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-I came back to help you. Please, George, you're a fool. -Leave us alone. | 0:00:02 | 0:00:04 | |
I keep trying to tell George, | 0:00:04 | 0:00:06 | |
Sir Richard is out to ruin the family. | 0:00:06 | 0:00:08 | |
Go through your accounts with a fine-tooth comb. | 0:00:08 | 0:00:10 | |
Investments, loans, everything. | 0:00:10 | 0:00:12 | |
There are three accounts on one statement. | 0:00:12 | 0:00:14 | |
Do you know whose money you've actually borrowed? | 0:00:14 | 0:00:17 | |
Frederick Stern is completely reputable. | 0:00:17 | 0:00:19 | |
They wouldn't put us in any danger. | 0:00:19 | 0:00:21 | |
Yes, but do they know? We should find out. | 0:00:21 | 0:00:23 | |
How long have I got? | 0:00:23 | 0:00:25 | |
Months. | 0:00:25 | 0:00:26 | |
I want to go at a time of my own choosing. | 0:00:26 | 0:00:29 | |
Absolutely not. | 0:00:29 | 0:00:30 | |
Jack's hospital meanders along in the past. | 0:00:30 | 0:00:33 | |
I support my husband. | 0:00:33 | 0:00:35 | |
As James would me, if he were here. | 0:00:35 | 0:00:37 | |
You must be missing him. | 0:00:37 | 0:00:39 | |
Do you really see his charade as necessary? | 0:00:39 | 0:00:41 | |
It will help Olivia announce their divorce | 0:00:41 | 0:00:43 | |
without too many awkward questions arising. | 0:00:43 | 0:00:45 | |
Your father loathes homosexuals. | 0:00:45 | 0:00:47 | |
Ironic, given his son. | 0:00:47 | 0:00:48 | |
We're going to have a party. | 0:00:48 | 0:00:50 | |
-Are we? -On the 15th of next month. | 0:00:50 | 0:00:53 | |
Thank you. It's always a big day at the refuge, VP Day. | 0:00:53 | 0:00:57 | |
Victory in the Pacific. | 0:00:57 | 0:00:58 | |
Douglas won't be well enough to go to them, so... | 0:00:58 | 0:01:01 | |
..I'll invite them here. | 0:01:02 | 0:01:03 | |
I need your help. | 0:01:03 | 0:01:05 | |
If you're asking what I think you're asking, I... | 0:01:05 | 0:01:07 | |
I can't. | 0:01:07 | 0:01:08 | |
It's just so incredibly... | 0:01:58 | 0:02:00 | |
..sudden. | 0:02:01 | 0:02:02 | |
Sometimes the body...just gives out, sweetheart. | 0:02:03 | 0:02:07 | |
He was in his element this afternoon. | 0:02:07 | 0:02:09 | |
He loved every moment of the party. | 0:02:11 | 0:02:12 | |
-TEARFULLY: -The men in their fancy dress! | 0:02:14 | 0:02:16 | |
CHUCKLES | 0:02:16 | 0:02:18 | |
His final moments were so full of joy, | 0:02:18 | 0:02:20 | |
surrounded by the people who loved him. | 0:02:20 | 0:02:22 | |
For that, we should be grateful. | 0:02:22 | 0:02:25 | |
Small comfort, when all's said and done. | 0:02:25 | 0:02:27 | |
Mother, can I get you anything? | 0:02:31 | 0:02:34 | |
-What would you like to do? -Douglas abhorred maudlin displays. | 0:02:34 | 0:02:38 | |
He rather liked that quote from Berlioz, "Time is a great teacher, | 0:02:40 | 0:02:43 | |
"but unfortunately, it kills its pupils." | 0:02:43 | 0:02:46 | |
Carolyn, if you could assist with organising a memorial at the refuge, | 0:02:46 | 0:02:51 | |
for those unable to make it to the funeral. | 0:02:51 | 0:02:53 | |
George, if you might telephone James. | 0:02:54 | 0:02:57 | |
Of course. He'll want to be here. | 0:02:57 | 0:02:59 | |
Please make clear I don't expect him to drop everything and rush home. | 0:02:59 | 0:03:02 | |
Well, it's high time he did. | 0:03:02 | 0:03:04 | |
I'll speak with the funeral home if you take no issue with | 0:03:04 | 0:03:06 | |
the service being held later in the week. | 0:03:06 | 0:03:08 | |
-As you wish. -If there's anything I can do... | 0:03:08 | 0:03:11 | |
I'll let you know. | 0:03:11 | 0:03:12 | |
If you'll excuse me, I'll say goodnight. | 0:03:13 | 0:03:15 | |
Of course. | 0:03:15 | 0:03:16 | |
Excuse me. | 0:03:18 | 0:03:19 | |
Mother? | 0:03:29 | 0:03:32 | |
Yes? | 0:03:32 | 0:03:33 | |
Would you like me to sit with you for a little while? | 0:03:37 | 0:03:40 | |
What? | 0:03:40 | 0:03:41 | |
No. | 0:03:41 | 0:03:42 | |
You've every reason to feel the shock of this. | 0:03:44 | 0:03:47 | |
This was hardly unexpected. | 0:03:49 | 0:03:53 | |
Just... | 0:03:53 | 0:03:55 | |
not today. | 0:03:55 | 0:03:56 | |
No. | 0:03:57 | 0:03:58 | |
MUSIC: Tristesse by Chopin | 0:03:59 | 0:04:03 | |
You need to keep a close eye on her. | 0:04:31 | 0:04:34 | |
-Yes. -I'm not sure I've ever seen her like that. | 0:04:34 | 0:04:36 | |
She's just suffered a terrible loss. | 0:04:39 | 0:04:41 | |
Yes. | 0:04:42 | 0:04:44 | |
He was a fine man. | 0:04:46 | 0:04:47 | |
I think I need to hold her son. | 0:04:51 | 0:04:52 | |
Yes, me too. | 0:04:54 | 0:04:56 | |
It's higher than I'd like. | 0:05:03 | 0:05:04 | |
Must we revisit this conversation at every upheaval? | 0:05:06 | 0:05:09 | |
Perhaps something to help you sleep. | 0:05:15 | 0:05:16 | |
SHE SCOFFS | 0:05:16 | 0:05:18 | |
Douglas says insomnia is the refuge.. | 0:05:18 | 0:05:19 | |
..of the guilty conscience. | 0:05:21 | 0:05:23 | |
Said. | 0:05:24 | 0:05:26 | |
He was very fond of you. | 0:05:29 | 0:05:30 | |
A good bloke. | 0:05:32 | 0:05:33 | |
I'll miss him. | 0:05:34 | 0:05:35 | |
After everything, I suppose it makes sense. | 0:05:43 | 0:05:45 | |
His heart giving out like that. | 0:05:46 | 0:05:48 | |
I'm sure you're right. | 0:05:51 | 0:05:52 | |
What? | 0:06:08 | 0:06:09 | |
