Browse content similar to And the Blind Shall See. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Lloyd, I have told you! It's all decided about Georgie. | 0:00:02 | 0:00:04 | |
I'll be coming on my own. We... | 0:00:04 | 0:00:07 | |
SHE SCREAMS | 0:00:12 | 0:00:13 | |
Will you marry me? | 0:00:14 | 0:00:15 | |
Yes, I will. | 0:00:15 | 0:00:17 | |
Marvellous! | 0:00:17 | 0:00:18 | |
Gino's eyes glow when he talks of children, | 0:00:18 | 0:00:20 | |
and there's a good chance that I can't have them. | 0:00:20 | 0:00:22 | |
The doctor told me after my miscarriage. | 0:00:22 | 0:00:24 | |
We're flying the new Kangaroo tourist class. | 0:00:24 | 0:00:26 | |
Cairo, overnight, Tripoli, and then Rome. | 0:00:26 | 0:00:29 | |
Flying Officer Gordon Walsh. | 0:00:29 | 0:00:31 | |
Message reads, "For unto us, a child is born in a manger in Inverness." | 0:00:31 | 0:00:37 | |
Have you thought of a name yet? | 0:00:38 | 0:00:40 | |
No. And he'll be Nordmann on the birth certificate. | 0:00:40 | 0:00:44 | |
Perhaps we should go our own ways. | 0:00:44 | 0:00:46 | |
For all of Virginia's shortcomings, | 0:00:46 | 0:00:48 | |
her advice over the past couple of months has been exemplary. | 0:00:48 | 0:00:51 | |
But you and Sarah... | 0:00:51 | 0:00:52 | |
Yes, I would marry her tomorrow, if I could. | 0:00:52 | 0:00:55 | |
But I have made this bed, and perhaps I have to lie in it. | 0:00:55 | 0:00:58 | |
So, Regina. | 0:00:58 | 0:01:00 | |
I'm sure she murdered Milly Davis. | 0:01:00 | 0:01:03 | |
You remember what I said about a roman a clef? | 0:01:03 | 0:01:05 | |
"Readers recognise the truth behind the fiction." | 0:01:05 | 0:01:08 | |
And reputations can be slayed. | 0:01:08 | 0:01:10 | |
Once you've delivered your manuscript, | 0:01:10 | 0:01:12 | |
it could give it proof absolute. | 0:01:12 | 0:01:14 | |
Regina would provide it herself. | 0:01:14 | 0:01:16 | |
Factions will be forming. | 0:01:18 | 0:01:20 | |
I trust I can rely upon you? | 0:01:20 | 0:01:21 | |
Thank you for lunch. | 0:01:21 | 0:01:23 | |
SHE SPEAKS ITALIAN | 0:01:23 | 0:01:24 | |
She shouldn't be around Regina. | 0:01:24 | 0:01:26 | |
Grandmother's plan won't work unless they're close. | 0:01:26 | 0:01:28 | |
You're using her. | 0:01:28 | 0:01:30 | |
-There is something I need to do... -Mm-hm. | 0:01:30 | 0:01:32 | |
..if I can bring Anna and Gino home. | 0:01:32 | 0:01:34 | |
Sure you won't come? | 0:01:58 | 0:01:59 | |
It's nothing to do with me. | 0:02:02 | 0:02:03 | |
She'll ask how we are. | 0:02:10 | 0:02:11 | |
She has to know some time. | 0:02:15 | 0:02:17 | |
I'll play it by ear. | 0:02:18 | 0:02:19 | |
Thank you. | 0:02:22 | 0:02:23 | |
Roy would have you back, you know. | 0:02:37 | 0:02:39 | |
Oh, I'll find something. | 0:02:39 | 0:02:41 | |
Might even manage the spare room here, if they keep me on. | 0:02:41 | 0:02:44 | |
Can't believe how big he's got in two weeks. | 0:02:46 | 0:02:48 | |
Bye-bye, you. | 0:02:50 | 0:02:51 | |
He needs a name. | 0:02:54 | 0:02:56 | |
He's stuck with it his whole life, it merits thought. | 0:02:56 | 0:02:59 | |
-Thanks for the offer. -Bed's there, if you need it. | 0:02:59 | 0:03:02 | |
You two and his nibs is enough for one home. | 0:03:04 | 0:03:06 | |
But expect visits. | 0:03:08 | 0:03:09 | |
-Grandmother! -Oh, travel becomes you. | 0:03:26 | 0:03:27 | |
Mwah! | 0:03:27 | 0:03:29 | |
Oh. | 0:03:29 | 0:03:30 | |
Love becomes you. | 0:03:30 | 0:03:32 | |
May I? | 0:03:32 | 0:03:33 | |
You go away and, well... | 0:03:36 | 0:03:38 | |
It's lovely. | 0:03:38 | 0:03:40 | |
-Congratulations, grandmother. -Thank you. | 0:03:40 | 0:03:42 | |
Gino? | 0:03:44 | 0:03:45 | |
It was a long flight. | 0:03:48 | 0:03:50 | |
He still disapproves of our plan? | 0:03:50 | 0:03:53 | |
Not of tackling Regina. | 0:03:53 | 0:03:55 | |
Of utilising Rose? | 0:03:55 | 0:03:56 | |
He says her letters show a change. | 0:03:57 | 0:03:59 | |
Would it help if I spoke to him? | 0:04:02 | 0:04:05 | |
Probably not. | 0:04:05 | 0:04:07 | |
May I try? | 0:04:07 | 0:04:08 | |
If you wish. | 0:04:09 | 0:04:11 | |
Well, I know what I wish is George disabused, Regina toppled, | 0:04:11 | 0:04:17 | |
and all damage redressed. | 0:04:17 | 0:04:18 | |
Then, we can get on with our lives. | 0:04:18 | 0:04:20 | |
Did you send him the telegram? | 0:04:22 | 0:04:23 | |
This morning. | 0:04:23 | 0:04:24 | |
And our incendiary device? | 0:04:25 | 0:04:27 | |
You've read it? | 0:04:31 | 0:04:32 | |
-Beautifully written. Incendiary, indeed. -Oh, good. | 0:04:32 | 0:04:36 | |
Well, Italy first, then schemes. | 0:04:36 | 0:04:40 | |
I gave Anna three coins for the Trevi Fountain. | 0:04:40 | 0:04:43 | |
Perhaps the fountain has blessed all of us. | 0:04:43 | 0:04:45 | |
Anna and Gino were resting at Carolyn's before the final leg home. | 0:04:51 | 0:04:55 | |
So no explanation for the sudden return? | 0:04:55 | 0:04:57 | |
Mother's engagement, I presume. | 0:04:57 | 0:05:00 | |
They'd like to see me as soon as possible. | 0:05:00 | 0:05:03 | |
I'll go on the weekend. | 0:05:03 | 0:05:05 | |
We'll both go. | 0:05:05 | 0:05:07 | |
Are you sure? | 0:05:07 | 0:05:09 | |
Of course. | 0:05:09 | 0:05:10 | |
-Thank you, Rose. -Yes, ma'am. | 0:05:11 | 0:05:13 | |
There will be the inevitable tensions. | 0:05:14 | 0:05:17 | |
Not from me. | 0:05:17 | 0:05:18 | |
Our Canberra months have been too rewarding to be sullied by | 0:05:18 | 0:05:21 | |
