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It is a work of fiction! | 0:00:02 | 0:00:03 | |
It is also steamy and vacuous, without any semblance of discretion! | 0:00:03 | 0:00:07 | |
-What have you done? -I've reworked it. | 0:00:09 | 0:00:12 | |
-You've destroyed it. -I haven't destroyed it. | 0:00:12 | 0:00:15 | |
There's a contract. | 0:00:15 | 0:00:17 | |
I will be publishing the manuscript as it is. | 0:00:17 | 0:00:19 | |
-You can't. -Watch me. | 0:00:19 | 0:00:21 | |
There is no excuse for leaving patients in the dark | 0:00:21 | 0:00:23 | |
about the gravity of their illness, it's immoral! | 0:00:23 | 0:00:26 | |
No, don't talk to me about morality. | 0:00:26 | 0:00:27 | |
Your sort wouldn't know the meaning of the word. | 0:00:27 | 0:00:29 | |
Am I dying? | 0:00:31 | 0:00:33 | |
I didn't want to say... | 0:00:33 | 0:00:34 | |
Bang! Up she goes! | 0:00:45 | 0:00:47 | |
HE LAUGHS | 0:00:48 | 0:00:49 | |
Doesn't take much guessing to figure out what happened. | 0:00:49 | 0:00:52 | |
Stan O'Rourke and his scally mates. | 0:00:52 | 0:00:54 | |
I'm feeding Sir Richard information! | 0:00:54 | 0:00:56 | |
I'm on your side! | 0:00:56 | 0:00:57 | |
-Please, George, you're a fool! -Leave us alone! | 0:00:57 | 0:00:59 | |
-GERMAN ACCENT: -I hate to fly, it makes me very sick. | 0:00:59 | 0:01:02 | |
Really, I thought we would never get here! | 0:01:02 | 0:01:05 | |
-What is it? -They told me they are... -That woman. | 0:01:06 | 0:01:10 | |
She was a guard... | 0:01:11 | 0:01:13 | |
..at Ravensbruck. | 0:01:15 | 0:01:16 | |
It's her. | 0:01:25 | 0:01:26 | |
I know it's her. | 0:01:27 | 0:01:29 | |
-Sarah... -What if...? -Sarah, listen to me. | 0:01:30 | 0:01:33 | |
-What if she saw me? -Listen to me. | 0:01:33 | 0:01:35 | |
You're safe, you are safe. | 0:01:36 | 0:01:38 | |
-She'll kill me. -You're here with me now, in Canberra, | 0:01:38 | 0:01:43 | |
and you have a very happy little boy, David. | 0:01:43 | 0:01:46 | |
You don't believe me? | 0:01:49 | 0:01:50 | |
Look, if you think she was the guard... | 0:01:50 | 0:01:52 | |
She was. Frieda Neudeck, the worst. | 0:01:52 | 0:01:55 | |
No, I won't hide. | 0:01:57 | 0:01:58 | |
-Wait, wait! -We made a promise to each other, all the women, | 0:01:58 | 0:02:02 | |
if we ever saw one of them... | 0:02:02 | 0:02:04 | |
That was 13 years ago. | 0:02:04 | 0:02:06 | |
Are you absolutely sure? | 0:02:08 | 0:02:09 | |
13 years is a heartbeat, it's her. | 0:02:09 | 0:02:12 | |
-I believe you. -In there, drinking champagne as if nothing happened... | 0:02:12 | 0:02:15 | |
Sarah, wait! Stop, stop! | 0:02:15 | 0:02:17 | |
I need you to listen to me. | 0:02:19 | 0:02:22 | |
We have to be clever about this, you going in there and accusing her, | 0:02:23 | 0:02:26 | |
she'll deny it. | 0:02:26 | 0:02:27 | |
More than likely they'll believe her. | 0:02:27 | 0:02:29 | |
The wife of an American diplomat. | 0:02:29 | 0:02:31 | |
You're worried about what they'll think?! | 0:02:32 | 0:02:34 | |
No. | 0:02:34 | 0:02:36 | |
I only care for you. | 0:02:36 | 0:02:37 | |
And we will work out what to do, | 0:02:39 | 0:02:42 | |
but first things first. | 0:02:42 | 0:02:43 | |
You need to be sure. | 0:02:45 | 0:02:47 | |
Now, can you go in there again? | 0:02:50 | 0:02:52 | |
INDISTINCT CONVERSATION | 0:03:12 | 0:03:13 | |
Perhaps I was wrong. | 0:03:15 | 0:03:18 | |
I don't think it's her. | 0:03:18 | 0:03:19 | |
INDISTINCT CONVERSATION | 0:03:19 | 0:03:21 | |
-You were so certain. -I'm sorry, I know, I... | 0:03:23 | 0:03:26 | |
You're not just saying this? | 0:03:27 | 0:03:29 | |
It's the stress. | 0:03:33 | 0:03:35 | |
All this, Regina, and that woman's voice. | 0:03:35 | 0:03:38 | |
The accent, it threw me, I... Sorry. | 0:03:38 | 0:03:40 | |
What would you like to do? | 0:03:42 | 0:03:43 | |
Leave. | 0:03:47 | 0:03:48 | |
Elizabeth said you had some questions. | 0:04:01 | 0:04:03 | |
How long have I got? | 0:04:05 | 0:04:06 | |
Don't tell me it's in God's hands. I'm in yours, for the time being. | 0:04:08 | 0:04:12 | |
Well, I think attitude's got a lot to do with it. | 0:04:15 | 0:04:18 | |
Give me your best number, | 0:04:20 | 0:04:23 | |
based on the best attitude, | 0:04:23 | 0:04:26 | |
of years. | 0:04:26 | 0:04:27 | |
Months? | 0:04:31 | 0:04:32 | |
Weeks? | 0:04:34 | 0:04:36 | |
Months. | 0:04:36 | 0:04:37 | |
Will I make Christmas? | 0:04:43 | 0:04:44 | |
Darling, I'd like to speak to Jack for a few moments. | 0:04:50 | 0:04:54 | |
Alone. Would you mind? | 0:04:54 | 0:04:55 | |
Course not, I'll organise some tea. | 0:04:57 | 0:04:59 | |
OK, no bull now, Jack. I want you to tell me what happens at the end. | 0:05:09 | 0:05:13 | |
How bad does it get? | 0:05:15 | 0:05:16 | |
We have drugs that'll make you comfortable. | 0:05:20 | 0:05:22 | |
