Browse content similar to Catch the Tiger. Check below for episodes and series from the same categories and more!
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It's always something, Anna. It's some plot, some scheme, some lie. Your family is sick! | 0:00:02 | 0:00:05 | |
Now you can't even give me a son. What's the point? | 0:00:05 | 0:00:07 | |
-You don't mean that. -I do. | 0:00:07 | 0:00:09 | |
I wanted my own son and we can't have one. | 0:00:09 | 0:00:12 | |
What's our marriage now? | 0:00:12 | 0:00:14 | |
If you could leave a parcel at reception, | 0:00:14 | 0:00:16 | |
along with additional prescriptions. | 0:00:16 | 0:00:17 | |
I'm afraid I can't do that. | 0:00:17 | 0:00:19 | |
The Board of Surgeons would take a very dim view | 0:00:19 | 0:00:22 | |
of your sodomite activities. | 0:00:22 | 0:00:24 | |
Thank you so very much. | 0:00:24 | 0:00:26 | |
This has to be the last time. | 0:00:26 | 0:00:28 | |
The last time is my call. Not yours. | 0:00:28 | 0:00:32 | |
I'd like to send a telegram, please. | 0:00:32 | 0:00:34 | |
For, unto us, a child is born in a manger in Inverness. | 0:00:34 | 0:00:39 | |
A flying officer, Gordon Walsh, Butterworth Military Base, Malaya. | 0:00:39 | 0:00:44 | |
A friend of mine's having a birthday party in Sydney. Mostly our kind. | 0:00:44 | 0:00:47 | |
Your kind of our kind aren't my kind. | 0:00:47 | 0:00:51 | |
Suppose you wrote a novel. | 0:00:51 | 0:00:53 | |
Death by poison of a young school teacher | 0:00:53 | 0:00:55 | |
and the story surrounding it, | 0:00:55 | 0:00:57 | |
names and places changed, but sufficient to the purpose. | 0:00:57 | 0:01:00 | |
We will hang Regina's good name even if we can't hang Regina. | 0:01:00 | 0:01:03 | |
This is a vicious exercise in character assassination. | 0:01:05 | 0:01:08 | |
What if I told you it's all true? | 0:01:08 | 0:01:10 | |
You're telling me Regina killed the young Davis woman | 0:01:10 | 0:01:13 | |
-in trying to poison Sarah? -Yes. -Has George seen it? | 0:01:13 | 0:01:17 | |
If he reads this, if anyone does beyond your malicious inner cabal, | 0:01:17 | 0:01:22 | |
I will reveal every sordid truth I know! | 0:01:22 | 0:01:25 | |
Not even you would hurt a child. | 0:01:25 | 0:01:28 | |
A Jew's brat. With pleasure. | 0:01:28 | 0:01:31 | |
She's played me. | 0:01:31 | 0:01:33 | |
I need to stare that truth in the face | 0:01:33 | 0:01:35 | |
and see her where she belongs. | 0:01:35 | 0:01:38 | |
So, it's done? | 0:01:38 | 0:01:40 | |
It is. In a way that sees us all safe. | 0:01:40 | 0:01:42 | |
Yes, this is much better. | 0:01:52 | 0:01:53 | |
The walls have ears, you know. | 0:01:53 | 0:01:56 | |
I intend to be back by this evening. | 0:01:56 | 0:01:57 | |
What would you like us to do here? | 0:01:57 | 0:01:58 | |
Just go about your day as if nothing's wrong. | 0:01:58 | 0:02:01 | |
Regina's to suspect nothing untoward. | 0:02:01 | 0:02:03 | |
But surely we need to know what you're planning, George. | 0:02:03 | 0:02:05 | |
The less you know about my plans, Mother, | 0:02:05 | 0:02:07 | |
the easier it will be for you to behave as if Regina has won the day. | 0:02:07 | 0:02:10 | |
-But, you do intend to deal with her once and for all? -Yes. | 0:02:10 | 0:02:14 | |
I've been blind. | 0:02:16 | 0:02:18 | |
I'm the fool who married her, after all. | 0:02:19 | 0:02:21 | |
And I'm the fool who brought her back into this house, | 0:02:21 | 0:02:23 | |
so don't you feel guilty, George. | 0:02:23 | 0:02:25 | |
But having caught the tiger, it must first be defanged. | 0:02:25 | 0:02:28 | |
Precisely. | 0:02:28 | 0:02:30 | |
And as we're being observed, | 0:02:33 | 0:02:35 | |
let's take an inordinate interest in my roses, shall we? | 0:02:35 | 0:02:38 | |
This party that James is planning to attend, | 0:03:07 | 0:03:10 | |
what sort of affair is it exactly? | 0:03:10 | 0:03:13 | |
I'm not sure. | 0:03:13 | 0:03:15 | |
The sort of party that the police would want to raid? | 0:03:15 | 0:03:18 | |
Regina could have a private detective on him, for all we know. | 0:03:21 | 0:03:24 | |
I will try Henry again once we get to town. | 0:03:24 | 0:03:27 | |
The main thing is to get there, locate them | 0:03:27 | 0:03:29 | |
and make sure they behave impeccably. | 0:03:29 | 0:03:31 | |
I will do my best. | 0:03:33 | 0:03:34 | |
Thank you. | 0:03:40 | 0:03:41 | |
Now, only if you don't mind... | 0:03:41 | 0:03:43 | |
"London Times, The Observer..." | 0:03:46 | 0:03:48 | |
"The latest Raymond Chandler." | 0:03:48 | 0:03:50 | |
Excuse my scrawl, or the Michener, if they don't have it. | 0:03:50 | 0:03:53 | |
-Dymocks will have them. -Or Macleay Street, whatever's easiest. | 0:03:53 | 0:03:56 | |
-Thank you. -Ready? | 0:03:56 | 0:03:59 | |
See you soon. | 0:03:59 | 0:04:01 | |