old grudges. | 0:05:21 | 0:05:22 | |
And there is the other matter of the baby. | 0:05:23 | 0:05:26 | |
I'd like to welcome our travellers home. | 0:05:27 | 0:05:30 | |
Let me prove I can stay well out of it. | 0:05:30 | 0:05:32 | |
I'll stay at the guest cottage. | 0:05:32 | 0:05:35 | |
Might be best. | 0:05:35 | 0:05:36 | |
Whatever's most conducive to calm. | 0:05:37 | 0:05:39 | |
Our arrangement has borne fruit here. | 0:05:42 | 0:05:46 | |
Give me my chance there, too. | 0:05:46 | 0:05:47 | |
All right. | 0:05:52 | 0:05:54 | |
Thank you. | 0:05:54 | 0:05:55 | |
We've finished before we started, if Regina doesn't return with him. | 0:05:58 | 0:06:01 | |
And lose the opportunity to trumpet her political triumph? | 0:06:01 | 0:06:04 | |
-She'll come. -Undone by our worst impulses. | 0:06:04 | 0:06:07 | |
Which makes it all the more delicious. | 0:06:07 | 0:06:08 | |
As is this - | 0:06:08 | 0:06:10 | |
"The Monday knife scraping of Dot cutting cake, | 0:06:10 | 0:06:13 | |
"contrasting sharply with her own view of the lethal crystals, | 0:06:13 | 0:06:17 | |
"dissolving swiftly into the tonic." | 0:06:17 | 0:06:19 | |
I have reading to do. | 0:06:19 | 0:06:21 | |
And I will visit Gino. | 0:06:21 | 0:06:23 | |
Fine. | 0:06:24 | 0:06:26 | |
But only if you're sure. | 0:06:26 | 0:06:27 | |
If you are going... | 0:06:29 | 0:06:30 | |
..there are larger problems than his attitude about Rose. | 0:06:31 | 0:06:34 | |
Brings back memories. | 0:06:42 | 0:06:43 | |
How were your boys as babies? | 0:06:50 | 0:06:51 | |
There's nothing he can dish out that I haven't seen or heard. | 0:06:53 | 0:06:56 | |
Not a long time ago. | 0:06:56 | 0:06:57 | |
You up for it? | 0:06:57 | 0:06:59 | |
That's what cotton wool's for. | 0:06:59 | 0:07:01 | |
Are you sure it won't affect you and Dawn? | 0:07:06 | 0:07:09 | |
Might help, truth be told. | 0:07:09 | 0:07:10 | |
You being gone, it's given her notions. | 0:07:11 | 0:07:15 | |
Wasn't that the general idea? | 0:07:17 | 0:07:19 | |
Well, it made sense first up. | 0:07:19 | 0:07:21 | |
I thought you were enjoying stepping out. | 0:07:21 | 0:07:24 | |
Stepping out is fine. | 0:07:24 | 0:07:25 | |
Just not so sure about the stepping up... | 0:07:25 | 0:07:28 | |
to the altar. | 0:07:28 | 0:07:29 | |
Oh. | 0:07:31 | 0:07:32 | |
Keeping company's fine, but marriage is a whole other brew. | 0:07:33 | 0:07:38 | |
Don't go giving her false hopes. | 0:07:38 | 0:07:40 | |
I'll be too busy being Uncle Roy to be worried about being hubby | 0:07:41 | 0:07:46 | |
and dad to anyone. | 0:07:46 | 0:07:47 | |
And you thought I'd be protecting you, eh? | 0:07:50 | 0:07:53 | |
Well, I for one hope you stop running. | 0:07:53 | 0:07:55 | |
What about you? | 0:07:55 | 0:07:56 | |
I've stopped... | 0:07:56 | 0:07:58 | |
..for better or worse. | 0:07:59 | 0:08:00 | |
Oh. | 0:08:06 | 0:08:07 | |
Entrare. | 0:08:07 | 0:08:09 | |
Sorry, come in. | 0:08:09 | 0:08:10 | |
Adjusting to English, again? | 0:08:10 | 0:08:12 | |
Yes. | 0:08:13 | 0:08:15 | |
Anna passed on your congratulations. | 0:08:15 | 0:08:18 | |
Douglas is a good man. | 0:08:18 | 0:08:20 | |
He is. | 0:08:20 | 0:08:21 | |
Please. | 0:08:24 | 0:08:25 | |
Gino, I felt I should justify my choices. | 0:08:31 | 0:08:34 | |
-You don't have to... -I think I do. | 0:08:34 | 0:08:36 | |
Being summoned back to intrigue must contrast with what you left | 0:08:38 | 0:08:41 | |
in Italy? | 0:08:41 | 0:08:43 | |
Yes. | 0:08:44 | 0:08:45 | |
How are you dear parents? | 0:08:45 | 0:08:47 | |
It was good... | 0:08:47 | 0:08:49 | |
being a whole family again. | 0:08:49 | 0:08:51 | |
All the more reason to apologise for hurrying you home. | 0:08:51 | 0:08:54 | |
Now, regarding Rose, I do believe that the ends justify the means. | 0:08:56 | 0:09:00 | |
-She cannot become what she's not inclined to be. -And what do you...? | 0:09:01 | 0:09:04 | |
Or do you prefer to see Regina go unpunished? | 0:09:04 | 0:09:07 | |
She must be dealt with, Gino... | 0:09:08 | 0:09:10 | |
..before she has the chance to harm George's dealings with his son, | 0:09:11 | 0:09:16 | |
possibly even the baby himself. | 0:09:16 | 0:09:18 | |
-This is what I was glad to be away from. -I understand. | 0:09:21 | 0:09:24 | |
Anna told me your sad news. | 0:09:29 | 0:09:30 | |
I'm so sorry. | 0:09:36 | 0:09:37 | |
I just have to get used to it. | 0:09:38 | 0:09:41 | |
There's always adoption. | 0:09:41 | 0:09:43 | |
No. | 0:09:43 | 0:09:44 | |
Well, we love Georgie no less for his origins. | 0:09:45 | 0:09:47 | |
You'll love the new baby more. | 0:09:47 | 0:09:49 | |
Of course you will. | 0:09:49 | 0:09:50 | |
I wanted my own son. | 0:09:52 | 0:09:53 | |
What's our marriage now? | 0:09:55 | 0:09:57 | |
That is foolishness. | 0:09:59 | 0:10:00 | |
Is it? | 0:10:00 | 0:10:01 | |
You've overcome so much to be together, me included. | 0:10:03 | 0:10:07 | |
You will weather this. | 0:10:07 | 0:10:08 | |
I will never hold our child. | 0:10:08 | 0:10:10 | |
But you will hold Anna. | 0:10:12 | 0:10:13 | |
Can't have Gino and Mrs Poletti coming home to a dirty house. | 0:10:34 | 0:10:38 | |
It is rather sudden. | 0:10:39 | 0:10:41 | |
Must be homesick. | 0:10:41 | 0:10:43 | |
Sarah's already back at Roy's. | 0:10:43 | 0:10:46 | |
What about you? | 0:10:46 | 0:10:48 | |
I'll keep on with the job, if Gino wants. | 0:10:48 | 0:10:50 | |
