Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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WHISPERS ECHO: I love you, I love you... | 0:01:22 | 0:01:25 | |
EXPLOSIONS ECHO Cyril! Cyril! | 0:01:47 | 0:01:50 | |
RAINFALL | 0:02:06 | 0:02:09 | |
The, er...position is for a secretary. | 0:02:14 | 0:02:18 | |
Then the agency shouldn't have given you my name. | 0:02:18 | 0:02:20 | |
My typing and shorthand isn't good enough. | 0:02:20 | 0:02:22 | |
-Assistant, then. -TYPEWRITER CLACKS | 0:02:22 | 0:02:24 | |
With some minor secretarial duties. | 0:02:24 | 0:02:26 | |
I sent her all the details. She chose you. | 0:02:26 | 0:02:30 | |
Really? | 0:02:30 | 0:02:31 | |
You're a teacher? | 0:02:31 | 0:02:33 | |
Games mistress, yes. | 0:02:33 | 0:02:34 | |
Teachers are good at organising. | 0:02:34 | 0:02:37 | |
Mrs Owen is expecting a lot of guests. | 0:02:37 | 0:02:39 | |
Whereabouts in the country? | 0:02:39 | 0:02:41 | |
The Devon coast. Soldier Island. | 0:02:41 | 0:02:43 | |
The coast? | 0:02:45 | 0:02:46 | |
Audrey's been telling me about it from her magazines - | 0:02:47 | 0:02:49 | |
haven't you, Audrey? | 0:02:49 | 0:02:51 | |
Some Hollywood film star was supposed to have bought it, | 0:02:51 | 0:02:54 | |
but no, it's Mr and Mrs Owen. | 0:02:54 | 0:02:57 | |
You've met them? | 0:02:58 | 0:02:59 | |
No, everything by letter. | 0:02:59 | 0:03:02 | |
An island? | 0:03:02 | 0:03:03 | |
By the sea? | 0:03:03 | 0:03:05 | |
Islands are generally by the sea. | 0:03:05 | 0:03:07 | |
The box, if you please, Audrey. | 0:03:09 | 0:03:11 | |
Erm... I... I don't... Maybe I'm not suited... | 0:03:12 | 0:03:15 | |
You are who she wants. | 0:03:15 | 0:03:18 | |
And it's very well-paid. | 0:03:18 | 0:03:21 | |
There's a permanent position on offer, if you fit the bill. | 0:03:21 | 0:03:24 | |
-Yes, but... -For immediate expenses. | 0:03:24 | 0:03:27 | |
RECORDING EQUIPMENT BUZZES, ACTOR WARMS UP VOICE | 0:04:57 | 0:05:01 | |
ACTOR CLEARS HIS THROAT | 0:05:03 | 0:05:04 | |
And...and this is for a play? | 0:05:04 | 0:05:06 | |
In the West End? | 0:05:07 | 0:05:09 | |
And will I be credited in the programme? | 0:05:10 | 0:05:12 | |
Ladies and gentlemen! | 0:05:18 | 0:05:21 | |
Silence, please! | 0:05:21 | 0:05:22 | |
You are charged with the following indictments. | 0:05:24 | 0:05:26 | |
TRAIN ENGINE CHUGS | 0:05:30 | 0:05:33 | |
TRAIN WHISTLE BLOWS | 0:06:28 | 0:06:30 | |
TYRES SCREECH, CAR HORN BLARES | 0:06:50 | 0:06:52 | |
Oh, my God! Bloody hell! | 0:06:52 | 0:06:55 | |
Damn you, you stupid bastard! | 0:06:55 | 0:06:57 | |
Woo! HE LAUGHS | 0:06:59 | 0:07:01 | |
CLOCK CHIMES | 0:07:31 | 0:07:34 | |
Oh, well. Here are the others... | 0:08:01 | 0:08:03 | |
I'm Miss Claythorne. | 0:08:05 | 0:08:07 | |
Mrs Owen's secretary. | 0:08:07 | 0:08:08 | |
Are you Mr Narracott? | 0:08:08 | 0:08:10 | |
Ain't no-one else holding the sign. Already taken two over. | 0:08:10 | 0:08:14 | |
Fussy old maid and some flashy young lad. | 0:08:14 | 0:08:17 | |
Been in and out of this harbour like a fiddler's elbow. | 0:08:17 | 0:08:20 | |
Sea dogs have their own etiquette. | 0:08:21 | 0:08:24 | |
Well, good afternoon. | 0:08:25 | 0:08:28 | |
General MacArthur. | 0:08:28 | 0:08:29 | |
Good Lord! What an honour to meet you. | 0:08:29 | 0:08:32 | |
-Wargrave. -Justice Wargrave? | 0:08:32 | 0:08:35 | |
The honour's all mine, sir. | 0:08:35 | 0:08:36 | |
Retired from justice now. | 0:08:36 | 0:08:38 | |
Mr...? | 0:08:38 | 0:08:39 | |
Lombard. Philip. | 0:08:39 | 0:08:42 | |
And you, sir? | 0:08:42 | 0:08:44 | |
Davis. | 0:08:44 | 0:08:45 | |
Are you coming, or not? | 0:08:47 | 0:08:49 | |
Well...shall we? | 0:08:50 | 0:08:51 | |
This way, just up here... | 0:11:09 | 0:11:11 | |
Good afternoon! | 0:11:21 | 0:11:23 | |
Welcome to Soldier Island. | 0:11:26 | 0:11:28 | |
Right. Come along. | 0:11:31 | 0:11:34 | |
Sorry, is there a problem? | 0:12:03 | 0:12:05 | |
Well, that's as far as my fee will take me, sir. | 0:12:05 | 0:12:07 | |
Oh, for God's sake... | 0:12:09 | 0:12:11 | |
Er... Davis? | 0:12:17 | 0:12:20 | |
Davis? | 0:12:20 | 0:12:21 | |
I'd be grateful... | 0:12:24 | 0:12:27 | |
Of course. | 0:12:27 | 0:12:28 | |
Well, Rogers... | 0:12:55 | 0:12:57 | |
Our hosts - when can we expect to meet them? | 0:12:57 | 0:13:00 | |
We should be a full house by tonight, sir. | 0:13:00 | 0:13:02 | |
Ah, afternoon. | 0:13:06 | 0:13:08 | |
Tony Marston. | 0:13:08 | 0:13:09 | |
Well, I look forward to meeting you all at dinner. | 0:13:10 | 0:13:14 | |
A stiff G&T in my room. | 0:13:14 | 0:13:15 | |
Sir. | 0:13:15 | 0:13:17 | |
Did Mrs Owen leave any instructions for me? | 0:13:17 | 0:13:19 | |
-I'm the secretary. -Only to ensure that you were comfortable | 0:13:19 | 0:13:22 | |
