Browse content similar to In the Heat of the Night. Check below for episodes and series from the same categories and more!
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It shames me to say | 0:00:02 | 0:00:03 | |
I was never very close to the boy. I all but abandoned him. | 0:00:03 | 0:00:05 | |
You do have a way with him. I'm not sure I have. | 0:00:05 | 0:00:08 | |
There's nothing more natural than a mother's love. | 0:00:08 | 0:00:12 | |
You're a fascinating woman, Elizabeth. | 0:00:12 | 0:00:15 | |
Please don't presume to know me. | 0:00:16 | 0:00:18 | |
You like him, don't you? | 0:00:19 | 0:00:20 | |
Well, that's neither here nor there, since our acquaintance is at an end. | 0:00:20 | 0:00:25 | |
SHE PANTS | 0:00:25 | 0:00:28 | |
Regina is using James' secret as a weapon to ensure her continued presence at Ash Park. | 0:00:28 | 0:00:33 | |
I will return to the farmhouse. | 0:00:33 | 0:00:35 | |
And give me the dirt on those boozy openings of yours. | 0:00:35 | 0:00:40 | |
And if I refuse? | 0:00:40 | 0:00:41 | |
Our arrangement is terminated, which will make a certain member of your family very happy. | 0:00:41 | 0:00:46 | |
Regina. | 0:00:46 | 0:00:47 | |
"'Beware the Friendless Female', by Carolyn Bligh." | 0:00:47 | 0:00:50 | |
SHE SCREAMS | 0:00:50 | 0:00:52 | |
Argh! | 0:00:52 | 0:00:53 | |
-We're having a baby. -No! YOU'RE having a baby. | 0:01:01 | 0:01:03 | |
I try to be him again. | 0:01:04 | 0:01:06 | |
The man I was. | 0:01:06 | 0:01:08 | |
SHE GASPS | 0:01:10 | 0:01:12 | |
HORSE WHINNIES | 0:01:25 | 0:01:27 | |
Mmm...hm! | 0:01:49 | 0:01:50 | |
Ah, you're making up for lost time, aren't you? | 0:01:50 | 0:01:53 | |
No - Livvy, Livvy, it was a joke! | 0:01:53 | 0:01:56 | |
-No, I shouldn't have come. I don't know what I was thinking. -Yes, you do! | 0:01:56 | 0:02:01 | |
"If the farmers are going to be able to stay on the land... | 0:02:01 | 0:02:05 | |
"If we want the farmers to stay on the land, | 0:02:05 | 0:02:07 | |
"they need our support." | 0:02:07 | 0:02:09 | |
SHE GASPS | 0:02:09 | 0:02:13 | |
"The farmers need someone who's willing to fight for them. | 0:02:18 | 0:02:21 | |
"Who's willing to fight for them." | 0:02:21 | 0:02:23 | |
SHE GASPS | 0:02:28 | 0:02:30 | |
Sarah? | 0:02:44 | 0:02:45 | |
Are you all right? | 0:02:48 | 0:02:49 | |
-What's wrong? -It's just a cramp. It's nothing. I'm fine. | 0:02:51 | 0:02:54 | |
I'll drive you to work. | 0:02:56 | 0:02:57 | |
BIRDSONG | 0:03:00 | 0:03:04 | |
You're up early. How was the ride? | 0:03:04 | 0:03:08 | |
Fine. | 0:03:08 | 0:03:09 | |
Did you sleep well, darling? | 0:03:18 | 0:03:20 | |
I was up all night, thinking about Father's meeting today. | 0:03:20 | 0:03:23 | |
Who's this meeting with? | 0:03:25 | 0:03:27 | |
He's going up to the city | 0:03:28 | 0:03:29 | |
to meet with the press officer for the Country Party. | 0:03:29 | 0:03:32 | |
Black Jack McEwen arranged it. | 0:03:32 | 0:03:34 | |
It's all about to kick off. | 0:03:34 | 0:03:36 | |
Newspapers. Radio. | 0:03:36 | 0:03:38 | |
I am not sure I'm ready. All that attention. | 0:03:38 | 0:03:41 | |
Darling, it'll be fine. | 0:03:43 | 0:03:46 | |
With you and me by my father's side, we'll be an unbeatable team. | 0:03:47 | 0:03:51 | |
I do love you - you know that, don't you? | 0:03:53 | 0:03:55 | |
Thank you for the lift but I'll be fine. | 0:04:05 | 0:04:08 | |
Of course. | 0:04:08 | 0:04:10 | |
PHONE RINGS | 0:04:10 | 0:04:15 | |
Ah! | 0:04:15 | 0:04:17 | |
Mrs Nordmann. | 0:04:18 | 0:04:20 | |
Oh, such a brisk morning! | 0:04:20 | 0:04:24 | |
Ah! | 0:04:24 | 0:04:26 | |
Dr Duncan. A hand. | 0:04:27 | 0:04:29 | |
Doris, I'll take it from here. | 0:04:31 | 0:04:33 | |
SHE GASPS | 0:04:33 | 0:04:35 | |
DOOR CLOSES | 0:04:42 | 0:04:43 | |
TRACTOR NOT STARTING | 0:04:46 | 0:04:48 | |
Come on! | 0:04:48 | 0:04:49 | |
HE SPEAKS ITALIAN | 0:04:49 | 0:04:51 | |
Gino, please - just stop it. This is crazy. | 0:04:55 | 0:04:59 | |
I can fix it. | 0:04:59 | 0:05:01 | |
My family have three perfectly good tractors. | 0:05:01 | 0:05:03 | |
I know they'd be more than happy to let you borrow one. | 0:05:03 | 0:05:07 | |
Please, cara, this is my business. I'll sort it out. | 0:05:07 | 0:05:10 | |
Why are you being so pig-headed? | 0:05:10 | 0:05:12 | |
Gino! | 0:05:17 | 0:05:18 | |
Don't walk away from me! | 0:05:18 | 0:05:20 | |
I'm going into town to pick up parts. | 0:05:20 | 0:05:22 | |
And now you're throwing away good money | 0:05:22 | 0:05:24 | |
instead of swallowing your pride and asking my family for help. | 0:05:24 | 0:05:27 | |