What are you doing Sunday? | 0:10:52 | 0:10:54 | |
Not much. | 0:10:55 | 0:10:57 | |
Friend of mine's having a birthday party in Sydney, mostly our kind. | 0:10:57 | 0:11:01 | |
Come. | 0:11:01 | 0:11:02 | |
Am I invited? | 0:11:03 | 0:11:04 | |
You will be, if I ask. | 0:11:04 | 0:11:06 | |
You'll never meet anyone here. | 0:11:06 | 0:11:07 | |
Nice thought. | 0:11:09 | 0:11:11 | |
Your kind of "our kind" aren't my kind. | 0:11:12 | 0:11:16 | |
-We get on. -We've known each other since we were kids. | 0:11:18 | 0:11:21 | |
I'd just be rough trade to them. | 0:11:21 | 0:11:23 | |
Try. | 0:11:25 | 0:11:27 | |
For me. | 0:11:27 | 0:11:28 | |
If it helps you, fine. | 0:11:31 | 0:11:32 | |
But don't expect too much from me. | 0:11:32 | 0:11:34 | |
Pick you up midday, Saturday? | 0:11:36 | 0:11:38 | |
See you at the intersection, saves questions. | 0:11:38 | 0:11:41 | |
Be good to get out. | 0:11:41 | 0:11:42 | |
Thank you. | 0:11:47 | 0:11:48 | |
Gino? Gino? | 0:11:56 | 0:11:58 | |
I thought that we were staying till morning? | 0:11:58 | 0:12:01 | |
I want to get home. | 0:12:03 | 0:12:04 | |
Excuse me. | 0:12:05 | 0:12:07 | |
It'll be better there, we can take the late train. | 0:12:07 | 0:12:09 | |
If we must. Might you drive us? | 0:12:09 | 0:12:11 | |
-Of course. -You've got plans. | 0:12:12 | 0:12:14 | |
-I can change them. -Done. | 0:12:14 | 0:12:16 | |
We can take care of ourselves. | 0:12:17 | 0:12:19 | |
But thank you. | 0:12:19 | 0:12:21 | |
Let me know what you decide. | 0:12:21 | 0:12:22 | |
Did Grandmother say something? | 0:12:24 | 0:12:25 | |
-It's nothing to do with her. -Well, what, then? | 0:12:25 | 0:12:28 | |
No, you're right, you're right. | 0:12:30 | 0:12:31 | |
We're more likely to get it into perspective there. | 0:12:31 | 0:12:35 | |
I want to. | 0:12:35 | 0:12:36 | |
I hope. | 0:12:38 | 0:12:39 | |
-Right now... -We've been days in the air and we've hardly slept and... | 0:12:41 | 0:12:45 | |
..we only just found out. | 0:12:46 | 0:12:48 | |
So you're right. | 0:12:48 | 0:12:49 | |
Yeah. | 0:12:51 | 0:12:52 | |
It'll be... It'll be better at home. | 0:12:52 | 0:12:55 | |
Thought we said no more beautiful days in dark rooms. | 0:13:13 | 0:13:17 | |
I've got the most shocking head. | 0:13:17 | 0:13:19 | |
Livi. | 0:13:21 | 0:13:23 | |
You can't go on like this. | 0:13:23 | 0:13:25 | |
I am trying to move past it. | 0:13:26 | 0:13:28 | |
I just can't help but feel... | 0:13:31 | 0:13:33 | |
..so foolish. | 0:13:35 | 0:13:36 | |
Perhaps I should cancel my weekend plans. | 0:13:40 | 0:13:43 | |
Don't you be foolish. | 0:13:43 | 0:13:44 | |
Go. | 0:13:45 | 0:13:47 | |
I want to be strong. | 0:13:49 | 0:13:50 | |
I will be strong. | 0:13:52 | 0:13:53 | |
As long as you need. | 0:13:57 | 0:13:58 | |
There you go. | 0:14:10 | 0:14:11 | |
KNOCK ON DOOR | 0:14:15 | 0:14:16 | |
It's mealtime. | 0:14:16 | 0:14:17 | |
I've got a visitor, when you're ready. | 0:14:17 | 0:14:20 | |
Who? | 0:14:20 | 0:14:22 | |
James. | 0:14:22 | 0:14:23 | |
Come on. | 0:14:30 | 0:14:32 | |
It looks like you're going to meet your brother. | 0:14:33 | 0:14:36 | |
Hello, there. | 0:14:39 | 0:14:42 | |
Have you decided on a name? | 0:14:42 | 0:14:43 | |
No, not yet. | 0:14:43 | 0:14:45 | |
Look at you. | 0:14:46 | 0:14:47 | |
You're fast asleep, aren't you? | 0:14:48 | 0:14:50 | |
Yes, you are. Yes... | 0:14:50 | 0:14:52 | |
I'm not here for Father. | 0:14:57 | 0:14:59 | |
I hope you can understand. | 0:15:01 | 0:15:04 | |
It's between the two of you. | 0:15:04 | 0:15:05 | |
I'll leave you to it. | 0:15:07 | 0:15:09 | |
Thanks, Roy. | 0:15:11 | 0:15:12 | |
Sit down. | 0:15:16 | 0:15:17 | |
I'm here for Olivia. | 0:15:20 | 0:15:22 | |
She's extremely low. | 0:15:22 | 0:15:23 | |
I've tried helping, but... | 0:15:25 | 0:15:26 | |
What's wrong? | 0:15:26 | 0:15:27 | |
She's been dealt a rather large blow. | 0:15:28 | 0:15:30 | |
The man she was following to England has severed all ties. | 0:15:31 | 0:15:35 | |
He's left her in a funk. | 0:15:35 | 0:15:36 | |
When was this? | 0:15:38 | 0:15:40 | |
Just after he was born. | 0:15:40 | 0:15:41 | |
She's tried lifting herself out of it, | 0:15:44 | 0:15:46 | |
and I don't seem to be of very much use. | 0:15:46 | 0:15:48 | |
If I encouraged her to reach out to you... | 0:15:51 | 0:15:53 | |
I know you're trying to keep your distance from the family. | 0:15:53 | 0:15:55 | |
It's not that. It's... | 0:15:55 | 0:15:57 | |
She and I have had our differences. | 0:15:57 | 0:15:59 | |
But she admires you, very much. | 0:16:00 | 0:16:02 | |
You've always been my saviour. | 0:16:05 | 0:16:07 | |
I do seem to have built that reputation. | 0:16:09 | 0:16:11 | |
If you think I can help her... | 0:16:14 | 0:16:16 | |
Thank you. | 0:16:18 | 0:16:19 | |
Any message for Father, when he returns? | 0:16:25 | 0:16:27 | |
Just that his son is well. | 0:16:27 | 0:16:29 | |
And he's welcome. | 0:16:32 | 0:16:33 | |
Of course. | 0:16:34 | 0:16:35 | |
Is that all, ma'am? | 0:16:41 | 0:16:43 | |
It is. | 0:16:43 | 0:16:44 | |
Goodnight, dear. | 0:16:44 | 0:16:46 | |
I can't wait to be back, see Geno. | 0:16:46 | 0:16:50 | |
And show the other locals how sophisticated you've become. | 0:16:50 | 0:16:53 | |
That, too. | 0:16:54 | 0:16:56 | |
We both have things to show Inverness. | 0:16:58 | 0:17:01 | |
Hello, you. | 0:17:09 | 0:17:10 | |
Hello... | 0:17:12 | 0:17:14 | |
..David. | 0:17:15 | 0:17:16 | |
