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This programme contains some strong language. | 0:00:05 | 0:00:10 | |
Why are you doing it? | 0:00:34 | 0:00:36 | |
Oh, get in. | 0:00:36 | 0:00:37 | |
Why are you doing it? Who are you doing it for? | 0:00:37 | 0:00:39 | |
Just leave it, Mum. | 0:00:39 | 0:00:40 | |
Cos you're not doing it for us. | 0:00:40 | 0:00:42 | |
You're doing it cos you're too proud not to do it. | 0:00:42 | 0:00:44 | |
-You're doing it cos you're too stubborn not to do it. -That's right. | 0:00:44 | 0:00:46 | |
You're doing it for all the wrong bloody reasons, you stupid cow! | 0:00:46 | 0:00:50 | |
-Hi, Sue. -Why are you bringing my mum into this? | 0:01:44 | 0:01:46 | |
-It's got nothing to do with her. -Get in the house. | 0:01:46 | 0:01:48 | |
-She's doing this because you're her mate. That's what she said. -Get in! | 0:01:48 | 0:01:51 | |
-She's had a drink. She's been bricking it. -Take no notice. | 0:01:51 | 0:01:53 | |
You've made her have a drink. Boozing all night. | 0:01:53 | 0:01:56 | |
If you want to cause trouble, go ahead, | 0:01:56 | 0:01:58 | |
but don't bring my mum into it. | 0:01:58 | 0:02:00 | |
It's gorgeous. | 0:02:31 | 0:02:32 | |
It's off the shoulder | 0:02:32 | 0:02:33 | |
and it comes right down and shows off all my decolletage. | 0:02:33 | 0:02:36 | |
Your what? | 0:02:36 | 0:02:38 | |
Boobs. Don't you watch Gok? | 0:02:38 | 0:02:40 | |
-No. -Anyway, I've got this matching handbag and... | 0:02:40 | 0:02:43 | |
You don't think it's too much, do you? | 0:02:43 | 0:02:44 | |
It might be, it is a funeral. | 0:02:46 | 0:02:47 | |
They said not to wear black, with him being young. | 0:02:47 | 0:02:50 | |
The older ones can. Boys'll wear their hoodies, | 0:02:50 | 0:02:52 | |
girls are going to do their own thing. | 0:02:52 | 0:02:54 | |
Well, that's what his mother said. Nothing too depressing. | 0:02:54 | 0:02:57 | |
You have sorted it with them, haven't you? | 0:03:02 | 0:03:04 | |
Sorted what? | 0:03:04 | 0:03:05 | |
Staying open. | 0:03:05 | 0:03:06 | |
I don't need their permission to open me own shop. | 0:03:06 | 0:03:09 | |
You should have told me. | 0:03:12 | 0:03:14 | |
You let me sit there! Oh, God. | 0:03:14 | 0:03:17 | |
I'm sorry. Don't have a go at me, all right? It wasn't my fault. | 0:03:18 | 0:03:21 | |
How many customers did you get? | 0:03:43 | 0:03:45 | |
-A few. -How many's a few? | 0:03:45 | 0:03:46 | |
-I don't know. Five. -Five? -Yeah. -Did the lads come round? | 0:03:46 | 0:03:48 | |
You put yourself in all sorts of danger just to do five customers? | 0:03:48 | 0:03:51 | |
No. That's not why we did it. We did it cos it was right. | 0:03:51 | 0:03:54 | |
Did they come round? | 0:03:54 | 0:03:55 | |
Yes, they came round. | 0:03:55 | 0:03:56 | |
-Who? -I don't know who. They had hoods up. -The right thing to do? | 0:03:56 | 0:03:59 | |
-Yeah. What example is it to him? -What did they say? | 0:03:59 | 0:04:02 | |
..out of cowardice? What sort of example is that? | 0:04:02 | 0:04:04 | |
You're not Gary Cooper, you're a hairdresser. You know why you only did a few? | 0:04:04 | 0:04:07 | |
-Shall I tell you why? -Did they say anything? -No. | 0:04:07 | 0:04:10 | |
Cos all your bloody customers had too much sense, that's why. | 0:04:10 | 0:04:13 | |
-There was never any reason to open. -We proved a point. -They didn't say anything? | 0:04:13 | 0:04:17 | |
-No, they didn't, and I'm getting sick of this inquisition. -Did they DO anything? | 0:04:17 | 0:04:20 | |
-I've cooked, as well as going to work all day. -What did they DO? | 0:04:20 | 0:04:23 | |
I've cooked a meal and I'd like us to eat it! | 0:04:23 | 0:04:25 | |
-Where are you going? -Out. | 0:04:25 | 0:04:27 | |
POLICE SIREN WAILS | 0:04:39 | 0:04:41 | |
Half of lager and a G and T, yeah? | 0:04:45 | 0:04:46 | |
No. | 0:04:48 | 0:04:50 | |
Oh, right. She said G and T. | 0:04:50 | 0:04:51 | |
I drink G and T, but I want nothing off of you. | 0:04:51 | 0:04:54 | |
Right. | 0:04:54 | 0:04:56 | |
You didn't shut your shop. | 0:05:01 | 0:05:04 | |
No. | 0:05:04 | 0:05:06 | |
We were hoping everyone would. As a mark of respect. | 0:05:06 | 0:05:08 | |
I was going to. | 0:05:08 | 0:05:10 | |
Not out of respect for the thug who got knocked off his bike | 0:05:10 | 0:05:13 | |
but out of respect for his mother. | 0:05:13 | 0:05:14 | |
When two snotty-nosed kids walk in my shop | 0:05:14 | 0:05:17 | |
and demand that I shut it - not ask me, demand - that is not on. | 0:05:17 | 0:05:21 | |
Will you shut it tomorrow? | 0:05:23 | 0:05:24 | |
No. | 0:05:24 | 0:05:26 | |
I'm facing a bit of a dilemma here then, sweetheart. | 0:05:28 | 0:05:31 | |
Maureen. | 0:05:31 | 0:05:32 | |
Maureen. The lads know that I'm talking to you. | 0:05:32 | 0:05:34 | |
I need to go back to them, | 0:05:34 | 0:05:36 | |
tell them that you're sorry and that you're going to make up for it. | 0:05:36 | 0:05:40 | |
-Two left. Do you want them? -Yeah. | 0:05:40 | 0:05:42 | |
-Well, actually I was asking... -No, it's fine, it's fine, love. | 0:05:42 | 0:05:45 | |
So, can I tell them that? | 0:05:47 | 0:05:49 | |