and had everything you wished for, Miss Claythorne. | 0:13:22 | 0:13:25 | |
Now, if the gentlemen would follow me, | 0:13:25 | 0:13:27 | |
Mrs Rogers will escort the lady. | 0:13:27 | 0:13:29 | |
Well, thank you, Davis... | 0:13:31 | 0:13:33 | |
Did my friend, Mrs Culmington - Mrs Constance Culmington - | 0:13:43 | 0:13:46 | |
did she change her plans, do you know? | 0:13:46 | 0:13:48 | |
No, I'm afraid I don't. | 0:13:48 | 0:13:50 | |
Mmm! Ridiculously vague. | 0:13:50 | 0:13:53 | |
Well, I'm sorry. I only just recently got the job. | 0:13:53 | 0:13:55 | |
No, no, no, no. Not you, Miss Claythorne. | 0:13:55 | 0:13:58 | |
I mean, this whole arrangement. | 0:13:58 | 0:13:59 | |
The Owens invited me here to meet my friend and she's not even here. | 0:13:59 | 0:14:04 | |
Very strange. Very strange indeed. | 0:14:04 | 0:14:07 | |
-Can I help you? Here. -Oh, too kind. | 0:14:09 | 0:14:11 | |
HE SNIFFS | 0:15:50 | 0:15:53 | |
GHOSTLY MOAN ECHOES, MACARTHUR GASPS | 0:16:28 | 0:16:31 | |
Leave me alone. | 0:16:32 | 0:16:34 | |
Look at the state of you. | 0:16:50 | 0:16:51 | |
I've got to baste my beef. | 0:16:51 | 0:16:53 | |
And my souffles, Thomas, what about my souffle? | 0:16:53 | 0:16:56 | |
Well, I can't dress her, can I? | 0:16:56 | 0:16:58 | |
Go on. | 0:16:58 | 0:17:00 | |
Was it a childhood affliction? | 0:17:08 | 0:17:10 | |
Your eyes? | 0:17:12 | 0:17:14 | |
No, madam. | 0:17:16 | 0:17:17 | |
Came on all suddenly. | 0:17:17 | 0:17:19 | |
Oh... Shock, maybe? Sudden change? | 0:17:20 | 0:17:24 | |
Begging your pardon, madam, I don't know. | 0:17:24 | 0:17:26 | |
You must know. | 0:17:28 | 0:17:30 | |
Begging your pardon, madam, I don't. | 0:17:30 | 0:17:32 | |
I always think it's rather a weakness, | 0:17:36 | 0:17:38 | |
to be so affected by something in one's circumstances. | 0:17:38 | 0:17:42 | |
Rather indulgent, almost vain. | 0:17:43 | 0:17:45 | |
We must be strong, Mrs Rogers, especially in these times. | 0:17:47 | 0:17:52 | |
We must be valiant... | 0:17:52 | 0:17:54 | |
..and virtuous. | 0:17:55 | 0:17:56 | |
And we must be Englishwomen. | 0:17:59 | 0:18:01 | |
Yes, madam. | 0:18:03 | 0:18:04 | |
And a little advice... | 0:18:04 | 0:18:06 | |
..in future, a splash of Eau de Cologne... | 0:18:07 | 0:18:11 | |
..before you come upstairs to attend on the ladies. | 0:18:12 | 0:18:16 | |
I appreciate it's hot, working in the kitchen, | 0:18:16 | 0:18:19 | |
but there's no need to announce it quite so emphatically. | 0:18:19 | 0:18:22 | |
Beg your pardon, madam. | 0:18:25 | 0:18:27 | |
Tinned goods. | 0:18:35 | 0:18:36 | |
Troops. War. The war. | 0:18:37 | 0:18:40 | |
Tinned goods. | 0:18:40 | 0:18:42 | |
Mmm! | 0:18:43 | 0:18:44 | |
Judge Wargrave, I'm terribly sorry for the clumsy introduction. | 0:18:46 | 0:18:50 | |
I'm a terrible traveller, completely lose my bearings. | 0:18:52 | 0:18:55 | |
Are we on time? | 0:18:59 | 0:19:01 | |
Only just. | 0:19:01 | 0:19:02 | |
Ah, sir. | 0:19:02 | 0:19:04 | |
You're ready sooner than we'd anticipated. | 0:19:05 | 0:19:08 | |
-What's up there? -Just roof space, sir. | 0:19:08 | 0:19:11 | |
Ah, sir - I've been advised | 0:19:11 | 0:19:13 | |
that the footing isn't particularly sturdy up there. | 0:19:13 | 0:19:16 | |
Best avoided, lest you make an unexpected entrance | 0:19:16 | 0:19:19 | |
into one of the bedrooms, sir - | 0:19:19 | 0:19:21 | |
by way of the ceiling. | 0:19:21 | 0:19:22 | |
May I show you to the drawing room, sir? | 0:19:25 | 0:19:27 | |
Perhaps an aperitif, whilst you await the other guests? | 0:19:27 | 0:19:30 | |
Ah... Mr Davis. | 0:19:30 | 0:19:32 | |
You look like a man who could use a drink. | 0:19:38 | 0:19:40 | |
Hmm! How very congenial. Perhaps a small...snifter. | 0:19:40 | 0:19:44 | |
Mr Rogers, lead the way. | 0:19:46 | 0:19:48 | |
MURMUR OF CONVERSATION | 0:20:14 | 0:20:16 | |
CLATTER | 0:20:28 | 0:20:30 | |
CLUNK | 0:20:30 | 0:20:31 | |
Miss? | 0:20:53 | 0:20:54 | |
Is there something you're looking for, Miss? | 0:20:58 | 0:21:01 | |
Because this is the belowstairs, Miss. | 0:21:02 | 0:21:04 | |
For staff. | 0:21:06 | 0:21:08 | |
Well, I am staff. | 0:21:08 | 0:21:10 | |
Miss, we had very strict instructions | 0:21:10 | 0:21:12 | |
that you were to be treated as a guest. | 0:21:12 | 0:21:15 | |
Guests don't come below stairs. | 0:21:15 | 0:21:18 | |
It rather sounds as though you're asking me to leave. | 0:21:18 | 0:21:21 | |
How many more are you expecting, with the Owens? | 0:21:25 | 0:21:27 | |
We shall know when they arrive. | 0:21:28 | 0:21:30 | |
And how will you cope, just the two of you? | 0:21:30 | 0:21:34 | |
Rogers and myself is competent. | 0:21:34 | 0:21:36 | |
More than. | 0:21:36 | 0:21:38 | |