Nothing. | 0:06:12 | 0:06:13 | |
-If you wouldn't mind... -Of course. | 0:06:15 | 0:06:17 | |
SHE SOBS | 0:06:46 | 0:06:48 | |
SHE SOBS | 0:07:34 | 0:07:36 | |
DOG BARKS SHEEP BLEAT | 0:07:38 | 0:07:40 | |
Thank God you're here. | 0:07:40 | 0:07:42 | |
How is she this morning? | 0:07:42 | 0:07:43 | |
Strip the linen... | 0:07:43 | 0:07:45 | |
Come and see. | 0:07:45 | 0:07:46 | |
..and the equipment back to the hospital. | 0:07:46 | 0:07:49 | |
What are you waiting for? | 0:07:49 | 0:07:50 | |
This should have been done hours ago. | 0:07:50 | 0:07:52 | |
S-s-sorry, ma'am. | 0:07:52 | 0:07:54 | |
Really, is a little bit of initiative too much to ask? | 0:07:54 | 0:07:56 | |
Elizabeth, perhaps we can lend a hand. | 0:07:56 | 0:07:58 | |
Excuse me. | 0:07:58 | 0:08:00 | |
Thank you, Lynette. That'll be all. | 0:08:00 | 0:08:03 | |
Lynette, take that with you. | 0:08:03 | 0:08:05 | |
PHONE RINGS What happened there? | 0:08:09 | 0:08:12 | |
Does it matter? | 0:08:12 | 0:08:13 | |
I think tea. Anyone? | 0:08:13 | 0:08:15 | |
Yes. | 0:08:15 | 0:08:16 | |
Mr Bligh? Telephone. Sir Richard Bennett. | 0:08:16 | 0:08:19 | |
Go ahead. | 0:08:21 | 0:08:23 | |
This new information makes dealing with him... | 0:08:23 | 0:08:25 | |
A challenge, but you'll play your hand well. | 0:08:25 | 0:08:27 | |
Richard. | 0:08:37 | 0:08:38 | |
This really isn't a good time, I'm afraid. | 0:08:38 | 0:08:40 | |
George, I heard about Goddard. A terrible shock. | 0:08:40 | 0:08:44 | |
Condolences to all. | 0:08:44 | 0:08:45 | |
-I'll pass them on. -Is it jumping the gun to ask about the funeral plans? | 0:08:48 | 0:08:52 | |
That's very kind of you to think of it, | 0:08:53 | 0:08:55 | |
but I know you have more pressing matters. | 0:08:55 | 0:08:58 | |
These are the times we need our friends close by, George. | 0:08:58 | 0:09:01 | |
Mother's keen for it to be a small affair, Richard. | 0:09:01 | 0:09:04 | |
Just family. | 0:09:04 | 0:09:05 | |
Good thing I am, then. | 0:09:05 | 0:09:07 | |
I understand there's to be a memorial in town | 0:09:08 | 0:09:11 | |
for his city friends, colleagues. | 0:09:11 | 0:09:14 | |
I'll let you know, shall I? | 0:09:14 | 0:09:15 | |
Ah, bunkum. I need to come down to your neck of the woods. | 0:09:15 | 0:09:19 | |
I just snapped up the local rag for a song. | 0:09:19 | 0:09:22 | |
-The Mercury? -We really should discuss financing your re-election. | 0:09:22 | 0:09:27 | |
How deep will your pockets be? | 0:09:28 | 0:09:30 | |
Once the funeral's over, let's meet in town, shall we? | 0:09:30 | 0:09:35 | |
You're not getting cold feet on me, George. | 0:09:35 | 0:09:38 | |
I'll be in touch. Mother will appreciate your condolences. | 0:09:38 | 0:09:42 | |
Good-oh. | 0:09:42 | 0:09:44 | |
George. You're back from Canberra. I didn't realise. | 0:09:53 | 0:09:57 | |
-You've read my letter? -I have. | 0:09:57 | 0:09:58 | |
You believe me now? | 0:09:59 | 0:10:00 | |
-Why I've returned. -I had a mind to. | 0:10:00 | 0:10:03 | |
Until Richard telephoned. | 0:10:03 | 0:10:04 | |
-I don't understand. -Please, Regina. | 0:10:06 | 0:10:09 | |
No outsiders could have known of Douglas's death. | 0:10:09 | 0:10:11 | |
Who else could have fed him such intimate information? | 0:10:11 | 0:10:15 | |
Douglas passed away? | 0:10:15 | 0:10:16 | |
Oh, my! | 0:10:17 | 0:10:19 | |
Poor Elizabeth. | 0:10:20 | 0:10:21 | |
You... | 0:10:24 | 0:10:25 | |
You didn't know? | 0:10:25 | 0:10:27 | |
No. | 0:10:27 | 0:10:28 | |
So you don't have someone feeding you information? | 0:10:30 | 0:10:33 | |
Sir Richard is the one with spies. | 0:10:33 | 0:10:35 | |
So why is he so very determined to attend the funeral? | 0:10:37 | 0:10:40 | |
He wants to dance on the grave and savour Elizabeth's pain. | 0:10:40 | 0:10:43 | |
The malice I told you of. | 0:10:44 | 0:10:46 | |
I urge you not to underestimate it. | 0:10:46 | 0:10:48 | |
You'll find actual affairs. Have you investigated? | 0:10:49 | 0:10:51 | |
-When Parliament rises, I'll... -Be forensic. | 0:10:51 | 0:10:54 | |
Instinct tells me that somewhere in your accounts is a road map | 0:10:54 | 0:10:57 | |
to his revenge. You must look... | 0:10:57 | 0:10:58 | |
Please, this is...! | 0:10:58 | 0:10:59 | |
It's too much. I won't take orders from you, Regina. | 0:11:01 | 0:11:05 | |
Please. | 0:11:07 | 0:11:09 | |
Please trust me. | 0:11:09 | 0:11:11 | |
He's moving faster than I suspected. | 0:11:11 | 0:11:13 | |
Grandmother, I've made a list of readings for the service. | 0:11:19 | 0:11:24 | |
The funeral is days away. | 0:11:24 | 0:11:25 | |
Reverend Curtis wants to dot the Is. | 0:11:25 | 0:11:28 | |
I was thinking perhaps Matthew 11.28. | 0:11:28 | 0:11:31 | |
Come to me, all you who... | 0:11:31 | 0:11:33 | |
It's hardly your place. | 0:11:33 | 0:11:34 | |
I'll leave the list on your bureau. | 0:11:38 | 0:11:40 | |
Grandmother, it's all right to be upset. | 0:11:42 | 0:11:44 | |
Or angry. | 0:11:45 | 0:11:46 | |
Or whatever you need to be. | 0:11:47 | 0:11:49 | |
This is where Douglas proposed. | 0:11:52 | 0:11:53 | |
The very spot. | 0:11:55 | 0:11:56 | |
He made you so happy. | 0:11:59 | 0:12:00 | |
LAUGHTER | 0:12:04 | 0:12:07 | |
Goodness me. | 0:12:07 | 0:12:09 | |
APPLAUSE | 0:12:09 | 0:12:10 | |
It's a beautiful work, Mr Gibbs. | 0:12:12 | 0:12:14 | |
