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I'm afraid I have some bad news. Regina has been released. | 0:00:02 | 0:00:04 | |
If I was Sarah, I would be taking David as far away as possible. | 0:00:04 | 0:00:06 | |
-Leave it, Mother. -Regina will have to rebuild her life in a world that | 0:00:06 | 0:00:09 | |
will seem hostile to her. | 0:00:09 | 0:00:11 | |
The slightest harm to my family, it'll be on your head. | 0:00:11 | 0:00:14 | |
Such a strange feeling. | 0:00:14 | 0:00:16 | |
-We're in this together, don't forget. -Of course I won't. | 0:00:16 | 0:00:20 | |
Training was a holiday camp. | 0:00:20 | 0:00:21 | |
That's what we reckon, anyway. | 0:00:21 | 0:00:23 | |
Well, where were you, then? | 0:00:23 | 0:00:25 | |
SHOUTING | 0:00:25 | 0:00:27 | |
It's inspired. You have something to say, my darling, | 0:00:30 | 0:00:33 | |
and the talent to say it. | 0:00:33 | 0:00:35 | |
You're not just saying that because you're... | 0:00:35 | 0:00:37 | |
Soft-hearted about you I may be, soft-headed I am not. | 0:00:37 | 0:00:40 | |
Anna and I have an announcement. | 0:00:40 | 0:00:42 | |
Ed is going to publish my new novel before Christmas. | 0:00:42 | 0:00:47 | |
Jimmy Dancer. | 0:00:47 | 0:00:49 | |
If I can get along on one good lung. | 0:00:49 | 0:00:51 | |
The first steps must be taken alone. | 0:00:51 | 0:00:53 | |
I will contact you when I'm settled to let you know where I am. | 0:00:53 | 0:00:56 | |
HE GRUNTS | 0:00:56 | 0:00:59 | |
She won't come back. | 0:00:59 | 0:01:00 | |
She'd be mad to. | 0:01:01 | 0:01:03 | |
Sarah, she IS mad. | 0:01:03 | 0:01:04 | |
Who are you? What are you doing here? | 0:01:04 | 0:01:06 | |
Quick! | 0:01:06 | 0:01:08 | |
I just want that woman out of our lives for ever. | 0:01:08 | 0:01:10 | |
Hey! | 0:01:30 | 0:01:32 | |
-Look. -Ah, that's good. Give that to Leah. | 0:01:32 | 0:01:35 | |
There we are. Let's see if we can find one more. | 0:01:36 | 0:01:39 | |
You're sulking because I grounded you. | 0:01:46 | 0:01:47 | |
-I'm not sulking. -I know how you feel about Larry. | 0:01:47 | 0:01:50 | |
But I need you to take more care when you're supervising David, | 0:01:51 | 0:01:54 | |
-especially now. -It's not that. | 0:01:54 | 0:01:56 | |
Will we get into trouble? | 0:01:58 | 0:02:00 | |
If they call the police, they won't lock us up, will they? | 0:02:00 | 0:02:03 | |
What are you talking about? | 0:02:03 | 0:02:04 | |
There was a lady... | 0:02:04 | 0:02:05 | |
..I don't know who, at crazy Regina's farm. | 0:02:06 | 0:02:10 | |
We were there and...well, something happened. | 0:02:10 | 0:02:13 | |
ENGINE WHIRS | 0:02:15 | 0:02:17 | |
So it's true. | 0:03:06 | 0:03:08 | |
I'm glad you've come. | 0:03:10 | 0:03:11 | |
I just didn't expect to see you so soon. | 0:03:11 | 0:03:13 | |
You can't stay here. | 0:03:13 | 0:03:14 | |
You have to pack your things and leave or you'll be forced to, | 0:03:15 | 0:03:18 | |
do you understand? | 0:03:18 | 0:03:19 | |
Sarah, I'm a different person. | 0:03:20 | 0:03:22 | |
No, you may think you are. | 0:03:22 | 0:03:25 | |
Your doctors may think you are, but you'll never convince me or | 0:03:25 | 0:03:27 | |
anyone else. Now, go away and start a new life. | 0:03:27 | 0:03:30 | |
You'll be happier. I can assure you. | 0:03:30 | 0:03:32 | |
This is my home. | 0:03:32 | 0:03:33 | |
-Find another one. -You don't understand... | 0:03:33 | 0:03:36 | |
-I don't need to understand anything. -Let me explain... | 0:03:36 | 0:03:38 | |
You need to understand that it's not in your best interests | 0:03:38 | 0:03:41 | |
to stay here. | 0:03:41 | 0:03:42 | |
And before you leave, you don't go anywhere near Ash Park. | 0:03:43 | 0:03:46 | |
Anywhere near my family. | 0:03:46 | 0:03:49 | |
I'm not a threat. | 0:03:49 | 0:03:51 | |
Not any more. | 0:03:51 | 0:03:52 | |
I saw into your soul a long time ago. | 0:03:57 | 0:03:59 | |
I know you. | 0:04:02 | 0:04:03 | |
You experienced crippling darkness, YOU lost your mind. | 0:04:05 | 0:04:09 | |
Don't you ever equate what I went through | 0:04:09 | 0:04:11 | |
with your lunatic obsessions. | 0:04:11 | 0:04:13 | |
Never really been one for weekends in the country. | 0:04:37 | 0:04:39 | |
Yes, all that lovely fresh air, it's completely insufferable. | 0:04:40 | 0:04:44 | |
You know, I might be coming around. | 0:04:45 | 0:04:48 | |
The scenery, the...invigorating activities. | 0:04:48 | 0:04:51 | |
Oh, are they the only attractions? | 0:04:51 | 0:04:53 | |
Well, there is a certain author. | 0:04:53 | 0:04:55 | |
Desperately glamorous. | 0:04:56 | 0:04:58 | |
Wildly successful second book. | 0:04:58 | 0:05:00 | |
Do you really think it'll be a bestseller? | 0:05:02 | 0:05:04 | |
Prepare to be a bona fide sensation, little one. | 0:05:04 | 0:05:08 | |
Oh. | 0:05:08 | 0:05:09 | |
Mm. From your lips! | 0:05:09 | 0:05:12 | |
Oh, I have other plans for those. | 0:05:12 | 0:05:13 | |
Come on, sleepyhead. Oh! | 0:05:18 | 0:05:20 | |
You really should knock. | 0:05:20 | 0:05:21 | |
