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There must be some prospect I'd make a good husband one day. | 0:00:02 | 0:00:04 | |
I'm not ready to be anyone's wife. | 0:00:04 | 0:00:06 | |
Might I suggest that, given the circumstances, | 0:00:06 | 0:00:08 | |
we revert to our former roles? | 0:00:08 | 0:00:10 | |
Publisher and author. | 0:00:10 | 0:00:12 | |
Scratch out her name, all right? She won't be coming in. | 0:00:12 | 0:00:15 | |
-She made the appointment, she should cancel it. -Well, I'm her husband. | 0:00:15 | 0:00:19 | |
-Who did this to you, Sheila? -I fell. | 0:00:19 | 0:00:21 | |
Since the operation, I'm a bit lopsided. | 0:00:21 | 0:00:24 | |
-Is he all right? -Douglas! | 0:00:25 | 0:00:27 | |
The cancer has spread, Elizabeth. | 0:00:29 | 0:00:31 | |
There's nothing more we can do. | 0:00:31 | 0:00:33 | |
I will tell others | 0:00:33 | 0:00:35 | |
as and when I see fit. | 0:00:35 | 0:00:37 | |
-You can't stay here. -I am a different person now. | 0:00:37 | 0:00:41 | |
Before you leave, you don't go anywhere near my family. | 0:00:41 | 0:00:44 | |
-Regina's here. -In Inverness? | 0:00:44 | 0:00:46 | |
Pack your bags, I'll take you to the station. | 0:00:46 | 0:00:49 | |
Sir Richard is not your friend. | 0:00:49 | 0:00:51 | |
He sees me as playing a hand in your destruction. | 0:00:51 | 0:00:53 | |
He's always considered me his foot soldier. | 0:00:53 | 0:00:56 | |
-What are you doing? -I'm taking David to Aunt Peg's. | 0:00:56 | 0:00:58 | |
He'll be her target, I know it. | 0:00:58 | 0:01:00 | |
Who are you going to poison now?! | 0:01:00 | 0:01:02 | |
-Let's go to Canberra. -Your mother might need me here. | 0:01:08 | 0:01:11 | |
And I am the other woman. | 0:01:11 | 0:01:13 | |
Goodness! | 0:01:36 | 0:01:37 | |
Look at this! | 0:01:37 | 0:01:39 | |
Is this... | 0:01:41 | 0:01:43 | |
Toast and tea? | 0:01:43 | 0:01:45 | |
Thank you, sweetheart. | 0:01:45 | 0:01:47 | |
His idea. | 0:01:52 | 0:01:54 | |
Bless him. | 0:01:54 | 0:01:55 | |
Are we sure about Canberra? | 0:01:59 | 0:02:02 | |
You've got a lot to lose. | 0:02:02 | 0:02:04 | |
I'm not losing anything. | 0:02:04 | 0:02:06 | |
-David and I are the great unspoken. -Sarah, it's common knowledge. | 0:02:06 | 0:02:10 | |
-But not discussed. -Perhaps it's time it was. | 0:02:10 | 0:02:12 | |
And we will manage things as they come. | 0:02:12 | 0:02:16 | |
Let's do it. | 0:02:19 | 0:02:21 | |
Well, I suppose this way I get to hear your speech. | 0:02:23 | 0:02:26 | |
Look at these. | 0:02:33 | 0:02:34 | |
Douglas's favourite. | 0:02:34 | 0:02:36 | |
-You're off to Canberra this afternoon? -Yes. | 0:02:37 | 0:02:41 | |
Actually, Sarah's decided to come with me. | 0:02:41 | 0:02:43 | |
We've thought it through. | 0:02:44 | 0:02:46 | |
Well, I can see that taking David away is a good idea, | 0:02:46 | 0:02:50 | |
but Sarah has her work. | 0:02:50 | 0:02:52 | |
She'll make alternative arrangements. | 0:02:52 | 0:02:55 | |
-She's not going to be seen in public with you, is she...? -Mother! | 0:02:56 | 0:02:59 | |
..because I strongly suggest that you exercise some discretion. | 0:02:59 | 0:03:02 | |
Thank you, but we'll manage things as we see fit. | 0:03:02 | 0:03:05 | |
I've organised the staff to convert this room into a temporary bedroom. | 0:03:06 | 0:03:10 | |
Douglas won't manage the stairs for a while. | 0:03:10 | 0:03:14 | |
Well, he's not coming home just yet? | 0:03:15 | 0:03:17 | |
I want him here as soon as possible. | 0:03:17 | 0:03:19 | |
Don't underestimate the strain you'll be under caring for him. | 0:03:19 | 0:03:22 | |
It'll be far less stressful with him here | 0:03:22 | 0:03:25 | |
than having to traipse back and forth to the hospital. | 0:03:25 | 0:03:27 | |
Surely that will depend on how he's faring? | 0:03:27 | 0:03:30 | |
What's Sarah told you? | 0:03:31 | 0:03:33 | |
Nothing. Just that it'll take time for him to recover. | 0:03:33 | 0:03:37 | |
Well, he's my husband and I want to care for him. | 0:03:39 | 0:03:41 | |
Besides, I have Carolyn to help if need be. | 0:03:42 | 0:03:45 | |
Of course. | 0:03:45 | 0:03:47 | |
-But if anything was to happen... -You're just a telephone call away. | 0:03:47 | 0:03:51 | |
Thank you, George. | 0:03:51 | 0:03:52 | |
You need to be in Canberra to get this trade deal settled. | 0:03:53 | 0:03:57 | |
You look after yourself, mother. | 0:03:59 | 0:04:01 | |
And you give that O'Sullivan a run for his money while you're at it. | 0:04:03 | 0:04:06 | |
Bang, bang, bang! | 0:04:12 | 0:04:14 | |
Bang, bang! | 0:04:16 | 0:04:18 | |
-Bang, bang, bang! -You shot me. | 0:04:18 | 0:04:20 | |
Morning, Mr O'Rourke. | 0:04:24 | 0:04:26 | |
Sister Nordmann from the clinic. | 0:04:28 | 0:04:30 | |
-Yeah, I know who you are. -I'm here to see Sheila. | 0:04:31 | 0:04:34 | |
Any particular reason? | 0:04:34 | 0:04:36 | |
She missed an appointment with us yesterday, and it's important... | 0:04:36 | 0:04:39 | |