When did you find time to do the sitting? | 0:12:14 | 0:12:16 | |
I did it when you weren't looking, Mrs Goddard. | 0:12:16 | 0:12:18 | |
And that wasn't very easy. | 0:12:18 | 0:12:20 | |
UKULELE PLAYS | 0:12:20 | 0:12:23 | |
LAUGHTER | 0:12:28 | 0:12:30 | |
I knew something was up. | 0:12:33 | 0:12:35 | |
Oh, my darling, you're wonderful. | 0:12:35 | 0:12:37 | |
# Oh, we're goin' to a hukilau | 0:12:39 | 0:12:42 | |
# Huki-huki-huki-huki-huki-hukilau | 0:12:42 | 0:12:46 | |
# Everybody loves the hukilau | 0:12:46 | 0:12:49 | |
# Where the laulau is the kaukau at the l'au | 0:12:49 | 0:12:53 | |
# Oh, we throw our nets out into the sea | 0:12:53 | 0:12:57 | |
# And all the 'ama'ama come a-swimmin' to me | 0:12:57 | 0:13:00 | |
# Oh, we're goin' to the hukilau | 0:13:00 | 0:13:03 | |
# Huki-huki-huki-huki-hukilau. # | 0:13:03 | 0:13:07 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
Grandmother. | 0:13:15 | 0:13:16 | |
Not the Matthew. | 0:13:18 | 0:13:19 | |
And no roses in the church. | 0:13:22 | 0:13:24 | |
It's odd, though, isn't it? | 0:13:42 | 0:13:44 | |
He always had roses in the hospital. | 0:13:44 | 0:13:47 | |
It's the arrangement that matters, not the individual blooms. | 0:13:47 | 0:13:51 | |
Poor James and Miss Olivia, | 0:13:52 | 0:13:54 | |
having to drop everything and come home. | 0:13:54 | 0:13:56 | |
It's Mrs Goddard I feel for. | 0:13:57 | 0:13:59 | |
Having to wait. Five days is too long. | 0:13:59 | 0:14:02 | |
My dear Mr Collins was blessed and buried | 0:14:02 | 0:14:05 | |
36 hours from his final breath. | 0:14:05 | 0:14:07 | |
Right. | 0:14:17 | 0:14:19 | |
George... | 0:14:23 | 0:14:24 | |
What on earth's the matter? | 0:14:28 | 0:14:30 | |
It's Regina, isn't it? | 0:14:33 | 0:14:34 | |
What has she done? | 0:14:36 | 0:14:37 | |
The two bad years we had, the strike. | 0:14:41 | 0:14:44 | |
Richard steered me towards some solicitors' loans to tide us over. | 0:14:45 | 0:14:49 | |
She warned me to be more forensic. | 0:14:51 | 0:14:54 | |
The accountants have just discovered that the firms that issued | 0:14:58 | 0:15:03 | |
those loans are all... | 0:15:03 | 0:15:05 | |
..owned by one shelf company. | 0:15:07 | 0:15:08 | |
Richard's. | 0:15:10 | 0:15:11 | |
He can call them in. | 0:15:15 | 0:15:16 | |
He can take Ash Park any time he wants. | 0:15:19 | 0:15:22 | |
And she's convinced he's poised to make a move on us sooner | 0:15:23 | 0:15:26 | |
-rather than later. -How can you be sure she's not part of this? | 0:15:26 | 0:15:28 | |
I can't. | 0:15:28 | 0:15:29 | |
But given what she did for Anna, | 0:15:29 | 0:15:31 | |
given that her information is correct... | 0:15:31 | 0:15:33 | |
This is Regina we're talking about. | 0:15:33 | 0:15:35 | |
I know! | 0:15:35 | 0:15:36 | |
And all that she's done, I know! | 0:15:36 | 0:15:38 | |
I almost dropped my guard in Canberra | 0:15:40 | 0:15:43 | |
and suffered the consequences. | 0:15:43 | 0:15:44 | |
I'd have to be very certain about Regina to allow for that again. | 0:15:45 | 0:15:49 | |
On the other hand, if I'd listened to her, that day at the car... | 0:15:49 | 0:15:54 | |
..we'd be way ahead on this. | 0:15:55 | 0:15:57 | |
You know how I feel. | 0:16:01 | 0:16:03 | |
What if I proceed to judge her in good faith? | 0:16:05 | 0:16:09 | |
And you... | 0:16:09 | 0:16:10 | |
You be the voice of caution in my ear. | 0:16:11 | 0:16:13 | |
FOOTSTEPS APPROACH | 0:16:24 | 0:16:27 | |
KNOCK ON DOOR | 0:16:27 | 0:16:29 | |
Bad news, I'm afraid. | 0:16:29 | 0:16:30 | |
A message from Olivia. | 0:16:30 | 0:16:32 | |
She says they stopped in Darwin to refuel and have been delayed by | 0:16:32 | 0:16:35 | |
weather. They won't be able to make Douglas's funeral. | 0:16:35 | 0:16:38 | |
But it's a comfort, isn't it, that they'll be here later? | 0:16:40 | 0:16:43 | |
We'd better get going. | 0:16:47 | 0:16:48 | |
Mother? | 0:16:52 | 0:16:53 | |
Simpering, pitying looks. | 0:16:56 | 0:17:00 | |
It's too much. I can't face it. | 0:17:03 | 0:17:04 | |
What are you saying? You can't not go. | 0:17:06 | 0:17:10 | |
Don't do something in the heat of the moment you'll later regret. | 0:17:16 | 0:17:20 | |
Mother, what is it? | 0:17:24 | 0:17:26 | |
Please tell me. | 0:17:28 | 0:17:29 | |
Well, no-one will force you to go if you don't want to. | 0:17:35 | 0:17:39 | |
Almighty God... | 0:19:00 | 0:19:01 | |
You judge us with infinite mercy and justice, | 0:19:03 | 0:19:06 | |
and love everything you have made. | 0:19:06 | 0:19:10 | |
In your mercy, | 0:19:10 | 0:19:12 | |
turn the darkness of death into the dawn of new life. | 0:19:12 | 0:19:15 | |
Ashes to ashes, | 0:19:31 | 0:19:33 | |
dust to dust. | 0:19:33 | 0:19:35 | |
In sure and certain hope of the resurrection to eternal life | 0:19:37 | 0:19:41 | |
through our Lord Jesus Christ, | 0:19:41 | 0:19:44 | |
who will transform our frail bodies. | 0:19:44 | 0:19:46 | |
God of Mercy... | 0:19:48 | 0:19:50 | |
..we acknowledge we are all sinners. | 0:19:51 | 0:19:53 | |
Forgive us | 0:19:55 | 0:19:56 | |
for that is past | 0:19:56 | 0:19:58 | |
and help us live each day in the light of Christ our Lord. | 0:19:58 | 0:20:02 | |
-Lord have mercy. -ALL: Lord have mercy. | 0:20:04 | 0:20:08 | |
May God our Father forgive us our sins | 0:20:08 | 0:20:11 | |