How do you feel about that? | 0:17:19 | 0:17:20 | |
David. | 0:17:23 | 0:17:24 | |
David. | 0:17:26 | 0:17:27 | |
For now, just David. | 0:17:32 | 0:17:34 | |
Yeah. | 0:17:34 | 0:17:36 | |
On approach. | 0:18:11 | 0:18:13 | |
I'll remain scarce, until it's time to play my part. | 0:18:13 | 0:18:15 | |
-It must work. -You've been planning it long enough. | 0:18:15 | 0:18:18 | |
Things can still go awry. | 0:18:18 | 0:18:20 | |
Fingers crossed! | 0:18:23 | 0:18:24 | |
Welcome. | 0:18:58 | 0:19:00 | |
From the cut and thrust of the capital... | 0:19:00 | 0:19:03 | |
To the cut and thrust of home. | 0:19:03 | 0:19:04 | |
-Congratulations, again. -Thank you. | 0:19:04 | 0:19:07 | |
I've been looking forward to the good oil on Canberra. | 0:19:07 | 0:19:09 | |
Well, there's plenty of that. | 0:19:09 | 0:19:11 | |
I insisted on coming, simply to add my own good wishes. | 0:19:11 | 0:19:14 | |
I shall abide by all rules and keep whatever distance is necessary. | 0:19:15 | 0:19:20 | |
Perhaps your new beginning might contribute | 0:19:20 | 0:19:22 | |
to warmer feelings, generally. | 0:19:22 | 0:19:25 | |
-Perhaps. -Ma'am, your cases. | 0:19:25 | 0:19:27 | |
The grey room, I think. | 0:19:29 | 0:19:30 | |
Not the guest cottage? | 0:19:31 | 0:19:33 | |
As you said, new beginnings. | 0:19:33 | 0:19:35 | |
Come on. | 0:19:41 | 0:19:43 | |
They just arrived. | 0:19:49 | 0:19:50 | |
Good. I'll do the courtesies and be off. | 0:19:51 | 0:19:54 | |
Your father won't be offended? | 0:19:55 | 0:19:57 | |
He said not, on the telephone. | 0:19:57 | 0:19:59 | |
Have you sensed anything strange, the last few days? | 0:20:01 | 0:20:05 | |
How so? | 0:20:05 | 0:20:06 | |
Low voiced conversations. | 0:20:07 | 0:20:09 | |
The sense we're being excluded from something. | 0:20:10 | 0:20:12 | |
No-one is keen on Regina returning. | 0:20:12 | 0:20:14 | |
Maybe it's just that. | 0:20:16 | 0:20:17 | |
If you'd like to get away... | 0:20:23 | 0:20:25 | |
I am boring even myself. | 0:20:26 | 0:20:28 | |
I'll spare you the misery. | 0:20:29 | 0:20:31 | |
See Sarah. | 0:20:37 | 0:20:39 | |
I behaved so poorly over Harry. | 0:20:42 | 0:20:43 | |
That was months ago. | 0:20:43 | 0:20:44 | |
Her offer is genuine. | 0:20:46 | 0:20:47 | |
-I really should stay. -Go to your gathering, please! | 0:20:52 | 0:20:55 | |
At least one of us should be happy. | 0:20:57 | 0:20:59 | |
The minute you're gone... | 0:21:02 | 0:21:04 | |
..I will see her. | 0:21:06 | 0:21:07 | |
Nice that you're back in the house. | 0:21:14 | 0:21:16 | |
I'll finish that. | 0:21:17 | 0:21:19 | |
Question the other staff, discreetly. | 0:21:21 | 0:21:24 | |
-See what's to tell. -Yes, ma'am. | 0:21:24 | 0:21:26 | |
And pop over to the Polettis. I know you're anxious to. | 0:21:26 | 0:21:29 | |
Thank you. | 0:21:29 | 0:21:30 | |
See what Geno has to say. | 0:21:30 | 0:21:33 | |
He's an easier nut to crack than Anna. | 0:21:33 | 0:21:35 | |
Something's afoot. | 0:21:39 | 0:21:41 | |
Thank you for making the effort with Regina. | 0:21:43 | 0:21:45 | |
Oh, courtesy costs little, | 0:21:45 | 0:21:48 | |
especially given that I'll soon be gone. | 0:21:48 | 0:21:51 | |
We're finally taking that Middle Eastern trip. | 0:21:51 | 0:21:54 | |
-That's wonderful. -We'll reside in Sydney when we return. | 0:21:55 | 0:21:57 | |
We're marrying overseas. | 0:21:57 | 0:21:59 | |
The usual malarkey is more of an embarrassment at our age | 0:21:59 | 0:22:02 | |
than anything else. | 0:22:02 | 0:22:03 | |
Unless you'd be too disappointed? | 0:22:03 | 0:22:06 | |
Whatever you see fit. | 0:22:06 | 0:22:07 | |
We'd be taking St Andrews Cathedral, if Prudence Swanson had her way. | 0:22:09 | 0:22:12 | |
Yes, it does seem a choice between all or no fuss. | 0:22:12 | 0:22:15 | |
Spot-on. | 0:22:15 | 0:22:16 | |
Anyway, you have things to discuss. | 0:22:18 | 0:22:21 | |
-Oh, Douglas, you don't have to... -Yes, I do. You'll understand. | 0:22:21 | 0:22:24 | |
I'll be off doing my bit, then. | 0:22:24 | 0:22:26 | |
Good luck. | 0:22:27 | 0:22:28 | |
Mysterious. | 0:22:31 | 0:22:32 | |
George, there's something I want you to read. | 0:22:32 | 0:22:35 | |
Anna's novel. | 0:22:37 | 0:22:39 | |
And so much more than that. | 0:22:39 | 0:22:41 | |
I'm looking forward to it. | 0:22:41 | 0:22:42 | |
KNOCK ON DOOR | 0:22:42 | 0:22:44 | |
Oh, there you are. | 0:22:44 | 0:22:46 | |
-You're dashing off, aren't you? -A quick word, first. | 0:22:46 | 0:22:49 | |
-Of course. -And then come back, please. | 0:22:49 | 0:22:51 | |
-I'll read it later. -No... | 0:22:52 | 0:22:54 | |
Now, please. | 0:22:54 | 0:22:56 | |
All right. | 0:22:59 | 0:23:00 | |
KNOCK ON DOOR | 0:23:13 | 0:23:14 | |
Come. | 0:23:17 | 0:23:18 | |
Ah! | 0:23:21 | 0:23:23 | |
Lizzie and George are poring over the accounts, | 0:23:23 | 0:23:25 | |
I just wondered if you'd be up for a canter, you know? | 0:23:25 | 0:23:28 | |
I was thinking of putting my head down. | 0:23:30 | 0:23:32 | |
Oh, well, some other time, then. | 0:23:32 | 0:23:34 | |
The fresh air will do me good. | 0:23:36 | 0:23:38 | |
Excellent. | 0:23:40 | 0:23:41 | |
Right, well, I'll just get things ready. | 0:23:43 | 0:23:45 | |
You don't mind my roping Sarah in, then? | 0:23:49 | 0:23:51 | |
Quite the reverse. Shall I talk to Olivia? | 0:23:51 | 0:23:54 | |
If she brings it up, of course. | 0:23:55 | 0:23:56 | |
Any idea of what she intends to do now? | 0:23:58 | 0:24:00 | |
