Browse content similar to Fallout. Check below for episodes and series from the same categories and more!
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-Guard. -Quiet. | 0:00:02 | 0:00:03 | |
I need to see Dr Samuels. | 0:00:03 | 0:00:04 | |
I've made a decision. | 0:00:04 | 0:00:07 | |
She's finally offering a divorce. | 0:00:07 | 0:00:09 | |
I will accept full blame. | 0:00:09 | 0:00:11 | |
If you agree to this, you will rue the day. | 0:00:11 | 0:00:14 | |
I can't see her being released simply because of this. | 0:00:14 | 0:00:16 | |
We have to find a way to work together. | 0:00:16 | 0:00:18 | |
It's not going to be by me compromising my standards. | 0:00:18 | 0:00:21 | |
-I saw your paintings. -Yes. | 0:00:21 | 0:00:23 | |
-They're lovely. -It's no good. | 0:00:23 | 0:00:25 | |
I've seen a lot worse than this on exhibition. | 0:00:25 | 0:00:27 | |
Oh, my God. | 0:00:27 | 0:00:29 | |
You cannot take it. | 0:00:29 | 0:00:32 | |
That's a signed Namatjira. | 0:00:32 | 0:00:34 | |
I'm finding the second book a struggle. | 0:00:36 | 0:00:38 | |
What about your bottom drawer? | 0:00:38 | 0:00:40 | |
Tender Vines. Perhaps I've been wrong. | 0:00:40 | 0:00:43 | |
Let's talk about publication. | 0:00:43 | 0:00:45 | |
HE COUGHS VIOLENTLY | 0:00:49 | 0:00:52 | |
Oh, God. An ambulance. | 0:00:52 | 0:00:55 | |
Does Isaac know that you're seeing him? | 0:00:55 | 0:00:58 | |
-He's not Jewish, of course not. -It would break your uncle's heart. | 0:00:58 | 0:01:01 | |
He's dragging me off to Israel, he's breaking mine. | 0:01:01 | 0:01:04 | |
Her clothes are missing, her bag. She's run away. | 0:01:04 | 0:01:07 | |
She is Jewish. She cannot deny that. | 0:01:07 | 0:01:10 | |
-And David? -It's his heritage as well as hers. | 0:01:10 | 0:01:13 | |
This is something we have to face. | 0:01:13 | 0:01:15 | |
It may mean there is no wedding. | 0:01:15 | 0:01:17 | |
EXPLOSION | 0:01:32 | 0:01:34 | |
-FILM COMMENTARY: -Every major city in the world faces becoming | 0:01:36 | 0:01:39 | |
a Nagasaki or Hiroshima | 0:01:39 | 0:01:42 | |
unless mankind confronts the outstanding issue of 1958... | 0:01:42 | 0:01:47 | |
..what to do about the hydrogen bomb. | 0:01:48 | 0:01:51 | |
This weapon, if ever used again, | 0:01:51 | 0:01:53 | |
will cause unimaginable destruction | 0:01:53 | 0:01:56 | |
and produce terrible effects on generations as yet unborn. | 0:01:56 | 0:02:00 | |
Can nations of the world unite to conquer man's unerring...? | 0:02:02 | 0:02:06 | |
LAUGHTER AND CHATTER | 0:02:06 | 0:02:08 | |
You should have sat with us. | 0:02:23 | 0:02:25 | |
Well, I was hoping I might catch Leah Gold sneaking in. | 0:02:25 | 0:02:28 | |
She's obsessed with Marilyn Monroe. | 0:02:28 | 0:02:30 | |
If she were anywhere in the vicinity... | 0:02:30 | 0:02:33 | |
-How long has it been? -Two days. | 0:02:33 | 0:02:35 | |
-No George? -No. | 0:02:37 | 0:02:39 | |
Righto, ladies. Now, what we've got to find is one of these grates | 0:02:41 | 0:02:44 | |
-full of hot air! -Ignore him. | 0:02:44 | 0:02:46 | |
Cos I reckon Dawnie could give old Marilyn a run for her money | 0:02:46 | 0:02:50 | |
-in the pins department, especially when you go like that! -Oh! Don't! | 0:02:50 | 0:02:53 | |
Drains in Inverness don't blow hot air! | 0:02:53 | 0:02:55 | |
Unlike you, Roy Briggs. | 0:02:55 | 0:02:57 | |
Next fancy dress party, that's what you're wearing! | 0:02:57 | 0:02:59 | |
Those two are funnier than the film. | 0:02:59 | 0:03:01 | |
I really thought she'd be here. | 0:03:03 | 0:03:05 | |
I foolishly gave Isaac hope. | 0:03:06 | 0:03:08 | |
-Good luck. -Thanks. | 0:03:09 | 0:03:10 | |
-Night, Jack. -Night. | 0:03:10 | 0:03:12 | |
-Something's going on. -Hm? | 0:03:13 | 0:03:15 | |
George and Sarah. | 0:03:15 | 0:03:17 | |
If I could have got that ratbag boy today, I tell you. | 0:03:27 | 0:03:30 | |
We agreed you're to leave him to me. | 0:03:30 | 0:03:32 | |
This selfish girl, this isn't my Leah. | 0:03:32 | 0:03:34 | |
-I didn't raise her to be like this. -It's just her time to rebel. | 0:03:34 | 0:03:37 | |
All my savings have been spent on these tickets. | 0:03:37 | 0:03:40 | |
I... I know. | 0:03:40 | 0:03:41 | |
The life there. | 0:03:43 | 0:03:45 | |
The kibbutz life. | 0:03:45 | 0:03:47 | |
Huh. | 0:03:50 | 0:03:51 | |
This is Miriam's. For Leah. | 0:03:54 | 0:03:57 | |
You can mind them for her. | 0:04:01 | 0:04:02 | |
Hamantaschen. | 0:04:10 | 0:04:12 | |
Rugelach. | 0:04:12 | 0:04:14 | |
This takes me back to Paris before the war. | 0:04:14 | 0:04:17 | |
David's in for a treat. | 0:04:18 | 0:04:20 | |
Look, I... | 0:04:22 | 0:04:24 | |
I don't understand my religion well, I'm the first to admit it. | 0:04:24 | 0:04:28 | |
You put me in the synagogue, | 0:04:28 | 0:04:30 | |
I'm standing up, everybody's sitting down! | 0:04:30 | 0:04:32 | |
-Yes. -You know? | 0:04:32 | 0:04:34 | |
But what I do know is that... | 0:04:34 | 0:04:37 | |
..yeah, it's always felt good to be Jewish. | 0:04:39 | 0:04:41 | |
And that's what I want her to have. | 0:04:42 | 0:04:44 | |
And to pass down. | 0:04:45 | 0:04:47 | |
-The traditions. -Yeah. | 0:04:48 | 0:04:51 | |
Together we go to Israel | 0:04:51 | 0:04:53 | |
to see the hope and the promise. | 0:04:53 | 0:04:56 | |
But I know that if she turns away from Judaism now... | 0:04:58 | 0:05:01 | |
..she'll never come back. | 0:05:03 | 0:05:05 | |
RATTLING | 0:05:20 | 0:05:22 | |
FLOORBOARDS CREAK | 0:05:22 | 0:05:24 | |
METALLIC BANG | 0:05:36 | 0:05:37 | |
-HE SHOUTS -Oh! | 0:05:49 | 0:05:51 | |
HE LAUGHS | 0:05:51 | 0:05:53 | |
Larry, you idiot. | 0:05:53 | 0:05:54 | |
Oh, I'm sorry, I'm sorry, it was a joke. | 0:05:54 | 0:05:57 | |
-Are you all right? Are you OK? -Yeah, yeah, I'm all right. | 0:05:57 | 0:06:00 | |
OK, you sit down because I got you something. | 0:06:00 | 0:06:04 | |
Sit down. | 0:06:04 | 0:06:05 | |
I got you some food and I think you should eat it before it gets cold. | 0:06:05 | 0:06:09 | |
