0:15:56 | |
You NEED to tell them. | 0:15:56 | 0:15:58 | |
You don't understand! | 0:15:59 | 0:16:01 | |
You couldn't wait to free yourself from the Bligh name, | 0:16:01 | 0:16:04 | |
but for James it is the most important thing in the world | 0:16:04 | 0:16:08 | |
and this would destroy it. | 0:16:08 | 0:16:09 | |
I know I have committed a gross deception, | 0:16:09 | 0:16:13 | |
-introducing a bastard child... -Don't! | 0:16:13 | 0:16:16 | |
Oh. Oh, Anna, I-I'm sorry. | 0:16:19 | 0:16:22 | |
If you have any regard for me... | 0:16:25 | 0:16:29 | |
..for your brother... | 0:16:31 | 0:16:34 | |
I implore you, say nothing. | 0:16:34 | 0:16:37 | |
You've seen how happy Georgie makes him. | 0:16:37 | 0:16:40 | |
Anna... | 0:16:40 | 0:16:41 | |
..don't put his health at risk. | 0:16:43 | 0:16:46 | |
I don't know what else to say. | 0:16:54 | 0:16:57 | |
If you could just find it in your heart to forgive me. | 0:16:59 | 0:17:03 | |
If you can't... | 0:17:09 | 0:17:10 | |
..James is at the stables. | 0:17:13 | 0:17:15 | |
# Ride a cockhorse to Banbury Cross | 0:17:18 | 0:17:21 | |
# To see a fine lady upon a white horse | 0:17:21 | 0:17:24 | |
# With rings on her fingers and bells on her toes | 0:17:24 | 0:17:28 | |
# She shall have music wherever she goes. # | 0:17:28 | 0:17:31 | |
What's that, Georgie? It's the horsey, the horsey. | 0:17:31 | 0:17:34 | |
What does the horsey say? Horsey goes, "Neigh!" | 0:17:34 | 0:17:38 | |
Look, it's Auntie Anna. Georgie says Dada now, don't you, little man? | 0:17:39 | 0:17:44 | |
Livvie says he's blowing bubbles, | 0:17:44 | 0:17:46 | |
but Daddy knows better, doesn't he, Georgie? | 0:17:46 | 0:17:49 | |
Can you say Dada? | 0:17:49 | 0:17:51 | |
Da-da-da-da-da. | 0:17:53 | 0:17:55 | |
Da-da-da-da-da... | 0:17:55 | 0:17:57 | |
I didn't tell him. | 0:18:12 | 0:18:14 | |
Thank you. | 0:18:18 | 0:18:20 | |
How do you do it? Keep such a secret? | 0:18:20 | 0:18:23 | |
I honestly don't know. | 0:18:26 | 0:18:28 | |
Do you even know who his mother is? | 0:18:28 | 0:18:31 | |
I am. | 0:18:34 | 0:18:35 | |
Anna! | 0:18:37 | 0:18:38 | |
You won't... | 0:18:38 | 0:18:40 | |
You won't tell Gino, will you? | 0:18:40 | 0:18:42 | |
Did she leave alone? She didn't take any staff with her? | 0:19:07 | 0:19:09 | |
She's always alone, isn't she? That woman has no friends whatsoever. | 0:19:09 | 0:19:14 | |
Certainly no female ones. | 0:19:14 | 0:19:15 | |
Have I put James at risk? | 0:19:18 | 0:19:20 | |
While there's a chance of winning George's affection, | 0:19:22 | 0:19:25 | |
however slim, I don't think she'll play that card. | 0:19:25 | 0:19:29 | |
But tread carefully, Carolyn. You've stirred a rattlesnake. | 0:19:29 | 0:19:32 | |
That ought to hold her. | 0:19:32 | 0:19:35 | |
-You should have a spare, but... -Thanks, Roy. | 0:19:35 | 0:19:37 | |