No. | 0:05:49 | 0:05:51 | |
Well, that puts me in an even bigger dilemma. | 0:05:51 | 0:05:54 | |
Do you want to open it? | 0:05:54 | 0:05:56 | |
No. | 0:05:56 | 0:05:57 | |
Mrs M? | 0:05:57 | 0:05:59 | |
I've no room for manoeuvre, you see. | 0:06:01 | 0:06:03 | |
You OK? | 0:06:06 | 0:06:07 | |
Yes, fine. | 0:06:07 | 0:06:09 | |
Twenty two. Parky again. | 0:06:10 | 0:06:13 | |
I'm not going to be bossed around by snotty-nosed little kids. | 0:06:13 | 0:06:17 | |
OK. | 0:06:20 | 0:06:21 | |
Your funeral. | 0:06:22 | 0:06:23 | |
What's the worst they can do? Shoot us? | 0:06:54 | 0:06:56 | |
Better that than kowtow to 'em. | 0:06:57 | 0:06:59 | |
I'd love botox. | 0:07:02 | 0:07:04 | |
-You don't need it. -I've got lines. | 0:07:04 | 0:07:06 | |
They're laughter lines. | 0:07:06 | 0:07:08 | |
Nothing's that funny. | 0:07:08 | 0:07:10 | |
I wanted these done next. | 0:07:11 | 0:07:13 | |
But he said no. He said, "Just get tissue paper, right, | 0:07:13 | 0:07:16 | |
"and rub it between them once or twice a day." | 0:07:16 | 0:07:18 | |
I said, "How's that going to make me boobs bigger?" | 0:07:18 | 0:07:20 | |
He said, "Well, it works on your arse." | 0:07:20 | 0:07:23 | |
GUNSHOT | 0:07:26 | 0:07:28 | |
That sounded like a gun. | 0:07:30 | 0:07:31 | |
It was a gun. | 0:07:31 | 0:07:33 | |
-It could have been a car backfire. -Trust me, that was a gun. | 0:07:33 | 0:07:35 | |
MOBILE RINGS | 0:07:35 | 0:07:37 | |
That's mine. | 0:07:37 | 0:07:38 | |
-Sean? -'Mum.' | 0:07:42 | 0:07:43 | |
Sounded like it was that way. | 0:07:43 | 0:07:45 | |
Where are you! | 0:07:46 | 0:07:47 | |
'Mum.' | 0:07:47 | 0:07:49 | |
Speak to me. Answer me, Sean! | 0:07:49 | 0:07:51 | |
Answer me, Sean! | 0:07:51 | 0:07:53 | |
Oh! | 0:07:53 | 0:07:56 | |
Oh! | 0:07:57 | 0:07:59 | |
Oh, Sean! Oh, no, no. | 0:07:59 | 0:08:02 | |
Oh, Sean! Oh, Sean! | 0:08:02 | 0:08:05 | |
Help! Help me! Oh, my baby. | 0:08:05 | 0:08:09 | |
Help me! | 0:08:12 | 0:08:13 | |
Ambulance. | 0:08:13 | 0:08:15 | |
Whoa, whoa, hang on a minute, me coat's in there. | 0:08:20 | 0:08:23 | |
-She's locking up. -I've only got one eyebrow. | 0:08:23 | 0:08:25 | |
I can't walk round like this! | 0:08:25 | 0:08:27 | |
Is he home? Good, keep him in. | 0:08:27 | 0:08:30 | |
I'm going to the hospital now. I'll call you when I know something. | 0:08:30 | 0:08:35 | |
I've got a blind date tonight. | 0:08:35 | 0:08:36 | |
If he can't see, he won't notice, will he? | 0:08:36 | 0:08:38 | |
Very funny. | 0:08:38 | 0:08:40 | |
Who told you? | 0:08:53 | 0:08:54 | |
He died in the ambulance. | 0:08:59 | 0:09:00 | |
They tried everything, but it was no good. | 0:09:02 | 0:09:05 | |
Thanks. | 0:09:07 | 0:09:08 | |
I've got to call John now. Thanks. | 0:09:10 | 0:09:14 | |
Oh, Sue. | 0:09:14 | 0:09:15 | |
Have you got any coins? I put all I had in. | 0:09:15 | 0:09:17 | |
Yeah. | 0:09:17 | 0:09:19 | |
I'm sorry, love. I'm so sorry. | 0:09:22 | 0:09:24 | |
-Hey, John. It's Sue. -'Sue? | 0:09:35 | 0:09:37 | |
'You all right, love?' | 0:09:37 | 0:09:40 | |
I've got some bad news. | 0:09:40 | 0:09:42 | |
'What's happened?' | 0:09:42 | 0:09:43 | |
Is it your brother John? | 0:09:46 | 0:09:48 | |
'Sue!' | 0:09:49 | 0:09:50 | |
Hiya, John, love. It's Mo. | 0:09:50 | 0:09:52 | |
'Mo? What's going on?' | 0:09:52 | 0:09:54 | |
It's about Sean. | 0:09:54 | 0:09:55 | |
He's dead. | 0:09:59 | 0:10:01 | |
'Dead?' | 0:10:01 | 0:10:02 | |
Shot. | 0:10:02 | 0:10:04 | |
Yeah. | 0:10:04 | 0:10:07 | |
John, can I call you back later, love? | 0:10:09 | 0:10:12 | |
Say it. | 0:11:24 | 0:11:25 | |
"I told you so"? | 0:11:27 | 0:11:29 | |
Yeah. | 0:11:29 | 0:11:30 | |
No. | 0:11:30 | 0:11:31 | |
What do we do about our Jake? | 0:11:34 | 0:11:36 | |
He could be next. | 0:11:38 | 0:11:39 | |
If they can kill Sean, they can kill him. | 0:11:41 | 0:11:43 | |
We'll keep him in. | 0:11:43 | 0:11:44 | |
We can't keep him in for ever. | 0:11:46 | 0:11:48 | |
Doesn't have to be for ever. | 0:11:48 | 0:11:49 | |
We'll move. | 0:11:50 | 0:11:51 | |
We can't stay round here. | 0:11:52 | 0:11:54 | |
Poor Sean. | 0:11:58 | 0:12:00 | |
Poor, poor Sean. | 0:12:03 | 0:12:04 | |
What sort of idiots would do this? | 0:14:09 | 0:14:10 | |
Soldier? He was a 15-year-old boy! | 0:14:15 | 0:14:17 | |
Oh, Mo. | 0:14:23 | 0:14:24 | |
He was in a gang? | 0:14:26 | 0:14:27 | |
How could he be in a gang and me not know? | 0:14:32 | 0:14:33 | |
Anything else? | 0:14:41 | 0:14:43 | |
Yeah. | 0:14:45 | 0:14:46 | |
When can I bury him? | 0:14:47 | 0:14:48 | |
It might take a while, I'm afraid. | 0:14:50 | 0:14:52 | |
Whoever we charge might want another post mortem, you see. | 0:14:54 | 0:14:57 | |
Weeks? | 0:14:59 | 0:15:00 | |
Yes. | 0:15:01 | 0:15:02 | |
So in order to bury him, she needs permission from whoever's killed him? | 0:15:02 | 0:15:06 | |
Yes. | 0:15:08 | 0:15:09 | |
Months? | 0:15:11 | 0:15:13 | |
If it goes on too long, | 0:15:13 | 0:15:15 | |
we'll get another pathologist to do a post mortem | 0:15:15 | 0:15:17 | |
and the defence'll have to accept that. | 0:15:17 | 0:15:19 | |