What? | 0:06:16 | 0:06:18 | |
I can't help worrying about Uncle Isaac. | 0:06:21 | 0:06:23 | |
He'll be all right. I promise. | 0:06:25 | 0:06:27 | |
Just so I'm clear, on his school form, for instance, | 0:06:32 | 0:06:35 | |
under religion, you'd prefer if we put Jewish. | 0:06:35 | 0:06:38 | |
Then what? | 0:06:41 | 0:06:43 | |
I'm trying to understand. | 0:06:43 | 0:06:45 | |
For David to be Jewish. | 0:06:45 | 0:06:47 | |
-But if it's passed down the mother's line, then... -To know that he is. | 0:06:47 | 0:06:50 | |
Each night, he kneels to say his prayers to Jesus. | 0:06:52 | 0:06:55 | |
You taught him that, your family too. | 0:06:55 | 0:06:57 | |
But why haven't I taught him the Shema, the children's prayer? | 0:06:57 | 0:06:59 | |
-In Hebrew? -I'm not blaming you, I'm the one who's let it slip. | 0:06:59 | 0:07:03 | |
-Can he say both? The... -Shema. | 0:07:03 | 0:07:05 | |
The Shema, and his other prayers. | 0:07:05 | 0:07:08 | |
Isn't that why we did both when he was born, the Bris and the baptism? | 0:07:08 | 0:07:11 | |
It's all weighted on your side, though, isn't it? | 0:07:11 | 0:07:13 | |
-My side? -He goes to church each week, and now it's Sunday school. | 0:07:13 | 0:07:17 | |
He comes home full of stories about miracles | 0:07:17 | 0:07:19 | |
and disciples and the devil. | 0:07:19 | 0:07:21 | |
And all he knows about Judaism is that when we go to the Golds' | 0:07:21 | 0:07:24 | |
he has to wear a funny hat. | 0:07:24 | 0:07:26 | |
And singing the Shema at night, it's hardly a balance. | 0:07:27 | 0:07:30 | |
Why don't we look at this from another angle. | 0:07:32 | 0:07:35 | |
You are a wonderful mother. I do my best. | 0:07:37 | 0:07:39 | |
You do more than that. | 0:07:39 | 0:07:41 | |
We have a very happy little boy who could simply choose his own religion | 0:07:41 | 0:07:45 | |
when he's old enough. | 0:07:45 | 0:07:46 | |
If we lived near a synagogue, but we don't, | 0:07:48 | 0:07:50 | |
then we can't be part of the Jewish community. | 0:07:50 | 0:07:53 | |
and I accept that. | 0:07:53 | 0:07:54 | |
I also accept that if... | 0:07:56 | 0:07:57 | |
..when we marry, it won't be under a chuppah, so be it. | 0:07:58 | 0:08:01 | |
-But when it comes to my child's future... -Our child. | 0:08:01 | 0:08:05 | |
What was it all for? | 0:08:05 | 0:08:06 | |
Millions of men, women and children died. | 0:08:08 | 0:08:11 | |
-What is it for? -He certainly doesn't need to learn that. | 0:08:11 | 0:08:14 | |
-If I'm... -Not yet. -..so upset about Leah turning her back on her | 0:08:14 | 0:08:17 | |
faith, her family and culture, how can I not raise my son as Jewish? | 0:08:17 | 0:08:22 | |
And if we can't agree on that, then I don't see how we can marry. | 0:08:22 | 0:08:25 | |
Let's not turn this into a catastrophe. | 0:08:25 | 0:08:27 | |
I can't marry you unless we agreed that David will be raised as a Jew. | 0:08:27 | 0:08:32 | |
-The Blighs are Church of England. -The Nordmanns aren't. | 0:08:32 | 0:08:34 | |
David isn't a Nordmann. He's a Bligh. | 0:08:34 | 0:08:37 | |
Is it really this or nothing? | 0:08:46 | 0:08:48 | |
Yes. | 0:08:53 | 0:08:54 | |
No. | 0:08:54 | 0:08:55 | |
After all we've been through. | 0:08:57 | 0:08:58 | |
Perhaps because of all we've been through. | 0:09:00 | 0:09:03 | |
We have a lot to consider. | 0:09:05 | 0:09:07 | |
Yes. | 0:09:09 | 0:09:10 | |
You're joking, aren't you? | 0:09:19 | 0:09:21 | |
It was a mistake to offer it for publication. | 0:09:21 | 0:09:24 | |
I made a mistake. | 0:09:24 | 0:09:26 | |
Tender Vines has tremendous potential. | 0:09:26 | 0:09:29 | |
I've been writing nothing but rubbish all year. | 0:09:29 | 0:09:31 | |
I panicked. | 0:09:31 | 0:09:33 | |
You're not the first writer in the world to struggle. | 0:09:33 | 0:09:36 | |
Struggle's one thing. | 0:09:36 | 0:09:37 | |
There were some days when I thought I'd be better off dead. | 0:09:37 | 0:09:40 | |
And if we publish Tender Vines I'd have a book out, yes, | 0:09:40 | 0:09:44 | |
but then there's the interviews and all the ballyhoo. | 0:09:44 | 0:09:46 | |
I'd be flung back into the past and... | 0:09:46 | 0:09:49 | |
I can't. | 0:09:50 | 0:09:52 | |
Are the memories that painful? | 0:09:53 | 0:09:55 | |
My grand failure. | 0:09:56 | 0:09:58 | |
I'll make it up to you. | 0:09:58 | 0:10:00 | |
Never mind me, it's you. | 0:10:00 | 0:10:03 | |
It's for the best. | 0:10:03 | 0:10:04 | |
I've never known a writer to destroy | 0:10:06 | 0:10:08 | |
what sounded like a perfectly wonderful novel. | 0:10:08 | 0:10:10 | |
Then you've never met... | 0:10:14 | 0:10:16 | |
me. | 0:10:16 | 0:10:17 | |
Darling, I know this may seem urgent, but... | 0:10:38 | 0:10:41 | |
I just want to get it done. | 0:10:41 | 0:10:42 | |
The doctor was very specific this morning - go home and rest. | 0:10:42 | 0:10:46 | |
I'm lying down. | 0:10:46 | 0:10:48 | |
Bed rest is what he meant. | 0:10:48 | 0:10:49 | |
-TELEPHONE RINGS -Oh, goodness. | 0:10:49 | 0:10:52 | |
Good evening. Surrey Street refuge. | 0:10:52 | 0:10:55 | |
Elizabeth. I've been trying you at home for a while. | 0:10:55 | 0:10:57 | |
Just took a pot shot you might be there. | 0:10:57 | 0:10:59 | |
-Yes, we certainly are. -Doing what? | 0:10:59 | 0:11:02 | |
Yes, that's right. | 0:11:02 | 0:11:04 | |
Daffodils. | 0:11:06 | 0:11:07 | |
He coughed himself into a haemorrhage. | 0:11:09 | 0:11:11 | |
He's just out of hospital. | 0:11:11 | 0:11:13 | |
He should be resting until he gets his results. | 0:11:13 | 0:11:15 | |
I've been told there's no need for the letter. | 0:11:15 | 0:11:18 | |
Well, of course he needs to get his results. | 0:11:18 | 0:11:20 | |
Let me speak to him. | 0:11:20 | 0:11:22 | |
Er, Jack would like a word. | 0:11:22 | 0:11:24 | |
Ah, not right now. | 0:11:24 | 0:11:26 | |
Did you hear that? | 0:11:26 | 0:11:28 | |
Is George still coming down tomorrow? | 0:11:28 | 0:11:30 | |
