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I've seen a lot worse than this on exhibition. | 0:00:02 | 0:00:04 | |
These are the photographs I took of your work. | 0:00:04 | 0:00:06 | |
What are you doing, running around taking photographs? Surely you've | 0:00:06 | 0:00:08 | |
-got better things to do with your time. -You know what, I don't. | 0:00:08 | 0:00:12 | |
-Let's see. -When I've finished the book. | 0:00:12 | 0:00:16 | |
The publisher has a right to chivvy, your lover has a right to a kiss. | 0:00:16 | 0:00:19 | |
You'll be sleeping up at the big house and you have to pull your weight. | 0:00:19 | 0:00:23 | |
Look after David, respect our rules. | 0:00:23 | 0:00:25 | |
For the past four years, we've had excellent maids, | 0:00:25 | 0:00:27 | |
who my son also adores, and now, without any thought of consulting | 0:00:27 | 0:00:30 | |
me, you've hired a rebellious Jewish girl to replace them. | 0:00:30 | 0:00:33 | |
If I can get along with one good lung, then I say | 0:00:35 | 0:00:38 | |
let's get rid of the crook one. | 0:00:38 | 0:00:40 | |
I wouldn't be here today if it wasn't for you. | 0:00:40 | 0:00:42 | |
We've put you through quite a journey, haven't we, Regina? | 0:00:42 | 0:00:45 | |
SIZZLING | 0:00:45 | 0:00:47 | |
She's finally offering a divorce. | 0:00:47 | 0:00:48 | |
My advice is take her up on it. She couldn't have picked a better time. | 0:00:48 | 0:00:52 | |
If you agree to this, you will rue the day. | 0:00:52 | 0:00:55 | |
I'm telling you, we all will. | 0:00:55 | 0:00:56 | |
I accept and appreciate your offer of a divorce. | 0:00:56 | 0:00:59 | |
Given her recent progress, I will shortly be making a recommendation | 0:00:59 | 0:01:03 | |
to the parole board for her release. | 0:01:03 | 0:01:05 | |
How soon might that happen? | 0:01:05 | 0:01:06 | |
Two to three months, I'd say. | 0:01:06 | 0:01:09 | |
No, don't shoot. Don't shoot me. | 0:01:21 | 0:01:24 | |
-No. -What are you going to give? | 0:01:24 | 0:01:26 | |
Anything, anything. | 0:01:26 | 0:01:27 | |
I want your chocolate. | 0:01:27 | 0:01:30 | |
Not my chocolate. | 0:01:30 | 0:01:31 | |
-Ah, yes! -Your chocolate or your life. | 0:01:31 | 0:01:33 | |
-HE COUGHS -It's only been eight weeks, | 0:01:33 | 0:01:35 | |
slow down. Nonsense. | 0:01:35 | 0:01:38 | |
You are perfectly comfortable there, aren't you, darling? | 0:01:38 | 0:01:41 | |
Counting backwards from ten... | 0:01:41 | 0:01:43 | |
-No, I'm running away. -Ten, | 0:01:43 | 0:01:45 | |
nine... What comes next? | 0:01:45 | 0:01:47 | |
-Eight. -HE LAUGHS | 0:01:47 | 0:01:50 | |
-So what time will you come? -Soon as I can sneak out. | 0:01:50 | 0:01:53 | |
I'll bring something to make the place nicer. | 0:01:53 | 0:01:56 | |
-Yeah, me too. -Really? What? | 0:01:56 | 0:01:59 | |
You'll see. | 0:01:59 | 0:02:00 | |
Cripes, it's Sarah. | 0:02:02 | 0:02:03 | |
I've got to go, it's Friday. | 0:02:10 | 0:02:12 | |
You know, Shabbat. | 0:02:12 | 0:02:13 | |
Thought she might've gotten sick of | 0:02:13 | 0:02:15 | |
making you do all that Jewish stuff by now. | 0:02:15 | 0:02:16 | |
Yes, that's what you'd think. She's getting worse. | 0:02:16 | 0:02:19 | |
I'll come as soon as I can get away. | 0:02:20 | 0:02:22 | |
Bang, bang! Bang, bang, bang. | 0:02:30 | 0:02:33 | |
Davey, that's enough, darling. | 0:02:33 | 0:02:35 | |
Grandpa is getting tired. | 0:02:35 | 0:02:37 | |
-Bang. -You double-crossed me. You dirty rat... | 0:02:37 | 0:02:40 | |
Oh, this fresh air is certainly good for Doug, then. | 0:02:40 | 0:02:42 | |
Yes, he appears to have grown his lung back. Quite the miracle. | 0:02:42 | 0:02:45 | |
Mummy, Mummy! | 0:02:45 | 0:02:47 | |
And this one keeps wanting to take his shoes. | 0:02:47 | 0:02:49 | |
I know. If you don't mind, I'd rather he didn't play with guns. | 0:02:49 | 0:02:53 | |
Quite right too. You need to get inside. | 0:02:53 | 0:02:55 | |
All right, Shabbat's at quarter to five. | 0:02:55 | 0:02:58 | |
We'll see you then. Come on, sweetheart. | 0:02:58 | 0:02:59 | |
-Is Granny coming? -Yes. Isn't it exciting? | 0:02:59 | 0:03:02 | |
Let's see what Leah's up to. | 0:03:02 | 0:03:04 | |
Did you say we would attend? | 0:03:04 | 0:03:06 | |
David is being raised as a Jew. | 0:03:06 | 0:03:08 | |
Really, Douglas, as if the facts of his birth won't be enough of a | 0:03:08 | 0:03:10 | |
hindrance in life for him. | 0:03:10 | 0:03:12 | |
Darling, you'll just have to get used to it. | 0:03:12 | 0:03:14 | |
I don't have to get used to anything. | 0:03:14 | 0:03:16 | |
Which includes you ignoring the doctor's orders over exertion. | 0:03:16 | 0:03:20 | |
I'll tie you up. | 0:03:20 | 0:03:21 | |
No running. | 0:03:27 | 0:03:29 | |
-Leah. Bang, bang, bang! -Hello. | 0:03:31 | 0:03:35 | |
-Was it fun with Grandpa? -Yes. Really fun. | 0:03:35 | 0:03:38 | |
Go and put your toy away. | 0:03:38 | 0:03:39 | |
This is a pleasant change. | 0:03:41 | 0:03:42 | |
I thought this week I'd do it early. | 0:03:42 | 0:03:44 | |
Nothing to do with talking to Larry? | 0:03:44 | 0:03:46 | |
You don't have to lie about seeing him. | 0:03:48 | 0:03:51 | |
-Why don't you like him? -It's not a matter of me not liking him or not, | 0:03:51 | 0:03:54 | |
just don't get too serious. | 0:03:54 | 0:03:55 | |
It's a very big world out there. | 0:03:55 | 0:03:57 | |
Israel, you mean? | 0:03:57 | 0:03:58 | |
Not just Israel. | 0:03:58 | 0:04:00 | |
I don't want you to limit your horizons, that's all. | 0:04:00 | 0:04:03 | |
Lovely, just the cup. | 0:04:03 | 0:04:04 | |
They you are, sir. While I think of it... | 0:04:06 | 0:04:09 | |
Perfect. | 0:04:15 | 0:04:16 | |
How beautiful. | 0:04:27 | 0:04:29 | |
Picked a few outfits I thought you might like. | 0:04:30 | 0:04:33 | |
Get you started until you feel like going shopping. | 0:04:33 | 0:04:36 | |
