Browse content similar to Stephen's Story. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
GUARD UNLOCKS DOOR | 0:00:38 | 0:00:40 | |
SHE SOUNDS IN DISCOMFORT | 0:01:00 | 0:01:02 | |
DOG WHINES | 0:01:02 | 0:01:04 | |
DOORBELL RINGS | 0:01:48 | 0:01:50 | |
-Hello. -Hiya. -Is your dad in? | 0:01:59 | 0:02:00 | |
Yeah. Yeah. | 0:02:00 | 0:02:02 | |
Dad? | 0:02:03 | 0:02:04 | |
FOOTSTEPS | 0:02:06 | 0:02:07 | |
-Charlotte? -Yes. -Hiya. I'm Peter. -Good to meet you. | 0:02:10 | 0:02:13 | |
-Thank you. -Nice to meet you. | 0:02:13 | 0:02:15 | |
This is Stephen. | 0:02:19 | 0:02:20 | |
Charlotte's going to be looking after your mum for a while. | 0:02:20 | 0:02:22 | |
-How d'you do, Stephen? -How d'you do? | 0:02:22 | 0:02:26 | |
-Please, come in. -Thanks. | 0:02:26 | 0:02:27 | |
ROCK MUSIC PLAYS | 0:02:36 | 0:02:38 | |
-Hiya. -Hiya. Sorry to hear about your mum. | 0:02:47 | 0:02:52 | |
Thanks. | 0:02:52 | 0:02:54 | |
-Can we get two cappuccinos? -Yeah, small, medium or large? | 0:02:55 | 0:02:59 | |
Large. | 0:02:59 | 0:03:00 | |
-Right. -Can you bring them over? -Yeah. -Cheers. | 0:03:03 | 0:03:06 | |
And she's definitely dying? | 0:03:09 | 0:03:10 | |
Yeah. | 0:03:11 | 0:03:13 | |
And are you dead sad an' that? | 0:03:13 | 0:03:16 | |
Yeah. | 0:03:16 | 0:03:17 | |
-Can I come? -What? | 0:03:18 | 0:03:20 | |
Can I come to the funeral? | 0:03:20 | 0:03:22 | |
If you want, yeah. | 0:03:22 | 0:03:24 | |
-Your mum and dad? -Lanzarote. | 0:03:29 | 0:03:32 | |
THUNDER RUMBLES | 0:03:34 | 0:03:36 | |
MOANING | 0:03:39 | 0:03:41 | |
Now, this puts you in charge, Which is exactly as it should be. | 0:03:48 | 0:03:51 | |
You feel you need a shot, you give yourself a shot, OK? | 0:03:51 | 0:03:55 | |
MUM BREATHES SHALLOWLY | 0:03:55 | 0:03:57 | |
My advice is plead guilty and ask the judge for a psychiatric report upon yourself. | 0:04:05 | 0:04:08 | |
No. No way. | 0:04:08 | 0:04:10 | |
Will a report do any good? | 0:04:11 | 0:04:12 | |
-I'm not mad. -Can't do any harm. | 0:04:12 | 0:04:14 | |
-Will it help reduce his sentence? -No. | 0:04:14 | 0:04:16 | |
-It might. -It won't. | 0:04:16 | 0:04:18 | |
Say nothing, the judge gives me x number of years, | 0:04:18 | 0:04:21 | |
I do them and come out. | 0:04:21 | 0:04:22 | |
Say I'm mad, he puts me in hospital and I stay there | 0:04:22 | 0:04:26 | |
till I can prove that I'm not mad and that could be forever. Yeah? | 0:04:26 | 0:04:30 | |
Peter... | 0:04:32 | 0:04:33 | |
We say nothing. | 0:04:38 | 0:04:39 | |
-I think I want to raise this with the judge. -I don't want you to represent me any more. | 0:04:41 | 0:04:46 | |
(I think we should go get the boys.) | 0:04:54 | 0:04:56 | |
-(They're whispering to each other.) -(Eh?) | 0:04:56 | 0:04:59 | |
Shh, shh. | 0:04:59 | 0:05:00 | |
(What'd she say?) | 0:05:02 | 0:05:05 | |
-(Ste...) -(She's coming.) | 0:05:05 | 0:05:07 | |
I think you should join your father. | 0:05:12 | 0:05:14 | |
Is she going to die? | 0:05:17 | 0:05:18 | |
She hasn't got very long. | 0:05:19 | 0:05:21 | |
DOM STARTS TO CRY | 0:05:23 | 0:05:24 | |
Come on. Come join your father. | 0:05:29 | 0:05:31 | |
No. | 0:05:31 | 0:05:33 | |
It's a chance to say goodbye. | 0:05:33 | 0:05:35 | |
Do you like your job? | 0:05:41 | 0:05:43 | |
Yes. | 0:05:44 | 0:05:46 | |
You buzz on it, yeah? | 0:05:46 | 0:05:47 | |
Yes. | 0:05:49 | 0:05:50 | |
Watching other people die. | 0:05:50 | 0:05:52 | |
Other people that other people love. | 0:05:55 | 0:05:59 | |
No-one you love, of course. | 0:05:59 | 0:06:01 | |
I'd be angry too, Stephen. | 0:06:02 | 0:06:04 | |
-You gave her that thing. -Syringe drive. -Yeah. That's why she's dying so soon. | 0:06:04 | 0:06:08 | |
-You'd' have kept it from her? -Yeah, I would. | 0:06:08 | 0:06:11 | |
If you'd done that, she wouldn't be dying today, you're right. | 0:06:11 | 0:06:15 | |
She'd be dying tomorrow. In pain. | 0:06:15 | 0:06:17 | |
Pain caused by the fact that... | 0:06:19 | 0:06:22 | |
That you love her, you want to hang on to her. | 0:06:22 | 0:06:25 | |
I don't love her like you do, no. | 0:06:25 | 0:06:27 | |
But that helps me do the right thing. | 0:06:29 | 0:06:31 | |
I'm sorry. | 0:06:38 | 0:06:40 | |
Sorry. | 0:06:40 | 0:06:41 | |
-Come on. Come and say goodbye. -No. | 0:06:43 | 0:06:44 | |
No. | 0:06:46 | 0:06:47 | |
You'll regret it. | 0:06:47 | 0:06:50 | |
No. | 0:06:54 | 0:06:56 | |
DOG PANTS | 0:07:18 | 0:07:19 | |
DOG BARKS | 0:07:19 | 0:07:21 | |
MUFFLED MALE VOICE | 0:07:21 | 0:07:22 | |
RADIO STATIC | 0:07:22 | 0:07:23 | |
Urgh! | 0:07:26 | 0:07:28 | |
SOUND OF GLASS BREAKING | 0:07:28 | 0:07:30 | |
-FEMALE VOICE: -Stephen! | 0:07:30 | 0:07:32 | |
Stephen! | 0:07:33 | 0:07:34 | |
CACOPHONY OF VOICES | 0:07:34 | 0:07:35 | |
CHARLOTTE'S VOICE: Feel you need a shot? Give yourself a shot. | 0:07:35 | 0:07:38 | |
Feel you need a shot? Give yourself a shot. | 0:07:38 | 0:07:41 | |
-PRIEST: -Lord Jesus, our redeemer. | 0:07:55 | 0:07:59 | |
