Demons of Dark A Place to Call Home


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Demons of Dark

Australian period drama. George tells Sarah that she must be clever about how to approach the woman she suspects of being a former guard at Ravensbruck.


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It is a work of fiction!

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It is also steamy and vacuous, without any semblance of discretion!

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-What have you done?

-I've reworked it.

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-You've destroyed it.

-I haven't destroyed it.

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There's a contract.

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I will be publishing the manuscript as it is.

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-You can't.

-Watch me.

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There is no excuse for leaving patients in the dark

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about the gravity of their illness, it's immoral!

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No, don't talk to me about morality.

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Your sort wouldn't know the meaning of the word.

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Am I dying?

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I didn't want to say...

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Bang! Up she goes!

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HE LAUGHS

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Doesn't take much guessing to figure out what happened.

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Stan O'Rourke and his scally mates.

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I'm feeding Sir Richard information!

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I'm on your side!

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-Please, George, you're a fool!

-Leave us alone!

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-GERMAN ACCENT:

-I hate to fly, it makes me very sick.

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Really, I thought we would never get here!

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-What is it?

-They told me they are...

-That woman.

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She was a guard...

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..at Ravensbruck.

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It's her.

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I know it's her.

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-Sarah...

-What if...?

-Sarah, listen to me.

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-What if she saw me?

-Listen to me.

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You're safe, you are safe.

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-She'll kill me.

-You're here with me now, in Canberra,

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and you have a very happy little boy, David.

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You don't believe me?

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Look, if you think she was the guard...

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She was. Frieda Neudeck, the worst.

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No, I won't hide.

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-Wait, wait!

-We made a promise to each other, all the women,

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if we ever saw one of them...

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That was 13 years ago.

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Are you absolutely sure?

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13 years is a heartbeat, it's her.

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-I believe you.

-In there, drinking champagne as if nothing happened...

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Sarah, wait! Stop, stop!

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I need you to listen to me.

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We have to be clever about this, you going in there and accusing her,

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she'll deny it.

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More than likely they'll believe her.

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The wife of an American diplomat.

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You're worried about what they'll think?!

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No.

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I only care for you.

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And we will work out what to do,

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but first things first.

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You need to be sure.

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Now, can you go in there again?

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INDISTINCT CONVERSATION

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Perhaps I was wrong.

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I don't think it's her.

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INDISTINCT CONVERSATION

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-You were so certain.

-I'm sorry, I know, I...

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You're not just saying this?

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It's the stress.

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All this, Regina, and that woman's voice.

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The accent, it threw me, I... Sorry.

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What would you like to do?

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Leave.

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Elizabeth said you had some questions.

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How long have I got?

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Don't tell me it's in God's hands. I'm in yours, for the time being.

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Well, I think attitude's got a lot to do with it.

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Give me your best number,

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based on the best attitude,

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of years.

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Months?

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Weeks?

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Months.

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Will I make Christmas?

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Darling, I'd like to speak to Jack for a few moments.

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Alone. Would you mind?

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Course not, I'll organise some tea.

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OK, no bull now, Jack. I want you to tell me what happens at the end.

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How bad does it get?

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We have drugs that'll make you comfortable.

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And we'll manage the pain.

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Don't make promises you can't keep.

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I need your help.

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I've seen men die terrible deaths.

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I'm not afraid of that.

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But poor Lizzie...

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I can't put her through it.

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If you're asking what I think you're asking,

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I can't. I...

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-I took an oath.

-Oh, I'm not asking you to be my dispatcher!

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I just need the wherewithal.

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I'm sorry.

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Just trust us, hmm?

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Douglas knows the truth.

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Good.

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He asked me to hurry things along.

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Somewhere along the line, you must have given one of your patients

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a gentle nudge into the beyond.

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Course not.

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You have?

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Doing no harm can also mean alleviating extreme suffering.

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So you approve of euthanasia?

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-In some cases.

-It's a crime.

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You've seen people die with lung cancer, Jack.