Well, she's not here. | 0:04:39 | 0:04:41 | |
Your wife needs follow-up treatment after her mastectomy. | 0:04:44 | 0:04:48 | |
Well, she'll come in when she's good and ready. | 0:04:48 | 0:04:51 | |
Well, I'll tell the clinic to expect her tomorrow, then, | 0:04:53 | 0:04:55 | |
unless there's something you don't want us to see? | 0:04:55 | 0:04:58 | |
The ruddy women's clinic. | 0:04:58 | 0:05:00 | |
A bunch of clacking crows. | 0:05:01 | 0:05:03 | |
My wife... | 0:05:07 | 0:05:08 | |
is none of your business. | 0:05:08 | 0:05:10 | |
You don't frighten me, Mr O'Rourke. | 0:05:10 | 0:05:13 | |
Is everything all right? | 0:05:13 | 0:05:14 | |
Expect a lot of crows on your doorstep, Mr O'Rourke. | 0:05:17 | 0:05:20 | |
Until Sheila comes in, the clacking won't stop. | 0:05:20 | 0:05:23 | |
You can see it through here and through there. | 0:05:41 | 0:05:43 | |
Just as we thought. | 0:05:44 | 0:05:46 | |
It's certainly aggressive. | 0:05:46 | 0:05:48 | |
It's spread to his blood and lymphatic systems. | 0:05:48 | 0:05:50 | |
Would you like to be there when I tell him? | 0:05:54 | 0:05:56 | |
-Tell him what? -That his condition's terminal. | 0:05:57 | 0:06:01 | |
Douglas is recovering from major surgery. | 0:06:01 | 0:06:03 | |
What on earth would that achieve? | 0:06:03 | 0:06:05 | |
It will give him time to prepare for what's to come. | 0:06:05 | 0:06:08 | |
None of us can predict how this will turn out. | 0:06:08 | 0:06:11 | |
I think we can be pretty confident | 0:06:11 | 0:06:13 | |
that Douglas won't make it to Christmas. | 0:06:13 | 0:06:15 | |
Our policy here is the same as everywhere else. | 0:06:16 | 0:06:19 | |
Not at my last two hospitals. | 0:06:19 | 0:06:21 | |
The thinking is changing. | 0:06:21 | 0:06:23 | |
Well, we don't give patients bad news | 0:06:23 | 0:06:25 | |
unless their next of kin decide they want them told. | 0:06:25 | 0:06:27 | |
What do we tell them, then? Everything went well? | 0:06:27 | 0:06:30 | |
-He'll be back on a horse before he knows it? -Of course not. | 0:06:30 | 0:06:33 | |
It's wrong to encourage hope where it doesn't exist. | 0:06:33 | 0:06:35 | |
It's worse to create unnecessary despair. | 0:06:35 | 0:06:37 | |
Is this an existential argument or is there | 0:06:37 | 0:06:40 | |
something specific you'd like an opinion on? | 0:06:40 | 0:06:42 | |
Henry thinks Douglas needs to know that his condition is terminal. | 0:06:45 | 0:06:49 | |
This isn't your decision to make. | 0:06:49 | 0:06:52 | |
Douglas is not to be told. | 0:06:52 | 0:06:55 | |
-What did they say? -Who? -The doctors. | 0:07:06 | 0:07:09 | |
Is that the best you could find? | 0:07:09 | 0:07:11 | |
Argh! Oh! | 0:07:24 | 0:07:25 | |
Agh! | 0:07:25 | 0:07:27 | |
Agh! | 0:07:28 | 0:07:30 | |
-Young Larry Gray and Mrs Briggs. -He's been keeping bad company. | 0:07:48 | 0:07:52 | |
He and some other lads were bragging about throwing rocks and eggs | 0:07:52 | 0:07:55 | |
at Regina Bligh's cottage. | 0:07:55 | 0:07:57 | |
You reap what you sow. | 0:07:57 | 0:07:59 | |
-Where do you want these? -Just in here's fine. | 0:07:59 | 0:08:01 | |
I think you should have a word with him, Roy. | 0:08:01 | 0:08:04 | |
Not that one cares for that woman, | 0:08:04 | 0:08:06 | |
but it could foster raucousness elsewhere | 0:08:06 | 0:08:08 | |
-and who knows where that may lead? -Right, I'll have a word. | 0:08:08 | 0:08:11 | |
Mrs Duncan, I took the liberty of making Mr Goddard a trifle. | 0:08:13 | 0:08:18 | |
-Something to soothe his poor throat. -Lovely. | 0:08:18 | 0:08:21 | |
I'll bring it over. | 0:08:21 | 0:08:22 | |
Thank you, Doris. | 0:08:22 | 0:08:24 | |
I came very close to hitting that man. | 0:08:25 | 0:08:28 | |
Probably make things worse for her. | 0:08:28 | 0:08:30 | |
People think Stan O'Rourke's an upstanding member of the community. | 0:08:30 | 0:08:33 | |
This football coach, volunteer on the fire brigade. | 0:08:33 | 0:08:36 | |
Mister all-round nice guy, eh? | 0:08:36 | 0:08:38 | |
You will do your best for her, won't you? | 0:08:38 | 0:08:40 | |
-Of course. You're not to worry. -And call if there's anything. | 0:08:40 | 0:08:43 | |
We should all be together. | 0:08:44 | 0:08:46 | |
How's Elizabeth? | 0:08:46 | 0:08:47 | |
Keeping up a brave face. It's hard not telling Carolyn. | 0:08:48 | 0:08:52 | |
And George, but it's Elizabeth's tale to tell. | 0:08:52 | 0:08:54 | |
If and when she's ready. | 0:08:54 | 0:08:56 | |
You enjoy Canberra. | 0:08:57 | 0:08:59 | |
Just watch you don't take a swing at one of those Pommies. | 0:08:59 | 0:09:02 | |
No promises. | 0:09:02 | 0:09:04 | |
-Keep me up-to-date with Douglas. -Will do. | 0:09:04 | 0:09:06 | |
HE BREATHES HEAVILY | 0:09:10 | 0:09:12 | |
I thought perhaps the day room might be suitable | 0:09:13 | 0:09:16 | |
but the sitting room has that lovely morning light. | 0:09:16 | 0:09:19 | |