So not months, no. | 0:15:19 | 0:15:20 | |
Thanks. | 0:15:21 | 0:15:22 | |
Can our liaison team do anything for you? | 0:15:25 | 0:15:27 | |
Not unless you've got two bottles of vodka. | 0:15:28 | 0:15:31 | |
Join the queue. | 0:15:31 | 0:15:32 | |
We'll be in touch with any further developments, all right? | 0:15:45 | 0:15:49 | |
Er, what's SOS, by the way? | 0:15:49 | 0:15:52 | |
Sorry? | 0:15:53 | 0:15:54 | |
You've marked his file SOS. | 0:15:54 | 0:15:56 | |
I've no idea. | 0:15:58 | 0:15:59 | |
PHONE RINGS | 0:16:05 | 0:16:07 | |
-I mean, I can't afford that. -I can't, either, do you know what I mean? | 0:16:16 | 0:16:21 | |
I'm really sorry, Sue. | 0:16:22 | 0:16:24 | |
I'm so, so sorry, love. | 0:16:24 | 0:16:26 | |
Thanks. | 0:16:26 | 0:16:27 | |
I really am. He was, he was a lovely lad, a lovely, lovely boy. | 0:16:27 | 0:16:31 | |
Thanks. | 0:16:31 | 0:16:32 | |
Oh, I don't know what to say to her. | 0:16:35 | 0:16:38 | |
I'm sorry about this, Sue. | 0:16:38 | 0:16:40 | |
-You call yourselves "Women Against Guns", yeah? -Yeah. | 0:16:40 | 0:16:43 | |
-And you're the chair? -Yeah. | 0:16:43 | 0:16:45 | |
Why'd you close your shop on Monday? | 0:16:45 | 0:16:47 | |
They told me to. | 0:16:51 | 0:16:52 | |
Or else? | 0:16:52 | 0:16:54 | |
Yeah. | 0:16:54 | 0:16:55 | |
So you're saying Sean was killed cos we opened our shop. | 0:16:56 | 0:16:58 | |
That dirty look of yours, that's what it's saying. | 0:16:58 | 0:17:01 | |
No. Sean was killed cos you closed yours, | 0:17:01 | 0:17:04 | |
and loads of others closed theirs. | 0:17:04 | 0:17:06 | |
If we'd all opened up, what would they have done? Shot us all? | 0:17:06 | 0:17:09 | |
Women Against Guns? You're a bloody joke. | 0:17:10 | 0:17:14 | |
You go home to your mothers! | 0:17:18 | 0:17:20 | |
(BOY) Fuck off! You're fucking dead! | 0:17:20 | 0:17:22 | |
I want his death to make a difference. | 0:17:23 | 0:17:25 | |
I'm going to join Women Against Guns. | 0:17:27 | 0:17:30 | |
I've just called them a bloody joke. | 0:17:31 | 0:17:33 | |
People get told they've got cancer and they start doing all sorts, | 0:17:41 | 0:17:43 | |
don't they? | 0:17:43 | 0:17:45 | |
Parachute jumps and marathons, sponsored this and sponsored that. | 0:17:45 | 0:17:48 | |
It's ten times that if it's not you. | 0:17:52 | 0:17:54 | |
If it's your son, it's ten times that. | 0:17:54 | 0:17:56 | |
"All right, my son never achieved anything in his life, | 0:17:58 | 0:18:00 | |
"but he more than made up for it in his death." | 0:18:00 | 0:18:03 | |
"He died and we made sure it never happened again." | 0:18:05 | 0:18:07 | |
"He died and others lived." | 0:18:07 | 0:18:09 | |
Christ-like. | 0:18:12 | 0:18:13 | |
How many of us with teenage kids can say, | 0:18:42 | 0:18:44 | |
"We know where they are right now"? | 0:18:44 | 0:18:45 | |
How many of us can say, "My lad's definitely not in a gang?" | 0:18:47 | 0:18:51 | |
Not many, if any. | 0:18:51 | 0:18:52 | |
If we're honest with ourselves, we have to face the fact that | 0:18:54 | 0:18:56 | |
the temptation to join a gang must be overwhelming, | 0:18:56 | 0:18:59 | |
because if you don't belong in a gang, where do you belong? | 0:18:59 | 0:19:02 | |
You don't belong in work, cos there is no work. | 0:19:02 | 0:19:05 | |
You don't belong in training, cos there's no training. | 0:19:05 | 0:19:08 | |
You don't belong in a youth club, cos they closed down years ago. | 0:19:09 | 0:19:12 | |
Now there's not much we can do about that. | 0:19:12 | 0:19:15 | |
We're not politicians. | 0:19:15 | 0:19:16 | |
We can't give our kids jobs. | 0:19:17 | 0:19:19 | |
We can't reopen the youth clubs. | 0:19:20 | 0:19:22 | |
We can't stop them joining gangs. | 0:19:22 | 0:19:25 | |
But we can stop people exploiting that fact. | 0:19:25 | 0:19:28 | |
We can stop dealers giving them bikes and arming them with guns | 0:19:28 | 0:19:33 | |
so they can go around delivering their filthy drugs. | 0:19:33 | 0:19:35 | |
How do we do that? Simple. | 0:19:35 | 0:19:38 | |
We grass them up. | 0:19:38 | 0:19:39 | |
We tell the police everything about them. | 0:19:40 | 0:19:43 | |
And if there's anyone here thinks grassing is wrong, | 0:19:43 | 0:19:46 | |
I'd remind you Sue's son was murdered just around the corner from here | 0:19:46 | 0:19:50 | |
and when that happened, everything changed. | 0:19:50 | 0:19:54 | |
Everything changed because a young life was destroyed. | 0:19:54 | 0:19:58 | |
All that matters now is that it never happens again. | 0:19:58 | 0:20:00 | |
Hear, hear! | 0:20:00 | 0:20:02 | |
I want you to pack it in. | 0:20:51 | 0:20:52 | |
Why? | 0:20:52 | 0:20:54 | |
I'm scared you might get hurt. | 0:20:54 | 0:20:56 | |
-Has someone said something? -No. | 0:20:58 | 0:21:00 | |
-Threats? -No. | 0:21:01 | 0:21:03 | |
Then why should I get hurt? | 0:21:03 | 0:21:04 | |
I don't mind worrying myself sick over a grandson, a teenager. | 0:21:12 | 0:21:16 | |
That's life. | 0:21:16 | 0:21:17 | |
But to worry myself sick over a forty-year-old daughter, | 0:21:17 | 0:21:20 | |
that's not fair! | 0:21:20 | 0:21:22 | |
