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-Is the baby mine? -Yes. -Does Rene know? -Yes. | 0:00:02 | 0:00:06 | |
But we decided to raise it as our own. | 0:00:06 | 0:00:10 | |
So, we cart the water over here | 0:00:10 | 0:00:12 | |
and then we water each one of them by hand every day? | 0:00:12 | 0:00:15 | |
One day, we'll get irrigation. | 0:00:15 | 0:00:17 | |
But what about everything else, Gino? | 0:00:17 | 0:00:19 | |
-When...when do we find time to do all the rest of the work? -Hey. | 0:00:19 | 0:00:23 | |
Everything will be good. Yeah? It'll all work out. | 0:00:25 | 0:00:29 | |
I have to say, I was shocked when you printed my last piece, | 0:00:29 | 0:00:31 | |
especially as I didn't write a single word you asked me to. | 0:00:31 | 0:00:34 | |
Are you going back to Ash Park or are you staying in town? | 0:00:34 | 0:00:36 | |
I'm in the city. I have an apartment here. | 0:00:36 | 0:00:39 | |
How convenient. | 0:00:39 | 0:00:40 | |
It's Reg's funeral on Friday. | 0:00:40 | 0:00:42 | |
Just going to be me and a few of the men. | 0:00:42 | 0:00:44 | |
Would you mind...? | 0:00:44 | 0:00:46 | |
-I'd like to be there. -Oh, that'd be wonderful. | 0:00:47 | 0:00:49 | |
This, whatever this is, it has to stop. | 0:00:51 | 0:00:55 | |
Did you sleep with my wife? | 0:00:55 | 0:00:57 | |
That's probably the one thing I haven't done with her. | 0:00:57 | 0:01:00 | |
Argh! | 0:01:00 | 0:01:01 | |
How could you? After everything we've been through. | 0:01:01 | 0:01:05 | |
You told me I was enough. | 0:01:05 | 0:01:07 | |
So, this is it, then? | 0:01:07 | 0:01:08 | |
Is this our arrangement? | 0:01:11 | 0:01:13 | |
-Is James here? -No. What's happened? | 0:01:14 | 0:01:17 | |
If he contacts you, let me know. | 0:01:19 | 0:01:21 | |
-James. -You said if I ever needed a friend... | 0:01:24 | 0:01:27 | |
I've spent the past 20 years raising someone else's child, but I... | 0:01:27 | 0:01:32 | |
..I could never stand back and watch... | 0:01:33 | 0:01:36 | |
..someone else play father to mine. I... | 0:01:37 | 0:01:40 | |
And I've done my best to respect your marriage. | 0:01:41 | 0:01:45 | |
This baby, it changes everything. | 0:01:45 | 0:01:47 | |
Rene? | 0:01:49 | 0:01:50 | |
I told you to stay away. Shut up! | 0:01:51 | 0:01:54 | |
-Let go! -Sarah! | 0:01:56 | 0:01:58 | |
'George. | 0:02:50 | 0:02:52 | |
'George? | 0:02:52 | 0:02:53 | |
'George!' | 0:02:54 | 0:02:55 | |
Come on, you dreamer. Up you get. | 0:02:58 | 0:03:01 | |
No time for lazing about, son. There's work to be done! | 0:03:01 | 0:03:04 | |
HORSE WHINNIES | 0:03:05 | 0:03:07 | |
Good morning. | 0:03:12 | 0:03:13 | |
Could someone organise some flowers next to my father's photograph | 0:03:13 | 0:03:17 | |
for my mother's arrival? | 0:03:17 | 0:03:18 | |
-It's the anniversary of his death today. -Of course. | 0:03:18 | 0:03:22 | |
I've given some thought to what you said postponing the christening. | 0:03:22 | 0:03:26 | |
Now, I can have a word to Reverend Green if you like. | 0:03:26 | 0:03:28 | |
No, please, you were right. | 0:03:28 | 0:03:31 | |
James will return. | 0:03:31 | 0:03:33 | |
Regina. | 0:03:41 | 0:03:42 | |
I'm just here to give Olivia my christening gift - | 0:03:42 | 0:03:45 | |
a silver spoon. | 0:03:45 | 0:03:47 | |
-Are you going somewhere? -Sydney. | 0:03:47 | 0:03:48 | |
Is it about James? Have you heard anything? | 0:03:48 | 0:03:51 | |
I'm having lunch with Sir Richard. | 0:03:51 | 0:03:53 | |
Be careful of Dicky, George. He bites. | 0:03:57 | 0:04:00 | |
I'm aware of that, but thank you. | 0:04:00 | 0:04:02 | |
CAR ENGINE STARTS | 0:04:04 | 0:04:06 | |
-Rose! -Oh, good morning, Mrs Standish. | 0:04:14 | 0:04:17 | |
Aren't you a busy little bee, polishing all the silver? | 0:04:17 | 0:04:20 | |
-For the christening. -Is Master James returning today or tomorrow? | 0:04:20 | 0:04:25 | |
I couldn't be certain, ma'am. | 0:04:25 | 0:04:26 | |
I have an urgent message I need delivered to him. | 0:04:26 | 0:04:29 | |
Do you know where he's staying? | 0:04:29 | 0:04:31 | |
Well, you must have some idea. | 0:04:31 | 0:04:32 | |
Surely Mrs Bligh's in regular contact | 0:04:32 | 0:04:35 | |
with her husband via telephone. | 0:04:35 | 0:04:37 | |
Well, you see, Mrs Standish, there was an argument... | 0:04:37 | 0:04:40 | |
..between Mr James and Miss Olivia. | 0:04:41 | 0:04:43 | |
Miss Olivia was very upset, | 0:04:43 | 0:04:45 | |
and Mr James set off for Sydney straight after. | 0:04:45 | 0:04:48 | |
They say he's at his father's club, but... | 0:04:48 | 0:04:50 | |
But what? | 0:04:50 | 0:04:52 | |
But he's not been answering Mr Bligh's messages. | 0:04:53 | 0:04:55 | |
-Perhaps he's staying with a friend. -I wouldn't know. | 0:04:57 | 0:05:00 | |
I seem to recall James and the surgeon Mr Fox | 0:05:00 | 0:05:04 | |
were very friendly. | 0:05:04 | 0:05:06 | |
Mr Fox lives in Sydney. | 0:05:06 | 0:05:07 | |
Yes, he does. Such a handsome man. SHE GIGGLES | 0:05:07 | 0:05:11 | |