and bring us into the joy of his eternal kingdom, | 0:20:11 | 0:20:15 | |
where dust and ashes have no dominion. | 0:20:15 | 0:20:19 | |
ALL: Amen. | 0:20:19 | 0:20:20 | |
MOURNFUL MUSIC | 0:20:22 | 0:20:24 | |
Just think, a couple of days ago | 0:21:03 | 0:21:05 | |
we were all here having a high old time. | 0:21:05 | 0:21:08 | |
Yes, indeed, indeed. | 0:21:08 | 0:21:10 | |
Are you going to finish that? | 0:21:10 | 0:21:12 | |
Funerals put me off my tucker. | 0:21:13 | 0:21:14 | |
Tell them what you were saying before. | 0:21:16 | 0:21:20 | |
It's interesting. | 0:21:20 | 0:21:22 | |
Where I come from, | 0:21:22 | 0:21:23 | |
we refrain from using the Christian name of the person | 0:21:23 | 0:21:26 | |
who's passed on. Or we don't look at pictures of them. | 0:21:26 | 0:21:31 | |
-Is that right? -Yeah. | 0:21:31 | 0:21:33 | |
Because of respect. | 0:21:33 | 0:21:35 | |
It allows the spirit to pass on. | 0:21:35 | 0:21:36 | |
We call them Kumantjay. | 0:21:38 | 0:21:40 | |
Kumantjay Goddard. | 0:21:40 | 0:21:42 | |
The things you learn. | 0:21:45 | 0:21:47 | |
I thought you'd be hanging off the front gate waiting for James. | 0:21:54 | 0:21:58 | |
Is it wrong to be excited at a funeral? | 0:21:59 | 0:22:01 | |
-I expect so. -You're a horrible man, Henry Fox, | 0:22:02 | 0:22:06 | |
but I don't think Douglas would mind. | 0:22:06 | 0:22:08 | |
He wanted everyone to be happy, didn't he? | 0:22:09 | 0:22:12 | |
Even if he didn't quite understand, he never judged. | 0:22:12 | 0:22:16 | |
James is coming home. | 0:22:20 | 0:22:21 | |
The men will be going down to the station soon. | 0:22:35 | 0:22:38 | |
You wouldn't like to say goodbye? | 0:22:39 | 0:22:41 | |
I'd like to be quiet for a little while. | 0:22:43 | 0:22:46 | |
Thank you. | 0:22:46 | 0:22:47 | |
All right. | 0:22:47 | 0:22:48 | |
Goodbye, my love. | 0:22:56 | 0:22:59 | |
-Thank you for coming. -Thank you so much. | 0:23:06 | 0:23:08 | |
-It was lovely. -You have a safe trip home. Thank you. | 0:23:08 | 0:23:10 | |
Thank you. | 0:23:10 | 0:23:12 | |
At least Mother made it through the service. | 0:23:14 | 0:23:16 | |
I wonder, should we bring her out to say goodbye to the men? | 0:23:16 | 0:23:19 | |
Carolyn's with her. She'll be... | 0:23:19 | 0:23:21 | |
The car! It's them. James and Olivia. | 0:23:21 | 0:23:24 | |
They're home. | 0:23:25 | 0:23:26 | |
-Shall we? -Yeah, come on. | 0:23:27 | 0:23:29 | |
Oh, my goodness. | 0:23:41 | 0:23:42 | |
It is so wonderful to see you all. | 0:23:44 | 0:23:46 | |
Elizabeth. | 0:23:49 | 0:23:50 | |
I'm so terribly sorry. | 0:23:52 | 0:23:54 | |
It's wonderful to have you back, my dear. | 0:23:54 | 0:23:56 | |
-Grammy, it's me! -It is, my darling. | 0:23:56 | 0:23:58 | |
-Olivia. -Let's get you inside. | 0:24:00 | 0:24:03 | |
Livi, darling. | 0:24:07 | 0:24:08 | |
Where is James? | 0:24:11 | 0:24:13 | |
Livi, what's going on? | 0:24:13 | 0:24:15 | |
What's happened? | 0:24:15 | 0:24:16 | |
Let's talk inside. | 0:24:16 | 0:24:18 | |
It's best if I speak with the family first. | 0:24:23 | 0:24:26 | |
Just tell me he's all right. | 0:24:28 | 0:24:30 | |
He is. | 0:24:31 | 0:24:32 | |
It's better this way. | 0:24:32 | 0:24:34 | |
I have rounds to do at the hospital. | 0:24:37 | 0:24:40 | |
I'll come and find you as soon as I can. | 0:24:40 | 0:24:43 | |
Moved, permanently. | 0:24:50 | 0:24:53 | |
-The Riviera?! -He wouldn't, not without telling us. | 0:24:53 | 0:24:55 | |
Please, let me finish. | 0:24:55 | 0:24:57 | |
This will not stand. | 0:24:57 | 0:24:58 | |
He's abandoning his child. | 0:24:58 | 0:25:00 | |
I beg you, George, everyone, let me start at the beginning. | 0:25:00 | 0:25:03 | |
We arrived in England, | 0:25:05 | 0:25:07 | |
playing roles that would quash any questions once we divorced. | 0:25:07 | 0:25:12 | |
Despite the subterfuge, we enjoyed ourselves. | 0:25:12 | 0:25:15 | |
Which is why the trip to see my brother in Cap Ferrat | 0:25:15 | 0:25:18 | |
seemed a good idea. | 0:25:18 | 0:25:20 | |
James could hardly come home without visiting William. | 0:25:20 | 0:25:23 | |
But when we got to the Riviera, it's as if it was destined to be. | 0:25:23 | 0:25:29 | |
As if what was destined to be? | 0:25:29 | 0:25:30 | |
His feelings for William. | 0:25:33 | 0:25:35 | |
It's a flight of fancy. | 0:25:35 | 0:25:36 | |
-That's what he's caught up in. -It's much more than that, George. | 0:25:36 | 0:25:39 | |
His kind, they're thought of differently there. | 0:25:39 | 0:25:43 | |
And what that meant to him, | 0:25:43 | 0:25:45 | |
dining with Somerset Maugham and Noel Coward, | 0:25:45 | 0:25:50 | |
Edward and Wallis Simpson, | 0:25:50 | 0:25:52 | |
to feel so accepted. | 0:25:52 | 0:25:54 | |
You mean to tell me that James has deserted his family, | 0:25:54 | 0:25:57 | |
his son? For a bunch of gin-soaked celebrities? | 0:25:57 | 0:26:01 | |
George. | 0:26:01 | 0:26:02 | |
He's staying for love. | 0:26:02 | 0:26:05 | |
He couldn't tell us this himself? | 0:26:05 | 0:26:07 | |
Being here would have only made it harder for...everyone. | 0:26:07 | 0:26:10 | |
Harder for himself. | 0:26:10 | 0:26:12 | |
He's not here because he's a damned coward. | 0:26:12 | 0:26:13 | |
-You don't mean that. -The hell I don't. | 0:26:13 | 0:26:16 | |