You willingly gave yourself up to death | 0:07:59 | 0:08:01 | |
so that all might be saved and passed from death to life. | 0:08:01 | 0:08:07 | |
We humbly ask you to comfort your servants in their grief | 0:08:07 | 0:08:12 | |
and to receive Catherine Jane into the arms of your mercy. | 0:08:12 | 0:08:16 | |
You alone are the holy one. You are mercy itself, | 0:08:16 | 0:08:22 | |
By dying, unlock the gates of life for those that believe in you. | 0:08:22 | 0:08:28 | |
Forgive Catherine Jane her sins... | 0:08:28 | 0:08:31 | |
ELECTRICITY BUZZES | 0:08:31 | 0:08:33 | |
GUESTS CHATTER | 0:08:43 | 0:08:46 | |
Look, it gets to you, something like this. | 0:09:14 | 0:09:16 | |
Gets to you in here, gets to you in here. OK? | 0:09:16 | 0:09:20 | |
So we look out for each other, yeah? Yeah? | 0:09:20 | 0:09:23 | |
Yeah. | 0:09:23 | 0:09:24 | |
That means if Dom's not coping, you come and tell me, yeah? | 0:09:25 | 0:09:29 | |
And the same with Stephen, yeah? | 0:09:31 | 0:09:33 | |
-Yeah. -Right? -Right. | 0:09:33 | 0:09:34 | |
Just ourselves. | 0:09:37 | 0:09:38 | |
Nobody else involved. | 0:09:39 | 0:09:41 | |
Just ourselves. Right? | 0:09:41 | 0:09:44 | |
Just ourselves. | 0:09:44 | 0:09:46 | |
DOM QUIETLY SOBS | 0:09:46 | 0:09:49 | |
'Stephen...' | 0:10:23 | 0:10:24 | |
WHISPERING | 0:10:24 | 0:10:26 | |
WHISPERING GETS LOUDER | 0:10:32 | 0:10:34 | |
SOUND OF HELICOPTER | 0:10:39 | 0:10:41 | |
SOUND OF HELICOPTER GETS LOUDER | 0:10:42 | 0:10:45 | |
WHISPERING CONTINUES | 0:10:47 | 0:10:48 | |
SOUND OF HELICOPTER EVEN LOUDER | 0:10:50 | 0:10:52 | |
POLICE SIRENS | 0:10:58 | 0:11:00 | |
CHATTER AND LAUGHTER | 0:11:01 | 0:11:03 | |
Thank you. Hi, Stephen. | 0:11:15 | 0:11:16 | |
Hiya, Liv. Can I have a Coke, please. | 0:11:16 | 0:11:19 | |
My dad died when I was 15. So I do know how you're feeling. | 0:11:27 | 0:11:32 | |
It's like you go out because you need some company, | 0:11:32 | 0:11:36 | |
but then when you're out, you can't be even arsed, | 0:11:36 | 0:11:39 | |
and everything just seems irrelevant, | 0:11:39 | 0:11:41 | |
because the person you most loved in this whole world isn't here any more. | 0:11:41 | 0:11:46 | |
What is it with you lot? | 0:11:46 | 0:11:48 | |
I've been trying to figure out why someone dying turns you all on. | 0:11:48 | 0:11:51 | |
What? | 0:11:51 | 0:11:52 | |
I think it's because there's no genuine emotion in your own lives, | 0:11:52 | 0:11:55 | |
so when you see it in someone else's yous want to share it. | 0:11:55 | 0:11:57 | |
So, OK, you can. | 0:11:57 | 0:11:59 | |
When we finish here, right, we can go back to yours, | 0:11:59 | 0:12:02 | |
and I'll open my heart and we'll have a cry and a good shag. | 0:12:02 | 0:12:05 | |
Is that how you imagined it, Liv? Was there a soundtrack as well? | 0:12:05 | 0:12:08 | |
Fix You by Coldplay or Robbie Williams even. | 0:12:08 | 0:12:12 | |
Fuck you. | 0:12:12 | 0:12:14 | |
If he gets this... No, he can't really do it. | 0:12:24 | 0:12:27 | |
He cannot do it. He'll be unbearable again. | 0:12:27 | 0:12:30 | |
BOYS: Ohhhh! | 0:12:30 | 0:12:32 | |
They're all wondering can the veteran do it again? | 0:12:32 | 0:12:35 | |
Can he teach these two young upstarts | 0:12:35 | 0:12:38 | |
the true meaning of the word class? | 0:12:38 | 0:12:40 | |
Who's the daddy? | 0:12:40 | 0:12:42 | |
Surely not, surely not. | 0:12:45 | 0:12:47 | |
Ah! | 0:12:48 | 0:12:49 | |
Look at that! | 0:12:50 | 0:12:52 | |
All right. Yeah, yeah, yeah. | 0:12:52 | 0:12:56 | |
HE WHISPERS: Stephen. | 0:13:11 | 0:13:13 | |
Stephen. Ste! | 0:13:13 | 0:13:15 | |
-What? -Wake up and see. Come and see. | 0:13:15 | 0:13:18 | |
Come and see. Come on. | 0:13:18 | 0:13:22 | |
Now. | 0:13:22 | 0:13:23 | |
MOANING AND PANTING | 0:13:23 | 0:13:25 | |
Who do you think she is? | 0:13:33 | 0:13:36 | |
Some slapper. | 0:13:37 | 0:13:38 | |
MOANING AND PANTING CONTINUES | 0:13:43 | 0:13:45 | |
WOMAN'S MOANING GETS LOUDER | 0:13:52 | 0:13:54 | |
WOMAN LAUGHS | 0:13:58 | 0:14:00 | |
So what do you do for lunch then? > | 0:14:00 | 0:14:03 | |
-STEPHEN'S FATHER: -We've got a can lad, | 0:14:03 | 0:14:05 | |
and that's his priority to find a chippy or a cafe. | 0:14:05 | 0:14:07 | |
-No healthy eating then? -What about you? | 0:14:07 | 0:14:10 | |
Packed lunch. I always have a packed lunch. | 0:14:10 | 0:14:12 | |
I never know where I'm going to be, you see. Could be somewhere remote. | 0:14:12 | 0:14:15 | |
Could be somewhere where you wouldn't trust anyone with food. And it's miles cheaper, of course. | 0:14:15 | 0:14:20 | |
Cheaper and healthier. | 0:14:20 | 0:14:22 | |
You remember Charlotte? | 0:14:28 | 0:14:30 | |
Yeah. | 0:14:30 | 0:14:31 | |
-Hello, Stephen. -Hiya. | 0:14:32 | 0:14:34 | |
-I was hoping to be gone before you got up, I'm sorry. -I couldn't sleep. | 0:14:34 | 0:14:39 | |
See you. | 0:14:39 | 0:14:40 | |
-No, I'll see you to your car. -No, no. I'm fine. | 0:14:40 | 0:14:43 | |
No, I'll... I'll see you to your car. | 0:14:43 | 0:14:46 | |