Thank you, Dicky. That's very thoughtful. | 0:04:36 | 0:04:40 | |
The pied-a-terre I'm organising will be ready in a couple of days. | 0:04:40 | 0:04:44 | |
You being released early put me on the hop. | 0:04:44 | 0:04:47 | |
Such a strange feeling. | 0:04:47 | 0:04:49 | |
I have also organised an appointment with the beauty salon downstairs. | 0:04:49 | 0:04:54 | |
Just cos you've been to the funny farm doesn't mean you have to look like it. | 0:04:54 | 0:04:58 | |
So when am I due at the embalmers? | 0:04:58 | 0:05:01 | |
Ten minutes. I'll go down with you. | 0:05:01 | 0:05:04 | |
No, you go, Dicky. I'll just catch my breath. | 0:05:04 | 0:05:07 | |
-We're in this together, don't forget. -Of course. I won't. | 0:05:10 | 0:05:13 | |
Thank you. | 0:05:15 | 0:05:16 | |
My wife, my future wife, is a convert, | 0:05:46 | 0:05:49 | |
she's raising our son as Jewish. | 0:05:49 | 0:05:51 | |
I just feel it might be better if we three were of the same faith. | 0:05:51 | 0:05:56 | |
How does she feel about that? | 0:05:56 | 0:05:57 | |
She doesn't know yet. I feel I need to understand more before we discuss | 0:05:57 | 0:06:01 | |
-it. -That's sensible. | 0:06:01 | 0:06:04 | |
I did raise the conversion with a rabbi in Canberra recently. | 0:06:04 | 0:06:08 | |
He seemed to put as many hurdles in my way as possible. | 0:06:08 | 0:06:12 | |
I was surprised, I must say. | 0:06:12 | 0:06:15 | |
We want to make sure that the only motivation isn't just to please someone else. | 0:06:15 | 0:06:19 | |
It has to be an internal commitment. | 0:06:19 | 0:06:23 | |
-Of course. -He was just testing your resolve, as your fellow club members | 0:06:23 | 0:06:28 | |
here would test you if instead of merely inviting a rabbi in for a | 0:06:28 | 0:06:31 | |
drink, you yourself became a Jew. | 0:06:31 | 0:06:34 | |
Well, in that case, I hope that they would either make a terrible fuss | 0:06:37 | 0:06:40 | |
as I departed or history if I stayed. | 0:06:40 | 0:06:44 | |
Think long and hard, Mr Bligh. | 0:06:46 | 0:06:48 | |
That is a pathway to join the Jewish people. | 0:06:48 | 0:06:51 | |
-However, we... -Excuse me, sir. | 0:06:51 | 0:06:54 | |
Bear with me, Rabbi. | 0:06:54 | 0:06:55 | |
Excuse me. | 0:07:03 | 0:07:04 | |
Is this person still in the club? | 0:07:05 | 0:07:08 | |
It was a telephone message, sir. | 0:07:08 | 0:07:09 | |
-Pardon me, Rabbi. -Not at all. | 0:07:12 | 0:07:15 | |
I need to get over for Shabbat. | 0:07:15 | 0:07:16 | |
You'd be most welcome to join us. | 0:07:16 | 0:07:18 | |
-Perhaps another time. -OK. | 0:07:18 | 0:07:20 | |
Mr Bligh. | 0:07:26 | 0:07:27 | |
-Won't you sit down? -No, I won't, thank you. | 0:07:33 | 0:07:35 | |
I must say that I'm surprised that you're aware of her release, Mr Bligh. | 0:07:37 | 0:07:41 | |
If a Sydney Morning Herald journalist knows, | 0:07:41 | 0:07:43 | |
I dare say it wouldn't be long before I did too. | 0:07:43 | 0:07:46 | |
It didn't come from here, I can assure you. | 0:07:46 | 0:07:47 | |
It's far too early for her to be out. | 0:07:47 | 0:07:50 | |
As her husband, I should have been consulted. | 0:07:50 | 0:07:52 | |
With due respect, | 0:07:52 | 0:07:55 | |
my only dealings with you have concerned your acceptance of her offering a divorce. | 0:07:55 | 0:07:59 | |
You really have no right to be consulted at all. | 0:07:59 | 0:08:02 | |
-I beg your pardon? -I'm not according you blame, Mr Bligh. | 0:08:02 | 0:08:05 | |
Just stating the facts. | 0:08:05 | 0:08:07 | |
Whatever the case, Regina agreeing to and offering you a divorce has been a vital | 0:08:07 | 0:08:12 | |
and necessary step in her recovery. | 0:08:12 | 0:08:13 | |
Regina's skill at deception has caused us all great agony. | 0:08:13 | 0:08:18 | |
It isn't easy to forget someone threatening to bash the brains out of a newborn child. | 0:08:18 | 0:08:23 | |
I would have thought it sensible to err on the side of caution. | 0:08:23 | 0:08:28 | |
Regina will have to rebuild her life in a world that will seem hostile to | 0:08:28 | 0:08:32 | |
her. Frankly, she has more to fear from your reaction than you do from | 0:08:32 | 0:08:36 | |
her release. Put yourself in her position. | 0:08:36 | 0:08:38 | |
You might like to put yourself in mine. | 0:08:38 | 0:08:41 | |
It was my son. | 0:08:41 | 0:08:42 | |
I signed the medical release based on my conviction that she was ready. | 0:08:44 | 0:08:48 | |
The court concurred. | 0:08:48 | 0:08:50 | |
The slightest harm to my family from Regina, it will be on your head. | 0:08:50 | 0:08:55 | |
Dinner will be at seven. | 0:09:03 | 0:09:05 | |
Douglas has accepted an invitation to go to Sarah's religious meal. | 0:09:05 | 0:09:09 | |
The word is Shabbat. | 0:09:09 | 0:09:11 | |
Not saying it won't make it go away. | 0:09:11 | 0:09:13 | |
"Douglas isn't up to it" worked when I wasn't. | 0:09:13 | 0:09:16 | |
Four invites later seems plain rude. | 0:09:16 | 0:09:18 | |
Sarah would decline any invitation from me to attend our Eucharist. | 0:09:18 | 0:09:22 | |
Which is her right and I respect that. | 0:09:22 | 0:09:24 | |
She is David's mother, darling. | 0:09:24 | 0:09:25 | |
She's a Jew, that makes him one so... | 0:09:25 | 0:09:27 | |
According to their rules, not ours. | 0:09:27 | 0:09:30 | |
Shabbat invitation feels like some sort of indoctrination. | 0:09:30 | 0:09:33 | |
Oh, come on, Mother. Isn't that what happens at church every Sunday? | 0:09:33 | 0:09:36 | |
-That's a bit much. -It's the truth. | 0:09:36 | 0:09:38 | |
David is a Bligh and this is Ash Park. | 0:09:39 | 0:09:43 | |
I'm not being anti-Semitic, I'm being pro-Bligh. | 0:09:43 | 0:09:46 | |
We have our traditions. | 0:09:46 | 0:09:47 | |
We should raise David in the Church of England. When he is an adult he | 0:09:47 | 0:09:50 | |