It's warmer, I think. | 0:09:19 | 0:09:22 | |
Oh, here she is. | 0:09:25 | 0:09:27 | |
How's the patient? | 0:09:27 | 0:09:28 | |
Fighting fit. | 0:09:29 | 0:09:31 | |
Elizabeth's been telling me all about her plans | 0:09:32 | 0:09:35 | |
to turn Ash Park into a rehabilitation centre. | 0:09:35 | 0:09:38 | |
Simply converting a downstairs room into a temporary bedroom. | 0:09:38 | 0:09:42 | |
So you'll all be stuck with me for a bit longer, I'm afraid. | 0:09:42 | 0:09:46 | |
Actually, George and I are heading to Canberra. | 0:09:46 | 0:09:48 | |
Yes. | 0:09:49 | 0:09:51 | |
Lizzie tells me you'll be gone for a month. | 0:09:51 | 0:09:53 | |
Good on you. | 0:09:55 | 0:09:56 | |
It's a big step. | 0:09:58 | 0:09:59 | |
We'll be back and forth. | 0:09:59 | 0:10:02 | |
Well, give me a chance to get my strength back for David. | 0:10:02 | 0:10:07 | |
You can tell him I'll be working on a new Airfix plane for him | 0:10:08 | 0:10:11 | |
just as soon as they let me out of here. | 0:10:11 | 0:10:14 | |
I will. | 0:10:14 | 0:10:16 | |
You take care of yourself, Douglas. | 0:10:19 | 0:10:21 | |
Be back in a minute. | 0:10:26 | 0:10:28 | |
I won't go if you think you can't manage. | 0:10:40 | 0:10:42 | |
No, no, you must go. | 0:10:42 | 0:10:44 | |
He'll know something's up if you change your plans. | 0:10:44 | 0:10:47 | |
Sarah, this situation is causing discord between Jack and Henry. | 0:10:47 | 0:10:52 | |
To tell or not to tell. | 0:10:52 | 0:10:54 | |
What's your opinion? | 0:10:55 | 0:10:57 | |
-Everyone else seems to have one. -It's an entirely personal matter. | 0:10:57 | 0:11:00 | |
You have no opinion, then? | 0:11:00 | 0:11:02 | |
I think it's up to the patient to decide | 0:11:04 | 0:11:06 | |
how much information they want. | 0:11:06 | 0:11:08 | |
Listen to Douglas. | 0:11:09 | 0:11:11 | |
He'll let you know if he wants to face it. | 0:11:12 | 0:11:14 | |
Now, remember, in Canberra, there's no need to flaunt your situation. | 0:11:18 | 0:11:22 | |
We're not ashamed of our situation, Elizabeth. | 0:11:22 | 0:11:25 | |
Oi. | 0:11:52 | 0:11:53 | |
Tell your mates to stop their hooning around, all right? | 0:11:54 | 0:11:57 | |
This chucking rocks and eggs. That's kid's stuff. | 0:11:57 | 0:12:00 | |
-I don't know what you're talking about. -Regina Bligh. | 0:12:01 | 0:12:04 | |
She killed Miss Davies. | 0:12:05 | 0:12:07 | |
She done the crime, she done the time. | 0:12:07 | 0:12:10 | |
-Just leave her alone. -Give us one good reason. | 0:12:10 | 0:12:13 | |
I'll give you two. One, you're stooping to her level. | 0:12:20 | 0:12:23 | |
Two, you're poking a brown snake, son. | 0:12:23 | 0:12:26 | |
It ends now. | 0:12:29 | 0:12:30 | |
Clear? | 0:12:30 | 0:12:32 | |
How are your hospital digs going? | 0:12:38 | 0:12:41 | |
Spartan, but they'll do. | 0:12:42 | 0:12:45 | |
You must be looking forward to James coming back? | 0:12:46 | 0:12:49 | |
You could always use me and my medical check-ups as your cover... | 0:12:54 | 0:12:57 | |
..when you want to visit Ash Park. | 0:12:58 | 0:13:00 | |
I'm very grateful to you and Jack for saving my life. | 0:13:05 | 0:13:07 | |
It's all part of the job. | 0:13:09 | 0:13:11 | |
-HE STRUGGLES FOR BREATH -This... | 0:13:11 | 0:13:13 | |
haemorrhage. | 0:13:13 | 0:13:15 | |
What do you think caused it? | 0:13:15 | 0:13:17 | |
Oh, it's hard to be sure. | 0:13:18 | 0:13:20 | |
It could be as simple as a post-operative bleed. | 0:13:20 | 0:13:22 | |
Or as complex as...? | 0:13:23 | 0:13:25 | |
Everyone reacts differently to surgery. | 0:13:26 | 0:13:29 | |
It's rarely straightforward. | 0:13:30 | 0:13:32 | |
I confess, I may not have rested as well as I probably should have. | 0:13:36 | 0:13:40 | |
We don't know what we're dealing with just yet. | 0:13:45 | 0:13:47 | |
But, once you've recovered... | 0:13:50 | 0:13:52 | |
..we'll reassess. | 0:13:53 | 0:13:55 | |
-You saw Douglas? -I lied to him, as directed. | 0:14:03 | 0:14:07 | |
There's a lot of grey between what you call lying and what I call being sensitive. | 0:14:07 | 0:14:10 | |
We need to stop treating patients like children. | 0:14:10 | 0:14:13 | |
Is that it? | 0:14:14 | 0:14:16 | |
-Yes. -Good. | 0:14:16 | 0:14:18 | |
Looks like this is it. | 0:14:29 | 0:14:31 | |
You'd better write to me, then. | 0:14:33 | 0:14:35 | |
I will. | 0:14:35 | 0:14:37 | |
But you have to send me letters too. | 0:14:37 | 0:14:39 | |
I don't care how bad your spelling is. | 0:14:39 | 0:14:41 | |
-Promise? -Yeah. | 0:14:41 | 0:14:43 | |
Yeah, I promise. | 0:14:45 | 0:14:47 | |
Wait! | 0:15:40 | 0:15:41 | |
-Stop, please! -Regina, what the...?! | 0:15:41 | 0:15:43 | |
-Where are you going? -What are you doing?! -I need to talk to you! | 0:15:43 | 0:15:47 | |
-I came back to help you! -Mummy, I'm frightened. | 0:15:48 | 0:15:51 | |
How can I help you if you're not here? Please! | 0:15:51 | 0:15:53 | |
I'm working in your favour! | 0:15:53 | 0:15:55 | |