Isn't this a day trip? | 0:04:01 | 0:04:02 | |
Olivia's staying over. | 0:04:02 | 0:04:04 | |
I'll be back this evening. | 0:04:04 | 0:04:05 | |
I wonder if I shouldn't come? | 0:04:05 | 0:04:07 | |
I can wait for you, if you like. | 0:04:09 | 0:04:10 | |
Be off before I change my mind. | 0:04:16 | 0:04:18 | |
See you tonight. | 0:04:21 | 0:04:23 | |
What was our English aristocrat up to before she left? | 0:04:27 | 0:04:30 | |
She was looking for Mr Bligh's address book. | 0:04:30 | 0:04:32 | |
The little pink one, no doubt. | 0:04:32 | 0:04:34 | |
-And the old trout? -Still on her constitutional, ma'am. | 0:04:34 | 0:04:37 | |
Fetch my stationery and address books, we're having a celebration. | 0:04:38 | 0:04:42 | |
I'll be right here when you wake up, all right? | 0:05:31 | 0:05:33 | |
Sleep well. | 0:05:39 | 0:05:41 | |
There you go. | 0:05:43 | 0:05:45 | |
Sh. All right, darling. | 0:05:46 | 0:05:49 | |
Sleep well. | 0:05:53 | 0:05:55 | |
Oh, me and Missy will make short work of that. | 0:06:11 | 0:06:13 | |
Emma made the plait on top, not me. | 0:06:13 | 0:06:16 | |
Honestly, the detail she goes into. | 0:06:16 | 0:06:19 | |
She wants you to teach her wood work, of all things. | 0:06:19 | 0:06:23 | |
Does she now? | 0:06:23 | 0:06:25 | |
This is just temporary, right, her being back here? | 0:06:30 | 0:06:34 | |
Oh, see how it goes, really. | 0:06:34 | 0:06:37 | |
And what about us... | 0:06:40 | 0:06:43 | |
do you think, Roy? | 0:06:43 | 0:06:46 | |
When you say "us," it makes it sound like we're a couple. | 0:06:46 | 0:06:49 | |
Well, that's what we've been. | 0:06:50 | 0:06:52 | |
In front of people, that's what we've been. | 0:06:54 | 0:06:59 | |
I'm not trying to lead you on. | 0:06:59 | 0:07:00 | |
Oh, jeez, Roy! | 0:07:00 | 0:07:03 | |
I'd say you pretty much have. | 0:07:04 | 0:07:07 | |
Look, I reckon you can do much better than me, Dawn. | 0:07:11 | 0:07:14 | |
I'm just too set in my ways. | 0:07:16 | 0:07:18 | |
I've been set in my ways, too. | 0:07:21 | 0:07:23 | |
That's why this has been nice. | 0:07:26 | 0:07:30 | |
Well, too right it is. I mean, it is. | 0:07:30 | 0:07:33 | |
Good morning, Dawn. | 0:07:35 | 0:07:37 | |
Morning, Sarah. | 0:07:39 | 0:07:40 | |
Enjoy the bread. | 0:07:42 | 0:07:43 | |
Do you need to go and smooth things over? | 0:07:48 | 0:07:51 | |
Not with Regina out to get you. | 0:07:51 | 0:07:53 | |
I'll wait till Doris turns up. | 0:07:53 | 0:07:55 | |
No need being skittish. | 0:07:55 | 0:07:56 | |
Until she's actually put away, | 0:07:58 | 0:08:00 | |
I'm sure she's basking in fool's paradise, confident she's won. | 0:08:00 | 0:08:03 | |
What about this one? | 0:08:07 | 0:08:08 | |
Ah, this is more my cup of tea. Thank you. | 0:08:09 | 0:08:12 | |
A courtesy to inform you of a luncheon for 50 people, | 0:08:12 | 0:08:15 | |
possibly 100. | 0:08:15 | 0:08:17 | |
Some of George's political supporters. | 0:08:17 | 0:08:20 | |
I'll be busy, but thank you all the same. | 0:08:20 | 0:08:23 | |
George will be surrounded by his family, | 0:08:23 | 0:08:25 | |
including the aged and infirm. | 0:08:25 | 0:08:28 | |
You'll be seated at pride of place, next to Sir Richard. | 0:08:28 | 0:08:31 | |
-As I said... -You reside here. I reign here. | 0:08:31 | 0:08:36 | |
I will be blunting all the knives. | 0:08:40 | 0:08:42 | |
Now, ladies, I'm not quite sure what all this is about, | 0:08:42 | 0:08:44 | |
but I was fervently hoping | 0:08:44 | 0:08:47 | |
you had come in to invite me out for another ride. | 0:08:47 | 0:08:50 | |
Oh, no, I only smoke very occasionally these days. | 0:08:51 | 0:08:54 | |
I'm sure you do. | 0:08:54 | 0:08:56 | |
We did say the best of three. | 0:08:56 | 0:08:58 | |
Only on one condition. | 0:08:58 | 0:09:00 | |
That depends. | 0:09:00 | 0:09:02 | |
No more suggestive remarks about my posterior. | 0:09:02 | 0:09:05 | |
I really can't imagine what you mean! | 0:09:07 | 0:09:09 | |
I'm going to hold you to it. | 0:09:12 | 0:09:15 | |
I'm sure you will. | 0:09:15 | 0:09:16 | |
Oh! Aunt Peg! | 0:09:47 | 0:09:51 | |
Oh, what lovely work! | 0:09:51 | 0:09:54 | |
Oh, look at the eyes! | 0:09:54 | 0:09:56 | |
And that tail! | 0:09:56 | 0:09:58 | |
You know, Peg made me an elephant when I was little. | 0:09:58 | 0:10:01 | |
It was my favourite toy for years. He's going to love these. | 0:10:01 | 0:10:05 | |
I do hope Mrs Carvolth knows what she's taking on. | 0:10:06 | 0:10:11 | |
Men like Mr Briggs when they reach a certain age, | 0:10:11 | 0:10:13 | |
it's either their way or the highway, I've observed. | 0:10:13 | 0:10:16 | |
You know, I read an article once in the National Geographic, | 0:10:19 | 0:10:23 | |
that in Africa, | 0:10:23 | 0:10:24 | |
