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-It's nearly done. -I want the real Rose back. | 0:00:02 | 0:00:04 | |
You put her in harm's way, then you judge her. | 0:00:04 | 0:00:06 | |
Marriage is about family. | 0:00:06 | 0:00:07 | |
There's no point doing it if you can't have children. | 0:00:07 | 0:00:10 | |
In the Catholic Church, annulment is possible under certain conditions. | 0:00:10 | 0:00:14 | |
Are you saying all this to shock me? | 0:00:14 | 0:00:16 | |
If we went to a tribunal, | 0:00:16 | 0:00:17 | |
it wouldn't just be because I can't have children. | 0:00:17 | 0:00:20 | |
I knew before we were married and I kept it from you. | 0:00:20 | 0:00:23 | |
You lied to me. | 0:00:25 | 0:00:26 | |
Elizabeth Bligh... | 0:00:26 | 0:00:28 | |
will you marry me? | 0:00:28 | 0:00:30 | |
Yes. | 0:00:30 | 0:00:32 | |
Yes, I will. | 0:00:32 | 0:00:33 | |
Well, some months ago, I succumbed to blackmail. | 0:00:33 | 0:00:36 | |
The very thing we all fear and I... | 0:00:36 | 0:00:38 | |
..caved. | 0:00:39 | 0:00:41 | |
Who? | 0:00:41 | 0:00:43 | |
Regina Bligh. | 0:00:43 | 0:00:44 | |
Who is the father of the Nordmann child? | 0:00:44 | 0:00:47 | |
The milkman or the dust man, for all we know. | 0:00:47 | 0:00:49 | |
Or George Bligh? | 0:00:51 | 0:00:53 | |
I can't afford to go down for this. | 0:00:53 | 0:00:55 | |
You do not want to go back to your stupid, stupid wife! Do you?! | 0:00:55 | 0:00:59 | |
I was almost fooled into killing someone. | 0:00:59 | 0:01:01 | |
Who is it that wants me dead? | 0:01:01 | 0:01:03 | |
Regina Bligh. | 0:01:03 | 0:01:04 | |
Everything points towards Regina killing this young schoolteacher. | 0:01:04 | 0:01:08 | |
One day she may stand trial, but first things first. | 0:01:08 | 0:01:11 | |
I've got to deal with the fact that she's... | 0:01:11 | 0:01:13 | |
Well, she's mentally unhinged. | 0:01:13 | 0:01:14 | |
Yeah, well, no-one needs to know she's gone gaga. | 0:01:14 | 0:01:17 | |
Jack's been most helpful with these referrals. | 0:01:17 | 0:01:20 | |
Riverview Hall's one of the best. | 0:01:20 | 0:01:23 | |
Mrs Bligh, oh, my gosh, there are people coming to get you! | 0:01:23 | 0:01:26 | |
-Who? -Doctors, I think! | 0:01:26 | 0:01:27 | |
Where is she? | 0:01:32 | 0:01:33 | |
Here we go. | 0:02:15 | 0:02:16 | |
There you are, sweetheart. | 0:02:21 | 0:02:23 | |
DOOR OPENS | 0:02:23 | 0:02:24 | |
Visitor. Problem. | 0:02:26 | 0:02:28 | |
George thinks it's wise you come to Ash Park. | 0:02:30 | 0:02:32 | |
Rose. | 0:02:35 | 0:02:37 | |
Mrs Bligh's horse is missing. | 0:02:37 | 0:02:39 | |
Do you have any idea where she may have gone? | 0:02:40 | 0:02:43 | |
-No, sir. -When was the last time you saw her? | 0:02:43 | 0:02:46 | |
I'm not sure. | 0:02:49 | 0:02:50 | |
You hesitated. | 0:02:50 | 0:02:51 | |
I was surprised as anyone else when she wasn't in her room. | 0:02:52 | 0:02:55 | |
What do you know, girl? | 0:02:55 | 0:02:56 | |
She is choosing her words. | 0:02:56 | 0:02:58 | |
Did you alert Mrs Bligh to what was afoot? | 0:02:58 | 0:03:00 | |
-Everything she says about you is right! -Enough! | 0:03:00 | 0:03:03 | |
It might be best if you retire. | 0:03:05 | 0:03:07 | |
-Jack, can you stay? -If you think that she is... | 0:03:07 | 0:03:10 | |
Mother, there are more important matters than your sensibilities. | 0:03:10 | 0:03:14 | |
And this might go better without strangers. | 0:03:14 | 0:03:17 | |
Certainly. | 0:03:17 | 0:03:18 | |
I'm here to help Mrs Bligh, not harm her. | 0:03:18 | 0:03:22 | |
He's right. | 0:03:22 | 0:03:23 | |
-No interruptions, unless it's to say that Sarah's here. -Yes. | 0:03:26 | 0:03:30 | |
I'll check Regina's room. | 0:03:30 | 0:03:33 | |
There might be something there that'll help. | 0:03:33 | 0:03:35 | |
Rose, you're doing yourself no favours. | 0:03:37 | 0:03:40 | |
Just calm down and we can talk. | 0:03:42 | 0:03:44 | |
I appreciate your coming over, Carolyn. | 0:03:47 | 0:03:49 | |
I'm not trying to be stubborn, it's just unnecessary. | 0:03:49 | 0:03:53 | |
She's very possibly dangerous. | 0:03:53 | 0:03:55 | |
Well, we're perfectly capable of defending ourselves. | 0:03:55 | 0:03:59 | |
She'll have Buckley's against this. | 0:03:59 | 0:04:01 | |
HEAVY PANTING | 0:04:02 | 0:04:05 | |
She may be desperate, far from rational. | 0:04:14 | 0:04:17 | |
You can't be committed if you can't be found. | 0:04:17 | 0:04:20 | |
I imagine she's well gone. | 0:04:20 | 0:04:22 | |
All right. | 0:04:22 | 0:04:23 | |
The absolute cheek of the girl. | 0:05:00 | 0:05:02 | |
-Shall we, er...? -Honestly, is she stupid? | 0:05:02 | 0:05:04 | |
Lizzie, you used the girl for your own ends, | 0:05:04 | 0:05:07 | |
it's unfair to judge her now. | 0:05:07 | 0:05:08 | |
Oh, so we embrace a viper? | 0:05:08 | 0:05:10 | |
Well, at least give her the chance to make amends. | 0:05:10 | 0:05:12 | |
Douglas, your platitudes are really not at all helpful. | 0:05:12 | 0:05:15 | |
Morphine. | 0:05:17 | 0:05:18 | |
Empty, but, as Henry said. | 0:05:18 | 0:05:20 | |
My tone was unfortunate. | 0:05:25 | 0:05:27 | |
A hint of your former self? | 0:05:27 | 0:05:30 | |
Under trying circumstances. | 0:05:30 | 0:05:31 | |