That's the problem. | 0:24:01 | 0:24:03 | |
I'll see you Tuesday. | 0:24:03 | 0:24:05 | |
Do you know what this business is with Anna's book? | 0:24:11 | 0:24:15 | |
I got a very firm no when I asked to read it yesterday. | 0:24:15 | 0:24:17 | |
It's been firmly foisted on me. | 0:24:17 | 0:24:19 | |
-Without a chance to draw breath. -Seemingly. | 0:24:19 | 0:24:22 | |
Perhaps they value your keen literary eye. | 0:24:22 | 0:24:25 | |
I suspect not. | 0:24:25 | 0:24:27 | |
Oh. | 0:24:28 | 0:24:30 | |
Sarah said you're welcome to drop by, any time. | 0:24:30 | 0:24:33 | |
This will have to wait, I'm sorry. | 0:24:52 | 0:24:53 | |
-I'm off to see Sarah. -It can't wait. | 0:24:53 | 0:24:55 | |
-It's waited long enough. -Sarah... | 0:24:55 | 0:24:57 | |
Sarah wants this. | 0:24:57 | 0:25:00 | |
I have marked the most pertinent pages. | 0:25:00 | 0:25:02 | |
He's making up for a shaky start. | 0:25:15 | 0:25:17 | |
Bonny, bouncing boy, aren't you? | 0:25:19 | 0:25:22 | |
-David. -Sorry? | 0:25:23 | 0:25:25 | |
His name. | 0:25:25 | 0:25:27 | |
His name is David. | 0:25:27 | 0:25:29 | |
It's my brother. | 0:25:30 | 0:25:31 | |
His death brought me back to Australia. | 0:25:33 | 0:25:35 | |
I'd never have been on that ship, if it weren't for him. | 0:25:35 | 0:25:38 | |
George and I would never have met. | 0:25:38 | 0:25:40 | |
-He deserves recognition. -I thought so. | 0:25:41 | 0:25:44 | |
I'm ready to fill in that birth certificate. | 0:25:45 | 0:25:48 | |
Surname? | 0:25:49 | 0:25:51 | |
Yes, I've decided on that, too. | 0:25:51 | 0:25:53 | |
Well, shouldn't you wait, with what's in play at Ash Park? | 0:25:54 | 0:25:57 | |
Nothing there will change my decision. | 0:25:57 | 0:25:59 | |
Are you sure? | 0:25:59 | 0:26:00 | |
Absolutely. | 0:26:02 | 0:26:03 | |
Sarah has read this? | 0:26:14 | 0:26:16 | |
She is very familiar with the content. | 0:26:16 | 0:26:19 | |
Keep going. | 0:26:19 | 0:26:20 | |
No going back. | 0:26:31 | 0:26:34 | |
No desire to. | 0:26:34 | 0:26:35 | |
Oh. | 0:26:43 | 0:26:45 | |
Who is she? | 0:26:45 | 0:26:46 | |
What do you mean? | 0:26:46 | 0:26:48 | |
You're all spruced up. | 0:26:48 | 0:26:50 | |
-My sister. -Amy? | 0:26:52 | 0:26:53 | |
-Yeah. -Oh. Say hello for me, huh? | 0:26:54 | 0:26:57 | |
-I will. -Maybe she'll have a friend. | 0:26:57 | 0:27:00 | |
It'd be a shame for that Californian poppy to go to waste. | 0:27:00 | 0:27:03 | |
You want a lift to the station? | 0:27:06 | 0:27:08 | |
I'm going to hitch down. | 0:27:09 | 0:27:10 | |
-Buongiorno! -Ah, ciao, ragazzo! | 0:27:10 | 0:27:12 | |
Come stai? | 0:27:15 | 0:27:17 | |
Bene, grazie. | 0:27:17 | 0:27:18 | |
-When did you get back? -Just now. | 0:27:19 | 0:27:22 | |
Couldn't wait to see if I'd imported that Italian husband, no? | 0:27:22 | 0:27:26 | |
-Is that him? -That's Harry. | 0:27:26 | 0:27:29 | |
-My farm hand. -Oh, yeah. | 0:27:29 | 0:27:31 | |
Came to Ash Park once. | 0:27:31 | 0:27:33 | |
Hey, Harry. | 0:27:33 | 0:27:35 | |
Rose likes Californian poppy. | 0:27:35 | 0:27:37 | |
Oh, it stinks so cheap. Yuck! | 0:27:37 | 0:27:39 | |
I'll see you Tuesday, huh? | 0:27:46 | 0:27:47 | |
-I won't need the room long. -Oh, no rush. | 0:27:49 | 0:27:51 | |
Rose. | 0:27:53 | 0:27:54 | |
He's not Italian, but he's single. | 0:27:58 | 0:28:01 | |
I can do better. | 0:28:02 | 0:28:04 | |
He's handsome, but. | 0:28:04 | 0:28:06 | |
It's been so exciting. | 0:28:06 | 0:28:07 | |
Dashing Dan. | 0:28:12 | 0:28:14 | |
Took a bit of getting away. | 0:28:14 | 0:28:16 | |
Not too many questions? | 0:28:16 | 0:28:18 | |
Never enjoyed the lies. | 0:28:20 | 0:28:21 | |
Self protection. | 0:28:22 | 0:28:23 | |
Invigorating. | 0:28:50 | 0:28:52 | |
Your hand of friendship surprises... | 0:28:52 | 0:28:54 | |
but pleases. | 0:28:54 | 0:28:55 | |
I'm intent on healing the rift. | 0:28:56 | 0:28:58 | |
Lizzie doesn't need the unnecessary strain. | 0:29:00 | 0:29:03 | |
Nor do I. | 0:29:03 | 0:29:04 | |
So thank you. | 0:29:04 | 0:29:06 | |
Perhaps we should get back? | 0:29:06 | 0:29:08 | |
Another bracing dash, first, hmm? | 0:29:08 | 0:29:10 | |
Come on. | 0:29:11 | 0:29:12 | |
It's outrageous slander... | 0:29:19 | 0:29:21 | |
and it can't possibly publish. | 0:29:21 | 0:29:23 | |
So you've read between the lines? | 0:29:23 | 0:29:25 | |
The similarities are glaring. | 0:29:25 | 0:29:26 | |
She's saying Regina is... | 0:29:29 | 0:29:30 | |
Finish it and then we can talk. | 0:29:30 | 0:29:32 | |
I insist. | 0:29:32 | 0:29:34 | |
Thanks for the scarf, it's beautiful. | 0:29:40 | 0:29:43 | |
You should see Mrs Bligh's scarves, though. | 0:29:43 | 0:29:46 | |
There's this silk one, just the feel of it... | 0:29:46 | 0:29:49 | |
She lets you wear them? | 0:29:49 | 0:29:51 | |
-That's lovely. -I try them on when she goes out. | 0:29:51 | 0:29:53 | |
Guess what? | 0:29:53 | 0:29:55 | |
I've got a boyfriend, sort of. | 0:29:55 | 0:29:58 | |
It's a wonder you've got time. | 0:29:58 | 0:29:59 | |
He works next door. He sneaks over. | 0:29:59 | 0:30:02 | |
You'll get yourself fired. | 0:30:02 | 0:30:03 | |
What does Mrs Bligh think of that? | 0:30:03 | 0:30:05 | |
Mrs Bligh doesn't mind. | 0:30:05 | 0:30:07 | |
If it's not too much, and she's a woman of the world. | 0:30:07 | 0:30:10 | |
Don't tell Mr Bligh. | 0:30:10 | 0:30:12 | |
You'll get yourself into trouble again. | 0:30:12 | 0:30:15 | |