The vines need watering. I need you to get started on them before it gets too hot. | 0:05:27 | 0:05:30 | |
You said I could work on my novel today. | 0:05:30 | 0:05:32 | |
Is your novel going to put food on the table? | 0:05:34 | 0:05:37 | |
Huh? Keep a roof over our heads? | 0:05:37 | 0:05:38 | |
Well, it could, if I ever had a chance to actually work on it. | 0:05:38 | 0:05:42 | |
Anna. | 0:05:44 | 0:05:45 | |
This vineyard is our future. | 0:05:47 | 0:05:49 | |
That's YOUR dream, Gino, and I support you on it. | 0:05:49 | 0:05:52 | |
But when do I get to have mine? | 0:05:54 | 0:05:56 | |
Ah! | 0:06:03 | 0:06:04 | |
So no cramps or spotting before this morning? | 0:06:07 | 0:06:09 | |
I was a fool to think my body could carry a baby full-term. | 0:06:11 | 0:06:15 | |
It's not over yet. | 0:06:15 | 0:06:16 | |
I'll get you a single room for some privacy, | 0:06:20 | 0:06:23 | |
but you're on strict bed rest. | 0:06:23 | 0:06:25 | |
And if the cramping doesn't stop? | 0:06:25 | 0:06:27 | |
We'll try an alcohol drip. | 0:06:30 | 0:06:32 | |
Slow the contractions. Hopefully stop them altogether. | 0:06:32 | 0:06:35 | |
Thank you. | 0:06:37 | 0:06:38 | |
You know the upside to all this. | 0:06:38 | 0:06:41 | |
That alcohol drip's going to leave you completely legless. | 0:06:41 | 0:06:45 | |
Is there anything else I can get you? | 0:06:48 | 0:06:50 | |
Rene. | 0:06:51 | 0:06:52 | |
I'd like him to be here, whatever happens. | 0:06:54 | 0:06:56 | |
Is Mrs Nordmann all right? | 0:07:05 | 0:07:06 | |
Yes. Um, she only wants to see her husband right now. | 0:07:06 | 0:07:10 | |
Doris. | 0:07:11 | 0:07:12 | |
Yes, Dr Duncan? | 0:07:14 | 0:07:15 | |
Could you do me a big favour and go to Roy's | 0:07:15 | 0:07:18 | |
and ask him to bring Dr Nordmann to the hospital? | 0:07:18 | 0:07:21 | |
But of course. I shall go there straight away on my trusty steed. | 0:07:21 | 0:07:24 | |
Is there anything else you'd like me to tell Dr Nordmann? | 0:07:24 | 0:07:27 | |
I'll go. It'll be faster. | 0:07:27 | 0:07:29 | |
No offence, George, but I'm not sure that's such a good idea. | 0:07:29 | 0:07:32 | |
Please. I insist. | 0:07:32 | 0:07:33 | |
CAR ENGINE | 0:07:39 | 0:07:41 | |
ENGINE STOPS | 0:07:45 | 0:07:48 | |
Mrs Standish. | 0:07:53 | 0:07:55 | |
Mrs Standish, I've brought your laundry down from the house. | 0:07:55 | 0:07:59 | |
Mrs Standish, what's happened? | 0:08:00 | 0:08:02 | |
Your hand! | 0:08:03 | 0:08:05 | |
You should really see a doctor, ma'am. | 0:08:10 | 0:08:12 | |
If you go now, you could catch Mr Bligh. | 0:08:13 | 0:08:16 | |
-What are you talking about? -He telephoned, from the hospital. | 0:08:16 | 0:08:19 | |
He's cancelled all his meetings in the city. | 0:08:19 | 0:08:21 | |
-Has he taken ill? -No, no, he's right as rain. | 0:08:21 | 0:08:23 | |
Is it the baby? | 0:08:25 | 0:08:26 | |
Oh, no - George is well over his cold. | 0:08:26 | 0:08:29 | |
-He's been chattering away all morning, blowing raspberries. -Oh, shut up. | 0:08:29 | 0:08:32 | |
George wouldn't miss a meeting about his political career over a trifle. | 0:08:34 | 0:08:38 | |
It's too important to him. | 0:08:40 | 0:08:41 | |
Did he happen to mention a Mrs Nordmann, by any chance? | 0:08:46 | 0:08:50 | |
Yes. He said something. Maybe that she's taken ill. | 0:08:50 | 0:08:53 | |
Let's hope it's fatal, whatever it is. | 0:08:55 | 0:08:58 | |
-ROSE LAUGHS -You do say such funny things, ma'am! | 0:08:58 | 0:09:02 | |
Of course I'm disappointed. | 0:09:03 | 0:09:06 | |
I had a little surprise planned for you. | 0:09:06 | 0:09:09 | |
But I suppose it can wait. | 0:09:09 | 0:09:12 | |
SHE GIGGLES | 0:09:12 | 0:09:14 | |
I miss you. | 0:09:14 | 0:09:16 | |
Bye. | 0:09:16 | 0:09:17 | |
Um, Jack's not coming back tonight. | 0:09:18 | 0:09:21 | |
Some emergency at the hospital. | 0:09:21 | 0:09:24 | |
I don't know why you don't just marry the man | 0:09:24 | 0:09:26 | |
instead of carrying on like a pair of lovesick adolescents. | 0:09:26 | 0:09:29 | |
That's exactly why I won't marry him. | 0:09:29 | 0:09:30 | |
It keeps it far more exciting. | 0:09:30 | 0:09:33 | |
I'd SO miss your disapproving looks! | 0:09:33 | 0:09:35 | |
So, what have you planned for your day? | 0:09:36 | 0:09:40 | |
Will you be going to see Mr Goddard at the refuge? | 0:09:40 | 0:09:42 | |
Er, no. | 0:09:42 | 0:09:44 | |
Then you can come to an exhibition opening with me. | 0:09:44 | 0:09:48 | |
They're unveiling a mural down at the Rocks. | 0:09:48 | 0:09:50 | |
-Sounds ghastly. -I've invited Sir Richard. | 0:09:50 | 0:09:53 | |