Y'all right, Mrs M. | 0:21:53 | 0:21:55 | |
Hello, Martin. | 0:21:55 | 0:21:57 | |
Look, she's got to knock it on the head. | 0:21:57 | 0:21:59 | |
She won't. | 0:21:59 | 0:22:01 | |
You've got to make her. | 0:22:01 | 0:22:03 | |
She's stubborn, you see. She never backs down. | 0:22:03 | 0:22:06 | |
We got a bullet in the post. | 0:22:09 | 0:22:11 | |
Yeah? | 0:22:11 | 0:22:13 | |
Yeah. | 0:22:13 | 0:22:14 | |
I didn't show it to her. | 0:22:16 | 0:22:17 | |
Yeah, well maybe you should've done. | 0:22:19 | 0:22:20 | |
Two women open their shop, their two sons need punishing. | 0:22:22 | 0:22:26 | |
Trouble is, your Jake's one of my little team, in't he? | 0:22:26 | 0:22:28 | |
Can't be shooting a member of my own little team. | 0:22:30 | 0:22:33 | |
So, answer? I get Jake to shoot Sean. | 0:22:33 | 0:22:38 | |
Your mother was a dirty cow, you know. | 0:22:55 | 0:22:57 | |
She'd shag anyone. Do it for a ciggie. | 0:22:57 | 0:22:59 | |
When people round here are calling you names behind your back - | 0:23:00 | 0:23:03 | |
pusher, pimp, ponce, perv - I say, "He didn't turn out that bad, you know, | 0:23:03 | 0:23:09 | |
"considering what a slag his mother was." | 0:23:09 | 0:23:11 | |
What's this? | 0:24:15 | 0:24:16 | |
It's a gun. | 0:24:16 | 0:24:17 | |
Where'd you get it? | 0:24:17 | 0:24:19 | |
I found it. | 0:24:19 | 0:24:20 | |
Where? | 0:24:20 | 0:24:21 | |
In the park. Some bushes in the park. | 0:24:21 | 0:24:23 | |
Why didn't you take it to the police? | 0:24:23 | 0:24:25 | |
-Yeah, I'm going to, aren't I? -When? -Soon. | 0:24:25 | 0:24:26 | |
-Well, let's do it now. Phone them now. -No, no, I can't. | 0:24:26 | 0:24:29 | |
-Why not? -Because. -Because what? | 0:24:29 | 0:24:31 | |
Will you just leave me alone, Mum! | 0:24:31 | 0:24:32 | |
Why are you hiding a gun in my house? | 0:24:32 | 0:24:35 | |
-I'm minding it for someone. -Who? | 0:24:35 | 0:24:37 | |
-I can't tell you who. -Why not? | 0:24:37 | 0:24:39 | |
Because I'm not a grass, am I, Mum? | 0:24:39 | 0:24:40 | |
Well I am, Son. So if I find a gun in my house, I tell the police. | 0:24:40 | 0:24:44 | |
-No, you can't do that, Mum! -I'm going to. -Look, they'll shoot me. | 0:24:44 | 0:24:49 | |
-They'll shoot me and then they'll shoot you. -Who? | 0:24:49 | 0:24:52 | |
Them. | 0:24:53 | 0:24:54 | |
Who's them? | 0:24:54 | 0:24:56 | |
The gang whose gun it is. | 0:24:56 | 0:24:57 | |
Right. | 0:24:58 | 0:24:59 | |
Why have you agreed to hide a gun? | 0:25:00 | 0:25:02 | |
Because I just have, all right. You don't want to know. | 0:25:05 | 0:25:07 | |
Is it drugs? | 0:25:07 | 0:25:08 | |
Just keep your nose out of it. You don't want to know, honest. | 0:25:08 | 0:25:11 | |
-Is it drugs!? -No, it's not fucking drugs. | 0:25:11 | 0:25:13 | |
Don't you swear at me! | 0:25:13 | 0:25:14 | |
PHONE VIBRATES | 0:25:16 | 0:25:18 | |
They'll tell me when they want it back. Till then I need to keep it. | 0:25:18 | 0:25:21 | |
-Who's that? -It's no one. | 0:25:21 | 0:25:22 | |
Say I found it so they've got to take it back. | 0:25:22 | 0:25:24 | |
You can't tell them what to do, THEY tell YOU what to do. | 0:25:24 | 0:25:28 | |
-I'll do it. Give me the phone. -No. | 0:25:28 | 0:25:29 | |
-Give me that phone. -No, Mum. | 0:25:29 | 0:25:31 | |
-Give me that phone. -No, Mum! -Give me the phone, Jake! | 0:25:31 | 0:25:34 | |
Open the door! Open it! Open this door, Jake! | 0:25:34 | 0:25:40 | |
Open this door. Open it now! | 0:25:40 | 0:25:41 | |
Go away! | 0:25:41 | 0:25:42 | |
Mum! | 0:25:42 | 0:25:43 | |
-Yeah? -Come here! | 0:25:45 | 0:25:46 | |
Look in his room. | 0:25:49 | 0:25:50 | |
It's true, then? | 0:26:00 | 0:26:02 | |
What's true? Mum, what's true?! | 0:26:02 | 0:26:04 | |
Open it! | 0:26:04 | 0:26:06 | |
Cormack's told me everything. So open the bloody thing. | 0:26:06 | 0:26:09 | |
'What are you talking about? Cormack?' | 0:26:10 | 0:26:12 | |
OK. | 0:26:12 | 0:26:13 | |
'Open it!' | 0:26:13 | 0:26:14 | |
All right! | 0:26:14 | 0:26:15 | |
Did you kill Sean Brown? | 0:26:27 | 0:26:29 | |
What? | 0:26:31 | 0:26:32 | |
Did you kill Sean Brown? | 0:26:34 | 0:26:36 | |
Yeah. | 0:26:39 | 0:26:41 | |
He saw the gun. | 0:27:01 | 0:27:03 | |
He turned and ran. | 0:27:04 | 0:27:06 | |
I wanted to miss... | 0:27:09 | 0:27:11 | |
..but it was impossible to miss and not lose face | 0:27:12 | 0:27:15 | |
so I just aimed it at his back. | 0:27:15 | 0:27:17 | |
I told myself it was a wind-up, | 0:27:20 | 0:27:23 | |
that if I pulled the trigger it'd be empty... | 0:27:23 | 0:27:25 | |
..and I pulled it... | 0:27:31 | 0:27:32 | |
..and it weren't. | 0:27:33 | 0:27:35 | |
I'll ask for a transfer in work. | 0:27:40 | 0:27:42 | |
-I said I'll ask for a transfer in work. -Where to? | 0:27:46 | 0:27:48 | |
Another planet. Listen, if we stay here, two things can happen. | 0:27:48 | 0:27:52 | |
One, he gets shot in retaliation. Two, he goes down for life. | 0:27:52 | 0:27:55 | |
Which would you prefer? | 0:27:55 | 0:27:57 | |
Right. We've got to get rid of the gun. | 0:27:58 | 0:28:01 | |