-can choose his religion. -Why can't he do both? -Because... | 0:09:50 | 0:09:53 | |
PHONE RINGS Saved by the bell. | 0:09:53 | 0:09:55 | |
Because it's incredibly important to his mother that he | 0:09:55 | 0:09:58 | |
is raised Jewish, and George has agreed. | 0:09:58 | 0:10:00 | |
Surely not? | 0:10:02 | 0:10:03 | |
All right, all right. | 0:10:05 | 0:10:06 | |
"Will there really be a morning, is there such a thing as day? | 0:10:07 | 0:10:11 | |
"Could they see it from the mountains | 0:10:11 | 0:10:12 | |
"if I were as tall as they? | 0:10:12 | 0:10:16 | |
"Has it feet like water lilies? | 0:10:16 | 0:10:18 | |
-KNOCKING -"Has it feathers like a bird...?" | 0:10:18 | 0:10:20 | |
Elizabeth, you're early. Good, come in, come in. | 0:10:23 | 0:10:26 | |
-Douglas can't make it? -We won't be coming for dinner. | 0:10:26 | 0:10:30 | |
I think your telephone might be off the hook. | 0:10:30 | 0:10:32 | |
Yes, it is. | 0:10:32 | 0:10:34 | |
-LAUGHTER -Oh. | 0:10:34 | 0:10:36 | |
I'm afraid I have some bad news. From George. | 0:10:36 | 0:10:39 | |
Regina has been released. | 0:10:42 | 0:10:44 | |
-When? -This morning. | 0:10:48 | 0:10:50 | |
Where is she? | 0:10:51 | 0:10:52 | |
George is endeavouring to find out. | 0:10:53 | 0:10:56 | |
According to the doctor, it was her offer of a divorce that is the key, | 0:10:56 | 0:10:59 | |
apparently, to her miraculous recovery. | 0:10:59 | 0:11:02 | |
Now, I warned you both, didn't I? | 0:11:02 | 0:11:04 | |
All you had to do was ignore her, anyone could see it was just a ploy | 0:11:04 | 0:11:07 | |
to be deemed sane and to procure her release. | 0:11:07 | 0:11:09 | |
-A decision had to be made. -The wrong decision. | 0:11:09 | 0:11:12 | |
She won't come back here. | 0:11:15 | 0:11:16 | |
She would be mad to. | 0:11:17 | 0:11:18 | |
Sarah, she IS mad. | 0:11:19 | 0:11:22 | |
I think we should just carry on as normal. | 0:11:23 | 0:11:25 | |
As you see fit. | 0:11:27 | 0:11:28 | |
I think so. | 0:11:29 | 0:11:30 | |
Very well. | 0:11:32 | 0:11:34 | |
Night. | 0:11:34 | 0:11:35 | |
Goodnight. | 0:11:37 | 0:11:39 | |
The tickle monster is here. | 0:11:44 | 0:11:46 | |
Only me. I hope you are decent. | 0:11:54 | 0:11:57 | |
I would rather you knocked, Dicky. | 0:11:57 | 0:11:59 | |
I'd rather I had all the keys. | 0:11:59 | 0:12:01 | |
Just checking up on my assets. | 0:12:01 | 0:12:03 | |
Drink? | 0:12:05 | 0:12:07 | |
Yes. A pot of tea, please. | 0:12:11 | 0:12:13 | |
Room 16. | 0:12:14 | 0:12:16 | |
Actually, I wasn't too keen on your mood when I left. | 0:12:20 | 0:12:23 | |
-Thought I'd check up on you. -I won't do anything foolish. | 0:12:23 | 0:12:27 | |
Good. This is an improvement, all right. | 0:12:27 | 0:12:30 | |
I thought you'd go back to the brunette. | 0:12:30 | 0:12:32 | |
It helps define the new me. | 0:12:32 | 0:12:34 | |
Not too new. The old one and I were a good team. | 0:12:35 | 0:12:37 | |
You don't need to be all over me, Dicky. | 0:12:38 | 0:12:40 | |
-I need to manage by myself. -You can't, you won't. | 0:12:40 | 0:12:44 | |
Don't bite the hand that feeds you, Reggie. | 0:12:45 | 0:12:47 | |
You are a four-year investment. | 0:12:47 | 0:12:49 | |
Will I appear in your report to the shareholders? | 0:12:53 | 0:12:56 | |
There you go. | 0:12:56 | 0:12:57 | |
They should be running around like headless chooks by now if my bloke's done his job. | 0:13:00 | 0:13:05 | |
Old Ma Bligh might save us the effort and die of shock when she finds out | 0:13:05 | 0:13:10 | |
you're roaming free. | 0:13:10 | 0:13:12 | |
Anyway, just relax. | 0:13:12 | 0:13:14 | |
You've got plenty of time. | 0:13:14 | 0:13:15 | |
Forget the tea. | 0:13:20 | 0:13:22 | |
Get the cocktails running, things will seem rosier in the morning. | 0:13:22 | 0:13:26 | |
See you tomorrow. Same time. | 0:13:29 | 0:13:31 | |
Be here. | 0:13:35 | 0:13:36 | |
SHE SIGHS Stop sighing. | 0:13:44 | 0:13:47 | |
You hated it. | 0:13:54 | 0:13:55 | |
It's inspired. | 0:13:59 | 0:14:01 | |
-What? -You have something to say, my darling. | 0:14:01 | 0:14:04 | |
-And the talent to say it. -Oh, my God! | 0:14:04 | 0:14:06 | |
You're not just saying that because you're... | 0:14:08 | 0:14:10 | |
Soft-hearted about you I may be. Soft-headed I am not. | 0:14:10 | 0:14:13 | |
That is the best thing you could say to me. | 0:14:15 | 0:14:17 | |
This time, you know, I just felt so completely absorbed in it. | 0:14:17 | 0:14:22 | |
The next moment I'd written 20 pages. | 0:14:22 | 0:14:23 | |
I wasn't sure if they were any good. | 0:14:23 | 0:14:25 | |
There must be something in the waters in Ash Park. | 0:14:25 | 0:14:27 | |
To which, by the way, these past two months you have not once invited me. | 0:14:27 | 0:14:31 | |
-Note the pain in my voice. -You'd be bored to tears. | 0:14:31 | 0:14:35 | |
She hid him in the shadows where all secret love resides. | 0:14:35 | 0:14:39 | |
Now you sound like a character in Peyton Place. | 0:14:39 | 0:14:42 | |
Peyton Place contains nothing as bad as that. | 0:14:42 | 0:14:44 | |
Your sex scenes are far more scandalous. | 0:14:45 | 0:14:47 | |
Wheel me out of the shadows. | 0:14:49 | 0:14:50 | |
Just for fun. | 0:14:50 | 0:14:52 | |
The tribal rights of Ash Park, | 0:14:52 | 0:14:54 | |
I'll be like Margaret Mead among the Samoans. | 0:14:54 | 0:14:57 | |
-They might eat you. -Come on. | 0:14:57 | 0:14:59 | |
Make an honest man of me. | 0:15:00 | 0:15:02 | |
I have to meet them sooner or later. | 0:15:03 | 0:15:05 | |
Excuse me. | 0:15:19 | 0:15:21 | |
-Can I have a word? -The usual? | 0:15:21 | 0:15:23 | |
George, did you invite a member of the tribe of Abraham in here? | 0:15:25 | 0:15:28 | |
-What of it? -You ruffled feathers. | 0:15:28 | 0:15:31 | |
He is a former RAAF fighter ace, for God's sake. | 0:15:31 | 0:15:33 | |