This was in Mrs Bligh's room. | 0:05:37 | 0:05:40 | |
You've seen others, yeah? | 0:05:40 | 0:05:42 | |
That's her tonic. | 0:05:42 | 0:05:43 | |
It's called morphine. | 0:05:43 | 0:05:46 | |
She's addicted to it. | 0:05:46 | 0:05:47 | |
We have to find her for her own good. | 0:05:49 | 0:05:51 | |
If she's run out of this, she may be suffering right now. | 0:05:51 | 0:05:54 | |
It's to help her sleep. | 0:05:54 | 0:05:56 | |
Rose, she has done dreadful things. | 0:05:56 | 0:05:58 | |
It's to calm her conscience. | 0:05:59 | 0:06:02 | |
You have to trust us. | 0:06:02 | 0:06:03 | |
What about me? | 0:06:05 | 0:06:07 | |
Do you trust me? | 0:06:07 | 0:06:08 | |
Well, you're always nice... | 0:06:09 | 0:06:12 | |
Who do you trust, then? | 0:06:12 | 0:06:13 | |
Gino. | 0:06:13 | 0:06:14 | |
I'll get him here. | 0:06:16 | 0:06:17 | |
Poletti farm, make it quick. | 0:06:22 | 0:06:24 | |
I don't want to talk to anyone. | 0:06:27 | 0:06:29 | |
At least listen to him. | 0:06:29 | 0:06:30 | |
Old musket will be ready, if she's needed. | 0:06:34 | 0:06:36 | |
Don't go popping off at shadows. | 0:06:36 | 0:06:39 | |
Probably not a good night for Doris to turn up unannounced, eh? | 0:06:40 | 0:06:44 | |
I think we might need some more wood on the stove. | 0:06:46 | 0:06:49 | |
-I'll bring something. -Thanks. | 0:06:49 | 0:06:51 | |
Shh. | 0:06:55 | 0:06:56 | |
Everything they've said is true. | 0:06:59 | 0:07:01 | |
-She's crazy. -No. | 0:07:01 | 0:07:04 | |
She's pazzo. | 0:07:04 | 0:07:05 | |
-You would have told me. -I couldn't. | 0:07:05 | 0:07:07 | |
Why not? | 0:07:07 | 0:07:09 | |
I'm coming over, but, please, whatever you know... | 0:07:09 | 0:07:13 | |
I thought you were my friend. | 0:07:13 | 0:07:14 | |
I am, Rose, I am, but, please, just tell them everything you know. | 0:07:14 | 0:07:17 | |
I'm on my way. | 0:07:17 | 0:07:18 | |
I'm only saying cos he said to. | 0:07:31 | 0:07:33 | |
-Any sign of Sarah? -No. | 0:07:38 | 0:07:40 | |
Regina was away most of the afternoon. | 0:07:43 | 0:07:45 | |
Rose isn't sure why. | 0:07:45 | 0:07:47 | |
She returned just in time to see what was happening and shot through. | 0:07:47 | 0:07:50 | |
-She wasn't happy. -So Sarah could be in danger? | 0:07:50 | 0:07:53 | |
Regina may have just run away, but who knows? | 0:07:53 | 0:07:56 | |
She's run out of the opiate and she's likely to be | 0:07:56 | 0:07:59 | |
very agitated by now. | 0:07:59 | 0:08:00 | |
-I'll come. -No. | 0:08:10 | 0:08:11 | |
Gino... | 0:08:13 | 0:08:15 | |
I don't want you there! | 0:08:15 | 0:08:17 | |
Are you OK? | 0:08:31 | 0:08:32 | |
I don't know, I might be. | 0:08:34 | 0:08:35 | |
It can't be... | 0:08:37 | 0:08:38 | |
Gino's on his way. | 0:08:43 | 0:08:44 | |
He lied, too. | 0:08:46 | 0:08:47 | |
You all lied. | 0:08:48 | 0:08:49 | |
I hate all of you! | 0:08:49 | 0:08:51 | |
Long time since I've done this. | 0:09:00 | 0:09:02 | |
All evidence seems to be in hand, as the actress said to the bishop. | 0:09:03 | 0:09:07 | |
-Cocoa? -Now you're talking. | 0:09:07 | 0:09:09 | |
Just milk for me. | 0:09:09 | 0:09:10 | |
I'm just going to check on his nibs. | 0:09:12 | 0:09:14 | |
You stay right there. | 0:09:14 | 0:09:16 | |
You, by the stove, I will stay here. | 0:09:16 | 0:09:19 | |
That way, your bastard might stay safe. | 0:09:21 | 0:09:23 | |
-Give him... -I said stay! | 0:09:23 | 0:09:24 | |
Don't think I won't hurt him. | 0:09:27 | 0:09:28 | |
Give me the excuse. | 0:09:30 | 0:09:31 | |
No! | 0:09:36 | 0:09:37 | |
You thought you'd won. | 0:09:41 | 0:09:42 | |
You spat out your spawn and wrapped it around George, like a chain! | 0:09:44 | 0:09:48 | |
You drove him to betray me, so you could have him for yourself. | 0:09:50 | 0:09:54 | |
-BABY CRIES -You'll never have him! | 0:09:56 | 0:09:58 | |
You do what you want to me, just... | 0:09:58 | 0:10:00 | |
Just don't hurt the child. | 0:10:00 | 0:10:01 | |
Oh, Mummy... | 0:10:03 | 0:10:05 | |
Oh, Mummy's upset! | 0:10:05 | 0:10:07 | |
Did you think you'd get away with it? | 0:10:08 | 0:10:10 | |
Don't test me. | 0:10:10 | 0:10:11 | |
Take the rifle. | 0:10:13 | 0:10:14 | |
Roy will leave with the child and then it'll just be you and me. | 0:10:14 | 0:10:17 | |
CRYING CONTINUES | 0:10:18 | 0:10:20 | |
Perhaps I want you to see him die. | 0:10:22 | 0:10:24 | |
It's me you want gone. | 0:10:24 | 0:10:25 | |
You hurt him and I'll be across this room | 0:10:28 | 0:10:30 | |
and snap your neck with my bare hands. | 0:10:30 | 0:10:32 | |
This is between us. | 0:10:33 | 0:10:35 | |
Give him the child! | 0:10:35 | 0:10:37 | |
Shh. | 0:10:50 | 0:10:51 | |
You sit. Keep an eye on him. | 0:10:54 | 0:10:56 | |
One small sword to take to the grave. | 0:11:00 | 0:11:03 | |
Struck me on my way over, what a favour George has done me. | 0:11:05 | 0:11:08 | |
Seeing me committed supplies my defence. | 0:11:09 | 0:11:12 | |
Not guilty. | 0:11:13 | 0:11:15 | |
-By reason of insanity. -SHE LAUGHS | 0:11:15 | 0:11:17 | |
Don't die thinking me undone. | 0:11:19 | 0:11:22 | |
I'll sing my way through this. | 0:11:23 | 0:11:25 | |
This...gives me...such pleasure. | 0:11:29 | 0:11:34 | |
Regina! | 0:11:37 | 0:11:39 | |