the older male elephants, when they're no longer of use, | 0:10:24 | 0:10:27 | |
get pushed out of the herd. | 0:10:27 | 0:10:29 | |
Get pushed out on to the savanna by the females. | 0:10:30 | 0:10:34 | |
Interesting. | 0:10:35 | 0:10:37 | |
Not that I'm suggesting that for Mr Briggs. | 0:10:37 | 0:10:39 | |
Of course not. He's still quite useful. | 0:10:39 | 0:10:42 | |
Indeed, albeit somewhat high-handed at times. | 0:10:42 | 0:10:47 | |
Obviously Mrs Carvolth doesn't mind, | 0:10:47 | 0:10:50 | |
or perhaps she does. | 0:10:50 | 0:10:53 | |
You have to get a ticket. It's brilliant, honestly. | 0:11:02 | 0:11:05 | |
The Phillip Street revue. | 0:11:05 | 0:11:06 | |
The two David Jones floorwalkers. | 0:11:06 | 0:11:08 | |
Oh, and it is about the royal tour. | 0:11:08 | 0:11:10 | |
Oh, don't look over there in the socks and jocks department. | 0:11:10 | 0:11:14 | |
Isn't that Prince Philip? I think he might need help with his sizing! | 0:11:14 | 0:11:17 | |
And then Gordon Chater goes, | 0:11:17 | 0:11:18 | |
"Don't you wonder what it's like, ducky, sleeping with a Queen?" | 0:11:18 | 0:11:21 | |
He had him down to a T, unlike me! | 0:11:21 | 0:11:23 | |
Sounds good. Want to go along? | 0:11:23 | 0:11:25 | |
I've had enough of the royal tour to last me a lifetime. | 0:11:25 | 0:11:28 | |
You were falling over your stethoscopes, I'm sure, | 0:11:28 | 0:11:30 | |
when Her Majesty visited you lot. | 0:11:30 | 0:11:32 | |
Stale tales, boring. | 0:11:32 | 0:11:34 | |
Pardon us for living, Dr Fox(!) | 0:11:34 | 0:11:37 | |
-How are we all today? -Mr Fox, as I live and breathe... | 0:11:37 | 0:11:41 | |
So, these people are... | 0:11:43 | 0:11:45 | |
Henry's set, mostly. | 0:11:45 | 0:11:47 | |
So it's not just... | 0:11:47 | 0:11:48 | |
Some of these people look like straights. | 0:11:50 | 0:11:52 | |
They are. A few of Aunt Carolyn's friends, actually. | 0:11:52 | 0:11:56 | |
-And they're all right with us? -Yes. | 0:11:56 | 0:11:59 | |
We're not in Inverness now! | 0:11:59 | 0:12:01 | |
-I'm not sure this is for me. -You're with me. You fit in. | 0:12:07 | 0:12:10 | |
-Now we see why Henry Foxy has had the tom tits. -Who's he? | 0:12:17 | 0:12:21 | |
MAN MURMURS | 0:12:21 | 0:12:23 | |
I never told anyone bring a friend. | 0:12:27 | 0:12:30 | |
For all I know, he's about to sing on the coppers | 0:12:30 | 0:12:32 | |
and send us all to the clink. | 0:12:32 | 0:12:34 | |
I'll talk to him. | 0:12:35 | 0:12:37 | |
Hello, stranger. | 0:12:42 | 0:12:44 | |
Indeed. | 0:12:44 | 0:12:46 | |
So you two finally get to meet. | 0:12:46 | 0:12:49 | |
Harry Polson, you remember Henry Fox? | 0:12:49 | 0:12:52 | |
Would you excuse us for a moment? James. | 0:12:53 | 0:12:57 | |
Back in a tick. | 0:12:59 | 0:13:01 | |
Honestly, James! | 0:13:09 | 0:13:11 | |
What a stupid thing to do, to bring him. | 0:13:11 | 0:13:14 | |
The host is very upset. Everyone's on edge. | 0:13:14 | 0:13:17 | |
He's a friend, I didn't think anyone would mind. | 0:13:17 | 0:13:19 | |
You know this set-up. | 0:13:19 | 0:13:22 | |
Everyone knows each other, they trust each other. | 0:13:22 | 0:13:25 | |
Perhaps if you returned my phone calls I could have asked. | 0:13:25 | 0:13:28 | |
Stop being such a bore. | 0:13:28 | 0:13:31 | |
I've got enough pressure going on without this, so just sort it out. | 0:13:31 | 0:13:35 | |
I know how much you're needed at the hospital, Doris. | 0:13:41 | 0:13:44 | |
I don't want to take up your whole day. | 0:13:44 | 0:13:47 | |
Mr Briggs ordered me not to leave until he returned. | 0:13:47 | 0:13:51 | |
-He ordered me. -Why didn't you say? I'm fine. | 0:13:51 | 0:13:54 | |
I've got Lucky and I've got this. | 0:13:54 | 0:13:57 | |
Oh, goodness me! | 0:13:57 | 0:13:59 | |
Oh, Roy thought he saw a brown snake yesterday, that's all. | 0:13:59 | 0:14:03 | |
Have you ever used a firearm, Sister Nordmann? | 0:14:03 | 0:14:07 | |
Oh! I mean, I think I could, if I had to. | 0:14:07 | 0:14:11 | |
CAR APPROACHES | 0:14:13 | 0:14:15 | |
Oh, that's probably him now. | 0:14:15 | 0:14:17 | |
Oh, I do wish that Mr Briggs would install a telephone. | 0:14:34 | 0:14:39 | |
I've been wanting to talk to you all morning. | 0:14:39 | 0:14:41 | |
-I won't stay long. -No, no. | 0:14:41 | 0:14:44 | |
-You're very welcome. -Thank you. | 0:14:44 | 0:14:48 | |
Well, our plan worked. | 0:14:48 | 0:14:50 | |
Magnificently. | 0:14:50 | 0:14:52 | |
Your proof absolute. | 0:14:52 | 0:14:53 | |
George told me of the threats. | 0:14:53 | 0:14:55 | |
I'm so sorry you had to endure them. | 0:14:55 | 0:14:58 | |
Well, they were imaginative, to say the least. | 0:14:58 | 0:15:00 | |
-Even Douglas was on the receiving end. -Yes. -We're all rather on edge. | 0:15:00 | 0:15:04 | |
-Was George any clearer on how he was going to proceed? -Thank you. | 0:15:06 | 0:15:10 | |