Well, don't let me keep you, child. All that silver won't polish itself. | 0:05:11 | 0:05:14 | |
To the left. | 0:05:19 | 0:05:20 | |
To the right. | 0:05:22 | 0:05:23 | |
Good. | 0:05:24 | 0:05:26 | |
-And no cramps or discomfort at all? -No. | 0:05:26 | 0:05:29 | |
-How's Rene? -Actually, he'd... | 0:05:37 | 0:05:39 | |
..like to know when you're coming in to visit. | 0:05:40 | 0:05:43 | |
He's been quite clear. | 0:05:43 | 0:05:45 | |
I've reduced his sedation over the week. Still on a small dose. | 0:05:45 | 0:05:48 | |
Maybe in another day or so. | 0:05:48 | 0:05:51 | |
Or this afternoon, if you're up to it. | 0:05:51 | 0:05:53 | |
-Is something the matter? -Come in. We'll talk about it. | 0:05:54 | 0:05:57 | |
-Please just tell me straight. -DOG BARKS | 0:05:57 | 0:06:00 | |
Well, someone's glad to see you up and about. | 0:06:00 | 0:06:03 | |
-How are you going, doc? -Good. | 0:06:03 | 0:06:05 | |
I was just saying to Sarah Rene's keen to see her. | 0:06:05 | 0:06:08 | |
I've got to go into town this morning for some supplies. | 0:06:11 | 0:06:13 | |
You could come in with me if you'd like. | 0:06:13 | 0:06:15 | |
Well, I might see you later, then. | 0:06:18 | 0:06:20 | |
Course, if you'd rather not, that's all right too. | 0:06:27 | 0:06:30 | |
-HORN HONKS -There he is. | 0:06:45 | 0:06:47 | |
The sooner he shakes them up in Parliament, the better. | 0:06:49 | 0:06:51 | |
Thought I might build a cradle for when that baby comes. | 0:07:01 | 0:07:04 | |
It'll all work out all right. You know that, don't you? | 0:07:07 | 0:07:10 | |
If you're worried at first, Rene can take the lean-to for a while. | 0:07:10 | 0:07:12 | |
There's no need for that. | 0:07:12 | 0:07:14 | |
Well, if you want me to come in with you today, you just say the word. | 0:07:16 | 0:07:19 | |
-All right, should we sit? -Just tell me. | 0:07:23 | 0:07:26 | |
Dis-moi. | 0:07:28 | 0:07:30 | |
You are my wife and you are afraid of me. | 0:07:30 | 0:07:32 | |
Not of you. | 0:07:32 | 0:07:34 | |
Parfois, I am...not...in control. | 0:07:34 | 0:07:39 | |
Of his own thoughts. | 0:07:39 | 0:07:40 | |
Oui. My brain... | 0:07:40 | 0:07:42 | |
I'm going to have the operation. | 0:07:48 | 0:07:50 | |
-I've been speaking to Patrick Kelly over the last couple of days. -I see. | 0:07:52 | 0:07:55 | |
-He's the best neurosurgeon in Sydney. -Yes. | 0:07:55 | 0:07:58 | |
He's offered to hold a space on his surgical list. | 0:07:58 | 0:08:01 | |
You both know the prognosis of surgery. | 0:08:01 | 0:08:03 | |
-Kelly and I see it the same way. -And how do you see it, Rene? | 0:08:03 | 0:08:07 | |
Well, the shrapnel, it is removed in surgery | 0:08:08 | 0:08:12 | |
and...more damage neurological. | 0:08:12 | 0:08:16 | |
Or I die on the table. | 0:08:16 | 0:08:18 | |
Or I make a complete recovery. | 0:08:20 | 0:08:22 | |
This is the one I want. | 0:08:23 | 0:08:25 | |
I am a fighter. We both are. | 0:08:27 | 0:08:29 | |
The risks are too great. | 0:08:36 | 0:08:38 | |
I can't allow you to have the operation. | 0:08:43 | 0:08:45 | |
-It is my decision, Sarah. -No, it's not. | 0:08:45 | 0:08:48 | |
-Um, Sarah... -Jack, legally, | 0:08:48 | 0:08:51 | |
Rene would not be deemed to be of sound mind. | 0:08:51 | 0:08:53 | |
He'd be unable to sign the consent forms. | 0:08:53 | 0:08:55 | |
-You know that as well as I do. -Is it true? | 0:08:55 | 0:08:57 | |
As your wife, Rene, only I can sign the consent, | 0:08:57 | 0:09:00 | |
and I won't do it. | 0:09:00 | 0:09:01 | |
You are afraid of me. I am afraid of me. | 0:09:01 | 0:09:04 | |
When the baby comes, how can I be a father? | 0:09:04 | 0:09:06 | |
I must never be alone with it. | 0:09:06 | 0:09:07 | |
Sarah... | 0:09:10 | 0:09:11 | |
..I can sign it... | 0:09:13 | 0:09:14 | |
..as Rene's doctor. | 0:09:18 | 0:09:20 | |
This is my decision to make. Not yours. | 0:09:20 | 0:09:22 | |
-I won't sign it. -Sarah... -It's too risky. -I cannot take this. | 0:09:24 | 0:09:29 | |
In two years' time, in even one year's time, | 0:09:29 | 0:09:31 | |
who knows how much this surgery will improve. Let's just... | 0:09:31 | 0:09:34 | |
-We'll wait and see. -Sarah, you know I have... | 0:09:34 | 0:09:36 | |
I will not sign his death warrant! | 0:09:36 | 0:09:39 | |
And neither will you. | 0:09:39 | 0:09:40 | |
'Something was wrong between her and Paolo. | 0:09:51 | 0:09:54 | |
'She couldn't put her finger on it. | 0:09:54 | 0:09:56 | |
'Charmaine had had a blissful visit... | 0:09:56 | 0:09:57 | |
'When she arrived back after the long train journey, | 0:09:57 | 0:10:00 | |
'he'd forgot to meet her... | 0:10:00 | 0:10:01 | |
'The farmhouse felt cold and sad. Paolo seemed even more distant... | 0:10:01 | 0:10:05 | |
'She felt as though she was being punished for something, | 0:10:05 | 0:10:07 | |
-'but what had she done wrong?' -Anna, come on! | 0:10:07 | 0:10:10 | |
Coming! | 0:10:13 | 0:10:15 | |
You know, if there was an easy way to get these baby vines watered... | 0:10:22 | 0:10:28 | |