REGINA SCREAMS | 0:11:39 | 0:11:40 | |
GUNSHOT | 0:11:40 | 0:11:42 | |
Let go of me, let go of me! | 0:11:42 | 0:11:43 | |
Leave her! | 0:11:43 | 0:11:45 | |
-George! -Put the gun down. | 0:11:45 | 0:11:47 | |
-She's mine. -She belongs to the law. | 0:11:47 | 0:11:49 | |
-No! -SHE FIRES GUN | 0:11:49 | 0:11:51 | |
I mean it. | 0:11:53 | 0:11:54 | |
Let her go. | 0:11:56 | 0:11:57 | |
-Missy. -Is David safe? | 0:12:06 | 0:12:08 | |
-He is. -Good, then stay out of this. | 0:12:08 | 0:12:10 | |
She wins if you pull that trigger. | 0:12:12 | 0:12:15 | |
We have no future if you do this. | 0:12:16 | 0:12:18 | |
David will lose his mother. | 0:12:21 | 0:12:23 | |
I will lose you. | 0:12:28 | 0:12:29 | |
Missy! | 0:12:30 | 0:12:31 | |
That boy needs his mum. | 0:12:31 | 0:12:33 | |
Shoot me, you gutless whore! | 0:12:33 | 0:12:35 | |
Do it! Think how good it will feel. | 0:12:35 | 0:12:39 | |
Sarah! This is what she wants. | 0:12:39 | 0:12:42 | |
REGINA GROANS | 0:12:50 | 0:12:51 | |
SHE MOANS IN PAIN | 0:12:54 | 0:12:55 | |
He's in the truck. | 0:12:59 | 0:13:01 | |
SARAH OUT OF BREATH | 0:13:07 | 0:13:09 | |
It's all right. Come here, darling. | 0:13:09 | 0:13:11 | |
You're all right. I've got you. | 0:13:14 | 0:13:17 | |
I've got you. | 0:13:17 | 0:13:19 | |
It's all right, sweetie. | 0:13:21 | 0:13:23 | |
I've got you. | 0:13:23 | 0:13:24 | |
Mummy's here. You're OK. | 0:13:30 | 0:13:31 | |
This assures no-one believes her ravings as we move forward. | 0:13:45 | 0:13:48 | |
It gives her the perfect plea. | 0:13:48 | 0:13:50 | |
No! No! | 0:13:50 | 0:13:52 | |
No! No! No-o-o! | 0:13:52 | 0:13:55 | |
You'll pay! All of you! | 0:13:56 | 0:13:58 | |
It's all right, Mrs Bligh, we're not here to hurt you. | 0:13:58 | 0:14:01 | |
MUFFLED SCREAMS | 0:14:02 | 0:14:03 | |
-Barking. -There must be a way to see her charged without committal. | 0:14:03 | 0:14:07 | |
As I said, secured and disarmed. We'll then make a full case. | 0:14:07 | 0:14:11 | |
We'll sedate her until she settles. | 0:14:11 | 0:14:14 | |
-Thank you, doctor. -I'll keep you informed. | 0:14:14 | 0:14:16 | |
She will be lashing out. | 0:14:16 | 0:14:19 | |
They frequently do. | 0:14:19 | 0:14:21 | |
ENGINE TURNS OVER | 0:14:21 | 0:14:22 | |
-Are you all right? -Yes. | 0:14:22 | 0:14:23 | |
I'll pour us a jar. | 0:14:23 | 0:14:25 | |
REGINA SCREAMING | 0:14:25 | 0:14:26 | |
It's over. | 0:14:28 | 0:14:30 | |
For now. | 0:14:30 | 0:14:31 | |
-If anything had happened... -It didn't. | 0:14:33 | 0:14:35 | |
AMBULANCE DRIVES OFF | 0:14:37 | 0:14:39 | |
ROSE OUT OF BREATH | 0:14:48 | 0:14:52 | |
Here, sir. She's quite upset. | 0:14:56 | 0:14:58 | |
Rose. I've been looking all over for you. | 0:14:58 | 0:15:00 | |
ROSE SOBS | 0:15:00 | 0:15:01 | |
She was so kind to me. | 0:15:01 | 0:15:03 | |
I didn't want this to happen. | 0:15:03 | 0:15:05 | |
-She's not crazy! -She is. -No! | 0:15:05 | 0:15:07 | |
The sins she's committed, they needed you to help Mr Bligh see. | 0:15:09 | 0:15:13 | |
That's all. | 0:15:14 | 0:15:15 | |
You should have asked me. | 0:15:18 | 0:15:20 | |
Trusted me. | 0:15:21 | 0:15:22 | |
Why didn't you? | 0:15:24 | 0:15:25 | |
-Rose... -No! -Rose! | 0:15:27 | 0:15:30 | |
-Where are you going? -Just going! | 0:15:30 | 0:15:32 | |
Rose, I'm sorry. | 0:15:32 | 0:15:33 | |
DOOR OPENS | 0:15:34 | 0:15:35 | |
Gino? | 0:15:37 | 0:15:38 | |
I thought you might need me. | 0:15:40 | 0:15:42 | |
-How is he? -He was dashing around looking for her when I left and | 0:15:43 | 0:15:47 | |
inveighing against the family... | 0:15:47 | 0:15:48 | |
Don't do anything foolish! | 0:15:48 | 0:15:50 | |
-It's over. -Anna! | 0:15:50 | 0:15:52 | |
No, it is. He won't forgive me. | 0:15:52 | 0:15:54 | |
There's Rose, | 0:15:55 | 0:15:57 | |
I'm barren and I kept it from him. | 0:15:57 | 0:16:00 | |
-Darling. -And there's more to come. | 0:16:00 | 0:16:02 | |
-What do you mean? -I deliberately encouraged him to hire Harry. | 0:16:02 | 0:16:07 | |
When he finds out that Harry's like James... | 0:16:07 | 0:16:09 | |
It's another lie he has every right to hate me for. | 0:16:09 | 0:16:13 | |
Probably the straw that breaks the camel's back. | 0:16:13 | 0:16:16 | |
-And I want to go. -Darling... | 0:16:16 | 0:16:18 | |
I know, I do. | 0:16:18 | 0:16:20 | |
I do. If I stay, we'll become one of those couples that everyone pities. | 0:16:20 | 0:16:23 | |
"Poor Anna and Gino, they used to be so happy!" | 0:16:23 | 0:16:27 | |
I'm giving him back his future and I'm accepting my own. | 0:16:27 | 0:16:30 | |
But you love him. | 0:16:32 | 0:16:34 | |
That's why I've never felt so sure. | 0:16:35 | 0:16:37 | |
I do feel that there are others more worthy of your concern. | 0:16:42 | 0:16:45 | |
Do it because you want to do, not because of me. | 0:16:45 | 0:16:48 | |
Oh, Gino, there'll be no want about it. | 0:16:48 | 0:16:49 | |
She's nothing more than a sly minx. | 0:16:49 | 0:16:51 | |
However, I will pander to your sentimental request | 0:16:51 | 0:16:53 | |
by dismissing her with a reference. | 0:16:53 | 0:16:55 | |
But after warning Regina she is lucky to get that. | 0:16:55 | 0:16:58 | |