He would prefer none of us know the details | 0:15:10 | 0:15:12 | |
so that when we cross paths with her, it's just an ordinary day. | 0:15:12 | 0:15:16 | |
It's easier for me, I'm not leaving the house. | 0:15:16 | 0:15:18 | |
But you are making sure the door is locked? | 0:15:18 | 0:15:20 | |
Roy won't be long. | 0:15:20 | 0:15:22 | |
In any case, she's up to her elbows organising a luncheon. | 0:15:22 | 0:15:25 | |
I must make sure the invitations don't go out in the post. | 0:15:25 | 0:15:29 | |
Well, this time tomorrow... | 0:15:29 | 0:15:32 | |
George will have shut the lid on Pandora's box. | 0:15:32 | 0:15:35 | |
I wonder how...different we'll all feel? | 0:15:35 | 0:15:39 | |
Jack described it as a megalomania of sorts. | 0:15:42 | 0:15:46 | |
Condition seeded years ago. | 0:15:46 | 0:15:48 | |
A fierce sibling jealousy of Elaine for winning George's heart. | 0:15:49 | 0:15:53 | |
Or it started in early childhood. | 0:15:53 | 0:15:56 | |
None of which makes it any easier to be on the receiving end. | 0:15:56 | 0:16:00 | |
Oh, I almost forgot! | 0:16:00 | 0:16:03 | |
George! | 0:16:10 | 0:16:12 | |
Is there a slight resemblance there to David? | 0:16:12 | 0:16:15 | |
BABY CRIES | 0:16:16 | 0:16:19 | |
It always feels like feeding time. | 0:16:19 | 0:16:21 | |
Well, I should stay until Mr Briggs comes back. | 0:16:22 | 0:16:25 | |
He'll be back soon, I promise. | 0:16:25 | 0:16:26 | |
How would you feel about having a little hold? | 0:16:29 | 0:16:32 | |
Back in a moment. | 0:16:32 | 0:16:33 | |
What news, Sergeant? | 0:17:04 | 0:17:06 | |
I wonder. | 0:17:06 | 0:17:08 | |
So these protection blokes from the Prime Minister's office | 0:17:39 | 0:17:42 | |
will come in handy. | 0:17:42 | 0:17:44 | |
This Communist cell, Soviet teaching place, | 0:17:44 | 0:17:47 | |
it's only about 15 miles from here. | 0:17:47 | 0:17:49 | |
So close. And? | 0:17:49 | 0:17:52 | |
I've got a woman in the post office monitoring her mail. | 0:17:53 | 0:17:56 | |
Quite a bit from someone going by Aunt Peg. | 0:17:56 | 0:17:58 | |
-Possibly code. -It would be. | 0:17:58 | 0:18:01 | |
All of her relatives are dead and gone. | 0:18:01 | 0:18:04 | |
Well, these Canberra blokes have pulled out a theory, | 0:18:04 | 0:18:06 | |
-but without solid proof... -Oh, for the love of God! | 0:18:06 | 0:18:08 | |
Someone should just run her and the brat off the road and be done with it! | 0:18:08 | 0:18:12 | |
I'm still scared for my life. | 0:18:15 | 0:18:18 | |
How fortunate to have you to protect me. | 0:18:18 | 0:18:23 | |
Excuse me. | 0:19:14 | 0:19:16 | |
I seem to have taken a wrong turn. | 0:19:16 | 0:19:18 | |
When you get back to our gate, | 0:19:22 | 0:19:24 | |
you turn left and just follow that road for about, I don't know, | 0:19:24 | 0:19:28 | |
three or four miles. | 0:19:28 | 0:19:30 | |
You lived here long? | 0:19:31 | 0:19:33 | |
A while. | 0:19:33 | 0:19:35 | |
I'm here doing some writing for the Socialist Worker. | 0:19:35 | 0:19:37 | |
The union wants a story. | 0:19:37 | 0:19:39 | |
There's been some trouble with the Blighs. | 0:19:39 | 0:19:41 | |
Poor conditions, below the awards. | 0:19:41 | 0:19:43 | |
Is that the sort of thing you hear? | 0:19:43 | 0:19:46 | |
I work at the hospital. | 0:19:46 | 0:19:48 | |
They seem very well looked after during the season. | 0:19:48 | 0:19:51 | |
Big wool profits this year. | 0:19:51 | 0:19:53 | |
No excuse to shaft the workers, is there? | 0:19:53 | 0:19:55 | |
Anything you say will be off the record. | 0:19:55 | 0:19:57 | |
You really should speak to them. They're a good family. | 0:19:57 | 0:20:00 | |
Still landed gentry though, aren't they? | 0:20:00 | 0:20:03 | |
How do I put this? Um... | 0:20:04 | 0:20:07 | |
Not everyone here votes Country Party, | 0:20:07 | 0:20:09 | |
even the rusted-on Labor voters were behind George Bligh. | 0:20:09 | 0:20:13 | |
-Did you support him? -Yes, I did, actually. | 0:20:13 | 0:20:16 | |
What's this really about? | 0:20:18 | 0:20:20 | |
-Just doing my job. -Which is what? | 0:20:21 | 0:20:23 | |
It's OK. | 0:20:26 | 0:20:28 | |
So Papa and I thought... | 0:20:41 | 0:20:43 | |
GINO SPEAKS ITALIAN | 0:20:43 | 0:20:46 | |
You know, a tasting room. | 0:20:46 | 0:20:47 | |
A little hut where they can taste the wine before they buy it. | 0:20:47 | 0:20:50 | |
And the straw wrapping on the wine bottles, I saw all that. | 0:20:50 | 0:20:53 | |
Gino, this health situation with Anna. | 0:20:55 | 0:20:59 | |
Obviously, she and I have talked about it. | 0:21:00 | 0:21:03 | |
At least you're honest enough to tell me. | 0:21:03 | 0:21:05 | |
We'll sort it out. | 0:21:05 | 0:21:07 | |
Not even Anna knows what I'm about to tell you. | 0:21:10 | 0:21:13 | |