So, if you please? | 0:21:40 | 0:21:42 | |
Well done, girl. | 0:22:01 | 0:22:03 | |
What an idyllic evening. | 0:22:15 | 0:22:17 | |
The sky! | 0:22:18 | 0:22:20 | |
How can one not believe in a creator? | 0:22:20 | 0:22:22 | |
Davis. | 0:22:24 | 0:22:25 | |
Emily Brett. | 0:22:25 | 0:22:26 | |
Edward Armstrong. | 0:22:26 | 0:22:28 | |
There's one in my room, too. | 0:22:40 | 0:22:41 | |
I imagine there's one in every room. | 0:22:43 | 0:22:46 | |
Well... Soldier Island. It makes sense. | 0:22:46 | 0:22:50 | |
It's amusing. | 0:22:50 | 0:22:52 | |
I have a strong suspicion our hosts are inclined to whimsy. | 0:22:52 | 0:22:56 | |
I cannot comment on our hosts. | 0:22:57 | 0:23:00 | |
Good little secretary. | 0:23:00 | 0:23:02 | |
Excuse me. | 0:23:03 | 0:23:05 | |
We've got off on the wrong foot, haven't we? | 0:23:05 | 0:23:08 | |
But you do have very pretty legs. | 0:23:09 | 0:23:11 | |
-It would have been remiss not to admire them. -Mr Lombard... | 0:23:11 | 0:23:14 | |
..you seem to be under the impression that I am a particular kind of woman. | 0:23:15 | 0:23:18 | |
And I assure you that I am not. | 0:23:19 | 0:23:21 | |
I do not like to be looked at. | 0:23:22 | 0:23:25 | |
I get instincts about people. | 0:23:25 | 0:23:27 | |
I've an instinct about you. | 0:23:29 | 0:23:31 | |
I think you're pretending. | 0:23:33 | 0:23:35 | |
DOOR OPENS | 0:23:37 | 0:23:39 | |
A drink, Mr Marston? | 0:23:39 | 0:23:41 | |
Pink gin. Pink as a virgin's blush. | 0:23:41 | 0:23:44 | |
-Didn't catch your name. -Philip Lombard. | 0:23:45 | 0:23:48 | |
Irish. You must know the Corkerons. | 0:23:49 | 0:23:52 | |
Great chums of mine. | 0:23:53 | 0:23:55 | |
Endlessly simpatico. | 0:23:55 | 0:23:57 | |
Anyone who's anyone knows them. | 0:23:57 | 0:23:59 | |
WARGRAVE AND MACARTHUR CHUCKLE OUTSIDE | 0:23:59 | 0:24:01 | |
Are you a betting man, Lombard? | 0:24:04 | 0:24:06 | |
It depends. | 0:24:06 | 0:24:08 | |
At some point this evening, | 0:24:08 | 0:24:09 | |
one of those crumbling old roaks will start talking about the war. | 0:24:09 | 0:24:12 | |
And then he'll ask us both if we aren't damned sorry to have missed the last one | 0:24:12 | 0:24:16 | |
and how we should be gung ho to do our duty in the next. | 0:24:16 | 0:24:19 | |
Not that there's going to be a next one. | 0:24:19 | 0:24:21 | |
There's always a next one. | 0:24:21 | 0:24:24 | |
So, how about it? A bet? | 0:24:24 | 0:24:27 | |
The odds are too short. | 0:24:31 | 0:24:33 | |
WARGRAVE AND MACARTHUR CHUCKLE OUTSIDE | 0:24:35 | 0:24:38 | |
Listen to them. Clinging on. | 0:24:40 | 0:24:43 | |
They think they still mean something | 0:24:43 | 0:24:45 | |
but nobody at all would notice, or care, if they just... | 0:24:45 | 0:24:49 | |
I'm going to be exceptionally charming to them. | 0:24:51 | 0:24:54 | |
Oh, all right, Miss Claythorne. | 0:24:58 | 0:25:00 | |
If it'll make you happy, I'm sorry for staring. | 0:25:00 | 0:25:04 | |
Mr Lombard, | 0:25:06 | 0:25:08 | |
I doubt you're ever sorry for anything. | 0:25:08 | 0:25:11 | |
Smart girl. | 0:25:15 | 0:25:16 | |
GONG STRIKES | 0:25:26 | 0:25:28 | |
Ladies and gentlemen, lobster souffle. | 0:25:49 | 0:25:52 | |
I hope it isn't too rich. | 0:25:52 | 0:25:55 | |
I always dine so modestly at home. | 0:25:55 | 0:25:57 | |
I won't, thank you. | 0:26:02 | 0:26:04 | |
Thank you. | 0:26:06 | 0:26:07 | |
We've met before, you know? | 0:26:07 | 0:26:09 | |
Oh, forgive me, my memory is not what it was. | 0:26:09 | 0:26:12 | |
Perhaps you gave evidence before me? | 0:26:12 | 0:26:15 | |
No, no, it wasn't that, I'd remember that. | 0:26:15 | 0:26:17 | |
It's something else... | 0:26:17 | 0:26:19 | |
It'll come to me. | 0:26:19 | 0:26:21 | |
I'm not at all sure about these. | 0:26:21 | 0:26:23 | |
They look very...pagan. | 0:26:23 | 0:26:26 | |
They're the ten little soldiers. You know, from the poem. | 0:26:26 | 0:26:30 | |
Hmm. I know it off by heart. | 0:26:30 | 0:26:33 | |
When I was a little boy, my nanny used to recite it to me. | 0:26:33 | 0:26:36 | |
I imagine she wanted to terrify me into being good. | 0:26:36 | 0:26:39 | |
Did it work? | 0:26:39 | 0:26:41 | |
Well, I've always been a stickler, yes. | 0:26:41 | 0:26:44 | |
Stickler for the rules. | 0:26:44 | 0:26:46 | |
I was probably a rather dull boy! | 0:26:46 | 0:26:48 | |
I really can't imagine that, General. | 0:26:48 | 0:26:51 | |
Although, you shouldn't call it a poem, Miss Claythorne. | 0:26:51 | 0:26:55 | |
It's doggerel. | 0:26:55 | 0:26:57 | |
Poetry should be uplifting. | 0:26:57 | 0:26:58 | |
I agree with you, Miss Brent. | 0:26:58 | 0:27:00 | |
Well, that shows how wrong first impressions are. | 0:27:00 | 0:27:03 | |
I didn't think you were the type of gentleman to appreciate poetry. | 0:27:03 | 0:27:06 | |