Mind you, a pair of the wife's best stockings tied together | 0:19:37 | 0:19:41 | |
will do the trick in an emergency. | 0:19:41 | 0:19:43 | |
I used to get Larry-Doo when I did that, though. | 0:19:43 | 0:19:46 | |
-Your wife would yell at you? -Too right. | 0:19:46 | 0:19:48 | |
But she knew who was head of the house, right? | 0:19:48 | 0:19:50 | |
Oh, yeah, and it weren't me. | 0:19:50 | 0:19:52 | |
Really? | 0:19:54 | 0:19:56 | |
Mate, when you get to my age, | 0:19:56 | 0:19:57 | |
you learn not to take things too seriously. | 0:19:57 | 0:19:59 | |
Yeah. | 0:19:59 | 0:20:01 | |
Anna...she doesn't understand. | 0:20:01 | 0:20:05 | |
I want to make a good life for her and our family, God willing. | 0:20:05 | 0:20:08 | |
-Speak of the devil. -Hi, Roy. | 0:20:08 | 0:20:10 | |
-G'day, Miss Anna. -It's lovely to see you. | 0:20:10 | 0:20:12 | |
Would you like to come in, have a cup of tea? | 0:20:12 | 0:20:14 | |
No, I'd better get a wriggle on, thanks. I'll see yous directly. | 0:20:14 | 0:20:17 | |
Thanks, Roy. | 0:20:17 | 0:20:18 | |
-Where were you today? -You know where I was. I was at the vines. | 0:20:25 | 0:20:28 | |
After that? | 0:20:28 | 0:20:29 | |
Anna. | 0:20:30 | 0:20:31 | |
I was at Ash Park. | 0:20:31 | 0:20:34 | |
I went to see Olivia and to see Baby Georgie. | 0:20:34 | 0:20:37 | |
What's wrong? | 0:20:38 | 0:20:39 | |
Gino. | 0:20:41 | 0:20:43 | |
Ah, bella. | 0:20:43 | 0:20:45 | |
We'll have a baby of our own one day. | 0:20:46 | 0:20:50 | |
Just like Olivia. | 0:20:50 | 0:20:51 | |
Gino. | 0:20:54 | 0:20:56 | |
You cannot be serious. | 0:21:07 | 0:21:09 | |
-Thanks, Bunny. -You're welcome, sir. | 0:21:09 | 0:21:12 | |
You're a girl about town. | 0:21:12 | 0:21:13 | |
You know what I'm talking about. | 0:21:13 | 0:21:15 | |
Sexy, young bohemians doing sexy, young things. | 0:21:15 | 0:21:18 | |
But we discussed that I was to do art pieces. | 0:21:18 | 0:21:21 | |
This is a bloody art piece! | 0:21:21 | 0:21:23 | |
I want to know what happens in the bars and the alleyways after | 0:21:23 | 0:21:26 | |
the exhibitions, not boring waffle about the damned paintings. | 0:21:26 | 0:21:30 | |
And give me the dirt on those boozy openings of yours, | 0:21:30 | 0:21:34 | |
without getting me sued, of course. | 0:21:34 | 0:21:37 | |
And if I refuse? | 0:21:37 | 0:21:39 | |
Our arrangement is terminated, | 0:21:40 | 0:21:43 | |
which will make a certain member of your family very happy. | 0:21:43 | 0:21:46 | |
Regina. | 0:21:47 | 0:21:49 | |
HE CHUCKLES Ain't she something? | 0:21:49 | 0:21:52 | |
Oh, hello. Is it Monday already? | 0:22:01 | 0:22:04 | |
I'm not coming on Monday. Or any other day. | 0:22:04 | 0:22:07 | |
And yet here you are. Come in. | 0:22:07 | 0:22:11 | |
Your behaviour is utt... | 0:22:11 | 0:22:15 | |
James, what are you doing here? | 0:22:15 | 0:22:18 | |
I'm having my sitting. | 0:22:18 | 0:22:19 | |