-Forget it. -No, I... -Oh, no, you will only do more harm than good. | 0:16:58 | 0:17:01 | |
Easy, son. | 0:17:01 | 0:17:02 | |
Write the reference, stick it in the hallway. | 0:17:04 | 0:17:06 | |
I'll grab it on the way out. | 0:17:06 | 0:17:08 | |
-But you... -I'm taking her home. | 0:17:08 | 0:17:09 | |
-And Anna? -No, I don't care what Anna thinks. | 0:17:09 | 0:17:12 | |
Gino, I do not appreciate your tone. | 0:17:12 | 0:17:15 | |
That's too bad. | 0:17:15 | 0:17:16 | |
His recent disappointments forgive just so much... | 0:17:21 | 0:17:24 | |
It wouldn't kill you to offer the girl some comfort. | 0:17:24 | 0:17:26 | |
Oh, please! | 0:17:26 | 0:17:28 | |
It might kill you if you don't calm down. | 0:17:28 | 0:17:30 | |
I will not be patronised, Douglas. | 0:17:30 | 0:17:32 | |
-We'll talk tomorrow. -Douglas, I expect your support. | 0:17:33 | 0:17:36 | |
I won't be your lapdog. | 0:17:38 | 0:17:39 | |
I'll send in Jack. | 0:17:40 | 0:17:41 | |
ELIZABETH SIGHS | 0:17:44 | 0:17:46 | |
James and Olivia? | 0:17:56 | 0:17:58 | |
I called. They know to take care. | 0:17:58 | 0:18:00 | |
Good. | 0:18:00 | 0:18:01 | |
Pen and paper. | 0:18:04 | 0:18:05 | |
No, no, no. | 0:18:05 | 0:18:07 | |
I'm all right. | 0:18:07 | 0:18:08 | |
Was that a glimpse of your wartime self tonight? | 0:18:23 | 0:18:25 | |
No, she'd be dead if it was. | 0:18:26 | 0:18:28 | |
I should have gone higher than Taylor straight away. | 0:18:31 | 0:18:33 | |
They wouldn't have believed you. | 0:18:35 | 0:18:37 | |
But I understand. | 0:18:38 | 0:18:39 | |
If you'd come to me, I... | 0:18:40 | 0:18:42 | |
I may have let you down as well. | 0:18:43 | 0:18:45 | |
I'm sorry. | 0:18:47 | 0:18:48 | |
Oh, no, there's no apology needed. | 0:18:48 | 0:18:51 | |
She was frighteningly plausible. | 0:18:53 | 0:18:55 | |
I intend to see the commissioner tomorrow. | 0:18:58 | 0:18:59 | |
Provide a statement. | 0:18:59 | 0:19:01 | |
Everyone will have to in the long run. | 0:19:01 | 0:19:04 | |
About everything that's transpired. | 0:19:04 | 0:19:06 | |
Starting with Milly Davies. | 0:19:07 | 0:19:09 | |
Well, with any luck I'll have something for you to set the seal. | 0:19:10 | 0:19:13 | |
Drop by tomorrow morning. | 0:19:14 | 0:19:16 | |
You can meet the man Regina encouraged to kill me. | 0:19:17 | 0:19:20 | |
No-one will believe her, now she's committed. | 0:19:26 | 0:19:29 | |
-When it comes to court... -She will try and ruin us. | 0:19:29 | 0:19:31 | |
I was tasked with your education and I'm the one who's learnt the lesson. | 0:19:32 | 0:19:36 | |
-What a house of straw we deviants live in. -No. | 0:19:37 | 0:19:40 | |
I always presumed myself safe. | 0:19:43 | 0:19:45 | |
We just have to see you both buffered. | 0:19:46 | 0:19:48 | |
When the time comes. | 0:19:48 | 0:19:50 | |
-The morphine. -It's her word against yours. | 0:19:51 | 0:19:53 | |
-Your family won't forgive it. -I won't give them the choice. | 0:19:53 | 0:19:57 | |
You're clearly not the only victim. | 0:19:57 | 0:19:59 | |
The main concern is any sexual allegations. | 0:20:00 | 0:20:03 | |
So, until the trial, we will play our roles to perfection. | 0:20:04 | 0:20:08 | |
It could take months. | 0:20:09 | 0:20:11 | |
-You're prepared to stay? -We will present a face to the world | 0:20:12 | 0:20:15 | |
even the most ill-inclined can't doubt. | 0:20:15 | 0:20:18 | |
Our love. | 0:20:19 | 0:20:20 | |
Your love. | 0:20:22 | 0:20:23 | |
Our friendship. They'll see us through. | 0:20:23 | 0:20:26 | |
I'll leave you two to say goodnight. | 0:20:29 | 0:20:31 | |
She hurt you in using you. | 0:20:36 | 0:20:37 | |
Don't add to it through blame. | 0:20:39 | 0:20:41 | |
I will have to stay here tonight. | 0:20:47 | 0:20:49 | |
And, | 0:20:51 | 0:20:53 | |
if you feel comfortable... | 0:20:53 | 0:20:55 | |
..I'd really like to be held while I fall asleep. | 0:20:56 | 0:20:59 | |
Excuse me. | 0:21:11 | 0:21:12 | |
DOOR CLOSES | 0:21:19 | 0:21:20 | |
You don't mind? | 0:21:20 | 0:21:22 | |
After that? | 0:21:23 | 0:21:24 | |
You know, whatever precautions we take, there's still no guarantee. | 0:21:27 | 0:21:30 | |
We'll survive it. | 0:21:33 | 0:21:34 | |
Whatever happens. | 0:21:36 | 0:21:37 | |
I thought I was going to lose everything. | 0:21:38 | 0:21:40 | |
That we would. | 0:21:40 | 0:21:42 | |
We have each other. | 0:21:44 | 0:21:45 | |
Still? | 0:21:47 | 0:21:48 | |
Always. | 0:21:50 | 0:21:51 | |
You're absolutely sure? | 0:22:14 | 0:22:16 | |
Better to go before bitterness festers into us. | 0:22:17 | 0:22:19 | |
It's all in the note. | 0:22:20 | 0:22:22 | |
Drive carefully. | 0:22:24 | 0:22:25 | |
Can you please tell everyone that I'm...? | 0:22:27 | 0:22:30 | |
I'm really sorry. I know they wanted us to survive. | 0:22:30 | 0:22:33 | |
All we want is for you to be happy. | 0:22:35 | 0:22:37 | |
I wish I could take your pain. | 0:22:43 | 0:22:45 | |
Just knowing that you're there. | 0:22:46 | 0:22:48 | |
-Before he comes. -I'll go. | 0:22:50 | 0:22:52 | |
Let me know you've arrived safely. | 0:22:55 | 0:22:57 | |
Mm-hm. | 0:22:57 | 0:22:58 | |
DOOR CLOSES | 0:23:00 | 0:23:01 | |
ENGINE TURNS OVER | 0:23:06 | 0:23:08 | |
Henry understands? | 0:23:19 | 0:23:20 | |