DOOR SLAMS CLOSED | 0:14:46 | 0:14:48 | |
What's she like? | 0:14:58 | 0:15:00 | |
Come and see. | 0:15:00 | 0:15:02 | |
It's the nurse. | 0:15:08 | 0:15:10 | |
Yeah. | 0:15:10 | 0:15:11 | |
That's mad. | 0:15:12 | 0:15:14 | |
CAR STARTS | 0:15:17 | 0:15:18 | |
In here. | 0:15:37 | 0:15:38 | |
Sit down. | 0:15:46 | 0:15:47 | |
I'm going to ask her to move in with us. | 0:15:55 | 0:15:57 | |
You OK with that? | 0:15:57 | 0:15:59 | |
It's too soon. | 0:16:02 | 0:16:03 | |
Too soon for who? | 0:16:06 | 0:16:07 | |
It's a tribute to your mother. | 0:16:13 | 0:16:15 | |
What I had with your mother, I want to have again. | 0:16:15 | 0:16:18 | |
There's no greater compliment. She'd understand... | 0:16:18 | 0:16:20 | |
It's not a compliment. | 0:16:20 | 0:16:22 | |
It's not a compliment and it's not a tribute, | 0:16:22 | 0:16:24 | |
and to say it is is to talk absolute shite | 0:16:24 | 0:16:26 | |
because all we've got of Mum is her memory. | 0:16:26 | 0:16:29 | |
That's all we've got. | 0:16:29 | 0:16:31 | |
And you should respect it and treasure it, | 0:16:31 | 0:16:33 | |
and you don't respect it by pulling some bloody slapper | 0:16:33 | 0:16:36 | |
-when she's only been dead a few months. -She's not a slapper! | 0:16:36 | 0:16:39 | |
She's not a slapper, right? | 0:16:42 | 0:16:43 | |
Right. | 0:16:45 | 0:16:46 | |
You think your Mum would want me to be alone? | 0:16:48 | 0:16:52 | |
Do you think that woman | 0:16:52 | 0:16:54 | |
would want me to spend the rest of my days alone? | 0:16:54 | 0:16:57 | |
'Too soon...' | 0:17:06 | 0:17:07 | |
It's too soon. | 0:17:09 | 0:17:11 | |
Oh, God. | 0:17:33 | 0:17:34 | |
It'll be fine. | 0:17:34 | 0:17:36 | |
-Hiya. -Hi. -All right? | 0:18:11 | 0:18:15 | |
-Tea? -Please. | 0:18:17 | 0:18:19 | |
DOG GROWLS | 0:18:20 | 0:18:22 | |
DOG BARKS | 0:18:22 | 0:18:24 | |
DOG WHIMPERS | 0:18:29 | 0:18:31 | |
It's just a trial run. All right? | 0:18:34 | 0:18:37 | |
I've kept my place on so, if it all goes tits up, I've got somewhere to retreat. OK? | 0:18:37 | 0:18:42 | |
-OK, Stephen? -Yeah. | 0:18:44 | 0:18:46 | |
I'll do most of the cooking. Not all of it, most of it. | 0:18:48 | 0:18:52 | |
And when I do, you can wash up, yeah? | 0:18:52 | 0:18:55 | |
No ironing. I don't do ironing. | 0:18:55 | 0:18:57 | |
So if you want anything ironed, you do it yourself | 0:18:57 | 0:19:00 | |
or find the money to pay for it. OK? | 0:19:00 | 0:19:02 | |
DOG GROWLS | 0:19:02 | 0:19:04 | |
We try and make this work, yeah? | 0:19:04 | 0:19:05 | |
-Stephen? -Yeah. | 0:19:08 | 0:19:10 | |
GLASS BREAKS | 0:19:15 | 0:19:17 | |
Why did you smash up your telly? | 0:19:26 | 0:19:29 | |
They were talking about me. | 0:19:30 | 0:19:32 | |
-The people on the telly were talking about you? -Yeah. | 0:19:34 | 0:19:38 | |
Right... | 0:19:38 | 0:19:39 | |
-I thought he was better. -He is. He's fine. Come on. | 0:19:43 | 0:19:46 | |
So your dad was saying you were really bright at school. | 0:19:49 | 0:19:52 | |
Why didn't you stay on? | 0:19:52 | 0:19:53 | |
We were saying you could always go back, | 0:19:53 | 0:19:55 | |
find a couple of A levels that you liked. | 0:19:55 | 0:19:57 | |
Needn't be your old school either. You could pick any one. | 0:19:59 | 0:20:02 | |
Needn't even be a school. College or night school. | 0:20:02 | 0:20:06 | |
You could carry on working and do them at night school | 0:20:06 | 0:20:08 | |
-if you fancied that. Yeah? -Yeah. | 0:20:08 | 0:20:12 | |
Cos your dad was saying that you never really talk about your job. | 0:20:15 | 0:20:18 | |
Your heart doesn't seem to be in your it. | 0:20:18 | 0:20:20 | |
So if you think that leaving school was a mistake, | 0:20:20 | 0:20:23 | |
you can always correct it. | 0:20:23 | 0:20:25 | |
That's if you fancy it. Do you fancy it? | 0:20:25 | 0:20:28 | |
You could do German. | 0:20:32 | 0:20:34 | |
Your dad said you were always pretty... Fuck it! | 0:20:34 | 0:20:38 | |
Yes, I'm drinking too much and I'm talking too much. And you know why? | 0:20:38 | 0:20:41 | |
Cos I'm the only one making the effort. | 0:20:41 | 0:20:43 | |
I think that is unfair. So bloody insensitive. | 0:20:43 | 0:20:47 | |
-What? -We said we were going to try. -I am trying. | 0:20:55 | 0:20:59 | |
HE SCOFFS: You're treating her like crap. | 0:20:59 | 0:21:01 | |
-She's pissed. -She's just told you why she's pissed. | 0:21:01 | 0:21:04 | |
We have to try, yeah? | 0:21:07 | 0:21:10 | |
We agreed, otherwise this is going to be a total nightmare. | 0:21:10 | 0:21:14 | |
-Do you like her? -That doesn't matter. | 0:21:14 | 0:21:18 | |
Do you think she's someone Mum would've liked? | 0:21:18 | 0:21:20 | |
Does it matter? | 0:21:22 | 0:21:23 | |
It matters. | 0:21:23 | 0:21:25 | |
Hello, Stephen. | 0:22:14 | 0:22:16 | |
You're chucking the mattress out? | 0:22:18 | 0:22:21 | |
Yeah. | 0:22:21 | 0:22:23 | |
Cos Mum died on it? | 0:22:23 | 0:22:24 | |
-Yeah. -Well, that's why I want to keep it. | 0:22:25 | 0:22:29 | |