I can't father a child. | 0:21:21 | 0:21:23 | |
-What about Anna? -I won't go into details, | 0:21:23 | 0:21:26 | |
but it's something that happened in the war. | 0:21:26 | 0:21:28 | |
I thought the best thing would be if I just never loved a woman again. | 0:21:28 | 0:21:31 | |
I nearly lost Carolyn for good because of that. | 0:21:34 | 0:21:36 | |
So Carolyn knew this when she married you? | 0:21:36 | 0:21:38 | |
Of course. | 0:21:38 | 0:21:40 | |
Marriage is about family. | 0:21:42 | 0:21:44 | |
There's no point doing it if you can't have children. | 0:21:44 | 0:21:46 | |
Plenty of happy couples can't have children. | 0:21:46 | 0:21:49 | |
-Or they adopt. -I don't believe in that. | 0:21:49 | 0:21:52 | |
Anyway, you've got Anna. It's not the same. | 0:21:52 | 0:21:55 | |
Just make sure you and Anna don't close down like I did. | 0:21:55 | 0:21:59 | |
I'm not going to leave Anna or anything, if that's what you think. | 0:22:04 | 0:22:08 | |
If you want someone to talk to... | 0:22:08 | 0:22:11 | |
Anyway, I'm Catholic, I can't. | 0:22:11 | 0:22:13 | |
A divorce, you're excommunicated, cut out of everything, | 0:22:13 | 0:22:17 | |
the rest of your life's a shell. It's the way it goes. | 0:22:17 | 0:22:20 | |
Sorry. | 0:23:04 | 0:23:06 | |
Found some people to talk to? | 0:23:06 | 0:23:08 | |
Rodgers and Hammer... | 0:23:09 | 0:23:13 | |
something... | 0:23:13 | 0:23:14 | |
They write musicals. South Pacific, I think. | 0:23:14 | 0:23:17 | |
It's a big barrel of laughs that I've never heard of them. | 0:23:19 | 0:23:22 | |
-What smart aleck was that? -It doesn't matter. | 0:23:25 | 0:23:28 | |
Was it that chap in the white suit? | 0:23:31 | 0:23:33 | |
That was a sly proposition to meet down in the park after dark. | 0:23:34 | 0:23:38 | |
I've had two of those so far. | 0:23:38 | 0:23:39 | |
You came with me. | 0:23:41 | 0:23:42 | |
I told you back home they think I'm rough trade. | 0:23:44 | 0:23:47 | |
Don't. | 0:23:47 | 0:23:48 | |
-You on your way? -When we leave, feel free to tell this crowd that | 0:23:59 | 0:24:02 | |
Harry was bashed and left for dead not long ago for being one of us. | 0:24:02 | 0:24:05 | |
One of us. | 0:24:07 | 0:24:08 | |
I'm sorry you didn't bother to get to know him today. | 0:24:09 | 0:24:11 | |
He's a good-hearted decent man. | 0:24:11 | 0:24:13 | |
Use your head, Bligh. | 0:24:13 | 0:24:15 | |
If Lord Montague serves a year in Wormwood Scrubs, | 0:24:17 | 0:24:21 | |
-where does that leave the rest of us? -That was... | 0:24:21 | 0:24:23 | |
That was on the other side of the world. | 0:24:27 | 0:24:30 | |
This is here, now. | 0:24:30 | 0:24:33 | |
-Today. -It happens here every night. | 0:24:33 | 0:24:35 | |
Try ringing the truth from time to time. | 0:24:36 | 0:24:38 | |
So let's all fret about being dismissed by society | 0:24:38 | 0:24:40 | |
and form a society that dismisses our own? | 0:24:40 | 0:24:43 | |
-You don't understand. -No, I don't. | 0:24:44 | 0:24:47 | |
I won't see you later. | 0:24:53 | 0:24:55 | |
No, you won't. | 0:25:04 | 0:25:06 | |
Don't leave yet. We wanted to apologise for everyone. | 0:25:23 | 0:25:26 | |
Just, if I made you feel uncomfortable, I'm sorry. | 0:25:26 | 0:25:28 | |
The trouble with these parties is we're all so insular. | 0:25:28 | 0:25:31 | |
-Go on, Tom, tell him what you told me. -No, Gracie. -We should go. | 0:25:31 | 0:25:34 | |
-The reason I didn't talk to you in there... -Look, it's all right. | 0:25:34 | 0:25:36 | |
..is because you're so devastatingly handsome. | 0:25:36 | 0:25:39 | |
Thank you. | 0:25:43 | 0:25:44 | |
I believe you know a bit about gardens. | 0:25:45 | 0:25:48 | |
-Yeah, a bit. -You're an expert. | 0:25:50 | 0:25:53 | |
They're not a bad crew. Come back and have a drink. | 0:25:56 | 0:25:59 | |
We'll look after him. | 0:25:59 | 0:26:00 | |
Go on. | 0:26:04 | 0:26:06 | |
What about you? | 0:26:07 | 0:26:09 | |
I'm fine. | 0:26:11 | 0:26:12 | |
I'd hate for you to feel we're driving you away. | 0:26:12 | 0:26:15 | |
No. | 0:26:15 | 0:26:17 | |
I've got things to do. | 0:26:17 | 0:26:18 | |
Enjoy yourselves. | 0:26:20 | 0:26:22 | |
Henry's just got a case of the bitters. He'll come good. | 0:26:28 | 0:26:31 | |
CAR HORN BLARES | 0:26:56 | 0:26:58 | |
Why don't you tell me straight what's going on? | 0:27:24 | 0:27:26 | |
Mate, I don't even know what you're doing. | 0:27:26 | 0:27:29 | |
"And unto us a child is born, in a manger in Inverness." | 0:27:29 | 0:27:32 | |
-You got me there! -"Us," it says, "us." | 0:27:34 | 0:27:38 | |
Whatever you're doing, you know it's got nothing to do with me. | 0:27:46 | 0:27:49 | |
You'd have had your day in court if it wasn't for the prosecutors. | 0:27:49 | 0:27:52 | |