No, I can't. They want it back after it's all died down. | 0:28:01 | 0:28:03 | |
Well, they can't have it back. Sit down. | 0:28:05 | 0:28:07 | |
Sit down. Right? Sit down. | 0:28:07 | 0:28:09 | |
They want it back cos they paid a lot of money for it | 0:28:14 | 0:28:17 | |
and if they tell you to do something, Nan, then you do it. | 0:28:17 | 0:28:19 | |
OK. We'll hide it, then. | 0:28:20 | 0:28:22 | |
Look at your son. | 0:28:25 | 0:28:27 | |
Look at him! | 0:28:29 | 0:28:31 | |
What were you wearing? | 0:28:39 | 0:28:40 | |
What were you wearing? | 0:28:42 | 0:28:43 | |
Mum washed it. | 0:28:44 | 0:28:45 | |
That's no good. You've got to get rid of it. | 0:28:45 | 0:28:48 | |
Everything you were wearing. Right? | 0:28:48 | 0:28:49 | |
Right. | 0:28:51 | 0:28:52 | |
Where do we hide a gun? | 0:28:52 | 0:28:53 | |
Where do we hide a gun? | 0:28:57 | 0:28:59 | |
ALARM BEEPS | 0:29:34 | 0:29:36 | |
Come on, come on. | 0:29:36 | 0:29:38 | |
Oh, God. | 0:29:43 | 0:29:44 | |
What's going on? | 0:29:44 | 0:29:46 | |
-I've forgotten the code. -You've forgotten it? | 0:29:46 | 0:29:48 | |
Yes. | 0:29:48 | 0:29:49 | |
-For God's sake, It'll go off! -I know that! | 0:29:49 | 0:29:52 | |
ALARM STOPS | 0:29:54 | 0:29:56 | |
-They're pozidriv! -Eh? | 0:30:05 | 0:30:07 | |
We need something sharp and pointy. | 0:30:08 | 0:30:10 | |
What's going on? | 0:30:10 | 0:30:12 | |
All right, Tony. | 0:30:14 | 0:30:15 | |
All right, Mo. | 0:30:15 | 0:30:17 | |
It's, er, It's my Mum. | 0:30:20 | 0:30:21 | |
Oh, right. | 0:30:21 | 0:30:22 | |
Brought the wrong screwdriver. Need something sharp and pointy. | 0:30:23 | 0:30:28 | |
Sharp and pointy? | 0:30:28 | 0:30:29 | |
Yeah. | 0:30:29 | 0:30:30 | |
In a hairdresser's? | 0:30:30 | 0:30:32 | |
Yeah. | 0:30:32 | 0:30:33 | |
Scissors? | 0:30:34 | 0:30:36 | |
Oh, right! | 0:30:37 | 0:30:38 | |
All right. See you. | 0:30:43 | 0:30:44 | |
-See you. -See you, Tony, love. | 0:30:44 | 0:30:46 | |
Where did you put it? | 0:31:14 | 0:31:15 | |
In one of the vents. | 0:31:15 | 0:31:16 | |
There's nothing that's going to damage it? | 0:31:16 | 0:31:18 | |
Don't think so. | 0:31:18 | 0:31:20 | |
-No electrics, or anything like that? -No. | 0:31:20 | 0:31:22 | |
All rise! | 0:32:02 | 0:32:03 | |
I can't go through with this. | 0:32:49 | 0:32:51 | |
You were brave enough to kill him. | 0:32:51 | 0:32:54 | |
You should come in and see him. | 0:33:47 | 0:33:49 | |
You'd swear he was asleep. | 0:33:49 | 0:33:50 | |
You attended the victim's funeral? | 0:34:21 | 0:34:23 | |
Yes. | 0:34:23 | 0:34:25 | |
Walked immediately behind the coffin? | 0:34:25 | 0:34:27 | |
Yes. | 0:34:27 | 0:34:29 | |
Linked arms with the victim's mother? | 0:34:29 | 0:34:32 | |
Yes. | 0:34:32 | 0:34:33 | |
Even though you knew your son was the killer? | 0:34:33 | 0:34:37 | |
Yes. | 0:34:37 | 0:34:38 | |
Why? | 0:34:38 | 0:34:40 | |
She was my friend. | 0:34:42 | 0:34:43 | |
Are you OK? | 0:34:59 | 0:35:00 | |
That lot's pissing me off. Do you know what SOS means? | 0:35:00 | 0:35:04 | |
No. | 0:35:04 | 0:35:06 | |
Scum on Scum. | 0:35:06 | 0:35:08 | |
Sean was scum. | 0:35:08 | 0:35:09 | |
The killer was scum. | 0:35:09 | 0:35:11 | |
Yeah, the killer, obviously scum, but Sean? | 0:35:11 | 0:35:14 | |
You all right, Jake? | 0:35:19 | 0:35:20 | |
Yeah. | 0:35:20 | 0:35:22 | |
I'm really grateful to you for coming. I know it took guts, son. | 0:35:22 | 0:35:27 | |
I know you might think you'd be next. | 0:35:27 | 0:35:29 | |
I'm sorry, we've got to go. | 0:35:29 | 0:35:30 | |
You what? | 0:35:30 | 0:35:32 | |
Oh, I've got a blinding headache. I'm sorry, we've got to go. | 0:35:32 | 0:35:37 | |
I'm sorry. | 0:35:40 | 0:35:41 | |
-Thanks for coming. -I'm sorry. | 0:35:43 | 0:35:44 | |
Fancy a takeaway? | 0:36:04 | 0:36:06 | |
PHONE RINGS | 0:36:18 | 0:36:21 | |
'Hello, we're not available now.' | 0:36:26 | 0:36:28 | |
'Please leave your name and phone number after the beep | 0:36:28 | 0:36:31 | |
'and we'll return your call.' | 0:36:31 | 0:36:32 | |
'It must be some headache, that.' | 0:36:34 | 0:36:36 | |
'To leave your mate on the day of her son's funeral, | 0:36:36 | 0:36:39 | |
'it must be some bloody headache.' | 0:36:39 | 0:36:42 | |
Especially when you consider the facts. | 0:36:45 | 0:36:47 | |
The fact that I was supporting you when you opened your shop. | 0:36:47 | 0:36:50 | |
'Me supporting you got my son killed... | 0:36:50 | 0:36:54 | |
'..so I think I've got a right to expect some support in return. | 0:36:55 | 0:36:59 | |
'Can't believe you left me to it.' | 0:37:01 | 0:37:02 | |
Can't believe you'd do that to me. | 0:37:07 | 0:37:09 | |
I'm sorry. | 0:37:55 | 0:37:57 | |
I don't remember what I said, | 0:37:58 | 0:37:59 | |
but I know I said some horrible things and I'm really, really sorry. | 0:37:59 | 0:38:03 | |
Whenever you're ready, Sue. Thank you. | 0:38:13 | 0:38:16 | |
People must know who did it, | 0:38:19 | 0:38:21 | |
and it is to these people I'm appealing right now. | 0:38:21 | 0:38:24 | |
The killer's friends, the killer's family... | 0:38:25 | 0:38:28 | |
..but overwhelmingly, since I'm a mother... | 0:38:33 | 0:38:35 | |