You want him to have a word with Douglas, is that what you're saying? | 0:11:32 | 0:11:35 | |
That would be lovely, thank you, Jack. | 0:11:35 | 0:11:38 | |
Mm. Bye-bye. | 0:11:38 | 0:11:40 | |
-Sarah not coming up? -Not tonight. | 0:11:45 | 0:11:48 | |
Regina. | 0:11:49 | 0:11:51 | |
No, that's not the problem. | 0:11:52 | 0:11:54 | |
She has had some tension with Henry, | 0:11:56 | 0:11:59 | |
-perhaps his staying here is a strain? -Not at all, not at all. | 0:11:59 | 0:12:02 | |
I... I certainly enjoy his company. | 0:12:02 | 0:12:05 | |
-How's Douglas? -He's ignoring orders to rest. | 0:12:05 | 0:12:08 | |
-Reluctant to return for his results. -That's ridiculous. | 0:12:08 | 0:12:11 | |
Elizabeth's very anxious. | 0:12:11 | 0:12:13 | |
-I'll talk to him when we go down there. -She'd appreciate that. | 0:12:13 | 0:12:16 | |
Here he is. | 0:12:18 | 0:12:19 | |
A letter from James. | 0:12:19 | 0:12:21 | |
Nothing that can't be shared. | 0:12:21 | 0:12:23 | |
-I'll leave it here. -Oh, won't you join us? | 0:12:24 | 0:12:27 | |
Ah, thank you, but big day tomorrow. | 0:12:27 | 0:12:30 | |
-Goodnight, all. -Goodnight. | 0:12:30 | 0:12:31 | |
Goodnight, Henry. Sleep well. | 0:12:31 | 0:12:33 | |
Excuse me. | 0:12:33 | 0:12:35 | |
Jack, would you mind closing the door, please? | 0:12:37 | 0:12:39 | |
Sure. | 0:12:39 | 0:12:40 | |
If this could be kept between the two of us? | 0:12:47 | 0:12:49 | |
Sarah and I are having a... | 0:12:51 | 0:12:53 | |
..an argument. | 0:12:54 | 0:12:55 | |
About? | 0:12:55 | 0:12:58 | |
Religion. | 0:12:58 | 0:12:59 | |
-Excuse me. -Henry. | 0:13:00 | 0:13:02 | |
Just wondering about the surgeon's residence. | 0:13:04 | 0:13:06 | |
When do you expect to move in? | 0:13:08 | 0:13:10 | |
I'm not a builder, Jack. | 0:13:11 | 0:13:13 | |
Working together and living under the same roof... | 0:13:15 | 0:13:18 | |
-..may not have been the best idea. -Ahem, well... | 0:13:20 | 0:13:22 | |
You see, the thing is, James Bligh invited me to stay here. | 0:13:24 | 0:13:27 | |
Just as Carolyn nee Bligh invited you, I imagine. | 0:13:27 | 0:13:30 | |
But, of course, if you, Dr Duncan, would like me to make | 0:13:31 | 0:13:33 | |
alternative arrangements, then by all means all you have to do is ask. | 0:13:33 | 0:13:37 | |
No hard feelings, then? | 0:13:39 | 0:13:41 | |
Tricky adrenalectomy in the morning. Goodnight. | 0:13:42 | 0:13:45 | |
-George. -It's a fundamental part of who we are. | 0:13:52 | 0:13:55 | |
Well, speak for yourself. I don't believe in any of it, sorry. | 0:13:55 | 0:13:58 | |
David will be an heir to Ash Park. | 0:13:58 | 0:14:01 | |
The heir to Ash Park has always been Church of England. | 0:14:01 | 0:14:03 | |
Why do you go to church? | 0:14:03 | 0:14:05 | |
-I do, that's the point. -Because it's a habit. | 0:14:05 | 0:14:08 | |
A sore bottom and boredom once a week. | 0:14:08 | 0:14:10 | |
Habit or not, and I don't happen to agree with you, by the way, | 0:14:10 | 0:14:13 | |
the church is where we learn our moral values. | 0:14:13 | 0:14:15 | |
Jews live moral lives. | 0:14:15 | 0:14:17 | |
Atheists live moral lives. | 0:14:17 | 0:14:19 | |
And it's not as if Sarah is over-religious, she's not. | 0:14:19 | 0:14:21 | |
She's... | 0:14:21 | 0:14:22 | |
How do they put it? Observant. | 0:14:23 | 0:14:25 | |
She's observant. | 0:14:25 | 0:14:27 | |
-Do you ever pray? -Do I... | 0:14:27 | 0:14:28 | |
I'm praying right now, Carolyn. | 0:14:31 | 0:14:32 | |
I'm praying that my sister will leave me in peace | 0:14:32 | 0:14:34 | |
so I can enjoy this very fine brandy. | 0:14:34 | 0:14:37 | |
Oh, my dear brother. | 0:14:39 | 0:14:41 | |
We Blighs, led by you, | 0:14:41 | 0:14:44 | |
have stretched ourselves to accommodate so much. | 0:14:44 | 0:14:48 | |
Anna's conversion to Catholicism, James and how he is, | 0:14:48 | 0:14:51 | |
his lover stays under our roof, yours nearby. | 0:14:51 | 0:14:54 | |
The woman you love has a burning desire to see your Jewish child | 0:14:55 | 0:14:59 | |
raised in that faith. | 0:14:59 | 0:15:01 | |
Can you honestly counter you have an equal desire to see him raised C of E? | 0:15:01 | 0:15:04 | |
Don't work too late. | 0:15:10 | 0:15:12 | |
And choose your battles wisely. | 0:15:13 | 0:15:15 | |
Night. | 0:15:21 | 0:15:23 | |
Goodnight. | 0:15:24 | 0:15:25 | |
DULL ROAR | 0:15:40 | 0:15:43 | |
SHE WHIMPERS | 0:15:50 | 0:15:52 | |
GUNSHOT | 0:15:57 | 0:15:59 | |
SHE SCREAMS | 0:15:59 | 0:16:00 | |
SHE PANTS | 0:16:00 | 0:16:04 | |
Forgive me. | 0:16:04 | 0:16:05 | |
Forgive me. Forgive me, forgive me. | 0:16:07 | 0:16:09 | |
Forgive me. | 0:16:09 | 0:16:12 | |
In all of the recurring dreams, Regina, | 0:16:14 | 0:16:17 | |
or similar dreams of anger and hatred, revenge, | 0:16:17 | 0:16:21 | |
remembering that these dreams and the feelings they invoke | 0:16:21 | 0:16:25 | |
could be signposts in your recovery. | 0:16:25 | 0:16:27 | |
I sleep straight through the night, or so it seems. | 0:16:29 | 0:16:31 | |
We've put you through quite a journey, haven't we, Regina? | 0:16:33 | 0:16:36 | |
ELECTRICAL BUZZING | 0:16:36 | 0:16:39 | |
I'm so very grateful you came here when you did, doctor. | 0:16:39 | 0:16:42 | |
I wouldn't be here today if it wasn't for you. | 0:16:43 | 0:16:46 | |
I'm merely the facilitator, you're the one who's done the work. | 0:16:46 | 0:16:49 | |
Everything for the good. | 0:16:53 | 0:16:56 | |
Tell me what you're thinking about? | 0:16:56 | 0:16:58 | |
SHE CRIES | 0:16:58 | 0:17:00 | |
The same thing I was thinking over breakfast. | 0:17:02 | 0:17:04 | |
whether the snails had got into my lovely little garden bed | 0:17:04 | 0:17:07 | |
after all that rain. | 0:17:07 | 0:17:09 | |
What say we play hooky today, hm? | 0:17:10 | 0:17:12 | |
Combine your talk therapy with a stroll. | 0:17:12 | 0:17:15 | |
Check on those snails? | 0:17:15 | 0:17:17 | |
Yes. | 0:17:18 | 0:17:19 | |
Yes, please. | 0:17:19 | 0:17:21 | |
-Do you like jazz? -When it's good. | 0:17:28 | 0:17:31 | |