-Oh, Carolyn - you didn't! KNOCK ON DOOR -Oh, that will be my lift. | 0:09:55 | 0:09:58 | |
Simon. Would you go? I need to get my camera. | 0:09:58 | 0:10:00 | |
Oh, you must be Caro's mum. I'm Simon. | 0:10:05 | 0:10:08 | |
Simon Hallow, the actor. | 0:10:08 | 0:10:09 | |
Carolyn will be with you presently. | 0:10:11 | 0:10:14 | |
SHE SIGHS | 0:10:14 | 0:10:15 | |
Carolyn, you cannot invite a man like Sir Richard to one of your avant-garde soirees. | 0:10:15 | 0:10:20 | |
Oh, Mother, really! | 0:10:20 | 0:10:21 | |
Despite his overt vulgarity, your brother is relying on him to support his campaign. | 0:10:21 | 0:10:25 | |
I would say he's brash, rather than vulgar, | 0:10:25 | 0:10:28 | |
and I think a trip to the Rocks is exactly what he needs. | 0:10:28 | 0:10:32 | |
-Where's Simon? -Oh, he's... | 0:10:32 | 0:10:35 | |
Mother! | 0:10:35 | 0:10:36 | |
Oh! | 0:10:36 | 0:10:37 | |
Simon, darling. | 0:10:37 | 0:10:40 | |
Mwah! Ignore my mother's rudeness. | 0:10:40 | 0:10:43 | |
-Last chance! -Oh... | 0:10:43 | 0:10:44 | |
Rene. | 0:10:55 | 0:10:57 | |
HE SPEAKS IN FRENCH | 0:10:57 | 0:10:59 | |
SHE SPEAKS IN FRENCH | 0:11:01 | 0:11:03 | |
How far along is she? | 0:11:17 | 0:11:19 | |
Must be at least four months. | 0:11:19 | 0:11:20 | |
I didn't think the Frog'd have it in him. | 0:11:22 | 0:11:24 | |
I reckon she might lose it, though. | 0:11:24 | 0:11:26 | |
Marjorie Carlin, where is your respect for privacy? | 0:11:26 | 0:11:29 | |
Talking out of school about one of your own. | 0:11:29 | 0:11:31 | |
You have no idea what Mrs Nordmann | 0:11:31 | 0:11:34 | |
may be going through, none at all! | 0:11:34 | 0:11:36 | |
In France, they used to use a drug, a hormone synthetique. | 0:11:56 | 0:12:00 | |
Ah, in my opinion, those drugs can do more harm than good. | 0:12:00 | 0:12:03 | |
And the alcohol, this method - you have good results? | 0:12:03 | 0:12:06 | |
Sarah? | 0:12:26 | 0:12:27 | |
Is the baby mine? | 0:12:29 | 0:12:30 | |
Please, I need to know. | 0:12:33 | 0:12:34 | |
Yes. | 0:12:39 | 0:12:41 | |
Does Rene know? | 0:12:44 | 0:12:45 | |
Yes. | 0:12:49 | 0:12:50 | |
But we'd decided to raise it as our own. | 0:12:52 | 0:12:55 | |
HE EXHALES | 0:12:57 | 0:12:59 | |
Were you...ever going to tell me? | 0:13:02 | 0:13:05 | |
No. | 0:13:10 | 0:13:11 | |
Why would you ever keep something like this from me? | 0:13:13 | 0:13:18 | |
Our baby? | 0:13:18 | 0:13:19 | |
It doesn't matter now, anyway. | 0:13:21 | 0:13:23 | |
Er, George, we need to start an intravenous. | 0:13:27 | 0:13:31 | |
KNOCK ON DOOR Carolyn, what have you forgotten now? | 0:13:37 | 0:13:40 | |
Mr Goddard, I...I'm afraid you've wasted your time coming here. | 0:13:44 | 0:13:49 | |
Your children may find you formidable, | 0:13:49 | 0:13:52 | |
but you don't scare me. | 0:13:52 | 0:13:54 | |
Not one bit. | 0:13:54 | 0:13:56 | |
Well, then, please keep it brief. | 0:13:56 | 0:13:58 | |
I'm too old for these games, Elizabeth. | 0:14:00 | 0:14:02 | |
I'm sorry if I offended you yesterday. | 0:14:03 | 0:14:05 | |
But I... | 0:14:07 | 0:14:08 | |
I like you. | 0:14:09 | 0:14:10 | |
I don't meet many people I can genuinely say that about, | 0:14:11 | 0:14:14 | |
but I can say that about you. | 0:14:14 | 0:14:16 | |
And I'm not the only one. | 0:14:19 | 0:14:21 | |
All the men have been asking after you. | 0:14:21 | 0:14:23 | |
Now you're telling tales. | 0:14:23 | 0:14:25 | |
They've been wondering when you're coming back to play the piano. | 0:14:25 | 0:14:29 | |
I'm sure there are plenty of pianists in Sydney who can entertain the men equally well. | 0:14:29 | 0:14:34 | |
But they're not you. | 0:14:34 | 0:14:35 | |
Please, tell the men I'm sorry to disappoint them | 0:14:45 | 0:14:47 | |
but I've decided to return home. | 0:14:47 | 0:14:50 | |
My son George is entering the political arena | 0:14:50 | 0:14:52 | |
and I'd like to be there to offer my support. | 0:14:52 | 0:14:54 | |
Oh. | 0:14:56 | 0:14:58 | |
Really? | 0:14:58 | 0:15:00 | |
I thought you said you were finished with interfering with your children's lives. | 0:15:02 | 0:15:06 | |
Well, unlike you, Mr Goddard, I am not the type to abandon their child. | 0:15:06 | 0:15:09 | |
You're right. | 0:15:13 | 0:15:14 | |
I shouldn't have wasted my time coming here. | 0:15:14 | 0:15:16 | |
But just for the record... | 0:15:19 | 0:15:21 | |
..there isn't a day when I don't miss my son. | 0:15:22 | 0:15:24 | |
Not one day. | 0:15:28 | 0:15:29 | |
A mural on a public street could hardly be called high art. | 0:15:41 | 0:15:45 | |
If it were up to me, I'd have the whole thing whitewashed. | 0:15:45 | 0:15:47 | |