LOMBARD: Mr Davis has hidden depths. | 0:27:06 | 0:27:08 | |
The souffle is delicious. | 0:27:12 | 0:27:14 | |
Mmm, very light. | 0:27:14 | 0:27:15 | |
In over 40 years in criminal law, I have come face to face | 0:27:25 | 0:27:29 | |
with the most depraved examples of mankind and felt no fear. | 0:27:29 | 0:27:32 | |
But I quail in terror, Miss Claythorne, | 0:27:32 | 0:27:35 | |
at the thought of young ladies brandishing hockey sticks. | 0:27:35 | 0:27:38 | |
They're not so bad, Judge. A little over-excited and noisy, sometimes. | 0:27:38 | 0:27:43 | |
Oh, the prerogative of youth. | 0:27:43 | 0:27:46 | |
And I'm sure you set them a very fine example. | 0:27:46 | 0:27:49 | |
Sometimes, you dread what filth they're going to serve, | 0:27:49 | 0:27:53 | |
-but this is actually very decent. -The Owens are always generous hosts. | 0:27:53 | 0:27:56 | |
Friends of yours, Mr Davis? | 0:27:56 | 0:27:58 | |
Business acquaintances. | 0:27:58 | 0:28:00 | |
I'm in tinned goods. | 0:28:00 | 0:28:02 | |
The firm started off supplying troops with stew. | 0:28:02 | 0:28:06 | |
Tinned goods is what helped us win the war. | 0:28:06 | 0:28:08 | |
Well, I suppose... I suppose an army marches on its stomach. | 0:28:08 | 0:28:12 | |
Here we go... | 0:28:12 | 0:28:13 | |
God, I remember that stew. | 0:28:13 | 0:28:15 | |
RAMC, I presume, Dr Armstrong? | 0:28:15 | 0:28:18 | |
That's right. | 0:28:18 | 0:28:19 | |
Clearing stations and then hospitals in Belgium and France. | 0:28:19 | 0:28:23 | |
Perhaps you're being interviewed as well. | 0:28:23 | 0:28:26 | |
Interviewed, General? | 0:28:26 | 0:28:27 | |
Yes, Mr Owen is an amateur, but very knowledgeable military historian. | 0:28:27 | 0:28:33 | |
He's writing about France, | 0:28:33 | 0:28:34 | |
-about the decisive actions on the Front in 1917. -(Oh, for God's sake, it's over.) | 0:28:34 | 0:28:38 | |
No, I'm, er... I'm just here to get away from it all. | 0:28:38 | 0:28:41 | |
Interesting man, Mr Owen - and an interesting name. | 0:28:41 | 0:28:45 | |
Ulick Norman. | 0:28:45 | 0:28:47 | |
How funny. Mrs Owen is Una Nancy... | 0:28:47 | 0:28:51 | |
Matching initials. | 0:28:51 | 0:28:52 | |
Must confess, I was a little worried about the "Ulick". | 0:28:52 | 0:28:56 | |
Given the current climate, it might be seen as somewhat... Teutonic. | 0:28:56 | 0:29:00 | |
You couldn't hope to meet a more patriotic man. | 0:29:01 | 0:29:04 | |
And what could be more English than "Norman"? | 0:29:04 | 0:29:07 | |
Oh, it's magical! | 0:29:15 | 0:29:18 | |
Mrs Rogers has the gift. | 0:29:19 | 0:29:21 | |
She might look like the undead, but she can definitely cook. | 0:29:21 | 0:29:25 | |
When might we expect the Owens? | 0:29:27 | 0:29:30 | |
Have they not telephoned? | 0:29:30 | 0:29:32 | |
There's no telephone on the island, Madam. | 0:29:32 | 0:29:35 | |
Mr Narracott brings messages, | 0:29:35 | 0:29:36 | |
along with the post and kitchen supplies every morning. | 0:29:36 | 0:29:39 | |
I imagine tomorrow, he will either bring a telegram from the Owens, | 0:29:39 | 0:29:42 | |
or they will accompany him. | 0:29:42 | 0:29:44 | |
Ah-ah, Rogers, give that Narracott chap a couple of bob, | 0:29:45 | 0:29:48 | |
ask him to watch my car. | 0:29:48 | 0:29:50 | |
It's parked up by the harbour. | 0:29:50 | 0:29:53 | |
The Jensen. | 0:29:53 | 0:29:54 | |
Of course, sir. | 0:29:54 | 0:29:56 | |
I shall pass on your compliments to Mrs Rogers. | 0:29:56 | 0:29:59 | |
Look here, Davis. The Owens... | 0:30:00 | 0:30:04 | |
Are they fun-loving types? | 0:30:04 | 0:30:07 | |
"Fun-loving"? | 0:30:07 | 0:30:08 | |
Yeah, cos there's something a tad off here. | 0:30:08 | 0:30:11 | |
Now, I had a letter inviting me to a house party. | 0:30:11 | 0:30:13 | |
Pretty young things, you know? Champagne, music... | 0:30:15 | 0:30:18 | |
And apart from Lombard, who looks like he could cut up a bit lively, | 0:30:18 | 0:30:21 | |
the rest of you don't really look like fun-loving house party types. | 0:30:21 | 0:30:26 | |
No offence. | 0:30:26 | 0:30:28 | |
Your car, the Jensen? | 0:30:28 | 0:30:30 | |
Oh, you saw her? Isn't she a beauty? | 0:30:30 | 0:30:33 | |
I honestly can't imagine loving a person | 0:30:33 | 0:30:35 | |
as much as I worship and adore the Jensen. | 0:30:35 | 0:30:38 | |
You ran me off the road. | 0:30:38 | 0:30:40 | |
No, I didn't. | 0:30:40 | 0:30:42 | |
You ran me off the road. | 0:30:43 | 0:30:45 | |
When? | 0:30:47 | 0:30:48 | |
I was driving along, minding my own business, when you overtook me - | 0:30:48 | 0:30:51 | |
going God knows how fast - and you ran me off the road. | 0:30:51 | 0:30:54 | |
Well, I saw someone going at a pitiful speed... | 0:30:54 | 0:30:56 | |