The Australian Quartet's playing all this week. | 0:17:32 | 0:17:35 | |
Last gig before they head off to America. | 0:17:35 | 0:17:37 | |
-Ha! -What? -Last gig? | 0:17:38 | 0:17:41 | |
That's what we hip folk say, man! | 0:17:42 | 0:17:44 | |
So, shall we go one night? | 0:17:47 | 0:17:48 | |
-I'm off, I'm afraid. -Sorry? | 0:17:50 | 0:17:52 | |
I've been thinking it over and, um, | 0:17:52 | 0:17:55 | |
a girl can't sit around waiting for inspiration | 0:17:55 | 0:17:58 | |
so I'm heading up to Ash Park for a while. | 0:17:58 | 0:18:00 | |
-You'll be coming back down here? -No, I'll stay put. | 0:18:02 | 0:18:05 | |
Here I'm restless as a willow in a wind storm or a gale. | 0:18:05 | 0:18:09 | |
And Vanessa's helped me deliver the goods in the past so, hopefully, | 0:18:10 | 0:18:13 | |
busy, busy, busy. | 0:18:13 | 0:18:15 | |
And you're not intending to invite me up, are you? | 0:18:16 | 0:18:19 | |
No. | 0:18:20 | 0:18:21 | |
You'll give me the first read? | 0:18:24 | 0:18:26 | |
Oh! Only if you don't nag. | 0:18:26 | 0:18:29 | |
Now, I have to pack. | 0:18:29 | 0:18:30 | |
Good morning. | 0:18:46 | 0:18:48 | |
We're closing for lunch now, Miss, you can come back tomorrow. | 0:18:48 | 0:18:51 | |
I'm just checking in. | 0:18:51 | 0:18:53 | |
I really don't know, Miss...Sister. | 0:19:01 | 0:19:04 | |
Honest. | 0:19:04 | 0:19:05 | |
How do you think your mother would feel if you just disappeared? | 0:19:07 | 0:19:10 | |
-All right. -Really? | 0:19:12 | 0:19:13 | |
Or arrested, taken to the station? | 0:19:13 | 0:19:15 | |
-I've done nothing wrong. -Withholding information from authorities, | 0:19:15 | 0:19:18 | |
that's a charge. | 0:19:18 | 0:19:19 | |
You'd never forgive yourself if something happened to her. | 0:19:21 | 0:19:24 | |
Where do you think she might have gone? | 0:19:27 | 0:19:29 | |
Just... That Israel joint, that's all I know. | 0:19:30 | 0:19:33 | |
It's a country called Israel, it's not an Israel joint. | 0:19:33 | 0:19:36 | |
Well, that's a real interesting lesson, Miss, | 0:19:37 | 0:19:39 | |
but I've got mates waiting. | 0:19:39 | 0:19:41 | |
One, two, a-one, two, three... | 0:19:54 | 0:19:57 | |
# Well, bless my soul what's wrong with me? | 0:19:57 | 0:20:00 | |
# I'm itching like a man on a fuzzy tree | 0:20:00 | 0:20:04 | |
# My friends say I'm acting wild as a bug | 0:20:04 | 0:20:06 | |
# I'm in love | 0:20:06 | 0:20:08 | |
# I'm all shook up | 0:20:08 | 0:20:10 | |
# Uh-huh-huh | 0:20:10 | 0:20:12 | |
# Mmmmm | 0:20:12 | 0:20:13 | |
# Yeah | 0:20:13 | 0:20:15 | |
# Well, my hands are shaky and my knees are weak | 0:20:15 | 0:20:19 | |
# I can't seem to... # | 0:20:19 | 0:20:21 | |
Leah? Leah, Leah, please. | 0:20:21 | 0:20:24 | |
I'm trying to help you. I know you don't believe me. | 0:20:24 | 0:20:27 | |
No, I'm not going with him. He can't make me go, please, Sarah! | 0:20:27 | 0:20:30 | |
He can't, it's true, he can't make you go. | 0:20:30 | 0:20:32 | |
No, you're on his side. | 0:20:32 | 0:20:33 | |
-Look, you just need to go to the house and talk to him. -No, no! | 0:20:33 | 0:20:36 | |
-He's your uncle. -No! -And he's worried. | 0:20:36 | 0:20:38 | |
It's all about the war and the guilt. I'm sick of it. | 0:20:38 | 0:20:41 | |
Why can't I live the life I want? | 0:20:41 | 0:20:43 | |
That's a terrible thing to say. | 0:20:43 | 0:20:45 | |
Now, let's just tell him you're safe. | 0:20:48 | 0:20:51 | |
If you're so keen on Israel, why don't you go there? | 0:20:55 | 0:20:58 | |
-I'm sorry, but I'm not baby... -It's this boy. -..I'm an adult. | 0:21:01 | 0:21:04 | |
-He's a Gentile. -Isaac, let her speak. | 0:21:04 | 0:21:06 | |
I don't want to go with you. | 0:21:07 | 0:21:09 | |
You will go if I have to drag you up the gangplank. | 0:21:09 | 0:21:12 | |
-Isaac! -You will not marry out, this is not what Miriam would want. | 0:21:12 | 0:21:15 | |
-Please! -All she did for you, looked after you, | 0:21:15 | 0:21:17 | |
and you give your virginity up to a goy? | 0:21:17 | 0:21:20 | |
-Where is your self respect? -Uncle! | 0:21:20 | 0:21:23 | |
You go and have a test at the doctor's and prove me that I'm wrong. | 0:21:24 | 0:21:27 | |
Go and have test! | 0:21:28 | 0:21:30 | |
Because I'm right! | 0:21:36 | 0:21:38 | |
She'll just run away again, and why wouldn't she? | 0:21:47 | 0:21:50 | |
Then I will nail her window shut. | 0:21:51 | 0:21:53 | |
What is it that you want for her? | 0:21:53 | 0:21:55 | |
Really want? | 0:21:56 | 0:21:58 | |
That she should live a good life. | 0:22:01 | 0:22:04 | |
And that she should be happy. | 0:22:06 | 0:22:08 | |
Yes, so we have to be a lot smarter than this. | 0:22:08 | 0:22:11 | |
I talked her into coming home and you ruin it in one fell swoop. | 0:22:11 | 0:22:15 | |
Let me try and strike a deal with her. | 0:22:15 | 0:22:17 | |
So that she can come with me? | 0:22:19 | 0:22:21 | |
So that you don't lose her for good. | 0:22:22 | 0:22:24 | |
Just hold that down for a few minutes, thanks. | 0:22:33 | 0:22:36 | |
-Any hypos since I last saw you? -No. | 0:22:38 | 0:22:41 | |
Any problems checking your levels at home? | 0:22:42 | 0:22:45 | |
-No. -Good. | 0:22:45 | 0:22:48 | |
Well, keep taking the tablets. | 0:22:48 | 0:22:51 | |
Stick to the diet, watch your sugar. | 0:22:51 | 0:22:53 | |
Do you usually go along? | 0:22:56 | 0:22:58 | |
Anzac Day? | 0:23:00 | 0:23:01 | |
Depends where I am. | 0:23:01 | 0:23:03 | |
Don't reckon there's any such thing as the war experience. You? | 0:23:06 | 0:23:09 | |
Every man's different. | 0:23:09 | 0:23:11 | |
I was on the Burma railway. | 0:23:14 | 0:23:16 | |
That new film, Bridge On The River Kwai, | 0:23:22 | 0:23:24 | |
I'm not sure I'll be seeing that one. | 0:23:24 | 0:23:25 | |
There's a few blokes around here who were on the Kokoda Track... | 0:23:29 | 0:23:32 | |
..who ended up in Changi. | 0:23:34 | 0:23:36 | |
-Can I let go? -Yeah. | 0:23:38 | 0:23:40 | |
TELEPHPONE RINGS IN DISTANCE | 0:23:43 | 0:23:46 | |