And don't forget, after you've finished that, | 0:10:29 | 0:10:31 | |
the patch out the back needs to be tilled, yeah? | 0:10:31 | 0:10:34 | |
-And fertiliser on the beans. It's on my list. -Yeah. | 0:10:34 | 0:10:36 | |
So is boxing the tomatoes. | 0:10:36 | 0:10:38 | |
Well, boxing tomatoes, boxing tom-ay-toes. | 0:10:38 | 0:10:41 | |
Boxing potatoes, boxing pot-at-oes. | 0:10:41 | 0:10:44 | |
SHE GIGGLES | 0:10:44 | 0:10:47 | |
That was my joke of the day. | 0:10:47 | 0:10:49 | |
-I've got to go to work at Carlo's. -Again? -Yeah, I promised. | 0:10:52 | 0:10:56 | |
You're too kind, Gino. This is every day now. | 0:10:56 | 0:10:59 | |
You ride the horse every day. | 0:10:59 | 0:11:02 | |
A thoroughbred has to be ridden every day. You know that. | 0:11:02 | 0:11:05 | |
Isn't that what they're paid for at Ash Park? The stablehands? | 0:11:05 | 0:11:09 | |
-I could drive you to Carlo's. -No, I'm going to walk. | 0:11:11 | 0:11:15 | |
Just...clear my head. | 0:11:15 | 0:11:17 | |
-You what? -I've given it a great deal of thought. | 0:11:30 | 0:11:33 | |
Don't think I've made this decision lightly. | 0:11:33 | 0:11:35 | |
I don't give a damn how you made the decision. It's wrong. | 0:11:35 | 0:11:38 | |
You've got pre-selection, so now why would you pull the pin? | 0:11:38 | 0:11:40 | |
My priorities have changed. | 0:11:40 | 0:11:42 | |
George. | 0:11:43 | 0:11:45 | |
George, I like you. | 0:11:45 | 0:11:47 | |
Now, you and I know that all this talk | 0:11:47 | 0:11:49 | |
about Australia being a classless society | 0:11:49 | 0:11:52 | |
is a load of lefty propaganda. | 0:11:52 | 0:11:55 | |
A man like you would be the conduit between the classes. | 0:11:55 | 0:11:58 | |
Hell, you play your cards right, you could be Prime Minister one day. | 0:11:58 | 0:12:01 | |
-Not any more. -Why? | 0:12:01 | 0:12:04 | |
-My reasons are personal. -There's no personal in public life. | 0:12:04 | 0:12:07 | |
Does this have anything to do with a married Jewess? | 0:12:09 | 0:12:12 | |
You won't have a political future | 0:12:12 | 0:12:14 | |
if you tie yourself to baggage like that. | 0:12:14 | 0:12:16 | |
As I've said, I no longer want a political future. | 0:12:16 | 0:12:19 | |
It is about the Jew. | 0:12:19 | 0:12:21 | |
My reasons are my own. I ask you to respect that. | 0:12:21 | 0:12:24 | |
I've already started talking to people about you. | 0:12:24 | 0:12:27 | |
Your withdrawal will be a personal embarrassment. | 0:12:27 | 0:12:30 | |
And I apologise for that sincerely. | 0:12:30 | 0:12:32 | |
Bligh can have the bloody bill. | 0:12:32 | 0:12:34 | |
Get your woolly head out of that blasted book. | 0:12:40 | 0:12:42 | |
-I didn't bring you here to read. -Yes, Father. | 0:12:43 | 0:12:48 | |
Look, you see that fellow over there? | 0:12:48 | 0:12:51 | |
That's Syd Gregory. Played 60 tests for Australia. | 0:12:51 | 0:12:56 | |
And Rogers over there won the Victoria Cross in the Boer War. | 0:12:56 | 0:13:00 | |
If you want to make your mark, you need to pull up your bootstraps, | 0:13:01 | 0:13:05 | |
face the world, be a man. | 0:13:05 | 0:13:09 | |
-Mr Goddard. -Mrs Bligh. | 0:13:19 | 0:13:22 | |
Oh, Mr Goddard. Heard so much about you. | 0:13:22 | 0:13:26 | |
-All favourable, I hope. -Mr Goddard, my daughter Carolyn. | 0:13:26 | 0:13:30 | |
Thank you, Carolyn. I'll meet you at the car. | 0:13:30 | 0:13:33 | |
-I hope to see you again. -Mm. | 0:13:33 | 0:13:35 | |
-You're leaving? -Returning to Ash Park. | 0:13:36 | 0:13:38 | |
-My great-grandson's christening. -Oh, a happy occasion. -Yes. | 0:13:38 | 0:13:43 | |
-When will you be back? -I'm undecided. | 0:13:43 | 0:13:46 | |
Um, I just wanted to thank you for coming to Reg's funeral. | 0:13:47 | 0:13:51 | |
Oh, these are unnecessary, but thank you. | 0:13:51 | 0:13:55 | |
Well, it meant a lot to the men. | 0:13:55 | 0:13:58 | |
He'd become quite special to them. | 0:13:58 | 0:13:59 | |
And to me. | 0:14:01 | 0:14:02 | |
-They're just flowers. -I must be going. | 0:14:05 | 0:14:08 | |
Mrs Bligh, when you come back... | 0:14:09 | 0:14:12 | |
..let's continue this conversation. | 0:14:13 | 0:14:15 | |
Come in. | 0:14:32 | 0:14:34 | |
-Mrs Standish. -Mr Fox. | 0:14:36 | 0:14:39 | |
I hope I'm not disturbing the great surgeon at his work. | 0:14:39 | 0:14:41 | |
Oh, just writing some reports for the medical board. | 0:14:41 | 0:14:44 | |
I welcome the disturbance. Please come in. | 0:14:44 | 0:14:46 | |
It's nice to see you again. | 0:14:47 | 0:14:49 | |
I'm staying with friends in town and it struck me, | 0:14:49 | 0:14:52 | |
I never thanked you properly for saving dear George's life. | 0:14:52 | 0:14:55 | |
-I know a man loves his cigars. -Montecristo. | 0:14:57 | 0:15:01 | |
Well, I was simply doing what I'm paid to do. | 0:15:01 | 0:15:03 | |
Gifts like this are really not necessary. | 0:15:03 | 0:15:05 | |
-Not necessary, but it's so nice to be appreciated. -Well, thank you. | 0:15:05 | 0:15:09 | |