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Douglas will be on high doses of morphine.

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His moments of lucidity will be fraught with excruciating pain.

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In his final stages, he'll feel like he's drowning,

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his organs will start to break down,

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his family will watch and wait for his last breath,

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wishing that it would happen sooner so that everyone

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can be put out of their misery. It's a cruel and unnecessary end.

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We all die, Jack.

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And when we die and how we die is out of our hands.

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You know,

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medicine evolves.

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HE SCOFFS

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Should Douglas die in my care, to reassure you,

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I'll be ordering an autopsy.

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I spoke out of turn earlier.

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Duly noted.

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Now, if you'll excuse me, I have work to do.

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SHE SOBS

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Stop it, oh...

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SHE SOBS Stop it!

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Stop!

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ANIMAL GROWLS

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Aargh! WOMAN SPEAKS GERMAN

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SHE SPEAKS GERMAN

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BOOTS MARCH AND CROWD ROARS

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DOG SNARLS

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SHE GASPS

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Sir Richard! Anna Bligh.

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Anna! George yesterday arvo, you this morning,

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never can get enough of the Blighs.

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Where've you been hiding away,

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I haven't seen your pretty face about the past few months?

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I've been keeping my head down.

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Society's the worse for it.

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What can I do for you?

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I need some legal advice on getting out of a tight contract,

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and I thought you might be able to help.

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Well, you rang the right man.

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I'll put you on to my secretary, she takes care of my diary.

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It is rather urgent.

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You are keen, aren't you?

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How about we have lunch?

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-Today?

-Why not?

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Give Bunny your address, and I'll pick you up about, er, one.

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I'll bring my legal eagle with me,

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he's a Houdini with watertight contracts.

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That would be lovely, thank you so much.

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Well, don't you worry about it now.

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I look forward to seeing you.

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Get Miss Bligh's details, and cancel all my engagements after lunch.

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LAUGHTER

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DOG BARKS

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GUNSHOT ECHOES

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-It's not too cold out there for him?

-No, he's rugged up.

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He's so happy playing with Douglas' plane,

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he wouldn't notice the ice age.

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HORN BEEPS

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My driver. You have the car,

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why don't the three of you go for a bit of a pootle,

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see what there is to see?

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Sorry, what was that?

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I was just suggesting you get out of the house,

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pack yourself a picnic lunch and enjoy the sights.

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Yes, that's a good idea.

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Are you dwelling on last night still?

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-No, of course not.

-It was a case of mistaken identity.

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I'm relieved, for your sake.

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George...

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David wants to go down to those swings.

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Oh, good. Why don't you take him?

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Come here, darling.

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You know how much Mummy loves you.

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-All right, off you go.

-Come on.

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-I'll race you!

-DAVID:

-You can't catch me!

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Hilda Schmidt, Rosa Karvan, Rosa Abravenel...

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Olive Scheinman, Esther Van Els, Vera Leduc, Veronica...

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..Blumfield.

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Colette Charron.

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Carmel Dubsky.

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Helena Martin, Elise Beauchere...

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Lotte...

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Lotte.

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CAR DOOR SLAMS

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Right, you. Out!

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You can't just kidnap me, it's against the law!

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So's burning down a man's house,

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particularly when that man fought for this country!

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Yeah, well, you've got no proof.

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You were seen driving out of town with Stan O'Rourke.

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-So what?

-You don't think the cops'll work out where you went?

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I'd be taking you down there right now

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if I didn't think there was a good kid in there somewhere.

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-What are you going to do, then?

-Get in.

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-G'day.

-G'day.

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This lot ought to get you started.

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What's this?

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A place burns down, people chip in.

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There's a lot more where this comes from.

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I was just going to send Tommo a letter and let him know

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and just head off.

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It's up to you.

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Who's the young fella?

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Out you get.

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Cat got your tongue?

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Er...

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You're getting a new place.

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We're going to help build it for you.

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-I reckon you should stay.

-Do you?