Now? | 0:22:19 | 0:22:21 | |
Yes, now. | 0:22:21 | 0:22:23 | |
-I must have my days muddled... -Oh, join us, if you like. | 0:22:23 | 0:22:26 | |
I normally only do one of you at a time at this stage... | 0:22:26 | 0:22:28 | |
No, no, I'll leave the two of you to... | 0:22:28 | 0:22:32 | |
Sorry to interrupt. | 0:22:32 | 0:22:34 | |
So, James, how about a drink, my good man? | 0:22:41 | 0:22:43 | |
Oh, this will work fine. | 0:22:48 | 0:22:50 | |
No. | 0:22:52 | 0:22:53 | |
I can turn that out there into a sleep-out, | 0:22:53 | 0:22:57 | |
so there's plenty of room, if that's what you're worried about. | 0:22:57 | 0:23:00 | |
Thanks, Roy. It's still early days. | 0:23:01 | 0:23:05 | |
Yeah, course. | 0:23:05 | 0:23:07 | |
Right. That's enough of me rabbiting on. I'll leave yous to it. | 0:23:14 | 0:23:17 | |
Just tell Jeeves to turn out the lights. Goodnight. | 0:23:17 | 0:23:21 | |
Goodnight. | 0:23:21 | 0:23:22 | |
There's a new hospital, the Prince of Wales. | 0:23:30 | 0:23:33 | |
Word is they're looking for nurses. | 0:23:33 | 0:23:35 | |
Why don't we move? | 0:23:40 | 0:23:41 | |
Start again, just the two of us. | 0:23:43 | 0:23:45 | |
It's not like you to run. | 0:23:48 | 0:23:50 | |
I'm not running. | 0:23:51 | 0:23:53 | |
I'm trying to do what's best for us. | 0:23:53 | 0:23:55 | |
Why add to the strain, by living so close to... | 0:23:57 | 0:24:00 | |
Say it. | 0:24:04 | 0:24:06 | |
To George. | 0:24:06 | 0:24:08 | |
It's no strain. | 0:24:08 | 0:24:10 | |
We both know I'm not well. My head. I could die... | 0:24:10 | 0:24:14 | |
-Don't. -Living here, when I'm gone, you'll be cared for. | 0:24:14 | 0:24:18 | |
Don't talk like that. | 0:24:20 | 0:24:22 | |
Don't talk of death. | 0:24:22 | 0:24:24 | |
This... | 0:24:24 | 0:24:26 | |
this baby is life. | 0:24:26 | 0:24:28 | |
Remember how much we wanted a family? | 0:24:32 | 0:24:34 | |
Rene, look at me. | 0:24:49 | 0:24:51 | |
I'm having this child. | 0:24:55 | 0:24:56 | |
But if you can't learn to love it, then we have no future. | 0:24:59 | 0:25:03 | |
Darling, I know I mentioned this earlier, but...the portrait - | 0:25:23 | 0:25:28 | |
I really do think we should inquire about another artist. | 0:25:28 | 0:25:31 | |
Just admit it. | 0:25:31 | 0:25:33 | |
Admit what? | 0:25:34 | 0:25:36 | |
You don't trust me alone with him. | 0:25:38 | 0:25:40 | |
That is not true! | 0:25:41 | 0:25:44 | |
Isn't it? | 0:25:45 | 0:25:47 | |
Of course not. | 0:25:47 | 0:25:48 | |
Come on! | 0:25:51 | 0:25:53 | |
Why were you there? | 0:25:53 | 0:25:55 | |
Because I don't believe you forgot what day it was. | 0:25:55 | 0:25:58 | |
A message for Lloyd from Carolyn. | 0:25:58 | 0:26:00 | |
-Some party or other. It wasn't important... -Just stop lying. | 0:26:00 | 0:26:03 | |
Fine, then. | 0:26:04 | 0:26:06 | |
I WAS thrown to see you there. | 0:26:06 | 0:26:10 | |