He does. | 0:23:21 | 0:23:23 | |
What do you get out of this? | 0:23:39 | 0:23:41 | |
Purpose. | 0:23:43 | 0:23:45 | |
-Gino, wait! -Not now. | 0:23:55 | 0:23:57 | |
-We need to talk. -What? | 0:23:57 | 0:23:59 | |
-Anna's gone. -Gone where? | 0:23:59 | 0:24:02 | |
She's on her way to the city. | 0:24:02 | 0:24:04 | |
I'm sorry to break it to you so harshly. | 0:24:04 | 0:24:06 | |
There's a note waiting at home. | 0:24:08 | 0:24:09 | |
-I can't go there now. -You're coming. | 0:24:11 | 0:24:13 | |
-That's what she wants. -You don't mean that. | 0:24:16 | 0:24:19 | |
I don't care. | 0:24:19 | 0:24:20 | |
Gino. | 0:24:22 | 0:24:23 | |
Gino, please. | 0:24:28 | 0:24:30 | |
No. | 0:24:30 | 0:24:31 | |
THEY DRIVE OFF | 0:24:35 | 0:24:36 | |
What's happened? | 0:24:41 | 0:24:42 | |
Anna's gone. | 0:24:43 | 0:24:44 | |
Oh, when George returns... | 0:24:46 | 0:24:48 | |
There's nothing that can't wait till morning. | 0:24:48 | 0:24:50 | |
-No, he may wish to do some... -Your doctor's talking. | 0:24:50 | 0:24:52 | |
-Well, Anna and Gino will be first in my prayers. -Mine, too. | 0:24:55 | 0:25:00 | |
Ring if you feel at all unwell. | 0:25:00 | 0:25:02 | |
-I will. -That's what the bell's for. | 0:25:03 | 0:25:05 | |
Don't hesitate. | 0:25:05 | 0:25:07 | |
Talk to Douglas. | 0:25:08 | 0:25:10 | |
Anna and Gino are sorrow enough. | 0:25:10 | 0:25:12 | |
Seeing the man you love recoil from you is challenging. | 0:25:14 | 0:25:18 | |
May the morning bring happier things for us all. | 0:25:20 | 0:25:22 | |
I did try to stop Anna. | 0:25:31 | 0:25:32 | |
You couldn't tie her down. | 0:25:34 | 0:25:35 | |
You know, Gino never once comforted her. | 0:25:40 | 0:25:44 | |
Never once had a kind word about her not being able to have children. | 0:25:44 | 0:25:47 | |
She shouldn't have to blame herself for everything. | 0:25:47 | 0:25:49 | |
I don't blame you. | 0:25:49 | 0:25:51 | |
I was being stupid before. | 0:25:51 | 0:25:52 | |
Only two people can muck up a marriage. | 0:25:54 | 0:25:57 | |
And we're us, not them. | 0:25:58 | 0:25:59 | |
Us for ever. | 0:26:01 | 0:26:02 | |
WIND | 0:26:23 | 0:26:26 | |
Come in. | 0:26:39 | 0:26:40 | |
-For what I nearly did. -They're lovely, but unnecessary. | 0:26:46 | 0:26:50 | |
If I'd have pulled the trigger that day and then learned what's what, | 0:26:50 | 0:26:53 | |
I would have shot myself. | 0:26:53 | 0:26:54 | |
You didn't. | 0:26:54 | 0:26:55 | |
There's not a lot that could forgive me. | 0:26:59 | 0:27:01 | |
I understand what grief does. | 0:27:03 | 0:27:05 | |
I've been in that place. | 0:27:06 | 0:27:08 | |
I have something for you, too. | 0:27:11 | 0:27:13 | |
These are compositions written by Milly's students, | 0:27:19 | 0:27:23 | |
expressing their loss. | 0:27:23 | 0:27:24 | |
She was greatly loved. | 0:27:26 | 0:27:27 | |
I'm | 0:00:00 | 0:00:00 | |
Sorry. | 0:27:37 | 0:27:38 | |
If there was any good in her luring you back, | 0:27:39 | 0:27:41 | |
it was so you could have these. | 0:27:41 | 0:27:42 | |
HE CRIES | 0:27:44 | 0:27:45 | |
KNOCK AT DOOR | 0:27:46 | 0:27:47 | |
-Good morning. -Good morning, um... | 0:27:49 | 0:27:51 | |
George Bligh, this is Gordon Walsh. | 0:27:53 | 0:27:55 | |
The late Milly Davies's fiance. | 0:27:55 | 0:27:57 | |
Well, this man's testimony will certainly support the case. | 0:28:01 | 0:28:05 | |
He's brave, I'll give him that. | 0:28:05 | 0:28:07 | |
Prepared to reveal all to the police. | 0:28:07 | 0:28:09 | |
He craves justice, I'm sure. | 0:28:09 | 0:28:11 | |
-Good luck. -I'll report in. | 0:28:12 | 0:28:14 | |
Do you still want this? | 0:28:16 | 0:28:18 | |
I will take it, it might help explain to the commissioner | 0:28:18 | 0:28:21 | |
the catalyst for the events of last night. | 0:28:21 | 0:28:23 | |
Would you like me to see Anna whilst I'm in the city? | 0:28:23 | 0:28:25 | |
Perhaps give her time. | 0:28:25 | 0:28:27 | |
She's with Olivia today. | 0:28:27 | 0:28:28 | |
-Jack's seeing Gino. -Let me know if there's anything I can do. | 0:28:28 | 0:28:32 | |
I will. | 0:28:32 | 0:28:33 | |
I bear a portion of the blame. | 0:28:37 | 0:28:39 | |
-For Anna. -Rose is simply the tip of the iceberg. | 0:28:39 | 0:28:42 | |
She's what brought it to a head. | 0:28:44 | 0:28:46 | |
You see no hope? | 0:28:46 | 0:28:47 | |
Anna doesn't, more to the point. | 0:28:48 | 0:28:51 | |
A sad old tale. | 0:28:51 | 0:28:53 | |
What would have happened to Romeo and Juliet if they hadn't died? | 0:28:53 | 0:28:56 | |
Or met late in life. | 0:28:56 | 0:28:57 | |
I've my own breach to heal. | 0:28:59 | 0:29:00 | |
Excuse me. | 0:29:00 | 0:29:01 | |
The personal favourite. | 0:29:19 | 0:29:21 | |
It or me? | 0:29:22 | 0:29:23 | |
Thank you. | 0:29:25 | 0:29:27 | |
Your quip gives me hope. | 0:29:28 | 0:29:30 | |
I did warn you that I could be other than as you know me. | 0:29:31 | 0:29:34 | |
Well, I thought that incarnation had vanished. | 0:29:36 | 0:29:39 | |
A crisis loosed her from her lair. | 0:29:39 | 0:29:41 | |
She's Elizabeth Bligh of Ash Park. | 0:29:41 | 0:29:43 | |
I prefer Lizzie. | 0:29:45 | 0:29:46 | |
So do I, actually! | 0:29:46 | 0:29:47 | |
Would you trust me to drive a stake through the monster? | 0:29:50 | 0:29:52 | |