Listen to you, stuffy pants! | 0:30:15 | 0:30:17 | |
You can take care of yourself, can't you? | 0:30:17 | 0:30:19 | |
I should go and greet Father. | 0:30:19 | 0:30:21 | |
-Could you drop us over? -Of course. | 0:30:21 | 0:30:24 | |
I'll get the key. | 0:30:24 | 0:30:25 | |
-Aren't you going? -Anna's got things to talk about. | 0:30:26 | 0:30:31 | |
What things? | 0:30:31 | 0:30:32 | |
-What? -What's Anna got to talk about? | 0:30:32 | 0:30:35 | |
It's just... It feels strange over there. | 0:30:35 | 0:30:38 | |
Strange, how? | 0:30:39 | 0:30:40 | |
Everyone's almost too nice to Mrs Bligh. | 0:30:42 | 0:30:44 | |
You know, they're awful to her most of the time. | 0:30:46 | 0:30:49 | |
They must have their reasons. | 0:30:49 | 0:30:51 | |
Anna's not very nice to her, either. | 0:30:51 | 0:30:53 | |
-I'm just saying. -You're best out of it, Rosa. | 0:30:53 | 0:30:55 | |
It's all Mrs Bligh. It's her fault. | 0:30:57 | 0:30:59 | |
Whoa, don't take sides, huh? | 0:30:59 | 0:31:01 | |
Mrs Bligh is one of the nicest people ever. | 0:31:01 | 0:31:02 | |
-Maybe she... -What? | 0:31:02 | 0:31:04 | |
-Maybe she's... -Are you ready? | 0:31:06 | 0:31:08 | |
Yeah. | 0:31:08 | 0:31:09 | |
-What? -Nothing. | 0:31:10 | 0:31:12 | |
Rosa was just saying how much she likes Regina. | 0:31:13 | 0:31:16 | |
Of course, yes. She's been good to you. | 0:31:17 | 0:31:20 | |
We'll put your bike in the back. | 0:31:20 | 0:31:22 | |
He's very young for a brother-in-law. | 0:31:35 | 0:31:38 | |
-He's beautiful. -I'm biased. | 0:31:41 | 0:31:43 | |
And happy. | 0:31:45 | 0:31:46 | |
I'm sorry. | 0:31:47 | 0:31:49 | |
-I'm sorry to break in on it. -Olivia... | 0:31:49 | 0:31:51 | |
I have to be strong. | 0:31:52 | 0:31:53 | |
I want to be strong. | 0:31:56 | 0:31:58 | |
You're so strong. | 0:32:02 | 0:32:04 | |
Tell me. | 0:32:10 | 0:32:11 | |
I've felt a sense of who I am... | 0:32:15 | 0:32:17 | |
..or might be... | 0:32:19 | 0:32:20 | |
..twice in my life. | 0:32:22 | 0:32:23 | |
At the Hunt Ball, when James first looked at me and... | 0:32:26 | 0:32:29 | |
..I thought really saw me. | 0:32:31 | 0:32:33 | |
I'd felt invisible, until then. | 0:32:35 | 0:32:37 | |
And when Lloyd recognised... | 0:32:38 | 0:32:42 | |
..the woman craving release. | 0:32:45 | 0:32:47 | |
Both proved an illusion. | 0:32:51 | 0:32:52 | |
Which makes my whole life one. | 0:32:54 | 0:32:56 | |
-Surely... -From wallflower, to marriage of convenience, | 0:32:56 | 0:33:00 | |
to confused mother, | 0:33:00 | 0:33:03 | |
to naive adulteress! | 0:33:03 | 0:33:05 | |
Mistaking a roue for a future. | 0:33:05 | 0:33:09 | |
Lloyd got his entree into London society. | 0:33:09 | 0:33:11 | |
I was no longer needed. | 0:33:13 | 0:33:14 | |
I am so desperately lonely. | 0:33:16 | 0:33:18 | |
I'm ready to scream. | 0:33:21 | 0:33:22 | |
Both of the times you say you knew yourself you attribute to a man. | 0:33:26 | 0:33:31 | |
So of course if he betrays you, you're left adrift. | 0:33:31 | 0:33:34 | |
With luck, we all find someone who can support us, | 0:33:34 | 0:33:38 | |
but that's not where we look for strength, that lies within. | 0:33:38 | 0:33:42 | |
A truth wrapped in a platitude, I know. | 0:33:43 | 0:33:46 | |
Ask - who am I? | 0:33:49 | 0:33:51 | |
Not in relationship to someone else, but to yourself. | 0:33:52 | 0:33:55 | |
Ask - what do I want to do? | 0:33:55 | 0:33:57 | |
What is it that will fulfil me? | 0:33:57 | 0:34:00 | |
What will fulfil you, Olivia, YOU? | 0:34:00 | 0:34:02 | |
Pursue that... | 0:34:07 | 0:34:08 | |
..and there's your strength. | 0:34:10 | 0:34:11 | |
In here. | 0:34:15 | 0:34:16 | |
To be found. | 0:34:19 | 0:34:20 | |
Thank you. And thanks for the scarf. | 0:34:38 | 0:34:40 | |
-I'll see to your bike. -Thank you. | 0:34:41 | 0:34:43 | |
-It's nearly done. -I want the real Rose back. | 0:34:45 | 0:34:47 | |
Well, maybe this is the real her. | 0:34:48 | 0:34:50 | |
Sorry. | 0:34:51 | 0:34:52 | |
You put her in harm's way, then you judge her. | 0:34:54 | 0:34:56 | |
I am sorry. | 0:34:56 | 0:34:58 | |
Do what you have to. | 0:34:58 | 0:34:59 | |
Come on, Rose, let's show Carolyn your scarf. | 0:35:06 | 0:35:09 | |
This is a vicious exercise in character assassination. | 0:35:13 | 0:35:16 | |
What if I told you it's all true? | 0:35:16 | 0:35:18 | |
You're telling me that Regina killed the young Davis woman | 0:35:18 | 0:35:21 | |
-in trying to poison Sarah? -Yes. | 0:35:21 | 0:35:23 | |
And you've said nothing until now? | 0:35:23 | 0:35:24 | |
Well, we had no proof to offer. | 0:35:24 | 0:35:26 | |
Exactly. | 0:35:26 | 0:35:27 | |
I'm sorry, but this is monstrous. | 0:35:28 | 0:35:30 | |
And that is exactly why we waited, | 0:35:30 | 0:35:34 | |
to be able to bring you that proof. | 0:35:34 | 0:35:36 | |
George, I know you must be feeling manipulated and excluded, | 0:35:36 | 0:35:40 | |
I understand. | 0:35:40 | 0:35:41 | |
But I am begging you. | 0:35:41 | 0:35:43 | |
We've spent months preparing this. | 0:35:43 | 0:35:45 | |
"We" very much includes Sarah. | 0:35:45 | 0:35:48 | |
You'll be turning heads at the next Bush dance. | 0:35:55 | 0:35:57 | |
I should hope so! | 0:35:57 | 0:35:59 | |
You best check if you're needed, and I should find Father. | 0:36:00 | 0:36:04 | |
-I'll see you later. -And mother wants to talk to you about your book. | 0:36:04 | 0:36:08 | |
Not now. | 0:36:08 | 0:36:10 | |