Waste of public funds. | 0:15:47 | 0:15:49 | |
But write something good | 0:15:49 | 0:15:51 | |
and I'll include it in the weekend arts review. | 0:15:51 | 0:15:54 | |
I have to say, I was shocked when you printed my last piece, | 0:15:54 | 0:15:57 | |
especially as I didn't write a single word you asked me to. | 0:15:57 | 0:16:00 | |
You surprised me. | 0:16:00 | 0:16:03 | |
I like a woman who surprises me. | 0:16:04 | 0:16:07 | |
So are you going back to Ash Park, or are you staying in town? | 0:16:07 | 0:16:09 | |
I'm in the city. I have an apartment here. | 0:16:09 | 0:16:12 | |
How convenient. | 0:16:12 | 0:16:13 | |
As you're in town, you should come and have dinner with me tomorrow night. | 0:16:14 | 0:16:17 | |
I'm sorry, I have plans. Jack's in town. | 0:16:17 | 0:16:20 | |
Bring him along. | 0:16:20 | 0:16:21 | |
SHE CHUCKLES | 0:16:23 | 0:16:24 | |
KNOCK ON DOOR | 0:16:34 | 0:16:35 | |
DOOR OPENS | 0:16:35 | 0:16:37 | |
Sorry to interrupt, sir. Mr Fox is here to see your father. | 0:16:37 | 0:16:40 | |
Henry. | 0:16:40 | 0:16:42 | |
It's good to see you again. | 0:16:42 | 0:16:44 | |
Country life keeping you busy, I see. | 0:16:44 | 0:16:46 | |
Yes, frightfully so. | 0:16:46 | 0:16:49 | |
I was checking the hospitals in the area. | 0:16:49 | 0:16:51 | |
Thought I'd check in on the patient, see how he's faring. | 0:16:51 | 0:16:54 | |
Oh, er... Father isn't here right now. | 0:16:54 | 0:16:56 | |
James, I'm just heading out. | 0:16:58 | 0:17:00 | |
Darling, you didn't tell me we were expecting company! | 0:17:00 | 0:17:03 | |
It was an impromptu visit, Mrs Bligh. | 0:17:03 | 0:17:05 | |
-Olivia, please. -Olivia. | 0:17:05 | 0:17:07 | |
But I assume if your father's out, then he's well and truly on the mend, so... | 0:17:07 | 0:17:11 | |
Oh, you're not leaving, are you? | 0:17:11 | 0:17:13 | |
Well, at least stay for some tea. | 0:17:13 | 0:17:16 | |
James, I can't believe you didn't offer Mr Fox some refreshments. | 0:17:16 | 0:17:20 | |
-The poor man must be parched. -Yes, terribly parched. | 0:17:20 | 0:17:24 | |
Please forgive my dreadful lack of hospitality. | 0:17:24 | 0:17:26 | |
I shall send Rose in with a fresh pot of tea. | 0:17:26 | 0:17:30 | |
You won't be joining us? | 0:17:30 | 0:17:32 | |
Would it be awfully rude if I went for my portrait sitting? | 0:17:32 | 0:17:35 | |
It's my last session. I really can't wait for the whole thing to be over and done with. | 0:17:35 | 0:17:39 | |
No, you go. I'm...sure we'll manage without you. | 0:17:39 | 0:17:42 | |
Hmm! | 0:17:44 | 0:17:45 | |
So, how is your father's foray into politics? | 0:17:47 | 0:17:51 | |
I don't envy him. | 0:17:51 | 0:17:52 | |
You've had a Mr Reg here? | 0:17:58 | 0:17:59 | |
-Oh, mate! Do you have to cheat? -You did! -You did! -I didn't! | 0:17:59 | 0:18:03 | |
Hey, hey! Break it up! | 0:18:03 | 0:18:05 | |
Break it up, break it up! Or you're out - both of you. | 0:18:07 | 0:18:10 | |
Hey! | 0:18:10 | 0:18:11 | |
Look, we found him under a bridge. He'd been there a day or two. | 0:18:17 | 0:18:20 | |
Reg had a daughter somewhere. | 0:18:24 | 0:18:25 | |
I'll see if I can track her down. | 0:18:25 | 0:18:27 | |
-Let her know. -All right, mate. -Thank you. | 0:18:27 | 0:18:30 | |
Oh, Sarah. | 0:19:15 | 0:19:16 | |
I've... | 0:19:18 | 0:19:20 | |
I've spent the past 20 years raising someone else's child. | 0:19:21 | 0:19:25 | |
But I know that... | 0:19:26 | 0:19:28 | |
..I could never stand back and watch... | 0:19:30 | 0:19:32 | |
..someone else play father to mine. | 0:19:34 | 0:19:36 | |
I... | 0:19:36 | 0:19:38 | |
I... | 0:19:38 | 0:19:39 | |
SHE MOANS | 0:19:42 | 0:19:43 | |
And I've done my best to respect your marriage, | 0:19:43 | 0:19:46 | |
and to... | 0:19:48 | 0:19:49 | |
And to leave you alone. | 0:19:51 | 0:19:52 | |
Oh, but this... This... | 0:19:54 | 0:19:56 | |
This baby, it changes everything. | 0:19:58 | 0:20:00 | |
You fight for it, Sarah. | 0:20:11 | 0:20:12 | |
Fight for this. | 0:20:15 | 0:20:16 | |
DOOR OPENS | 0:20:16 | 0:20:18 | |
Mr Bligh! You can't be here. | 0:20:18 | 0:20:20 | |
I have every right to be here! | 0:20:20 | 0:20:21 | |
-George, you need to leave. -I'm not going anywhere! -Hey, hey! | 0:20:22 | 0:20:25 | |
George, it's not the time. | 0:20:27 | 0:20:28 | |
No! This is my baby. | 0:20:28 | 0:20:32 | |
It's my child. | 0:20:32 | 0:20:34 | |
Get out! | 0:20:34 | 0:20:35 | |
All of you! | 0:20:36 | 0:20:37 | |
I just wanted to come in person to tell you, | 0:21:09 | 0:21:12 | |
this, whatever this is, it has to stop. | 0:21:12 | 0:21:16 | |
This is not who I am. | 0:21:17 | 0:21:19 | |