He thought this way would be easier for you. | 0:26:16 | 0:26:19 | |
Your health. | 0:26:20 | 0:26:22 | |
And what of Ash Park? | 0:26:22 | 0:26:24 | |
His life here? His responsibilities? | 0:26:24 | 0:26:27 | |
If you saw how contented he is... | 0:26:27 | 0:26:30 | |
William has a very successful design company. | 0:26:30 | 0:26:33 | |
James is helping him on the business side. | 0:26:33 | 0:26:35 | |
James?! Business?! | 0:26:35 | 0:26:37 | |
He thought you would want to telephone. | 0:26:46 | 0:26:49 | |
Did he? | 0:26:50 | 0:26:52 | |
It's the middle of the night there. | 0:26:52 | 0:26:53 | |
Excuse me. | 0:26:56 | 0:26:57 | |
-George. -This is not the behaviour of the man that I raised him to be. | 0:27:04 | 0:27:08 | |
-I've a mind to cut off his allowance. -Your mother! | 0:27:08 | 0:27:10 | |
Don't speak to him in anger. | 0:27:12 | 0:27:13 | |
The accommodations I made. And this is how he repays me. | 0:27:17 | 0:27:20 | |
You know that loving children isn't a quid pro quo transaction. | 0:27:20 | 0:27:24 | |
You've been a good father to him, as you are to David. | 0:27:24 | 0:27:26 | |
And when he abandons me for some bloody kibbutz in Israel?! | 0:27:26 | 0:27:29 | |
It's merely a matter of time before he deserts me too. | 0:27:32 | 0:27:35 | |
It's the natural way of things. | 0:27:38 | 0:27:39 | |
All boys separate themselves at some point. | 0:27:40 | 0:27:43 | |
International number, please. | 0:27:51 | 0:27:53 | |
France. Nice. | 0:27:53 | 0:27:56 | |
045471. | 0:27:56 | 0:28:00 | |
But they return in time. | 0:28:01 | 0:28:02 | |
With understanding. | 0:28:04 | 0:28:05 | |
James, wake up! | 0:28:11 | 0:28:14 | |
It's your father. | 0:28:14 | 0:28:16 | |
It will not do, James. | 0:28:16 | 0:28:17 | |
It will not do at all. | 0:28:17 | 0:28:19 | |
I simply will not stand for it. | 0:28:19 | 0:28:21 | |
And you know full bloody well | 0:28:21 | 0:28:22 | |
that we can't have a proper discussion on an open line. | 0:28:22 | 0:28:25 | |
Father, I realise that you're angry, | 0:28:25 | 0:28:28 | |
that this comes as a shock to you. | 0:28:28 | 0:28:30 | |
To have poor Olivia do your dirty work? | 0:28:30 | 0:28:32 | |
Left here to try to justify this appalling lack of character. | 0:28:32 | 0:28:36 | |
That is enough! I do not expect you to support my decision, | 0:28:36 | 0:28:39 | |
but you will respect it is mine to make. | 0:28:39 | 0:28:41 | |
No, not when you push the entire family aside. | 0:28:41 | 0:28:43 | |
Don't think I haven't thought about this long and hard, because I have. | 0:28:43 | 0:28:46 | |
If you could see my life here... | 0:28:46 | 0:28:48 | |
When you see my life here... | 0:28:54 | 0:28:56 | |
..you will understand. | 0:28:57 | 0:28:59 | |
I know it. | 0:28:59 | 0:29:00 | |
These fast friends of yours, this life you're living, | 0:29:00 | 0:29:04 | |
it's a passing fancy, James. | 0:29:04 | 0:29:06 | |
-Nothing more. -You're wrong. There is a future here. | 0:29:06 | 0:29:09 | |
Happiness. | 0:29:09 | 0:29:10 | |
Shouldn't a father want what's best for his son? | 0:29:12 | 0:29:14 | |
And what of Georgie, James? Your son? | 0:29:14 | 0:29:18 | |
What's best for him? | 0:29:18 | 0:29:20 | |
He will be loved no matter where he is, by Olivia, | 0:29:20 | 0:29:22 | |
and all of you when he is there, | 0:29:22 | 0:29:24 | |
and by me when he is old enough to travel. | 0:29:24 | 0:29:26 | |
You'd bring a child into that? | 0:29:26 | 0:29:27 | |
What, to a house filled with joy and laughter? | 0:29:27 | 0:29:29 | |
Who wouldn't want to grow up like that? | 0:29:29 | 0:29:31 | |
You were given every advantage. | 0:29:31 | 0:29:33 | |
Most of which you've frittered away. | 0:29:33 | 0:29:35 | |
And I am not ungrateful. | 0:29:35 | 0:29:36 | |
But that house, that life, it suffocates. | 0:29:36 | 0:29:40 | |
I know you understand that. | 0:29:40 | 0:29:42 | |
I hope in time you find a way to forgive me. | 0:29:45 | 0:29:47 | |
To understand. | 0:29:49 | 0:29:50 | |
I miss you all terribly. | 0:29:57 | 0:29:58 | |
So, there's... | 0:30:03 | 0:30:04 | |
..there's nothing I can say to change your mind? | 0:30:05 | 0:30:08 | |
I'm afraid not. | 0:30:09 | 0:30:11 | |
Very well. | 0:30:13 | 0:30:14 | |
Goodbye. | 0:30:17 | 0:30:18 | |
HE WHIMPERS | 0:30:24 | 0:30:26 | |
Apologetic, but unrepentant. | 0:30:45 | 0:30:49 | |
Wait until I get my hands on his skinny neck. | 0:30:49 | 0:30:52 | |
For what it's worth... | 0:30:53 | 0:30:54 | |
..I am sorry. | 0:30:55 | 0:30:57 | |
Olivia... | 0:30:59 | 0:31:01 | |
You know that you are always welcome here. | 0:31:02 | 0:31:05 | |
You and little Georgie. | 0:31:05 | 0:31:08 | |
Thank you. | 0:31:08 | 0:31:10 | |
It would be a grave mistake for you to stay here. | 0:31:10 | 0:31:13 | |
Mother! | 0:31:15 | 0:31:17 | |
I say, "Bravo, James. Bravo." | 0:31:17 | 0:31:20 | |
At last, someone in this family has had the courage | 0:31:22 | 0:31:25 | |
to embrace their happiness. | 0:31:25 | 0:31:27 | |
What are you saying? | 0:31:27 | 0:31:28 | |
Look at us. | 0:31:30 | 0:31:31 | |
Look at what obligation and duty have done to our lives. | 0:31:33 | 0:31:36 | |
How I wish I'd walked out of those gates when I was James's age. | 0:31:39 | 0:31:44 | |
How different my life could have been. | 0:31:44 | 0:31:46 | |
How much more time I would have had. | 0:31:49 | 0:31:51 | |
Curious indeed that she arrived without her husband. | 0:31:59 | 0:32:03 | |
It's none of our beeswax, is it? | 0:32:03 | 0:32:05 | |
One trusts there's not a more European reason. | 0:32:05 | 0:32:08 | |
We can give you a lift home if you'd like. | 0:32:08 | 0:32:10 | |
No, thanks, I'm parked round the bend. | 0:32:10 | 0:32:12 | |
SHE GROANS | 0:32:12 | 0:32:13 | |
Are you all right, Dawnie? | 0:32:13 | 0:32:15 | |
Mm. It's just a cramp. | 0:32:15 | 0:32:17 | |
She's been off her tucker too. | 0:32:17 | 0:32:19 | |
Oh, I see. | 0:32:19 | 0:32:21 | |
You see what? | 0:32:23 | 0:32:24 | |
It's too many figs. | 0:32:24 | 0:32:26 | |
The tree out the back's filthy with them. | 0:32:26 | 0:32:28 | |
Mm. | 0:32:28 | 0:32:29 | |
Very perilous fruit, the fig. | 0:32:29 | 0:32:31 | |
He's the eldest son, and it means nothing to him? | 0:32:40 | 0:32:44 | |
It's been a long day. | 0:32:44 | 0:32:46 | |
How about we take David down to the | 0:32:47 | 0:32:49 | |
-river bank while there's still some sun? -I've been a fool. | 0:32:49 | 0:32:52 | |
I've been a blind fool. | 0:32:52 | 0:32:54 | |
You couldn't have foreseen this. | 0:32:54 | 0:32:56 | |
I shouldn't have let James go, | 0:32:56 | 0:32:57 | |
and I shouldn't have let Richard into our lives. | 0:32:57 | 0:32:59 | |
We can't change the past. | 0:32:59 | 0:33:01 | |
But we can look forward. | 0:33:01 | 0:33:04 | |
Yes, we can look forward. | 0:33:04 | 0:33:07 | |
Why not let him have it? | 0:33:09 | 0:33:11 | |
Richard, why not let him have Ash Park? | 0:33:15 | 0:33:18 | |
SHE SCOFFS | 0:33:18 | 0:33:20 | |
Why am I fighting for something that no-one else wants? | 0:33:20 | 0:33:23 | |
James may well reconsider. | 0:33:23 | 0:33:25 | |
Mother's right. | 0:33:25 | 0:33:26 | |
Why shouldn't we all be free to pursue happiness? | 0:33:28 | 0:33:30 | |
MURMURING | 0:33:34 | 0:33:36 | |
It's a terrible blow. | 0:33:45 | 0:33:46 | |
I gave up a life for him. | 0:33:48 | 0:33:50 | |
A career. | 0:33:51 | 0:33:52 | |
Friends. | 0:33:53 | 0:33:54 | |
For him. | 0:33:57 | 0:33:58 | |
I hope he rots in the stinking Riviera. | 0:34:00 | 0:34:02 | |
Finish the letter. | 0:34:06 | 0:34:07 | |
I'm not even worth a telephone call. | 0:34:09 | 0:34:11 | |
Henry. | 0:34:22 | 0:34:23 | |
Oh, Henry. | 0:34:31 | 0:34:32 | |
I wrote to him every day. | 0:34:37 | 0:34:38 | |
Every day. | 0:34:41 | 0:34:42 | |
He was with someone else. | 0:34:46 | 0:34:47 | |
William was... | 0:34:51 | 0:34:52 | |
..a great love. | 0:34:54 | 0:34:55 | |
I suppose... | 0:34:59 | 0:35:00 | |
..I've come to see that... | 0:35:02 | 0:35:03 | |
..there is love... | 0:35:04 | 0:35:06 | |
..and then there is great love. | 0:35:08 | 0:35:09 | |
Like Elizabeth and Douglas. | 0:35:11 | 0:35:13 | |
Why not James and I? | 0:35:16 | 0:35:17 | |
Nor he and I. | 0:35:24 | 0:35:25 | |
Yes, yes, Mr Fox may well think that's how the rosters should be, | 0:36:47 | 0:36:51 | |
but that doesn't make it any of his business. | 0:36:51 | 0:36:53 | |
I've got to go. | 0:36:56 | 0:36:57 | |
-I need to talk to you. -If it's about rosters then you can... | 0:37:19 | 0:37:22 | |
Who asked you to order toxicology on Douglas Goddard? | 0:37:24 | 0:37:27 | |
Who asked you to open my mail? | 0:37:27 | 0:37:29 | |
Was it you? | 0:37:41 | 0:37:43 | |
-You were close to Douglas. -You know my feelings on that. | 0:37:43 | 0:37:45 | |
Someone wasn't so reticent. | 0:37:45 | 0:37:47 | |
You were the one promoting a comfortable death. | 0:37:47 | 0:37:49 | |
Which is why I wanted the report. | 0:37:49 | 0:37:51 | |
I told you that. Insurance. | 0:37:51 | 0:37:53 | |
We had no cause to think that's what's happened. | 0:37:53 | 0:37:55 | |
You and I both know that Douglas died too suddenly. | 0:38:02 | 0:38:05 | |
We have a responsibility to find out what happened. | 0:38:05 | 0:38:08 | |
What, you want to start an inquisition? | 0:38:08 | 0:38:11 | |
They're a grieving family. My grieving family. | 0:38:11 | 0:38:14 | |
I've been blackmailed once before. | 0:38:16 | 0:38:18 | |
By a member of your family. | 0:38:18 | 0:38:20 | |
Regina, a long time ago. | 0:38:21 | 0:38:23 | |
Any number of people had access to Douglas before he died. | 0:38:27 | 0:38:31 | |
Friends, men from the refuge... | 0:38:31 | 0:38:33 | |
Your family. | 0:38:33 | 0:38:34 | |
Anyone could have given him the phenobarbital. | 0:38:34 | 0:38:36 | |
I'll look into it. | 0:38:41 | 0:38:42 | |
Look fast. | 0:38:45 | 0:38:46 | |
Sarah. | 0:39:01 | 0:39:02 | |
Regina, what are you doing here? | 0:39:04 | 0:39:06 | |
If the mountain won't come to Mohammed... | 0:39:06 | 0:39:07 | |
If you'll excuse me. | 0:39:07 | 0:39:09 | |
I won't keep you long. | 0:39:09 | 0:39:10 | |
I hoped that you might have returned from Canberra | 0:39:10 | 0:39:13 | |
more open to accepting me once you read my letter. | 0:39:13 | 0:39:17 | |
I didn't bother. I tore it up. | 0:39:17 | 0:39:19 | |
It was important. | 0:39:20 | 0:39:21 | |
I do wish you'd told me that you promised David was safe. | 0:39:23 | 0:39:26 | |
What else is there to say? | 0:39:26 | 0:39:28 | |
I accept that you have George's confidence, but mine... | 0:39:29 | 0:39:32 | |