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You're that young fella

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that was at the petrol station with Stan O'Rourke.

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Well, Stan can be pretty persuasive.

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This lot's not going to lift itself.

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-Have you done this a lot?

-What, build houses?

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No, burn them down.

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A lot of young blokes go to jail for a lot less.

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100 over 70, sir.

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Is that good?

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It's perfect. As is your heart.

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WHEEZING

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I have a favour to ask, Henry.

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You know what I'm going to say?

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I think I do, yes.

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I'm worried about Lizzie.

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I mean, it's not as if I'm going to recover, is it?

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I just want to go out the best way I can.

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You're not afraid of dying?

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I think I would be.

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Don't think so.

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Mind you, I've never died before.

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It's the getting to the end bit that's the problem.

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WHEEZING

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You know we will do our best to make you comfortable.

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You know there will come a time when I won't be able to tell you, anyone,

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how I'm feeling.

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I want to go before it gets to that.

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Just to know I've got something I could take.

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You just have to...

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..point me to the medicine cabinet.

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For what it's worth, Douglas, I agree with you 100%.

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If I could help you...

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..I would.

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But you can't?

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One can't ask a person...

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..doctor or not,

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intentionally to kill another person.

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But unintentionally?

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-HE LAUGHS

-Just kidding.

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We will do our best for you, Douglas.

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TELEPHONE RINGS

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-DIAL TONE

-Oh, damn.

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TELEPHONE RINGS

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I thought we said 11 o'clock every day.

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I'm sorry. It took longer than I expected to walk here.

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Get the ruddy phone on.

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I'm on a very long list. I'll be prompt tomorrow.

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I hope the Jew didn't cause any trouble in Canberra.

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Well, she hoodwinked Pattie.

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The PM wasn't too chirpy.

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I gave George an earful.

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Now, tell me...

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..what's the good oil on Anna from your end?

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Anna?

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I haven't heard anything except she spent time here

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writing another book. Why?

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So that's it.

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Out of the blue, she rings me and asks me out to lunch.

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Oh. When?

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Today.

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I hear around the traps I'm just the age she likes her men.

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-You still there?

-You're not her type, Dickie.

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Once, maybe.

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She's turned into a slut, just like her mother.

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This could cause all sorts of complications.

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Only if I don't play my cards right.

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-I just mean...

-Oh, what do you care?

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After the way she treated you?

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I'll let you know how I go.

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DIAL TONE

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BELL RINGS

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Slow down, girls, you'll hurt yourselves.

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Can we go to the park now, Miss Pearce?

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I want to see a movie, too! Can we?

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Come, girls, you must be good for Miss Pearce.

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We've got lots of lovely things to do first. Perhaps another one of those milkshakes.

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First, a kiss for Mummy.

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Behave yourselves.

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Come.

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Can I help you?

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You're very good.

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I'm sorry?

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You remember me, don't you?

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No.

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Please, you're frightening me.

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Ah!

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Oder ich bringe dich um.

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Read it.

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Now!

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Out loud so I can hear.

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"Hilda Schmidt, Rosa Karvan,

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"Rosa Abravenel, Olive Scheinman,

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"Colette Charron, Elise Beauchere, Helena Martin..." Please...

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Esther van Els, Vera Leduc, Veronica Blumfield, Carmel Dubsky.

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What have I done to you? You are insane!

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Your name is Frieda Neudeck.

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You were a guard at Ravensbruck concentration camp

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from 1944 to 1945.

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These are the names of some of the women you killed.

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I am Gerda Davies.

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-What do you know...?

-You were there. You and your dog Greif.

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No, no, you are wrong.

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I had this once before, you poor thing...

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Do you remember little Rosa Karvan? Greif ripped her throat out.

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-There is some confusion...

-You kept our scraps of food

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-and you fed them to your dog.

-I had nothing to do with the Nazis!

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You are Frieda Neudeck.

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And you know who I am.

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I'm going to tell you something. You must stay calm.