I see. | 0:21:21 | 0:21:22 | |
One last drink? | 0:21:25 | 0:21:26 | |
Isn't it just a little early? | 0:21:27 | 0:21:29 | |
Ah, it's never too early. | 0:21:29 | 0:21:31 | |
Anyway, you can't make a toast without wine. It's bad luck. | 0:21:31 | 0:21:34 | |
To Olivia... | 0:21:38 | 0:21:40 | |
who walks with the beauty of the night, | 0:21:40 | 0:21:43 | |
and cloudless climes and starry skies. | 0:21:43 | 0:21:46 | |
I shall miss you. | 0:21:55 | 0:21:56 | |
Will you? | 0:21:58 | 0:21:59 | |
You never married? | 0:22:19 | 0:22:20 | |
I'm married to my work. | 0:22:21 | 0:22:23 | |
I quite enjoy my reputation as an eligible bachelor. | 0:22:25 | 0:22:28 | |
It allows me a certain freedom. | 0:22:28 | 0:22:30 | |
I did have a companion... | 0:22:34 | 0:22:36 | |
..for almost eight years. | 0:22:38 | 0:22:39 | |
But he died. | 0:22:43 | 0:22:44 | |
I'm sorry. | 0:22:49 | 0:22:50 | |
Was he... | 0:22:52 | 0:22:54 | |
Your companion... | 0:22:55 | 0:22:56 | |
..was he a doctor? | 0:22:58 | 0:23:00 | |
Yes. | 0:23:00 | 0:23:01 | |
Made it easier. | 0:23:03 | 0:23:05 | |
To the outside world - we were just work colleagues. | 0:23:06 | 0:23:09 | |
And...he was married. | 0:23:11 | 0:23:13 | |
A marriage of convenience, as they say. | 0:23:14 | 0:23:17 | |
His... | 0:23:17 | 0:23:19 | |
His wife was more than happy with her own arrangements. | 0:23:19 | 0:23:22 | |
Have I shocked you? | 0:23:25 | 0:23:27 | |
JAMES SIGHS | 0:23:27 | 0:23:28 | |
James, there really is no need to be unhappy. | 0:23:31 | 0:23:34 | |
If I've given you some impression that I'm unhappy, | 0:23:35 | 0:23:38 | |
it's completely untrue. | 0:23:38 | 0:23:39 | |
I'm a happily married man with a wife and child I adore. | 0:23:41 | 0:23:44 | |
Oh, of course. | 0:23:47 | 0:23:49 | |
Of course. | 0:23:53 | 0:23:54 | |
If I've misinterpreted things | 0:24:07 | 0:24:09 | |
or caused offence, I'm... | 0:24:09 | 0:24:11 | |
I'm deeply sorry. | 0:24:11 | 0:24:12 | |
If you're ever in Sydney... | 0:24:33 | 0:24:36 | |
..or you need a friend. | 0:24:38 | 0:24:40 | |
DOOR CLOSES | 0:24:46 | 0:24:47 | |
PIANIST PLAYS: As Time Goes By | 0:25:15 | 0:25:21 | |
No-one seems to want to sing today. | 0:25:37 | 0:25:41 | |
Er, we had some bad news today, about one of our own. | 0:25:41 | 0:25:44 | |
Oh, I'm so sorry. | 0:25:44 | 0:25:46 | |
No, please. Keep playing. | 0:25:46 | 0:25:48 | |
How about it, lads? | 0:25:53 | 0:25:55 | |
For Reg? | 0:25:55 | 0:25:56 | |
In honour of his passing. | 0:25:56 | 0:25:58 | |
SHE BEGINS: # We'll meet again | 0:25:58 | 0:26:00 | |
ALL JOIN IN: # Don't know where | 0:26:00 | 0:26:02 | |
# Don't know when | 0:26:02 | 0:26:06 | |
# But I know we'll meet again | 0:26:06 | 0:26:09 | |
# Some sunny day | 0:26:09 | 0:26:13 | |
# Keep smiling through | 0:26:17 | 0:26:20 | |
# Just like you always do | 0:26:20 | 0:26:26 | |
# Till the blue skies | 0:26:26 | 0:26:29 | |
# Chase the dark clouds far away. # | 0:26:29 | 0:26:35 | |
Er, maybe you could try sitting on the chaise. | 0:26:46 | 0:26:50 | |
Perhaps if you showed me what you've come up with so far, | 0:26:51 | 0:26:54 | |
I could understand what you want from me? | 0:26:54 | 0:26:56 | |
Um... | 0:26:56 | 0:26:57 | |
Is this it? | 0:26:59 | 0:27:00 | |
Well, that's just reference sketches. | 0:27:00 | 0:27:02 | |
I... I like to do a lot of these before I begin painting. | 0:27:02 | 0:27:05 | |
What are these sketches? | 0:27:09 | 0:27:10 | |
They're just more character references. | 0:27:10 | 0:27:12 | |
You know, I like to explore the different aspects of a person. | 0:27:12 | 0:27:16 | |
Can I see them? | 0:27:17 | 0:27:18 | |
Ah, you don't want to see those. They're... They're just rough. | 0:27:18 | 0:27:22 | |
Not my best work. | 0:27:22 | 0:27:24 | |
Did you force her to take her clothes off? | 0:27:41 | 0:27:43 | |
Answer me. | 0:27:47 | 0:27:48 | |
I didn't have to force her to do anything. | 0:27:50 | 0:27:52 | |
Did you sleep with my wife? | 0:27:54 | 0:27:56 | |
That's probably the one thing I haven't done with her. | 0:27:57 | 0:28:01 | |
Hey! Wuh... | 0:28:02 | 0:28:04 | |
Hang on! Let's not blow this whole thing out of proportion. | 0:28:06 | 0:28:09 | |
It was just meant to be a bit of fun. | 0:28:09 | 0:28:11 | |
Fun? | 0:28:11 | 0:28:12 | |
Olivia! | 0:28:52 | 0:28:54 | |
How could you? | 0:29:03 | 0:29:05 | |
After everything we've been through. | 0:29:05 | 0:29:07 | |
James. Please! | 0:29:07 | 0:29:09 | |
You promised me that you would stand by me. | 0:29:10 | 0:29:12 | |
That we would work on this marriage together. | 0:29:12 | 0:29:15 | |