I didn't think I would have to. | 0:05:21 | 0:05:23 | |
Mr Jarvis, my apologies. | 0:05:23 | 0:05:25 | |
-Do excuse me. -No, no, no. | 0:05:25 | 0:05:27 | |
Excuse me, I might just see if the bathroom is free. | 0:05:27 | 0:05:30 | |
Mrs Duncan. | 0:05:36 | 0:05:37 | |
It isn't funny. | 0:05:40 | 0:05:41 | |
Not at all. | 0:05:41 | 0:05:42 | |
Things are moving faster than I thought. | 0:05:44 | 0:05:47 | |
Really? You make us sound like teenagers. | 0:05:47 | 0:05:50 | |
Well, if you're going to behave that way... | 0:05:50 | 0:05:52 | |
Your grandmother doesn't need any further burden. | 0:05:52 | 0:05:55 | |
Ah, like a wayward granddaughter? | 0:05:55 | 0:05:56 | |
Darling, do as you will in the city, | 0:05:58 | 0:05:59 | |
I'm not one to judge. | 0:05:59 | 0:06:01 | |
Well, it's starting to feel a bit that way. | 0:06:01 | 0:06:02 | |
But here, concessions are required, | 0:06:02 | 0:06:05 | |
as you know. It's not really too much to ask. | 0:06:05 | 0:06:08 | |
No, of course not. | 0:06:08 | 0:06:11 | |
I mean, Lord forbid that my having fun offends anyone. | 0:06:11 | 0:06:14 | |
A divorcee taking a man to her bed, it's simply outrageous. | 0:06:14 | 0:06:17 | |
Compared to installing a gay lover at the hospital... | 0:06:17 | 0:06:20 | |
-Finished? -You know what I mean. | 0:06:22 | 0:06:24 | |
That was nasty and unnecessary. | 0:06:24 | 0:06:26 | |
I'm a woman trying to make her mark on the world. | 0:06:26 | 0:06:28 | |
So were you, once. | 0:06:28 | 0:06:30 | |
Why are we going away? | 0:06:59 | 0:07:00 | |
We're going on a holiday. | 0:07:01 | 0:07:03 | |
-Hello. -Daddy, look! | 0:07:03 | 0:07:06 | |
Ah, your wheel's fixed. | 0:07:06 | 0:07:09 | |
That's better, isn't it? | 0:07:09 | 0:07:10 | |
It's really good. | 0:07:10 | 0:07:11 | |
-What are you doing? -I'm taking David to Aunt Peg's. | 0:07:14 | 0:07:17 | |
I'm not sure how long for. | 0:07:17 | 0:07:18 | |
I'm lost. | 0:07:18 | 0:07:19 | |
Regina's here. | 0:07:19 | 0:07:20 | |
I saw her. | 0:07:22 | 0:07:24 | |
-In Inverness? -At her property. | 0:07:24 | 0:07:26 | |
You have to be back in Canberra, nothing is keeping us here. | 0:07:27 | 0:07:29 | |
He'll be her target, I know it. | 0:07:30 | 0:07:32 | |
-Did she threaten him? -Her presence is threat enough, | 0:07:32 | 0:07:34 | |
I'm not waiting around to give her the chance. | 0:07:34 | 0:07:36 | |
I understand seeing her must have upset you... | 0:07:38 | 0:07:40 | |
We should never have agreed to the divorce. | 0:07:40 | 0:07:42 | |
It's why we're in this mess. | 0:07:42 | 0:07:45 | |
Before you upend everything, | 0:07:45 | 0:07:47 | |
I'll speak to her. | 0:07:47 | 0:07:48 | |
Just a few hours. | 0:07:50 | 0:07:52 | |
Yes? | 0:07:52 | 0:07:53 | |
All right. | 0:07:55 | 0:07:57 | |
But no longer. Just see her gone. | 0:07:57 | 0:08:00 | |
We'll keep this to ourselves until I've taken her measure. | 0:08:00 | 0:08:02 | |
General panic won't help. | 0:08:03 | 0:08:05 | |
See you later, alligator. | 0:08:12 | 0:08:13 | |
In a while, crocodile. | 0:08:13 | 0:08:15 | |
If you think Frank would be amenable, | 0:08:20 | 0:08:23 | |
I'd really like to meet him. | 0:08:23 | 0:08:24 | |
Amenable may not be his forte. | 0:08:24 | 0:08:26 | |
He's a very private man. | 0:08:26 | 0:08:27 | |
Why the sudden interest? | 0:08:27 | 0:08:28 | |
Well, the refuge hasn't done much for aboriginal diggers. | 0:08:30 | 0:08:33 | |
If I'm honest, we've done diddly-squat. | 0:08:33 | 0:08:34 | |
I'll be back down to the city soon, | 0:08:36 | 0:08:37 | |
perhaps I could stir the political pot. | 0:08:37 | 0:08:39 | |
Douglas, I appreciate your passion on the subject, but perhaps leave it | 0:08:39 | 0:08:42 | |
for a warmer day. | 0:08:42 | 0:08:44 | |
I still have one perfectly good lung. | 0:08:44 | 0:08:45 | |
If I promise to be a good boy. | 0:08:46 | 0:08:49 | |
You are incorrigible. | 0:08:49 | 0:08:51 | |
Jolly good, that's settled then. | 0:08:51 | 0:08:52 | |
Well, from our end, | 0:08:52 | 0:08:54 | |
no guarantees with the man of the hour, I'm afraid. | 0:08:54 | 0:08:56 | |
Morning, all. | 0:08:56 | 0:08:57 | |
-Sleep well? -Mr Jarvis. | 0:08:59 | 0:09:01 | |
-Morning. -How did you sleep? | 0:09:01 | 0:09:03 | |
I hope your bed was comfortable. | 0:09:03 | 0:09:04 | |
SHE COUGHS | 0:09:04 | 0:09:06 | |
Coffee, I think. Hot starter for you, too? | 0:09:06 | 0:09:08 | |
Please. My bed was fit for a king, thank you, Mrs Goddard. | 0:09:08 | 0:09:12 | |
Although you barely have seemed to be in it. | 0:09:13 | 0:09:15 | |
All that dashing through the halls. | 0:09:18 | 0:09:20 | |
-I'm not sure... -Mama, what did you say? | 0:09:21 | 0:09:23 | |
Your mother didn't say anything. | 0:09:23 | 0:09:25 | |
Well, not to me, anyway. | 0:09:25 | 0:09:26 | |
She didn't have to. | 0:09:26 | 0:09:28 | |
Prudence told me before she sped off this morning. | 0:09:28 | 0:09:30 | |
She was electrified by the nocturnal goings-on. | 0:09:30 | 0:09:33 | |
I apologise, Mrs Goddard, if my behaviour was...unsuitable. | 0:09:35 | 0:09:39 | |