I'll be sure to enjoy them with a glass of Courvoisier. | 0:15:09 | 0:15:12 | |
Before I leave you to your accounting, | 0:15:13 | 0:15:15 | |
I have a small favour to ask. | 0:15:15 | 0:15:17 | |
I was hoping you might pass this on to James. | 0:15:18 | 0:15:21 | |
-James...? -Bligh. | 0:15:22 | 0:15:25 | |
-Why would I be seeing James Bligh? -James is in Sydney. | 0:15:27 | 0:15:30 | |
He might also wish to...express his gratitude. | 0:15:30 | 0:15:34 | |
And if he does, I ask that you give him this. | 0:15:34 | 0:15:36 | |
Good day, Mr Fox. | 0:15:37 | 0:15:39 | |
Mrs Standish. | 0:15:40 | 0:15:41 | |
I've been trying to find you. | 0:16:06 | 0:16:09 | |
I was hoping we might talk. | 0:16:09 | 0:16:11 | |
After all you've been through in your life, | 0:16:12 | 0:16:15 | |
you deserve for things to be easier now. | 0:16:15 | 0:16:17 | |
Now that you're going to be a mother. | 0:16:17 | 0:16:19 | |
You deserve to feel safe, | 0:16:20 | 0:16:22 | |
so that you can give your baby all the love that you have. | 0:16:22 | 0:16:25 | |
And you will be a wonderful mother. I know that. | 0:16:27 | 0:16:30 | |
One who'll probably be going back to work, knowing you, | 0:16:32 | 0:16:35 | |
-never mind what anyone thinks. -We'll see. | 0:16:35 | 0:16:37 | |
But your child - our child - | 0:16:39 | 0:16:44 | |
deserves a secure, loving, stable family life. | 0:16:44 | 0:16:49 | |
And we can do that, Sarah. We can raise our child together. | 0:16:51 | 0:16:55 | |
-We can learn to love each other again. -Please, George. | 0:16:55 | 0:16:58 | |
I'm not saying that we don't look after Rene. | 0:16:58 | 0:17:00 | |
He'll have the very best of medical care. | 0:17:00 | 0:17:02 | |
-He'll still be part of your life. -I could never do that. | 0:17:02 | 0:17:05 | |
This is our chance for happiness. | 0:17:05 | 0:17:07 | |
-You can do that. -I'm married to Rene. | 0:17:08 | 0:17:10 | |
I've just withdrawn from pre-selection. | 0:17:11 | 0:17:13 | |
-Our private lives will be our own. -You should never have done that. | 0:17:13 | 0:17:16 | |
This is what is important now. It has to be. Our child. | 0:17:16 | 0:17:19 | |
We have to give our child the future it deserves. | 0:17:19 | 0:17:21 | |
-A future that we plan together. -George, stop. | 0:17:21 | 0:17:24 | |
How can you love Rene? He's not the man he was. | 0:17:24 | 0:17:26 | |
You have no right to speak to me like this - | 0:17:30 | 0:17:32 | |
about who Rene was. | 0:17:32 | 0:17:34 | |
We have nothing left to say. | 0:17:35 | 0:17:37 | |
-Welcome back, Mrs Bligh. -Thank you, um... -Rose. | 0:17:51 | 0:17:54 | |
Ro...Rose. SHE CHUCKLES | 0:17:54 | 0:17:57 | |
Would you mind putting these in a vase and on the piano | 0:17:57 | 0:17:59 | |
-with something under the vase? -Yes, ma'am. -I'll be off. | 0:17:59 | 0:18:02 | |
-I'll get something to eat at the hospital. -Say hello to Jack for me. | 0:18:02 | 0:18:05 | |
-Try not to cause too much trouble. -SHE CHUCKLES | 0:18:05 | 0:18:07 | |
Elizabeth. | 0:18:09 | 0:18:10 | |
-It's been so long. -Olivia. How's our little fellow? | 0:18:13 | 0:18:17 | |
-I've so missed his smiles. -George is sleeping. -Ah. | 0:18:17 | 0:18:21 | |
He's not still keeping you awake at night, is he? | 0:18:21 | 0:18:23 | |
-No, no, he's much improved. -Ah. | 0:18:23 | 0:18:26 | |
Now, I saw the other maids cleaning out the groundsman's quarters. | 0:18:26 | 0:18:29 | |
I'm assuming the artist fellow has left. | 0:18:29 | 0:18:31 | |
-I'd very much like to view the portrait. -Ah. | 0:18:31 | 0:18:34 | |
We had to ask him to leave. | 0:18:34 | 0:18:37 | |
The portrait was thoroughly unsuitable, I'm afraid. | 0:18:37 | 0:18:40 | |
Oh. | 0:18:40 | 0:18:41 | |
Oh, well, I can't say I'm surprised. He is a friend of Carolyn's | 0:18:43 | 0:18:47 | |
and her taste does tend toward the avant-garde. | 0:18:47 | 0:18:50 | |
-Well, yes. -Where's James? -He's in Sydney. | 0:18:50 | 0:18:54 | |
-And when's he due back? -Today or tomorrow. | 0:18:54 | 0:18:57 | |
Well, let's hope it's today. | 0:18:57 | 0:18:59 | |
You might as well stay. | 0:19:09 | 0:19:10 | |
-"Might as well"? -SHE LAUGHS | 0:19:10 | 0:19:13 | |
Well, you've got to come back for the christening anyway. | 0:19:13 | 0:19:16 | |
Such a romantic proposition. How can I say no? | 0:19:16 | 0:19:19 | |
You know I'd love to, Jack, but I have a meeting with Sir Richard. | 0:19:19 | 0:19:22 | |
-What was that look? -No look. -I'm trying to convince him | 0:19:24 | 0:19:27 | |
to profile some of the newer, more experimental artists. | 0:19:27 | 0:19:30 | |
Well, if anyone can convince him of that, you can. | 0:19:30 | 0:19:33 | |
-With my devious, feminine wiles? -Well, not so devious. | 0:19:33 | 0:19:37 | |
Are you saying I'm tactless and gauche, Dr Duncan? | 0:19:37 | 0:19:41 | |
You are a thoroughly modern woman, Carolyn, | 0:19:41 | 0:19:43 | |
but Sir Richard's an old-fashioned bloke. | 0:19:43 | 0:19:46 | |
Sir Richard is a pussycat. I can handle him. | 0:19:46 | 0:19:49 | |