-I'll see you in a week. -Thank you. | 0:23:47 | 0:23:49 | |
Changi was a holiday camp. | 0:23:58 | 0:24:00 | |
That's what we reckon, anyway. | 0:24:02 | 0:24:04 | |
Where were you, then? | 0:24:06 | 0:24:07 | |
And here we are. | 0:24:19 | 0:24:22 | |
Mrs Goddard has been calling. | 0:24:22 | 0:24:24 | |
Thank you, Lynette. | 0:24:24 | 0:24:26 | |
-This is so nice. -Not so fast. | 0:24:26 | 0:24:28 | |
Your uncle thinks you and Larry have slept together. | 0:24:30 | 0:24:33 | |
-Is he right? -No. | 0:24:33 | 0:24:35 | |
I believe you. | 0:24:38 | 0:24:39 | |
And I trust you'll tell me if that's likely to change | 0:24:41 | 0:24:43 | |
-while you live at Ash Park. -Yes. | 0:24:43 | 0:24:45 | |
And just because you're here doesn't mean you're cutting ties with him, | 0:24:45 | 0:24:48 | |
-you're to write to your uncle every week. -OK. | 0:24:48 | 0:24:51 | |
And you have to pull your weight. | 0:24:51 | 0:24:53 | |
Look after David, respect our rules | 0:24:53 | 0:24:55 | |
and help at the women's clinic some days. | 0:24:55 | 0:24:57 | |
It's ten shillings a week with room and board... | 0:24:57 | 0:25:00 | |
..and you can change your mind tomorrow if you want to. | 0:25:01 | 0:25:04 | |
Do I still have to be a Jew? | 0:25:04 | 0:25:06 | |
For goodness' sake, Leah, you are! | 0:25:06 | 0:25:09 | |
You are a Jew. | 0:25:09 | 0:25:10 | |
And... Even if you changed your name to Heidi Mutter | 0:25:12 | 0:25:15 | |
and dressed in a dirndl, | 0:25:15 | 0:25:17 | |
brush up against an anti-Semite anywhere in the world and I can | 0:25:17 | 0:25:20 | |
assure you, you will never be let off the hook. | 0:25:20 | 0:25:23 | |
Now, you'll be sleeping up at the big house. | 0:25:29 | 0:25:32 | |
I need you to stay with David. | 0:25:32 | 0:25:34 | |
And you can put that down now. | 0:25:39 | 0:25:41 | |
Good Lord! | 0:25:47 | 0:25:49 | |
You're telling me she's down there now? | 0:25:49 | 0:25:51 | |
It's a good solution, she's lovely with David and he adores her. | 0:25:51 | 0:25:54 | |
Let me get this straight. | 0:25:56 | 0:25:58 | |
For the past four years we've had a perfect situation, | 0:25:59 | 0:26:02 | |
excellent maids whom my son also adores, | 0:26:02 | 0:26:04 | |
and now without any thought of consulting me, | 0:26:04 | 0:26:06 | |
you've hired a rebellious Jewish girl to replace them. | 0:26:06 | 0:26:09 | |
If someone doesn't intervene, | 0:26:09 | 0:26:11 | |
there'll be such an estrangement between her and Isaac. | 0:26:11 | 0:26:13 | |
That's his problem, it's not ours. | 0:26:13 | 0:26:15 | |
I promised her aunt I'd watch out for her. | 0:26:15 | 0:26:17 | |
Sarah... | 0:26:20 | 0:26:21 | |
..tell me really why she's here. | 0:26:22 | 0:26:25 | |
Well, it's been like a... | 0:26:31 | 0:26:33 | |
..like a bucket of cold water. | 0:26:33 | 0:26:35 | |
A wake-up call to the essence of how I live | 0:26:36 | 0:26:39 | |
or haven't been living as a Jew, yes. | 0:26:39 | 0:26:41 | |
She just needs some guidance, George. | 0:26:45 | 0:26:47 | |
I'm afraid she's not the only one. | 0:26:52 | 0:26:54 | |
CAR HORN TOOTS | 0:26:54 | 0:26:57 | |
Carolyn's waiting. | 0:26:57 | 0:26:58 | |
ON PHONE: He's actually just left now. | 0:27:32 | 0:27:34 | |
But he'll be going back to see her again, won't he? | 0:27:34 | 0:27:36 | |
Really, Elizabeth, it's not for us to discuss. | 0:27:36 | 0:27:39 | |
Well, I beg to differ! | 0:27:39 | 0:27:41 | |
I intend to use all my powers of persuasion to stop this. | 0:27:41 | 0:27:44 | |
George seemed reassured by the psychiatrist. | 0:27:44 | 0:27:47 | |
-He... -Doctors can be duped! | 0:27:47 | 0:27:49 | |
Oh, Sarah, you and I both know she should have been put away for life. | 0:27:49 | 0:27:53 | |
Believe me, I wish I could stop him from going there, but... | 0:27:53 | 0:27:56 | |
-Hm, so he isn't listening to you, either. -He has listened to me. | 0:27:56 | 0:27:59 | |
Huh. | 0:27:59 | 0:28:01 | |
It's just that I'm asking enough right now. | 0:28:01 | 0:28:04 | |
What could possibly be more important? | 0:28:04 | 0:28:07 | |
You've given him your opinion, I've given him my trust. | 0:28:07 | 0:28:09 | |
Now, it's up to him, it's his divorce. | 0:28:09 | 0:28:12 | |
Yes. Sarah, George can be weak, you know that. | 0:28:12 | 0:28:14 | |
He is often easily swayed. | 0:28:14 | 0:28:17 | |
He's good and decent. | 0:28:17 | 0:28:19 | |
That's not weak. | 0:28:19 | 0:28:20 | |
That really was Elizabeth Bligh talking. | 0:28:20 | 0:28:24 | |
-Oh. -Let's finish this call. | 0:28:24 | 0:28:26 | |
Neither of us wants to argue, yes? | 0:28:26 | 0:28:28 | |
My best to Douglas for his health. | 0:28:29 | 0:28:32 | |
Thank you. | 0:28:32 | 0:28:34 | |
-I simply meant... -I know. | 0:28:37 | 0:28:38 | |
She said I was being Elizabeth Bligh. | 0:28:40 | 0:28:42 | |
Ha, no chance of that, Lizzie, darling. | 0:28:42 | 0:28:44 | |
I just don't know how anyone could ever think | 0:28:44 | 0:28:47 | |
-of trusting Regina ever again. -Don't worry. | 0:28:47 | 0:28:49 | |
I fear for them, Douglas. | 0:28:49 | 0:28:51 | |
They have their lives and we have ours. | 0:28:51 | 0:28:55 | |
-Oh, good, let me see. -Phoebe thinks he has talent. | 0:28:59 | 0:29:02 | |
Speaking of which, | 0:29:02 | 0:29:04 | |
when are we getting another best seller from Anna Bligh? | 0:29:04 | 0:29:06 | |
-Soon. Soon. -Good. | 0:29:06 | 0:29:08 | |
-Now, these? -They're his watercolours from Central Australia. | 0:29:10 | 0:29:13 | |
In a Namatjira style. | 0:29:13 | 0:29:15 | |
These are what he seems to have been painting since he came to Inverness. | 0:29:15 | 0:29:18 | |
-The palette is much deeper. -Mm. -The greens. | 0:29:18 | 0:29:21 | |
You've discovered him, Mama. | 0:29:21 | 0:29:23 | |
Not so fast. Now, these are his Namatjira style, let's say. | 0:29:23 | 0:29:27 | |
This is the actual Namatjira that he has. | 0:29:27 | 0:29:31 | |
You know, one just sold for 100 Guineas at the David Jones art show. | 0:29:31 | 0:29:34 | |