Well, Ash Park's guests, Mr Jarvis, are allowed one indiscretion. | 0:09:40 | 0:09:43 | |
I trust you'll bear that in mind for your visit. | 0:09:43 | 0:09:45 | |
Yes, of course. Noted. | 0:09:47 | 0:09:49 | |
Thank you, Grandmother. | 0:09:50 | 0:09:52 | |
How very broad-minded. | 0:09:52 | 0:09:54 | |
But perhaps you could reserve the cavorting for your fictions | 0:09:54 | 0:09:57 | |
in future. | 0:09:57 | 0:09:58 | |
Now, Dawn, yours at the lectern and Mr Briggs at the pulpit. | 0:10:02 | 0:10:07 | |
Best flowers yet, Mrs Collins. | 0:10:07 | 0:10:09 | |
I'm merely doing my duty to the Lord, it's not about praise. | 0:10:09 | 0:10:12 | |
Doesn't hurt to hedge your bets with his good opinion but, eh? | 0:10:12 | 0:10:14 | |
Oh, very droll, Mr Briggs. | 0:10:14 | 0:10:16 | |
Oh. I do beg your pardon. | 0:10:16 | 0:10:18 | |
Excuse me. | 0:10:20 | 0:10:22 | |
You. | 0:10:22 | 0:10:24 | |
Can't be. | 0:10:24 | 0:10:25 | |
It is. | 0:10:25 | 0:10:27 | |
You're supposed to be locked up. | 0:10:27 | 0:10:30 | |
Please, I'm not here for harm. | 0:10:30 | 0:10:32 | |
Taking an innocent girl's life. | 0:10:32 | 0:10:35 | |
You've no business here at all! | 0:10:35 | 0:10:36 | |
-Doris... -Get out! | 0:10:36 | 0:10:38 | |
-Doris! -Get out! | 0:10:38 | 0:10:39 | |
Wicked. | 0:10:39 | 0:10:40 | |
Monster! | 0:10:40 | 0:10:42 | |
That's it, keep walking. | 0:10:42 | 0:10:44 | |
One foot after another. | 0:10:44 | 0:10:45 | |
Thank you for your discretion about Frank Gibbs' visit yesterday. | 0:10:48 | 0:10:53 | |
-Ah. -Jack wouldn't approve of my impromptu gesture. | 0:10:53 | 0:10:56 | |
No matter how well-meant. | 0:10:56 | 0:10:57 | |
Our secret. Everyone needs an ally now and then. | 0:10:57 | 0:11:00 | |
Well, any time I can repay the favour. | 0:11:00 | 0:11:02 | |
What a timely offer. | 0:11:02 | 0:11:03 | |
Douglas, I trust you'll be back in time for church. | 0:11:03 | 0:11:06 | |
Erm, we'll do our level best. | 0:11:06 | 0:11:08 | |
Or you could make it for evensong. | 0:11:08 | 0:11:10 | |
Splendid idea. Eh, missy? | 0:11:10 | 0:11:12 | |
I know when I'm outnumbered. | 0:11:12 | 0:11:14 | |
May well be back before you know it. | 0:11:14 | 0:11:16 | |
I'm sure you'll charm him. | 0:11:16 | 0:11:17 | |
-He won't be told. -You're as delightfully stubborn as each other. | 0:11:20 | 0:11:25 | |
ELIZABETH CHUCKLES And you were such a good sport about | 0:11:25 | 0:11:27 | |
Anna's gentleman friend this morning. | 0:11:27 | 0:11:29 | |
He's fortunate he met Elizabeth Goddard and not Elizabeth Bligh. | 0:11:29 | 0:11:32 | |
I'm starting to get a sense of what I put you through at her age. | 0:11:32 | 0:11:34 | |
Oh, Carolyn. | 0:11:34 | 0:11:36 | |
Oh, how I've longed for this day. | 0:11:36 | 0:11:38 | |
-The Schadenfreude. -Really, mother? | 0:11:38 | 0:11:40 | |
ELIZABETH LAUGHS How unbecoming. | 0:11:40 | 0:11:42 | |
Just say a quick g'day. | 0:11:45 | 0:11:47 | |
He's a good bloke. | 0:11:47 | 0:11:48 | |
I don't know. | 0:11:48 | 0:11:50 | |
Then we'll go, if you want us to. | 0:11:50 | 0:11:51 | |
Yeah? | 0:11:53 | 0:11:54 | |
Doc says you run some kind of charity. | 0:12:01 | 0:12:03 | |
It's a refuge where vets can meet, get a feed, share stories, you know, | 0:12:04 | 0:12:08 | |
the ones that couldn't fit back in. | 0:12:08 | 0:12:09 | |
Ah. Oh, you're some kind of do-gooder? | 0:12:09 | 0:12:12 | |
Yeah, I suppose I am. | 0:12:12 | 0:12:13 | |
May I? | 0:12:14 | 0:12:15 | |
Oh, it's nothing. | 0:12:15 | 0:12:16 | |
Oh, that's impressive. | 0:12:20 | 0:12:21 | |
I can't even draw a circle. | 0:12:21 | 0:12:23 | |
Was that it, then? | 0:12:24 | 0:12:25 | |
-Up in the High Country, were you? -I worked there for a bit. | 0:12:27 | 0:12:30 | |
Would've been hard going with all that snow. | 0:12:31 | 0:12:34 | |
I got used to it during the war. | 0:12:34 | 0:12:35 | |
Eighth division, were you? | 0:12:36 | 0:12:38 | |
Why do you say that? | 0:12:39 | 0:12:40 | |
A lot of the boys captured from the eighth ended up in | 0:12:40 | 0:12:42 | |
camps inside Japan. | 0:12:42 | 0:12:44 | |
Winters there would've been challenging. | 0:12:45 | 0:12:47 | |
Brass monkeys. | 0:12:48 | 0:12:49 | |
This is a surprise. | 0:12:57 | 0:12:59 | |
Not a good one. | 0:12:59 | 0:13:00 | |
Sister, we came straight over. | 0:13:00 | 0:13:02 | |
-What's happened? -It's her. | 0:13:02 | 0:13:04 | |
That despicable woman. | 0:13:04 | 0:13:06 | |
The gall to show her face in Inverness. | 0:13:06 | 0:13:09 | |
-Regina. -So you've heard? | 0:13:09 | 0:13:11 | |
Have you seen her? She don't look the same. | 0:13:11 | 0:13:13 | |
The devil, lurking in our church. | 0:13:13 | 0:13:15 | |
I'm ashamed to admit that I did lash out. | 0:13:15 | 0:13:17 | |
To think what one's capable of in anger. | 0:13:19 | 0:13:22 | |
-Yes. -Indeed. | 0:13:22 | 0:13:23 | |
Let's get you inside. A cup of tea, I think. | 0:13:24 | 0:13:26 | |
Oh, that would be most welcome. | 0:13:26 | 0:13:29 | |
I'll pop the kettle on. | 0:13:29 | 0:13:30 | |