-You've written a book? -It's all right, Rose. | 0:36:10 | 0:36:12 | |
It's in her room, if you need it back. | 0:36:14 | 0:36:17 | |
Thank you, Rose. | 0:36:17 | 0:36:18 | |
-Not in front of her. -She'd have no idea. | 0:36:23 | 0:36:25 | |
The last thing we need is Regina getting wind of it. | 0:36:27 | 0:36:30 | |
If this doesn't make Father divorce her, nothing will. | 0:36:30 | 0:36:33 | |
That certainly blew away the cobwebs. | 0:36:37 | 0:36:40 | |
You have quite a seat on you. | 0:36:40 | 0:36:41 | |
Cheeky man! | 0:36:41 | 0:36:44 | |
I always found it wildly suggestive myself. | 0:36:44 | 0:36:46 | |
Ma'am, there's something... | 0:36:46 | 0:36:48 | |
I better go and check on Lizzie. | 0:36:49 | 0:36:51 | |
Gino was hiding something, I could tell. | 0:36:55 | 0:36:57 | |
But then Anna came back, so he didn't say. | 0:36:57 | 0:36:59 | |
Whatever it was, he was cross with her, | 0:36:59 | 0:37:00 | |
and then Mrs Duncan was talking about some book | 0:37:00 | 0:37:03 | |
and Anna got real funny and I could tell she was... | 0:37:03 | 0:37:05 | |
Stop! The point, please. | 0:37:05 | 0:37:07 | |
Anna's written a book. Old Mrs Bligh's got it. | 0:37:08 | 0:37:11 | |
I think it's to hurt you. | 0:37:11 | 0:37:12 | |
Time enough, I think. | 0:38:45 | 0:38:46 | |
Good luck. | 0:38:49 | 0:38:50 | |
Give her curry. | 0:38:50 | 0:38:52 | |
Watch the old ticker. | 0:38:52 | 0:38:53 | |
What are you doing in here? | 0:39:04 | 0:39:06 | |
What are you doing with that? | 0:39:06 | 0:39:08 | |
This explains your welcome. | 0:39:08 | 0:39:11 | |
You hypocritical old hag. | 0:39:11 | 0:39:13 | |
You give that to me and get out. | 0:39:13 | 0:39:14 | |
This is what that little bitch was doing in Italy, | 0:39:14 | 0:39:16 | |
penning a catalogue of lies! | 0:39:16 | 0:39:19 | |
We both know it's true. | 0:39:19 | 0:39:20 | |
There's not a shred of truth in it. | 0:39:20 | 0:39:22 | |
Then why are you so agitated? | 0:39:22 | 0:39:24 | |
Because that Nordmann slut used similar tales | 0:39:25 | 0:39:27 | |
to try and see me arrested. | 0:39:27 | 0:39:30 | |
I assume it was her who got in your ear. | 0:39:30 | 0:39:32 | |
You seem scared, Regina. | 0:39:32 | 0:39:34 | |
Disgusted. | 0:39:36 | 0:39:37 | |
It's a filthy, scurrilous slander. | 0:39:39 | 0:39:42 | |
And I will sue Anna and any publisher who touches it. | 0:39:44 | 0:39:46 | |
Oh, please do. | 0:39:46 | 0:39:48 | |
Do us the favour. | 0:39:48 | 0:39:50 | |
The stronger your reaction, the greater the conjecture. | 0:39:50 | 0:39:54 | |
You may have Sergeant Taylor under the thumb, | 0:39:54 | 0:39:56 | |
but sufficient fuss could see an investigation at levels | 0:39:56 | 0:39:59 | |
well above his. | 0:39:59 | 0:40:00 | |
And no proof to back it? | 0:40:02 | 0:40:04 | |
But a highly circumstantial case. | 0:40:04 | 0:40:06 | |
Has George seen this? | 0:40:10 | 0:40:11 | |
He will. Soon enough. | 0:40:13 | 0:40:15 | |
If he reads this, if anyone does, beyond your malicious inner cabal, | 0:40:15 | 0:40:20 | |
I will reveal every sordid truth I know! | 0:40:20 | 0:40:23 | |
Your grandson and his sodomite surgeon, | 0:40:24 | 0:40:28 | |
Olivia, the adulterous whore, and George's bastard. | 0:40:28 | 0:40:32 | |
Speaking of which... | 0:40:33 | 0:40:35 | |
..infant mortality rates are such a concern. | 0:40:36 | 0:40:40 | |
If you've killed once, you can kill again. | 0:40:42 | 0:40:45 | |
So you admit it. | 0:40:46 | 0:40:48 | |
Hypothetically. | 0:40:48 | 0:40:49 | |
Go on, take the risk. | 0:40:51 | 0:40:53 | |
Not even you would hurt a child. | 0:40:54 | 0:40:56 | |
The Jew's brat? | 0:40:59 | 0:41:01 | |
With pleasure. | 0:41:03 | 0:41:04 | |
I want every copy of this in my room within the hour and if I learn there | 0:41:06 | 0:41:10 | |
are others, if it ever appears in print, if George ever knows... | 0:41:10 | 0:41:14 | |
..I will destroy the lot of you. | 0:41:16 | 0:41:18 | |
-It's ironed, ma'am. -Thank you. | 0:41:48 | 0:41:50 | |
And for your information. | 0:41:53 | 0:41:54 | |
Buy yourself something, next time we're in town. | 0:42:05 | 0:42:08 | |
Ma'am... | 0:42:08 | 0:42:09 | |
You've done very well. | 0:42:10 | 0:42:11 | |
George. | 0:42:29 | 0:42:30 | |
We have a tiger by the tail. | 0:42:32 | 0:42:34 | |
-You understand why we did... -I do. | 0:42:35 | 0:42:37 | |
I do. | 0:42:38 | 0:42:39 | |
Without proof, I would have doubted you. | 0:42:41 | 0:42:43 | |
There's no point in involving the local police. | 0:42:45 | 0:42:48 | |
-She'd be incarcerated by now, if they were. -Yes, of course. | 0:42:48 | 0:42:51 | |
Publishing is one road to justice. | 0:42:53 | 0:42:55 | |
-But we need something more definitive. -Oh, I agree. | 0:42:57 | 0:43:00 | |
She's played me. | 0:43:04 | 0:43:05 | |
I need to stare that truth in the face. | 0:43:08 | 0:43:10 | |
And see her where she belongs. | 0:43:14 | 0:43:15 | |
Call it a review of your pedestrian prose! | 0:43:30 | 0:43:32 | |
-How dare you! -One word to George, you all suffer. | 0:43:32 | 0:43:34 | |
Your engagement is punishment enough. | 0:43:36 | 0:43:38 | |
There you are. I'm popping in to check on the new hospital wing, | 0:43:39 | 0:43:43 | |
I thought you might like to join me. | 0:43:43 | 0:43:45 | |
I'd love to. | 0:43:45 | 0:43:46 | |
It's so good to be home. | 0:43:47 | 0:43:49 | |
Perhaps Elizabeth might like to join us? | 0:43:50 | 0:43:53 | |