I'm feeding Sir Richard information. I'm on your side. | 0:15:55 | 0:15:58 | |
-Please, George, you're a fool! -Leave us alone! | 0:15:58 | 0:16:01 | |
Stop! | 0:16:01 | 0:16:02 | |
How can I help you if you won't listen? | 0:16:02 | 0:16:05 | |
You're a fool, George! | 0:16:05 | 0:16:07 | |
George! | 0:16:07 | 0:16:08 | |
I can understand Sarah's need | 0:16:35 | 0:16:37 | |
to get as far away from Regina as possible | 0:16:37 | 0:16:40 | |
and to protect David. | 0:16:40 | 0:16:42 | |
But Canberra? | 0:16:42 | 0:16:44 | |
Goodness knows what they'll make of the situation. | 0:16:45 | 0:16:48 | |
And I know what you're thinking. | 0:16:54 | 0:16:56 | |
It's none of my concern. | 0:16:56 | 0:16:58 | |
You got it in one. | 0:16:59 | 0:17:01 | |
There's nothing I can do about it, is there? | 0:17:02 | 0:17:04 | |
That's right. | 0:17:04 | 0:17:06 | |
HE WHEEZES | 0:17:06 | 0:17:09 | |
I sent your letter to the refuge, by the way. | 0:17:12 | 0:17:15 | |
I've missed the men. | 0:17:15 | 0:17:17 | |
I've let them know that you won't be in for a while | 0:17:18 | 0:17:21 | |
and it seems they'll survive. | 0:17:21 | 0:17:24 | |
You are not entirely indispensable, you know! | 0:17:25 | 0:17:28 | |
Well, that's a blow. | 0:17:28 | 0:17:29 | |
Tell me if I'm chattering too much. | 0:17:30 | 0:17:33 | |
Lizzie... | 0:17:35 | 0:17:36 | |
..I could listen to you all day long. | 0:17:39 | 0:17:41 | |
As long as I'm not bothering you. | 0:17:41 | 0:17:43 | |
Darling, if you need to close your eyes and have a little rest, | 0:17:44 | 0:17:48 | |
you do that. | 0:17:48 | 0:17:49 | |
Dickie... | 0:18:06 | 0:18:08 | |
he's taking the Jew to Canberra. | 0:18:08 | 0:18:10 | |
She's got guts, that Sister Nordmann. | 0:18:56 | 0:18:59 | |
-You're not wrong there. -She really gave it to Stan O'Rourke. | 0:18:59 | 0:19:02 | |
But she'd better be careful. It could get real nasty for her. | 0:19:03 | 0:19:06 | |
Yes. | 0:19:07 | 0:19:09 | |
-Your feet sensation's good. -You reckon? | 0:19:10 | 0:19:13 | |
What you need to do is keep it that way. Glucose and diet, hm? | 0:19:13 | 0:19:16 | |
Mm, so I hear. | 0:19:16 | 0:19:18 | |
Any cuts on your feet, straight to the hospital, | 0:19:19 | 0:19:22 | |
-tell them you're a diabetic. -Yeah, doc, I know the drill. | 0:19:22 | 0:19:25 | |
Just making sure. | 0:19:25 | 0:19:27 | |
Well, I'm done for the morning. | 0:19:28 | 0:19:30 | |
Let's go down the pub, grab a can of lunch before you head off. | 0:19:30 | 0:19:33 | |
I could do with a cold beer. | 0:19:33 | 0:19:35 | |
I'm not sure beer's what you should be drinking. | 0:19:35 | 0:19:37 | |
What, you're my mother now? | 0:19:37 | 0:19:39 | |
Not last time I looked. | 0:19:39 | 0:19:41 | |
I've got the broth for Douglas. Cook said you ordered it? | 0:19:50 | 0:19:53 | |
I thought perhaps I could take you back to the hospital. | 0:19:55 | 0:19:58 | |
You'd only have to turn around and pick me up later. | 0:19:58 | 0:20:01 | |
There's no sense in that. | 0:20:01 | 0:20:03 | |
Before you go... | 0:20:04 | 0:20:07 | |
I glanced through your book. | 0:20:07 | 0:20:10 | |
And I can only say I'm pleased I didn't give it to Douglas to read. | 0:20:11 | 0:20:15 | |
It is an absolute betrayal of him | 0:20:15 | 0:20:17 | |
and of all the men who fought for this country. | 0:20:17 | 0:20:20 | |
I don't know how you can interpret it like that. | 0:20:20 | 0:20:23 | |
Brutish ex-servicemen too stupefied to leave the house?! | 0:20:23 | 0:20:26 | |
Dissatisfied wives chained to the kitchen sink? | 0:20:26 | 0:20:29 | |
Douglas would be horrified. Disgusted! | 0:20:29 | 0:20:31 | |
Well, maybe if you'd read it properly, you've glanced... | 0:20:31 | 0:20:34 | |
I've read enough to know that there is absolutely no compassion | 0:20:34 | 0:20:37 | |
or understanding of what those poor men went through. | 0:20:37 | 0:20:40 | |
It is a work of fiction. | 0:20:40 | 0:20:42 | |
It is also steamy and vacuous, without any semblance of discretion. | 0:20:42 | 0:20:45 | |
Actually, it reads as if it's destined for the censorship board. | 0:20:45 | 0:20:48 | |
-What?! -It is one thing to talk about this sort of thing in private, young lady, | 0:20:48 | 0:20:52 | |
but it is quite another to bandy it about in the public domain. | 0:20:52 | 0:20:55 | |
Anything else? | 0:20:58 | 0:21:00 | |
You would not be writing novels at all | 0:21:02 | 0:21:04 | |
if not for the wealth and privilege that you were born into. | 0:21:04 | 0:21:07 | |
But noblesse oblige, Anna. | 0:21:07 | 0:21:09 | |
There are certain responsibilities that go with it. | 0:21:09 | 0:21:12 | |
I'm... | 0:21:12 | 0:21:14 | |
I'm disappointed. | 0:21:18 | 0:21:20 | |
I shouldn't have left it where she'd find it. | 0:21:31 | 0:21:34 | |
It's not your fault. Sooner or later she was going to read the book | 0:21:34 | 0:21:38 | |