And we'll manage the pain. | 0:05:24 | 0:05:25 | |
Don't make promises you can't keep. | 0:05:27 | 0:05:29 | |
I need your help. | 0:05:32 | 0:05:34 | |
I've seen men die terrible deaths. | 0:05:37 | 0:05:39 | |
I'm not afraid of that. | 0:05:42 | 0:05:44 | |
But poor Lizzie... | 0:05:45 | 0:05:47 | |
I can't put her through it. | 0:05:47 | 0:05:49 | |
If you're asking what I think you're asking, | 0:05:50 | 0:05:52 | |
I can't. I... | 0:05:52 | 0:05:54 | |
-I took an oath. -Oh, I'm not asking you to be my dispatcher! | 0:05:54 | 0:05:59 | |
I just need the wherewithal. | 0:06:01 | 0:06:02 | |
I'm sorry. | 0:06:09 | 0:06:10 | |
Just trust us, hmm? | 0:06:13 | 0:06:14 | |
Douglas knows the truth. | 0:06:23 | 0:06:24 | |
Good. | 0:06:27 | 0:06:28 | |
He asked me to hurry things along. | 0:06:34 | 0:06:36 | |
Somewhere along the line, you must have given one of your patients | 0:06:39 | 0:06:42 | |
a gentle nudge into the beyond. | 0:06:42 | 0:06:44 | |
Course not. | 0:06:44 | 0:06:45 | |
You have? | 0:06:47 | 0:06:48 | |
Doing no harm can also mean alleviating extreme suffering. | 0:06:48 | 0:06:51 | |
So you approve of euthanasia? | 0:06:52 | 0:06:54 | |
-In some cases. -It's a crime. | 0:06:54 | 0:06:56 | |
You've seen people die with lung cancer, Jack. | 0:06:58 | 0:07:00 | |
Douglas will be on high doses of morphine. | 0:07:04 | 0:07:06 | |
His moments of lucidity will be fraught with excruciating pain. | 0:07:08 | 0:07:11 | |
In his final stages, he'll feel like he's drowning, | 0:07:11 | 0:07:13 | |
his organs will start to break down, | 0:07:13 | 0:07:16 | |
his family will watch and wait for his last breath, | 0:07:16 | 0:07:18 | |
wishing that it would happen sooner so that everyone | 0:07:18 | 0:07:20 | |
can be put out of their misery. It's a cruel and unnecessary end. | 0:07:20 | 0:07:24 | |
We all die, Jack. | 0:07:31 | 0:07:32 | |
And when we die and how we die is out of our hands. | 0:07:36 | 0:07:39 | |
You know, | 0:07:39 | 0:07:41 | |
medicine evolves. | 0:07:41 | 0:07:42 | |
HE SCOFFS | 0:07:44 | 0:07:45 | |
Should Douglas die in my care, to reassure you, | 0:07:48 | 0:07:50 | |
I'll be ordering an autopsy. | 0:07:50 | 0:07:51 | |
I spoke out of turn earlier. | 0:07:59 | 0:08:01 | |
Duly noted. | 0:08:06 | 0:08:07 | |
Now, if you'll excuse me, I have work to do. | 0:08:09 | 0:08:10 | |
SHE SOBS | 0:08:43 | 0:08:44 | |
Stop it, oh... | 0:08:44 | 0:08:46 | |
SHE SOBS Stop it! | 0:08:47 | 0:08:48 | |
Stop! | 0:08:51 | 0:08:52 | |
ANIMAL GROWLS | 0:09:03 | 0:09:04 | |
Aargh! WOMAN SPEAKS GERMAN | 0:09:05 | 0:09:07 | |
SHE SPEAKS GERMAN | 0:09:10 | 0:09:11 | |
BOOTS MARCH AND CROWD ROARS | 0:09:12 | 0:09:14 | |
DOG SNARLS | 0:09:14 | 0:09:16 | |
SHE GASPS | 0:09:19 | 0:09:20 | |
Sir Richard! Anna Bligh. | 0:09:41 | 0:09:44 | |
Anna! George yesterday arvo, you this morning, | 0:09:44 | 0:09:48 | |
never can get enough of the Blighs. | 0:09:48 | 0:09:51 | |
Where've you been hiding away, | 0:09:51 | 0:09:52 | |
I haven't seen your pretty face about the past few months? | 0:09:52 | 0:09:56 | |
I've been keeping my head down. | 0:09:56 | 0:09:58 | |
Society's the worse for it. | 0:09:58 | 0:10:00 | |
What can I do for you? | 0:10:00 | 0:10:01 | |
I need some legal advice on getting out of a tight contract, | 0:10:02 | 0:10:05 | |
and I thought you might be able to help. | 0:10:05 | 0:10:07 | |
Well, you rang the right man. | 0:10:07 | 0:10:09 | |
I'll put you on to my secretary, she takes care of my diary. | 0:10:09 | 0:10:12 | |
It is rather urgent. | 0:10:12 | 0:10:13 | |
You are keen, aren't you? | 0:10:14 | 0:10:15 | |
How about we have lunch? | 0:10:18 | 0:10:19 | |
-Today? -Why not? | 0:10:20 | 0:10:22 | |
Give Bunny your address, and I'll pick you up about, er, one. | 0:10:22 | 0:10:26 | |
I'll bring my legal eagle with me, | 0:10:26 | 0:10:27 | |
he's a Houdini with watertight contracts. | 0:10:27 | 0:10:30 | |
That would be lovely, thank you so much. | 0:10:30 | 0:10:33 | |
Well, don't you worry about it now. | 0:10:33 | 0:10:34 | |
I look forward to seeing you. | 0:10:34 | 0:10:36 | |
Get Miss Bligh's details, and cancel all my engagements after lunch. | 0:10:40 | 0:10:45 | |
LAUGHTER | 0:10:53 | 0:10:55 | |
DOG BARKS | 0:11:06 | 0:11:07 | |
GUNSHOT ECHOES | 0:11:08 | 0:11:09 | |
-It's not too cold out there for him? -No, he's rugged up. | 0:11:11 | 0:11:14 | |
He's so happy playing with Douglas' plane, | 0:11:14 | 0:11:16 | |
he wouldn't notice the ice age. | 0:11:16 | 0:11:17 | |
HORN BEEPS | 0:11:17 | 0:11:19 | |
My driver. You have the car, | 0:11:19 | 0:11:22 | |
why don't the three of you go for a bit of a pootle, | 0:11:22 | 0:11:24 | |
see what there is to see? | 0:11:24 | 0:11:25 | |
Sorry, what was that? | 0:11:26 | 0:11:28 | |
I was just suggesting you get out of the house, | 0:11:28 | 0:11:31 | |