You hadn't mentioned it. | 0:26:10 | 0:26:11 | |
Why should I mention it? It's a family portrait. | 0:26:11 | 0:26:13 | |
Last time I checked, I'm a member of this family! | 0:26:13 | 0:26:15 | |
You are deliberately goading me! | 0:26:15 | 0:26:17 | |
It's better than being disingenuous! | 0:26:17 | 0:26:18 | |
YOU would know all about THAT! | 0:26:18 | 0:26:20 | |
-Are you accusing me of duplicity? -What am I supposed to think? | 0:26:22 | 0:26:24 | |
-I have worked so hard, behaved above reproach... -You concealed things from me in the past. | 0:26:24 | 0:26:29 | |
I can't believe what I'm hearing. | 0:26:29 | 0:26:31 | |
It always comes back to that, doesn't it? | 0:26:33 | 0:26:36 | |
No matter how much you say it's behind us. | 0:26:36 | 0:26:39 | |
You are the one who is being defensive, James! | 0:26:39 | 0:26:41 | |
Because you're skulking around in the bushes, spying on me! | 0:26:41 | 0:26:43 | |
Now you're being ridiculous! | 0:26:43 | 0:26:45 | |
Do you know how embarrassed I was? How humiliated? | 0:26:45 | 0:26:48 | |
Don't speak to me about humiliation! | 0:26:48 | 0:26:51 | |
Humiliation is having a husband who can't stand to touch me! | 0:26:51 | 0:26:56 | |
James, wait. Don't leave! James! | 0:26:58 | 0:27:01 | |
James! | 0:27:01 | 0:27:03 | |
Take him to the nursery! | 0:27:04 | 0:27:06 | |
BABY WHIMPERS | 0:27:11 | 0:27:12 | |
MOTORCYCLE REVVING | 0:27:20 | 0:27:22 | |
MOTORCYCLE DRIVING AWAY | 0:27:30 | 0:27:32 | |
KNOCK ON DOOR | 0:27:40 | 0:27:42 | |
Yes? | 0:27:47 | 0:27:49 | |
I thought you might like a cup. I let it steep for a good while. | 0:27:50 | 0:27:54 | |
How's Georgie? | 0:27:54 | 0:27:56 | |
Still asleep. | 0:27:56 | 0:27:59 | |
He's been grizzling on and off. | 0:27:59 | 0:28:02 | |
I think he might be teething. | 0:28:02 | 0:28:04 | |
I'll keep an eye on him, Miss. | 0:28:04 | 0:28:06 | |
I don't mind. He's such an angel, even when he's cheeky. | 0:28:06 | 0:28:10 | |
You do so much already. | 0:28:10 | 0:28:12 | |
It's no bother, really. | 0:28:12 | 0:28:14 | |
I'll be downstairs if you need anything. | 0:28:14 | 0:28:16 | |
-May I? -Darling, of course. | 0:28:23 | 0:28:26 | |
I'm so sorry. | 0:28:38 | 0:28:40 | |
So am I. | 0:28:49 | 0:28:50 | |
James. | 0:28:51 | 0:28:53 | |
It's not true... | 0:29:04 | 0:29:05 | |
..that I can't stand to touch you. | 0:29:07 | 0:29:09 | |
Not like this. | 0:29:20 | 0:29:22 | |
KNOCK ON DOOR | 0:29:44 | 0:29:45 | |
You wanted to see me? | 0:29:45 | 0:29:47 | |
It's from Nancy Brent. | 0:29:50 | 0:29:53 | |
She thanks us for all we did. | 0:29:53 | 0:29:55 | |
It meant a lot to her that you were with Linda at the end. | 0:29:55 | 0:29:58 | |
Give me his address. | 0:30:02 | 0:30:04 | |
I've got nothing on today that can't be moved. | 0:30:06 | 0:30:09 | |
-Promise me you'll let the police handle it. -I will. | 0:30:11 | 0:30:14 | |