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I know the camp.

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My family has lived with this since the war.

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My sister was a guard at Ravensbruck.

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She is the one that you remember.

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Yes, Frieda, my older sister.

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I've never even told my husband this.

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He only knew that she found a job near Berlin

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and she was killed when the Russians came.

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Your story is terrible but I promise you, I am not her.

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My sister is dead. Her body was sent back to us.

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SHE CRIES

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Oh, no.

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-You have to eat something.

-I'm too busy.

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I'm making sure we can set this up as a proper hospital room

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and we can.

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Now something more cheerful.

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We're going to have a party.

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-Are we?

-On the 15th of next month.

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Thank you. It's always a big day at the refuge, VP Day.

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Victory in the Pacific.

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Douglas won't be well enough to go to them, so...

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..I'll invite them here.

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Last year, they dressed up in silly grass skirts.

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What do you think?

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It's a brilliant idea.

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We'll do it together. KNOCK ON DOOR

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-Someone to see you, Mrs Duncan.

-Who is it?

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She's at the front door. She won't come in.

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She looks so different.

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Leave it to me.

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-What the hell are you doing here?

-I have something important...

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You can't possibly have anything useful to say to any of us,

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-so please go.

-I'm trying to help.

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-If you don't leave this instant, I'll have you physically removed!

-Mother.

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I've been waiting for the right moment to see you.

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-Go!

-This isn't how I wanted it.

-It's how it is!

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-I'm trying to help. I'm worried...

-Now! Get out of here!

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Mother, come inside.

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Never come here again!

0:25:500:25:53

I'm worried for Anna. Please, I...

0:25:530:25:55

TELEPHONE RINGS

0:26:130:26:15

Anna Bligh speaking.

0:26:210:26:22

Anna, it's Regina.

0:26:230:26:25

-Why are you calling me?

-You're seeing Sir Richard today.

0:26:250:26:29

I don't know what you're talking about.

0:26:300:26:32

Anna, I know you're seeing him for lunch. You have to be careful.

0:26:320:26:35

KNOCK ON DOOR I have to go.

0:26:350:26:38

-Don't go. Please, listen.

-I'm hanging up now.

0:26:380:26:40

Sir Richard means you harm. Keep pepper to hand.

0:26:400:26:43

DIAL TONE

0:26:440:26:46

Coming.

0:26:490:26:51

Anna! Looking ravishing as ever.

0:26:520:26:55

Oh, Sir Richard. Weren't you bringing your solicitor?

0:26:550:26:58

Oh, he's making his own way.

0:26:580:27:00

-Aren't you going to invite me in?

-Oh, yes, of course.

0:27:000:27:03

We Germans are so ashamed.

0:27:220:27:24

But me, my family...

0:27:270:27:29

..it's even worse.

0:27:290:27:31

We didn't know.

0:27:310:27:33

We didn't know!

0:27:330:27:35

Please believe me. There has been too much death, too much hatred.

0:27:370:27:40

You ran.

0:27:420:27:44

You escaped before the Russians came.

0:27:450:27:47

-Why do you Jews never believe us?

-Why do you think I'm a Jew?

0:27:470:27:51

We were everything there, not just Jews.

0:27:520:27:55

GLASS SMASHES

0:27:550:27:56

In here! In here!

0:27:560:27:58

Ah!

0:27:590:28:00

Du dumme Judensau.

0:28:040:28:06

See what happens when you do not let go of the past?

0:28:060:28:11

Oh, what trouble you will be in.

0:28:140:28:16

Mind you...

0:28:190:28:20

..I have been expecting one of you.

0:28:210:28:24

One we didn't finish off,

0:28:250:28:28

and now it's you.

0:28:280:28:29

My favourite.

0:28:310:28:33

I kept some sugar for you, Sarah.

0:28:360:28:38

What do you say?

0:28:400:28:42

Danke.

0:28:440:28:45

I saved your life, you know?

0:28:460:28:49

That last July, the Reichsfuhrer was making a visit.