But I promise I will be careful if you promise not to be jealous. | 0:19:51 | 0:19:55 | |
-Jealous? -Mm. -With this money, power and influence? | 0:19:55 | 0:19:58 | |
SHE LAUGHS Besides, | 0:19:58 | 0:20:01 | |
I've got something he doesn't have. | 0:20:01 | 0:20:03 | |
-You old Romeo, you. -HE CHUCKLES | 0:20:05 | 0:20:08 | |
-KNOCK AT DOOR -Excuse me, Mr Bligh. | 0:20:19 | 0:20:22 | |
Mr Briggs is here and asking to see you. | 0:20:22 | 0:20:25 | |
Don't mean to be a bother, Mr Bligh, if it's not a good time. | 0:20:25 | 0:20:28 | |
Course not, Roy. Come in. | 0:20:28 | 0:20:30 | |
I take it by the look on your face you don't want one. | 0:20:35 | 0:20:38 | |
Oh, don't go putting words in my mouth, Mr Bligh. | 0:20:38 | 0:20:41 | |
I see you're back from the big smoke, | 0:20:41 | 0:20:43 | |
so I thought now would be as good a time as any to catch up. | 0:20:43 | 0:20:47 | |
Cheers. I've done just as you asked. | 0:20:47 | 0:20:49 | |
I've spoken to most of the farmers hereabouts, | 0:20:49 | 0:20:51 | |
and I can guarantee you their support, | 0:20:51 | 0:20:53 | |
especially when it comes to that rotten coal mine. | 0:20:53 | 0:20:55 | |
Roy, I appreciate everything you've done for me. I do. | 0:20:55 | 0:20:58 | |
-But I've decided not to run after all. -Come again? | 0:20:58 | 0:21:02 | |
-I've withdrawn my candidacy. -But you were a dead cert, Mr Bligh. | 0:21:02 | 0:21:06 | |
There are no guarantees in life. | 0:21:06 | 0:21:08 | |
People round here are counting on you. | 0:21:08 | 0:21:10 | |
They'll have to count on somebody else. | 0:21:10 | 0:21:12 | |
When you spoke, you got everyone all excited for a change. | 0:21:12 | 0:21:14 | |
I'm sure the party will find a better representative than me. | 0:21:14 | 0:21:17 | |
-Who? There's none better. -Perhaps you could run. | 0:21:17 | 0:21:19 | |
I thought the Blighs were men of their word. | 0:21:28 | 0:21:30 | |
'Don't make me ashamed of you, George. | 0:21:33 | 0:21:36 | |
'I've paid the lady for her services. | 0:21:36 | 0:21:39 | |
'Don't insult her or me. | 0:21:39 | 0:21:41 | |
'George!' | 0:21:41 | 0:21:42 | |
George. | 0:21:42 | 0:21:44 | |
-Mother. -Hello, George. -How are you today? -Well, thank you. | 0:21:48 | 0:21:53 | |
-Today will always be a day of reflection. -Yes, indeed. | 0:21:54 | 0:21:59 | |
Can I organise someone to take you to father's grave? | 0:21:59 | 0:22:03 | |
No, I can make my own arrangements, thank you. | 0:22:03 | 0:22:06 | |
-Why is James not here? -He and Olivia had an argument. | 0:22:06 | 0:22:11 | |
Now, I didn't pry, and I trust you won't either. | 0:22:11 | 0:22:14 | |
-I should tell you I've withdrawn from -pre-selection. Oh... | 0:22:19 | 0:22:22 | |
Please, Mother, spare me the lecture and queen and country. | 0:22:22 | 0:22:25 | |
George, what possible reason...? | 0:22:25 | 0:22:28 | |
-Has this to do with Sarah? -Why on earth would it? | 0:22:30 | 0:22:34 | |
Mrs Nordmann's concerned with her sick husband. | 0:22:34 | 0:22:37 | |
Probably will be for the rest of her life. | 0:22:37 | 0:22:39 | |
HORSE WHINNIES | 0:22:51 | 0:22:54 | |
It's not what it looks like. | 0:23:01 | 0:23:04 | |
-Oh, is this the new farm hand? -I'm going to keep Stardust here | 0:23:04 | 0:23:07 | |
so that I don't have to keep going back to Ash Park. | 0:23:07 | 0:23:10 | |
You were right. It'll save me an hour a day. | 0:23:10 | 0:23:12 | |
Oh, no, you're not thinking like a farmer. | 0:23:12 | 0:23:14 | |
Well, forgive me, but that's probably because | 0:23:14 | 0:23:16 | |
I haven't been doing it for very long. | 0:23:16 | 0:23:19 | |
-Where are you going? -To put her in the shed. | 0:23:19 | 0:23:21 | |
-The shed's full of hay. -Well, then, we'll have to move it. | 0:23:21 | 0:23:24 | |
No, she stays in the paddock with a blanket. | 0:23:24 | 0:23:26 | |
Gino, I'm trying to solve our problems | 0:23:26 | 0:23:28 | |
-by finding more hours in the day. -And you brought the problem here. | 0:23:28 | 0:23:31 | |
Why are you being like this? | 0:23:31 | 0:23:32 | |
It's a horse for a mansion, not a farmer's horse. | 0:23:32 | 0:23:34 | |
Well, you didn't marry a farmer. | 0:23:34 | 0:23:36 | |
You married me, and I'm doing my best. | 0:23:36 | 0:23:39 | |
Don't you remember what you said to me? | 0:23:39 | 0:23:41 | |
You said that you don't want me to be like your mamma. | 0:23:41 | 0:23:43 | |
Not tied to the kitchen sink in an apron | 0:23:43 | 0:23:46 | |
working my fingers to the bone. | 0:23:46 | 0:23:48 | |
-But somehow, I think that is exactly what you want. -No, I don't. | 0:23:48 | 0:23:51 | |
When the hay is sold, I'll put her in the shed. | 0:23:54 | 0:23:57 | |
It's getting cold at night. | 0:23:57 | 0:23:58 | |
-My dear James. -Reggie. | 0:24:15 | 0:24:17 | |
You received my message. | 0:24:19 | 0:24:21 | |
Please, sit. | 0:24:21 | 0:24:23 | |
I want you to know that, | 0:24:31 | 0:24:32 | |
no matter what choices you've made in your life, | 0:24:32 | 0:24:35 | |
I will never stop supporting you. | 0:24:35 | 0:24:37 | |