..WAS a mother, the killer's mum. | 0:38:38 | 0:38:41 | |
You are the only person who can... | 0:38:44 | 0:38:46 | |
Would you like to try again? | 0:38:51 | 0:38:52 | |
If we go from "The killer's friends". | 0:38:54 | 0:38:56 | |
Only when you're ready. | 0:38:56 | 0:38:58 | |
The killer's friends... | 0:39:08 | 0:39:09 | |
..the killer's family... | 0:39:10 | 0:39:12 | |
(Please, Mo.) | 0:39:24 | 0:39:25 | |
Excuse me. | 0:39:37 | 0:39:38 | |
We'll be on Sue for nearly all of this. | 0:39:49 | 0:39:51 | |
But we just need to hear the words. | 0:39:51 | 0:39:53 | |
Can we go from "It is to these people". | 0:39:53 | 0:39:56 | |
It is to these people I am appealing right now. | 0:40:16 | 0:40:18 | |
The killer's friends, the killer's family... | 0:40:20 | 0:40:22 | |
..but overwhelmingly, since I am a mother, WAS a mother... | 0:40:26 | 0:40:29 | |
..the killer's mum. | 0:40:31 | 0:40:32 | |
You are the only person who can ease my pain right now. | 0:40:35 | 0:40:37 | |
You can't take the pain away, | 0:40:40 | 0:40:43 | |
because you can't give me my son back. | 0:40:43 | 0:40:46 | |
But you can ease it. | 0:40:46 | 0:40:48 | |
Only a tiny, tiny fraction, but, still, you can ease the pain. | 0:40:48 | 0:40:52 | |
And you can do it by taking your son... | 0:40:54 | 0:40:56 | |
You can do it by taking your son to the police. | 0:41:03 | 0:41:05 | |
You can do it by giving me justice. | 0:41:09 | 0:41:12 | |
You made a televised appeal. Is that right? | 0:41:28 | 0:41:31 | |
Yes. | 0:41:31 | 0:41:33 | |
In which you asked the killer's mother to hand her son in? | 0:41:33 | 0:41:35 | |
Yes. | 0:41:36 | 0:41:38 | |
Even though you knew your son was the killer? | 0:41:38 | 0:41:41 | |
Yes. | 0:41:41 | 0:41:42 | |
Why? | 0:41:42 | 0:41:44 | |
I had to. | 0:41:44 | 0:41:46 | |
To help your son get away with murder? | 0:41:46 | 0:41:48 | |
To help my friend. | 0:41:49 | 0:41:51 | |
Left. | 0:42:16 | 0:42:17 | |
Left. | 0:42:17 | 0:42:19 | |
Hit him, lad. | 0:42:20 | 0:42:22 | |
Get him. | 0:42:25 | 0:42:26 | |
For God's sake. | 0:42:26 | 0:42:27 | |
-There was three in here. -What's wrong? | 0:42:29 | 0:42:31 | |
Will you please stop playing that bloody game right now! | 0:42:31 | 0:42:33 | |
-Yeah, in a minute. -Now! | 0:42:33 | 0:42:35 | |
There was three in here. | 0:42:37 | 0:42:39 | |
I ate them. | 0:42:39 | 0:42:40 | |
You ate three eclairs? | 0:42:40 | 0:42:41 | |
I didn't know you wanted one. | 0:42:43 | 0:42:44 | |
There's three people living here and three in the packet. | 0:42:44 | 0:42:46 | |
Don't you think it's one each, you greedy, selfish, little pig? | 0:42:46 | 0:42:49 | |
-What's wrong with you? -Have you ever thought of someone else? | 0:42:49 | 0:42:52 | |
Have you ever done anything for anyone in your life? | 0:42:52 | 0:42:55 | |
I'll tell you what's wrong with me. | 0:42:55 | 0:42:57 | |
My son shot someone and I come home to find him playing games. | 0:42:57 | 0:43:00 | |
I wanted to take his mind off it. Right? | 0:43:00 | 0:43:02 | |
I was taking his mind off it! | 0:43:02 | 0:43:04 | |
How is that taking his mind off it? | 0:43:04 | 0:43:05 | |
Him playing games where you shoot people? You stupid old f... | 0:43:05 | 0:43:09 | |
Is it that easy? I wish I could find it that easy. | 0:43:09 | 0:43:13 | |
I wish I could take my mind off it like that, but I can't, can I? | 0:43:13 | 0:43:16 | |
Cos I've got to look Sue in the eye, haven't I? | 0:43:16 | 0:43:18 | |
I've got to put my arm around the mother of the boy YOU shot. | 0:43:18 | 0:43:22 | |
And all the while knowing that this little shit... | 0:43:22 | 0:43:24 | |
Shall I tell you something? Do you want to know something? | 0:43:26 | 0:43:29 | |
I wish I was Sue. I wish I was the grieving mother. | 0:43:29 | 0:43:33 | |
That would be a lot easier than this. | 0:43:33 | 0:43:35 | |
'I'm sorry.' | 0:44:13 | 0:44:15 | |
'It's OK.' | 0:44:16 | 0:44:18 | |
'No, it isn't. I shouldn't have said that.' | 0:44:19 | 0:44:22 | |
'Honest, it's OK.' | 0:44:23 | 0:44:24 | |
'I didn't mean it. I don't wish you dead.' | 0:44:28 | 0:44:32 | |
Just cos you don't see me crying, doesn't mean I'm not gutted. | 0:44:36 | 0:44:39 | |
I love waking up in the mornings... | 0:44:41 | 0:44:43 | |
..cos I get these two, three seconds when my mind's just blank. | 0:44:44 | 0:44:50 | |
Sean's still alive and I haven't killed anyone. | 0:44:53 | 0:44:55 | |
Then it all comes back. | 0:45:01 | 0:45:03 | |
I always reckon that it can't get any worse, | 0:45:05 | 0:45:08 | |
but then there's a knock at the door or a car pulls up outside | 0:45:08 | 0:45:11 | |
and I think, "Have they come for me?" | 0:45:11 | 0:45:13 | |
But then I think, well, if they have come for me then... | 0:45:14 | 0:45:18 | |
..it's fine. | 0:45:20 | 0:45:21 | |
It's cool. | 0:45:22 | 0:45:23 | |
Just got to get it over with. | 0:45:25 | 0:45:28 | |
I wish I'd shot myself instead of Sean. | 0:45:36 | 0:45:39 | |
I don't think I can take much more of this. | 0:45:41 | 0:45:44 | |
I've been thinking about going to the bizzies myself. | 0:45:46 | 0:45:50 | |