Cos Mum died on it. | 0:22:29 | 0:22:30 | |
Look, it's not just that your Mum died on it. It's also because... | 0:22:30 | 0:22:33 | |
We should've spoken to you about it and we didn't. Sorry. | 0:22:33 | 0:22:37 | |
We can't bring your mother back but we'll respect her memory. | 0:22:37 | 0:22:41 | |
I know it's important that you have everything you need to remember her by, | 0:22:41 | 0:22:44 | |
but please, Stephen, for me, | 0:22:44 | 0:22:47 | |
just this one thing for me, not the mattress. | 0:22:47 | 0:22:50 | |
OK? | 0:22:50 | 0:22:52 | |
Thanks. | 0:22:57 | 0:22:58 | |
HE MOUTHS | 0:23:04 | 0:23:06 | |
'"Never quite there." What exactly do you mean by "Never quite there"? | 0:23:39 | 0:23:42 | |
'If you're saying there's something wrong with my son, there isn't. It's you. You bore for England. | 0:23:42 | 0:23:47 | |
'You're the worst teacher on the planet. He's never quite there | 0:23:47 | 0:23:50 | |
'because your maths class is like watching paint dry. | 0:23:50 | 0:23:52 | |
'Nobody in your maths class is ever quite there.' | 0:23:52 | 0:23:55 | |
CHILD'S LAUGHTER | 0:23:55 | 0:23:57 | |
Sorry. | 0:24:04 | 0:24:06 | |
I was a bit... | 0:24:07 | 0:24:08 | |
Listen. I don't mind the rudeness. I will put that down to the grief,. | 0:24:08 | 0:24:13 | |
But what I do mind, what really sticks in my craw, | 0:24:13 | 0:24:17 | |
is the suggestion, no, the bloody bare-faced accusation, | 0:24:17 | 0:24:19 | |
that I would ever, | 0:24:19 | 0:24:21 | |
EVER, listen to Coldplay. | 0:24:21 | 0:24:24 | |
You don't look like a footballer. | 0:24:32 | 0:24:34 | |
You can't go by that. Wayne Rooney looks like a binman. | 0:24:34 | 0:24:36 | |
-SHE LAUGHS: So what position? -Up front. | 0:24:36 | 0:24:40 | |
-There's only one thing stopped me playing for City. -What's that? | 0:24:40 | 0:24:43 | |
I'm shite. | 0:24:43 | 0:24:45 | |
-This is mine. -Flat? -Yeah. -Your own? -Yeah. | 0:24:47 | 0:24:53 | |
I bet you wish you hadn't been so rude to me now. Hm? | 0:24:54 | 0:24:58 | |
Yeah. | 0:25:00 | 0:25:01 | |
Call me, yeah? | 0:25:19 | 0:25:21 | |
OK. | 0:25:24 | 0:25:25 | |
-That was nice. -Thanks. | 0:26:21 | 0:26:24 | |
Yeah, nice one. | 0:26:26 | 0:26:28 | |
-Thanks. Your turn to wash up. -I'll do them later. | 0:26:28 | 0:26:32 | |
I'd sooner you did them now, Stephen. | 0:26:32 | 0:26:33 | |
Well, I've got to cover for someone in work. | 0:26:33 | 0:26:36 | |
-When? -Eight. | 0:26:36 | 0:26:38 | |
-That gives you time. -No, I've got to make some calls as well. | 0:26:38 | 0:26:41 | |
-And the calls take priority? -Yeah. | 0:26:41 | 0:26:44 | |
I'm sorry, I don't like that. | 0:26:44 | 0:26:47 | |
-What difference does it make when I do them? -I'll do them. -No, you won't. | 0:26:47 | 0:26:50 | |
-It makes a lot of difference. Do them after work, you'll be tired. -Don't worry about me. | 0:26:50 | 0:26:54 | |
I'm not worrying about you. Do them tired and you won't do them properly. | 0:26:54 | 0:26:57 | |
-Your dad'll be home soon. He doesn't want to eat dinner surrounded by mess. -I'll tidy them up. | 0:26:57 | 0:27:01 | |
-That's not good enough, I'm afraid. -Well, it always used to be. | 0:27:01 | 0:27:04 | |
It's not now. Your dad's just done a hard day's work | 0:27:04 | 0:27:06 | |
to feed and shelter you and you're quite happy for him to eat in shit? | 0:27:06 | 0:27:09 | |
-In shit...? -That is a lack of respect for your father. | 0:27:09 | 0:27:11 | |
More than a lack of respect - it's contempt. | 0:27:11 | 0:27:14 | |
It's a few pots and pans. It's not shit. | 0:27:14 | 0:27:15 | |
-Did your mother allow it? -Leave my mother out of this. | 0:27:15 | 0:27:19 | |
I can't, I'm afraid, cos when you act like a spoilt child it reflects on how she's brought you up | 0:27:19 | 0:27:23 | |
and I think you should be aware of that. | 0:27:23 | 0:27:25 | |
-I don't want you talking about my mother! -PLATES CLATTER | 0:27:25 | 0:27:27 | |
You've got a responsibility to your mother's memory. | 0:27:27 | 0:27:30 | |
Everything you do reflects on her. Good or bad, it reflects on her! | 0:27:30 | 0:27:33 | |
Tea? | 0:28:32 | 0:28:34 | |
Nice one, Ste. Ta. | 0:28:34 | 0:28:37 | |
-Here we go. -Cheers, lad. | 0:28:40 | 0:28:43 | |
Any good? | 0:28:48 | 0:28:50 | |
Not bad. | 0:28:51 | 0:28:53 | |
Sorry, by the way. | 0:28:58 | 0:29:00 | |
-What for? -Leaving the dishes till now. | 0:29:00 | 0:29:04 | |
No problem. | 0:29:04 | 0:29:06 | |
-Jenks, come on. -Where are you going? | 0:29:15 | 0:29:18 | |
-Taking Jenks out for a walk. -Now? It's midnight. | 0:29:18 | 0:29:21 | |
-I'm fine. -I'll come with you. -No, you won't. Come on, boy. | 0:29:21 | 0:29:25 | |
TV CHATTERS | 0:29:37 | 0:29:40 | |
ECHOING VOICE: I've been watching that bitch. | 0:29:46 | 0:29:48 | |
I've been studying her very, very closely. | 0:29:48 | 0:29:51 | |
She's a crafty cow, Stephen. You need to watch your back, | 0:29:51 | 0:29:55 | |