If I were you, I'd just forget about this and be on my way. | 0:27:52 | 0:27:54 | |
When I went back to Malaya, | 0:27:54 | 0:27:56 | |
I thought a lot more about the two of you. | 0:27:56 | 0:27:57 | |
-Geeing me up to kill an unborn child... -Hey, you listen, sunshine. | 0:27:57 | 0:28:01 | |
-And the more I thought about it... -Nordmann killed your fiancee, | 0:28:01 | 0:28:03 | |
with the intention of framing Regina Bligh | 0:28:03 | 0:28:06 | |
to destroy George Bligh's campaign. | 0:28:06 | 0:28:09 | |
Nearly died a painful death at her hands. | 0:28:09 | 0:28:11 | |
No-one was geeing you up. | 0:28:11 | 0:28:14 | |
The problem with all of that... | 0:28:14 | 0:28:16 | |
is the last couple of days I've been watching Nordmann very closely. | 0:28:16 | 0:28:21 | |
She isn't a subversive's bootstrap. | 0:28:21 | 0:28:24 | |
The wealthiest family in the district are in | 0:28:24 | 0:28:25 | |
and out of her place, visiting like they're old friends. | 0:28:25 | 0:28:28 | |
They're all Commies, are they? | 0:28:28 | 0:28:29 | |
You should just head off now, mate. | 0:28:32 | 0:28:35 | |
That telegram... | 0:28:35 | 0:28:36 | |
..was like a victory announcement or something, like it was all a joke. | 0:28:38 | 0:28:41 | |
All jolly japes. | 0:28:41 | 0:28:43 | |
Like someone can't wait for Nordmann to be dead. | 0:28:43 | 0:28:47 | |
All right. | 0:28:51 | 0:28:53 | |
You drive out to Brunston. | 0:28:54 | 0:28:56 | |
Stay in the pub overnight and I'll phone you. | 0:28:56 | 0:28:58 | |
-To tell me what? -To give you some answers. | 0:28:58 | 0:29:00 | |
No more bullshit. | 0:29:00 | 0:29:01 | |
First thing tomorrow. | 0:29:01 | 0:29:03 | |
You know what I reckon? If I'm being played here, then you are too. | 0:29:05 | 0:29:09 | |
Probably a hell of a lot more. | 0:29:09 | 0:29:11 | |
You can't keep reporters out of the courtroom if she goes to trial. | 0:29:26 | 0:29:30 | |
By that stage she would have been committed for some time. | 0:29:30 | 0:29:33 | |
Her views on the family will be seen through that prism. | 0:29:33 | 0:29:36 | |
Hopefully her vitriol diminished. | 0:29:36 | 0:29:38 | |
Look, I have to say, I don't go much on your family. | 0:29:38 | 0:29:42 | |
You and I both know that my family are | 0:29:42 | 0:29:45 | |
the basis of my political career. | 0:29:45 | 0:29:47 | |
If Regina carries out these threats, if she rails in public, | 0:29:47 | 0:29:51 | |
everything you and I've worked for collapses in one bloody heap. | 0:29:51 | 0:29:55 | |
Ah. | 0:29:55 | 0:29:56 | |
In this first stage, as much discretion as we can muster. | 0:29:58 | 0:30:02 | |
Call in favours, if need be. | 0:30:03 | 0:30:05 | |
No-one needs to know she's gone gaga. | 0:30:05 | 0:30:08 | |
I'll make some calls. | 0:30:08 | 0:30:10 | |
-Thank you. -All right. | 0:30:11 | 0:30:14 | |
You owe me one! | 0:30:16 | 0:30:18 | |
So there's your bloke. | 0:30:34 | 0:30:36 | |
This has got bloody Taylor written all over it. | 0:30:36 | 0:30:40 | |
Right, you! Yeah, you. | 0:30:40 | 0:30:43 | |
Remember me? You didn't have a light. | 0:30:43 | 0:30:45 | |
I've got two words for you - bugger off! | 0:30:45 | 0:30:47 | |
Whatever you've got, we don't want any. | 0:30:47 | 0:30:49 | |
-Go inside. -My name's Gordon Walsh. | 0:30:49 | 0:30:52 | |
-Stay right there. -Milly Davis' fiance? | 0:30:52 | 0:30:54 | |
I just want to know who killed her. | 0:30:54 | 0:30:56 | |
I think you might have a pretty good idea. | 0:30:56 | 0:30:58 | |
Do you have anything to prove who you are? | 0:30:58 | 0:31:00 | |
Get away from that car. What are you doing with that? | 0:31:02 | 0:31:05 | |
I was almost fooled into killing someone. | 0:31:08 | 0:31:10 | |
-Who? -You. | 0:31:12 | 0:31:15 | |
Who is it? | 0:31:15 | 0:31:17 | |
Who is it that wants me dead? | 0:31:17 | 0:31:19 | |
Regina Bligh. | 0:31:21 | 0:31:22 | |
It's all so... | 0:31:33 | 0:31:35 | |
It's all so... | 0:31:35 | 0:31:36 | |
It's all so terribly sad. | 0:31:38 | 0:31:41 | |
She was a marvellous nursing sister. | 0:31:41 | 0:31:44 | |
The baby? | 0:31:44 | 0:31:46 | |
Put up for adoption, it's all underway. | 0:31:46 | 0:31:48 | |
No. | 0:31:48 | 0:31:50 | |
No sign of the gunman. | 0:31:50 | 0:31:51 | |
KNOCK ON DOOR | 0:31:51 | 0:31:53 | |
Telephone for you, Mrs Bligh. | 0:31:53 | 0:31:55 | |
A gentleman, but he didn't give his name. | 0:31:55 | 0:31:57 | |
Mrs Bligh speaking. | 0:32:01 | 0:32:03 | |
Whoa! | 0:32:19 | 0:32:21 | |
Summoned twice in one day, Sergeant Taylor. | 0:32:21 | 0:32:24 | |
I'm flattered. What can I say? | 0:32:24 | 0:32:27 | |
Gordon Walsh is back in town. | 0:32:27 | 0:32:29 | |
I wonder how he knew the baby was born. | 0:32:31 | 0:32:34 | |
I don't know. | 0:32:34 | 0:32:35 | |
How do you think he found out that she'd had the kid? | 0:32:38 | 0:32:42 | |