0:28:500:28:53

No Jews still alive - that was the order.

0:28:530:28:57

You owe me.

0:28:580:28:59

Me.

0:28:590:29:01

For not sending you to the gassing vans that day.

0:29:010:29:04

-Why didn't you?

-"Why didn't you, Frau Neudeck?"

0:29:050:29:08

Why?

0:29:090:29:11

You weren't a real Jew.

0:29:130:29:15

SHE LAUGHS

0:29:150:29:17

You were an Aryan, shaming your race.

0:29:170:29:20

But still an Aryan.

0:29:210:29:23

Lass es, du Judensau.

0:29:250:29:27

You haven't the guts, Jew.

0:29:330:29:35

Judensau.

0:29:380:29:40

Coward.

0:29:410:29:42

How wrong you are!

0:29:450:29:47

I was a Jew then

0:29:490:29:51

and I'm a Jew now.

0:29:510:29:54

-Here we are.

-Ta.

0:30:280:30:30

-You not having anything?

-I'll wait until lunch.

0:30:310:30:33

Cheers.

0:30:330:30:35

So let me get this straight...

0:30:380:30:40

..you want to get out of the publishing contract

0:30:400:30:43

because you, the author, want to cut sections from the book,

0:30:430:30:46

but your publisher refuses to countenance it.

0:30:460:30:49

I know it sounds crazy.

0:30:490:30:51

If my journalists had that attitude, I'd have an easier job,

0:30:510:30:54

but a duller one.

0:30:540:30:56

SHE LAUGHS

0:30:560:30:58

Yes.

0:30:580:30:59

Can I ask why?

0:31:000:31:02

I was far too risque in parts

0:31:020:31:04

and I don't want to embarrass my family like that,

0:31:040:31:07

especially now Douglas is ill.

0:31:070:31:09

What on earth have you written, Peyton Place?

0:31:090:31:11

No, and I don't want it to be!

0:31:110:31:13

I think the book's actually helped by the cuts I've made.

0:31:130:31:17

Your solicitor is rather late and I'm famished.

0:31:180:31:20

-Might he meet us there?

-I'll give him five and I'll ring him.

0:31:200:31:24

Of course.

0:31:250:31:26

And this morning's...

0:32:130:32:16

..crossword.

0:32:160:32:17

Here...

0:32:210:32:22

..come sit with me.

0:32:220:32:24

You only say that when you're going to tell me something I won't like.

0:32:250:32:29

Oh, dear, you are.

0:32:320:32:34

It's you.

0:32:410:32:43

You I'm worried about, my darling.

0:32:440:32:46

My darling...

0:32:470:32:48

-Don't say that.

-But I am.

0:32:500:32:52

I won't have her drive you to the grave before me.

0:32:540:32:57

Oh, Douglas...

0:32:580:33:00

Oh, darling...

0:33:010:33:03

..please don't think I'm weak.

0:33:030:33:05

You're not.

0:33:070:33:08

And neither am I.

0:33:090:33:11

There's no easy way to say this.

0:33:150:33:17

I want to go at a time of my own choosing.

0:33:190:33:22

Absolutely not!

0:33:230:33:25

-No.

-Please.

-No!

-Hear me out.

0:33:250:33:28

I wouldn't dream of getting you to do anything, you know that.

0:33:290:33:33

It's just...

0:33:330:33:35

..at the moment, I've got my marbles.

0:33:360:33:38

We can have a laugh.

0:33:390:33:41

But that won't last.

0:33:410:33:43

Jack and Henry can promise what they like,

0:33:440:33:47

but the end won't be good.

0:33:470:33:49

And getting there will be even worse.

0:33:500:33:52

I'd like to go before then.

0:33:540:33:57

On one of our sweet, perfect days...

0:33:580:34:01

..I will farewell you just as if I were...

0:34:030:34:06

..going off to the Land of Nod.

0:34:060:34:08

And you will...

0:34:100:34:11

..wave me goodbye.