Having never been blessed with children of my own, | 0:24:38 | 0:24:41 | |
my dear sister wanted me to think of you as a son. | 0:24:41 | 0:24:44 | |
And I do. | 0:24:46 | 0:24:47 | |
Well, that's exactly what I said to him. | 0:24:50 | 0:24:52 | |
No, I want you to talk to him, make him see some sense. | 0:24:52 | 0:24:56 | |
-What are you doing here? -We have a meeting scheduled. | 0:24:56 | 0:25:00 | |
Sorry, but I'm too busy to talk about art right now. | 0:25:00 | 0:25:03 | |
I'm trying to sort out this brouhaha your brother's made. | 0:25:03 | 0:25:06 | |
George? What's he done? | 0:25:06 | 0:25:07 | |
Oh, nothing for you to worry about. I'm dealing with it. | 0:25:07 | 0:25:10 | |
Well, when you've dealt with it, | 0:25:10 | 0:25:12 | |
perhaps you'll take the time to read my proposal. | 0:25:12 | 0:25:14 | |
I haven't got the time to read anything. | 0:25:14 | 0:25:17 | |
Not even my own newspaper. | 0:25:17 | 0:25:19 | |
So, when will you? I'd like to discuss my ideas with you. | 0:25:19 | 0:25:21 | |
We'll have to find time outside office hours | 0:25:22 | 0:25:25 | |
to talk about your ideas. | 0:25:25 | 0:25:27 | |
Perhaps tonight, I'll drop by your place. | 0:25:27 | 0:25:29 | |
I make a mean martini. PHONE RINGS | 0:25:29 | 0:25:32 | |
-Perhaps. -Bennett. | 0:25:32 | 0:25:33 | |
Of course I know. Who do you think told him? | 0:25:33 | 0:25:36 | |
He broke the news to me today at the club. | 0:25:36 | 0:25:39 | |
He didn't give me a reason, did he? | 0:25:41 | 0:25:44 | |
They're not bothered. Was worth a pinch of salt, hmm? | 0:25:44 | 0:25:47 | |
We had an argument. We both said some things. | 0:25:50 | 0:25:53 | |
-I had to leave. -Is there anything I can do? -No. | 0:25:55 | 0:25:58 | |
Thank you, Reggie, but...Olivia and I... | 0:25:58 | 0:26:03 | |
..our relationship is complicated. | 0:26:06 | 0:26:08 | |
I know what it's like to be judged for not conforming to convention. | 0:26:08 | 0:26:12 | |
You deserve true happiness. | 0:26:13 | 0:26:15 | |
That's why I can't return to Ash Park, Reggie. | 0:26:15 | 0:26:18 | |
You must. You must. | 0:26:20 | 0:26:23 | |
For your wife and child. | 0:26:24 | 0:26:25 | |
You can live any life you choose, | 0:26:26 | 0:26:30 | |
but that doesn't mean you can forsake your responsibilities. | 0:26:30 | 0:26:33 | |
You sound just like a friend of mine. | 0:26:33 | 0:26:35 | |
It takes courage, James. | 0:26:36 | 0:26:38 | |
And even a courageous man needs a shoulder to lean on. | 0:26:39 | 0:26:42 | |
Let me be that shoulder. | 0:26:45 | 0:26:46 | |
MOANING | 0:28:11 | 0:28:16 | |
Get out. I said, "Get out!" | 0:28:20 | 0:28:23 | |
That...that's disgusting. | 0:28:24 | 0:28:26 | |
You're disgusting. | 0:28:27 | 0:28:29 | |
Hit me back. | 0:28:31 | 0:28:32 | |
I said, "Hit me!" Be a man! | 0:28:32 | 0:28:35 | |
Hit me, George. Come on! | 0:28:38 | 0:28:40 | |
HORSE WHINNIES | 0:28:49 | 0:28:51 | |
KNOCK AT DOOR | 0:29:12 | 0:29:14 | |
-Elizabeth. -I heard your husband's in hospital again. | 0:29:22 | 0:29:26 | |
I'm so sorry. I thought I'd come and see how you're bearing up. | 0:29:26 | 0:29:29 | |
I'm sure Rene believes he'll practise again. | 0:29:32 | 0:29:35 | |
Go back to being a surgeon? | 0:29:35 | 0:29:38 | |
-I imagine he was a very good one. -He was brilliant. | 0:29:38 | 0:29:42 | |
No matter how dreadful the conditions of surgery, | 0:29:45 | 0:29:47 | |
he'd just improvise his way through it. | 0:29:47 | 0:29:50 | |
People were in awe of him. | 0:29:50 | 0:29:53 | |
-A remarkable man. -He was. | 0:29:53 | 0:29:55 | |
Surely, he can be again. | 0:29:56 | 0:29:58 | |
Not without this operation, Elizabeth, which could kill him. | 0:29:59 | 0:30:02 | |
Or cure him. | 0:30:05 | 0:30:06 | |
Is it selfish of me to deny him this opportunity? | 0:30:08 | 0:30:11 | |
Oh, my dear... | 0:30:11 | 0:30:12 | |
..all I know is that you will have given this | 0:30:14 | 0:30:16 | |
a great deal of serious thought. | 0:30:16 | 0:30:18 | |
-You've been so strong through all of this. -I'm tired. | 0:30:21 | 0:30:25 | |
Tired of being strong. | 0:30:25 | 0:30:26 | |
In my experience, sometimes the strongest thing one can do | 0:30:28 | 0:30:32 | |
is to know when to relinquish control. | 0:30:32 | 0:30:35 | |
Easier said than done, though. | 0:30:36 | 0:30:38 | |
Especially when it involves the destiny of those we love. | 0:30:38 | 0:30:41 | |
-A scarf. -Oh. | 0:31:49 | 0:31:51 | |
Now she probably has children of her own. | 0:31:53 | 0:31:56 | |
You are a fighter, my love. | 0:32:00 | 0:32:02 | |
Everything is chance. | 0:32:05 | 0:32:06 | |
What were the chances we would survive the war, | 0:32:09 | 0:32:12 | |
find each other again? | 0:32:12 | 0:32:13 | |
You've made your decision, | 0:32:15 | 0:32:18 | |
and I will honour it. | 0:32:18 | 0:32:19 | |
I'm sorry, lad. | 0:33:37 | 0:33:39 | |
Bligh. | 0:33:39 | 0:33:40 | |
He must've been thrown from his horse. | 0:33:43 | 0:33:45 | |
Father? Father? | 0:33:49 | 0:33:51 | |
I'm sorry. | 0:33:51 | 0:33:53 | |
Please, Father. Father! | 0:33:53 | 0:33:56 | |
Now, that is the perfect martini. | 0:34:27 | 0:34:31 | |
Almost makes up for your earlier rudeness. | 0:34:31 | 0:34:33 | |
SHE GIGGLES | 0:34:33 | 0:34:35 | |
Another one? SHE LAUGHS | 0:34:35 | 0:34:38 | |
For a Knight Commander, you're incorrigible. | 0:34:38 | 0:34:40 | |
I've been called a lot worse, mostly from my adoring wife. | 0:34:40 | 0:34:44 | |
Well, we mustn't drink too much. This is a business meeting. | 0:34:44 | 0:34:47 | |
Here's to business. | 0:34:47 | 0:34:48 | |
I want to write about what is happening in Sydney now, | 0:34:50 | 0:34:53 | |
not ten years ago. There's been a real invigoration with the arts | 0:34:53 | 0:34:56 | |
-with all the new migrants coming in. -Not wogs and balts? | 0:34:56 | 0:35:00 | |
Also known as European immigrants, Sir Richard. | 0:35:00 | 0:35:03 | |
-Oh, enough of the "Sir Richard". Call me Dicky! -Oh! | 0:35:03 | 0:35:06 | |
KNOCK AT DOOR | 0:35:06 | 0:35:08 | |
Excuse me. | 0:35:08 | 0:35:10 | |
Jack, what are you doing here? | 0:35:14 | 0:35:16 | |
Well, I came to town to brief the surgeon, | 0:35:16 | 0:35:18 | |
thought I'd spend the night. | 0:35:18 | 0:35:20 | |
-Oh, I... -Not a good time? -No, no. Come on in. | 0:35:21 | 0:35:24 | |
-What's he doing here? -It's a business meeting. | 0:35:31 | 0:35:34 | |
Oh, so, this is the business meeting you were telling me about? | 0:35:34 | 0:35:39 | |
No, not exactly. Look, just give me half an hour to get rid of him. | 0:35:39 | 0:35:41 | |
-No, no, no, no. You take all the time you need. -Jack. | 0:35:41 | 0:35:44 | |
-You promised to be careful. -And you promised not to be jealous. | 0:35:44 | 0:35:48 | |
-Oh, so, there's something going on I should be jealous of, is there? -No. | 0:35:48 | 0:35:51 | |
-Great. -Jack! | 0:35:51 | 0:35:52 | |
Jack! | 0:35:54 | 0:35:55 | |
Why not? | 0:36:05 | 0:36:07 | |
Father...was not the man that he pretended to be. | 0:36:26 | 0:36:30 | |
All that talk of manliness... | 0:36:33 | 0:36:35 | |
..was a bloody charade. | 0:36:36 | 0:36:38 | |
-It was a lie. -George, what are you talking about? | 0:36:38 | 0:36:41 | |
The day he died... | 0:36:41 | 0:36:43 | |
..I saw him in the stables. | 0:36:44 | 0:36:46 | |
He wasn't alone. | 0:36:50 | 0:36:51 | |
He was with another man. | 0:36:53 | 0:36:54 | |
I hoped you'd never find out. | 0:37:01 | 0:37:03 | |
You knew? | 0:37:04 | 0:37:05 | |
I'm so sorry. | 0:37:09 | 0:37:11 | |
Well, you of all people have nothing to apologise for. | 0:37:12 | 0:37:15 | |
He killed himself because of me. | 0:37:15 | 0:37:18 | |
I... | 0:37:18 | 0:37:19 | |
I confronted him. I... | 0:37:22 | 0:37:23 | |
I said he was disgusting. | 0:37:25 | 0:37:26 | |
Your father fell from his horse. | 0:37:28 | 0:37:30 | |
-It was an accident. -It wasn't an accident! | 0:37:30 | 0:37:33 | |
George, your father's death had nothing to do with you. | 0:37:34 | 0:37:38 | |
Oh, I can't believe you've carried this burden all these years. | 0:37:38 | 0:37:43 | |
It had everything to do with his own demons. | 0:37:45 | 0:37:49 | |
He was a man who loathed himself. | 0:37:49 | 0:37:51 | |
I was never good enough for him. I was never manly enough. | 0:37:51 | 0:37:55 | |
I was a failure in his eyes. | 0:37:57 | 0:37:59 | |
George, that's not true. | 0:38:02 | 0:38:03 | |
Your father loved you very much. | 0:38:05 | 0:38:07 | |
He was so hard on you because he was the weak one. | 0:38:08 | 0:38:12 | |
You're not him, George. | 0:38:14 | 0:38:16 | |
George, none of this is your fault. None of it. | 0:38:18 | 0:38:22 | |
I made a decision years ago that none of this would be spoken of. | 0:38:24 | 0:38:28 | |
And I was wrong. | 0:38:30 | 0:38:32 | |
Can you forgive me? | 0:38:36 | 0:38:38 | |
So many secrets. | 0:38:53 | 0:38:55 | |
Yes. | 0:38:57 | 0:38:58 | |
Ah-ah-ah. Mm-mm. No more. | 0:39:04 | 0:39:07 | |
-Oh, hey. -No, not until you've done what you came here to do. | 0:39:07 | 0:39:12 | |
I didn't come here to read some proposal, sweetheart. | 0:39:13 | 0:39:16 | |
Fine. We will discuss it like grown-ups, then. | 0:39:18 | 0:39:21 | |
Didn't come here to talk about art either. | 0:39:21 | 0:39:23 | |
I couldn't give two hoots about bloody art. | 0:39:23 | 0:39:26 | |
-Oh! Well, then this meeting is over. -You're a beautiful woman, Carolyn. | 0:39:29 | 0:39:34 | |
Oh, don't be a boor. | 0:39:34 | 0:39:36 | |
HE LAUGHS Who are you calling a boor? | 0:39:36 | 0:39:39 | |
-I think I've had enough gin. -SHE LAUGHS | 0:39:39 | 0:39:42 | |
Whoa, I think you've had enough too, Dicky. | 0:39:42 | 0:39:45 | |
-I like a forceful woman. -Mm. | 0:39:45 | 0:39:47 | |
Believe it or not, sycophants make me sick. | 0:39:47 | 0:39:50 | |
Now, I want you to pretend you're my equal. | 0:39:50 | 0:39:52 | |
-Well, I am your equal. -That's a girl. | 0:39:52 | 0:39:54 | |
-Sir Richard, please. -Actually, you're all woman | 0:39:54 | 0:39:57 | |