And don't use your name. | 0:30:14 | 0:30:16 | |
I'm not stupid. | 0:30:16 | 0:30:17 | |
I'll cancel both our appointments. | 0:30:21 | 0:30:23 | |
-No, it's too dangerous. -Jack, I know the address... | 0:30:23 | 0:30:27 | |
..and I'm the only one who can identify him. | 0:30:28 | 0:30:31 | |
You were right. Lunch is a much better idea. | 0:30:34 | 0:30:38 | |
I don't know what I was thinking, inviting you out to dinner. | 0:30:38 | 0:30:40 | |
Oh, I see there are a number of new additions to the menu | 0:30:47 | 0:30:50 | |
since I last dined here. | 0:30:50 | 0:30:53 | |
One should always be up for new experiences. | 0:30:53 | 0:30:55 | |
Too early for champagne, hm? | 0:30:59 | 0:31:02 | |
-Oh, tea will suffice. -Hm. | 0:31:02 | 0:31:05 | |
A few minutes more. Some tea, in the meantime. | 0:31:05 | 0:31:08 | |
-And a bottle of your '36 Pommery. Two glasses. -Certainly, sir. | 0:31:10 | 0:31:14 | |
Ah, excuse me, ma'am. | 0:31:24 | 0:31:25 | |
Erm, you can't go in there... Sorry, sir, she... | 0:31:25 | 0:31:29 | |
You're late. | 0:31:32 | 0:31:33 | |
You needn't bother firing me. I know the outcome. | 0:31:33 | 0:31:36 | |
Alice was her name. | 0:31:47 | 0:31:48 | |
How long ago did she die? | 0:31:51 | 0:31:53 | |
October the 28th, 1921. | 0:31:55 | 0:31:59 | |
The same day my son Frank was born. | 0:31:59 | 0:32:02 | |
Same time. | 0:32:02 | 0:32:03 | |
Hm. | 0:32:04 | 0:32:06 | |
Raising a child alone is no easy task. | 0:32:06 | 0:32:09 | |
Shames me to say, I was never very close to the boy. | 0:32:11 | 0:32:15 | |
I-I blamed him for his mother's death. | 0:32:16 | 0:32:19 | |
Oh. | 0:32:19 | 0:32:20 | |
To be honest... I all but abandoned him. | 0:32:20 | 0:32:24 | |
Well, children can be very forgiving. | 0:32:26 | 0:32:30 | |
It's never too late, surely. | 0:32:30 | 0:32:32 | |
Frank died in Borneo. | 0:32:36 | 0:32:39 | |
A week later, the Japs surrendered. | 0:32:39 | 0:32:41 | |
HE CLEARS THROAT | 0:32:42 | 0:32:44 | |
I never realised what he meant to me. | 0:32:47 | 0:32:50 | |
Perhaps that's why you were moved to open the refuge. | 0:32:57 | 0:33:01 | |
You see your late son in the men. | 0:33:01 | 0:33:03 | |
I reckon there's something in that. | 0:33:04 | 0:33:06 | |
KNOCKING Police! Open up! | 0:33:09 | 0:33:11 | |
There's no-one there! | 0:33:16 | 0:33:17 | |
Been empty for years! | 0:33:17 | 0:33:20 | |
-Thanks, love. -Must have the wrong place. | 0:33:20 | 0:33:23 | |
This is the house. | 0:33:23 | 0:33:25 | |
Why don't you break the door down? | 0:33:25 | 0:33:27 | |
Why don't you stop wasting our time? | 0:33:27 | 0:33:29 | |
This is the right address, I'm sure of it. | 0:33:31 | 0:33:35 | |
They're in his pocket. | 0:33:35 | 0:33:36 | |
GATE BANGING | 0:33:47 | 0:33:49 | |
-Hey, come here! You're not going anywhere. -Let me go! | 0:33:58 | 0:34:01 | |