Now, look here, Marston - | 0:30:56 | 0:30:58 | |
I think an apology and a handshake between gentlemen | 0:30:58 | 0:31:00 | |
would be just the thing here. | 0:31:00 | 0:31:02 | |
-But I haven't done anything wrong! -You ran me off the road! | 0:31:02 | 0:31:05 | |
I might have over-taken you, but my great aunt drives with more zip. | 0:31:05 | 0:31:08 | |
And if you can't control your car, | 0:31:08 | 0:31:09 | |
-then you really shouldn't be behind the wheel... -You little shit! | 0:31:09 | 0:31:12 | |
You ran me off the road | 0:31:12 | 0:31:13 | |
and then you have the temerity to tell me it's my fault?! | 0:31:13 | 0:31:16 | |
Careful, old boy. Getting a little red in the face there. | 0:31:16 | 0:31:18 | |
Gentleman, please! There are ladies present. | 0:31:18 | 0:31:22 | |
I'm sorry. | 0:31:22 | 0:31:23 | |
It's been a long week. | 0:31:25 | 0:31:26 | |
You're right, General. | 0:31:26 | 0:31:28 | |
A handshake between gentlemen. | 0:31:28 | 0:31:31 | |
Come on, Armstrong. Put it there. | 0:31:32 | 0:31:34 | |
Let's be pals. | 0:31:36 | 0:31:37 | |
Nearly there. | 0:32:08 | 0:32:09 | |
Good work, eh? | 0:32:11 | 0:32:12 | |
Rogers, I'm out of cigarettes. | 0:32:14 | 0:32:16 | |
Yes, sir. | 0:32:16 | 0:32:18 | |
So, what battles were you involved with, General? | 0:32:18 | 0:32:20 | |
Well, I served on the North West frontier, | 0:32:20 | 0:32:23 | |
in South Africa, and of course, in France. | 0:32:23 | 0:32:26 | |
Win any? | 0:32:26 | 0:32:28 | |
I loathe this convention - leaving men to their cigars and their "stories". | 0:32:29 | 0:32:32 | |
Convention, Miss Claythorne, | 0:32:32 | 0:32:34 | |
is what keeps us together in the face of impending chaos. | 0:32:34 | 0:32:37 | |
Is it time? | 0:32:39 | 0:32:40 | |
You start serving. | 0:32:40 | 0:32:42 | |
No, no. No, I'll pour the coffee. | 0:32:53 | 0:32:56 | |
You must be very busy in the kitchen. | 0:32:56 | 0:32:59 | |
Miss. | 0:32:59 | 0:33:00 | |
Excellent dinner, Mrs Rogers. | 0:33:01 | 0:33:03 | |
The Owens are lucky to have you. | 0:33:04 | 0:33:06 | |
I'll certainly be telling them so. | 0:33:07 | 0:33:09 | |
Thank you, Madam. | 0:33:09 | 0:33:10 | |
SPEAKERS FEEDBACK | 0:33:17 | 0:33:19 | |
Whereabouts is your school? | 0:33:20 | 0:33:22 | |
I doubt you'd have heard of it. It's not particularly well-known. | 0:33:24 | 0:33:27 | |
Nor particularly good, either. | 0:33:27 | 0:33:29 | |
Why do you say that? | 0:33:29 | 0:33:31 | |
Otherwise, you would not be needing employment in the summer months. | 0:33:31 | 0:33:34 | |
Their fees are not high enough, nor is their pay. | 0:33:34 | 0:33:37 | |
Not that I disapprove of you seeking employment and being busy - | 0:33:37 | 0:33:40 | |
far from it. | 0:33:40 | 0:33:42 | |
But why teach in a third-rate establishment, | 0:33:43 | 0:33:46 | |
producing third-rate girls? | 0:33:46 | 0:33:49 | |
Barely worth your time and attention, I would have thought. | 0:33:49 | 0:33:53 | |
-SPEAKERS FEEDBACK -'Ladies and gentlemen! | 0:33:53 | 0:33:55 | |
'Silence, please!' | 0:33:55 | 0:33:57 | |
Who is that? | 0:33:57 | 0:33:58 | |
'You are charged with the following indictments. | 0:33:58 | 0:34:01 | |
'Edward George Armstrong, that you murdered Louisa Mary Clees...' | 0:34:03 | 0:34:07 | |
-Who is this? -I don't know, sir... | 0:34:07 | 0:34:10 | |
'Emily Caroline Brent, that you murdered Beatrice Taylor...' | 0:34:10 | 0:34:15 | |
-Who is this? -What's the meaning of this? | 0:34:15 | 0:34:17 | |
'William Henry Blore, that you did murder James Stephen Landor...' | 0:34:17 | 0:34:22 | |
God almighty! | 0:34:22 | 0:34:24 | |
'Vera Elizabeth Claythorne, | 0:34:25 | 0:34:28 | |
'that you did murder Cyril Ogilvie Hamilton. | 0:34:28 | 0:34:31 | |
'Philip Lombard, that you did murder 21 men, | 0:34:33 | 0:34:38 | |
'members of an East African tribe. | 0:34:38 | 0:34:40 | |
'John Gordon MacArthur, that you did murder Henry Richmond...' | 0:34:42 | 0:34:45 | |
Where is this coming from? | 0:34:45 | 0:34:48 | |
-'Anthony James Marston, that you did murder John and Lucy Coombes...' -Let's go, Rogers. | 0:34:48 | 0:34:53 | |
I never heard of them. | 0:34:53 | 0:34:55 | |
'Lawrence John Wargrave, | 0:34:55 | 0:34:58 | |
'that you did murder Edward Seton.' | 0:34:58 | 0:35:02 | |
Get out of my way. | 0:35:02 | 0:35:03 | |
-'Thomas and Ethel Rogers... -GLASS SMASHES | 0:35:03 | 0:35:05 | |
'..that you did murder Jennifer Brady.' | 0:35:05 | 0:35:08 | |
-Thomas? -'Prisoners at the bar...' -CRASH | 0:35:11 | 0:35:15 | |
'..how do you plead?' | 0:35:15 | 0:35:16 | |
RECORD REVOLVES | 0:35:18 | 0:35:20 | |
Oh... Mrs Rogers? | 0:35:39 | 0:35:42 | |
-She just took a turn. -I'll go fetch my bag. | 0:35:42 | 0:35:44 | |