You did have fun that night. | 0:29:34 | 0:29:36 | |
My husband told me he took lessons from him, Namatjira. | 0:29:36 | 0:29:40 | |
If it is a Namatjira. | 0:29:40 | 0:29:42 | |
-These desert ones here, he hasn't signed them. -Not yet. | 0:29:44 | 0:29:48 | |
You may have stumbled across a forger, you know? | 0:29:48 | 0:29:50 | |
No, no. | 0:29:52 | 0:29:54 | |
-No. -There's an awful lot of it about. | 0:29:55 | 0:29:58 | |
DISTANT SHOUTING | 0:30:08 | 0:30:12 | |
Faster! Faster! | 0:30:12 | 0:30:14 | |
Hurry up! | 0:30:14 | 0:30:16 | |
EXPLOSIONS | 0:30:18 | 0:30:21 | |
GUNFIRE | 0:30:21 | 0:30:23 | |
Supplies. | 0:30:51 | 0:30:53 | |
George. Oh, how lovely. | 0:30:54 | 0:30:57 | |
Season of mists and mellow fruitfulness. | 0:30:58 | 0:31:01 | |
It's wonderful. | 0:31:01 | 0:31:02 | |
As to the matter of the divorce, | 0:31:04 | 0:31:07 | |
you've heard my views. | 0:31:07 | 0:31:09 | |
I'll leave it in your capable hands. | 0:31:09 | 0:31:11 | |
Tell me about Douglas. | 0:31:14 | 0:31:16 | |
Oh, George. | 0:31:16 | 0:31:17 | |
It was dreadful, it was truly dreadful. | 0:31:17 | 0:31:20 | |
I'm sure he persuaded the doctor to discharge him earlier. | 0:31:22 | 0:31:25 | |
Now he's acting as if nothing's happened. | 0:31:25 | 0:31:27 | |
I'm not sure what to do. | 0:31:27 | 0:31:29 | |
I've never really shaken off that bug I picked up in Cairo, | 0:31:32 | 0:31:35 | |
that's all it is. | 0:31:35 | 0:31:37 | |
Douglas, with respect, you need to return to your specialist | 0:31:37 | 0:31:40 | |
-for your results. -I appreciate your concern. | 0:31:40 | 0:31:42 | |
I strongly advise you deal with this issue promptly. | 0:31:42 | 0:31:46 | |
Your procrastination | 0:31:46 | 0:31:48 | |
is causing mother distress. | 0:31:48 | 0:31:51 | |
Well, that's the pot calling the kettle black! | 0:31:51 | 0:31:54 | |
HE COUGHS VIOLENTLY | 0:31:57 | 0:31:59 | |
Sorry, George. | 0:32:06 | 0:32:08 | |
I'm sorry. The truth is I'm afraid. | 0:32:10 | 0:32:13 | |
Afraid this might be the beginning of the end. | 0:32:16 | 0:32:20 | |
Not for me, just for... | 0:32:20 | 0:32:21 | |
..what we have. | 0:32:23 | 0:32:25 | |
Hm. | 0:32:27 | 0:32:28 | |
Ignoring it won't make it go away. | 0:32:30 | 0:32:32 | |
It'll only make matters worse. | 0:32:33 | 0:32:35 | |
For mother? | 0:32:38 | 0:32:39 | |
I confirmed the appointment. | 0:32:47 | 0:32:48 | |
Good idea. | 0:32:50 | 0:32:51 | |
That'll be nothing, of course. | 0:32:53 | 0:32:55 | |
And if it is something... | 0:32:56 | 0:32:58 | |
What is it that American chappie says? | 0:33:00 | 0:33:02 | |
Which one? | 0:33:02 | 0:33:03 | |
-IN AMERICAN ACCENT: -When fate hands you a lemon, make lemonade! | 0:33:03 | 0:33:07 | |
-Some of Roy's novels. -Oh? | 0:33:10 | 0:33:13 | |
-Why he saves them, who would know. -Ha! | 0:33:13 | 0:33:17 | |
Oh. | 0:33:31 | 0:33:32 | |
She could be a model. | 0:33:34 | 0:33:35 | |
She really could. | 0:33:37 | 0:33:38 | |
Oh, Mrs Briggs, Mrs Collins. | 0:33:38 | 0:33:41 | |
And lovely with it. | 0:33:41 | 0:33:44 | |
If my eyes don't deceive me, she's wearing Dior. | 0:33:44 | 0:33:47 | |
She is. Dior. | 0:33:47 | 0:33:49 | |
Hello. | 0:33:53 | 0:33:55 | |
Haven't I seen you somewhere before? | 0:33:56 | 0:33:58 | |
The prodigal authoress returns. | 0:33:58 | 0:34:00 | |
The desk is set up ready to go. | 0:34:00 | 0:34:02 | |
All made a vow of silence, your wish is our command. | 0:34:04 | 0:34:06 | |
Ah, not too much pressure, then! | 0:34:06 | 0:34:08 | |
Henry! Darling! | 0:34:08 | 0:34:11 | |
Oh, lordy, Miss Bligh. | 0:34:11 | 0:34:13 | |
-How long are you in town? -As long as it takes. | 0:34:13 | 0:34:16 | |
Ah, well, no distractions here, take it from me. | 0:34:16 | 0:34:19 | |
-The cocktail trolley rolls out at five. -Lovely. | 0:34:19 | 0:34:22 | |
Don't worry, I'll keep you sane until James returns. | 0:34:22 | 0:34:25 | |
Every good boy deserves a beard. | 0:34:25 | 0:34:27 | |
My question to you is what do you think would be better politically? | 0:34:33 | 0:34:37 | |
A divorce next year on the grounds of her five years in an institution, | 0:34:37 | 0:34:40 | |
or accept her offer now? | 0:34:40 | 0:34:43 | |
How does she seem, Regina? | 0:34:44 | 0:34:46 | |
I occasionally wonder how she's managing in that place. | 0:34:46 | 0:34:49 | |
She seemed cogent, appeared to be self-aware, | 0:34:49 | 0:34:53 | |
without animus, so it seemed. | 0:34:53 | 0:34:56 | |
The psychiatrists continue her treatment. | 0:34:56 | 0:34:59 | |
Electro-zapping and all of that. | 0:34:59 | 0:35:00 | |
Talk therapy, psychoanalysis. | 0:35:00 | 0:35:03 | |
Are psychiatrists real doctors, though? | 0:35:03 | 0:35:05 | |
-I reckon the jury's still out on that one. -I have heard it said. | 0:35:05 | 0:35:08 | |
My advice is to take her up on it, | 0:35:10 | 0:35:12 | |
she couldn't have picked a better time. | 0:35:12 | 0:35:14 | |
A fresh start to your second term and all the groundwork we've done | 0:35:14 | 0:35:17 | |
starts bearing fruit. | 0:35:17 | 0:35:19 | |
On the other hand, if I wait until next year, the divorce, | 0:35:19 | 0:35:23 | |
it'll be on my own terms. | 0:35:23 | 0:35:25 | |
I find it difficult to believe that there isn't an ulterior motive | 0:35:26 | 0:35:29 | |
on her part. | 0:35:29 | 0:35:30 | |
One term in Canberra and you're more cynical than I am. | 0:35:30 | 0:35:33 | |
She could be making this offer in an attempt to execute revenge. | 0:35:33 | 0:35:38 | |
-I can hear your mother talking, George. -The more I weigh it up... | 0:35:38 | 0:35:42 | |
Do you know what happens if you wait for a divorce | 0:35:42 | 0:35:44 | |
on the grounds of insanity? | 0:35:44 | 0:35:46 | |
When she finally comes out, | 0:35:46 | 0:35:48 | |
she has every reason to tell anyone who'll listen, and they will, | 0:35:48 | 0:35:51 | |
that you and your new missus drove her mad, sent her insane. | 0:35:51 | 0:35:54 | |