pack yourself a picnic lunch and enjoy the sights. | 0:11:31 | 0:11:34 | |
Yes, that's a good idea. | 0:11:34 | 0:11:35 | |
Are you dwelling on last night still? | 0:11:37 | 0:11:39 | |
-No, of course not. -It was a case of mistaken identity. | 0:11:39 | 0:11:42 | |
I'm relieved, for your sake. | 0:11:43 | 0:11:45 | |
George... | 0:11:51 | 0:11:53 | |
David wants to go down to those swings. | 0:12:12 | 0:12:14 | |
Oh, good. Why don't you take him? | 0:12:14 | 0:12:17 | |
Come here, darling. | 0:12:17 | 0:12:18 | |
You know how much Mummy loves you. | 0:12:23 | 0:12:24 | |
-All right, off you go. -Come on. | 0:12:27 | 0:12:29 | |
-I'll race you! -DAVID: -You can't catch me! | 0:12:32 | 0:12:35 | |
Hilda Schmidt, Rosa Karvan, Rosa Abravenel... | 0:12:41 | 0:12:45 | |
Olive Scheinman, Esther Van Els, Vera Leduc, Veronica... | 0:12:46 | 0:12:50 | |
..Blumfield. | 0:12:53 | 0:12:55 | |
Colette Charron. | 0:12:57 | 0:12:59 | |
Carmel Dubsky. | 0:13:01 | 0:13:03 | |
Helena Martin, Elise Beauchere... | 0:13:03 | 0:13:05 | |
Lotte... | 0:13:08 | 0:13:09 | |
Lotte. | 0:13:13 | 0:13:15 | |
CAR DOOR SLAMS | 0:13:21 | 0:13:22 | |
Right, you. Out! | 0:13:27 | 0:13:28 | |
You can't just kidnap me, it's against the law! | 0:13:31 | 0:13:33 | |
So's burning down a man's house, | 0:13:33 | 0:13:34 | |
particularly when that man fought for this country! | 0:13:34 | 0:13:38 | |
Yeah, well, you've got no proof. | 0:13:38 | 0:13:39 | |
You were seen driving out of town with Stan O'Rourke. | 0:13:39 | 0:13:42 | |
-So what? -You don't think the cops'll work out where you went? | 0:13:43 | 0:13:46 | |
I'd be taking you down there right now | 0:13:46 | 0:13:48 | |
if I didn't think there was a good kid in there somewhere. | 0:13:48 | 0:13:50 | |
-What are you going to do, then? -Get in. | 0:13:51 | 0:13:53 | |
-G'day. -G'day. | 0:14:21 | 0:14:23 | |
This lot ought to get you started. | 0:14:24 | 0:14:25 | |
What's this? | 0:14:27 | 0:14:29 | |
A place burns down, people chip in. | 0:14:29 | 0:14:30 | |
There's a lot more where this comes from. | 0:14:31 | 0:14:33 | |
I was just going to send Tommo a letter and let him know | 0:14:33 | 0:14:37 | |
and just head off. | 0:14:37 | 0:14:39 | |
It's up to you. | 0:14:39 | 0:14:40 | |
Who's the young fella? | 0:14:41 | 0:14:43 | |
Out you get. | 0:14:43 | 0:14:44 | |
Cat got your tongue? | 0:14:52 | 0:14:53 | |
Er... | 0:14:56 | 0:14:58 | |
You're getting a new place. | 0:14:58 | 0:14:59 | |
We're going to help build it for you. | 0:15:05 | 0:15:07 | |
-I reckon you should stay. -Do you? | 0:15:10 | 0:15:13 | |
You're that young fella | 0:15:15 | 0:15:17 | |
that was at the petrol station with Stan O'Rourke. | 0:15:17 | 0:15:20 | |
Well, Stan can be pretty persuasive. | 0:15:20 | 0:15:22 | |
This lot's not going to lift itself. | 0:15:24 | 0:15:27 | |
-Have you done this a lot? -What, build houses? | 0:15:28 | 0:15:31 | |
No, burn them down. | 0:15:32 | 0:15:34 | |
A lot of young blokes go to jail for a lot less. | 0:15:35 | 0:15:38 | |
100 over 70, sir. | 0:15:51 | 0:15:53 | |
Is that good? | 0:15:54 | 0:15:56 | |
It's perfect. As is your heart. | 0:15:56 | 0:15:59 | |
WHEEZING | 0:15:59 | 0:16:01 | |
I have a favour to ask, Henry. | 0:16:03 | 0:16:05 | |
You know what I'm going to say? | 0:16:08 | 0:16:10 | |
I think I do, yes. | 0:16:11 | 0:16:13 | |
I'm worried about Lizzie. | 0:16:14 | 0:16:16 | |
I mean, it's not as if I'm going to recover, is it? | 0:16:18 | 0:16:22 | |
I just want to go out the best way I can. | 0:16:23 | 0:16:26 | |
You're not afraid of dying? | 0:16:28 | 0:16:30 | |
I think I would be. | 0:16:31 | 0:16:33 | |
Don't think so. | 0:16:33 | 0:16:35 | |
Mind you, I've never died before. | 0:16:35 | 0:16:37 | |
It's the getting to the end bit that's the problem. | 0:16:40 | 0:16:43 | |
WHEEZING | 0:16:43 | 0:16:45 | |
You know we will do our best to make you comfortable. | 0:16:46 | 0:16:50 | |
You know there will come a time when I won't be able to tell you, anyone, | 0:16:50 | 0:16:54 | |
how I'm feeling. | 0:16:54 | 0:16:56 | |
I want to go before it gets to that. | 0:16:58 | 0:17:00 | |
Just to know I've got something I could take. | 0:17:02 | 0:17:05 | |
You just have to... | 0:17:07 | 0:17:09 | |
..point me to the medicine cabinet. | 0:17:09 | 0:17:12 | |
For what it's worth, Douglas, I agree with you 100%. | 0:17:16 | 0:17:20 | |
If I could help you... | 0:17:20 | 0:17:22 | |
..I would. | 0:17:23 | 0:17:25 | |
But you can't? | 0:17:26 | 0:17:28 | |
One can't ask a person... | 0:17:29 | 0:17:31 | |
..doctor or not, | 0:17:32 | 0:17:34 | |
intentionally to kill another person. | 0:17:34 | 0:17:37 | |
But unintentionally? | 0:17:39 | 0:17:41 | |
-HE LAUGHS -Just kidding. | 0:17:43 | 0:17:45 | |
We will do our best for you, Douglas. | 0:17:49 | 0:17:51 | |