and your dad's back, of course. She'll blame everything on the illness | 0:29:55 | 0:29:59 | |
because she knows you've got her sussed. | 0:29:59 | 0:30:02 | |
This is her way out. | 0:30:02 | 0:30:04 | |
"The poor boy's sick, the poor boy's deluded." | 0:30:04 | 0:30:07 | |
So what do you say? | 0:30:07 | 0:30:09 | |
You say it's Catch-22, isn't it? | 0:30:09 | 0:30:11 | |
Things happen that drive people mad. | 0:30:11 | 0:30:14 | |
You tell them, but they don't believe you because you're mad. | 0:30:14 | 0:30:18 | |
Pete! Pete! I couldn't do anything... > | 0:30:18 | 0:30:22 | |
-Aw, Jenks... -What happened? Lie him down. | 0:30:22 | 0:30:24 | |
-A car hit him... -Move, move! Lay him down. | 0:30:24 | 0:30:27 | |
I tried to stop him running out, but he just... | 0:30:27 | 0:30:29 | |
-Stephen, ring the vet. -He's OK, he's OK. -Now! | 0:30:29 | 0:30:32 | |
-Jenks? Jenks? -Oh, he's just bleeding. | 0:30:32 | 0:30:35 | |
-Aw, there's blood everywhere. CRYING: -I'm sorry. -Are you OK? | 0:30:35 | 0:30:40 | |
-He's still breathing. -He'll be all right. | 0:30:40 | 0:30:42 | |
-Oh, God... -Jenks. Jenks. Stephen! Call the bleeding vet! | 0:30:42 | 0:30:47 | |
I'm looking for a number! | 0:30:47 | 0:30:49 | |
They did all that they could. | 0:30:59 | 0:31:01 | |
I'm so sorry. | 0:31:05 | 0:31:07 | |
I wish I could have stopped it. | 0:31:07 | 0:31:09 | |
What make of car was it? | 0:31:14 | 0:31:16 | |
I don't know. | 0:31:18 | 0:31:20 | |
What did the driver say? | 0:31:20 | 0:31:22 | |
-I can't remember. -So he said something? | 0:31:22 | 0:31:25 | |
-Yeah. -So he must've jammed on? -Yeah. | 0:31:25 | 0:31:28 | |
-Well, was he angry because he had to jam on the brakes? -What are you going on about? | 0:31:28 | 0:31:32 | |
SHE SOBS | 0:31:38 | 0:31:40 | |
Bye, Jenks. | 0:31:52 | 0:31:53 | |
Can we get another one? | 0:31:54 | 0:31:56 | |
I don't think that's a very good idea. | 0:31:56 | 0:31:59 | |
Why not? | 0:31:59 | 0:32:01 | |
You get kids pets so it can be their first experience of loss. | 0:32:01 | 0:32:05 | |
You've had enough in your lives. | 0:32:05 | 0:32:07 | |
Yeah, let's leave it, eh, lads? | 0:32:13 | 0:32:15 | |
-'Where?' -Here. I think it's food poisoning. | 0:32:20 | 0:32:23 | |
-You vomiting? -No. | 0:32:23 | 0:32:26 | |
Then it's not food poisoning. | 0:32:26 | 0:32:28 | |
You're sweating. | 0:32:30 | 0:32:33 | |
It's hot. | 0:32:33 | 0:32:35 | |
It isn't. | 0:32:35 | 0:32:36 | |
Are you stressed? | 0:32:38 | 0:32:40 | |
Yeah. | 0:32:41 | 0:32:43 | |
More than last time? | 0:32:43 | 0:32:45 | |
Yeah. | 0:32:46 | 0:32:48 | |
Why do you think that is? | 0:32:50 | 0:32:53 | |
My dog died. | 0:32:56 | 0:32:58 | |
You wish to represent yourself? | 0:32:59 | 0:33:01 | |
-Yes, your honour. -I'm willing to adjourn, | 0:33:03 | 0:33:06 | |
to give you time to find a new counsel. | 0:33:06 | 0:33:09 | |
No, thank you, your honour. | 0:33:09 | 0:33:12 | |
Would you like time to talk it over with your father? | 0:33:14 | 0:33:18 | |
No, thank you, your honour. | 0:33:22 | 0:33:24 | |
KNOCK AT DOOR | 0:33:25 | 0:33:26 | |
You OK? | 0:33:36 | 0:33:39 | |
No. | 0:33:39 | 0:33:40 | |
-Stomach again? -Yeah. | 0:33:43 | 0:33:45 | |
So, have you got a girl? | 0:34:04 | 0:34:07 | |
What's her name? | 0:34:12 | 0:34:15 | |
Olivia. | 0:34:15 | 0:34:17 | |
Have you, er...? | 0:34:20 | 0:34:22 | |
No. | 0:34:24 | 0:34:26 | |
Why not? | 0:34:26 | 0:34:28 | |
Have you tried? | 0:34:32 | 0:34:35 | |
No. | 0:34:35 | 0:34:37 | |
A girl likes a trier. | 0:34:37 | 0:34:39 | |
Look, I'll never love you like your mother did. | 0:34:47 | 0:34:51 | |
And you'll never love me that way either. | 0:34:51 | 0:34:53 | |
But it doesn't mean we can't get along. | 0:34:55 | 0:34:57 | |
Yeah? | 0:34:59 | 0:35:01 | |
Yeah. | 0:35:02 | 0:35:03 | |
So we'll try, yeah? | 0:35:05 | 0:35:06 | |
We'll try again? | 0:35:08 | 0:35:11 | |
A little harder. | 0:35:11 | 0:35:13 | |
Yeah, right. | 0:35:18 | 0:35:20 | |
Anything you want to say? | 0:35:27 | 0:35:29 | |
What? What is it? | 0:35:32 | 0:35:35 | |
When you were looking after Mum... | 0:35:38 | 0:35:40 | |
..did you fancy Dad? | 0:35:42 | 0:35:44 | |
-Truth? -Yeah. | 0:35:46 | 0:35:48 | |
Yeah. | 0:35:50 | 0:35:51 | |
Did he fancy you? | 0:35:54 | 0:35:56 | |
No. No. | 0:35:56 | 0:35:59 | |
What? | 0:36:02 | 0:36:04 | |
You think he did? | 0:36:05 | 0:36:07 | |
-Did you kill our dog? -What?! | 0:36:16 | 0:36:19 | |
Did you kill our dog? | 0:36:19 | 0:36:21 | |
No! | 0:36:21 | 0:36:23 | |
Oh, for God's sake! Fucking hell! | 0:36:23 | 0:36:27 | |
'I've been watching that bitch, you need to watch your back | 0:36:35 | 0:36:39 | |
'and your dad's back, of course. | 0:36:39 | 0:36:42 | |
'I've been studying her very, very closely. | 0:36:42 | 0:36:44 | |
'She's a crafty cow, Stephen.' | 0:36:47 | 0:36:49 | |
-What are you doing? -Swapping. | 0:36:56 | 0:36:59 | |
-I gave that one to your dad. -Well, he likes the fatty ones. I don't. | 0:36:59 | 0:37:03 | |
Put them back. | 0:37:03 | 0:37:05 | |