-Is this the guy? -That's him. | 0:34:03 | 0:34:05 | |
MAN GROANS | 0:34:06 | 0:34:07 | |
He's down here! | 0:34:07 | 0:34:08 | |
That's assault! | 0:34:08 | 0:34:10 | |
-Arrest him! -Let me go! | 0:34:11 | 0:34:13 | |
The police are refusing to arrest this man! | 0:34:16 | 0:34:20 | |
He's been performing abortions and women have died! | 0:34:20 | 0:34:23 | |
-I know you. -All right, clear off! | 0:34:23 | 0:34:27 | |
-I haven't done anything! -I have to cuff you. | 0:34:28 | 0:34:30 | |
-Let me go! -Calm down. Settle down. I said calm down. | 0:34:30 | 0:34:34 | |
I haven't done anything! | 0:34:34 | 0:34:35 | |
See you in court! | 0:34:40 | 0:34:42 | |
I spent most of my life trying to control my children. | 0:34:46 | 0:34:50 | |
I didn't want them to grow up. | 0:34:51 | 0:34:53 | |
But I put order and discipline first. | 0:34:54 | 0:34:57 | |
Carolyn essentially severed all contact with me for years. | 0:34:59 | 0:35:04 | |
George has displayed a surprising capacity for tolerance. | 0:35:04 | 0:35:10 | |
I've, um... I've hurt him terribly. | 0:35:12 | 0:35:15 | |
Yes. That why you're at the refuge? | 0:35:15 | 0:35:19 | |
Doing penance? | 0:35:19 | 0:35:22 | |
Perhaps. | 0:35:22 | 0:35:23 | |
Oh, dear. Aren't I a cheery companion? | 0:35:25 | 0:35:27 | |
You're a fascinating woman, Elizabeth. | 0:35:34 | 0:35:37 | |
Please don't presume to know me. | 0:35:39 | 0:35:42 | |
Will you consider the piano a donation? | 0:35:44 | 0:35:47 | |
I must go. | 0:35:49 | 0:35:51 | |
Thank you for lunch, Mr Goddard. | 0:35:51 | 0:35:53 | |
Goodness me. A house call. | 0:36:07 | 0:36:11 | |
Spontaneous appointments. | 0:36:11 | 0:36:13 | |
The latest in modern medicine. | 0:36:13 | 0:36:15 | |
How terribly unconventional of you. | 0:36:15 | 0:36:17 | |
How is my Lois Lane? | 0:36:19 | 0:36:21 | |
Oh, you'll be pleased to know that I've just handed in my first | 0:36:21 | 0:36:24 | |
and last piece to Sir Richard. | 0:36:24 | 0:36:26 | |
It won't see the light of day, | 0:36:26 | 0:36:28 | |
but was immensely satisfying nonetheless. | 0:36:28 | 0:36:30 | |
Best explained over a cocktail. | 0:36:31 | 0:36:34 | |
So does this mean I'll be seeing more of you? | 0:36:34 | 0:36:37 | |
You'll be sick to death of me before the week is out. | 0:36:37 | 0:36:40 | |
Never. | 0:36:40 | 0:36:41 | |
I'll, er... | 0:36:42 | 0:36:44 | |
make sure you're too busy to miss the city. | 0:36:44 | 0:36:47 | |
She's gone out for lunch. | 0:36:49 | 0:36:51 | |
KEYS TURN IN LOCK | 0:37:03 | 0:37:07 | |
You're back! | 0:37:07 | 0:37:09 | |
So it would appear. | 0:37:09 | 0:37:10 | |
Hello, Elizabeth. | 0:37:10 | 0:37:12 | |
Hello. What brings you to the city? | 0:37:12 | 0:37:15 | |
-Er...a seminar. -Everything all right? | 0:37:15 | 0:37:19 | |
Oh, just a slight headache. If you'll excuse me. | 0:37:19 | 0:37:22 | |
Of course. | 0:37:22 | 0:37:23 | |
-Cup of tea? -Mm. | 0:37:30 | 0:37:33 | |
Forgive me, Papa. | 0:38:07 | 0:38:09 | |
-Good day, George. -Ah, it's just fine. Thank you, Gino. | 0:38:21 | 0:38:25 | |
I, er... I appreciate this. | 0:38:25 | 0:38:28 | |
Good to see you, Gino. | 0:38:28 | 0:38:29 | |
James. | 0:38:33 | 0:38:35 | |
-Darling. -Reggie. | 0:38:35 | 0:38:37 | |
-Regina. -I... I won't intrude, but...if I may make a suggestion? | 0:38:40 | 0:38:46 | |
Remove the tie. | 0:38:47 | 0:38:48 | |
Hate to say it... | 0:38:52 | 0:38:53 | |
Yeah, she's quite a turnout. | 0:38:59 | 0:39:02 | |
Old Doris. | 0:39:02 | 0:39:04 | |
When she does something, she does it right. | 0:39:04 | 0:39:07 | |
You can wait in the truck, if you like. More comfortable. | 0:39:07 | 0:39:10 | |
Hello? | 0:39:24 | 0:39:25 | |
See? | 0:39:59 | 0:40:01 | |
You are beautiful. | 0:40:03 | 0:40:04 | |
There's so many. | 0:40:10 | 0:40:12 | |
Yes, I, er... | 0:40:13 | 0:40:17 | |
I got a little carried away. | 0:40:17 | 0:40:19 | |
-What is this? -Oh, it's you. | 0:40:25 | 0:40:27 | |
I would never pose like that. | 0:40:29 | 0:40:33 | |
Wouldn't you? | 0:40:37 | 0:40:38 | |
You have bewitched me. | 0:41:21 | 0:41:23 | |
As some of you may be aware, | 0:41:36 | 0:41:38 | |
I hope to represent the Country Party in the upcoming election. | 0:41:38 | 0:41:42 | |
APPLAUSE | 0:41:42 | 0:41:43 | |
Now, my family has lived on this land for generations | 0:41:43 | 0:41:49 | |
and the soil is familiar to me as my own sweat. | 0:41:49 | 0:41:53 | |
-Not very familiar then, eh? -LAUGHTER | 0:41:53 | 0:41:56 | |
You are right to be sceptical. | 0:41:56 | 0:41:58 | |
I... I was fortunate to be born into wealth. | 0:41:58 | 0:42:01 | |
Tutto bene? | 0:42:01 | 0:42:02 | |
Why not share it round? | 0:42:02 | 0:42:03 | |
I intend to. | 0:42:03 | 0:42:05 | |
But let's start with improving the infrastructure in this district. | 0:42:05 | 0:42:08 | |
Those roads - they're impassable after the rain. | 0:42:08 | 0:42:11 | |
It makes it impossible for any of us to get our stock to the market. | 0:42:11 | 0:42:15 | |
TRANSLATION: | 0:42:15 | 0:42:16 | |
I'll bring Inverness into the modern era | 0:42:20 | 0:42:22 | |
with the introduction of the latest farming methods... | 0:42:22 | 0:42:24 | |
I want to facilitate a farm bank, | 0:42:27 | 0:42:30 | |
where we combine our resources | 0:42:30 | 0:42:32 | |
to purchase the latest farming equipment | 0:42:32 | 0:42:35 | |
and we share in their upkeep and use. | 0:42:35 | 0:42:39 | |
Well done. | 0:42:39 | 0:42:40 | |
And the loss of our young men to the city in search of work, | 0:42:42 | 0:42:45 | |
this has to be stemmed, | 0:42:45 | 0:42:47 | |
and it can be stemmed | 0:42:47 | 0:42:49 | |
with the creation of local factories. | 0:42:49 | 0:42:53 | |
Now, some of you may have heard of the Fletcher Jones model, | 0:42:53 | 0:42:57 | |
where workers own shares in the company. | 0:42:57 | 0:43:00 | |
Therefore, they directly benefit from the company's success. | 0:43:00 | 0:43:04 | |
Now, why can't we have one of those here for the future of our own | 0:43:04 | 0:43:08 | |
sons and daughters? APPLAUSE | 0:43:08 | 0:43:12 | |
Wait, this is... | 0:43:36 | 0:43:37 | |
What have I done? | 0:43:40 | 0:43:41 | |
-Where is my damned shoe?! -They're probably where you threw 'em. | 0:43:45 | 0:43:49 | |
Admit it, Carolyn. You're disappointed your journalistic career's at an end. | 0:44:02 | 0:44:06 | |
It would've been nice to see the views of a woman validated in print for once. | 0:44:06 | 0:44:10 | |
I really don't want to talk about it. How was lunch? | 0:44:11 | 0:44:15 | |
I really don't want to talk about that, either. | 0:44:16 | 0:44:19 | |
Well, I might go for a walk. | 0:44:29 | 0:44:32 | |
Need anything? | 0:44:32 | 0:44:33 | |
Ah, The Chronicle, if you're passing one. | 0:44:33 | 0:44:36 | |
You're upset. | 0:44:48 | 0:44:50 | |
You like him, don't you? | 0:44:59 | 0:45:01 | |
It's neither here nor there, since our acquaintance is at an end. | 0:45:01 | 0:45:04 | |
You don't have to repeat history, you know. | 0:45:06 | 0:45:10 | |
You do have choices. We all do. | 0:45:10 | 0:45:12 | |
Carolyn, please don't patronise me. | 0:45:14 | 0:45:17 | |
Whisky? | 0:45:20 | 0:45:21 | |
Mm. | 0:45:23 | 0:45:24 | |
MUSIC PLAYS FROM INSIDE | 0:45:39 | 0:45:41 | |
I try to be him again. | 0:46:07 | 0:46:10 | |
The man I was. | 0:46:12 | 0:46:14 | |
I see you, my love. | 0:46:16 | 0:46:18 | |
I do. | 0:46:22 | 0:46:23 | |
TRANSLATION: | 0:46:35 | 0:46:37 | |
I don't believe it! | 0:47:41 | 0:47:42 | |
-SHE LAUGHS -He's published it! | 0:47:43 | 0:47:47 | |
SHE SQUEALS | 0:47:47 | 0:47:49 | |
-CAROLYN: -'Beware The Friendless Female by Carolyn Bligh. | 0:48:29 | 0:48:34 | |
'We've all met them, those carefully painted women who seem to care. | 0:48:34 | 0:48:38 | |
'But, ladies, look closely. | 0:48:38 | 0:48:41 | |
'Does she have any female friends? | 0:48:41 | 0:48:43 | |
'I mean, real girlfriends, the ones who take you out | 0:48:43 | 0:48:45 | |
'for a night on the tiles when he breaks your heart? | 0:48:45 | 0:48:48 | |
'Dig a little and you'll find she's completely alone. | 0:48:48 | 0:48:52 | |
'Not a female friend in sight. | 0:48:52 | 0:48:54 | |
'Because behind that eye-shadow lies a calculating mind, | 0:48:54 | 0:48:58 | |
'obsessed with only one thing - getting that chap at any cost. | 0:48:58 | 0:49:04 | |
'And don't think she'll stop at just the man. | 0:49:04 | 0:49:07 | |
'There's the family estate, his cars, his horses, his staff. | 0:49:07 | 0:49:12 | |
'She's insatiable, ladies.' | 0:49:12 | 0:49:14 | |
SHE SCREAMS | 0:49:14 | 0:49:15 | |
SHE GASPS | 0:49:54 | 0:49:55 | |
SHE GROANS | 0:49:59 | 0:50:01 |