This offer, her way, | 0:35:54 | 0:35:57 | |
she admits in court she was mentally cruel to you, full stop. | 0:35:57 | 0:36:00 | |
She's discredited, it's a gift, she's out of your life. | 0:36:00 | 0:36:03 | |
I can't see why she'd be so altruistic. | 0:36:03 | 0:36:06 | |
Obviously the treatment's working. | 0:36:06 | 0:36:09 | |
You probably have two women in your ear right now - | 0:36:12 | 0:36:15 | |
mother and mistress. | 0:36:15 | 0:36:17 | |
But you have to decide what's best for your career. | 0:36:17 | 0:36:20 | |
Now, I don't want to sound immodest | 0:36:20 | 0:36:22 | |
but my advice has mostly been spot on, wouldn't you say? | 0:36:22 | 0:36:26 | |
Yes. | 0:36:28 | 0:36:30 | |
Yes, it has. | 0:36:30 | 0:36:31 | |
I'd like to suggest a drink but I've got an editor to sack. | 0:36:34 | 0:36:37 | |
Hmph. | 0:36:37 | 0:36:38 | |
You're with Frederick Stern, he's the best on divorce. | 0:36:40 | 0:36:43 | |
If she tries any argy-bargy, then knock it on the head. | 0:36:43 | 0:36:46 | |
Stern's still doing the right thing by you with the mortgage rate, | 0:36:46 | 0:36:49 | |
-I always meant to ask? -Of course. | 0:36:49 | 0:36:50 | |
Take Regi up on her offer. | 0:36:52 | 0:36:53 | |
Nice clear road straight ahead. | 0:36:53 | 0:36:56 | |
Bye, George. | 0:36:59 | 0:37:01 | |
How long would it...might it have been there, do you think, the lump? | 0:37:08 | 0:37:13 | |
The most important thing is that you've found it, Mrs O'Rourke. | 0:37:15 | 0:37:18 | |
Mr Fox. I'm sorry, Sheila. | 0:37:20 | 0:37:22 | |
I didn't know you were here. | 0:37:22 | 0:37:25 | |
Mrs O'Rourke requested that I join her for this appointment. | 0:37:25 | 0:37:28 | |
So, in cases such as yours, for best chances of recovery, | 0:37:32 | 0:37:36 | |
I suggest what we call a Halsted radical mastectomy. | 0:37:36 | 0:37:39 | |
We remove the breast, lymph nodes and a small part of the chest wall. | 0:37:39 | 0:37:43 | |
Some of my colleagues like to take a piece of the ribcage as well | 0:37:43 | 0:37:47 | |
but I'd like to think we can remove any stray cells | 0:37:47 | 0:37:49 | |
without having to do that. | 0:37:49 | 0:37:51 | |
It's all there along with your admission to hospital. | 0:37:54 | 0:37:58 | |
Do you have any questions, Sheila? | 0:38:01 | 0:38:03 | |
Sorry to ask, but... | 0:38:05 | 0:38:07 | |
..a lady I know, she just had | 0:38:08 | 0:38:10 | |
not all that done, more of a... | 0:38:10 | 0:38:13 | |
..simple thing, she said. | 0:38:14 | 0:38:16 | |
Well, good luck to her, she may need it. | 0:38:19 | 0:38:21 | |
Will I be all... | 0:38:26 | 0:38:29 | |
I don't know what to think. | 0:38:29 | 0:38:31 | |
I'm sorry to waste your time. | 0:38:31 | 0:38:32 | |
Sheila. Sheila, please, wait. | 0:38:34 | 0:38:37 | |
Don't go telling my husband, please. | 0:38:37 | 0:38:39 | |
He wouldn't want this, he wouldn't want me all deformed. I'm sorry. | 0:38:39 | 0:38:42 | |
You could have called me when she arrived, | 0:38:45 | 0:38:47 | |
or one of the other nurses from the clinic. | 0:38:47 | 0:38:49 | |
-She's my patient. -She was referred by the clinic. | 0:38:49 | 0:38:52 | |
The whole point of this was to avoid situations like this. | 0:38:52 | 0:38:54 | |
Now, I know her home life, | 0:38:56 | 0:38:58 | |
her husband will terrify her into not coming back. | 0:38:58 | 0:39:01 | |
When I require a medical opinion, I shall seek out a fellow surgeon. | 0:39:01 | 0:39:04 | |
I never have and, cannot imagine that I ever will, | 0:39:04 | 0:39:07 | |
feel the need to consult a nurse. | 0:39:07 | 0:39:09 | |
At least I know who it was, | 0:39:24 | 0:39:26 | |
ferreting through my stuff. | 0:39:26 | 0:39:28 | |
I hope you'll accept this as an apology, | 0:39:28 | 0:39:31 | |
some paints and watercolour papers. | 0:39:31 | 0:39:33 | |
I picked them up while I was in the city, and a few brushes, | 0:39:33 | 0:39:36 | |
from Cassells. | 0:39:36 | 0:39:38 | |
They also do mail orders in case there's anything else you need. | 0:39:38 | 0:39:41 | |
All right, I'll take them. | 0:39:44 | 0:39:45 | |
And these were the photographs I took of your work. | 0:39:47 | 0:39:50 | |
A friend of mine is a very good art dealer. | 0:39:53 | 0:39:58 | |
I showed her those. | 0:39:58 | 0:40:00 | |
She, she admires your work as much as I do | 0:40:00 | 0:40:02 | |
so I hope that inspires you a little to keep painting. | 0:40:02 | 0:40:05 | |
Well, anyway, I should, I should... | 0:40:09 | 0:40:11 | |
Missus. | 0:40:12 | 0:40:14 | |
Thanks for these. | 0:40:15 | 0:40:16 | |
Carolyn, please, or I get Caro, either one. | 0:40:16 | 0:40:20 | |
You know they've forecast heavy rain, | 0:40:23 | 0:40:25 | |
just might be good to check the roof. | 0:40:25 | 0:40:27 | |
It would be terrible to lose any of your paintings | 0:40:27 | 0:40:30 | |
but if that is a Namatjira, one of them just sold for 100 Guineas. | 0:40:30 | 0:40:33 | |
They're only going to increase in value, is what I mean. | 0:40:35 | 0:40:37 | |
Not that you'd want to sell it. | 0:40:37 | 0:40:39 | |
I know. Anyway. | 0:40:39 | 0:40:40 | |
Missus... | 0:40:40 | 0:40:41 | |
You said "if" it's a Namatjira. | 0:40:44 | 0:40:47 | |
My friend just said there are some forgeries around. | 0:40:48 | 0:40:51 | |
-Well, it was painted by Albert. -Well, that's good, then. | 0:40:51 | 0:40:53 | |
Why would I say that it was if it wasn't? | 0:40:55 | 0:40:58 | |
And, with all respect, don't go telling me that I've misunderstood. | 0:41:00 | 0:41:04 | |
I don't reckon I have. | 0:41:05 | 0:41:07 | |
Watch out for snakes. | 0:41:12 | 0:41:14 | |
He didn't seem too worried, I don't think. | 0:41:24 | 0:41:27 | |
Well, of course not, you come from the big house on the hill. | 0:41:27 | 0:41:29 | |
I feel bad enough, don't rub it in. | 0:41:29 | 0:41:32 | |
Let me ask you something. | 0:41:33 | 0:41:35 | |
If he was a white man, let's say that artist of Olivia's back in... | 0:41:35 | 0:41:38 | |