Yes. I do! | 0:29:55 | 0:29:57 | |
Although I'm disturbed by your metaphor from Mr Bram Stoker. | 0:29:57 | 0:30:00 | |
THEY LAUGH | 0:30:00 | 0:30:01 | |
There she is. | 0:30:01 | 0:30:03 | |
The Lizzie I love. | 0:30:03 | 0:30:04 | |
Let's get away. Avoid Ash Park. | 0:30:07 | 0:30:10 | |
Except for the big occasions. | 0:30:10 | 0:30:12 | |
Trust me. | 0:30:14 | 0:30:15 | |
Will you? | 0:30:15 | 0:30:16 | |
Yes. | 0:30:18 | 0:30:19 | |
We'll trust each other. | 0:30:20 | 0:30:22 | |
For a favourite. | 0:30:26 | 0:30:28 | |
My favourite. | 0:30:29 | 0:30:31 | |
You're going off half-cocked, mate. | 0:30:53 | 0:30:56 | |
Mum and Dad said I could sell the farm if I wanted. | 0:30:56 | 0:30:58 | |
And find a place that's better for vines. | 0:30:58 | 0:31:00 | |
If you won't have George's backing somewhere else. | 0:31:00 | 0:31:03 | |
I don't want anything from them. | 0:31:03 | 0:31:05 | |
-Not any more. -They did... what they had to. | 0:31:05 | 0:31:09 | |
And so am I. | 0:31:09 | 0:31:10 | |
-Rose seems fine. Don't go blaming them for... -I want children. | 0:31:12 | 0:31:16 | |
And I can't have them. | 0:31:16 | 0:31:18 | |
And she wants a life I can't give her. Rose isn't the problem. | 0:31:18 | 0:31:22 | |
You fought so hard to be together. | 0:31:24 | 0:31:26 | |
We were young. We thought we knew better, we were blind. | 0:31:26 | 0:31:29 | |
It's all in Anna's letter. | 0:31:29 | 0:31:31 | |
Better we separate before we hate each other. | 0:31:31 | 0:31:33 | |
She's...she's confused, too. | 0:31:33 | 0:31:35 | |
Me, I feel | 0:31:36 | 0:31:38 | |
we left it too late. | 0:31:38 | 0:31:39 | |
If you could both just maybe... | 0:31:41 | 0:31:44 | |
talk to Father Joe. | 0:31:44 | 0:31:45 | |
I'd like you to go. | 0:31:47 | 0:31:48 | |
-Gino... -You're the best of the lot, Jack, I mean it, but, please, | 0:31:49 | 0:31:52 | |
just go and don't come back. | 0:31:52 | 0:31:55 | |
Goodbye. | 0:31:55 | 0:31:56 | |
-You can't...you can't... -I can. | 0:31:58 | 0:32:00 | |
All the best for the future. | 0:32:00 | 0:32:02 | |
Keep an eye on him. | 0:32:14 | 0:32:15 | |
I will. | 0:32:17 | 0:32:18 | |
CAR DOOR OPENS AND SHUTS | 0:32:31 | 0:32:33 | |
ENGINE TURNS OVER | 0:32:35 | 0:32:37 | |
I'm agog at the sign I just saw. | 0:32:55 | 0:32:58 | |
You'll be more than that if you go up there. | 0:32:58 | 0:33:00 | |
Go about your business. | 0:33:00 | 0:33:02 | |
-Doctor? -As much as you love a gossip, you know when it's no help. | 0:33:02 | 0:33:05 | |
You're upset. | 0:33:06 | 0:33:09 | |
I'm ruddy heartbroken. | 0:33:09 | 0:33:10 | |
Well... | 0:33:10 | 0:33:12 | |
In that case, I shall continue foraging for blackberries | 0:33:12 | 0:33:15 | |
and woe betide anyone who broaches the matter with me! | 0:33:15 | 0:33:19 | |
Whatever that...matter might be. | 0:33:20 | 0:33:22 | |
You're a good stick, Doris. | 0:33:23 | 0:33:25 | |
Ah, yes... | 0:33:25 | 0:33:26 | |
Do you remember the day at the water hole? | 0:33:38 | 0:33:40 | |
Just after I'd arrived? | 0:33:40 | 0:33:42 | |
THEY LAUGH | 0:33:42 | 0:33:43 | |
You held my hand and we jumped in! | 0:33:43 | 0:33:46 | |
We were so happy. | 0:33:47 | 0:33:50 | |
Innocent. | 0:33:51 | 0:33:52 | |
If only we'd known. | 0:33:52 | 0:33:54 | |
It was the day I first truly felt us friends. | 0:33:54 | 0:33:58 | |
But you're leaving soon. | 0:34:00 | 0:34:01 | |
There's no reason to dash off. | 0:34:02 | 0:34:04 | |
-Your own life? -It can find me wherever I am. | 0:34:04 | 0:34:08 | |
Sad thing is, Livvy, I...I still love him. | 0:34:11 | 0:34:14 | |
And I James. | 0:34:17 | 0:34:18 | |
-But... -But it seems they're better off without us. | 0:34:20 | 0:34:23 | |
I see Gino with children, a wife and a vineyard. | 0:34:25 | 0:34:29 | |
It makes me happy, but it... | 0:34:29 | 0:34:31 | |
..breaks my heart. | 0:34:32 | 0:34:33 | |
Anna... | 0:34:35 | 0:34:37 | |
I see you... | 0:34:37 | 0:34:40 | |
as a successful writer. | 0:34:40 | 0:34:42 | |
We can find ourselves together. | 0:34:48 | 0:34:50 | |
Men are such brutes. Poor darlings. | 0:34:57 | 0:35:00 | |
They're sports, the way they've joined us. | 0:35:00 | 0:35:02 | |
If either decides to forego men, the girls will swarm! | 0:35:02 | 0:35:06 | |
You're like that old recruitment poster! | 0:35:06 | 0:35:08 | |
THEY LAUGH | 0:35:08 | 0:35:10 | |
Put that one down in the history books. | 0:35:10 | 0:35:11 | |
-What? -Your first camp quip. | 0:35:11 | 0:35:13 | |
My training is complete. | 0:35:13 | 0:35:14 | |
It's not, I've made them before. | 0:35:14 | 0:35:16 | |
-Not around me. -You should be on James's side. | 0:35:16 | 0:35:18 | |
Well, he hasn't. | 0:35:18 | 0:35:20 | |
Look at you two. | 0:35:20 | 0:35:21 | |
Smitten. We need to get Harry to town. | 0:35:21 | 0:35:24 | |
-You should. -What's in Inverness? | 0:35:24 | 0:35:26 | |
You, Sarah. | 0:35:27 | 0:35:29 | |
Friends are friends, wherever you are. | 0:35:29 | 0:35:32 | |
And I'm here. | 0:35:33 | 0:35:35 | |
I'm sure we could find you a job. | 0:35:35 | 0:35:37 | |
-Why would you? -He wants to explain. | 0:35:38 | 0:35:40 | |
Well, it's like today, bringing us here to cheer us up. | 0:35:42 | 0:35:45 | |