and you're driving me crazy. | 0:39:57 | 0:39:58 | |
-HE LAUGHS -I want you to leave. | 0:39:58 | 0:40:00 | |
Don't pretend this isn't exactly what you want. | 0:40:02 | 0:40:04 | |
You've been playing games with me for weeks. | 0:40:04 | 0:40:07 | |
Come on. Give me a kiss. | 0:40:07 | 0:40:09 | |
No. No. | 0:40:09 | 0:40:11 | |
Oh! You're a real firecracker, aren't you? | 0:40:13 | 0:40:15 | |
Ah. Ah! Let me go. | 0:40:15 | 0:40:18 | |
Ah! I said no. | 0:40:18 | 0:40:21 | |
Ah! Ah. | 0:40:21 | 0:40:23 | |
No-one says no to me. SHE SOBS | 0:40:23 | 0:40:25 | |
I must have slept in. Why didn't you wake me? | 0:40:36 | 0:40:39 | |
Do you want some breakfast? | 0:40:41 | 0:40:43 | |
The vines, they're not growing like they should. | 0:40:43 | 0:40:45 | |
-Gino, what do you mean? -They should look healthier. | 0:40:45 | 0:40:48 | |
-There was a frost this morning. -Frost? | 0:40:48 | 0:40:49 | |
Yeah. A frost can kill the baby vines. | 0:40:49 | 0:40:51 | |
We should have planted earlier. | 0:40:53 | 0:40:56 | |
Every day, bella, I look in that corner | 0:40:56 | 0:40:58 | |
and I think, "That's where the winery will go." | 0:40:58 | 0:41:00 | |
Darling, it will. It'll just...it'll take some time. | 0:41:00 | 0:41:03 | |
I better put an extra blanket on Stardust. She might get a chill. | 0:41:05 | 0:41:08 | |
-Forget the horse. Get dressed and help me. -Gino! | 0:41:08 | 0:41:11 | |
Anna, the vines are our future. That horse is just a pet. | 0:41:11 | 0:41:13 | |
You were wrong about me. | 0:42:19 | 0:42:21 | |
I'm going to be the man you never were. | 0:42:23 | 0:42:26 | |
SHE GASPS | 0:42:41 | 0:42:43 | |
Ah. | 0:42:43 | 0:42:45 | |
SHE SIGHS There you are. | 0:42:52 | 0:42:55 | |
-KNOCK AT DOOR -Coming. | 0:43:18 | 0:43:20 | |
This is a surprise. | 0:43:28 | 0:43:29 | |
-May I come in? -Of course. | 0:43:30 | 0:43:32 | |
Hospital's buzzing with the news. | 0:43:39 | 0:43:41 | |
-Rene Nordmann going to Sydney. -That's right. | 0:43:41 | 0:43:44 | |
-Ooh. -HE LAUGHS | 0:43:55 | 0:43:57 | |
-What the hell was that? -I'm sorry. | 0:43:57 | 0:43:59 | |
About last night, that was my fault. | 0:44:05 | 0:44:07 | |
I was a bloody idiot. | 0:44:10 | 0:44:11 | |
I hate it when we fight. | 0:44:13 | 0:44:15 | |
I'm sorry for what I said. | 0:44:15 | 0:44:17 | |
-KNOCK AT DOOR -Dr Duncan, Mrs Steadman. | 0:44:18 | 0:44:21 | |
-Um... -I'll let you get back to work. | 0:44:21 | 0:44:24 | |
SHE SOBS | 0:44:29 | 0:44:32 | |
-Morning. -Good morning. | 0:44:38 | 0:44:42 | |
-Thank you for the invitation. -Please. | 0:44:42 | 0:44:44 | |
A morning swim followed by breakfast at The Australia Club. | 0:44:44 | 0:44:47 | |
I might have to join. | 0:44:48 | 0:44:50 | |
You'll need a member to nominate you. | 0:44:50 | 0:44:51 | |
I'm afraid they only allow in the best of the best. | 0:44:51 | 0:44:53 | |
I expect that rules me out, then. | 0:44:53 | 0:44:55 | |
I think you'll be in with a sporting chance. | 0:44:55 | 0:44:58 | |
HE CHUCKLES | 0:44:58 | 0:45:00 | |
-So, what are you going to do? -Haven't decided. | 0:45:02 | 0:45:06 | |
Well, you know what I think. | 0:45:07 | 0:45:08 | |
For what it's worth, I agree with your fabulous aunt Reggie, | 0:45:08 | 0:45:11 | |
and not because she wormed her way into my heart | 0:45:11 | 0:45:13 | |
with a box of Montecristo cigars. | 0:45:13 | 0:45:15 | |
Henry, thank you for being such a good sport, | 0:45:19 | 0:45:23 | |
letting me ramble on about my own problems these last couple of days. | 0:45:23 | 0:45:26 | |
Oh. | 0:45:26 | 0:45:27 | |
I feel like I can talk to you like I can't talk to anyone else. | 0:45:27 | 0:45:31 | |
Well, talk is cheap, James. Actions matter. | 0:45:31 | 0:45:34 | |
Well, hello there. I expect you'd like to take my order. | 0:45:36 | 0:45:39 | |
The boys out front will take you to the station. | 0:45:44 | 0:45:47 | |
-Ah, Mrs Nordmann. -Doris. | 0:45:50 | 0:45:53 | |
Your health and the health of your baby | 0:45:53 | 0:45:55 | |
is just as important as that of your husband's. | 0:45:55 | 0:45:58 | |
-Does anyone tell you what a wonderful job you do here? -Oh! | 0:45:58 | 0:46:01 | |
SHE SOBS | 0:46:59 | 0:47:02 | |
-ON RADIO: -'Ministry of Agriculture said beef prices are likely to rise. | 0:47:08 | 0:47:12 | |
'The Country Party has announced that Mr George Bligh | 0:47:12 | 0:47:15 | |
'will stand for pre-selection for the upcoming by-election | 0:47:15 | 0:47:18 | |
'for the seat of Inverness.' | 0:47:18 | 0:47:20 | |
It's good to hear it from the horse's mouth, George. | 0:47:20 | 0:47:23 | |
We'll talk soon. | 0:47:23 | 0:47:24 | |
Crisis averted. | 0:47:29 | 0:47:30 | |
Now it's time for you to get your skates on. | 0:47:31 | 0:47:34 | |
Do you want to marry him or not? | 0:47:34 | 0:47:35 | |
Gentlemen, I give you the best man | 0:47:37 | 0:47:39 | |
to represent the Country Party for Inverness, | 0:47:39 | 0:47:42 | |
Mr George Bligh. | 0:47:42 | 0:47:45 | |
-THEY TOAST -Hear, hear! | 0:47:45 | 0:47:48 |