-and take it all the wrong way. -Sounds like she overreacted. | 0:21:38 | 0:21:42 | |
She thinks I'm disgusting. | 0:21:43 | 0:21:45 | |
She thinks I'm spoiled. | 0:21:45 | 0:21:47 | |
What I was trying to do was lift the lid on hypocrisy, | 0:21:48 | 0:21:53 | |
challenge the status quo, | 0:21:53 | 0:21:55 | |
but, no, apparently I'm the writer of a dirty book. | 0:21:55 | 0:21:58 | |
-Anna... -Steamy and vacuous. Those were her words. | 0:21:58 | 0:22:02 | |
It's not the best time to be upsetting her. | 0:22:04 | 0:22:06 | |
-I didn't ask her to read it. -Whatever she said, the truth is... | 0:22:06 | 0:22:10 | |
I think she's shattered about Douglas. | 0:22:12 | 0:22:15 | |
But he's going to be all right. | 0:22:15 | 0:22:17 | |
He's going to get better. | 0:22:17 | 0:22:19 | |
Jack hasn't said anything, but... | 0:22:19 | 0:22:21 | |
..I suspect he's dying. | 0:22:22 | 0:22:24 | |
They're keeping it quiet. | 0:22:24 | 0:22:26 | |
It's possibly why she's so sensitive about how he'd feel. | 0:22:26 | 0:22:29 | |
I'm not suggesting you don't publish, | 0:22:30 | 0:22:33 | |
but there is wisdom in taking a breath, counting to ten, | 0:22:33 | 0:22:36 | |
really thinking about the context. | 0:22:36 | 0:22:39 | |
If you know it's going to contribute to your grandmother's distress, | 0:22:39 | 0:22:42 | |
can you hold back for now? | 0:22:42 | 0:22:44 | |
He's asleep. | 0:23:11 | 0:23:12 | |
I think I'm going to like it here. | 0:23:14 | 0:23:16 | |
-Drink? -Not for me. I need to finish this speech for tomorrow. | 0:23:17 | 0:23:22 | |
I think I should sit this one out. | 0:23:24 | 0:23:27 | |
Why don't I go to the next function? | 0:23:30 | 0:23:32 | |
You are to put on your gladrags, Cinderella, | 0:23:37 | 0:23:41 | |
and accompany me to the ball. | 0:23:41 | 0:23:43 | |
I hope I don't need quite that degree of transformation. | 0:23:43 | 0:23:47 | |
You look like you've had a tough day. | 0:23:56 | 0:23:59 | |
It wasn't easy. | 0:24:00 | 0:24:02 | |
Is it Douglas? | 0:24:06 | 0:24:08 | |
He's dying, isn't he? | 0:24:14 | 0:24:16 | |
You know I can't... | 0:24:17 | 0:24:19 | |
Patient confidentiality. | 0:24:19 | 0:24:22 | |
He is, then. | 0:24:24 | 0:24:26 | |
I knew mother wasn't... | 0:24:30 | 0:24:31 | |
She must be so devastated. | 0:24:33 | 0:24:35 | |
Henry's not helping. | 0:24:37 | 0:24:39 | |
He insists Douglas should be told. | 0:24:39 | 0:24:41 | |
And I take it you agree with him? | 0:24:49 | 0:24:52 | |
-What if I were terminally ill? Would you keep it from me? -Yes. | 0:24:53 | 0:24:58 | |
If I thought it would get in the way of you enjoying what time was left. | 0:24:58 | 0:25:02 | |
That's a very paternalistic approach. | 0:25:02 | 0:25:05 | |
It's a compassionate approach | 0:25:05 | 0:25:06 | |
that's worked perfectly well for many, many years. | 0:25:06 | 0:25:09 | |
Is it so terrifying? | 0:25:12 | 0:25:14 | |
Dying? | 0:25:14 | 0:25:15 | |
Change. | 0:25:15 | 0:25:17 | |
-Can't you at least contemplate there might be... -Enough! | 0:25:17 | 0:25:21 | |
Sorry. | 0:25:25 | 0:25:27 | |
Enjoy your game. | 0:25:28 | 0:25:30 | |
RUMBLE OF THUNDER | 0:26:11 | 0:26:13 | |
-So, how's it going, Buddy Holly? -Yeah, not too bad. | 0:26:53 | 0:26:57 | |
Where's he off to? | 0:27:02 | 0:27:04 | |
Bloody smartarse. | 0:27:08 | 0:27:10 | |
Sitting up like Jackie yesterday at the inside bar | 0:27:11 | 0:27:14 | |
with his fancy doctor friend. | 0:27:14 | 0:27:16 | |
He's getting too big for his boots. | 0:27:16 | 0:27:18 | |
He's been scaring the daylights out of my missus, too. Yeah. | 0:27:20 | 0:27:23 | |
Eyeing her off. | 0:27:24 | 0:27:26 | |
Wife won't go out of the house. She's terrified of him. | 0:27:26 | 0:27:30 | |
You got a light? | 0:27:32 | 0:27:34 | |
I'll swing by lunchtime. We'll go for a spin. | 0:27:38 | 0:27:41 | |
Whereabouts? | 0:27:41 | 0:27:42 | |
Hey, fill her up. | 0:27:44 | 0:27:46 | |
-Where are you off to? -I need to speak with Ed. | 0:27:58 | 0:28:01 | |
Anna, what I said yesterday, I shouldn't have interfered. | 0:28:01 | 0:28:05 | |
Yes, you should. I've decided to make some changes to the manuscript, | 0:28:05 | 0:28:09 | |
which is why I need to see Ed. | 0:28:09 | 0:28:11 | |
I didn't want you to change it, | 0:28:11 | 0:28:13 | |
-so much as sit on it until things settle down. -No, you're right. | 0:28:13 | 0:28:16 | |
I'm worried I've transferred all my cynicism about men onto the page. | 0:28:16 | 0:28:20 | |
I can see now why grandmother would be offended on Douglas's behalf | 0:28:20 | 0:28:23 | |
and, after rereading it, there are other recognisable things, | 0:28:23 | 0:28:27 | |
or at least they could be construed that way, so I want to make the adjustments. | 0:28:27 | 0:28:30 | |
All right, but don't change the heart of what you're saying. | 0:28:30 | 0:28:34 | |
You've a keen eye. | 0:28:35 | 0:28:37 | |
Especially that woman trapped by love in a provincial setting. | 0:28:37 | 0:28:41 | |