-What? -Put them back. | 0:37:05 | 0:37:07 | |
-What's the problem? -Nothing. | 0:37:18 | 0:37:21 | |
-Do you want to swap? -If you... -I don't want you to swap, right? | 0:37:21 | 0:37:25 | |
Right. | 0:37:28 | 0:37:29 | |
-What are you doing? -I'm not eating it. | 0:37:34 | 0:37:37 | |
-Aw, Stephen... -For God's sake! -Stephen, stop! | 0:37:37 | 0:37:41 | |
Give me it! Give me it. Here. | 0:37:41 | 0:37:44 | |
Thank you. | 0:37:50 | 0:37:52 | |
RAISED VOICES NEXT DOOR | 0:37:59 | 0:38:02 | |
-NEXT DOOR: -Now he thinks I'm poisoning him. | 0:38:05 | 0:38:08 | |
-That boy is ill. -No, he's not. | 0:38:08 | 0:38:12 | |
-INDISTINCT WHISPERING -..poison him? He's lost the plot. | 0:38:13 | 0:38:17 | |
He needs to see a doctor. He needs sectioning. | 0:38:17 | 0:38:20 | |
-WHISPERING GROWS LOUDER -I'm not going to section my own son. | 0:38:20 | 0:38:24 | |
-Dom, have you seen me phone? -No. | 0:38:34 | 0:38:37 | |
-Have you been using it? -I've got me own. | 0:38:37 | 0:38:40 | |
It's all right, you can all stop searching so frantically now. | 0:38:41 | 0:38:46 | |
Thanks. | 0:38:46 | 0:38:47 | |
What is it? | 0:38:49 | 0:38:50 | |
-What? -What are you looking at me like that for? | 0:38:51 | 0:38:55 | |
Like what? | 0:38:56 | 0:38:58 | |
-See you, boys. -See you later. | 0:38:59 | 0:39:03 | |
-Yeah, I'll see you later. -See you. | 0:39:03 | 0:39:06 | |
SHE SCREAMS | 0:39:13 | 0:39:16 | |
INDISTINCT WHISPERING | 0:39:16 | 0:39:18 | |
SHE SCREAMS | 0:39:21 | 0:39:24 | |
WHISPERING GROWS LOUDER | 0:39:24 | 0:39:27 | |
SHE MOANS IN DISTRESS | 0:39:27 | 0:39:30 | |
She did all the things a good nurse does. | 0:39:37 | 0:39:39 | |
Mopped her fevered brow and gave her medicine and wiped her arse | 0:39:39 | 0:39:43 | |
and all the time she's doing that, she's thinking, | 0:39:43 | 0:39:45 | |
"I'm shagging your husband. And when you die, he's mine. All mine." | 0:39:45 | 0:39:49 | |
And then Mum gets really sick, she can't talk, | 0:39:49 | 0:39:53 | |
so she stops just thinking it - she tells her it. | 0:39:53 | 0:39:55 | |
"I'm shagging your husband, and when you die he's mine. All mine." | 0:39:55 | 0:39:59 | |
And then Mum's last few days being looked after | 0:39:59 | 0:40:02 | |
by this bitch who hates her. This bitch who's killing her, | 0:40:02 | 0:40:06 | |
this bitch who's pumping her full of morphine to speed her on her way | 0:40:06 | 0:40:10 | |
and smiling at Dad and talking about easing the pain. This bitch who's... | 0:40:10 | 0:40:15 | |
Can I see you when I finish? | 0:40:23 | 0:40:25 | |
Please. | 0:40:28 | 0:40:30 | |
OK. | 0:40:32 | 0:40:35 | |
I'll see you later. | 0:40:35 | 0:40:37 | |
POLICE SIRENS WAIL | 0:40:42 | 0:40:44 | |
Wait... | 0:41:06 | 0:41:09 | |
Stop it! | 0:41:09 | 0:41:11 | |
What are you doing?! | 0:41:11 | 0:41:13 | |
A girl likes a trier. | 0:41:13 | 0:41:15 | |
No, she doesn't. | 0:41:15 | 0:41:16 | |
She doesn't. | 0:41:18 | 0:41:20 | |
She's poisoning me. | 0:41:22 | 0:41:24 | |
Who? | 0:41:25 | 0:41:26 | |
The bitch. She's poisoning me. | 0:41:29 | 0:41:33 | |
You need help, Stephen. | 0:41:34 | 0:41:36 | |
Help? | 0:41:36 | 0:41:38 | |
With this. | 0:41:39 | 0:41:40 | |
You're going to argue that the attack was justified? | 0:41:54 | 0:41:57 | |
-That you were defending your brother? -Yes. | 0:41:57 | 0:42:01 | |
And that's your only defence? | 0:42:01 | 0:42:03 | |
Yes. | 0:42:03 | 0:42:04 | |
Then I have to tell you that such a defence is likely to fail. | 0:42:04 | 0:42:09 | |
It's still true. | 0:42:11 | 0:42:13 | |
Right. Bring the jury in. | 0:42:16 | 0:42:18 | |
DOOR LATCH CLICKS | 0:42:37 | 0:42:39 | |
GIGGLING | 0:42:40 | 0:42:42 | |
Oh, Jesus. | 0:42:48 | 0:42:50 | |
FURNITURE THUMPS | 0:42:50 | 0:42:53 | |
Call the police. | 0:42:53 | 0:42:56 | |
Be careful, Peter. Police, please. | 0:43:01 | 0:43:04 | |
FURNITURE CLATTERS | 0:43:04 | 0:43:06 | |
-What are you doing?! -Sorry to have bothered you. | 0:43:09 | 0:43:12 | |
-Where is it? -We don't need you. | 0:43:12 | 0:43:14 | |
-Where's what? -The poison! | 0:43:14 | 0:43:17 | |
I'm sorry, but you've got to do something, Pete. | 0:43:17 | 0:43:20 | |
-Look at him! He's crazy! -Just give us a minute, will ya? | 0:43:20 | 0:43:23 | |
Stephen. | 0:43:24 | 0:43:26 | |
Stephen! | 0:43:27 | 0:43:29 | |
I'm sorry, son, but I'm going to have to put you in hospital. | 0:43:30 | 0:43:33 | |
God knows, I don't want to do it, but you need help. | 0:43:37 | 0:43:42 | |
I've been smoking a lot of dope since Mum died. | 0:43:44 | 0:43:46 | |
I'll stop that and I'll be OK. I promise. | 0:43:46 | 0:43:49 | |
I'll be OK. I promise. | 0:43:52 | 0:43:55 | |
-DOOR CLOSES -Stephen? | 0:44:17 | 0:44:20 | |
Listen, I know that you and Charlotte haven't been getting on | 0:44:26 | 0:44:30 | |
very well lately and that's fair enough. I'm not knocking you for it. | 0:44:30 | 0:44:33 | |
I just think that part of the reason might be | 0:44:33 | 0:44:35 | |