Goodness, Brian, your guess is as good as mine. | 0:32:43 | 0:32:46 | |
He wanted to be informed. | 0:32:52 | 0:32:54 | |
You had no right to do this. | 0:32:56 | 0:32:58 | |
A child is born in Inverness? Jesus wept! | 0:32:59 | 0:33:03 | |
-Detective Plod could trace this in his lunch hour! -He wanted justice! | 0:33:03 | 0:33:06 | |
Except he doesn't think Nordmann's a subversive at all. | 0:33:06 | 0:33:09 | |
He's seen the Blighs and her, all very chummy. | 0:33:09 | 0:33:11 | |
They're a bunch of sentimental old fools! | 0:33:11 | 0:33:13 | |
Coo-cooing over the brand-new Jew like the Three Wise Men, | 0:33:13 | 0:33:16 | |
-without the myrrh. -You know, this got me thinking. | 0:33:16 | 0:33:20 | |
Who is the father of the Nordmann child? | 0:33:21 | 0:33:24 | |
The milkman or the dustman, for all we know. | 0:33:24 | 0:33:27 | |
Or George Bligh. | 0:33:28 | 0:33:30 | |
It's her dead husband's, for goodness' sake! | 0:33:30 | 0:33:33 | |
And who did poison Milly Davis? | 0:33:38 | 0:33:41 | |
She did. Have you gone mad?! | 0:33:41 | 0:33:44 | |
See, if Walsh goes to the bosses, I will be up the creek. | 0:33:49 | 0:33:52 | |
He'd hardly incriminate himself. Brian, listen, listen... | 0:33:52 | 0:33:55 | |
No. I have a wife and child to support. | 0:33:55 | 0:33:59 | |
I can't afford to go down for this. | 0:33:59 | 0:34:02 | |
I can't see you for a while. | 0:34:04 | 0:34:06 | |
You make this sound like we're not a team. Are we a team? | 0:34:06 | 0:34:10 | |
I just need to work stuff out. | 0:34:10 | 0:34:12 | |
Brian, what are you doing? | 0:34:12 | 0:34:14 | |
Wait. Wait! | 0:34:14 | 0:34:17 | |
Wait! Wait! | 0:34:17 | 0:34:18 | |
The only lie I told was about the telegram. | 0:34:18 | 0:34:21 | |
I had too much to drink and I'm in love with you. | 0:34:21 | 0:34:24 | |
Hopelessly. Please, let's talk. | 0:34:24 | 0:34:26 | |
Get out of the car, please. | 0:34:26 | 0:34:28 | |
All that matters is the Jew killed that girl. | 0:34:28 | 0:34:31 | |
-You know that. -This isn't funny. | 0:34:31 | 0:34:33 | |
-Hop out of the car, please. -It isn't what? | 0:34:33 | 0:34:37 | |
It isn't funny? Not funny? | 0:34:37 | 0:34:39 | |
Really?! | 0:34:41 | 0:34:42 | |
Well, how about this?! | 0:34:43 | 0:34:45 | |
You do not want to go back to your stupid, stupid wife! | 0:34:47 | 0:34:50 | |
Do you? | 0:34:50 | 0:34:52 | |
Oh, thank goodness! | 0:34:57 | 0:34:59 | |
What are you doing here? | 0:35:02 | 0:35:04 | |
Is James not with you? | 0:35:04 | 0:35:06 | |
I have been telephoning all around trying to find you. | 0:35:06 | 0:35:09 | |
It's deja vu. Please don't run crying down the street. | 0:35:09 | 0:35:13 | |
He was supposed to be meeting you at a party? | 0:35:13 | 0:35:15 | |
He came. He saw. He scarpered. | 0:35:15 | 0:35:18 | |
So who's he with? | 0:35:18 | 0:35:21 | |
There was a period when you were quite nice. | 0:35:21 | 0:35:23 | |
Henry. Regina's on the warpath. | 0:35:23 | 0:35:26 | |
She is threatening to expose him. | 0:35:26 | 0:35:28 | |
He left on his own. | 0:35:31 | 0:35:34 | |
Hours ago, his hotel as usual, I don't know. | 0:35:34 | 0:35:37 | |
I've been there too, and I keep telephoning them, | 0:35:37 | 0:35:40 | |
but they are rather wary of wives tracking down their husbands. | 0:35:40 | 0:35:44 | |
If James comes here, be careful. | 0:35:44 | 0:35:47 | |
She may already have telephoned photographers, | 0:35:47 | 0:35:50 | |
a private detective... Who would know? | 0:35:50 | 0:35:52 | |
I'll come to the hotel. | 0:35:54 | 0:35:56 | |
Just me. Discretion is the first order. | 0:35:56 | 0:35:59 | |
Discretion used to be my middle name. | 0:35:59 | 0:36:01 | |
There's something he needs to know. | 0:36:01 | 0:36:03 | |
SHE CRIES | 0:36:32 | 0:36:34 | |
KNOCK ON DOOR | 0:36:42 | 0:36:44 | |
Come in. | 0:36:44 | 0:36:45 | |
I'd kill for a sherry. | 0:36:50 | 0:36:53 | |
Or five. | 0:36:53 | 0:36:55 | |
But you go first. | 0:36:57 | 0:36:59 | |
I, um... | 0:37:05 | 0:37:06 | |
I'm very ashamed to have to tell you... | 0:37:13 | 0:37:17 | |
Well, some months ago I succumbed to blackmail. | 0:37:19 | 0:37:23 | |
The very thing we all fear, and I caved. | 0:37:27 | 0:37:31 | |
Out of sheer terror. Still, I...crumbled. | 0:37:33 | 0:37:38 | |
And it's been... | 0:37:40 | 0:37:43 | |
devouring me to the point where I can barely breathe. | 0:37:43 | 0:37:46 | |
Who? | 0:37:50 | 0:37:51 | |
Regina Bligh. | 0:37:53 | 0:37:55 | |
Sorry I'm late. | 0:38:33 | 0:38:35 | |
How are you two? | 0:38:41 | 0:38:43 | |
I was just saying that, um, | 0:38:43 | 0:38:44 | |
as I understand it, in the Catholic church, | 0:38:44 | 0:38:48 | |
annulment is possible under certain conditions. | 0:38:48 | 0:38:51 | |