-You told me I was enough. -You are! | 0:29:17 | 0:29:19 | |
Then why have you been sneaking around behind my back, | 0:29:19 | 0:29:21 | |
whoring yourself out with Lloyd? | 0:29:21 | 0:29:23 | |
-And who else, Andrew Swanson? -No! | 0:29:23 | 0:29:25 | |
I don't believe you. | 0:29:27 | 0:29:28 | |
James, I swear on my life, this was the first time, | 0:29:30 | 0:29:34 | |
the only indiscretion. | 0:29:34 | 0:29:35 | |
Indiscretion? | 0:29:37 | 0:29:39 | |
Indiscretion? Look at yourself! | 0:29:39 | 0:29:41 | |
I never meant it to happen! It was a stupid mistake. | 0:29:43 | 0:29:47 | |
Darling, I swear. I don't love him. | 0:29:47 | 0:29:49 | |
You don't love him? So, what, that makes it all right, then? | 0:29:49 | 0:29:52 | |
-It was just... -It was just what? | 0:29:52 | 0:29:54 | |
It was just what? | 0:29:54 | 0:29:56 | |
It was just a bit of fun? | 0:29:56 | 0:29:58 | |
How very bohemian of you! | 0:29:58 | 0:29:59 | |
BABY CRIES | 0:29:59 | 0:30:01 | |
Please, could you just lower your voice? | 0:30:01 | 0:30:03 | |
Everything I have done for you, and this marriage, | 0:30:03 | 0:30:06 | |
all the pain and suffering so I could be a husband to you. | 0:30:06 | 0:30:09 | |
So we could be a family. | 0:30:12 | 0:30:14 | |
And... and you just throw it all away for some degenerate lowlife. | 0:30:16 | 0:30:20 | |
LOUD BABY CRIES | 0:30:20 | 0:30:22 | |
So this is it, then. | 0:30:30 | 0:30:32 | |
Is this our arrangement? | 0:30:35 | 0:30:36 | |
Please! | 0:30:43 | 0:30:45 | |
James! | 0:30:45 | 0:30:46 | |
I don't want some sordid arrangement. I want you! | 0:30:46 | 0:30:49 | |
I have always wanted you. | 0:30:53 | 0:30:54 | |
But you never wanted me. | 0:30:57 | 0:30:58 | |
DISTANT BABY CRIES | 0:31:31 | 0:31:34 | |
CRYING CONTINUES | 0:31:50 | 0:31:54 | |
SHE SHAKES THE DOOR | 0:32:01 | 0:32:04 | |
BABY GURGLES | 0:32:18 | 0:32:21 | |
George. | 0:32:24 | 0:32:25 | |
Rose? | 0:32:38 | 0:32:39 | |
Rose! | 0:32:52 | 0:32:54 | |
Rose! | 0:33:07 | 0:33:08 | |
Where's Georgie? | 0:33:18 | 0:33:19 | |
ROSE! | 0:33:24 | 0:33:26 | |
BABY CRIES | 0:33:54 | 0:33:55 | |
Sh, little one. | 0:33:55 | 0:33:57 | |
DOG BARKS | 0:34:00 | 0:34:03 | |
BABY CRIES | 0:34:07 | 0:34:09 | |
BABY WHINES | 0:34:30 | 0:34:32 | |
I couldn't walk no further, not in this cold. | 0:34:40 | 0:34:44 | |
Please, can you take us to the station? Please? | 0:34:44 | 0:34:47 | |
I know you. | 0:34:49 | 0:34:50 | |
It's Rose, isn't it? | 0:34:51 | 0:34:53 | |
From Ash Park. | 0:34:53 | 0:34:54 | |
Is that baby Georgie you're holding? | 0:34:56 | 0:34:58 | |
Rose, why don't I take you back to Ash Park? | 0:35:01 | 0:35:03 | |
No, I'm not going back there. | 0:35:03 | 0:35:05 | |
BABY CRIES | 0:35:05 | 0:35:08 | |
Look, I don't know what's happened to make you so upset. | 0:35:08 | 0:35:11 | |
But you need to give me the baby. Then we can take him back to his parents. | 0:35:13 | 0:35:16 | |
They're not fit to be his parents. He deserves better than them. | 0:35:16 | 0:35:19 | |
BABY WHINES | 0:35:19 | 0:35:21 | |
Rose, it's cold. Let's get Georgie home. | 0:35:21 | 0:35:24 | |
You're not taking him away from me. | 0:35:26 | 0:35:29 | |
Rose, his mother will be worried sick. | 0:35:29 | 0:35:32 | |
I'm Georgie's mother, not her. | 0:35:32 | 0:35:35 | |
BABY GRIZZLES | 0:35:35 | 0:35:37 | |
BRAKES SQUEAL | 0:36:02 | 0:36:04 | |
ENGINE STOPS | 0:36:05 | 0:36:07 | |
SHE GASPS | 0:36:09 | 0:36:11 | |
-Oh, Livvy! -It's Georgie. He's been taken. | 0:36:11 | 0:36:13 | |
-I know. -I don't know what... -I know. -I don't know what to do! | 0:36:13 | 0:36:16 | |
It's all right, it's all right. I'll take you to him. | 0:36:16 | 0:36:19 | |
I'll take you to him, darling. | 0:36:19 | 0:36:20 | |
It'll be fine. | 0:36:23 | 0:36:25 | |
Rose. | 0:36:28 | 0:36:30 | |
Why don't we go in the house, huh? Where it's warm? | 0:36:30 | 0:36:34 | |
SHE WHIMPERS | 0:36:34 | 0:36:35 | |
-Please, let me help you. -Stay away from me. | 0:36:35 | 0:36:39 | |
I know what you're doing. | 0:36:39 | 0:36:41 | |
I know you think I'm crazy... | 0:36:43 | 0:36:44 | |
..but he's mine. | 0:36:46 | 0:36:47 | |
And I can prove it. | 0:36:48 | 0:36:50 | |
They took him away from me at the hospital because I wasn't married. | 0:36:57 | 0:37:01 | |
I thought he'd have a better life at Ash Park. | 0:37:02 | 0:37:05 | |
But that's no place for my son. | 0:37:05 | 0:37:07 | |
Rose. | 0:37:12 | 0:37:13 | |
-The birth certificate. You must have read it. -Stay away from us! | 0:37:15 | 0:37:19 | |
Gino? | 0:37:24 | 0:37:25 | |
I need to talk to Rose. | 0:37:28 | 0:37:29 | |