-You all right? -I need your rifle. | 0:13:34 | 0:13:36 | |
-Hey... -It's just a precaution, that's all. | 0:13:36 | 0:13:39 | |
If that's what you're after, I'll stop here with you | 0:13:39 | 0:13:41 | |
once George heads off. Day and night, if needs be. | 0:13:41 | 0:13:43 | |
That's not what I asked for. | 0:13:43 | 0:13:44 | |
What you're asking for is trouble. | 0:13:44 | 0:13:47 | |
Last time you held a gun on her, you nearly fired. | 0:13:47 | 0:13:49 | |
Next time there mightn't be someone round to talk you down. | 0:13:50 | 0:13:53 | |
VEHICLE APPROACHES | 0:14:08 | 0:14:10 | |
-Hello, George. -Regina. | 0:14:39 | 0:14:41 | |
You've spoken to Sarah. | 0:14:43 | 0:14:45 | |
I have. | 0:14:45 | 0:14:46 | |
I'm sorry my returning upset her. | 0:14:46 | 0:14:49 | |
It wasn't my intention. | 0:14:49 | 0:14:51 | |
What other reaction could you have possibly anticipated? | 0:14:51 | 0:14:53 | |
I'd hoped for a chance to explain. | 0:14:53 | 0:14:55 | |
I'm not here for mischief. | 0:14:57 | 0:14:59 | |
There's so much I must make up for. | 0:14:59 | 0:15:01 | |
I'm...I'm here for expiation, George. | 0:15:01 | 0:15:04 | |
And you think that's possible? | 0:15:04 | 0:15:05 | |
-After all you've done. -I need to try. | 0:15:05 | 0:15:09 | |
That's why I wanted to be out of that place. | 0:15:09 | 0:15:12 | |
There are things you don't know. That's why I went to the house | 0:15:12 | 0:15:15 | |
-just now. -You went to the house. -To deliver these, er I... | 0:15:15 | 0:15:20 | |
I lost my nerve. | 0:15:20 | 0:15:22 | |
It's all in here. | 0:15:22 | 0:15:23 | |
How I can help. | 0:15:23 | 0:15:25 | |
And one for Sarah, offering reassurances about my intentions. | 0:15:25 | 0:15:28 | |
We do not need your reassurances or your help. | 0:15:28 | 0:15:31 | |
We are well, we are safe. | 0:15:31 | 0:15:32 | |
We have been ever since you left. | 0:15:32 | 0:15:35 | |
You're living in a fool's paradise. | 0:15:35 | 0:15:37 | |
You and your family are at risk. | 0:15:37 | 0:15:38 | |
More plots and schemes. | 0:15:38 | 0:15:40 | |
It never ends, does it? | 0:15:40 | 0:15:42 | |
From our safe, your jewellery. | 0:15:42 | 0:15:45 | |
Take it. | 0:15:45 | 0:15:46 | |
Now there's nothing to keep you here. | 0:15:47 | 0:15:49 | |
Now, I have no right to dictate where you live, Regina, | 0:15:49 | 0:15:52 | |
but it would be better for you, for all of us, | 0:15:52 | 0:15:54 | |
if you were to start over again somewhere new | 0:15:54 | 0:15:56 | |
where no-one knows you, | 0:15:56 | 0:15:57 | |
as soon as possible. You're not welcome. | 0:15:57 | 0:15:59 | |
Pack your bags, I'll take you to the station. | 0:15:59 | 0:16:01 | |
Sir Richard is not your friend. | 0:16:01 | 0:16:03 | |
I don't know yet what he's planning | 0:16:05 | 0:16:07 | |
but his menace is real | 0:16:07 | 0:16:09 | |
and he won't stop until he has the revenge he craves. | 0:16:09 | 0:16:12 | |
I will not buy into your madness. | 0:16:12 | 0:16:13 | |
Who do you think organised such a forward-thinking doctor | 0:16:13 | 0:16:16 | |
in the asylum? | 0:16:16 | 0:16:17 | |
Who do you think helped orchestrate my deposition to the parole board? | 0:16:17 | 0:16:21 | |
Richard is not who you think he is. | 0:16:21 | 0:16:22 | |
He hasn't seen you since your arrest. | 0:16:22 | 0:16:24 | |
He visited me each week. | 0:16:24 | 0:16:26 | |
And why would he do that? | 0:16:26 | 0:16:28 | |
He sees me as playing a hand in your destruction. | 0:16:28 | 0:16:32 | |
He's always considered me his foot soldier. | 0:16:32 | 0:16:34 | |
The more I recovered my sanity, the more the truth of him appalled me. | 0:16:34 | 0:16:39 | |
He's hinted at something powerful in train against you. | 0:16:39 | 0:16:41 | |
I don't know what. | 0:16:41 | 0:16:42 | |
It doesn't make sense. | 0:16:45 | 0:16:46 | |
Read it. Check the facts, and then it might. | 0:16:47 | 0:16:50 | |
Every word is true. | 0:16:51 | 0:16:52 | |
Others will corroborate. | 0:16:54 | 0:16:55 | |
Weren't you asked to give an affidavit for the Tokyo Trials | 0:17:02 | 0:17:05 | |
after you came back? | 0:17:05 | 0:17:06 | |
Wrote something down. | 0:17:07 | 0:17:08 | |
A few of your guards were hanged, from memory? | 0:17:10 | 0:17:12 | |
Yeah. I wouldn't have minded standing up in court against them. | 0:17:14 | 0:17:18 | |
You weren't asked? | 0:17:18 | 0:17:19 | |
No. | 0:17:21 | 0:17:22 | |
I was. | 0:17:23 | 0:17:25 | |
Testified in Singapore. | 0:17:25 | 0:17:27 | |
A guy we called Doctor Death | 0:17:28 | 0:17:30 | |
was put away for a long time. | 0:17:30 | 0:17:31 | |
And a lot more. | 0:17:32 | 0:17:34 | |
You would've been a captain. | 0:17:34 | 0:17:36 | |
For the rest of us, we could... | 0:17:37 | 0:17:39 | |
Oh, doesn't matter now. | 0:17:41 | 0:17:42 | |
No-one talks about the role of class in how soldiers were treated | 0:17:44 | 0:17:47 | |
after the war. | 0:17:47 | 0:17:48 | |
It was a bit more than class. | 0:17:48 | 0:17:50 | |
The white fighters were asked. | 0:17:51 | 0:17:53 | |