TELEPHONE RINGS | 0:17:56 | 0:17:58 | |
-DIAL TONE -Oh, damn. | 0:18:01 | 0:18:04 | |
TELEPHONE RINGS | 0:18:07 | 0:18:09 | |
I thought we said 11 o'clock every day. | 0:18:11 | 0:18:15 | |
I'm sorry. It took longer than I expected to walk here. | 0:18:15 | 0:18:18 | |
Get the ruddy phone on. | 0:18:18 | 0:18:20 | |
I'm on a very long list. I'll be prompt tomorrow. | 0:18:21 | 0:18:24 | |
I hope the Jew didn't cause any trouble in Canberra. | 0:18:27 | 0:18:29 | |
Well, she hoodwinked Pattie. | 0:18:29 | 0:18:32 | |
The PM wasn't too chirpy. | 0:18:32 | 0:18:34 | |
I gave George an earful. | 0:18:34 | 0:18:36 | |
Now, tell me... | 0:18:37 | 0:18:39 | |
..what's the good oil on Anna from your end? | 0:18:39 | 0:18:42 | |
Anna? | 0:18:42 | 0:18:44 | |
I haven't heard anything except she spent time here | 0:18:45 | 0:18:48 | |
writing another book. Why? | 0:18:48 | 0:18:50 | |
So that's it. | 0:18:50 | 0:18:51 | |
Out of the blue, she rings me and asks me out to lunch. | 0:18:51 | 0:18:55 | |
Oh. When? | 0:18:55 | 0:18:58 | |
Today. | 0:18:58 | 0:18:59 | |
I hear around the traps I'm just the age she likes her men. | 0:18:59 | 0:19:03 | |
-You still there? -You're not her type, Dickie. | 0:19:04 | 0:19:07 | |
Once, maybe. | 0:19:07 | 0:19:09 | |
She's turned into a slut, just like her mother. | 0:19:09 | 0:19:12 | |
This could cause all sorts of complications. | 0:19:12 | 0:19:15 | |
Only if I don't play my cards right. | 0:19:15 | 0:19:17 | |
-I just mean... -Oh, what do you care? | 0:19:17 | 0:19:20 | |
After the way she treated you? | 0:19:20 | 0:19:23 | |
I'll let you know how I go. | 0:19:23 | 0:19:25 | |
DIAL TONE | 0:19:26 | 0:19:28 | |
BELL RINGS | 0:20:17 | 0:20:19 | |
Slow down, girls, you'll hurt yourselves. | 0:20:47 | 0:20:50 | |
Can we go to the park now, Miss Pearce? | 0:20:51 | 0:20:53 | |
I want to see a movie, too! Can we? | 0:20:53 | 0:20:55 | |
Come, girls, you must be good for Miss Pearce. | 0:20:55 | 0:20:58 | |
We've got lots of lovely things to do first. Perhaps another one of those milkshakes. | 0:20:58 | 0:21:02 | |
First, a kiss for Mummy. | 0:21:02 | 0:21:04 | |
Behave yourselves. | 0:21:05 | 0:21:07 | |
Come. | 0:21:07 | 0:21:09 | |
Can I help you? | 0:21:39 | 0:21:41 | |
You're very good. | 0:21:43 | 0:21:45 | |
I'm sorry? | 0:21:45 | 0:21:47 | |
You remember me, don't you? | 0:21:47 | 0:21:49 | |
No. | 0:21:49 | 0:21:51 | |
Please, you're frightening me. | 0:21:51 | 0:21:53 | |
Ah! | 0:21:53 | 0:21:55 | |
Oder ich bringe dich um. | 0:21:55 | 0:21:57 | |
Read it. | 0:22:07 | 0:22:09 | |
Now! | 0:22:10 | 0:22:11 | |
Out loud so I can hear. | 0:22:13 | 0:22:15 | |
"Hilda Schmidt, Rosa Karvan, | 0:22:19 | 0:22:22 | |
"Rosa Abravenel, Olive Scheinman, | 0:22:22 | 0:22:26 | |
"Colette Charron, Elise Beauchere, Helena Martin..." Please... | 0:22:26 | 0:22:30 | |
Esther van Els, Vera Leduc, Veronica Blumfield, Carmel Dubsky. | 0:22:30 | 0:22:34 | |
What have I done to you? You are insane! | 0:22:34 | 0:22:36 | |
Your name is Frieda Neudeck. | 0:22:36 | 0:22:38 | |
You were a guard at Ravensbruck concentration camp | 0:22:39 | 0:22:42 | |
from 1944 to 1945. | 0:22:42 | 0:22:45 | |
These are the names of some of the women you killed. | 0:22:46 | 0:22:49 | |
I am Gerda Davies. | 0:22:49 | 0:22:51 | |
-What do you know...? -You were there. You and your dog Greif. | 0:22:51 | 0:22:55 | |
No, no, you are wrong. | 0:22:55 | 0:22:57 | |
I had this once before, you poor thing... | 0:22:57 | 0:22:59 | |
Do you remember little Rosa Karvan? Greif ripped her throat out. | 0:22:59 | 0:23:03 | |
-There is some confusion... -You kept our scraps of food | 0:23:03 | 0:23:06 | |
-and you fed them to your dog. -I had nothing to do with the Nazis! | 0:23:06 | 0:23:10 | |
You are Frieda Neudeck. | 0:23:10 | 0:23:12 | |
And you know who I am. | 0:23:14 | 0:23:16 | |
I'm going to tell you something. You must stay calm. | 0:23:21 | 0:23:25 | |
I know the camp. | 0:23:27 | 0:23:29 | |
My family has lived with this since the war. | 0:23:31 | 0:23:34 | |
My sister was a guard at Ravensbruck. | 0:23:36 | 0:23:39 | |
She is the one that you remember. | 0:23:40 | 0:23:43 | |
Yes, Frieda, my older sister. | 0:23:44 | 0:23:46 | |
I've never even told my husband this. | 0:23:46 | 0:23:49 | |
He only knew that she found a job near Berlin | 0:23:49 | 0:23:53 | |
and she was killed when the Russians came. | 0:23:53 | 0:23:56 | |
Your story is terrible but I promise you, I am not her. | 0:23:57 | 0:24:02 | |
My sister is dead. Her body was sent back to us. | 0:24:03 | 0:24:06 | |
SHE CRIES | 0:24:07 | 0:24:09 | |
Oh, no. | 0:24:22 | 0:24:24 | |
-You have to eat something. -I'm too busy. | 0:24:24 | 0:24:27 | |
I'm making sure we can set this up as a proper hospital room | 0:24:27 | 0:24:30 | |
and we can. | 0:24:30 | 0:24:32 | |
Now something more cheerful. | 0:24:33 | 0:24:36 | |
We're going to have a party. | 0:24:37 | 0:24:39 | |
-Are we? -On the 15th of next month. | 0:24:39 | 0:24:42 | |
Thank you. It's always a big day at the refuge, VP Day. | 0:24:42 | 0:24:45 | |
Victory in the Pacific. | 0:24:45 | 0:24:47 | |
Douglas won't be well enough to go to them, so... | 0:24:47 | 0:24:50 | |
..I'll invite them here. | 0:24:50 | 0:24:52 | |
Last year, they dressed up in silly grass skirts. | 0:24:53 | 0:24:56 | |
What do you think? | 0:24:57 | 0:24:59 | |
It's a brilliant idea. | 0:25:00 | 0:25:02 | |
We'll do it together. KNOCK ON DOOR | 0:25:02 | 0:25:04 | |
-Someone to see you, Mrs Duncan. -Who is it? | 0:25:06 | 0:25:08 | |
She's at the front door. She won't come in. | 0:25:08 | 0:25:11 | |
She looks so different. | 0:25:12 | 0:25:14 | |
Leave it to me. | 0:25:15 | 0:25:16 | |
-What the hell are you doing here? -I have something important... | 0:25:27 | 0:25:31 | |
You can't possibly have anything useful to say to any of us, | 0:25:31 | 0:25:34 | |
-so please go. -I'm trying to help. | 0:25:34 | 0:25:36 | |
-If you don't leave this instant, I'll have you physically removed! -Mother. | 0:25:36 | 0:25:40 | |
I've been waiting for the right moment to see you. | 0:25:40 | 0:25:43 | |
-Go! -This isn't how I wanted it. -It's how it is! | 0:25:43 | 0:25:46 | |
-I'm trying to help. I'm worried... -Now! Get out of here! | 0:25:46 | 0:25:49 | |
Mother, come inside. | 0:25:49 | 0:25:50 | |
Never come here again! | 0:25:50 | 0:25:53 | |
I'm worried for Anna. Please, I... | 0:25:53 | 0:25:55 | |
TELEPHONE RINGS | 0:26:13 | 0:26:15 | |
Anna Bligh speaking. | 0:26:21 | 0:26:22 | |
Anna, it's Regina. | 0:26:23 | 0:26:25 | |
-Why are you calling me? -You're seeing Sir Richard today. | 0:26:25 | 0:26:29 | |
I don't know what you're talking about. | 0:26:30 | 0:26:32 | |
Anna, I know you're seeing him for lunch. You have to be careful. | 0:26:32 | 0:26:35 | |
KNOCK ON DOOR I have to go. | 0:26:35 | 0:26:38 | |
-Don't go. Please, listen. -I'm hanging up now. | 0:26:38 | 0:26:40 | |
Sir Richard means you harm. Keep pepper to hand. | 0:26:40 | 0:26:43 | |
DIAL TONE | 0:26:44 | 0:26:46 | |
Coming. | 0:26:49 | 0:26:51 | |
Anna! Looking ravishing as ever. | 0:26:52 | 0:26:55 | |
Oh, Sir Richard. Weren't you bringing your solicitor? | 0:26:55 | 0:26:58 | |
Oh, he's making his own way. | 0:26:58 | 0:27:00 | |
-Aren't you going to invite me in? -Oh, yes, of course. | 0:27:00 | 0:27:03 | |
We Germans are so ashamed. | 0:27:22 | 0:27:24 | |
But me, my family... | 0:27:27 | 0:27:29 | |
..it's even worse. | 0:27:29 | 0:27:31 | |
We didn't know. | 0:27:31 | 0:27:33 | |
We didn't know! | 0:27:33 | 0:27:35 | |
Please believe me. There has been too much death, too much hatred. | 0:27:37 | 0:27:40 | |
You ran. | 0:27:42 | 0:27:44 | |
You escaped before the Russians came. | 0:27:45 | 0:27:47 | |
-Why do you Jews never believe us? -Why do you think I'm a Jew? | 0:27:47 | 0:27:51 | |
We were everything there, not just Jews. | 0:27:52 | 0:27:55 | |
GLASS SMASHES | 0:27:55 | 0:27:56 | |
In here! In here! | 0:27:56 | 0:27:58 | |
Ah! | 0:27:59 | 0:28:00 | |
Du dumme Judensau. | 0:28:04 | 0:28:06 | |
See what happens when you do not let go of the past? | 0:28:06 | 0:28:11 | |
Oh, what trouble you will be in. | 0:28:14 | 0:28:16 | |
Mind you... | 0:28:19 | 0:28:20 | |
..I have been expecting one of you. | 0:28:21 | 0:28:24 | |
One we didn't finish off, | 0:28:25 | 0:28:28 | |
and now it's you. | 0:28:28 | 0:28:29 | |
My favourite. | 0:28:31 | 0:28:33 | |
I kept some sugar for you, Sarah. | 0:28:36 | 0:28:38 | |
What do you say? | 0:28:40 | 0:28:42 | |
Danke. | 0:28:44 | 0:28:45 | |
I saved your life, you know? | 0:28:46 | 0:28:49 | |
That last July, the Reichsfuhrer was making a visit. | 0:28:50 | 0:28:53 | |
No Jews still alive - that was the order. | 0:28:53 | 0:28:57 | |
You owe me. | 0:28:58 | 0:28:59 | |
Me. | 0:28:59 | 0:29:01 | |
For not sending you to the gassing vans that day. | 0:29:01 | 0:29:04 | |
-Why didn't you? -"Why didn't you, Frau Neudeck?" | 0:29:05 | 0:29:08 | |
Why? | 0:29:09 | 0:29:11 | |
You weren't a real Jew. | 0:29:13 | 0:29:15 | |
SHE LAUGHS | 0:29:15 | 0:29:17 | |
You were an Aryan, shaming your race. | 0:29:17 | 0:29:20 | |
But still an Aryan. | 0:29:21 | 0:29:23 | |
Lass es, du Judensau. | 0:29:25 | 0:29:27 | |
You haven't the guts, Jew. | 0:29:33 | 0:29:35 | |
Judensau. | 0:29:38 | 0:29:40 | |
Coward. | 0:29:41 | 0:29:42 | |
How wrong you are! | 0:29:45 | 0:29:47 | |
I was a Jew then | 0:29:49 | 0:29:51 | |
and I'm a Jew now. | 0:29:51 | 0:29:54 | |
-Here we are. -Ta. | 0:30:28 | 0:30:30 | |
-You not having anything? -I'll wait until lunch. | 0:30:31 | 0:30:33 | |
Cheers. | 0:30:33 | 0:30:35 | |
So let me get this straight... | 0:30:38 | 0:30:40 | |
..you want to get out of the publishing contract | 0:30:40 | 0:30:43 | |
because you, the author, want to cut sections from the book, | 0:30:43 | 0:30:46 | |
but your publisher refuses to countenance it. | 0:30:46 | 0:30:49 | |
I know it sounds crazy. | 0:30:49 | 0:30:51 | |
If my journalists had that attitude, I'd have an easier job, | 0:30:51 | 0:30:54 | |
but a duller one. | 0:30:54 | 0:30:56 | |
SHE LAUGHS | 0:30:56 | 0:30:58 | |
Yes. | 0:30:58 | 0:30:59 | |
Can I ask why? | 0:31:00 | 0:31:02 | |
I was far too risque in parts | 0:31:02 | 0:31:04 | |
and I don't want to embarrass my family like that, | 0:31:04 | 0:31:07 | |
especially now Douglas is ill. | 0:31:07 | 0:31:09 | |
What on earth have you written, Peyton Place? | 0:31:09 | 0:31:11 | |
No, and I don't want it to be! | 0:31:11 | 0:31:13 | |
I think the book's actually helped by the cuts I've made. | 0:31:13 | 0:31:17 | |
Your solicitor is rather late and I'm famished. | 0:31:18 | 0:31:20 | |
-Might he meet us there? -I'll give him five and I'll ring him. | 0:31:20 | 0:31:24 | |
Of course. | 0:31:25 | 0:31:26 | |
And this morning's... | 0:32:13 | 0:32:16 | |
..crossword. | 0:32:16 | 0:32:17 | |
Here... | 0:32:21 | 0:32:22 | |
..come sit with me. | 0:32:22 | 0:32:24 | |
You only say that when you're going to tell me something I won't like. | 0:32:25 | 0:32:29 | |
Oh, dear, you are. | 0:32:32 | 0:32:34 | |
It's you. | 0:32:41 | 0:32:43 | |
You I'm worried about, my darling. | 0:32:44 | 0:32:46 | |
My darling... | 0:32:47 | 0:32:48 | |
-Don't say that. -But I am. | 0:32:50 | 0:32:52 | |
I won't have her drive you to the grave before me. | 0:32:54 | 0:32:57 | |
Oh, Douglas... | 0:32:58 | 0:33:00 | |
Oh, darling... | 0:33:01 | 0:33:03 | |
..please don't think I'm weak. | 0:33:03 | 0:33:05 | |
You're not. | 0:33:07 | 0:33:08 | |
And neither am I. | 0:33:09 | 0:33:11 | |
There's no easy way to say this. | 0:33:15 | 0:33:17 | |
I want to go at a time of my own choosing. | 0:33:19 | 0:33:22 | |
Absolutely not! | 0:33:23 | 0:33:25 | |
-No. -Please. -No! -Hear me out. | 0:33:25 | 0:33:28 | |
I wouldn't dream of getting you to do anything, you know that. | 0:33:29 | 0:33:33 | |
It's just... | 0:33:33 | 0:33:35 | |
..at the moment, I've got my marbles. | 0:33:36 | 0:33:38 | |
We can have a laugh. | 0:33:39 | 0:33:41 | |
But that won't last. | 0:33:41 | 0:33:43 | |
Jack and Henry can promise what they like, | 0:33:44 | 0:33:47 | |
but the end won't be good. | 0:33:47 | 0:33:49 | |
And getting there will be even worse. | 0:33:50 | 0:33:52 | |
I'd like to go before then. | 0:33:54 | 0:33:57 | |
On one of our sweet, perfect days... | 0:33:58 | 0:34:01 | |
..I will farewell you just as if I were... | 0:34:03 | 0:34:06 | |
..going off to the Land of Nod. | 0:34:06 | 0:34:08 | |
And you will... | 0:34:10 | 0:34:11 | |
..wave me goodbye. | 0:34:12 | 0:34:14 | |
But I don't want you to go. | 0:34:16 | 0:34:18 | |
No, nor do I. | 0:34:18 | 0:34:20 | |
But the good Lord has other plans. | 0:34:21 | 0:34:24 | |
Agh! | 0:34:25 | 0:34:27 | |
-Oh! -What's the matter? What is it? | 0:34:27 | 0:34:30 | |
Call the nurse, Lizzie. | 0:34:31 | 0:34:32 | |
I've...I've had an accident. | 0:34:33 | 0:34:36 | |
Oh, darling, I'm here. I can fix it. | 0:34:36 | 0:34:38 | |
No, no, get the nurse. | 0:34:38 | 0:34:40 | |
Lizzie, I don't want you to see me like this. Please. | 0:34:40 | 0:34:43 | |
Please. | 0:34:44 | 0:34:46 | |
God! | 0:34:51 | 0:34:53 | |
"With one hand, he held her against the laundry tub, | 0:34:55 | 0:34:58 | |
"and the other bolted the wooden door. | 0:34:58 | 0:35:01 | |
"He shoved her hard, | 0:35:01 | 0:35:02 | |
"bundling her skirt up her back as he tore her slip from her." | 0:35:02 | 0:35:07 | |
I think that's enough. | 0:35:07 | 0:35:08 | |
Very nice. | 0:35:08 | 0:35:10 | |
Why? You wrote it. | 0:35:13 | 0:35:14 | |
I know, but hearing it read aloud like that, I... | 0:35:14 | 0:35:17 | |
..I know I'm right. | 0:35:17 | 0:35:19 | |
Look what it's done to me! | 0:35:19 | 0:35:21 | |
Argh! Jesus Christ! | 0:35:28 | 0:35:30 | |
Agh! | 0:35:30 | 0:35:32 | |
Here to give us a hand, are you? | 0:35:48 | 0:35:51 | |
No, I'm not. | 0:35:51 | 0:35:52 | |
Sure you don't want to chip in? | 0:35:52 | 0:35:54 | |
We could do with a roofer. | 0:35:54 | 0:35:57 | |
Not for a boong. Thanks all the same. | 0:35:57 | 0:35:59 | |
-Come on, mate. -It's just a word. | 0:36:00 | 0:36:03 | |
-What are you doing here, Buddy Holly? -He's helping. | 0:36:06 | 0:36:09 | |
Each to his own. | 0:36:10 | 0:36:12 | |
You know, right now, I'm keeping you out of jail. | 0:36:13 | 0:36:15 | |
She's clumsy. | 0:36:17 | 0:36:19 | |
-Why do you want to stop going on about it? -Not for wife-bashing. | 0:36:19 | 0:36:23 | |
Burning down your neighbour's house. | 0:36:24 | 0:36:26 | |
We made a mistake. | 0:36:26 | 0:36:28 | |
I've got no idea what you're talking about. | 0:36:28 | 0:36:31 | |
Look, if the cops ask, I'm going to tell them we did it. | 0:36:33 | 0:36:35 | |
Front-page news, sunshine. | 0:36:35 | 0:36:37 | |
Cops don't worry about black fellas. | 0:36:37 | 0:36:40 | |
He saw your tyre tracks. | 0:36:42 | 0:36:44 | |
Proves nothing. | 0:36:45 | 0:36:47 | |
And your footprints. | 0:36:47 | 0:36:48 | |
-Who asked you? -Two of them. | 0:36:50 | 0:36:53 | |
One your size, the other one smaller, | 0:36:53 | 0:36:56 | |
right near where the fire started. | 0:36:56 | 0:36:58 | |
-Could be anybody's. -Well, we made plaster casts, | 0:37:00 | 0:37:03 | |
so we'll get the cops to check them against your boots, and that'll clear that up. | 0:37:03 | 0:37:07 | |
If I see so much as a scratch on Sheila again, | 0:37:12 | 0:37:15 | |
you'll see that charge of arson. | 0:37:15 | 0:37:17 | |
Understood? | 0:37:18 | 0:37:20 | |
And if I hear your missus screaming, | 0:37:20 | 0:37:22 | |
I'm going to run across this paddock and I'm going to jump the fence. | 0:37:22 | 0:37:25 | |
What are you doing out here? | 0:37:43 | 0:37:45 | |
-Aren't you cold? -No. | 0:37:46 | 0:37:49 | |
Where's David? | 0:37:50 | 0:37:51 | |
He's in his room with Leah. | 0:37:53 | 0:37:56 | |
What's happened? | 0:37:57 | 0:37:58 | |
There's something I need to tell you. | 0:38:04 | 0:38:06 | |
Say it. | 0:38:13 | 0:38:14 | |
I took the lives of these women and many, many more. | 0:38:14 | 0:38:18 | |
Say the words. | 0:38:20 | 0:38:21 | |
We were all... | 0:38:22 | 0:38:24 | |
..following orders. | 0:38:24 | 0:38:26 | |
I think of them every night in my prayers. | 0:38:26 | 0:38:29 | |
So when you gave birth to your two pretty girls... | 0:38:31 | 0:38:34 | |
Don't bring them into this, please! | 0:38:34 | 0:38:36 | |
..did you remember drowning newborn babies in buckets? | 0:38:36 | 0:38:39 | |
Those babies would never have lived. This is the past. | 0:38:39 | 0:38:43 | |
-Your girls will know who you are. -No. -Your husband... -Please, no. | 0:38:43 | 0:38:46 | |
-..will divorce you and take them with him... -We can work this out! | 0:38:46 | 0:38:49 | |
..and one day they will know the truth. | 0:38:49 | 0:38:51 | |
I admit, I admit! Yes, whatever you say, yes, I did it. | 0:38:52 | 0:38:56 | |
I took the lives of these women and many, many more. | 0:38:56 | 0:38:59 | |
I took away the lives of these women and many more, | 0:38:59 | 0:39:01 | |
but they don't need to know any of it! | 0:39:01 | 0:39:04 | |
It's already underway, I'm afraid. | 0:39:04 | 0:39:07 | |
Did you know that there are small bands of Jews travelling the Earth? | 0:39:11 | 0:39:15 | |
They call themselves Nokmim. | 0:39:17 | 0:39:19 | |
The Nokmim. Do you know what it means? | 0:39:20 | 0:39:23 | |
-No. -The avengers. | 0:39:23 | 0:39:25 | |
Hunting down Nazi murderers in their smug little lives. | 0:39:27 | 0:39:32 | |
I'm not sure when they'll come for you... | 0:39:36 | 0:39:38 | |
..but they will. | 0:39:41 | 0:39:43 | |
-No! -And that is my gift... | 0:39:49 | 0:39:51 | |
..to you. | 0:39:52 | 0:39:54 | |
There was a woman whose... | 0:40:09 | 0:40:11 | |
..whose last name I can't remember. | 0:40:11 | 0:40:13 | |
Lotte. | 0:40:17 | 0:40:18 | |
She was in the hospital. | 0:40:20 | 0:40:22 | |
She was part of the experiments. | 0:40:24 | 0:40:26 | |
They'd insert glass and... | 0:40:28 | 0:40:30 | |
..wood into her to see what would happen. | 0:40:31 | 0:40:34 | |
Frieda forced her to roll call. | 0:40:37 | 0:40:39 | |
She was in terrible pain. | 0:40:41 | 0:40:43 | |
I saw Lotte look at the electric fence. | 0:40:45 | 0:40:48 | |
Women used to throw themselves at it... | 0:40:51 | 0:40:53 | |
..when they couldn't bear it any more. | 0:40:54 | 0:40:57 | |
But on this particular day, | 0:40:58 | 0:41:00 | |
we had heard strong rumours that we would be liberated, | 0:41:00 | 0:41:03 | |
so everyone was holding on. | 0:41:03 | 0:41:05 | |
I saw... | 0:41:07 | 0:41:09 | |
..Lotte one minute just walking around in circles. | 0:41:10 | 0:41:13 | |
The next, she ran. | 0:41:17 | 0:41:19 | |
Frieda shot her before she even made it. | 0:41:26 | 0:41:28 | |
My poor darling. | 0:41:40 | 0:41:43 | |
Frieda Neudeck will be brought to trial... | 0:41:43 | 0:41:45 | |
..if an assassin doesn't find her first. | 0:41:51 | 0:41:53 | |
Darling! | 0:42:30 | 0:42:32 | |
You've only just gone. I didn't expect you back for days. | 0:42:32 | 0:42:35 | |
I know. I just suddenly needed to be here. | 0:42:35 | 0:42:38 | |
I'm glad you are. What's happened? | 0:42:39 | 0:42:42 | |
What is it? | 0:42:42 | 0:42:43 | |
-You have enough to worry about. -Anna! Tell me. | 0:42:44 | 0:42:47 | |