Alone, if I may. | 0:37:31 | 0:37:33 | |
I'll be right outside. | 0:37:39 | 0:37:40 | |
Rose? | 0:37:53 | 0:37:55 | |
ROSE WHIMPERS | 0:37:57 | 0:37:59 | |
Please don't do this. | 0:37:59 | 0:38:01 | |
We need to take Georgie home. | 0:38:04 | 0:38:05 | |
It's late and it's cold. | 0:38:07 | 0:38:10 | |
Don't make me notify the police. | 0:38:12 | 0:38:14 | |
You're not taking him from me again. | 0:38:14 | 0:38:17 | |
He's my son. | 0:38:17 | 0:38:19 | |
-I'll tell them. I'll tell them the truth! -(All right.) | 0:38:19 | 0:38:22 | |
(All right.) | 0:38:22 | 0:38:24 | |
What is it that makes you think he's yours? | 0:38:27 | 0:38:30 | |
I know my own son. | 0:38:32 | 0:38:33 | |
I knew - as soon as I saw him at Ash Park. | 0:38:34 | 0:38:37 | |
I knew I'd found him. | 0:38:38 | 0:38:40 | |
But you know that can't possibly be true. Georgie is my little boy. | 0:38:40 | 0:38:44 | |
-Stop lying! -I'm not lying. | 0:38:44 | 0:38:46 | |
I gave birth to him on the 21st of January at a private clinic in Sydney. | 0:38:46 | 0:38:50 | |
You never gave birth to him. | 0:38:50 | 0:38:52 | |
It was me, screaming in that room, | 0:38:52 | 0:38:56 | |
tied to that bed, all alone. | 0:38:56 | 0:38:58 | |
He's my son. | 0:39:00 | 0:39:02 | |
And I can prove it. | 0:39:05 | 0:39:06 | |
Rose? | 0:39:50 | 0:39:51 | |
What happened? | 0:39:54 | 0:39:55 | |
What happened during the birth? | 0:39:59 | 0:40:01 | |
Do you even remember it? | 0:40:04 | 0:40:05 | |
Of course I remember. I remember everything. | 0:40:05 | 0:40:09 | |
Even though they covered my face up with a sheet, so I couldn't see. | 0:40:11 | 0:40:15 | |
I knew...what was going on. | 0:40:17 | 0:40:20 | |
And they told me this was...punishment for my sins. | 0:40:23 | 0:40:26 | |
They kept on and on at me. | 0:40:29 | 0:40:32 | |
Called me a stupid girl. | 0:40:32 | 0:40:34 | |
"One final push, you stupid, stupid girl!" | 0:40:35 | 0:40:39 | |
They kept on and on at me. | 0:40:39 | 0:40:41 | |
"Push." And I was trying. | 0:40:41 | 0:40:44 | |
I was trying to push and then... | 0:40:44 | 0:40:47 | |
And then it all went quiet. | 0:40:51 | 0:40:52 | |
He didn't cry, did he? | 0:40:59 | 0:41:01 | |
He didn't cry. | 0:41:05 | 0:41:08 | |
And he was...so still. | 0:41:12 | 0:41:15 | |
And...and...so, so blue. | 0:41:17 | 0:41:21 | |
I know. | 0:41:23 | 0:41:24 | |
-SHE SOBS: -Oh! | 0:41:31 | 0:41:32 | |
Oh, God. What have I done? | 0:41:37 | 0:41:40 | |
SHE SOBS | 0:41:48 | 0:41:50 | |
No-one should ever have to go through what you did. | 0:41:56 | 0:41:59 | |
Especially not alone. | 0:42:03 | 0:42:05 | |
SHE SOBS | 0:42:07 | 0:42:09 | |
DOOR OPENS | 0:42:15 | 0:42:17 | |
What do you think happens to babies after they die? | 0:42:19 | 0:42:22 | |
Do you think my baby's trapped in limbo? | 0:42:22 | 0:42:26 | |
No. | 0:42:26 | 0:42:27 | |
I don't believe God could be that cruel. | 0:42:27 | 0:42:30 | |
Will they go to heaven, do you think? | 0:42:32 | 0:42:34 | |
Yes. I'm sure. | 0:42:35 | 0:42:38 | |
Are you going to hand me over to the police, for taking him? | 0:42:41 | 0:42:45 | |
No. | 0:42:45 | 0:42:46 | |
No, I'm not. | 0:42:47 | 0:42:48 | |
Let's go home. | 0:42:53 | 0:42:54 | |
BABY GRIZZLES | 0:43:20 | 0:43:23 | |
I can't really at the moment. | 0:43:45 | 0:43:47 | |
I will. You too. | 0:43:47 | 0:43:51 | |
All right, then, I... | 0:43:51 | 0:43:52 | |
Yes, yes - we'll talk soon. Thank you, Carolyn. | 0:43:52 | 0:43:57 | |
Carolyn hasn't heard from him. | 0:43:57 | 0:43:59 | |
But I'm sure James will be back. | 0:44:01 | 0:44:04 | |
SHE WEEPS I'm sorry. I shouldn't be crying in front of you. | 0:44:04 | 0:44:09 | |
Nonsense. Nonsense. | 0:44:09 | 0:44:10 | |
George. | 0:44:13 | 0:44:14 | |
You don't think he's gone off and done something? | 0:44:17 | 0:44:20 | |
No. | 0:44:20 | 0:44:21 | |
He's angry, that's all. | 0:44:24 | 0:44:26 | |
You had an argument. | 0:44:26 | 0:44:28 | |
Unless there's...there's something you're not telling me. | 0:44:30 | 0:44:33 | |
No. | 0:44:37 | 0:44:38 | |
No, there's nothing. | 0:44:39 | 0:44:40 | |
Eight hours without cramps. | 0:44:42 | 0:44:45 | |
Blood pressure's good. | 0:44:45 | 0:44:47 | |
Think you're out of the woods. | 0:44:47 | 0:44:49 | |
You know, I think you're going to have a little fighter on your hands. | 0:44:50 | 0:44:54 | |
Oh, it's determined to be here, that's for sure. | 0:44:54 | 0:44:57 | |
Next two weeks, you're on a strict bed rest regime. | 0:44:57 | 0:45:00 | |
You are not to attempt to do any work, | 0:45:00 | 0:45:02 | |
or ride your bike. Just rest. | 0:45:02 | 0:45:05 | |