-She'll be all right. -I'll be the judge of that. | 0:35:44 | 0:35:47 | |
-A record? -It's called Swan Song. | 0:35:47 | 0:35:50 | |
What the hell are they playing at? | 0:35:50 | 0:35:53 | |
Huh? What the hell are they playing at? | 0:35:53 | 0:35:56 | |
-Get off me! -The damn Owens, what's their game? | 0:35:56 | 0:35:58 | |
Put him down, Marston, he doesn't know them. He's not Davis. | 0:35:58 | 0:36:02 | |
I'm Blore. | 0:36:13 | 0:36:15 | |
Detective Sergeant William Blore. | 0:36:15 | 0:36:17 | |
How did you know? | 0:36:17 | 0:36:19 | |
Instinct. | 0:36:19 | 0:36:21 | |
I need a drink. | 0:36:23 | 0:36:24 | |
Really! These grotesque, false accusations! | 0:36:25 | 0:36:29 | |
Indeed, General! | 0:36:29 | 0:36:31 | |
We should wait for the doctor and Rogers. | 0:36:31 | 0:36:34 | |
We should wait until everyone is together. | 0:36:34 | 0:36:36 | |
Well said, Tubs. Let's all listen to the policeman. | 0:36:36 | 0:36:40 | |
Miss Claythorne? | 0:36:49 | 0:36:50 | |
Here. | 0:37:16 | 0:37:18 | |
It's mild, but it will help you sleep. | 0:37:18 | 0:37:20 | |
I suspect, Rogers, that there are questions about our hosts | 0:37:34 | 0:37:37 | |
that only you can answer. | 0:37:37 | 0:37:39 | |
Yes, sir. | 0:37:39 | 0:37:41 | |
A few minutes, then, to settle your wife. | 0:37:42 | 0:37:44 | |
Sir. | 0:37:44 | 0:37:46 | |
I told you! | 0:37:52 | 0:37:53 | |
I told you... SHE WHIMPERS | 0:37:55 | 0:37:57 | |
Pull yourself together, woman! | 0:37:57 | 0:37:59 | |
Stop flapping your trap, you dozy bitch. | 0:37:59 | 0:38:02 | |
Thank you. | 0:38:05 | 0:38:06 | |
Rogers is coming. | 0:38:06 | 0:38:07 | |
Well, Rogers? | 0:38:14 | 0:38:16 | |
See... "On my instructions... | 0:38:16 | 0:38:18 | |
"Put the record on at such a time". | 0:38:18 | 0:38:20 | |
We were told it was to be a surprise, a party game. | 0:38:20 | 0:38:24 | |
-Some party game! -But you were in the room with us. | 0:38:24 | 0:38:27 | |
There's a delay on the record. | 0:38:27 | 0:38:30 | |
Somebody went to a lot of time and expense. | 0:38:30 | 0:38:33 | |
If I'd known what was on the record, | 0:38:34 | 0:38:36 | |
I'd never have been a part of it. | 0:38:36 | 0:38:38 | |
What is said about me and Mrs Rogers? Never! | 0:38:38 | 0:38:42 | |
Nothing in it, then? | 0:38:42 | 0:38:43 | |
Miss Brady were like family to us. | 0:38:44 | 0:38:47 | |
'We did everything for her. | 0:38:47 | 0:38:49 | |
'She weren't well. Frail as a bird. | 0:38:50 | 0:38:52 | |
'But on account of how she left us a small legacy... | 0:38:52 | 0:38:56 | |
'Well, some folk will say anything to hurt.' | 0:38:56 | 0:38:59 | |
MISS BRADY WHIMPERS, GASPS FOR AIR | 0:38:59 | 0:39:02 | |
HE PANTS | 0:39:13 | 0:39:15 | |
There's a lot of jealousy amongst domestic service, I'm afraid to say. | 0:39:24 | 0:39:28 | |
Below stairs is very often a nest of vipers. | 0:39:28 | 0:39:32 | |
Thank you, Rogers. We'll ring if we require anything further. | 0:39:32 | 0:39:36 | |
I've had more than my fair share of lazy and vindictive staff. | 0:39:42 | 0:39:46 | |
-I believe Rogers. -Doesn't make any sense. | 0:39:46 | 0:39:49 | |
I've never even met a John and Lucy Coombes. | 0:39:50 | 0:39:54 | |
Malicious nonsense. | 0:39:54 | 0:39:56 | |
Louise Clees was a surgical patient. | 0:39:57 | 0:39:59 | |
It was risky, there were complications. Everyone knew that. | 0:40:01 | 0:40:04 | |
But the moment anything goes wrong, it's "blame the bloody surgeon". | 0:40:04 | 0:40:07 | |
No-one's blaming you, Doctor. | 0:40:07 | 0:40:09 | |
Well, someone is! | 0:40:09 | 0:40:10 | |
Henry Richmond was one of my finest young officers, | 0:40:10 | 0:40:14 | |
who fell in the pursuit of his gallant duty for King and Country. | 0:40:14 | 0:40:19 | |
It is repugnant that these vile rumours should be given credence... | 0:40:19 | 0:40:24 | |
Repugnant! | 0:40:24 | 0:40:26 | |
Edward Seton was guilty. | 0:40:26 | 0:40:27 | |
I was party to evidence that was not admissible before the court. | 0:40:29 | 0:40:33 | |
But he was guilty. | 0:40:33 | 0:40:35 | |
The only time I laid hands on Landor was to put handcuffs on him. | 0:40:35 | 0:40:40 | |
He was a degenerate and a drunk. | 0:40:40 | 0:40:42 | |
He choked on his own puke. | 0:40:43 | 0:40:44 | |
Cyril... The little boy... | 0:40:46 | 0:40:49 | |
I was his governess. | 0:40:50 | 0:40:51 | |
He wasn't supposed to swim, he wasn't strong. | 0:40:53 | 0:40:56 | |
But he sneaked off and I... | 0:40:57 | 0:41:01 | |
I wasn't a good enough swimmer. | 0:41:02 | 0:41:03 | |
I just wasn't good enough. | 0:41:05 | 0:41:07 | |
I tried. | 0:41:08 | 0:41:10 | |
I really tried to save him. | 0:41:10 | 0:41:12 | |
His poor mother was broken, she was so broken. | 0:41:13 | 0:41:16 | |
I... I had to be rescued. | 0:41:18 | 0:41:20 | |