Richard, I actually need to talk to you about something confidential. | 0:15:33 | 0:15:37 | |
-Regina. -What about her? | 0:15:38 | 0:15:40 | |
You haven't heard. You must have known. | 0:15:42 | 0:15:45 | |
A Herald journalist called me here. | 0:15:45 | 0:15:47 | |
-Heard what? -She's been released from the asylum. | 0:15:48 | 0:15:52 | |
No consultation with me. | 0:15:52 | 0:15:54 | |
No-one told me. If I'd have known, it would never have happened. | 0:15:54 | 0:15:56 | |
Are you able to suppress the story for us? | 0:15:56 | 0:15:59 | |
-I'll do my best. -At least stop it from appearing in print. | 0:15:59 | 0:16:01 | |
That's in all our interests. | 0:16:01 | 0:16:03 | |
Thank you. | 0:16:04 | 0:16:05 | |
-You off already? -I need to get back to Ash Park, obvious reasons. | 0:16:10 | 0:16:14 | |
She won't go back there. | 0:16:14 | 0:16:15 | |
-I need to be with Sarah and David. -I understand that. | 0:16:15 | 0:16:19 | |
They don't deserve an encore of what they went through. | 0:16:19 | 0:16:22 | |
No-one does. | 0:16:22 | 0:16:23 | |
LAUGHTER | 0:16:52 | 0:16:54 | |
Shall we do the prayer together? | 0:16:54 | 0:16:56 | |
SHE SIGHS | 0:16:58 | 0:17:00 | |
You listen to me. | 0:17:02 | 0:17:03 | |
Now, I stepped in with Isaac on your behalf, did I not? | 0:17:05 | 0:17:08 | |
I have been understanding and trusting about Larry. | 0:17:08 | 0:17:10 | |
I ask you to take part in this one thing | 0:17:10 | 0:17:12 | |
and you do it with such bad grace. | 0:17:12 | 0:17:14 | |
This is about the Jewish family. | 0:17:16 | 0:17:17 | |
It's about us, and I will keep saying this until you understand it, | 0:17:19 | 0:17:23 | |
as much as you want to forget you're a Jew, our enemies never will. | 0:17:23 | 0:17:27 | |
This... | 0:17:28 | 0:17:29 | |
This gives us strength... | 0:17:30 | 0:17:32 | |
..to know who we are. | 0:17:33 | 0:17:34 | |
I'm sorry. | 0:17:45 | 0:17:46 | |
Just had some worrying news. | 0:17:49 | 0:17:52 | |
Let's start again. | 0:17:56 | 0:17:57 | |
KNOCKING | 0:18:04 | 0:18:06 | |
-Oh, I'm freezing. -What took you so long? | 0:18:09 | 0:18:12 | |
-She's got a bee in her bonnet. -About what? | 0:18:12 | 0:18:14 | |
She's all jumpy, she wanted me to stay. Making all these excuses. | 0:18:14 | 0:18:17 | |
She's a lady fighter in two wars, nothing is going to scare her. | 0:18:17 | 0:18:20 | |
-So, what did you bring? -You first. | 0:18:22 | 0:18:24 | |
No, no, girls go first. | 0:18:24 | 0:18:26 | |
Come on. Show us what you bought and then I'll show what I bought. | 0:18:26 | 0:18:29 | |
We don't have anything nice on the walls here. | 0:18:29 | 0:18:31 | |
Remember? | 0:18:34 | 0:18:36 | |
-Oh, yeah. -So romantic. | 0:18:37 | 0:18:40 | |
We can put it up just there. | 0:18:40 | 0:18:42 | |
-What did you bring? -Something real special. | 0:18:42 | 0:18:45 | |
Something you can't get but I got one. | 0:18:45 | 0:18:48 | |
What? Show me. | 0:18:48 | 0:18:50 | |
Right, close your eyes. | 0:18:50 | 0:18:51 | |
Close your eyes. | 0:18:52 | 0:18:54 | |
Hold out your hand. | 0:18:54 | 0:18:55 | |
Keep your eyes shut. | 0:18:55 | 0:18:57 | |
Guess what it is? | 0:18:59 | 0:19:01 | |
You'll never guess. | 0:19:01 | 0:19:02 | |
What is it? | 0:19:03 | 0:19:05 | |
-It's a frenchie. -Eurgh! | 0:19:05 | 0:19:08 | |
What did you bring that for? | 0:19:08 | 0:19:09 | |
That's not something to make this place nice. | 0:19:09 | 0:19:12 | |
-Yes, it is. -We'll get in trouble. | 0:19:12 | 0:19:13 | |
No, you dill, it's to stop trouble. | 0:19:13 | 0:19:15 | |
-I keep telling you, not till we're married. -I know. | 0:19:15 | 0:19:17 | |
I mean, we love each other, it's just sort of in case we might want | 0:19:17 | 0:19:19 | |
-to... -You want to, you mean. -No, I never meant like that. | 0:19:19 | 0:19:22 | |
You really know how to spoil things. | 0:19:22 | 0:19:24 | |
-Oh, don't go. -You promised last time that was as far as we'd go, and I | 0:19:27 | 0:19:32 | |
didn't even want to go that far. | 0:19:32 | 0:19:33 | |
Sir, Mrs Goddard asked if she might have a word with you | 0:19:44 | 0:19:48 | |
as soon as you returned. | 0:19:48 | 0:19:49 | |
You needn't have waited up. | 0:19:59 | 0:20:01 | |
George, why did you agree to a divorce when you could have waited? | 0:20:04 | 0:20:08 | |
-Now she's out. -It's done now, Mother. -Yes, it is. | 0:20:08 | 0:20:12 | |
I did what I thought was best at the time. | 0:20:12 | 0:20:14 | |
-I still do. -If I were Sarah, I would take David as far away as possible. | 0:20:16 | 0:20:20 | |
-That won't happen. -You don't know mothers. -I know Sarah. | 0:20:20 | 0:20:24 | |
-She is strong. -George, even strong women have their breaking points. -Leave it, Mother. | 0:20:26 | 0:20:30 | |
The more you fuss, the harder it is for us to carry on a normal life. | 0:20:32 | 0:20:35 | |
Now surely... | 0:20:37 | 0:20:38 | |
..helping Douglas with his recovery is a big enough job for you. | 0:20:40 | 0:20:43 | |
KNOCKING | 0:20:52 | 0:20:54 | |
-Who is it? -A tall, dark stranger. | 0:21:01 | 0:21:03 | |
What about you and David sleeping in the main house? | 0:21:13 | 0:21:16 | |
-She won't come here, surely. -Peace of mind. | 0:21:16 | 0:21:19 | |
I shouldn't even be worried about her but... | 0:21:20 | 0:21:23 | |
..look at me, I'm locking doors and jumping at shadows. | 0:21:24 | 0:21:26 | |
It's the shock of it all. | 0:21:26 | 0:21:28 | |
That we weren't consulted, it's intolerable. | 0:21:28 | 0:21:30 | |
It's David I'm worried about. | 0:21:32 | 0:21:34 | |
What if I stayed the night? | 0:21:36 | 0:21:37 | |
Scandal be damned. | 0:21:41 | 0:21:43 | |
First time for everything. | 0:21:43 | 0:21:44 | |
Scandal be damned. | 0:21:45 | 0:21:47 | |
I've looked forward to waking up beside you every morning. | 0:22:16 | 0:22:20 | |