You have my word. | 0:45:05 | 0:45:07 | |
Time you got some rest, too. | 0:45:08 | 0:45:10 | |
You need to look after yourself, especially now you're going to be a father. | 0:45:10 | 0:45:14 | |
Roy is waiting outside. We should go. | 0:45:14 | 0:45:17 | |
Oh, I'm so glad I caught you both. These are for you. | 0:45:17 | 0:45:21 | |
This is a tonic I give all my mothers-to-be. | 0:45:21 | 0:45:25 | |
It's to keep your iron levels up. | 0:45:25 | 0:45:27 | |
Oh, it's very kind, Doris. | 0:45:27 | 0:45:30 | |
Look, I hope I'm not speaking out of school, | 0:45:30 | 0:45:32 | |
but I just want you to know how glad I am that you and Doctor Nordmann are going to have a family. | 0:45:32 | 0:45:37 | |
It never happened for Mr Collins and myself. | 0:45:37 | 0:45:39 | |
We went through many heartaches, so I do understand a little of what you've just been through. | 0:45:39 | 0:45:43 | |
And rest assured, I shall be the soul of discretion. | 0:45:43 | 0:45:47 | |
Until you're ready to tell the world your joyous news. | 0:45:47 | 0:45:51 | |
Thank you. | 0:45:51 | 0:45:53 | |
HE EXHALES | 0:46:16 | 0:46:17 | |
It's Reg's funeral on Friday. | 0:46:32 | 0:46:35 | |
Just going to be me and a few of the men. | 0:46:35 | 0:46:38 | |
I wasn't able to locate the daughter. | 0:46:38 | 0:46:40 | |
Well, surely we can rustle up a few more. | 0:46:41 | 0:46:45 | |
Give the man a decent send-off. | 0:46:45 | 0:46:48 | |
He served his country, after all. | 0:46:48 | 0:46:50 | |
And paid the price. | 0:46:50 | 0:46:52 | |
Er...would you mind? | 0:46:54 | 0:46:57 | |
-I'd like to be there. -Oh, that'd be wonderful. | 0:46:57 | 0:47:00 | |
Reg would have liked you. | 0:47:04 | 0:47:06 | |
A man of great discernment, was he? | 0:47:08 | 0:47:10 | |
Absolutely. | 0:47:10 | 0:47:12 | |
BRAKES SQUEAL AND ENGINE STOPS | 0:47:18 | 0:47:20 | |
ROY EXCLAIMS: Ah! | 0:47:20 | 0:47:21 | |
Now slow down there. | 0:47:26 | 0:47:28 | |
Precious cargo onboard! HE LAUGHS | 0:47:28 | 0:47:31 | |
-There we go. -Thanks, Roy. | 0:47:31 | 0:47:33 | |
DOG BARKS | 0:47:33 | 0:47:34 | |
DOG PANTS | 0:47:34 | 0:47:36 | |
Hello, Lucky. | 0:47:36 | 0:47:38 | |
Sarah, you need to go and rest. | 0:47:55 | 0:47:57 | |
Who's for a cup of tea, then? Get that kettle on, eh? | 0:47:57 | 0:48:00 | |
That'd be lovely, Roy. | 0:48:01 | 0:48:02 | |
KETTLE FILLS WITH WATER | 0:48:05 | 0:48:08 | |
DOOR SHUTS | 0:48:14 | 0:48:16 | |
George, I wasn't expecting you. | 0:48:26 | 0:48:27 | |
-Is James here? -No. What's happened? | 0:48:27 | 0:48:30 | |
Do you have any idea where he may have gone? | 0:48:30 | 0:48:33 | |
I need to know if you've... | 0:48:34 | 0:48:36 | |
said something that may have driven him away. | 0:48:36 | 0:48:39 | |
Of course not. | 0:48:39 | 0:48:41 | |
I said I would never say anything to hurt the poor boy. | 0:48:41 | 0:48:44 | |
I know after everything Carolyn said you won't believe me, | 0:48:44 | 0:48:48 | |
but I truly care about James. | 0:48:48 | 0:48:50 | |
And you. | 0:48:52 | 0:48:53 | |
If he contacts you, let me know. | 0:48:56 | 0:48:57 | |
I need to know my son's safe. | 0:48:59 | 0:49:00 | |
Of course. I'll start making enquiries. | 0:49:00 | 0:49:04 | |
We will find him, George. | 0:49:04 | 0:49:06 | |
James. | 0:49:44 | 0:49:46 | |
You said if I ever needed a friend... | 0:49:46 | 0:49:49 | |
Of course, come in. | 0:49:49 | 0:49:51 | |
-She's sleeping. -That's good. | 0:49:58 | 0:50:01 | |
There's a cup of tea there for you. | 0:50:01 | 0:50:05 | |
And a couple of those scones, too, before I polish them all off. | 0:50:05 | 0:50:09 | |
I'd better go and do some work. You'd better have a rest, mate. | 0:50:10 | 0:50:13 | |
You're looking a bit ragged around the edge yourself. | 0:50:13 | 0:50:18 | |
DOOR CREAKS | 0:50:18 | 0:50:20 | |
-VOICES ECHO: -'I have every right to be here!' | 0:50:26 | 0:50:28 | |
'George...' | 0:50:28 | 0:50:29 | |
IMAGINARY WHIRRING NOISE | 0:50:39 | 0:50:42 | |
IMAGINARY WHIRRING SOUND CRESCENDOS AND STOPS | 0:50:57 | 0:50:59 | |
Rene! | 0:51:02 | 0:51:03 | |
Why are you here? | 0:51:08 | 0:51:09 | |
I told you to stay away. | 0:51:11 | 0:51:13 | |
Please, let's sit down and talk. | 0:51:13 | 0:51:15 | |
No, you stay away from us. From my wife. | 0:51:17 | 0:51:19 | |
Rene, calm down, please! | 0:51:21 | 0:51:23 | |
S...stop talking. SHUT UP! | 0:51:23 | 0:51:26 | |
Ooh, ugh! | 0:51:26 | 0:51:28 | |
Argh! | 0:51:28 | 0:51:29 | |
Rene! Let her go! Let her go! | 0:51:29 | 0:51:32 | |
SHE GASPS | 0:51:32 | 0:51:37 | |
Sarah! | 0:51:41 | 0:51:42 | |
SHE GASPS | 0:51:42 | 0:51:49 |