Ivy. | 0:28:42 | 0:28:43 | |
A woman longing to make her mark on the world. | 0:28:43 | 0:28:47 | |
I recognised her. | 0:28:49 | 0:28:50 | |
That's me with Gino, not you with Papa. | 0:28:50 | 0:28:53 | |
Perhaps a combination of us both. | 0:28:55 | 0:28:57 | |
You are a wonderful writer. | 0:29:01 | 0:29:03 | |
Go. | 0:29:05 | 0:29:07 | |
Don't change Ivy. | 0:29:08 | 0:29:10 | |
All right. | 0:29:46 | 0:29:48 | |
How many matches, son? | 0:29:48 | 0:29:50 | |
Hey. | 0:29:54 | 0:29:56 | |
He'll be after your Leah next. | 0:29:56 | 0:29:58 | |
WINDOWS SMASH | 0:30:26 | 0:30:29 | |
Bang! | 0:30:31 | 0:30:33 | |
Up she goes, eh?! | 0:30:33 | 0:30:35 | |
HE LAUGHS | 0:30:35 | 0:30:36 | |
How about that? | 0:30:37 | 0:30:40 | |
Yes. | 0:30:40 | 0:30:42 | |
That was... | 0:31:22 | 0:31:24 | |
..almost as good as the creme brulee we shared in... | 0:31:25 | 0:31:29 | |
-Paris. -Ah, yes. | 0:31:29 | 0:31:30 | |
-Chez Benoit. -Mm. | 0:31:30 | 0:31:33 | |
I seem to remember you ate the lot. | 0:31:33 | 0:31:35 | |
-Really? -Mm. | 0:31:36 | 0:31:38 | |
My manners must have escaped me. | 0:31:39 | 0:31:41 | |
Well... | 0:31:43 | 0:31:44 | |
..next time we're in Paris... | 0:31:45 | 0:31:47 | |
..we'll be sure to find that very place again | 0:31:48 | 0:31:51 | |
and you shall eat creme brulee to your heart's content, my love. | 0:31:51 | 0:31:54 | |
Do you see the smoke? | 0:32:16 | 0:32:18 | |
You OK? | 0:32:19 | 0:32:21 | |
Doesn't take much guessing to figure out what happened. | 0:32:30 | 0:32:33 | |
-Stan O'Rourke and his scaly mates. -The policeman? | 0:32:33 | 0:32:37 | |
Copper's not going to help no black man. | 0:32:37 | 0:32:39 | |
-That ain't right, mate. -Arson is arson, anyway you look at it. | 0:32:40 | 0:32:44 | |
Well, that's the way it is in this country, isn't it? Everywhere. | 0:32:45 | 0:32:48 | |
There's two laws. One for white fellas and one for black fellas. | 0:32:48 | 0:32:52 | |
What'll you do? | 0:32:54 | 0:32:55 | |
I'm going to clean up. I'll let Tommo know. | 0:32:55 | 0:32:59 | |
Tell me all the paintings weren't in there. | 0:33:10 | 0:33:13 | |
Yeah. | 0:33:13 | 0:33:15 | |
Lucky your missus got the important one, eh? | 0:33:15 | 0:33:18 | |
Thank you. | 0:33:32 | 0:33:34 | |
-Are you ready? -As ready as I'll ever be. | 0:33:39 | 0:33:41 | |
You will be magnificent. | 0:33:41 | 0:33:44 | |
STRING QUARTET PLAYS | 0:33:52 | 0:33:54 | |
Nice to see you. | 0:34:06 | 0:34:08 | |
We won't to be short on entertainment tonight. | 0:34:13 | 0:34:16 | |
Plenty here on both sides of the political fence. | 0:34:16 | 0:34:18 | |
-Madam. -Thank you. | 0:34:18 | 0:34:20 | |
Allow me to introduce you to Mrs Sarah Nordmann. | 0:34:20 | 0:34:22 | |
Mrs Nordmann, this is Sir Earl Page, our Minister for Health. | 0:34:22 | 0:34:26 | |
-Delighted to meet you. -The pleasure's all mine. | 0:34:26 | 0:34:28 | |
I trust you've been studying up on your baseball scores. | 0:34:28 | 0:34:31 | |
The Yanks talk about nothing else, I'm afraid. | 0:34:31 | 0:34:33 | |
I'll be no use to them there. | 0:34:33 | 0:34:35 | |
Well, less about baseball and more about trade agreements. | 0:34:35 | 0:34:38 | |
In my experience, they're going to be tough negotiators. | 0:34:38 | 0:34:42 | |
Ladies and gentlemen, the Prime Minister, Mr Menzies, | 0:34:42 | 0:34:44 | |
and Dame Pattie Menzies. | 0:34:44 | 0:34:47 | |
APPLAUSE | 0:34:47 | 0:34:49 | |
How's that property of yours going, George? | 0:34:52 | 0:34:55 | |
Very well, thank you, Earl. Very well indeed. | 0:34:55 | 0:34:58 | |
George, Sir Richard is here. | 0:34:58 | 0:35:00 | |
What a surprise. | 0:35:00 | 0:35:02 | |
-If you'll excuse me? -Of course. | 0:35:02 | 0:35:05 | |
Mrs Nordmann, since you're a nursing... | 0:35:09 | 0:35:11 | |
Richard, I wasn't aware you were attending. | 0:35:13 | 0:35:15 | |
Any opportunity to schmooze the Yanks. | 0:35:15 | 0:35:18 | |
What is she doing here? | 0:35:19 | 0:35:21 | |
For goodness' sake, man, look around you. | 0:35:21 | 0:35:23 | |
She's not a debutante to be brought out in polite society. | 0:35:23 | 0:35:26 | |
The majority of our colleagues are aware of the situation. | 0:35:26 | 0:35:29 | |
-For those that aren't, I'm introducing them. -Menzies is here. | 0:35:29 | 0:35:32 | |
-And Dame Pattie has met Sarah before. -Private home. | 0:35:32 | 0:35:35 | |
Keep it on the farm. Don't rub people's faces in it. | 0:35:35 | 0:35:39 | |
I'll do what I can do to minimise the damage. | 0:35:40 | 0:35:43 | |
-George. -Neil. -I see you've brought a friend. | 0:35:45 | 0:35:49 | |
Looks a good sort. | 0:35:49 | 0:35:51 | |
Labour, of course, wants to get rid of the voluntary organisations. | 0:35:51 | 0:35:54 | |
Even the friendly societies. Makes absolutely no sense at all. | 0:35:54 | 0:35:57 | |
I would like both parties to pay more interest to women's health. | 0:35:57 | 0:36:00 | |
I think my wife would agree with you. | 0:36:00 | 0:36:02 | |
-Afternoon, Earl. -Dame Pattie. | 0:36:02 | 0:36:04 | |
-Sarah, isn't it? -Yes, we met at Prudence Swanson's some time ago. | 0:36:05 | 0:36:09 | |
Yes. Anne, come and join us. | 0:36:09 | 0:36:12 | |
-Sarah, allow me to introduce you to Anne Edwards. -How do you do? | 0:36:13 | 0:36:16 | |
Pleased to meet you. | 0:36:16 | 0:36:17 | |
Sarah's involved in community health, | 0:36:17 | 0:36:20 | |
-though not in charity work as yourself. -I see. | 0:36:20 | 0:36:22 | |
I think you two will get along famously. | 0:36:22 | 0:36:25 | |
-George. -Prime Minister. | 0:36:26 | 0:36:28 | |
-How are you, my good man? -Very well, sir. | 0:36:28 | 0:36:30 | |
George, I'd like your support in this Lake Burley Griffin issue. | 0:36:30 | 0:36:33 | |
-Of course. -If we can pull this off, | 0:36:33 | 0:36:36 | |
it will be the jewel in the crown of the capital. | 0:36:36 | 0:36:39 | |
Think of the Seine and the Thames. | 0:36:39 | 0:36:41 | |
Think of Sydney Harbour. | 0:36:41 | 0:36:43 | |
I shouldn't have taken him to the pub. | 0:36:44 | 0:36:46 | |
Don't blame yourself. | 0:36:46 | 0:36:48 | |
Those men are hateful. | 0:36:48 | 0:36:50 | |
Stan O'Rourke has it in for anyone who threatens his brutish existence. | 0:36:50 | 0:36:54 | |
And now Frank's a scapegoat. | 0:36:54 | 0:36:56 | |
It's lucky you took his painting. | 0:36:59 | 0:37:01 | |
I didn't take anything. | 0:37:02 | 0:37:05 | |
He asked me to hold on to his Namatjira for safekeeping. | 0:37:05 | 0:37:08 | |
Pity you didn't grab everything. He's lost everything else. | 0:37:08 | 0:37:11 | |
I told you, I didn't take or grab anything. | 0:37:11 | 0:37:15 | |
Fine. | 0:37:16 | 0:37:18 | |
It came from me sticking my nose in where it wasn't wanted, | 0:37:19 | 0:37:22 | |
-but thank goodness I did. -I'm not criticising you. | 0:37:22 | 0:37:24 | |
But you have before, which is why I kept it from you. | 0:37:24 | 0:37:28 | |
-I need to clean up. -I'll have Lynette run a bath for you. | 0:37:31 | 0:37:34 | |
No, I'll just grab a quick shower. | 0:37:34 | 0:37:36 | |
I promised I'd go back in to see Douglas. | 0:37:37 | 0:37:40 | |
Well, gentlemen, I get the feeling from the room | 0:37:53 | 0:37:56 | |
that our guests are ready to talk turkey, as they say over there. | 0:37:56 | 0:38:00 | |
American trade will eclipse our trade with Great Britain | 0:38:00 | 0:38:03 | |
within a decade, you watch. | 0:38:03 | 0:38:05 | |
Remembering, of course, that Australia is first and foremost | 0:38:05 | 0:38:09 | |
a member of the British Commonwealth. | 0:38:09 | 0:38:12 | |
Our loyalty is always to the Queen. | 0:38:12 | 0:38:15 | |
Have you given O'Sullivan the wool price we're quoting tonight? | 0:38:16 | 0:38:19 | |
I'll do that now. | 0:38:19 | 0:38:21 | |
You know, George, for all their talk about, erm, progress, | 0:38:21 | 0:38:25 | |
the Americans are a very moralistic lot. | 0:38:25 | 0:38:28 | |
Largely Puritan stock. | 0:38:29 | 0:38:32 | |
No matter how pleasant your friend may be, | 0:38:32 | 0:38:35 | |
I'm surprised you thought it appropriate to bring her | 0:38:35 | 0:38:38 | |
to this occasion. | 0:38:38 | 0:38:40 | |
That friend you're referring to happens to be the mother of my son. | 0:38:40 | 0:38:44 | |
And I would have thought tonight was about bilateral trade, | 0:38:45 | 0:38:48 | |
not gossip. | 0:38:48 | 0:38:50 | |
Whatever your arrangements, George, they should remain discreet. | 0:38:50 | 0:38:54 | |
Of course. | 0:38:55 | 0:38:56 | |
-What have you done? -I've reworked it. | 0:39:26 | 0:39:29 | |
-You've destroyed it. -I haven't destroyed it. | 0:39:30 | 0:39:33 | |
You've taken out the things that make it unique. | 0:39:33 | 0:39:35 | |
It's not that different. It's a more subtle version of the same story. | 0:39:35 | 0:39:40 | |
No, Anna, this is self-censorship. | 0:39:40 | 0:39:43 | |
It is a limp, watered-down version of what was a work of substance. | 0:39:43 | 0:39:48 | |
I see. | 0:39:50 | 0:39:52 | |
You have to understand my situation at home. | 0:39:53 | 0:39:55 | |
If you're going to wait around for permission from your family, | 0:39:56 | 0:39:59 | |
you will never be a good writer, let alone a great one. | 0:39:59 | 0:40:02 | |
This is the third manuscript you have destroyed. | 0:40:02 | 0:40:05 | |
Are you afraid of success? | 0:40:05 | 0:40:07 | |
If that were the case, | 0:40:07 | 0:40:08 | |
I wouldn't have published Own Worst Enemy, would I? | 0:40:08 | 0:40:11 | |
You wrote something fearless and brilliant, | 0:40:12 | 0:40:15 | |
and for some reason you have decided to whitewash it | 0:40:15 | 0:40:18 | |
into this bland rendition of simpering love. | 0:40:18 | 0:40:21 | |
-I won't let you throw it away. -Ed, please, would you just leave it? | 0:40:23 | 0:40:27 | |
I've hurt you. I'm sorry. | 0:40:34 | 0:40:36 | |
It's just that I love what you wrote. | 0:40:38 | 0:40:41 | |