that you don't see her as a permanent fixture in my life - | 0:44:35 | 0:44:39 | |
then there's no need to try. | 0:44:39 | 0:44:41 | |
So I was thinking it might be better all round | 0:44:41 | 0:44:44 | |
-if we give her more of a permanent place in all our lives. -No, no. | 0:44:44 | 0:44:48 | |
What? | 0:44:48 | 0:44:50 | |
You're marrying her. | 0:44:52 | 0:44:54 | |
Yeah. | 0:44:56 | 0:44:58 | |
HORN HONKS | 0:45:17 | 0:45:19 | |
HORN HONKS | 0:45:21 | 0:45:23 | |
HORN HONKS | 0:45:25 | 0:45:27 | |
Twat! | 0:45:37 | 0:45:39 | |
-Change it. -It's the only one I've got. | 0:45:40 | 0:45:43 | |
-Wear one of mine. -Don't want to. | 0:45:43 | 0:45:46 | |
-It's a wedding, not a funeral. Change it. -No. | 0:45:46 | 0:45:48 | |
Take it off or I'll take it off for you. | 0:45:48 | 0:45:51 | |
You're not wearing a black tie, you self-indulgent little prick! | 0:45:51 | 0:45:54 | |
Your loss is no greater than Dom's and he's coping! | 0:45:54 | 0:45:57 | |
It's no greater than his and it's certainly no greater than mine! | 0:45:57 | 0:46:00 | |
The only thing that's greater is your...selfishness, your ego, | 0:46:00 | 0:46:04 | |
-your fucking self-absorption! -She's a slag! -What?! | 0:46:04 | 0:46:07 | |
She's a slag and you and her were doing it while Mum was dying. | 0:46:07 | 0:46:10 | |
-Doing what? -Sex. You and the slag, while Mum was dying. | 0:46:10 | 0:46:14 | |
HE WHIMPERS | 0:46:14 | 0:46:16 | |
So that the Lord may seal and strengthen your love | 0:46:20 | 0:46:24 | |
in the presence of the Church's minister and this community. | 0:46:24 | 0:46:30 | |
Christ abundantly blesses this love. | 0:46:30 | 0:46:33 | |
LITURGY GROWS MUFFLED | 0:46:33 | 0:46:35 | |
WHISPERING | 0:46:35 | 0:46:36 | |
WHISPERING GROWS LOUDER | 0:46:36 | 0:46:38 | |
..and so, in the presence of the Church, | 0:46:52 | 0:46:56 | |
I ask you to state your intentions. | 0:46:56 | 0:46:59 | |
I want you to apologise. | 0:47:18 | 0:47:20 | |
No. | 0:47:21 | 0:47:23 | |
In that case, I want your key. | 0:47:23 | 0:47:26 | |
-You want my key? -I want your key. | 0:47:26 | 0:47:29 | |
-You're throwing me out? -Stephen, just apologise. Please. | 0:47:29 | 0:47:32 | |
-Where am I supposed to go? -I want your key. | 0:47:32 | 0:47:35 | |
Because of what I said? But it's true. | 0:47:37 | 0:47:40 | |
This is his home. Dad, Dad, you can't... | 0:47:40 | 0:47:42 | |
-I want your key! -It's all right Dom, it's OK. | 0:47:42 | 0:47:45 | |
She killed Mum. | 0:47:53 | 0:47:54 | |
She got a bit impatient waiting for her to die so she upped the dose. | 0:47:54 | 0:47:58 | |
She killed Jenks. | 0:47:58 | 0:48:01 | |
And she'll kill Dom. | 0:48:01 | 0:48:03 | |
I want your key. | 0:48:06 | 0:48:08 | |
Don't eat anything she cooks. | 0:48:18 | 0:48:20 | |
Ste... Stephen... Ste! | 0:48:21 | 0:48:23 | |
DOOR SLAMS | 0:48:25 | 0:48:27 | |
What d'you want? | 0:48:58 | 0:49:00 | |
You said to come round. | 0:49:00 | 0:49:02 | |
Yeah. Round. Not in. | 0:49:02 | 0:49:05 | |
I'm freezing my bollocks off here. | 0:49:05 | 0:49:06 | |
I'll let you come in if you promise to go the doctor's in the morning. | 0:49:10 | 0:49:15 | |
There's nothing wrong with me. | 0:49:15 | 0:49:17 | |
But there will be if your bollocks drop off. | 0:49:18 | 0:49:21 | |
CANNED LAUGHTER ECHOES | 0:49:24 | 0:49:26 | |
OK. | 0:49:30 | 0:49:32 | |
Ste! | 0:49:41 | 0:49:42 | |
Have you been the doctor's? | 0:49:44 | 0:49:45 | |
-Yeah. -Why? | 0:49:46 | 0:49:47 | |
-Get in Dom. -Dom. Dom, why? | 0:49:47 | 0:49:50 | |
Hey! | 0:49:56 | 0:49:58 | |
Hey! Fuck. | 0:50:02 | 0:50:04 | |
'Would you like to see someone? Someone who could help.' | 0:50:06 | 0:50:09 | |
-A psychiatrist? -If that's what you'd like. | 0:50:09 | 0:50:11 | |
No, he'd put me away. And I need to be around to look after Dom. | 0:50:11 | 0:50:16 | |
How can you take care of him when you're not living there? | 0:50:16 | 0:50:18 | |
What was wrong with him? | 0:50:20 | 0:50:22 | |
Oh, I can't tell you that, I'm sorry. | 0:50:22 | 0:50:24 | |
-His stomach? How is he? -I can't tell you that. | 0:50:24 | 0:50:28 | |
-I want to talk to Dom. -'Who is this?' | 0:50:28 | 0:50:30 | |
-It's ME. Put him on. -'Can't, I'm afraid.' | 0:50:30 | 0:50:33 | |
Why are you answering his mobile? | 0:50:34 | 0:50:36 | |
I'll tell him you phoned. | 0:50:37 | 0:50:39 | |
DOORBELL RINGS PERSISTENTLY | 0:51:07 | 0:51:09 | |
DOOR BANGS | 0:51:09 | 0:51:12 | |
-What d'you want? -I want to talk to Dom. | 0:51:24 | 0:51:27 | |
-You can't. -I need to talk to Dom? -You can't! -Why not? | 0:51:27 | 0:51:30 | |
-Cos he's having a lie down. -Why? | 0:51:30 | 0:51:32 | |
Cos he's not well. | 0:51:32 | 0:51:34 | |
What's wrong with him? | 0:51:34 | 0:51:36 | |
It's just an upset stomach. | 0:51:36 | 0:51:38 | |
Look, just go away. Go away, son. | 0:51:41 | 0:51:44 | |
No, I want to see him! I want to see him and I... | 0:51:44 | 0:51:47 | |
Just go away! Just go away or I'll have to phone the police! | 0:51:47 | 0:51:49 | |