I've just asked her, she declined. | 0:43:53 | 0:43:55 | |
Perhaps you could check on her? | 0:43:55 | 0:43:57 | |
She looks a little beat. | 0:43:57 | 0:43:58 | |
Shall we? | 0:43:59 | 0:44:00 | |
-Are you all right? -I'm all right. | 0:44:13 | 0:44:14 | |
He knows? | 0:44:14 | 0:44:16 | |
He has to, doesn't he? | 0:44:16 | 0:44:18 | |
We'll see. | 0:44:18 | 0:44:20 | |
It went to perfection. | 0:44:20 | 0:44:22 | |
It'll be a wonderful facility, when it's done. | 0:44:26 | 0:44:29 | |
How's the budget going? | 0:44:31 | 0:44:32 | |
I'll show you, if you have time. | 0:44:33 | 0:44:36 | |
Would you mind waiting? | 0:44:36 | 0:44:38 | |
-I'll be outside in the sun. -I won't be a moment. | 0:44:38 | 0:44:41 | |
Mother tells me you're aware of this... | 0:44:55 | 0:44:58 | |
this situation. | 0:44:58 | 0:44:59 | |
I've only recently been enlightened. | 0:45:01 | 0:45:04 | |
Ah. | 0:45:04 | 0:45:06 | |
I did wonder. | 0:45:06 | 0:45:07 | |
Why the charade? | 0:45:08 | 0:45:10 | |
She's made threats... | 0:45:10 | 0:45:11 | |
..to the entire family. | 0:45:13 | 0:45:14 | |
I need her feeling secure before I make my move. | 0:45:16 | 0:45:19 | |
What can I do? | 0:45:19 | 0:45:21 | |
I might require your signature on some documents. | 0:45:22 | 0:45:24 | |
Of course. | 0:45:24 | 0:45:26 | |
If anyone had told me this morning that this... | 0:45:28 | 0:45:30 | |
One thing, before you go. | 0:45:35 | 0:45:37 | |
And she's made threats against both James and Henry. | 0:46:00 | 0:46:05 | |
Now, there's no immediate cause for concern, | 0:46:05 | 0:46:07 | |
but I trust they're not staying together tonight? | 0:46:07 | 0:46:10 | |
Not to my knowledge. | 0:46:10 | 0:46:11 | |
I knew there was something going on. | 0:46:12 | 0:46:14 | |
Well, we didn't want you bothered with it. | 0:46:14 | 0:46:16 | |
There's little choice now. | 0:46:16 | 0:46:18 | |
If I may suggest, perhaps go down to the city in the morning | 0:46:19 | 0:46:22 | |
and locate him? | 0:46:22 | 0:46:23 | |
He should be seen with his wife, in case she spreads her malice. | 0:46:23 | 0:46:26 | |
You're right. | 0:46:26 | 0:46:28 | |
I've made decisions about my future anyway, which I'm keen to share. | 0:46:28 | 0:46:32 | |
Well, you do seem somewhat lighter. | 0:46:34 | 0:46:36 | |
Focused. | 0:46:37 | 0:46:38 | |
James, first. | 0:46:40 | 0:46:41 | |
You've had us worried, you know. | 0:46:43 | 0:46:45 | |
I've had myself worried. | 0:46:46 | 0:46:47 | |
No more. | 0:46:48 | 0:46:50 | |
CRYING | 0:46:50 | 0:46:52 | |
I'll leave first thing. | 0:46:52 | 0:46:54 | |
It's all right, it's all right. | 0:46:58 | 0:47:00 | |
So now things take their course. | 0:47:21 | 0:47:23 | |
It's hard to believe it's nearly over. | 0:47:23 | 0:47:25 | |
I'd love to know George's intentions. | 0:47:26 | 0:47:29 | |
But the less we know, the less likely we'll tip his hand. | 0:47:29 | 0:47:31 | |
I suspect that's his thinking. | 0:47:31 | 0:47:34 | |
Well? | 0:47:51 | 0:47:53 | |
It's done, but, things have to stay as they are. | 0:47:53 | 0:47:56 | |
And George, he believes it, he accepts it all? | 0:47:58 | 0:48:00 | |
But Regina can't know he does. | 0:48:00 | 0:48:02 | |
He's got some plan for her. | 0:48:02 | 0:48:04 | |
Sees her behind bars. | 0:48:04 | 0:48:06 | |
And Rose? | 0:48:06 | 0:48:07 | |
Just a little bit longer. | 0:48:07 | 0:48:09 | |
HE MUTTERS What? | 0:48:09 | 0:48:12 | |
-I've had it! -Gino... | 0:48:12 | 0:48:13 | |
It's always something, Anna! | 0:48:13 | 0:48:15 | |
Some plot, some scheme, some lies, use Rose, who cares? | 0:48:15 | 0:48:18 | |
A baby dies, you buy a new one, someone's poisoned, forget the cops, | 0:48:18 | 0:48:21 | |
let's do it ourselves. Your family is sick! | 0:48:21 | 0:48:24 | |
-It's all... -No, no, no, I don't care! | 0:48:24 | 0:48:26 | |
Now you can't even give me a son, what's the point?! | 0:48:26 | 0:48:30 | |
You don't mean that! | 0:48:30 | 0:48:31 | |
Yeah. | 0:48:37 | 0:48:38 | |
I do. | 0:48:40 | 0:48:41 | |
What is the point? | 0:48:44 | 0:48:46 | |
Oh, I thought Mrs Bligh was back. | 0:49:01 | 0:49:04 | |
You should be out on your ear, with no reference. | 0:49:05 | 0:49:07 | |
What have I done? | 0:49:08 | 0:49:10 | |
The picture of innocence! | 0:49:10 | 0:49:12 | |
If you can't resist your nature, the truth is there, to be read. | 0:49:12 | 0:49:16 | |
-Where did you get that? -Old Mrs Bligh just dropped them in. | 0:49:38 | 0:49:42 | |
-Just? -Only just. | 0:49:42 | 0:49:44 | |
-How much have you read? -A few words. | 0:49:44 | 0:49:46 | |
Good. | 0:49:48 | 0:49:50 | |
"House Of Lies." | 0:49:50 | 0:49:52 | |
The title says it all. | 0:49:52 | 0:49:53 | |
You're the one person I can trust, my darling. | 0:49:55 | 0:49:58 | |
And Mr Bligh. | 0:49:59 | 0:50:00 | |
Of course. | 0:50:01 | 0:50:03 | |
That old woman was so horrible to me. | 0:50:03 | 0:50:06 | |
Oh, and then I was mean. | 0:50:06 | 0:50:09 | |
I'm sorry. | 0:50:10 | 0:50:11 | |
Oh, you've been such a support. | 0:50:13 | 0:50:15 | |
There's only one thing these are good for. | 0:50:20 | 0:50:24 | |
So it's done? | 0:51:21 | 0:51:22 | |
It is. | 0:51:26 | 0:51:28 | |
And now, justice. | 0:51:28 | 0:51:29 | |
In a way that sees us all safe. | 0:51:31 | 0:51:33 | |
Hello, David. | 0:51:39 | 0:51:41 | |
Jack showed you? | 0:51:44 | 0:51:45 | |
David Bligh. | 0:51:51 | 0:51:52 | |
How could I love you and deny you that? | 0:51:57 | 0:51:59 |