Our kind has two families, Harry. | 0:35:47 | 0:35:49 | |
The one we're born with... | 0:35:49 | 0:35:51 | |
..and the one we collect along the way... | 0:35:52 | 0:35:54 | |
..that supports us against the hostile world. | 0:35:56 | 0:35:59 | |
-Welcome to the family. -Ain't love grand! | 0:36:01 | 0:36:04 | |
THEY LAUGH | 0:36:05 | 0:36:07 | |
You're right. | 0:36:07 | 0:36:08 | |
We will. | 0:36:08 | 0:36:10 | |
Survive. | 0:36:11 | 0:36:12 | |
BIRDS SQUAWK AND FLAP WINGS | 0:36:21 | 0:36:23 | |
You look like an advertisement. | 0:36:50 | 0:36:52 | |
For? | 0:36:52 | 0:36:54 | |
Fellas stopping running. | 0:36:54 | 0:36:56 | |
Women will be pleased. | 0:36:56 | 0:36:57 | |
HE LAUGHS I'm just thinking, at this point. | 0:36:57 | 0:37:00 | |
SARAH LAUGHS | 0:37:00 | 0:37:01 | |
God's in his heaven, all's right with the world. | 0:37:03 | 0:37:06 | |
-What was that? -It's just a quote. | 0:37:06 | 0:37:09 | |
Robert Browning. | 0:37:09 | 0:37:10 | |
"God's in his heaven and all's right with the world." | 0:37:11 | 0:37:14 | |
LAUGHTER | 0:37:33 | 0:37:34 | |
-Will I start? -Yes. | 0:37:37 | 0:37:39 | |
BELL RINGS | 0:37:42 | 0:37:44 | |
Oh, here we go. | 0:37:44 | 0:37:45 | |
Well, this is a speech I must say I never expected to make, | 0:37:48 | 0:37:54 | |
until very recently. | 0:37:54 | 0:37:56 | |
Nor I to hear. | 0:37:56 | 0:37:57 | |
PRUDENCE AND GEORGE LAUGH | 0:37:57 | 0:37:59 | |
However, I'm truly delighted to be... | 0:37:59 | 0:38:01 | |
Exactly, George. | 0:38:01 | 0:38:02 | |
Delighted! Thrilled! | 0:38:02 | 0:38:05 | |
-And in my case, vindicated! -SHE LAUGHS | 0:38:05 | 0:38:08 | |
Elizabeth never would accept any of my predictions of wedlock. | 0:38:08 | 0:38:12 | |
No, but I will accept a little bit of shush, dear. | 0:38:12 | 0:38:14 | |
But I thought perhaps Miss Nordmann... | 0:38:14 | 0:38:16 | |
Oh, no, I do know, you introduced them. | 0:38:16 | 0:38:18 | |
A day's work well done. | 0:38:18 | 0:38:21 | |
I accept your mildest of rebukes, dear. | 0:38:21 | 0:38:24 | |
Continue, George. You were saying, | 0:38:24 | 0:38:26 | |
"A speech you never expected to make." | 0:38:26 | 0:38:29 | |
Thank you, Prudence. | 0:38:29 | 0:38:30 | |
The youngest amongst us will have to take me on faith when I say that you | 0:38:30 | 0:38:34 | |
reach an age where you assume a parent will embrace a settled life. | 0:38:34 | 0:38:39 | |
For Mother, I saw predictable years. | 0:38:39 | 0:38:43 | |
Well, she's certainly confounded those expectations. | 0:38:43 | 0:38:45 | |
LAUGHTER | 0:38:45 | 0:38:47 | |
The way you describe them, thank goodness! | 0:38:47 | 0:38:49 | |
And there's Ash Park. | 0:38:49 | 0:38:51 | |
Always here, always your home, should you desire it. | 0:38:51 | 0:38:54 | |
Douglas, welcome to the family. | 0:38:54 | 0:38:56 | |
We are the richer for it. | 0:38:57 | 0:38:59 | |
I give you the groom - Douglas. | 0:39:01 | 0:39:03 | |
ALL: Douglas. | 0:39:03 | 0:39:04 | |
Thank you, George. | 0:39:06 | 0:39:07 | |
I'm a very lucky man. | 0:39:08 | 0:39:09 | |
And now to you, Mother. | 0:39:11 | 0:39:13 | |
Did you seriously think you could sneak away and, I quote, | 0:39:13 | 0:39:17 | |
"Avoid all the fuss?" | 0:39:17 | 0:39:19 | |
There can be no fuss too great. | 0:39:20 | 0:39:22 | |
LAUGHTER | 0:39:22 | 0:39:23 | |
Why don't you do the toast? | 0:39:23 | 0:39:25 | |
May well make it worse, but here I go. | 0:39:26 | 0:39:28 | |
To the wonderful... | 0:39:31 | 0:39:32 | |
..formidable, unique and reborn Elizabeth Bligh. | 0:39:33 | 0:39:38 | |
Mother, grandmother, | 0:39:39 | 0:39:43 | |
great-grandmother, mother-in-law... | 0:39:43 | 0:39:45 | |
..and friend. | 0:39:47 | 0:39:48 | |
And most importantly now, Mrs Douglas Goddard. | 0:39:49 | 0:39:53 | |
Well, correction, Mrs Lizzie Goddard. | 0:39:53 | 0:39:57 | |
She's much too unique to just be known under my name. | 0:39:57 | 0:39:59 | |
-You're blushing, Grandma. -I am glowing, if I am anything. | 0:40:00 | 0:40:05 | |
To Mother. | 0:40:05 | 0:40:06 | |
-To Mother. -Elizabeth. -ALL: Elizabeth. | 0:40:06 | 0:40:09 | |
I don't mean to be rude. | 0:40:26 | 0:40:27 | |
They'll understand. | 0:40:27 | 0:40:29 | |
Are you coping? | 0:40:35 | 0:40:36 | |
It's hard, knowing that he's over there, about to leave. | 0:40:37 | 0:40:41 | |
I had hoped he'd soften enough to at least say goodbye. | 0:40:43 | 0:40:46 | |
So had I. | 0:40:46 | 0:40:48 | |
Why don't you take the lead? | 0:40:51 | 0:40:52 | |
If a farewell is important. | 0:40:54 | 0:40:56 | |
Go over there? | 0:40:56 | 0:40:57 | |
Mmm. | 0:40:58 | 0:41:00 | |
Be prepared to feel worse, but... | 0:41:00 | 0:41:03 | |
it may help. | 0:41:03 | 0:41:04 | |
I don't know. | 0:41:05 | 0:41:06 | |
If you decide, just... | 0:41:08 | 0:41:10 | |
slip out, I'll make your excuses. | 0:41:10 | 0:41:12 | |
No, you're right. It's worth the risk. | 0:41:16 | 0:41:18 | |
Come on. | 0:41:19 | 0:41:21 | |
-You want me? -Please! | 0:41:21 | 0:41:23 | |
You and Mama. | 0:41:23 | 0:41:24 | |
I hope Anna's doing the right thing. | 0:41:29 | 0:41:31 | |
We're here for her if she's not. | 0:41:31 | 0:41:34 | |