Whatever it means, her being out... | 0:22:24 | 0:22:28 | |
..I'll have my divorce by the end of the year. | 0:22:28 | 0:22:31 | |
And then... | 0:22:32 | 0:22:33 | |
..our wedding. | 0:22:34 | 0:22:36 | |
We should elope. | 0:22:39 | 0:22:41 | |
Whatever you want. | 0:22:46 | 0:22:48 | |
It's music to my ears. | 0:22:51 | 0:22:53 | |
George. | 0:23:04 | 0:23:06 | |
Do I detect a hint of disapproval from my bohemian sister? | 0:23:06 | 0:23:09 | |
Not I. I'm all for love. | 0:23:09 | 0:23:12 | |
But you've always been so careful about not staying the night. | 0:23:12 | 0:23:15 | |
I didn't want them down there on their own. | 0:23:15 | 0:23:18 | |
Regina will be off to Paris or London or somewhere, I wouldn't worry. | 0:23:18 | 0:23:21 | |
What are you doing up so early? | 0:23:23 | 0:23:25 | |
I didn't sleep. Jack and I had an argument about a radio programme, of | 0:23:25 | 0:23:30 | |
-all things. -I hope you don't do that too often. | 0:23:30 | 0:23:33 | |
It can become a habit. | 0:23:33 | 0:23:34 | |
Well, fencing to supervise and then the clinic. | 0:23:35 | 0:23:38 | |
You're making me feel guilty. | 0:23:38 | 0:23:40 | |
Keeps me busy, that's the main thing. | 0:23:40 | 0:23:42 | |
Mrs Duncan, telephone. | 0:23:42 | 0:23:44 | |
It's Miss Anna, a trunk call, ma'am. | 0:23:44 | 0:23:47 | |
This is early. It's either good news or bad. | 0:23:47 | 0:23:50 | |
An early start to the day, madam. | 0:23:59 | 0:24:01 | |
-It's the best part of the day, really. -It is, isn't it? | 0:24:02 | 0:24:05 | |
-Anything else? -No, thank you. | 0:24:07 | 0:24:09 | |
WHIRRING AND SIZZLING | 0:24:23 | 0:24:27 | |
SHE CRIES | 0:24:30 | 0:24:33 | |
Her timing's lousy. Regina free and Douglas recovering. | 0:24:36 | 0:24:41 | |
Anna doesn't know about Regina. You can't blame her for that. | 0:24:41 | 0:24:44 | |
She said just a few friends and she was so excited, I couldn't say no. | 0:24:44 | 0:24:48 | |
You reckon it's the book? Can't think what else it would be. | 0:24:48 | 0:24:51 | |
We know what it is, this Ed bloke has popped the question. | 0:24:51 | 0:24:55 | |
She would have told me. He's her publisher. | 0:24:55 | 0:24:58 | |
More to the point, he's almost my age. | 0:24:58 | 0:25:01 | |
I hope she knows what she's doing. | 0:25:01 | 0:25:03 | |
Hope who knows what she's doing? | 0:25:03 | 0:25:04 | |
Anna's having a bit of a shindig here tonight. | 0:25:04 | 0:25:07 | |
A party? | 0:25:07 | 0:25:08 | |
She has some special news she wants to tell us. | 0:25:08 | 0:25:11 | |
What special news? | 0:25:11 | 0:25:12 | |
Calm down, Mother. | 0:25:12 | 0:25:14 | |
It just goes to show how cavalier the girl's becoming. | 0:25:14 | 0:25:17 | |
To suddenly take it upon herself to announce a party tonight. | 0:25:17 | 0:25:21 | |
Don't worry about it on my account, darling. | 0:25:21 | 0:25:23 | |
I'm in for a bit of a knees-up. | 0:25:23 | 0:25:24 | |
You did tell her it was out of the question, didn't you? | 0:25:24 | 0:25:27 | |
I consulted George, | 0:25:27 | 0:25:28 | |
neither of us could think of a single reason why not. | 0:25:28 | 0:25:31 | |
We carry on as normal. | 0:25:31 | 0:25:33 | |
It's just what we need to liven us up. | 0:25:33 | 0:25:36 | |
-Just what we need? -Excuse us. Come on, grumpy. | 0:25:36 | 0:25:40 | |
-Time to work your magic on your patients. Ta-ta. -Bye-bye. | 0:25:41 | 0:25:45 | |
You probably don't approve, Mr Fox, | 0:25:49 | 0:25:52 | |
but many in our community rely on Doris Collins' restorative remedy. | 0:25:52 | 0:25:56 | |
Mr Goddard says without it he'd still be lying in that City Hospital. | 0:25:56 | 0:26:01 | |
I think you're being a bit hard on me. | 0:26:01 | 0:26:04 | |
I mean, it could be 99% moonshine. | 0:26:04 | 0:26:06 | |
Oh, Mr Fox. | 0:26:06 | 0:26:09 | |
Dr Duncan will vouch... | 0:26:09 | 0:26:11 | |
-Do you have a moment, Mr Fox? -Of course. | 0:26:11 | 0:26:14 | |
Well. | 0:26:16 | 0:26:17 | |
I thought that you most of all outside the family ought to know. | 0:26:26 | 0:26:30 | |
Regina's been released. | 0:26:31 | 0:26:33 | |
Free as a bird and no-one knows where she is. | 0:26:34 | 0:26:36 | |
Just for your info only, if you don't mind. | 0:26:38 | 0:26:40 | |
We're trying to carry on regardless. | 0:26:40 | 0:26:42 | |
She murdered that young woman. | 0:26:44 | 0:26:46 | |
Attacked Sarah and David, blackmailed me almost into complete ruin and... | 0:26:46 | 0:26:50 | |
..she's out in under, what, four years? | 0:26:50 | 0:26:52 | |
Court released her in line with her sentence. | 0:26:52 | 0:26:54 | |
Her psychiatrist declared her sane. | 0:26:54 | 0:26:56 | |
The man's a fool. | 0:26:56 | 0:26:58 | |
-PHONE RINGS -I thought you approved of shrinks. | 0:26:58 | 0:27:00 | |
Hello. | 0:27:02 | 0:27:03 | |
I'll be right there. | 0:27:06 | 0:27:07 | |
I appreciate you letting me know. | 0:27:08 | 0:27:10 | |
The least I could do. | 0:27:10 | 0:27:12 | |
Can you move your neck? | 0:27:19 | 0:27:21 | |
It's nothing, really. Just need some Bates' Salve or something like that. | 0:27:21 | 0:27:25 | |
I'll leave you in the capable hands of Sister Nordmann. | 0:27:28 | 0:27:30 | |
Thank you, Doctor. | 0:27:30 | 0:27:31 | |
-I wasn't sure you'd be in today. -Of course. | 0:27:33 | 0:27:36 | |
Who did this to you, Sheila? | 0:27:42 | 0:27:43 | |
No-one, Sister. | 0:27:44 | 0:27:45 | |
I fell. | 0:27:46 | 0:27:48 | |
It's stupid, really. | 0:27:48 | 0:27:49 | |
Since the operation, I'm a bit lopsided. | 0:27:49 | 0:27:52 | |
So I'll make a follow-up appointment for you. | 0:28:03 | 0:28:06 | |
Monday, ten o'clock. | 0:28:06 | 0:28:07 | |
Carolyn, I was wondering if you might be able to drop Sheila home. | 0:28:08 | 0:28:11 | |
Oh, no, I can walk. | 0:28:13 | 0:28:14 | |