I almost drowned. | 0:41:20 | 0:41:22 | |
Who could say something like this? | 0:41:23 | 0:41:25 | |
Some sort of vicious joke. | 0:41:25 | 0:41:28 | |
Well, if that's your sense of humour, | 0:41:28 | 0:41:30 | |
there's something wrong with your wiring. | 0:41:30 | 0:41:31 | |
Time for the funny farm. | 0:41:31 | 0:41:33 | |
It was pinpoint accurate about me. | 0:41:33 | 0:41:35 | |
21 men? | 0:41:37 | 0:41:38 | |
I always thought someone would blab. | 0:41:40 | 0:41:42 | |
It's amazing how people get an attack of conscience | 0:41:44 | 0:41:47 | |
when they're safely tucked away in their beds. | 0:41:47 | 0:41:50 | |
FLAMES CRACKLE DISTANT SCREAMS | 0:41:50 | 0:41:53 | |
EMILY: You terrible man! | 0:42:06 | 0:42:07 | |
You terrible, terrible man! | 0:42:08 | 0:42:11 | |
It's people like you - | 0:42:11 | 0:42:13 | |
men like you - | 0:42:13 | 0:42:15 | |
that put our missionaries in such danger! | 0:42:15 | 0:42:18 | |
Oh, your missionaries, with their God and their syphilis! | 0:42:18 | 0:42:23 | |
I am not the only white killer in Africa, Miss Brent. | 0:42:23 | 0:42:27 | |
Lombard, you, sir, are a bloody butcher! | 0:42:27 | 0:42:29 | |
And I'm holding my hands up to it. | 0:42:29 | 0:42:32 | |
So, either I'm embellishing a story for shocking effect, | 0:42:32 | 0:42:36 | |
or I'm the only one telling the truth in a room full of liars. | 0:42:36 | 0:42:40 | |
-How dare you! -Take that back, sir! | 0:42:40 | 0:42:42 | |
-WARGRAVE: -Enough, please, ladies and gentlemen. Enough! | 0:42:42 | 0:42:45 | |
What good can it do? | 0:42:45 | 0:42:47 | |
My feeling is that we should retire | 0:42:47 | 0:42:49 | |
and be ready to leave tomorrow with Mr Narracott. | 0:42:49 | 0:42:52 | |
What if the Owens are with him? | 0:42:52 | 0:42:54 | |
We confront them, but we leave. | 0:42:54 | 0:42:57 | |
And despite Mr Lombard's devastating confession... | 0:42:59 | 0:43:03 | |
..we are all victims of a cruel hoax. | 0:43:05 | 0:43:07 | |
We shouldn't these dignify these accusations with any more debate. | 0:43:08 | 0:43:12 | |
-Agreed? -Certainly. -Hear, hear. | 0:43:12 | 0:43:14 | |
John and Lucy Coombes - they must have been those two kids. | 0:43:14 | 0:43:18 | |
I mean, what sort of parents let kids play out in the dark, for God's sake? | 0:43:20 | 0:43:23 | |
It's completely irresponsible. | 0:43:23 | 0:43:25 | |
I lost my license for six months. It was a terrific nuisance. | 0:43:27 | 0:43:30 | |
Oh, you were driving, were you? What a surprise(!) | 0:43:30 | 0:43:33 | |
It was jolly bad luck, that's all. | 0:43:33 | 0:43:35 | |
No, I didn't stand a chance. | 0:43:38 | 0:43:41 | |
Those poor children... | 0:43:53 | 0:43:56 | |
You're a bloody maniac, Marston! | 0:43:56 | 0:43:58 | |
I wasn't even driving that fast. | 0:43:58 | 0:44:00 | |
You can't, not in England. | 0:44:00 | 0:44:02 | |
It's not like the Continent. I mean, they understand motoring over there. | 0:44:02 | 0:44:05 | |
Say what you like about the Krauts, but their roads are magnificent. | 0:44:05 | 0:44:08 | |
The Jensen loves them. | 0:44:08 | 0:44:09 | |
I can really open her up and let her rip. | 0:44:09 | 0:44:12 | |
HE CHUCKLES | 0:44:12 | 0:44:14 | |
MARSTON WHEEZES, COUGHS | 0:44:14 | 0:44:16 | |
-GLASS DROPS -All right? -He's choking! | 0:44:16 | 0:44:20 | |
MARSTON CHOKES | 0:44:20 | 0:44:22 | |
He's bleeding! | 0:44:22 | 0:44:24 | |
-Get him down! -Get him off me! | 0:44:24 | 0:44:26 | |
He's dead. | 0:44:46 | 0:44:47 | |
(Heavenly father, watch over this soul in torment and protect us...) | 0:44:51 | 0:44:57 | |
Armstrong. | 0:45:11 | 0:45:13 | |
Come here. | 0:45:13 | 0:45:14 | |
Ah. | 0:45:26 | 0:45:27 | |
Well, perhaps we ought to get rid of the stimulant, | 0:45:29 | 0:45:32 | |
out of respect to the family. | 0:45:32 | 0:45:34 | |
Don't want to cause a scandal. | 0:45:34 | 0:45:36 | |
It's a police matter now, Doctor. | 0:45:36 | 0:45:39 | |
Same set of rules, if you're posh or not. | 0:45:39 | 0:45:42 | |
Very well. | 0:45:44 | 0:45:45 | |
We're damned, Thomas. | 0:46:09 | 0:46:11 | |
We're damned. | 0:46:13 | 0:46:14 | |
We're going to hell! | 0:46:18 | 0:46:20 | |
SHE CRIES OUT | 0:46:22 | 0:46:23 | |
MRS ROGERS SOBS | 0:46:26 | 0:46:29 | |
KNOCKING AT DOOR | 0:46:36 | 0:46:39 | |
Yes? | 0:46:43 | 0:46:44 | |
Who is it? | 0:46:52 | 0:46:54 | |
FLOORBOARDS CREAK | 0:46:54 | 0:46:57 | |
DOOR OPENS | 0:46:59 | 0:47:00 | |
ECHOING: Doctor, please! | 0:47:49 | 0:47:50 | |
Don't touch me. | 0:47:50 | 0:47:52 | |
I know what I'm doing. | 0:47:52 | 0:47:53 | |
KNOCKING AT DOOR | 0:48:26 | 0:48:28 | |
HE BREATHES HEAVILY | 0:48:28 | 0:48:31 | |
Dr Armstrong? | 0:48:38 | 0:48:40 | |
Yes? What is it? | 0:48:40 | 0:48:43 | |