But us black fighters, | 0:17:53 | 0:17:55 | |
our stories didn't matter here, so why should they matter over there? | 0:17:55 | 0:17:58 | |
-Right. -And it wasn't just the black | 0:17:59 | 0:18:01 | |
fellas that they didn't want telling what happened. | 0:18:01 | 0:18:03 | |
Some of us risked everything, | 0:18:03 | 0:18:05 | |
getting down in what we saw. | 0:18:05 | 0:18:07 | |
Writing, drawing. On stolen scraps of newspaper, cigarette papers. | 0:18:08 | 0:18:12 | |
As long as the Japs didn't find out. | 0:18:13 | 0:18:16 | |
Beat the daylights out of you. | 0:18:16 | 0:18:17 | |
Well, you know what I'm talking about, then. | 0:18:17 | 0:18:20 | |
It was those bloody officers that made us chuck it all overboard | 0:18:20 | 0:18:23 | |
-on the way home. -Can't have the people at home getting upset. | 0:18:23 | 0:18:26 | |
Politics before people. | 0:18:27 | 0:18:28 | |
It's always the way. | 0:18:28 | 0:18:30 | |
Especially for my mob. | 0:18:30 | 0:18:31 | |
We went to war and they said we'd come back equal. | 0:18:33 | 0:18:36 | |
Didn't that break a lot of men's hearts? | 0:18:39 | 0:18:41 | |
I can see why you work well out here. | 0:18:46 | 0:18:48 | |
The rustic charms. | 0:18:48 | 0:18:50 | |
-And no distractions. -SHE LAUGHS | 0:18:50 | 0:18:52 | |
Except my family. | 0:18:52 | 0:18:53 | |
You're too hard on them. | 0:18:55 | 0:18:57 | |
Your grandmother was positively understanding, encouraging, even. | 0:18:57 | 0:19:01 | |
Mine would've thrown a pink fit. | 0:19:01 | 0:19:03 | |
They're all very concerned that poor Anna find a respectable husband. | 0:19:03 | 0:19:08 | |
Well, I'm not the least bit respectable. | 0:19:08 | 0:19:10 | |
I know. | 0:19:10 | 0:19:12 | |
You're gloriously inappropriate. | 0:19:12 | 0:19:14 | |
Still, there must be some prospect | 0:19:15 | 0:19:17 | |
that I'd make a good husband one day. | 0:19:17 | 0:19:19 | |
You almost had me, then. | 0:19:21 | 0:19:23 | |
I'm serious. | 0:19:24 | 0:19:25 | |
You must have worked it out. | 0:19:27 | 0:19:28 | |
I'm head over heels about you. | 0:19:30 | 0:19:31 | |
I know it's a little out of the blue... | 0:19:33 | 0:19:36 | |
-but, Anna, would you... -Ed, please, wait. | 0:19:36 | 0:19:39 | |
No. | 0:19:40 | 0:19:41 | |
What's wrong? | 0:19:42 | 0:19:44 | |
Please, just don't. | 0:19:44 | 0:19:46 | |
Ed, you're a wonderful man. | 0:19:51 | 0:19:52 | |
But I'm not ready to be anyone's wife. | 0:19:53 | 0:19:55 | |
I hope you'll understand. | 0:19:57 | 0:19:58 | |
Of course. | 0:20:01 | 0:20:02 | |
Mad idea. | 0:20:04 | 0:20:05 | |
What time's the next train? | 0:20:18 | 0:20:20 | |
Ed, please, don't be upset with me. | 0:20:20 | 0:20:24 | |
I didn't ask you to propose. | 0:20:24 | 0:20:26 | |
No, you didn't. | 0:20:26 | 0:20:27 | |
Really doesn't have to change anything, does it? | 0:20:28 | 0:20:32 | |
Might I suggest that, given the circumstances, | 0:20:32 | 0:20:35 | |
we revert to our former roles? | 0:20:35 | 0:20:37 | |
Publisher and author? | 0:20:37 | 0:20:38 | |
You know, I thought your novel, your cynicism about marriage | 0:20:39 | 0:20:42 | |
was born of observing others. | 0:20:42 | 0:20:43 | |
Now I know better. | 0:20:45 | 0:20:46 | |
Publisher and author, then. | 0:20:48 | 0:20:49 | |
You're telling me that what's in this letter is true? | 0:21:34 | 0:21:37 | |
Carolyn and Richard, Mother slashing his hands? | 0:21:37 | 0:21:40 | |
Yes. And the fight? God's sake... Why wasn't I told? | 0:21:40 | 0:21:44 | |
Carolyn didn't want you to know, it's her right to demand silence. | 0:21:44 | 0:21:47 | |
Elizabeth thought the fight put things to rest and the election tied | 0:21:47 | 0:21:50 | |
-you to working with them. -Hmm, so her claim of a vendetta | 0:21:50 | 0:21:53 | |
-could be true. -Why are we even talking about this? | 0:21:53 | 0:21:56 | |
You don't actually believe her? | 0:21:56 | 0:21:57 | |
The man is known for holding a grudge. | 0:21:57 | 0:21:59 | |
Please, after all Regina's done. | 0:21:59 | 0:22:01 | |
-I'm not reading that. -She thinks it may help put your mind at ease. | 0:22:06 | 0:22:08 | |
I'm not interested. | 0:22:08 | 0:22:10 | |
I know this is difficult for you, as a mother. | 0:22:11 | 0:22:13 | |
No, you will not dismiss me as some hysterical woman over this. | 0:22:13 | 0:22:17 | |
-HE KNOCKS AT DOOR -Mrs Goddard. | 0:22:32 | 0:22:35 | |
Mr Jarvis. A fresh pot, would you join me? | 0:22:35 | 0:22:38 | |
No, thank you. I'm on my way out, I want to say goodbye. | 0:22:38 | 0:22:41 | |
Well, until next time. I trust we'll be seeing you soon? | 0:22:42 | 0:22:46 | |
At the book launch, I'm sure. | 0:22:46 | 0:22:47 | |
Well, before then, surely? | 0:22:48 | 0:22:50 | |
You are most welcome here. | 0:22:50 | 0:22:52 | |
It would've been my pleasure. | 0:22:53 | 0:22:54 | |
Oh, I see. | 0:22:56 | 0:22:58 | |
She's a very special young woman. | 0:23:00 | 0:23:02 | |
Keep an eye on her, won't you? | 0:23:02 | 0:23:04 | |
I do. | 0:23:05 | 0:23:06 | |