-It's miles. -It's no problem, I'll just get my things. -Thank you. | 0:28:14 | 0:28:18 | |
It's a bit of a blacks camp out here now. | 0:28:29 | 0:28:32 | |
He lives there, that abo chap. | 0:28:34 | 0:28:36 | |
He's a good worker, I'll give him that. | 0:28:37 | 0:28:40 | |
And I saw him one day doing painting. | 0:28:40 | 0:28:42 | |
Art, not houses. | 0:28:42 | 0:28:44 | |
Really? | 0:28:45 | 0:28:46 | |
-Just here is fine. -I can take you up. | 0:28:49 | 0:28:52 | |
No, here is just fine, Mrs Duncan. | 0:28:52 | 0:28:55 | |
I can manage. | 0:28:55 | 0:28:56 | |
Sheila, please stay in touch with the clinic. | 0:28:59 | 0:29:02 | |
If you need any help or have any questions... | 0:29:02 | 0:29:05 | |
I'll be all right. Thanks for the lift. | 0:29:07 | 0:29:09 | |
Mr Gibbs? | 0:29:41 | 0:29:44 | |
Frank? | 0:29:45 | 0:29:47 | |
It's Carolyn Duncan. | 0:29:47 | 0:29:48 | |
Frank? | 0:29:57 | 0:29:58 | |
I wish I knew the titles. I'd put up little cards. | 0:32:00 | 0:32:04 | |
You know, Carolyn, taking those photographs was bad enough. | 0:32:05 | 0:32:08 | |
Now you've taken the paintings without his permission and propose | 0:32:08 | 0:32:11 | |
to exhibit them ALSO without his permission. | 0:32:11 | 0:32:13 | |
He's away working somewhere and I left him a note. | 0:32:13 | 0:32:15 | |
The photographs were months ago. | 0:32:15 | 0:32:17 | |
He's settled in here now. | 0:32:17 | 0:32:19 | |
Every artist wants to be shown. | 0:32:19 | 0:32:20 | |
You have someone's property without permission. | 0:32:20 | 0:32:23 | |
I haven't stolen them. | 0:32:23 | 0:32:25 | |
-Do you think I don't notice what's going on? -Nothing's going on. | 0:32:27 | 0:32:31 | |
You help run the property, you're in at that clinic, | 0:32:31 | 0:32:33 | |
you do Jack's books and now, unasked, mind, | 0:32:33 | 0:32:36 | |
you're establishing yourself as Mr Gibbs' agent. | 0:32:36 | 0:32:38 | |
Looks to me as though you're trying to manufacture more excitement for yourself. | 0:32:40 | 0:32:45 | |
Perhaps I am. | 0:32:45 | 0:32:46 | |
I love Jack just as much. | 0:32:53 | 0:32:56 | |
I just... | 0:32:57 | 0:32:59 | |
..feel like my horizons are shrinking while he's getting more | 0:32:59 | 0:33:02 | |
and more set in his ways. Take Anna's party tonight. | 0:33:02 | 0:33:06 | |
He would rather have dinner in our bedroom than meet people who might | 0:33:06 | 0:33:10 | |
open his eyes to new ideas. | 0:33:10 | 0:33:13 | |
Carolyn, how can you be so obtuse? | 0:33:13 | 0:33:16 | |
You know why big parties and new people are hard for him. | 0:33:16 | 0:33:19 | |
That's an excuse, his drinking is well and truly under control. | 0:33:19 | 0:33:22 | |
Under control, yes, but it's never easy. | 0:33:22 | 0:33:25 | |
You would do better to nudge Jack rather than shake him. | 0:33:29 | 0:33:33 | |
Ooh-hoo! Mr Goddard. | 0:33:39 | 0:33:42 | |
Lovely day it's turned out to be in spite of that chilly start. | 0:33:42 | 0:33:46 | |
Mrs Collins. | 0:33:46 | 0:33:48 | |
Very good day to you too. | 0:33:48 | 0:33:50 | |
I brewed up a fresh batch of my restorative. | 0:33:50 | 0:33:52 | |
I know how much you like it. | 0:33:52 | 0:33:54 | |
I do indeed. | 0:33:54 | 0:33:56 | |
Your tonic has put me back on my feet again, quick smart. | 0:33:56 | 0:33:59 | |
I told that to Dr Duncan, and do you know, | 0:33:59 | 0:34:01 | |
he took a bottle from me just now. | 0:34:01 | 0:34:04 | |
Just as I expected, a flurry of activity. | 0:34:04 | 0:34:07 | |
Not initiated by me. | 0:34:07 | 0:34:09 | |
I'm as lazy as a cat. | 0:34:09 | 0:34:11 | |
Miss Anna, hardly flown the coop and now she's back again. | 0:34:11 | 0:34:15 | |
Yes, Dame Rumour's pretty spot-on there. | 0:34:15 | 0:34:18 | |
And hosting a party for her literary friends from Sydney, I understand. | 0:34:18 | 0:34:22 | |
Well, as a writer myself, I find this very exciting. | 0:34:22 | 0:34:24 | |
Are you, Mrs Collins? I had no idea. | 0:34:24 | 0:34:26 | |
Yes, for the CWA Newsletter. | 0:34:26 | 0:34:29 | |
Just the odd reflection on modern life from a countrywoman's point of | 0:34:29 | 0:34:32 | |
view. To think that were one to be invited, | 0:34:32 | 0:34:36 | |
one might find oneself sitting next to the likes of Patrick White. | 0:34:36 | 0:34:40 | |
It's all very last-minute, I understand. | 0:34:40 | 0:34:42 | |
Yes. | 0:34:43 | 0:34:45 | |
One can but hope that an invitation may be flying on the wind | 0:34:46 | 0:34:51 | |
to my humble abode, as I speak. | 0:34:51 | 0:34:53 | |
You wouldn't like a second bottle, would you? | 0:34:53 | 0:34:56 | |
-Oh... Muah! -No! | 0:34:58 | 0:34:59 | |
There, see what a bit of sun can do. | 0:34:59 | 0:35:02 | |
Doris is angling for an invitation to Anna's party. | 0:35:02 | 0:35:05 | |
Oh, dear. Should I? | 0:35:05 | 0:35:07 | |
And have her laughed at by lots of clever city folk? | 0:35:07 | 0:35:09 | |
No, she's too dear a soul. | 0:35:09 | 0:35:11 | |
Oh, Mother, we're not that bad. | 0:35:11 | 0:35:13 | |
We, Carolyn. Who's we? I hope you're not referring to us. | 0:35:13 | 0:35:16 | |
No, Mother, I wouldn't dream of it. | 0:35:16 | 0:35:18 | |
Yes, we're not exactly country hicks either. | 0:35:18 | 0:35:21 | |
Perhaps we're city hicks. | 0:35:21 | 0:35:22 | |
We live in the suburb. | 0:35:22 | 0:35:24 | |
-Suburban hicks. -Oh, stop it, Douglas. | 0:35:24 | 0:35:26 | |
We're not any kind of hick. | 0:35:26 | 0:35:28 | |
KNOCKING | 0:35:29 | 0:35:31 | |
Ma'am, there's someone at the front door. | 0:35:31 | 0:35:33 | |
A black fellow. | 0:35:33 | 0:35:35 | |
Oh, wonderful, Lynette. Would you ask him to come in? | 0:35:35 | 0:35:38 | |
He won't budge, ma'am. | 0:35:38 | 0:35:40 | |
Frank. | 0:35:46 | 0:35:48 | |
How lovely to see you. You saw my note. | 0:35:48 | 0:35:50 | |
Ah, yes, missus. I just came to get my paintings back. | 0:35:50 | 0:35:53 | |