It's not relevant. Let's just leave it at that. | 0:39:32 | 0:39:35 | |
I was hoping that once you understood | 0:39:37 | 0:39:39 | |
what happened with Rene... | 0:39:39 | 0:39:40 | |
Rene? | 0:39:44 | 0:39:46 | |
I know what he meant to you. | 0:39:46 | 0:39:48 | |
Your marriage, your shared faith. | 0:39:48 | 0:39:50 | |
It wasn't Rene who pulled the trigger. It was me. | 0:39:52 | 0:39:55 | |
It wasn't Rene. | 0:40:10 | 0:40:12 | |
And I didn't do it with any malevolence or intent. | 0:40:13 | 0:40:16 | |
I came across them arguing, George and Rene. | 0:40:18 | 0:40:21 | |
Rene was very agitated. | 0:40:21 | 0:40:23 | |
Put the gun down! | 0:40:23 | 0:40:25 | |
I tried to take the gun. | 0:40:26 | 0:40:28 | |
There was a scuffle. And in the confusion, it went off. | 0:40:28 | 0:40:31 | |
GUNSHOT | 0:40:31 | 0:40:33 | |
I never believed Rene shot George. | 0:40:38 | 0:40:40 | |
Believing and knowing are two very different things. | 0:40:42 | 0:40:45 | |
That's why the letter was so important. | 0:40:45 | 0:40:47 | |
I'm serious about making amends. | 0:40:50 | 0:40:52 | |
This is my way of proving it to you. | 0:40:55 | 0:40:57 | |
We going to talk about this any time soon? | 0:41:24 | 0:41:26 | |
You're in the family way, aren't you? | 0:41:31 | 0:41:33 | |
Doris ain't the only one that can put two and two together. | 0:41:37 | 0:41:40 | |
Don't be angry. | 0:41:41 | 0:41:43 | |
I didn't know how to tell you. | 0:41:43 | 0:41:45 | |
I know how you feel about more little ones. | 0:41:48 | 0:41:52 | |
And with Emma off our hands in a few years... | 0:41:52 | 0:41:56 | |
Now I'm closer to Douglas Goddard's age than yours. | 0:41:57 | 0:42:00 | |
Who knows how long a man's got? | 0:42:01 | 0:42:03 | |
Well, rather a short time with you.. | 0:42:06 | 0:42:10 | |
..and our bub, | 0:42:12 | 0:42:13 | |
than a long time with neither. | 0:42:13 | 0:42:15 | |
Maybe a little bundle of joy | 0:42:22 | 0:42:23 | |
is just what the doctor ordered right about now, eh? | 0:42:23 | 0:42:26 | |
It's half shock, | 0:42:29 | 0:42:32 | |
half blessing, isn't it? | 0:42:32 | 0:42:34 | |
No, it's all blessing, Dawnie. | 0:42:35 | 0:42:37 | |
It's all blessing. | 0:42:39 | 0:42:40 | |
And you think it was me? | 0:42:42 | 0:42:44 | |
I have to ask. | 0:42:44 | 0:42:46 | |
-Do you? -If there was to be a proper investigation... | 0:42:46 | 0:42:48 | |
Whoever did it deserves a medal. | 0:42:50 | 0:42:52 | |
Look, I don't want this getting out of hand. | 0:42:53 | 0:42:56 | |
Henry's ready to bring in the police, | 0:42:56 | 0:42:58 | |
which actually is his duty. | 0:42:58 | 0:43:00 | |
If that's everything... | 0:43:00 | 0:43:02 | |
Caro! | 0:43:02 | 0:43:04 | |
Don't you dare mention this to Mother. | 0:43:04 | 0:43:06 | |
They weren't happy faces. | 0:43:17 | 0:43:18 | |
Did you check? | 0:43:22 | 0:43:23 | |
Oh, ah, yes, everyone who signed out phenobarbital. | 0:43:24 | 0:43:27 | |
Nothing out of the ordinary. | 0:43:27 | 0:43:29 | |
You saw Douglas before you went to Canberra. | 0:43:34 | 0:43:36 | |
That's right. | 0:43:36 | 0:43:38 | |
Anything I should know? | 0:43:38 | 0:43:39 | |
I have to ask. Someone did. | 0:43:41 | 0:43:43 | |
Perhaps a man from the refuge worked at the party. | 0:43:47 | 0:43:50 | |
You know what we're doing, don't you? | 0:43:51 | 0:43:53 | |
Avoiding the obvious. | 0:43:55 | 0:43:57 | |
We were escaping from some action against the Germans. | 0:44:08 | 0:44:12 | |
And there was a field we had to cross. | 0:44:12 | 0:44:14 | |
Two shots sounded and she fell. | 0:44:16 | 0:44:18 | |
Her name... | 0:44:21 | 0:44:23 | |
Her name was Ness. | 0:44:25 | 0:44:26 | |
Her resistance name Simone. | 0:44:28 | 0:44:30 | |
She was a good friend. | 0:44:32 | 0:44:34 | |
A good fighter. | 0:44:35 | 0:44:36 | |
I couldn't move her. | 0:44:40 | 0:44:42 | |
And she couldn't bear the idea of what the Nazis would do to her | 0:44:44 | 0:44:47 | |
if she were captured, so... | 0:44:47 | 0:44:49 | |
She begged me. | 0:44:51 | 0:44:52 | |
To look into the eyes of... | 0:44:57 | 0:44:59 | |
..someone you care for so much... | 0:45:01 | 0:45:03 | |
..and be asked to take their life. | 0:45:05 | 0:45:07 | |
What did you do? | 0:45:09 | 0:45:11 | |
I did it. | 0:45:13 | 0:45:14 | |
How could I not? | 0:45:16 | 0:45:17 | |
MOURNFUL MUSIC | 0:45:19 | 0:45:21 | |
I helped Douglas. | 0:45:47 | 0:45:49 | |
May God forgive me enough to allow us to meet again in the afterlife. | 0:45:53 | 0:45:57 | |
You have to tell the truth about that afternoon. | 0:45:59 | 0:46:02 | |
Well, I can't. There's too much turmoil in this house. | 0:46:04 | 0:46:08 | |
-I can't. -At least tell Henry. | 0:46:08 | 0:46:09 | |
His respect for you will be the only thing that stops him from calling | 0:46:10 | 0:46:14 | |
in the police. Because if he does, | 0:46:14 | 0:46:15 | |
the strength of your beliefs may make you immune from inquiry, | 0:46:15 | 0:46:20 | |
but not the men of the refuge. | 0:46:20 | 0:46:22 | |
It was Douglas' choice. | 0:46:29 | 0:46:31 | |
And I will not have any of the men from the refuge crucified for it. | 0:46:32 | 0:46:36 | |
One of them clearly loved Douglas enough to help him. | 0:46:37 | 0:46:41 | |
You knew he had the means? | 0:46:41 | 0:46:43 | |
Not until the end. | 0:46:45 | 0:46:46 | |