You'll phone the police? OK. | 0:51:49 | 0:51:52 | |
Police, please. | 0:52:00 | 0:52:02 | |
There you go. | 0:52:03 | 0:52:05 | |
I was getting pain in my guts all the time, | 0:52:05 | 0:52:08 | |
but I stopped eating her food and the pain stopped, too. | 0:52:08 | 0:52:12 | |
Dom's still eating it and he's still getting pain | 0:52:12 | 0:52:15 | |
so it doesn't take a genius to work out what's going on. | 0:52:15 | 0:52:18 | |
Dom? | 0:52:18 | 0:52:20 | |
I've got a bug, Stephen, and I... And I caught it off you. | 0:52:24 | 0:52:28 | |
That's bollocks. She's poisoning him. | 0:52:28 | 0:52:30 | |
For God's sake, Stephen, why?! Why would I do such a thing?! | 0:52:30 | 0:52:33 | |
Charlotte, please! D'you think I'd let that happen? | 0:52:33 | 0:52:35 | |
You and Dom mean the world to me, how could I? | 0:52:35 | 0:52:37 | |
You know what you've got to do. | 0:52:37 | 0:52:39 | |
-That boy is ill...get him sectioned! -I'm not going there! | 0:52:39 | 0:52:42 | |
If you don't mind me saying, | 0:52:44 | 0:52:46 | |
you've got a bit of talking to do as a family. | 0:52:46 | 0:52:48 | |
Hey. Your job's to prevent crime, yeah? | 0:52:55 | 0:52:59 | |
-Yeah. -Well, I'm telling you, if you go right now there's going to be a serious crime committed | 0:52:59 | 0:53:03 | |
because either she dies or Dom dies so I'm going to have to kill her... | 0:53:03 | 0:53:07 | |
I didn't hear that, son. | 0:53:07 | 0:53:09 | |
If I hear something like that, I've got to act on it | 0:53:09 | 0:53:11 | |
and that means locking you up and what good are you to anyone then? | 0:53:11 | 0:53:14 | |
So you go back in there and talk to your dad. Right? | 0:53:14 | 0:53:17 | |
Right. | 0:53:24 | 0:53:25 | |
CAR DRIVES AWAY | 0:53:25 | 0:53:27 | |
-I want you to come with me, Dom. -No. -She's killing you. | 0:53:37 | 0:53:39 | |
-For God's sake, Stephen... -She's not. | 0:53:39 | 0:53:41 | |
Come with me, mate, or something horrible is going to happen. | 0:53:41 | 0:53:44 | |
-Nothing's going to happen, Stephen. Look, you're... -Please. | 0:53:44 | 0:53:47 | |
-I can't take any more of this. -You're ill, mate. Up here. | 0:53:47 | 0:53:50 | |
-I'm not. I'm not. I'm not ill. -You're imagining things. | 0:53:50 | 0:53:53 | |
-Ever since Mum. -I'm not. | 0:53:53 | 0:53:54 | |
She'd never harm us and Dad loves us so why would she harm us...? | 0:53:54 | 0:53:57 | |
-Get him out of the house. -Dad's right, if we can just... | 0:53:57 | 0:54:01 | |
-Stephen, no! -Urgh! | 0:54:01 | 0:54:03 | |
Oh, my God! What have you done?! | 0:54:03 | 0:54:05 | |
-Now, now! -What have you done? -Get an ambulance! | 0:54:05 | 0:54:07 | |
I did it for Dom. I did it for Dom! | 0:54:07 | 0:54:10 | |
I did it to save the life of my brother! | 0:54:10 | 0:54:12 | |
Put the knife down, you prick! 36 Ramires Drive. | 0:54:12 | 0:54:15 | |
Someone's been stabbed and she's losing a lot of blood. | 0:54:16 | 0:54:20 | |
It had to be done. | 0:54:20 | 0:54:21 | |
How could you do something like that to him, you prick? | 0:54:21 | 0:54:24 | |
She lives, you die, it had to be done. | 0:54:24 | 0:54:26 | |
-Charlotte, don't you go to sleep! -It had to be done. | 0:54:26 | 0:54:29 | |
After all he's been through, and you're the sensitive one, yeah? | 0:54:29 | 0:54:32 | |
Mum always used to say you're the sensitive one. | 0:54:32 | 0:54:34 | |
Well, you're not. You're not. You're shite. You are one selfish bastard. | 0:54:34 | 0:54:37 | |
And she was totally wrong about you, Stephen, | 0:54:37 | 0:54:39 | |
cos you are so far up your own arse, you prick, | 0:54:39 | 0:54:42 | |
and if Mum was here now she'd be saying the same as me. | 0:54:42 | 0:54:45 | |
Stephen, you are one selfish bastard! | 0:54:45 | 0:54:48 | |
Members of the jury, are you agreed upon a verdict? | 0:56:09 | 0:56:12 | |
We are. | 0:56:17 | 0:56:19 | |
Do you find the defendant guilty or not guilty of attempted murder? | 0:56:19 | 0:56:23 | |
Guilty. | 0:56:25 | 0:56:27 | |
Stephen Cartwright, I'd like to order a psychiatric report on you. | 0:56:30 | 0:56:34 | |
It could only be to your benefit. | 0:56:34 | 0:56:37 | |
Are you willing to co-operate with the preparation of such a report? | 0:56:37 | 0:56:40 | |
No, your honour. | 0:56:40 | 0:56:42 | |
Stephen Cartwright, I suspect you might have been suffering | 0:56:48 | 0:56:51 | |
from some sort of mental illness when you committed this offence, | 0:56:51 | 0:56:54 | |
but you refused to acknowledge it or have yourself medically examined. | 0:56:54 | 0:56:58 | |
Also, you are a juvenile. | 0:56:59 | 0:57:01 | |
In the circumstances, my hands are tied. | 0:57:01 | 0:57:05 | |
You will be detained for six years. | 0:57:07 | 0:57:10 | |
Take him down. | 0:57:12 | 0:57:14 | |
Where's Dom? | 0:58:07 | 0:58:09 | |
He's not well. | 0:58:11 | 0:58:13 | |
Dad? | 0:58:15 | 0:58:16 | |
He's not well either. | 0:58:18 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:53 | 0:58:57 |