We won't let you do that, Son. | 0:45:50 | 0:45:51 | |
Nan, it's like being in a prison in here anyway. | 0:45:53 | 0:45:55 | |
We're clearing off. I've got a transfer to Portsmouth. | 0:45:55 | 0:45:58 | |
You can't put it all down to being skint. | 0:46:01 | 0:46:03 | |
I'm not. | 0:46:03 | 0:46:04 | |
You've got people like David Cameron and all his mates. | 0:46:04 | 0:46:07 | |
They wrecked restaurants, didn't they? They're not skint. | 0:46:07 | 0:46:09 | |
They're not short of a few bob, so how come they act like thugs? | 0:46:09 | 0:46:12 | |
I'm not saying it's down to money. It's a factor. | 0:46:12 | 0:46:14 | |
If it's only being skint that makes people wreck things, then how do you explain Cameron... | 0:46:14 | 0:46:19 | |
We're going to Portsmouth. | 0:46:19 | 0:46:21 | |
What's..? | 0:46:21 | 0:46:22 | |
What? | 0:46:22 | 0:46:24 | |
We're moving to Portsmouth. Me, Mum and Jake. | 0:46:24 | 0:46:27 | |
What's in Portsmouth? | 0:46:28 | 0:46:30 | |
Mum's got a job there. | 0:46:30 | 0:46:31 | |
-Permanent? -Yeah. | 0:46:31 | 0:46:33 | |
You've got house there? | 0:46:34 | 0:46:35 | |
A flat. We've rented a flat. | 0:46:35 | 0:46:38 | |
What about the shop? | 0:46:38 | 0:46:39 | |
Sod the shop. What about our fight? | 0:46:39 | 0:46:41 | |
What about sticking together and all that? What was all that about? | 0:46:41 | 0:46:44 | |
Things change. | 0:46:44 | 0:46:46 | |
-When are you going? -This Friday. | 0:46:46 | 0:46:48 | |
That soon? | 0:46:48 | 0:46:50 | |
Your job's safe. The girl who's taking over... | 0:46:50 | 0:46:52 | |
Who's keeping us safe? | 0:46:52 | 0:46:53 | |
I've put myself at risk, my family at risk, | 0:46:53 | 0:46:56 | |
cos I believed every word you said. | 0:46:56 | 0:46:58 | |
"Empowering people, we can make this estate a safer place to live", | 0:46:58 | 0:47:03 | |
-but it was all just shite, wasn't it? -No. | 0:47:03 | 0:47:05 | |
It was. Because if you believed it, you wouldn't be moving. | 0:47:05 | 0:47:09 | |
I'm getting out because I can get out. | 0:47:09 | 0:47:11 | |
If you could get out, you'd get out too. So less of the looks, please. | 0:47:11 | 0:47:14 | |
End of meeting, I think. | 0:47:17 | 0:47:19 | |
The stick you gave me. | 0:47:22 | 0:47:25 | |
You bloody hypocrite! | 0:47:25 | 0:47:27 | |
Why didn't you mention this to me before now? | 0:47:33 | 0:47:35 | |
We've only just decided. | 0:47:35 | 0:47:37 | |
That's not true, Mo, cos you've sold the lease. You've found a flat. | 0:47:37 | 0:47:42 | |
Your job's safe. | 0:47:42 | 0:47:43 | |
It's not about my job! | 0:47:43 | 0:47:46 | |
This is my best friend who's moving away | 0:47:46 | 0:47:47 | |
without even mentioning it to me, | 0:47:47 | 0:47:49 | |
and when you do tell me it's in a room full of people. | 0:47:49 | 0:47:51 | |
-It all happened so quick. -What, overnight? | 0:47:51 | 0:47:53 | |
-I'm just doing what's best for my family. -Well, lucky you, you've still got one! | 0:47:55 | 0:47:58 | |
That was unfair. I'm sorry, Mo. I'm sorry. | 0:48:07 | 0:48:09 | |
Right, well, we'll still stay in touch, yeah? | 0:48:16 | 0:48:18 | |
It's not the end of the earth. I'll still see you, yeah? | 0:48:18 | 0:48:20 | |
Yeah. | 0:48:20 | 0:48:21 | |
What's the address? | 0:48:25 | 0:48:26 | |
-I don't know. -Don't know? | 0:48:28 | 0:48:29 | |
We haven't found anywhere yet. | 0:48:29 | 0:48:31 | |
Oh, I thought you said you'd found a flat. | 0:48:31 | 0:48:33 | |
-Found one we like. We haven't done anything about it yet. -You're moving in on Friday? | 0:48:33 | 0:48:37 | |
You're lying to me, Mo, aren't you? | 0:48:41 | 0:48:43 | |
Yeah. We're making a clean break. Leaving everything behind. | 0:48:45 | 0:48:50 | |
And everyone. | 0:48:50 | 0:48:51 | |
Right. Well, I've got some bits and pieces in the shop. | 0:48:57 | 0:49:00 | |
I'll pick them up tomorrow. | 0:49:00 | 0:49:01 | |
Hiya, Sue, love. | 0:49:27 | 0:49:28 | |
Move! | 0:49:54 | 0:49:55 | |
Armed police! Get on the floor now! | 0:49:57 | 0:50:00 | |
Get down on the ground now! On the floor. On the floor! | 0:50:00 | 0:50:03 | |
You! Get down on the floor! | 0:50:05 | 0:50:08 | |
Now! Get down on the floor. Get down! | 0:50:08 | 0:50:11 | |
Get down on the floor! Get down! | 0:50:11 | 0:50:14 | |
Get down, you cocky little git! | 0:50:14 | 0:50:16 | |
It's a bit much, this, just for getting my roots done. | 0:50:16 | 0:50:19 | |
Will someone tell me what's going on? | 0:50:19 | 0:50:21 | |
Sir! | 0:50:29 | 0:50:30 | |
Did you know this was here? | 0:50:39 | 0:50:40 | |
Did you KNOW this was here? | 0:50:45 | 0:50:46 | |
Yes. | 0:50:48 | 0:50:49 | |
Maureen Ann Murray, I am arresting you on suspicion of perverting | 0:50:53 | 0:50:56 | |
the course of justice with regards to the murder of Sean Brown. | 0:50:56 | 0:50:59 | |
You don't have to say anything, but if you don't mention something | 0:50:59 | 0:51:02 | |
that you later rely on in court, it could seriously harm your defence. | 0:51:02 | 0:51:05 | |
Anything you do say will be taken down | 0:51:05 | 0:51:07 | |