-Can I ask you something, Mr Bridge? -Depends on what it is. | 0:42:49 | 0:42:53 | |
Did you, erm...? Did you really make them plaster casts? | 0:42:54 | 0:42:57 | |
No! | 0:42:57 | 0:42:58 | |
Quick on your feet for an old duffer. | 0:42:58 | 0:43:01 | |
You'll be one yourself one day. | 0:43:01 | 0:43:03 | |
And I didn't see any footprints either! | 0:43:05 | 0:43:07 | |
-LAUGHTER -But you keep that under your hat. | 0:43:07 | 0:43:10 | |
Oh, you put the wind up him, all right. | 0:43:10 | 0:43:13 | |
Hey, how come you never put the cops on me? | 0:43:16 | 0:43:19 | |
If you'd asked them, they would have. | 0:43:19 | 0:43:21 | |
Well, Tommo, the bloke that owns this place, he gave me a break. | 0:43:21 | 0:43:25 | |
I'm passing it on. | 0:43:25 | 0:43:27 | |
All right, every weekend until we're done, then. | 0:43:31 | 0:43:34 | |
Sounds about right. | 0:43:34 | 0:43:36 | |
-Did he hurt you? -No! | 0:43:41 | 0:43:43 | |
No, he, erm... I gave him a face full of pepper, and... | 0:43:43 | 0:43:47 | |
I... | 0:43:47 | 0:43:49 | |
He fell to the bottom of the stairs. | 0:43:49 | 0:43:51 | |
-But did he...? -No. | 0:43:51 | 0:43:53 | |
Anna, please, please tell me the truth. | 0:43:53 | 0:43:57 | |
He tried, but I fought him off. | 0:43:58 | 0:44:00 | |
Thank God! | 0:44:02 | 0:44:04 | |
Oh, that...! | 0:44:05 | 0:44:07 | |
Mama... | 0:44:09 | 0:44:11 | |
He said that he... | 0:44:12 | 0:44:14 | |
You, he said... | 0:44:15 | 0:44:17 | |
Did he? | 0:44:18 | 0:44:20 | |
Yes. | 0:44:24 | 0:44:26 | |
I still wish he was at the bottom of those stairs with a broken neck. | 0:44:33 | 0:44:36 | |
So do I. | 0:44:36 | 0:44:38 | |
Regina telephoned to warn me. | 0:44:40 | 0:44:43 | |
I owe her. | 0:44:44 | 0:44:45 | |
She came here earlier today wanting to talk. | 0:44:47 | 0:44:49 | |
We sent her away. | 0:44:49 | 0:44:51 | |
Regina... | 0:45:20 | 0:45:21 | |
..I wanted to thank you for warning me. | 0:45:21 | 0:45:24 | |
-I didn't think you'd heard. -I almost didn't. | 0:45:25 | 0:45:28 | |
-Are you all right? -I did as you suggested. | 0:45:30 | 0:45:33 | |
It worked. | 0:45:33 | 0:45:35 | |
Thank God! | 0:45:36 | 0:45:37 | |
I keep trying to tell George, Sir Richard is out to ruin the family, | 0:45:41 | 0:45:45 | |
to wreak havoc on all of you, | 0:45:45 | 0:45:47 | |
particularly through your finances somehow. | 0:45:47 | 0:45:50 | |
Go through your accounts with a fine-tooth comb - | 0:45:50 | 0:45:53 | |
investments, loans, everything. | 0:45:53 | 0:45:55 | |
How do you know? | 0:45:55 | 0:45:57 | |
He has hinted at it in his bragging. | 0:45:57 | 0:46:00 | |
That's why I'm keeping close to him, to try to get details. | 0:46:00 | 0:46:03 | |
The woman you're suspicious of... | 0:46:07 | 0:46:10 | |
..she no longer exists. | 0:46:11 | 0:46:13 | |
After all that has happened... | 0:46:16 | 0:46:18 | |
I want to believe you. | 0:46:18 | 0:46:20 | |
I am different now. | 0:46:20 | 0:46:22 | |
I am. | 0:46:23 | 0:46:24 | |
There are three accounts on one statement. | 0:47:27 | 0:47:30 | |
Do you know whose money you've actually borrowed? | 0:47:30 | 0:47:33 | |
They're private lenders who lend via the solicitor's mortgage fund. | 0:47:33 | 0:47:36 | |
Frederick Stern is completely reputable. | 0:47:36 | 0:47:39 | |
They wouldn't put us in any danger. | 0:47:39 | 0:47:41 | |
Yes, but do they know? We should find out. | 0:47:41 | 0:47:43 | |
That might not be so easy. | 0:47:43 | 0:47:46 | |
Well, it can't hurt to do some searching. | 0:47:46 | 0:47:49 | |
So, you're saying there's cause to trust Regina? | 0:47:49 | 0:47:53 | |
And not trust him? | 0:47:53 | 0:47:55 | |
Yes. | 0:47:56 | 0:47:57 | |
Then dig. | 0:47:58 | 0:48:00 | |
Deep. | 0:48:00 | 0:48:01 | |
Let's make sure we're safe. | 0:48:01 | 0:48:04 | |
-ELIZABETH: -"Surely, goodness and mercy shall follow me | 0:48:25 | 0:48:27 | |
"all the days of my life | 0:48:27 | 0:48:29 | |
"and I will dwell in the house of the Lord forever." | 0:48:29 | 0:48:32 | |
Judgment is yours, I know. | 0:48:41 | 0:48:43 | |
But, dear Lord, how can you judge a man as decent as Douglas? | 0:48:45 | 0:48:50 | |
As loving. | 0:48:52 | 0:48:53 | |
As good. | 0:48:55 | 0:48:57 | |
Do not reject him if this is his choice. | 0:49:00 | 0:49:02 | |
I wanted to kill her. | 0:49:08 | 0:49:10 | |
-To take justice into your own hands? -Yes. | 0:49:11 | 0:49:14 | |
We have an obligation to the dead. | 0:49:15 | 0:49:18 | |
What about the living? | 0:49:19 | 0:49:20 | |
I had to choose. | 0:49:22 | 0:49:24 | |
I chose us. | 0:49:27 | 0:49:28 | |
I think I heard an elephant. A real one. | 0:49:31 | 0:49:34 | |
Goodness! | 0:49:34 | 0:49:36 | |
You come and snuggle in here. | 0:49:36 | 0:49:38 | |
Lotte Geschmay. | 0:49:47 | 0:49:48 | |
Lotte Geschmay. | 0:49:55 | 0:49:57 |