Is there anything in particular that I should be concerned about? | 0:23:07 | 0:23:11 | |
She does a good job of concealing how lost she is. | 0:23:11 | 0:23:13 | |
I'd really like to hear more about this land business. | 0:23:22 | 0:23:25 | |
You boys missing out on the soldier settlements after you came back. | 0:23:25 | 0:23:28 | |
-Nobody's interested. -Well, I am. | 0:23:28 | 0:23:31 | |
I'd like to know all about it from your angle. | 0:23:31 | 0:23:34 | |
Perhaps we could talk about it next week? | 0:23:34 | 0:23:36 | |
Yeah. | 0:23:38 | 0:23:40 | |
I'm really serious about this. Please think about it. | 0:23:40 | 0:23:43 | |
You all right for your medication? | 0:23:46 | 0:23:48 | |
As rain. | 0:23:48 | 0:23:49 | |
Now I know why you want to go to Sydney with David. | 0:24:05 | 0:24:08 | |
-If there's anything I can do... -If we leave, it'll be quickly | 0:24:08 | 0:24:11 | |
and I'll need you to come with us. | 0:24:11 | 0:24:13 | |
Without a fuss. | 0:24:13 | 0:24:14 | |
Can I go and explain to Larry? | 0:24:17 | 0:24:19 | |
Course. | 0:24:20 | 0:24:21 | |
You're a good girl, Leah. | 0:24:27 | 0:24:28 | |
We need to talk. | 0:25:36 | 0:25:37 | |
Had I known, things would've been so different. | 0:26:14 | 0:26:16 | |
She is vile to dredge it up. | 0:26:16 | 0:26:19 | |
Having Richard in our orbit must have been... | 0:26:19 | 0:26:22 | |
..dreadful for you. | 0:26:22 | 0:26:23 | |
It's in the past. | 0:26:26 | 0:26:28 | |
Where I wish it to stay. | 0:26:28 | 0:26:29 | |
It does lend credence to her warnings about him. | 0:26:31 | 0:26:34 | |
SHE LAUGHS Regina? A figure of credibility? | 0:26:34 | 0:26:37 | |
How novel. | 0:26:37 | 0:26:38 | |
What else did the soon-to-be former Mrs Bligh write? | 0:26:40 | 0:26:43 | |
She gave me the letter personally. | 0:26:45 | 0:26:46 | |
She's back in Inverness. | 0:26:48 | 0:26:50 | |
No! When? | 0:26:51 | 0:26:53 | |
Yesterday. At her old cottage. | 0:26:53 | 0:26:56 | |
Expiation, she claims. | 0:26:56 | 0:26:58 | |
How's Sarah taking it? | 0:26:58 | 0:26:59 | |
Mother, when she hears, | 0:27:02 | 0:27:04 | |
-her heart... -I'm loath to tell her. | 0:27:04 | 0:27:06 | |
But it won't be long before someone does. | 0:27:06 | 0:27:08 | |
What about Canberra? | 0:27:08 | 0:27:10 | |
I had no choice. I have an important speech. | 0:27:10 | 0:27:12 | |
I'll sort it out somehow. | 0:27:14 | 0:27:15 | |
Are we running away? | 0:27:28 | 0:27:29 | |
FOOTSTEPS APPROACH | 0:28:22 | 0:28:24 | |
We've missed the morning service | 0:28:27 | 0:28:29 | |
and Douglas won't be up to the night air, so perhaps you might join me | 0:28:29 | 0:28:33 | |
-for evensong? -Very subtle, Grandmother. | 0:28:33 | 0:28:36 | |
Saving the scarlet woman? | 0:28:36 | 0:28:38 | |
I thought I was very accommodating this morning. | 0:28:38 | 0:28:40 | |
You were. | 0:28:41 | 0:28:43 | |
Perhaps more than I deserved. | 0:28:43 | 0:28:44 | |
Anna? | 0:28:47 | 0:28:48 | |
SHE PATS SEAT | 0:28:48 | 0:28:51 | |
Now, these last few years, all the gallivanting in the social pages, | 0:28:54 | 0:28:58 | |
I worry about the choices you're making. | 0:28:58 | 0:29:01 | |
You're being very melodramatic. | 0:29:01 | 0:29:03 | |
I've made mistakes, too, because I feared the future. | 0:29:03 | 0:29:07 | |
What a funny thing to say. | 0:29:08 | 0:29:10 | |
I'm not afraid of the future. | 0:29:10 | 0:29:12 | |
The end of a marriage must be a very painful thing. | 0:29:15 | 0:29:18 | |
Really, Grandmother? | 0:29:18 | 0:29:20 | |
Gino and I divorced years ago. | 0:29:20 | 0:29:22 | |
How many times do we have to discuss this? | 0:29:22 | 0:29:24 | |
And yet you're still to put it behind you. | 0:29:26 | 0:29:28 | |
I don't know why I'm crying, I'm sorry. | 0:29:35 | 0:29:39 | |
Very silly. | 0:29:39 | 0:29:40 | |
Now, dear, there is no crime in struggling to let go of the past. | 0:29:41 | 0:29:45 | |
But just be cautious | 0:29:47 | 0:29:49 | |
in the way that you resist moving forward. | 0:29:49 | 0:29:51 | |
You could end up very much alone. | 0:29:52 | 0:29:54 | |
When should I tell Mrs Nordmann you'll be back? | 0:30:06 | 0:30:08 | |
We won't be long. Where is Mrs Nordmann? | 0:30:08 | 0:30:10 | |
I don't know. Up we go, tiger. | 0:30:10 | 0:30:12 | |
One day this will all be yours. | 0:30:20 | 0:30:22 | |
To hand on to your son. | 0:30:23 | 0:30:24 | |
As far as you can see. | 0:30:26 | 0:30:28 | |
Even the clouds in the sky? | 0:30:28 | 0:30:30 | |
-HE CHUCKLES -Even the clouds in the sky. | 0:30:31 | 0:30:34 | |
Daddy's going to miss you. | 0:30:40 | 0:30:41 | |
FOOTSTEPS APPROACH | 0:30:50 | 0:30:52 | |
Tell me something. REGINA GASPS | 0:31:04 | 0:31:06 | |
You didn't read the letter. | 0:31:09 | 0:31:10 | |
Tell me you don't want what I have. | 0:31:12 | 0:31:13 | |
-I don't. -George? | 0:31:15 | 0:31:16 | |
His child? | 0:31:16 | 0:31:18 | |
A future together? | 0:31:18 | 0:31:19 | |
A life at Ash Park? | 0:31:19 | 0:31:21 | |
WHISPERS: There you are. | 0:31:24 | 0:31:25 | |