-I beg your pardon? -Mama asked Father Joe for me. | 0:38:51 | 0:38:54 | |
-Why? -You went to my priest? | 0:38:56 | 0:38:58 | |
In confidence, Gino. | 0:38:58 | 0:39:00 | |
The couple doesn't have to get divorced. | 0:39:00 | 0:39:02 | |
We can appear before a tribunal | 0:39:02 | 0:39:04 | |
and the case would rest on my inability to have children... | 0:39:04 | 0:39:07 | |
You told her this? | 0:39:07 | 0:39:09 | |
You're saying all this to shock me? | 0:39:09 | 0:39:11 | |
These are the facts, that's all, for you both. | 0:39:11 | 0:39:14 | |
I don't want to see either of you give up on this marriage. | 0:39:16 | 0:39:18 | |
Oh, that's a blessed relief! | 0:39:18 | 0:39:21 | |
But I don't want to see you trapped, caught in a marriage, | 0:39:21 | 0:39:24 | |
-because you think you can't get out. -Let's just slow down. | 0:39:24 | 0:39:27 | |
After all you two went through to get together. | 0:39:32 | 0:39:35 | |
You want to break up over this? | 0:39:35 | 0:39:37 | |
This is a rough patch, | 0:39:38 | 0:39:40 | |
but you'll look back on this time one day and you will... | 0:39:40 | 0:39:43 | |
What were you thinking? | 0:39:50 | 0:39:52 | |
If they know their options, at least they can decide. | 0:39:52 | 0:39:55 | |
How dare you bring it up in front of them! | 0:39:57 | 0:39:59 | |
Gino, please, this annulment... | 0:39:59 | 0:40:01 | |
There's... There's more... | 0:40:01 | 0:40:03 | |
There's more to it. | 0:40:04 | 0:40:06 | |
I love you, Anna. | 0:40:07 | 0:40:08 | |
Is this seriously what you want? | 0:40:10 | 0:40:12 | |
Anna, tell me! | 0:40:12 | 0:40:13 | |
Anna! | 0:40:15 | 0:40:17 | |
If we went to a tribunal, | 0:40:19 | 0:40:21 | |
it wouldn't just be because I can't have children. | 0:40:21 | 0:40:25 | |
It would... | 0:40:25 | 0:40:27 | |
It would be because I... | 0:40:28 | 0:40:31 | |
I knew before we were married and I kept it from you. | 0:40:31 | 0:40:35 | |
Is that true? | 0:40:41 | 0:40:42 | |
Yes. | 0:40:44 | 0:40:46 | |
The doctor told me after my miscarriage | 0:40:46 | 0:40:48 | |
that it would be very unlikely. | 0:40:48 | 0:40:50 | |
But you see, I did it because | 0:40:53 | 0:40:55 | |
I thought that I would lose you, Gino, | 0:40:55 | 0:40:57 | |
and I love you so much and I just... | 0:40:57 | 0:40:59 | |
I didn't think you'd marry me if you knew. | 0:41:00 | 0:41:03 | |
You lied to me. | 0:41:04 | 0:41:06 | |
You tell them they need to go home. | 0:41:09 | 0:41:11 | |
Tell them to leave. | 0:41:13 | 0:41:15 | |
I've briefed everyone at home. | 0:41:27 | 0:41:30 | |
Jack's been most helpful with these referrals. | 0:41:30 | 0:41:33 | |
Riverview Hall's one of the best. | 0:41:33 | 0:41:35 | |
I should get going before they arrive. | 0:41:38 | 0:41:41 | |
Please...be on alert | 0:41:42 | 0:41:45 | |
in case anything goes wrong. | 0:41:45 | 0:41:48 | |
SHE SPEAKS HEBREW | 0:41:48 | 0:41:50 | |
This too is for the good. | 0:41:52 | 0:41:54 | |
I love you. | 0:42:10 | 0:42:12 | |
Good evening, I'm George Bligh. | 0:43:04 | 0:43:06 | |
-Dr Griffin. -I'll take you up to my wife. | 0:43:06 | 0:43:09 | |
-I'll stay downstairs, but if you need help with Regina... -Thank you. | 0:43:09 | 0:43:13 | |
Mrs Bligh! Oh, my gosh! There are people coming to get you! | 0:43:23 | 0:43:27 | |
-Who? -Doctors, I think. | 0:43:27 | 0:43:29 | |
If you'd like to follow me, gentlemen. | 0:43:36 | 0:43:38 | |
The room is on the next floor, gentlemen, follow me. | 0:43:44 | 0:43:47 | |
Rose, is Mrs Bligh upstairs? | 0:43:47 | 0:43:49 | |
I'm not sure, sir. | 0:43:49 | 0:43:51 | |
I should inform you my mother received a phone call | 0:43:58 | 0:44:01 | |
from my son in Sydney. | 0:44:01 | 0:44:02 | |
Apparently, Mrs Bligh is addicted to morphine. | 0:44:02 | 0:44:05 | |
KNOCK ON DOOR Regina? | 0:44:19 | 0:44:22 | |
KNOCK ON DOOR Regina? | 0:44:23 | 0:44:25 | |
KNOCK ON DOOR Regina? | 0:44:28 | 0:44:30 | |
Regina? I need to speak with you. | 0:44:33 | 0:44:35 | |
Please? | 0:44:36 | 0:44:38 | |
Not to worry you, | 0:44:38 | 0:44:39 | |
but we should make sure she hasn't done something foolish. | 0:44:39 | 0:44:43 | |
Well, where is she? | 0:45:12 | 0:45:14 | |
I'm not sure. | 0:45:19 | 0:45:21 | |
Loony bin's too good for her. | 0:45:48 | 0:45:51 | |
The tragedy of it all is Milly Davis. | 0:45:51 | 0:45:53 | |
Hm. | 0:45:53 | 0:45:56 | |
You reckon Gordon Walsh will be back tomorrow? | 0:45:56 | 0:45:58 | |
He said yes. I think he will. | 0:45:58 | 0:46:00 | |
You are used to starting over. | 0:46:02 | 0:46:05 | |
Won't it be lovely to sleep out here, watch the moon rise? | 0:46:07 | 0:46:11 | |
There's many a slip 'twixt the cup and lip. | 0:46:12 | 0:46:16 | |
'Twixt? | 0:46:16 | 0:46:18 | |
'Twixt. | 0:46:18 | 0:46:20 | |
'Twixt. | 0:46:20 | 0:46:22 |