Can you come, please? | 0:48:43 | 0:48:44 | |
She's been dead for some hours. | 0:48:59 | 0:49:01 | |
I'll, er... | 0:49:05 | 0:49:07 | |
I'll inform the others not to expect too much in the way of breakfast, | 0:49:07 | 0:49:10 | |
given the circumstances. | 0:49:10 | 0:49:12 | |
No, sir. | 0:49:13 | 0:49:14 | |
Full breakfast will be provided. | 0:49:16 | 0:49:18 | |
Good man. | 0:49:22 | 0:49:23 | |
Best not to dwell. Keep busy. | 0:49:24 | 0:49:27 | |
Dr Armstrong. | 0:50:14 | 0:50:15 | |
I heard you get up. | 0:50:17 | 0:50:19 | |
Has Mrs Rogers got worse? | 0:50:20 | 0:50:22 | |
Somewhat. She's dead. | 0:50:22 | 0:50:24 | |
-Dead? -Died in her sleep. | 0:50:24 | 0:50:26 | |
It was quite peaceful. Nothing to be alarmed about. | 0:50:26 | 0:50:29 | |
Wait. | 0:50:30 | 0:50:32 | |
Wait, I, er... | 0:50:32 | 0:50:33 | |
I came down here to wait for you and I saw this. Please. | 0:50:33 | 0:50:36 | |
Bit late for the kiss of life, Tubs. | 0:50:45 | 0:50:47 | |
Smart arse, you are. | 0:50:50 | 0:50:52 | |
Have a sniff yourself. | 0:50:52 | 0:50:54 | |
-There were ten of them. -From the nursery rhyme, the poem? Yes. | 0:50:55 | 0:50:58 | |
Yes. Count them for me, please, Dr Armstrong. | 0:50:58 | 0:51:01 | |
There are eight, aren't there? | 0:51:04 | 0:51:06 | |
Eight figures for the eight people here. | 0:51:06 | 0:51:09 | |
Tell me I'm right. | 0:51:10 | 0:51:12 | |
Please tell me I'm right! | 0:51:12 | 0:51:14 | |
I'm sure there is a perfectly rational explanation for this. | 0:51:14 | 0:51:17 | |
Almonds. | 0:51:21 | 0:51:22 | |
Almonds be buggered. | 0:51:22 | 0:51:24 | |
Cyanide. | 0:51:24 | 0:51:25 | |
I trust you're not going to unravel on us, Miss Claythorne. | 0:51:28 | 0:51:31 | |
Hysterical women are so boring. | 0:51:31 | 0:51:33 | |
ECHOING: Thank you for trying, thank you for trying, thank you, thank you, | 0:51:43 | 0:51:47 | |
thank you for trying, oh, God. Oh, God. Oh, God. Oh, God...' | 0:51:47 | 0:51:51 | |
'I want to swim to the rocks!' | 0:51:57 | 0:51:59 | |
Cyril, darling, you know you can't. You're not strong enough. | 0:51:59 | 0:52:02 | |
-I am! -Cyril, behave yourself. | 0:52:02 | 0:52:04 | |
Listen to Miss Claythorne, dearest. | 0:52:04 | 0:52:06 | |
NO! | 0:52:06 | 0:52:07 | |
That's incredibly naughty! I'm so sorry, Miss Claythorne. | 0:52:07 | 0:52:10 | |
Oh, dear. He's getting all worked up. | 0:52:10 | 0:52:12 | |
Cyril, you'll make yourself ill. | 0:52:12 | 0:52:15 | |
What's all this, now? | 0:52:15 | 0:52:16 | |
Uncle Hugo! | 0:52:17 | 0:52:19 | |
I can hear you shouting from miles away, you young rascal. | 0:52:19 | 0:52:23 | |
Oh, thank heavens - in the nick of time. | 0:52:23 | 0:52:25 | |
Olivia, you look absolutely radiant, as ever. | 0:52:25 | 0:52:28 | |
Empty flattery. I'm completely raddled and utterly hideous. | 0:52:28 | 0:52:32 | |
I don't believe I've had the pleasure. | 0:52:33 | 0:52:36 | |
Hugo, this is Miss Claythorne, | 0:52:36 | 0:52:38 | |
who was doing so much to help Cyril in the schoolroom. | 0:52:38 | 0:52:41 | |
DOOR SHUTS | 0:53:36 | 0:53:38 | |
Have you been for a paddle, General? | 0:53:40 | 0:53:42 | |
What are you, Lombard? | 0:53:45 | 0:53:46 | |
A mercenary? | 0:53:49 | 0:53:50 | |
Gun for hire? | 0:53:51 | 0:53:53 | |
A soldier? | 0:53:53 | 0:53:55 | |
Not from any army I'd recognise, but still, a soldier of sorts. | 0:53:56 | 0:54:02 | |
You don't need to worry about what I am. | 0:54:02 | 0:54:04 | |
There's always a moment, isn't there? | 0:54:05 | 0:54:08 | |
Before the attack, the advance, the bombardment, the chaos... | 0:54:08 | 0:54:13 | |
A moment of absolute calm. | 0:54:15 | 0:54:17 | |
Listen... | 0:54:19 | 0:54:21 | |
Doesn't this feel like that moment? | 0:54:22 | 0:54:26 | |
I was never a man for calm, General. | 0:54:31 | 0:54:33 | |
We can't see the harbour from here. | 0:54:37 | 0:54:39 | |
Which means they can't see us. | 0:54:40 | 0:54:42 | |
We are cut off. | 0:54:43 | 0:54:45 | |
Rats in a barrel. | 0:54:46 | 0:54:48 | |
This is the peace before the carnage. | 0:54:50 | 0:54:55 | |
People do not just die for no reason! | 0:55:02 | 0:55:05 | |
They die because something was done to them by someone. | 0:55:05 | 0:55:08 | |
There's a Fenian sat over there with a bloody gun! | 0:55:08 | 0:55:10 | |
No-one's coming for us. This is the end. | 0:55:10 | 0:55:13 | |
Don't you dare touch my possessions! | 0:55:13 | 0:55:15 | |
What have you got to hide? | 0:55:15 | 0:55:16 | |
The whole morning, clearing up guts - you've got some right brass neck. | 0:55:16 | 0:55:20 | |
We are all being hunted. | 0:55:20 | 0:55:23 | |
There's someone else on this island, | 0:55:23 | 0:55:26 | |
and when I find him, I'm going to make him number 22. | 0:55:26 | 0:55:29 |