0:34:120:34:14

But I don't want you to go.

0:34:160:34:18

No, nor do I.

0:34:180:34:20

But the good Lord has other plans.

0:34:210:34:24

Agh!

0:34:250:34:27

-Oh!

-What's the matter? What is it?

0:34:270:34:30

Call the nurse, Lizzie.

0:34:310:34:32

I've...I've had an accident.

0:34:330:34:36

Oh, darling, I'm here. I can fix it.

0:34:360:34:38

No, no, get the nurse.

0:34:380:34:40

Lizzie, I don't want you to see me like this. Please.

0:34:400:34:43

Please.

0:34:440:34:46

God!

0:34:510:34:53

"With one hand, he held her against the laundry tub,

0:34:550:34:58

"and the other bolted the wooden door.

0:34:580:35:01

"He shoved her hard,

0:35:010:35:02

"bundling her skirt up her back as he tore her slip from her."

0:35:020:35:07

I think that's enough.

0:35:070:35:08

Very nice.

0:35:080:35:10

Why? You wrote it.

0:35:130:35:14

I know, but hearing it read aloud like that, I...

0:35:140:35:17

..I know I'm right.

0:35:170:35:19

Look what it's done to me!

0:35:190:35:21

Argh! Jesus Christ!

0:35:280:35:30

Agh!

0:35:300:35:32

Here to give us a hand, are you?

0:35:480:35:51

No, I'm not.

0:35:510:35:52

Sure you don't want to chip in?

0:35:520:35:54

We could do with a roofer.

0:35:540:35:57

Not for a boong. Thanks all the same.

0:35:570:35:59

-Come on, mate.

-It's just a word.

0:36:000:36:03

-What are you doing here, Buddy Holly?

-He's helping.

0:36:060:36:09

Each to his own.

0:36:100:36:12

You know, right now, I'm keeping you out of jail.

0:36:130:36:15

She's clumsy.

0:36:170:36:19

-Why do you want to stop going on about it?

-Not for wife-bashing.

0:36:190:36:23

Burning down your neighbour's house.

0:36:240:36:26

We made a mistake.

0:36:260:36:28

I've got no idea what you're talking about.

0:36:280:36:31

Look, if the cops ask, I'm going to tell them we did it.

0:36:330:36:35

Front-page news, sunshine.

0:36:350:36:37

Cops don't worry about black fellas.

0:36:370:36:40

He saw your tyre tracks.

0:36:420:36:44

Proves nothing.

0:36:450:36:47

And your footprints.

0:36:470:36:48

-Who asked you?

-Two of them.

0:36:500:36:53

One your size, the other one smaller,

0:36:530:36:56

right near where the fire started.

0:36:560:36:58

-Could be anybody's.

-Well, we made plaster casts,

0:37:000:37:03

so we'll get the cops to check them against your boots, and that'll clear that up.

0:37:030:37:07

If I see so much as a scratch on Sheila again,

0:37:120:37:15

you'll see that charge of arson.

0:37:150:37:17

Understood?

0:37:180:37:20

And if I hear your missus screaming,

0:37:200:37:22

I'm going to run across this paddock and I'm going to jump the fence.

0:37:220:37:25

What are you doing out here?

0:37:430:37:45

-Aren't you cold?

-No.

0:37:460:37:49

Where's David?

0:37:500:37:51

He's in his room with Leah.

0:37:530:37:56

What's happened?

0:37:570:37:58

There's something I need to tell you.

0:38:040:38:06

Say it.

0:38:130:38:14

I took the lives of these women and many, many more.

0:38:140:38:18

Say the words.

0:38:200:38:21

We were all...

0:38:220:38:24

..following orders.

0:38:240:38:26

I think of them every night in my prayers.

0:38:260:38:29

So when you gave birth to your two pretty girls...

0:38:310:38:34

Don't bring them into this, please!

0:38:340:38:36

..did you remember drowning newborn babies in buckets?