Was it his doing alone? | 0:46:48 | 0:46:50 | |
It was | 0:46:53 | 0:46:55 | |
Douglas' choice. | 0:46:55 | 0:46:56 | |
I see no need to take it further. | 0:47:00 | 0:47:02 | |
So now we're just to pretend that nothing untoward has happened. | 0:47:05 | 0:47:08 | |
I'll see to it that my friend destroys the carbon. | 0:47:23 | 0:47:26 | |
Thank you, Henry. | 0:47:27 | 0:47:28 | |
I'm very grateful. | 0:47:30 | 0:47:31 | |
Now, if you'll excuse me, I... | 0:47:33 | 0:47:35 | |
SHE SNIFFLES | 0:47:35 | 0:47:36 | |
..have some preparations to make. | 0:47:36 | 0:47:38 | |
Take off. | 0:47:45 | 0:47:47 | |
It's comforting, isn't it? The resilience of children. | 0:47:51 | 0:47:54 | |
What have you told Georgie? | 0:47:56 | 0:47:58 | |
That Grandpa Douglas has gone to visit the angels. | 0:48:00 | 0:48:04 | |
And Daddy... | 0:48:05 | 0:48:06 | |
..is on holidays with a school friend. | 0:48:08 | 0:48:10 | |
Is that wrong of me? | 0:48:12 | 0:48:13 | |
Oh, where's the harm in protecting them from unhappiness? | 0:48:13 | 0:48:16 | |
Darling, Mother's about to leave. | 0:48:17 | 0:48:20 | |
Oh, she didn't say. | 0:48:20 | 0:48:22 | |
She's asking to see you. | 0:48:22 | 0:48:23 | |
Will you keep your eye on him? | 0:48:26 | 0:48:27 | |
-Yes, of course. -Thank you. | 0:48:27 | 0:48:29 | |
Oh! How did we go? | 0:48:32 | 0:48:35 | |
Did we take off everywhere? | 0:48:35 | 0:48:36 | |
Surely this isn't all you're taking. | 0:48:38 | 0:48:40 | |
I'll pack up some things tomorrow and send them on. | 0:48:40 | 0:48:42 | |
I'm taking all that I need. | 0:48:42 | 0:48:44 | |
How much does one need for a visit to the city anyway? | 0:48:44 | 0:48:46 | |
Haven't you heard? It's not a visit. | 0:48:46 | 0:48:48 | |
I've decided that some things, some memories, are best left behind. | 0:48:48 | 0:48:53 | |
I'm not yet strong enough to return to our home. | 0:48:53 | 0:48:56 | |
Prudence has offered hers. | 0:48:56 | 0:48:58 | |
She's away, so it'll be perfect. | 0:48:58 | 0:49:00 | |
And Anna will stay with her for as long as Mother needs. | 0:49:00 | 0:49:04 | |
-You will come back and see us soon? -Or we can come to you. | 0:49:04 | 0:49:07 | |
I am so very grateful for your understanding. | 0:49:08 | 0:49:11 | |
Perhaps I could travel with you, Mother, help you get settled. | 0:49:18 | 0:49:21 | |
You have fussed quite enough. | 0:49:21 | 0:49:23 | |
And I've appreciated it. | 0:49:24 | 0:49:26 | |
Grandpa Douglas. | 0:49:54 | 0:49:56 | |
Thank you | 0:50:11 | 0:50:12 | |
for the most wonderful day. | 0:50:12 | 0:50:15 | |
It was too much for you. | 0:50:15 | 0:50:17 | |
I shouldn't have done it. | 0:50:17 | 0:50:19 | |
After our wedding day... | 0:50:21 | 0:50:22 | |
..this has been the happiest day of my life. | 0:50:24 | 0:50:26 | |
And to see the men. | 0:50:27 | 0:50:29 | |
Oh, my God, Lizzie, you have no idea what that meant to me. | 0:50:29 | 0:50:32 | |
And to them. | 0:50:32 | 0:50:34 | |
HE SIGHS | 0:50:34 | 0:50:35 | |
-What is it? -Light me a... | 0:50:38 | 0:50:40 | |
Here, let me help you. | 0:50:41 | 0:50:43 | |
-No. -It's all right. | 0:50:43 | 0:50:45 | |
Leave me. | 0:50:45 | 0:50:46 | |
You know, Lizzie... | 0:50:53 | 0:50:54 | |
..we've come to that sweet... | 0:50:56 | 0:50:58 | |
..and perfect day. | 0:50:59 | 0:51:00 | |
The most perfect day... | 0:51:03 | 0:51:04 | |
..for me to take my leave. | 0:51:06 | 0:51:07 | |
Don't you think? | 0:51:09 | 0:51:10 | |
What's in that bottle? | 0:51:12 | 0:51:14 | |
But I can only go with your blessing. | 0:51:15 | 0:51:17 | |
RASPING BREATHS | 0:51:17 | 0:51:20 | |
Not yet. | 0:51:20 | 0:51:22 | |
Not now. | 0:51:24 | 0:51:25 | |
I'm being selfish, I know, but we have more time. | 0:51:28 | 0:51:33 | |
You're the first real happiness in my life. | 0:51:35 | 0:51:38 | |
And you for me. | 0:51:40 | 0:51:41 | |
But my poor old body's done for. | 0:51:44 | 0:51:46 | |
I can't manage any more. | 0:51:48 | 0:51:50 | |
GROANING | 0:52:01 | 0:52:02 | |
Can't you see it's hopeless? | 0:52:02 | 0:52:04 | |
Give it to me. | 0:52:07 | 0:52:08 | |
No, no, I can't have you involved. | 0:52:08 | 0:52:11 | |
Before I change my mind. | 0:52:11 | 0:52:12 | |
But, but your fingerprints. | 0:52:12 | 0:52:14 | |
I'll get rid of it. | 0:52:15 | 0:52:17 | |
Oh, Lizzie. | 0:52:21 | 0:52:24 | |
I love you | 0:52:25 | 0:52:26 | |
so much. | 0:52:26 | 0:52:28 | |
Please, let's kiss now. | 0:52:28 | 0:52:31 | |
You know what I'd like to hear? | 0:52:46 | 0:52:48 | |
Chopin. | 0:52:50 | 0:52:51 | |
Tristesse. It's on the table. | 0:52:52 | 0:52:54 | |
MUSIC: Tristesse by Chopin | 0:53:28 | 0:53:31 | |
Don't mind me if I... | 0:53:36 | 0:53:37 | |
..doze off. | 0:53:39 | 0:53:41 | |
Wish I was coming with you. | 0:53:41 | 0:53:43 | |
RASPING BREATHS | 0:53:43 | 0:53:46 | |
I'll be waiting for you when you do. | 0:53:46 | 0:53:48 | |
Goodbye... | 0:53:57 | 0:53:58 | |
..my love. | 0:54:00 | 0:54:01 | |
Oh, Douglas. | 0:54:04 | 0:54:05 | |
Douglas. | 0:54:07 | 0:54:08 | |
HE GROANS | 0:54:14 | 0:54:16 | |
My darling. | 0:54:23 | 0:54:24 | |
MUSIC CONTINUES | 0:54:39 | 0:54:42 | |
Best thing for it, Mrs Goddard. | 0:54:49 | 0:54:51 | |
Does a heavy heart the world of good. | 0:54:54 | 0:54:56 | |
-TEARFULLY: -Thank you, Raymond. | 0:54:59 | 0:55:01 |