And I want to protect the best of you. | 0:40:42 | 0:40:45 | |
You're bold. | 0:40:47 | 0:40:49 | |
Original. | 0:40:50 | 0:40:51 | |
Provocative. | 0:40:54 | 0:40:55 | |
I think that you're making the mistake | 0:41:00 | 0:41:03 | |
of confusing me with my work. | 0:41:03 | 0:41:05 | |
Well, that's understandable, isn't it? | 0:41:06 | 0:41:08 | |
It's a deeply personal book. | 0:41:09 | 0:41:11 | |
Let's not pretend it isn't. | 0:41:12 | 0:41:15 | |
Why else do you want to destroy it? | 0:41:15 | 0:41:17 | |
I think that you should go. | 0:41:19 | 0:41:21 | |
-Anna... -No, we've resolved this. | 0:41:22 | 0:41:25 | |
We have no future. | 0:41:25 | 0:41:27 | |
I think you should leave. | 0:41:27 | 0:41:29 | |
There's a contract. | 0:41:37 | 0:41:39 | |
I will be publishing the manuscript as it is. | 0:41:39 | 0:41:42 | |
-You can't. -Watch me. | 0:41:43 | 0:41:46 | |
Can I help you, Mrs Goddard? | 0:42:06 | 0:42:08 | |
I'm all right, thank you. | 0:42:08 | 0:42:10 | |
Jack said he'd pop in after his home visits. | 0:42:10 | 0:42:13 | |
I think Douglas may need a little more pain relief. | 0:42:13 | 0:42:16 | |
I can organise that. | 0:42:16 | 0:42:18 | |
How is he faring? How are you faring? | 0:42:19 | 0:42:22 | |
Erm, it's been a long day. | 0:42:23 | 0:42:25 | |
And have you thought any more about telling Douglas the truth? | 0:42:28 | 0:42:32 | |
I've made my position on this clear. | 0:42:33 | 0:42:35 | |
Whenever I speak to Douglas, I get the distinct impression | 0:42:37 | 0:42:39 | |
that he wants to know what his prospects are. | 0:42:39 | 0:42:42 | |
I've sat with him all day and I can assure you that he has been anything but morbid. | 0:42:42 | 0:42:46 | |
Quite the contrary. | 0:42:46 | 0:42:47 | |
Wanting the truth and being morbid are not the same thing. | 0:42:47 | 0:42:50 | |
-Spare me the semantics! -Mrs Goddard... | 0:42:50 | 0:42:52 | |
Henry, I understand your dilemma, | 0:42:52 | 0:42:54 | |
as someone both close to the family and Douglas's surgeon, | 0:42:54 | 0:42:57 | |
but there's a lot to be said for letting someone | 0:42:57 | 0:43:00 | |
come to things gently and in their own good time. | 0:43:00 | 0:43:04 | |
Your husband wants to know the truth. He all but asked me outright. | 0:43:04 | 0:43:08 | |
That's enough! | 0:43:08 | 0:43:09 | |
Elizabeth, you go back to Douglas. | 0:43:10 | 0:43:13 | |
I'll handle this. | 0:43:17 | 0:43:19 | |
This so-called progressive approach of yours borders on cruelty. | 0:43:24 | 0:43:28 | |
I told you, it's not hospital policy. | 0:43:28 | 0:43:31 | |
-Hospital policy needs to change. -You think so. -Yes, I do! | 0:43:31 | 0:43:35 | |
There is no excuse for leaving patients in the dark | 0:43:36 | 0:43:39 | |
about the gravity of their illness. It is their life. | 0:43:39 | 0:43:41 | |
And yet they're the last ones to find out it's coming to an end. | 0:43:41 | 0:43:44 | |
-It's immoral. -Don't talk to me about morality. | 0:43:44 | 0:43:47 | |
Your sort wouldn't know the meaning of the word. | 0:43:47 | 0:43:50 | |
WHEEZING | 0:43:58 | 0:44:00 | |
Douglas... | 0:44:08 | 0:44:10 | |
Are you in pain? | 0:44:14 | 0:44:16 | |
No. The painkillers are working nicely. | 0:44:19 | 0:44:21 | |
-I have a question for you. -What is it? | 0:44:26 | 0:44:29 | |
Am I dying? | 0:44:33 | 0:44:35 | |
Hm? | 0:44:37 | 0:44:39 | |
I didn't... | 0:44:46 | 0:44:47 | |
I didn't want to say. | 0:44:50 | 0:44:52 | |
I couldn't. | 0:44:57 | 0:44:59 | |
It's all right. | 0:45:08 | 0:45:10 | |
Don't you cry over old Douglas. | 0:45:12 | 0:45:14 | |
You'll be all right. | 0:45:15 | 0:45:17 | |
I can't believe this place is the capital of the country. | 0:45:32 | 0:45:34 | |
Where we are now, is this what they call the Outback? | 0:45:34 | 0:45:37 | |
It's the best-lit paddock in Australia. | 0:45:37 | 0:45:40 | |
Why would he just suddenly turn up? | 0:45:41 | 0:45:43 | |
-We're both thinking it. -Regina called him. | 0:45:45 | 0:45:48 | |
One day this city will be known all around the world, you watch. | 0:45:48 | 0:45:51 | |
You need a few more skyscrapers in my humble opinion. | 0:45:51 | 0:45:54 | |
-GERMAN ACCENT: -I hate to fly. It makes me very sick. | 0:45:54 | 0:45:57 | |
Well, you've so far to come. | 0:45:57 | 0:45:59 | |
Really, we thought we would never get here. | 0:45:59 | 0:46:02 | |
What is it? | 0:46:10 | 0:46:11 | |
LAUGHTER | 0:46:12 | 0:46:14 | |
They told me there are... | 0:46:19 | 0:46:21 | |
DISTORTED SPEECH | 0:46:21 | 0:46:23 | |
BARKING | 0:46:23 | 0:46:25 | |
Really? | 0:46:27 | 0:46:28 | |
HER BREATHING QUICKENS | 0:46:28 | 0:46:30 | |
Excuse me. | 0:46:35 | 0:46:36 | |
SHE GASPS FOR BREATH | 0:46:39 | 0:46:42 | |
Sarah. | 0:46:51 | 0:46:52 | |
What's wrong? | 0:46:59 | 0:47:01 | |
That... That woman. | 0:47:03 | 0:47:05 | |
She was a guard... | 0:47:07 | 0:47:09 | |
..at Ravensbruck. | 0:47:11 | 0:47:13 |