0:38:360:38:39

Those babies would never have lived. This is the past.

0:38:390:38:43

-Your girls will know who you are.

-No.

-Your husband...

-Please, no.

0:38:430:38:46

-..will divorce you and take them with him...

-We can work this out!

0:38:460:38:49

..and one day they will know the truth.

0:38:490:38:51

I admit, I admit! Yes, whatever you say, yes, I did it.

0:38:520:38:56

I took the lives of these women and many, many more.

0:38:560:38:59

I took away the lives of these women and many more,

0:38:590:39:01

but they don't need to know any of it!

0:39:010:39:04

It's already underway, I'm afraid.

0:39:040:39:07

Did you know that there are small bands of Jews travelling the Earth?

0:39:110:39:15

They call themselves Nokmim.

0:39:170:39:19

The Nokmim. Do you know what it means?

0:39:200:39:23

-No.

-The avengers.

0:39:230:39:25

Hunting down Nazi murderers in their smug little lives.

0:39:270:39:32

I'm not sure when they'll come for you...

0:39:360:39:38

..but they will.

0:39:410:39:43

-No!

-And that is my gift...

0:39:490:39:51

..to you.

0:39:520:39:54

There was a woman whose...

0:40:090:40:11

..whose last name I can't remember.

0:40:110:40:13

Lotte.

0:40:170:40:18

She was in the hospital.

0:40:200:40:22

She was part of the experiments.

0:40:240:40:26

They'd insert glass and...

0:40:280:40:30

..wood into her to see what would happen.

0:40:310:40:34

Frieda forced her to roll call.

0:40:370:40:39

She was in terrible pain.

0:40:410:40:43

I saw Lotte look at the electric fence.

0:40:450:40:48

Women used to throw themselves at it...

0:40:510:40:53

..when they couldn't bear it any more.

0:40:540:40:57

But on this particular day,

0:40:580:41:00

we had heard strong rumours that we would be liberated,

0:41:000:41:03

so everyone was holding on.

0:41:030:41:05

I saw...

0:41:070:41:09

..Lotte one minute just walking around in circles.

0:41:100:41:13

The next, she ran.

0:41:170:41:19

Frieda shot her before she even made it.

0:41:260:41:28

My poor darling.

0:41:400:41:43

Frieda Neudeck will be brought to trial...

0:41:430:41:45

..if an assassin doesn't find her first.

0:41:510:41:53

Darling!

0:42:300:42:32

You've only just gone. I didn't expect you back for days.

0:42:320:42:35

I know. I just suddenly needed to be here.

0:42:350:42:38

I'm glad you are. What's happened?

0:42:390:42:42

What is it?

0:42:420:42:43

-You have enough to worry about.

-Anna! Tell me.

0:42:440:42:47

-Can I ask you something, Mr Bridge?

-Depends on what it is.

0:42:490:42:53

Did you, erm...? Did you really make them plaster casts?

0:42:540:42:57

No!

0:42:570:42:58

Quick on your feet for an old duffer.

0:42:580:43:01

You'll be one yourself one day.

0:43:010:43:03

And I didn't see any footprints either!

0:43:050:43:07

-LAUGHTER

-But you keep that under your hat.

0:43:070:43:10

Oh, you put the wind up him, all right.

0:43:100:43:13

Hey, how come you never put the cops on me?

0:43:160:43:19

If you'd asked them, they would have.

0:43:190:43:21

Well, Tommo, the bloke that owns this place, he gave me a break.

0:43:210:43:25

I'm passing it on.

0:43:250:43:27

All right, every weekend until we're done, then.

0:43:310:43:34

Sounds about right.

0:43:340:43:36

-Did he hurt you?

-No!

0:43:410:43:43

No, he, erm... I gave him a face full of pepper, and...

0:43:430:43:47

I...

0:43:470:43:49

He fell to the bottom of the stairs.

0:43:490:43:51

-But did he...?

-No.

0:43:510:43:53

Anna, please, please tell me the truth.