But the party's on tonight. | 0:35:53 | 0:35:54 | |
Yeah, I know, I got that but I just came to get them back. | 0:35:54 | 0:35:57 | |
The people who are coming, they will not only love your work but they | 0:35:57 | 0:36:01 | |
will want to buy it. And then other people will see it. | 0:36:01 | 0:36:03 | |
It is how patronage works. | 0:36:03 | 0:36:04 | |
Yes, I know how it works, Michelangelo and the Pope of Rome. | 0:36:04 | 0:36:07 | |
I just want them back. | 0:36:07 | 0:36:09 | |
Frank, you're a very talented artist. | 0:36:09 | 0:36:13 | |
People need to see your work. | 0:36:13 | 0:36:15 | |
It's nice of you to say so, but I came here so I could just keep to | 0:36:15 | 0:36:18 | |
myself and do my paintings without any of that. | 0:36:18 | 0:36:21 | |
Yes, of course. I apologise. | 0:36:21 | 0:36:23 | |
-Please, come inside. -I'll just wait out here if that's OK. | 0:36:24 | 0:36:28 | |
It's chilly outside. | 0:36:28 | 0:36:30 | |
I'll be all right here, thanks. | 0:36:30 | 0:36:32 | |
All right. | 0:36:34 | 0:36:35 | |
-All ready? -Yes. | 0:36:52 | 0:36:54 | |
My wonderful mother's taken over organising everything. | 0:36:54 | 0:36:57 | |
Well, let's go, then. | 0:36:57 | 0:36:58 | |
Gossip has it your mad aunt has been let out on parole. | 0:37:00 | 0:37:03 | |
Where did you hear that? | 0:37:04 | 0:37:06 | |
A journalist mate. She was released today. | 0:37:06 | 0:37:09 | |
Wait, we have to cancel the party. | 0:37:09 | 0:37:10 | |
Has anyone told you you're a very hard girl to keep up with? | 0:37:12 | 0:37:14 | |
The last thing my family needs is our crowd invading them like ghouls | 0:37:14 | 0:37:17 | |
or truffle pigs sniffing for scandal. | 0:37:17 | 0:37:19 | |
Even if they promise not to, they will. | 0:37:19 | 0:37:22 | |
I need to use your phone. | 0:37:23 | 0:37:24 | |
We could still go up there, just you and me, dinner with the family. | 0:37:26 | 0:37:30 | |
That's what you've been angling for, isn't it? | 0:37:32 | 0:37:34 | |
All safe and sound. | 0:37:42 | 0:37:43 | |
I mounted some on board, I hope you don't mind. | 0:37:44 | 0:37:46 | |
-Missus. -Frank, I'm so sorry. | 0:37:53 | 0:37:57 | |
About taking them. | 0:37:57 | 0:37:59 | |
Everything. | 0:37:59 | 0:38:01 | |
Sometimes I don't think. | 0:38:01 | 0:38:03 | |
It's all done, no worries. | 0:38:03 | 0:38:04 | |
I've got a favour to ask. | 0:38:04 | 0:38:06 | |
Yes. | 0:38:06 | 0:38:07 | |
I was thinking about what you said about what I was painting. | 0:38:07 | 0:38:11 | |
The roof is pretty crook, so you've probably got a safe spot in there for it somewhere. | 0:38:11 | 0:38:15 | |
My name's on it and everything. | 0:38:15 | 0:38:17 | |
Of course. We'll keep it in the storage room. | 0:38:17 | 0:38:20 | |
I'll put something in writing between us. | 0:38:20 | 0:38:21 | |
No, I'll take you at your word. | 0:38:21 | 0:38:23 | |
Thanks, missus. | 0:38:25 | 0:38:26 | |
HONKING | 0:38:47 | 0:38:49 | |
Oh! | 0:38:54 | 0:38:56 | |
Darling, what do you think? | 0:38:58 | 0:39:00 | |
It's gorgeous. | 0:39:00 | 0:39:02 | |
Finally, I got my driver's licence. | 0:39:02 | 0:39:05 | |
-I just saw an abo chap driving out of here. -Aboriginal, Prudence. | 0:39:05 | 0:39:09 | |
Marvellous, isn't it? He's even got his own car. | 0:39:09 | 0:39:11 | |
A bit of a jalopy, though, he's not a very good driver. | 0:39:11 | 0:39:14 | |
Hello! | 0:39:16 | 0:39:17 | |
Andrew bought it for me. And I'm a brilliant driver. | 0:39:18 | 0:39:21 | |
You drove yourself up here. | 0:39:21 | 0:39:23 | |
Is that wise? | 0:39:23 | 0:39:25 | |
-What a beauty. -You see, Elizabeth, Douglas approves. | 0:39:25 | 0:39:27 | |
Don't be such a stick-in-the-mud. | 0:39:27 | 0:39:29 | |
It comes quite naturally. | 0:39:29 | 0:39:31 | |
Now, I'm sorry to tell you but Anna's just telephoned and the party is off. | 0:39:31 | 0:39:35 | |
-Thank goodness. -What a shame. | 0:39:35 | 0:39:37 | |
I was expecting to sit next to someone handsome and artistic. | 0:39:37 | 0:39:40 | |
-Mais c'est moi! -And a tiny tad younger. | 0:39:40 | 0:39:43 | |
Nothing is happening in Sydney, I tell you, dull as dishwater. | 0:39:47 | 0:39:50 | |
We shall have a lovely, quiet family dinner instead. | 0:39:50 | 0:39:54 | |
Anna's bringing her publisher. | 0:39:54 | 0:39:56 | |
Oh, might his name be Edward Jarvis? | 0:39:56 | 0:39:59 | |
Yes, it is. | 0:39:59 | 0:40:01 | |
He's rather smitten with her, don't you know? | 0:40:01 | 0:40:04 | |
Oh, yes. Very much so. | 0:40:04 | 0:40:06 | |
It's me. | 0:40:20 | 0:40:22 | |
HE KNOCKS You in there? | 0:40:32 | 0:40:35 | |
-REGINA: -"The first steps must be taken alone. | 0:40:46 | 0:40:48 | |
"I will contact you when I'm settled to let you know where I am. Regina." | 0:40:48 | 0:40:53 | |
QUIET CHATTER | 0:41:16 | 0:41:19 | |
CLINKING | 0:41:26 | 0:41:29 | |
First, thank you for a wonderful dinner, Mama, Grandmother. | 0:41:29 | 0:41:34 | |
Ed? | 0:41:34 | 0:41:35 | |
Anna and I have an announcement. | 0:41:39 | 0:41:42 | |
If you ever doubted what I've been doing with myself up here over the | 0:41:42 | 0:41:46 | |
past few months, writing the world's longest laundry list, | 0:41:46 | 0:41:49 | |
or just wasting my time, | 0:41:49 | 0:41:51 | |
well, I can now announce that my writer's block is officially over | 0:41:51 | 0:41:55 | |
and am thrilled to tell you that | 0:41:55 | 0:41:57 | |
Ed is going to publish my new novel before Christmas. | 0:41:57 | 0:42:00 | |
That's wonderful. | 0:42:00 | 0:42:03 | |
I ask you all to raise a glass to Anna and All That Glitters. | 0:42:04 | 0:42:09 | |
-ALL: -Anna and All That Glitters. | 0:42:09 | 0:42:12 | |
-Congratulations. -Thank you. | 0:42:14 | 0:42:17 | |
Your title's intriguing. | 0:42:17 | 0:42:19 | |