You can't be trusted anywhere near us. | 0:31:27 | 0:31:29 | |
-That's no longer true. -And yet you appear to be settling in. | 0:31:29 | 0:31:31 | |
Well, next time I won't hesitate, | 0:31:34 | 0:31:35 | |
I will pull the trigger. | 0:31:35 | 0:31:37 | |
-WHISPERS: -Sarah... -Just when you least expect it. | 0:31:37 | 0:31:39 | |
Missy. A sight for sore eyes. | 0:32:02 | 0:32:05 | |
Fancy a cuppa? I've got a thermos in the truck and some of | 0:32:09 | 0:32:12 | |
Dornie's Lamingtons, too. | 0:32:12 | 0:32:13 | |
Another time. | 0:32:13 | 0:32:14 | |
Sarah. | 0:32:16 | 0:32:17 | |
You all right? | 0:32:21 | 0:32:23 | |
Not sure. | 0:32:25 | 0:32:26 | |
Well, shouldn't the RSL do something for men like Frank? | 0:32:35 | 0:32:38 | |
Don't hold your breath, they're half of the problem. | 0:32:38 | 0:32:41 | |
One wonders what happened to his family. | 0:32:41 | 0:32:44 | |
To think of him out there, | 0:32:44 | 0:32:45 | |
alone with his demons. | 0:32:45 | 0:32:47 | |
But it's a start, isn't it? | 0:32:47 | 0:32:48 | |
You know, I think Frank said more about his experiences today | 0:32:50 | 0:32:53 | |
than he has since the war. | 0:32:53 | 0:32:54 | |
Well, he's not Robinson Crusoe there. | 0:32:54 | 0:32:56 | |
Perhaps it's possible to get him... | 0:32:57 | 0:33:00 | |
No cloak and dagger. | 0:33:00 | 0:33:01 | |
Regina is back. | 0:33:02 | 0:33:03 | |
You're not serious. | 0:33:05 | 0:33:06 | |
I'm worried about Mother's health when she finds out. | 0:33:06 | 0:33:09 | |
What are you two plotting over there? | 0:33:09 | 0:33:11 | |
I'm convincing him he'd be a worthy advocate for men like Frank. | 0:33:11 | 0:33:16 | |
Nonsense. What's really going on? | 0:33:16 | 0:33:18 | |
Oh, if I could take it back, all those years ago... | 0:33:41 | 0:33:44 | |
-Don't upset yourself. -..inviting her into our lives. | 0:33:44 | 0:33:47 | |
-Where are your pills? -I was a fool... -Mother. | 0:33:47 | 0:33:50 | |
-Mother. -..triggering this awful chain of events. | 0:33:50 | 0:33:52 | |
Calm down. We'll work things out. | 0:33:52 | 0:33:54 | |
-Why on earth would she return? -Here. | 0:33:54 | 0:33:57 | |
No, I'm all right. | 0:33:57 | 0:33:59 | |
Apart from being here... | 0:33:59 | 0:34:02 | |
..how was the woman? | 0:34:02 | 0:34:03 | |
Brittle. | 0:34:04 | 0:34:05 | |
CLATTERING | 0:34:13 | 0:34:15 | |
Who are you going to poison now? | 0:34:18 | 0:34:19 | |
Right, grab that, let's go, let's go. | 0:34:26 | 0:34:29 | |
Yeah, right. | 0:34:35 | 0:34:37 | |
This'll teach her. | 0:34:37 | 0:34:38 | |
BANGING | 0:34:38 | 0:34:39 | |
This one's for Miss Davis. | 0:34:41 | 0:34:42 | |
All right, let's get out of here. | 0:34:47 | 0:34:48 | |
Now, let's go! | 0:34:48 | 0:34:49 | |
-Elizabeth! -No, I am perfectly well. | 0:35:04 | 0:35:06 | |
-She is not. -It's just the shock of finding Regina returned. | 0:35:06 | 0:35:11 | |
I know. | 0:35:11 | 0:35:12 | |
We will bring in the police. | 0:35:12 | 0:35:14 | |
-Our own men, if need be. -Lizzie, please. | 0:35:14 | 0:35:16 | |
Family must be together at times like this. | 0:35:16 | 0:35:20 | |
I'd like to admit you just to be on the safe side. | 0:35:20 | 0:35:22 | |
-I'll get the car. -But that is quite unnecessary. | 0:35:22 | 0:35:24 | |
Better safe than sorry. | 0:35:24 | 0:35:25 | |
Oh, don't you go joining the enemy. | 0:35:25 | 0:35:27 | |
-Well, if you won't take orders... -HE COUGHS VIOLENTLY | 0:35:27 | 0:35:30 | |
I'll have some rest, a book, to take my mind off this, | 0:35:30 | 0:35:32 | |
perhaps Anna's manuscript, I believe Carolyn has one... | 0:35:32 | 0:35:35 | |
-Sarah! -Douglas! | 0:35:41 | 0:35:42 | |
SIREN WAILS | 0:35:46 | 0:35:48 | |
What can you see? | 0:35:53 | 0:35:54 | |
I think the stump may have broken down, | 0:35:54 | 0:35:56 | |
allowing infection into the space where the lung was. | 0:35:56 | 0:35:59 | |
We're going to need to perform a thoracotomy to repair it. | 0:35:59 | 0:36:02 | |
-Can you step in? -Of course. | 0:36:02 | 0:36:04 | |
We're not equipped for such a major procedure. | 0:36:04 | 0:36:06 | |
I know what I'm doing, Jack. | 0:36:06 | 0:36:07 | |
-We should transfer him to the city. -Jack, he'll bleed to death. | 0:36:07 | 0:36:10 | |
We need to prep now. | 0:36:10 | 0:36:11 | |
Fine. I'll scrub in. | 0:36:13 | 0:36:15 | |
-Let's go. -Just a moment. | 0:36:15 | 0:36:16 | |
Come back to me, darling. | 0:36:23 | 0:36:25 | |
We'll do all we can. | 0:36:27 | 0:36:29 | |
As suspected, bronchopleural fistula, it's leaking. | 0:36:43 | 0:36:48 | |
Any sign of infection? | 0:36:48 | 0:36:50 | |
The operation site has broken down. | 0:36:50 | 0:36:52 | |
There's infection in the space where the lung used to be. | 0:36:54 | 0:36:56 | |
Can you contain the rupture? | 0:36:56 | 0:36:58 | |
Henry? | 0:37:00 | 0:37:01 | |
Let's make a start. | 0:37:04 | 0:37:05 | |
This is quite unnecessary. | 0:37:07 | 0:37:09 | |
Will you really not take the room on offer? | 0:37:09 | 0:37:11 | |
At least for a rest. | 0:37:11 | 0:37:12 | |