-Oh, don't mention him. -He's the only artist I know. | 0:41:38 | 0:41:40 | |
My point is, would you have said that to him? | 0:41:40 | 0:41:43 | |
What are you doing anyway, running around taking photographs? | 0:41:45 | 0:41:47 | |
-Trying to help. -Surely you've got better things to do with your time? | 0:41:47 | 0:41:51 | |
Actually, you know what? | 0:41:51 | 0:41:53 | |
I don't. | 0:41:53 | 0:41:54 | |
I have never been bored in my life but I am now. | 0:41:55 | 0:41:58 | |
I am not idle. | 0:41:58 | 0:42:00 | |
I do what I can around the property with James gone. | 0:42:00 | 0:42:03 | |
Or the women's clinic, filing or whatever else Sarah needs. | 0:42:03 | 0:42:06 | |
I've stuck my nose into the shearing but that's all under control. | 0:42:06 | 0:42:09 | |
So is it any wonder that when there's a hokey band | 0:42:09 | 0:42:12 | |
-playing in a hokey hall... -Calm down! | 0:42:12 | 0:42:14 | |
..or a scratch film once a week, I can't wait, | 0:42:14 | 0:42:16 | |
I'm almost sleepless with anticipation! | 0:42:16 | 0:42:18 | |
-What do you want me to do? -Nothing! Or something! | 0:42:18 | 0:42:21 | |
I don't know. | 0:42:21 | 0:42:22 | |
Welcome back to Ash Park, Anna! | 0:42:33 | 0:42:35 | |
I'm here to say that I accept. | 0:43:05 | 0:43:08 | |
I accept and appreciate your offer of divorce. | 0:43:08 | 0:43:11 | |
It is without malice. | 0:43:12 | 0:43:14 | |
Thank you. | 0:43:14 | 0:43:16 | |
I wish you the very best. | 0:43:17 | 0:43:19 | |
I behaved in a despicable way. | 0:43:21 | 0:43:23 | |
If only we could claw back time. | 0:43:26 | 0:43:28 | |
The human curse. | 0:43:30 | 0:43:31 | |
Along with awareness of our own mortality, | 0:43:34 | 0:43:37 | |
unique amongst the animals. | 0:43:37 | 0:43:39 | |
You'll have to instigate the documentation for the courts. | 0:43:41 | 0:43:45 | |
Mm-hm. | 0:43:45 | 0:43:46 | |
I do wish you and your family well. | 0:43:48 | 0:43:50 | |
Goodbye, George. | 0:43:56 | 0:43:57 | |
KOOKABURRA CALLS | 0:44:08 | 0:44:11 | |
You're here because Alice says you must. To say goodbye? | 0:44:15 | 0:44:19 | |
-No. -She's here because she loves you, Isaac. | 0:44:19 | 0:44:22 | |
Now, it's time to get your bag into the car. | 0:44:23 | 0:44:26 | |
I want to stop at the mechanics. | 0:44:33 | 0:44:35 | |
-Do you think that's wise? -I hope so. | 0:44:35 | 0:44:38 | |
Jimmy Dancer. | 0:44:51 | 0:44:53 | |
Well, if I can get along on one good lung... | 0:44:56 | 0:44:59 | |
..then I say let's get rid of the crook one. | 0:45:01 | 0:45:03 | |
Let's make lemonade. | 0:45:05 | 0:45:07 | |
What you see before you is a silly old Jew. | 0:45:15 | 0:45:19 | |
I don't know. | 0:45:19 | 0:45:20 | |
But one who knows how to fight. | 0:45:20 | 0:45:22 | |
I've thrown more hand grenades than you've had hot breakfasts. | 0:45:24 | 0:45:26 | |
But when it came to fighting for Leah's aunt Miriam, | 0:45:26 | 0:45:29 | |
that was a battle to end them all. | 0:45:29 | 0:45:31 | |
Why do you think that was? | 0:45:31 | 0:45:32 | |
Her father? | 0:45:34 | 0:45:35 | |
It took me a long time to prove to him that I deserved his daughter. | 0:45:35 | 0:45:39 | |
But not once... | 0:45:39 | 0:45:41 | |
..not once did I ever disrespect her. | 0:45:41 | 0:45:44 | |
I never have disrespected her. | 0:45:44 | 0:45:46 | |
Don't be thinking, oh, well, he's gone away now, who cares. | 0:45:46 | 0:45:50 | |
I won't. | 0:45:50 | 0:45:52 | |
Because there is another Jew in town to be afraid of. | 0:45:52 | 0:45:55 | |
Even more than me. | 0:45:56 | 0:45:58 | |
The things she's done in two wars, most men could never do. | 0:45:59 | 0:46:02 | |
And she'll be watching you. | 0:46:04 | 0:46:05 | |
And she has eyes in the back of her head. | 0:46:07 | 0:46:10 | |
Hm? | 0:46:12 | 0:46:14 | |
I'm guessing you put the fear of God into him. | 0:46:21 | 0:46:24 | |
Not so much. | 0:46:24 | 0:46:25 | |
But you did. | 0:46:25 | 0:46:27 | |
I can walk to the station from here. | 0:46:28 | 0:46:31 | |
I could do with the exercise. | 0:46:31 | 0:46:33 | |
My girl... | 0:46:47 | 0:46:49 | |
..until we meet in Israel. | 0:46:51 | 0:46:53 | |
HE PRAYS IN HEBREW | 0:47:06 | 0:47:10 | |
May the Lord turn his face to you... | 0:47:17 | 0:47:20 | |
..and grant you peace. | 0:47:21 | 0:47:23 | |
He is what matters. | 0:48:41 | 0:48:43 | |
Yes. | 0:48:45 | 0:48:47 | |
All right. | 0:48:48 | 0:48:50 | |
He can be raised Jewish. | 0:48:52 | 0:48:53 | |
Ash Park remains a Christian household, | 0:48:53 | 0:48:56 | |
and if he turns to Christianity when he is of age, | 0:48:56 | 0:48:59 | |
then we both allow him that. | 0:48:59 | 0:49:01 | |
Agreed. | 0:49:04 | 0:49:06 | |
Thank you. | 0:49:08 | 0:49:09 | |
But never use our marriage as an ultimatum, ever again. | 0:49:10 | 0:49:14 | |
That was not my intention, George. | 0:49:14 | 0:49:16 | |
It sounded so to me. | 0:49:16 | 0:49:18 | |
Sorry to make it so late. | 0:49:33 | 0:49:34 | |
Any time for you, Sir Richard. | 0:49:34 | 0:49:37 | |
You've been a true friend to Mrs Bligh. | 0:49:41 | 0:49:43 | |
In fact, I'm told the only one throughout her entire incarceration. | 0:49:43 | 0:49:46 | |
I was never here. | 0:49:48 | 0:49:49 | |
-No names, no pack-drill, Sir Richard. -Ah. | 0:49:50 | 0:49:53 | |
Had a good week by the sound of it? | 0:49:56 | 0:49:58 | |
Quite spectacular. | 0:49:58 | 0:50:00 | |
I might book myself in for a bit of a rest sometime. | 0:50:03 | 0:50:06 | |
We could put you under our psychoanalysis. | 0:50:06 | 0:50:08 | |
You wouldn't want to get stuck in my dreams, that's for sure. | 0:50:08 | 0:50:11 | |
Given her recent progress, I will shortly be making a recommendation | 0:50:11 | 0:50:15 | |
to the parole board for her release. | 0:50:15 | 0:50:17 | |
How soon might that happen? | 0:50:17 | 0:50:20 | |
Two to three months, I'd say. | 0:50:20 | 0:50:22 | |
KEYS RATTLE | 0:50:31 | 0:50:33 | |
DOOR CREAKS LOUDLY | 0:50:37 | 0:50:39 | |
Bloody marvellous. | 0:51:09 | 0:51:11 |