What isn't gold? | 0:42:19 | 0:42:21 | |
Oh, modern marriage and romance. | 0:42:21 | 0:42:23 | |
It's all glitter on the surface but underneath, cynicism and emptiness. | 0:42:23 | 0:42:27 | |
At least for women. | 0:42:27 | 0:42:29 | |
-Yes. -You and Father. | 0:42:29 | 0:42:31 | |
You've got it all worked out. | 0:42:31 | 0:42:33 | |
-We do? -Yes. | 0:42:33 | 0:42:35 | |
I so admire you both. | 0:42:35 | 0:42:36 | |
Are we in this novel? | 0:42:38 | 0:42:39 | |
No. Don't worry, not exactly. | 0:42:39 | 0:42:43 | |
-Not directly. -Is anyone? | 0:42:43 | 0:42:45 | |
No. Of course not. | 0:42:45 | 0:42:48 | |
George. | 0:42:48 | 0:42:49 | |
I fibbed to Elizabeth about Regina. | 0:42:50 | 0:42:52 | |
Oh, she's got enough on her plate. | 0:42:52 | 0:42:54 | |
It's out and spreading like wildfire, | 0:42:54 | 0:42:56 | |
but it's good news, so don't worry. | 0:42:56 | 0:42:58 | |
The consensus is that she'll turn up in Honkers or Kenya. | 0:42:58 | 0:43:02 | |
Or some place where scurrilous behaviour is a badge of honour. | 0:43:02 | 0:43:05 | |
I don't mind where she goes. | 0:43:05 | 0:43:07 | |
As long as she plays her part in the divorce. | 0:43:07 | 0:43:09 | |
-Of course she will. -And stays well away from here. | 0:43:09 | 0:43:12 | |
She wouldn't come here in a month of Sundays. | 0:43:12 | 0:43:14 | |
Never even entered my mind. | 0:43:14 | 0:43:16 | |
Um, Sarah. | 0:43:24 | 0:43:25 | |
I, um... | 0:43:26 | 0:43:28 | |
..I behaved churlishly last night when you invited us to your ceremony. | 0:43:29 | 0:43:33 | |
And I wanted to apologise. | 0:43:33 | 0:43:35 | |
We need to be strong as a family. | 0:43:35 | 0:43:36 | |
So if you don't mind, Douglas and I would welcome an invitation to the next time you do Shabbat. | 0:43:37 | 0:43:42 | |
Wonderful. Next Friday evening, then. Goodnight. | 0:43:42 | 0:43:47 | |
-Pretty damn proud of you. -Oh! Thank you. | 0:43:49 | 0:43:53 | |
You did the right thing, cancelling the party. | 0:43:53 | 0:43:55 | |
-Oh, of course. -What's it all about, this, this new book? | 0:43:55 | 0:44:00 | |
Love and romance in the modern world. | 0:44:00 | 0:44:03 | |
Crikey, you expect me to read that? | 0:44:03 | 0:44:05 | |
-I'm sure she doesn't, darling. -I was only joking. | 0:44:05 | 0:44:08 | |
Good, because I think there's lots in it to interest you. | 0:44:09 | 0:44:12 | |
FOOTSTEPS | 0:44:17 | 0:44:19 | |
-Hello. -Thanks, Leah. | 0:44:19 | 0:44:22 | |
-You can go to bed now. -Night-night. | 0:44:22 | 0:44:24 | |
-Night. -Oh, don't forget your book. | 0:44:24 | 0:44:27 | |
Thanks again. | 0:44:27 | 0:44:28 | |
Psst. | 0:44:55 | 0:44:56 | |
I thought you'd want to stay up, I... | 0:44:58 | 0:45:00 | |
Oh, yes, to discuss modern marriage and romance. | 0:45:00 | 0:45:03 | |
It's been a long day. | 0:45:05 | 0:45:07 | |
What? | 0:45:10 | 0:45:11 | |
-Old man Jack, off to sleep now? -I'm not. I... | 0:45:11 | 0:45:15 | |
Good. | 0:45:23 | 0:45:25 | |
We need to sort this out, you and I. | 0:45:27 | 0:45:29 | |
I don't want anything to change. | 0:45:31 | 0:45:33 | |
Plus ca change, plus c'est la meme chose. | 0:45:36 | 0:45:38 | |
Whatever that means, I'm sure you're right. | 0:45:40 | 0:45:41 | |
I don't want to be right. | 0:45:43 | 0:45:44 | |
-I want us to be happy with each other again. -I know. | 0:45:48 | 0:45:51 | |
Me too. | 0:45:52 | 0:45:53 | |
I'll try. | 0:45:57 | 0:45:58 | |
I need help. | 0:46:01 | 0:46:02 | |
Oh, Elizabeth, thank for a marvellous evening. | 0:46:08 | 0:46:10 | |
It's been beautiful. Oh, simply perfect. | 0:46:10 | 0:46:14 | |
What? | 0:46:14 | 0:46:17 | |
I want to get you alone for a moment. | 0:46:17 | 0:46:19 | |
Well, you'll have me alone all night. | 0:46:19 | 0:46:20 | |
I need to rescue Father from Prudence. | 0:46:20 | 0:46:22 | |
I'm glad the party became a dinner. This has been more enjoyable. | 0:46:22 | 0:46:27 | |
They're lovely people, your family. | 0:46:27 | 0:46:29 | |
I wonder where your cynicism about love and marriage comes from. | 0:46:29 | 0:46:33 | |
We're very good at keeping up appearances. | 0:46:33 | 0:46:36 | |
There are undercurrents here we'd never let you see. | 0:46:36 | 0:46:39 | |
Ones that drowned my marriage, for example. | 0:46:39 | 0:46:41 | |
Don't look like that. It's ancient history. | 0:46:42 | 0:46:44 | |
-Oh, come and join us. -Thank you. -Everyone's gone to bed. -I know. | 0:46:47 | 0:46:51 | |
So weak. Very weak. | 0:46:51 | 0:46:54 | |
The moment I turn my back, Larry's here. | 0:46:54 | 0:46:57 | |
So David wasn't actually alone tonight. | 0:46:57 | 0:46:59 | |
That's not the point. | 0:46:59 | 0:47:01 | |
-I can't trust her. -What's upsetting you? | 0:47:02 | 0:47:05 | |
That she has a boyfriend we both don't like? | 0:47:05 | 0:47:07 | |
Or Regina? | 0:47:09 | 0:47:10 | |
I just want that woman out of our lives forever. | 0:47:10 | 0:47:13 | |
And she will be. | 0:47:19 | 0:47:20 | |
After the divorce. | 0:47:21 | 0:47:22 | |
You know, Anna thinks we've got it all sorted out. | 0:47:26 | 0:47:30 | |
Oh, what a perceptive girl she is. | 0:47:30 | 0:47:32 | |
You don't mind? | 0:47:42 | 0:47:44 | |
You know, just lying like this? | 0:47:44 | 0:47:48 | |
It's nice. | 0:47:48 | 0:47:49 | |
You're not mad at me, are you? | 0:47:51 | 0:47:53 | |
No. | 0:47:54 | 0:47:56 | |
I won't try anything like that again. | 0:47:56 | 0:47:59 | |
I won't do anything you don't want me to. | 0:47:59 | 0:48:02 | |
True. | 0:48:03 | 0:48:04 | |
The thing is... | 0:48:05 | 0:48:07 | |
..part of me does want to. | 0:48:07 | 0:48:09 | |
Which is why I get scared when you try things. | 0:48:09 | 0:48:13 | |
So I won't. | 0:48:17 | 0:48:19 | |
-LOUD THUD What's that? -I don't know. | 0:48:20 | 0:48:22 | |
-Who are you? What are you doing here? -Quick. | 0:48:26 | 0:48:29 |