0:43:530:43:57

He tried, but I fought him off.

0:43:580:44:00

Thank God!

0:44:020:44:04

Oh, that...!

0:44:050:44:07

Mama...

0:44:090:44:11

He said that he...

0:44:120:44:14

You, he said...

0:44:150:44:17

Did he?

0:44:180:44:20

Yes.

0:44:240:44:26

I still wish he was at the bottom of those stairs with a broken neck.

0:44:330:44:36

So do I.

0:44:360:44:38

Regina telephoned to warn me.

0:44:400:44:43

I owe her.

0:44:440:44:45

She came here earlier today wanting to talk.

0:44:470:44:49

We sent her away.

0:44:490:44:51

Regina...

0:45:200:45:21

..I wanted to thank you for warning me.

0:45:210:45:24

-I didn't think you'd heard.

-I almost didn't.

0:45:250:45:28

-Are you all right?

-I did as you suggested.

0:45:300:45:33

It worked.

0:45:330:45:35

Thank God!

0:45:360:45:37

I keep trying to tell George, Sir Richard is out to ruin the family,

0:45:410:45:45

to wreak havoc on all of you,

0:45:450:45:47

particularly through your finances somehow.

0:45:470:45:50

Go through your accounts with a fine-tooth comb -

0:45:500:45:53

investments, loans, everything.

0:45:530:45:55

How do you know?

0:45:550:45:57

He has hinted at it in his bragging.

0:45:570:46:00

That's why I'm keeping close to him, to try to get details.

0:46:000:46:03

The woman you're suspicious of...

0:46:070:46:10

..she no longer exists.

0:46:110:46:13

After all that has happened...

0:46:160:46:18

I want to believe you.

0:46:180:46:20

I am different now.

0:46:200:46:22

I am.

0:46:230:46:24

There are three accounts on one statement.

0:47:270:47:30

Do you know whose money you've actually borrowed?

0:47:300:47:33

They're private lenders who lend via the solicitor's mortgage fund.

0:47:330:47:36

Frederick Stern is completely reputable.

0:47:360:47:39

They wouldn't put us in any danger.

0:47:390:47:41

Yes, but do they know? We should find out.

0:47:410:47:43

That might not be so easy.

0:47:430:47:46

Well, it can't hurt to do some searching.

0:47:460:47:49

So, you're saying there's cause to trust Regina?

0:47:490:47:53

And not trust him?

0:47:530:47:55

Yes.

0:47:560:47:57

Then dig.

0:47:580:48:00

Deep.

0:48:000:48:01

Let's make sure we're safe.

0:48:010:48:04

-ELIZABETH:

-"Surely, goodness and mercy shall follow me

0:48:250:48:27

"all the days of my life

0:48:270:48:29

"and I will dwell in the house of the Lord forever."

0:48:290:48:32

Judgment is yours, I know.

0:48:410:48:43

But, dear Lord, how can you judge a man as decent as Douglas?

0:48:450:48:50

As loving.

0:48:520:48:53

As good.

0:48:550:48:57

Do not reject him if this is his choice.

0:49:000:49:02

I wanted to kill her.

0:49:080:49:10

-To take justice into your own hands?

-Yes.

0:49:110:49:14

We have an obligation to the dead.

0:49:150:49:18

What about the living?

0:49:190:49:20

I had to choose.

0:49:220:49:24

I chose us.

0:49:270:49:28

I think I heard an elephant. A real one.

0:49:310:49:34

Goodness!

0:49:340:49:36

You come and snuggle in here.

0:49:360:49:38

Lotte Geschmay.

0:49:470:49:48

Lotte Geschmay.

0:49:550:49:57

George tells Sarah that she must be clever about how to approach the woman she suspects of being a former guard at Ravensbruck concentration camp.

Roy drives an unwilling Larry Grey to the burned-out remains of Frank Gibb's cabin. Anna calls Sir Richard for advice on how to get out of her publishing contract, and Douglas realises that his condition is terminal.