I'm perfectly all right. If I'm not, I will tell you. | 0:37:12 | 0:37:15 | |
That is enough, thank you. | 0:37:15 | 0:37:16 | |
Mother! | 0:37:16 | 0:37:17 | |
If Jack thinks you need to be monitored... | 0:37:23 | 0:37:24 | |
Jack worries too much. It is not me we should be worried about. | 0:37:24 | 0:37:27 | |
Blood pressure's dropping. | 0:37:30 | 0:37:32 | |
Can't stop the bleeding. | 0:37:32 | 0:37:34 | |
-Hang two more units. -We're going to lose him. | 0:37:34 | 0:37:37 | |
-Come on, Douglas. -Henry. | 0:37:37 | 0:37:39 | |
Henry, he's deteriorating. | 0:37:40 | 0:37:42 | |
We'll transfer muscle tissue from the chest wall and patch the stump. | 0:37:43 | 0:37:47 | |
You're joking? | 0:37:47 | 0:37:48 | |
-Is there time? -Anyone have a better idea? | 0:37:48 | 0:37:50 | |
-Anything? -No. | 0:37:59 | 0:38:01 | |
It's been hours. | 0:38:01 | 0:38:02 | |
Did you speak about...? | 0:38:02 | 0:38:04 | |
Yes, looking after David. | 0:38:04 | 0:38:05 | |
-How is she? -Oh... | 0:38:05 | 0:38:06 | |
Mother. I've brought you something to eat. | 0:38:11 | 0:38:14 | |
Oh, I'm not hungry. | 0:38:14 | 0:38:16 | |
You need to look after yourself. | 0:38:16 | 0:38:17 | |
He will get through this. | 0:38:21 | 0:38:23 | |
Douglas is strong. | 0:38:24 | 0:38:25 | |
Couldn't kill him with a stick. | 0:38:26 | 0:38:28 | |
One lung? | 0:38:30 | 0:38:31 | |
And at his age? | 0:38:31 | 0:38:32 | |
Don't think I'm unaware of how slim his chances are. | 0:38:34 | 0:38:37 | |
-Graft is holding. -Vital signs are improving. | 0:38:46 | 0:38:50 | |
More suction. | 0:38:50 | 0:38:52 | |
Clear all that blood for me. | 0:38:52 | 0:38:53 | |
Henry, what's going on? | 0:39:02 | 0:39:03 | |
-Look for yourself. -What? | 0:39:05 | 0:39:06 | |
My God. | 0:39:12 | 0:39:13 | |
What do you want to do? | 0:39:15 | 0:39:16 | |
Prepare to close. | 0:39:18 | 0:39:19 | |
Henry's with him. He's in good hands. | 0:39:38 | 0:39:40 | |
I assume the truth is harsh, as I'm in here. | 0:39:42 | 0:39:44 | |
We thought it best like this. | 0:39:48 | 0:39:49 | |
Would you like George or Carolyn with you? | 0:39:51 | 0:39:52 | |
Jack? | 0:39:55 | 0:39:57 | |
I'd like to, er, keep you in. | 0:39:57 | 0:39:59 | |
You're avoiding the truth. | 0:39:59 | 0:40:01 | |
What is Douglas' prognosis? | 0:40:01 | 0:40:02 | |
We opened his chest to stop the bleeding | 0:40:06 | 0:40:10 | |
and we found a tumour. | 0:40:10 | 0:40:11 | |
Tumours. | 0:40:14 | 0:40:16 | |
But they said they'd got it all. | 0:40:19 | 0:40:21 | |
With the other lung. | 0:40:21 | 0:40:23 | |
The cancer has spread, Elizabeth. | 0:40:23 | 0:40:25 | |
There was always a risk. | 0:40:25 | 0:40:27 | |
And now? | 0:40:30 | 0:40:31 | |
There's nothing more we can do. | 0:40:33 | 0:40:35 | |
GIGGLING Aw, David, you're a cheeky... | 0:40:43 | 0:40:45 | |
Oh, you're a cheeky monkey! | 0:40:45 | 0:40:47 | |
What about Two Bears? | 0:40:49 | 0:40:50 | |
You are so cheeky. | 0:40:52 | 0:40:54 | |
Come on. | 0:40:55 | 0:40:56 | |
I will tell others as and when I see fit. | 0:41:10 | 0:41:14 | |
I do not need the added burden of pity. | 0:41:16 | 0:41:18 | |
Order helps. | 0:41:23 | 0:41:24 | |
We'll see George off to Canberra. | 0:41:26 | 0:41:28 | |
What can he do? | 0:41:30 | 0:41:31 | |
I'll tell him later. | 0:41:33 | 0:41:34 | |
-SHE SOBS -Darling Douglas! | 0:41:39 | 0:41:41 | |
DOOR OPENS | 0:41:52 | 0:41:54 | |
Home now. We can see Douglas in the morning. | 0:41:57 | 0:41:59 | |
-Goodnight. -Goodnight, Mother. | 0:42:03 | 0:42:05 | |
How are you? | 0:42:08 | 0:42:09 | |
-Quite an evening. -Yes, it was. | 0:42:10 | 0:42:12 | |
-He will pull through? -He's strong. | 0:42:13 | 0:42:15 | |
How quickly things turn. | 0:42:17 | 0:42:19 | |
This business with Regina... | 0:42:20 | 0:42:21 | |
I'm not running away. | 0:42:21 | 0:42:23 | |
Let's go to Canberra. | 0:42:25 | 0:42:27 | |
Together. | 0:42:27 | 0:42:28 | |
All of us. | 0:42:28 | 0:42:30 | |
It'll put my mind at ease and by the time we get back she'll be well | 0:42:30 | 0:42:33 | |
-and truly gone, I'm sure of it. -Your mother might need me here. | 0:42:33 | 0:42:36 | |
-Well, there's plenty of help. -And I am the other woman. | 0:42:36 | 0:42:38 | |
And our child is... | 0:42:40 | 0:42:41 | |
Scandal be dammed. | 0:42:51 | 0:42:52 | |
I want you safe and secure... | 0:42:55 | 0:42:56 | |
..and with me. | 0:42:57 | 0:42:58 | |
Nothing else trumps that. | 0:43:00 | 0:43:01 | |
WHISPERS: Yes. | 0:43:08 | 0:43:09 | |
Sydney. 20239. | 0:43:24 | 0:43:27 | |
PHONE RINGS | 0:43:29 | 0:43:31 | |
Mm-hm? | 0:43:32 | 0:43:33 | |
Are you there? It's me. | 0:43:33 | 0:43:34 | |
What do you think you're playing at? | 0:43:37 | 0:43:39 | |
Everything's fine, Dickie. There's no need to worry. | 0:43:39 | 0:43:43 | |
-Where the hell are you? -I'm exactly where you'd want me to be. | 0:43:43 | 0:43:47 | |
Just a little ahead of schedule. | 0:43:47 | 0:43:50 | |
It's what we want, isn't it? | 0:43:50 | 0:43:51 | |
I simply couldn't wait. | 0:43:53 | 0:43:55 |