Certainly brings a finality to it. | 0:41:34 | 0:41:35 | |
I'm glad our day's delayed. | 0:41:37 | 0:41:39 | |
Indefinitely. | 0:41:39 | 0:41:40 | |
Perhaps now is time to mention it. | 0:41:42 | 0:41:44 | |
What? | 0:41:44 | 0:41:46 | |
I've decided my future. | 0:41:47 | 0:41:49 | |
Henry's showed the way. | 0:41:49 | 0:41:51 | |
And what is it? He never said. | 0:41:51 | 0:41:54 | |
It's mine to tell. | 0:41:54 | 0:41:55 | |
I swore him to silence. | 0:41:55 | 0:41:57 | |
You will be astounded. | 0:41:57 | 0:41:59 | |
Excuse me, ma'am, | 0:42:00 | 0:42:02 | |
Mrs Collins has arrived with a wedding present. | 0:42:02 | 0:42:05 | |
She didn't want to leave without my telling you. | 0:42:05 | 0:42:07 | |
I knew something was missing from the day. | 0:42:07 | 0:42:09 | |
Behave yourself, George. | 0:42:09 | 0:42:10 | |
-Send her in. -Isn't she that alarming woman who's always saying "indeed?" | 0:42:10 | 0:42:15 | |
Once met, never forgotten. | 0:42:15 | 0:42:17 | |
She's a kind, dear soul in a sometimes irritating package. | 0:42:17 | 0:42:21 | |
That's my Lizzie. | 0:42:21 | 0:42:23 | |
Oh, Mrs Bligh! Oh, pardon, Mrs Goddard. | 0:42:24 | 0:42:29 | |
Do you know, I have not ventured from town since stumbling across | 0:42:29 | 0:42:32 | |
poor Sergeant Taylor. | 0:42:32 | 0:42:34 | |
Dreadful. Even months later, I feel quite unsafe. | 0:42:34 | 0:42:39 | |
But I said to myself, "Doris Collins, friendship before fear." | 0:42:39 | 0:42:43 | |
So I was on my bike and here I am. | 0:42:43 | 0:42:45 | |
And I am, oh, struck dumb with the honour of being invited in. | 0:42:45 | 0:42:50 | |
Indeed, I am. | 0:42:50 | 0:42:52 | |
A happy day for all. | 0:42:52 | 0:42:53 | |
Gino! | 0:43:10 | 0:43:11 | |
SHE KNOCKS AT DOOR | 0:43:11 | 0:43:13 | |
-No truck. -Perhaps... | 0:43:13 | 0:43:14 | |
He'd be here if he was here. | 0:43:14 | 0:43:16 | |
Gino! | 0:43:16 | 0:43:17 | |
Gino? | 0:43:20 | 0:43:22 | |
Gino? | 0:43:26 | 0:43:27 | |
Gino! | 0:43:28 | 0:43:30 | |
SHE CRIES | 0:43:31 | 0:43:32 | |
SHE SOBS HEAVILY | 0:43:34 | 0:43:37 | |
He's not there! | 0:43:37 | 0:43:39 | |
SHE CRIES HYSTERICALLY | 0:43:44 | 0:43:46 | |
I trust the tea is to your liking? | 0:44:01 | 0:44:03 | |
As only you could make it. | 0:44:04 | 0:44:06 | |
Anything for you, my darling. | 0:44:06 | 0:44:08 | |
I do love you, you know. | 0:44:10 | 0:44:11 | |
I forgive you. | 0:44:15 | 0:44:17 | |
She made you do it. | 0:44:20 | 0:44:21 | |
She'll suffer. | 0:44:23 | 0:44:24 | |
What was the point of the camps?! | 0:44:32 | 0:44:34 | |
SHE SIGHS | 0:44:46 | 0:44:47 | |
Tell her the deal is nothing about George and me, | 0:44:56 | 0:44:59 | |
but all the dirt on the family. | 0:44:59 | 0:45:01 | |
And for that, we'll get her off as lightly as possible. | 0:45:01 | 0:45:04 | |
Well, she's not up to it yet. | 0:45:07 | 0:45:10 | |
She's still gaga. | 0:45:10 | 0:45:12 | |
Well, when she is. | 0:45:12 | 0:45:13 | |
What's the best we can pull off for her? | 0:45:16 | 0:45:18 | |
Well, without a formal confession, | 0:45:18 | 0:45:20 | |
any case for killing the teacher is circumstantial. | 0:45:20 | 0:45:23 | |
And the cop, Taylor, he crossed union radicals, | 0:45:23 | 0:45:26 | |
they could have tracked him down, shot him. | 0:45:26 | 0:45:28 | |
The only statement linking Regina and him is from the Air Force chap | 0:45:28 | 0:45:32 | |
and there's nothing too concrete. | 0:45:32 | 0:45:33 | |
But let's say they do pull a case together, which they well may not, | 0:45:33 | 0:45:38 | |
we'll just say she was driven to drugs in despair at her husband's | 0:45:38 | 0:45:41 | |
infidelity and they impaired her judgment, | 0:45:41 | 0:45:44 | |
she wasn't responsible for her actions. | 0:45:44 | 0:45:47 | |
Not too much mud on George, he still has his uses. | 0:45:47 | 0:45:52 | |
Well, he'd be sullied, but viable. | 0:45:52 | 0:45:54 | |
Good. | 0:45:56 | 0:45:57 | |
May I ask you why you're backing her? | 0:45:58 | 0:46:00 | |
For a dish I tried to deliver hot. | 0:46:01 | 0:46:04 | |
But they do say it's best served cold. | 0:46:05 | 0:46:08 | |
SHE SIGHS | 0:46:17 | 0:46:18 | |
-No sign of Anna? -Not yet. | 0:46:22 | 0:46:24 | |
-Are you feeling all right, with all the excitement? -I am. I'm... | 0:46:26 | 0:46:29 | |
..just taking a moment to count my blessings. | 0:46:30 | 0:46:33 | |
-I'll leave you to it then. -No, Sarah, stay. | 0:46:33 | 0:46:35 | |
You're very much one of them. | 0:46:36 | 0:46:37 | |
You wouldn't have said so once. | 0:46:41 | 0:46:42 | |
Which makes it all the more precious now. | 0:46:45 | 0:46:47 | |
Yes, it does. | 0:46:47 | 0:46:49 | |
What vistas ahead. | 0:46:54 | 0:46:55 | |
A whole new generation. | 0:46:58 | 0:47:00 | |
May we stand as firm as the old. | 0:47:01 | 0:47:03 | |
-You will. -That almost calls for a toast. | 0:47:05 | 0:47:08 | |
It does. I know you're dying to say it, go on. | 0:47:08 | 0:47:12 | |
You're as bad as George. | 0:47:12 | 0:47:13 | |
Why don't you? | 0:47:16 | 0:47:17 | |
-Have we come that far? -I think we have. | 0:47:19 | 0:47:21 | |
Then... | 0:47:23 | 0:47:24 | |
L'chaim, my dear friend... | 0:47:26 | 0:47:29 | |
To life. | 0:47:32 | 0:47:33 |