and may be used in evidence against you. | 0:51:07 | 0:51:09 | |
Do you understand? | 0:51:09 | 0:51:11 | |
Do you understand?! | 0:51:11 | 0:51:13 | |
Yes. | 0:51:16 | 0:51:17 | |
What he did was terrible, yes. And he's got to be punished, yes. | 0:51:35 | 0:51:38 | |
But he was only 17... | 0:51:38 | 0:51:40 | |
..and he was used by men much older than he is. | 0:51:41 | 0:51:44 | |
They should be in the dock today. | 0:51:44 | 0:51:46 | |
Older men who manipulate the young. | 0:51:46 | 0:51:48 | |
He spoke constantly of turning himself in. | 0:51:50 | 0:51:53 | |
The only reason he didn't was the effect it would have on me. | 0:51:55 | 0:51:57 | |
So what to you might seem cowardly or selfish... | 0:51:59 | 0:52:04 | |
Just wasn't. | 0:52:05 | 0:52:06 | |
He was told to kill...or be killed. | 0:52:08 | 0:52:12 | |
You might not believe that. | 0:52:12 | 0:52:14 | |
Or you might think, "That's what you get for being in a gang" but... | 0:52:14 | 0:52:18 | |
It's something I hang onto. As his mother, I hang onto that. | 0:52:18 | 0:52:21 | |
He was told to kill...or be killed. | 0:52:22 | 0:52:26 | |
(Sorry.) | 0:52:27 | 0:52:28 | |
If the boot was on the other foot, if Sean had been told to kill Jake, | 0:52:32 | 0:52:38 | |
then Sue would be standing here today.. | 0:52:38 | 0:52:41 | |
..and I'd be where she is, watching. | 0:52:42 | 0:52:44 | |
We both lost our sons that day. | 0:52:51 | 0:52:53 | |
(I'm sorry.) | 0:52:56 | 0:52:58 | |
Maureen Murray, senior, and Maureen Murray, junior, | 0:53:15 | 0:53:19 | |
you've been found guilty of conspiracy | 0:53:19 | 0:53:21 | |
to pervert the course of justice. | 0:53:21 | 0:53:23 | |
What you did, you did for the person you most love in this world. | 0:53:24 | 0:53:29 | |
That makes your crime understandable, but sadly, not excusable. | 0:53:29 | 0:53:32 | |
And society rightly demands a custodial sentence | 0:53:34 | 0:53:36 | |
for anyone involved in gun crime. | 0:53:36 | 0:53:39 | |
Nevertheless, I suspect the sentence I impose on you will mean little | 0:53:42 | 0:53:46 | |
compared with the one I impose on your grandson and son. | 0:53:46 | 0:53:49 | |
That will be your real punishment. | 0:53:50 | 0:53:53 | |
So I sentence you to twelve months in prison | 0:53:53 | 0:53:55 | |
but I'm going to suspend it for one year. | 0:53:55 | 0:53:58 | |
You are free to go. | 0:53:58 | 0:53:59 | |
Jake Daniel Murray, you pleaded guilty, you saved the court time | 0:54:05 | 0:54:11 | |
and money and the victim's family the ordeal of a murder trial. | 0:54:11 | 0:54:15 | |
That is to your credit. | 0:54:15 | 0:54:16 | |
Also, you are a juvenile, so my hands are tied as to sentencing. | 0:54:16 | 0:54:21 | |
Jake Daniel Murray, you will be detained at Her Majesty's pleasure | 0:54:24 | 0:54:28 | |
for a minimum of 12 years. | 0:54:28 | 0:54:30 | |
Take him down. | 0:54:33 | 0:54:35 | |
DOORBELL RINGS | 0:55:45 | 0:55:48 | |
If they'd told my son to kill yours, he'd have done it, | 0:56:08 | 0:56:11 | |
that's what you said. | 0:56:11 | 0:56:12 | |
I was just doing what I could... | 0:56:12 | 0:56:13 | |
That's what you had the cheek to say to me, you dirty, lying bitch. | 0:56:13 | 0:56:16 | |
Your son kills mine and then you go and spit on his grave, | 0:56:16 | 0:56:19 | |
you dirty, filthy, lying bitch. | 0:56:19 | 0:56:21 | |
If they'd told my son to kill yours, | 0:56:21 | 0:56:23 | |
he'd have gone straight to the police, but not your fucking son. | 0:56:23 | 0:56:26 | |
Better to kill than be a grass, that's what your Jake thought. | 0:56:26 | 0:56:29 | |
Better to kill Sean than be thrown out the gang! Dirty little scumbag. | 0:56:29 | 0:56:33 | |
And banging on about him being 17, this business about him being 17. | 0:56:33 | 0:56:36 | |
I know too bloody well he's 17! | 0:56:36 | 0:56:38 | |
If he's 18, he's looking at 30 years and I'm looking at | 0:56:38 | 0:56:41 | |
something like justice, | 0:56:41 | 0:56:43 | |
but because he's 17, he gets 12 years. | 0:56:43 | 0:56:46 | |
12 fucking years for murdering my son! | 0:56:46 | 0:56:49 | |
And that other shite you came out with, | 0:56:49 | 0:56:51 | |
you lost your son too that day. You did not! | 0:56:51 | 0:56:54 | |
I lost my son, full fucking stop. | 0:56:56 | 0:56:59 | |
Give me what you've got now, a son locked away for twelve years, | 0:56:59 | 0:57:02 | |
for life even, a son I could only see once a month, | 0:57:02 | 0:57:05 | |
a son I could only hug once a month, | 0:57:05 | 0:57:07 | |
and I would snatch your fucking hand off, you bitch! | 0:57:07 | 0:57:10 | |
Rather than what I've got now. A son I will never see again, | 0:57:10 | 0:57:15 | |
a son I will never hug again, a son rotting in his grave. | 0:57:15 | 0:57:20 | |
Stay away from me, you bitch! | 0:57:20 | 0:57:22 | |
There is no comparison between the pain you're going through | 0:57:22 | 0:57:25 | |
and the pain I'm going through. | 0:57:25 | 0:57:27 | |
No comparison at all. Right? | 0:57:27 | 0:57:29 | |
Yeah? | 0:57:29 | 0:57:31 | |
Yeah. | 0:57:31 | 0:57:33 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |