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UN Owen is unknown. | 0:00:02 | 0:00:03 | |
We must all have something in common. | 0:00:03 | 0:00:06 | |
Someone who knows us all. | 0:00:06 | 0:00:08 | |
It's the poem. It's the poem, don't you see? | 0:00:08 | 0:00:10 | |
No-one's coming for us. This is the end. | 0:00:10 | 0:00:13 | |
You like Uncle Hugo, don't you? | 0:00:13 | 0:00:15 | |
I do. I am in love with him. | 0:00:15 | 0:00:18 | |
"One chopped himself in half and then there were six." | 0:00:18 | 0:00:20 | |
So she's right. It is the poem! | 0:00:20 | 0:00:22 | |
We have sharp minds. We should stay together. | 0:00:22 | 0:00:26 | |
It was locked. | 0:00:26 | 0:00:28 | |
Which means there must be a master key. | 0:00:28 | 0:00:31 | |
Any one of us could have had the key. | 0:00:31 | 0:00:34 | |
Any one of us could have the gun. | 0:00:34 | 0:00:36 | |
The killer is not out there. | 0:00:36 | 0:00:38 | |
The killer is in here. | 0:00:38 | 0:00:39 | |
It is one of us. | 0:00:39 | 0:00:41 | |
FAINT THUNDERCLAP | 0:01:54 | 0:01:56 | |
THUNDERCLAP | 0:02:00 | 0:02:02 | |
THUNDERCLAP | 0:02:13 | 0:02:15 | |
Look how happy Cyril is now. | 0:02:21 | 0:02:23 | |
Hugo always works wonders. | 0:02:23 | 0:02:25 | |
He is the most marvellous man. | 0:02:25 | 0:02:28 | |
He seems very nice. | 0:02:28 | 0:02:30 | |
I really can't imagine many would be as kind, under the circumstances. | 0:02:30 | 0:02:34 | |
What circumstances? | 0:02:34 | 0:02:36 | |
Well, I had no idea I was pregnant when my husband died. | 0:02:37 | 0:02:41 | |
So Hugo, as the nephew, stood to inherit. | 0:02:41 | 0:02:44 | |
And when little Cyril popped out, that was it for Hugo's hopes. Hm! | 0:02:44 | 0:02:48 | |
What he needs is some rich girl loaded down with Daddy's money, | 0:02:48 | 0:02:52 | |
but he's a romantic. | 0:02:52 | 0:02:54 | |
Wants to marry for love. | 0:02:54 | 0:02:56 | |
But how can he when he doesn't have a penny? | 0:02:56 | 0:02:59 | |
Love, Miss Claythorne, is a very costly pursuit. | 0:02:59 | 0:03:02 | |
Oh, well done, Cyril! Oh! | 0:03:04 | 0:03:06 | |
OLIVIA CHUCKLES | 0:03:06 | 0:03:08 | |
I might go and play with them. | 0:03:08 | 0:03:10 | |
Ah, hello. | 0:03:15 | 0:03:17 | |
Looks like we've got some reinforcements, Cyril. | 0:03:17 | 0:03:20 | |
Ready, old thing? | 0:03:21 | 0:03:22 | |
Ready? I don't think Miss Claythorne can hit a ball. | 0:03:22 | 0:03:25 | |
-Girls can't, Uncle Hugo. -Well, we'll have to see. | 0:03:25 | 0:03:28 | |
Oh, shot! | 0:03:29 | 0:03:32 | |
Over here! Quick, quick! | 0:03:32 | 0:03:34 | |
Quick, she's going to get all the way around. Come on now. | 0:03:34 | 0:03:37 | |
HUGO LAUGHS | 0:03:37 | 0:03:39 | |
Well done! Almost. | 0:03:39 | 0:03:41 | |
We can't just sit here doing nothing! | 0:03:48 | 0:03:50 | |
What are we supposed to do? | 0:03:50 | 0:03:52 | |
Light a fire on the headland, signal for help? | 0:03:52 | 0:03:54 | |
Not in this weather. | 0:03:54 | 0:03:56 | |
Where's...where's she going? Where are you going? | 0:03:57 | 0:04:00 | |
To make tea. I'll bring it in. | 0:04:00 | 0:04:03 | |
What else are you going to bring in? A knife from the kitchen? | 0:04:03 | 0:04:05 | |
The gun from wherever you've hidden it? | 0:04:05 | 0:04:08 | |
And what are you going to be putting in the tea? | 0:04:08 | 0:04:09 | |
She's going to wipe out all four of us! | 0:04:09 | 0:04:11 | |
There'll be lemon in the tea. | 0:04:11 | 0:04:14 | |
I-I won't bring a knife and I don't have the gun. | 0:04:14 | 0:04:16 | |
Even if I did, I wouldn't be killing you all at the same time, would I? | 0:04:16 | 0:04:19 | |
-How do we know that?! -Because it's one by one and in a particular way, | 0:04:19 | 0:04:22 | |
or have you not been paying attention? | 0:04:22 | 0:04:24 | |
And nowhere on that does it say anything about a gun, does it, | 0:04:24 | 0:04:27 | |
you idiotic, cretinous bastard?! | 0:04:27 | 0:04:29 | |
SLOW HAND CLAP | 0:04:29 | 0:04:31 | |
-PHILIP CHUCKLES -I'll come with you. | 0:04:31 | 0:04:33 | |
No! | 0:04:33 | 0:04:34 | |
No. We go...singularly, or in a group. | 0:04:36 | 0:04:40 | |
THUNDERCLAP | 0:04:40 | 0:04:41 | |
WIND WHISTLES | 0:04:41 | 0:04:43 | |
THUNDERCLAP | 0:04:43 | 0:04:45 | |
I hear you were one for the black square and the rope, Judge Wargrave. | 0:04:47 | 0:04:50 | |
When it was appropriate, yes. | 0:04:53 | 0:04:55 | |
Tubs here tells me you used to watch all the hangings you'd ordered. | 0:04:55 | 0:04:59 | |
Is that true? | 0:04:59 | 0:05:01 | |
You really want to stop calling me that. | 0:05:01 | 0:05:04 | |
Is that true, Judge? | 0:05:04 | 0:05:05 | |
I had the power to condemn men and women to death for their crimes. | 0:05:07 | 0:05:11 | |
With great power comes great responsibility. | 0:05:13 | 0:05:15 | |
I believe that to look away as that power is exercised | 0:05:17 | 0:05:20 | |
was both irresponsible and cowardly. | 0:05:20 | 0:05:23 | |
Did you watch Edward Seton hang? | 0:05:26 | 0:05:28 | |
I remember Edward Seton, from the newspapers. | 0:05:32 | 0:05:36 | |
Everyone said he was innocent. | 0:05:36 | 0:05:38 | |
He wasn't. | 0:05:39 | 0:05:41 | |
He left diaries. | 0:05:41 | 0:05:43 | |
They proved a warped and corrupted mind. | 0:05:44 | 0:05:47 | |
He believed his victims were full of filth | 0:05:47 | 0:05:50 | |
and that he was cleansing the world of their stain. | 0:05:50 | 0:05:52 | |
Taunting the police with...clues and misdirections excited him. | 0:05:54 | 0:05:59 | |
As much as torture and sadism. | 0:05:59 | 0:06:02 | |
He was guilty and you passed the right verdict. | 0:06:03 | 0:06:06 | |
Why didn't you go and see him? | 0:06:06 | 0:06:08 | |
I did. | 0:06:08 | 0:06:10 | |
It was unsettling. | 0:06:12 | 0:06:14 | |
Different. | 0:06:14 | 0:06:16 | |
He refused the hood. | 0:06:18 | 0:06:20 | |
He wanted me to see his face. | 0:06:22 | 0:06:23 | |
Perhaps to impute there was some commonality between us, | 0:06:25 | 0:06:28 | |
perhaps to...laugh at me. | 0:06:28 | 0:06:31 | |
Laugh at you? | 0:06:31 | 0:06:34 | |
Yes. | 0:06:34 | 0:06:35 | |
At justice. | 0:06:36 | 0:06:38 | |
It meant nothing to him. | 0:06:40 | 0:06:41 | |
He wasn't cowed by it, or by me. | 0:06:43 | 0:06:45 | |
I was nothing. | 0:06:47 | 0:06:48 | |
I would soon be forgotten, a footnote in history. | 0:06:49 | 0:06:52 | |
Whereas he, with his legacy of blood and horror, | 0:06:54 | 0:06:58 | |
would be remembered for ever. | 0:06:58 | 0:07:00 | |
Well, it worked. | 0:07:03 | 0:07:05 | |
He haunts me still. | 0:07:07 | 0:07:09 | |
But...laughter or not, | 0:07:13 | 0:07:16 | |
justice came, as it always does. | 0:07:16 | 0:07:18 | |
And the world is free of his terrible darkness. | 0:07:21 | 0:07:25 | |
This is ridiculous! | 0:07:41 | 0:07:42 | |
I mean, we can't just sit around doing nothing! | 0:07:42 | 0:07:44 | |
Very well, Doctor. | 0:07:44 | 0:07:46 | |
We said singly, or in a group. | 0:07:48 | 0:07:50 | |
I'm going to read. | 0:07:51 | 0:07:53 | |
I'm sorry, Dr Armstrong, but your agitation tires me greatly. | 0:07:53 | 0:07:58 | |
THUNDERCLAP | 0:08:14 | 0:08:17 | |
HIGH-PITCHED TONE | 0:08:17 | 0:08:18 | |
Justice came. | 0:08:26 | 0:08:28 | |
The killer and Wargrave having common cause. | 0:08:29 | 0:08:32 | |
The same thrill...from handing out death. | 0:08:32 | 0:08:36 | |
You took the piss when I said the judge. | 0:08:36 | 0:08:38 | |
Yes, well, now I think different. | 0:08:38 | 0:08:41 | |
How many men has he seen dangle? What does that do to someone? | 0:08:41 | 0:08:44 | |
He's on his own. | 0:08:45 | 0:08:47 | |
Could be plotting anything. | 0:08:47 | 0:08:49 | |
Stop it, will you?! Just stop it! | 0:09:15 | 0:09:17 | |
HIGH-PITCHED TONE RESUMES | 0:09:23 | 0:09:25 | |
As if we haven't had to put up with you. | 0:09:29 | 0:09:31 | |
Breathing and smoking. | 0:09:31 | 0:09:34 | |
Scratching, fidgeting and pacing. | 0:09:34 | 0:09:36 | |
I'm going to bed. | 0:09:40 | 0:09:41 | |
Singly, or in a group. | 0:09:43 | 0:09:45 | |
You can watch me go up the stairs. | 0:09:46 | 0:09:48 | |
THUNDERCLAP | 0:10:09 | 0:10:11 | |
WIND WHISTLES | 0:10:13 | 0:10:15 | |
THUNDERCLAP | 0:10:17 | 0:10:18 | |
FAINT VOICES | 0:10:46 | 0:10:48 | |
THUNDERCLAP | 0:10:54 | 0:10:56 | |
BANGING | 0:11:06 | 0:11:08 | |
SHE SCREAMS | 0:11:14 | 0:11:17 | |
Cyril?! | 0:11:24 | 0:11:26 | |
Cyril?! | 0:11:27 | 0:11:29 | |
OLIVIA SOBS | 0:11:32 | 0:11:34 | |
N-o-o-o-o-o-o! | 0:11:34 | 0:11:36 | |
No! | 0:11:40 | 0:11:42 | |
No! | 0:11:46 | 0:11:48 | |
-Vera? -THUNDERCLAP | 0:11:50 | 0:11:52 | |
(Hey!) | 0:11:52 | 0:11:54 | |
(Vera?) | 0:11:57 | 0:11:58 | |
Here. For Christ's sake, it's sal volatile. Smelling salts. | 0:12:02 | 0:12:06 | |
Breathe slowly. In through the nose, out through the mouth. | 0:12:06 | 0:12:09 | |
SHE COUGHS | 0:12:09 | 0:12:11 | |
There we are. | 0:12:11 | 0:12:13 | |
SHE PANTS | 0:12:13 | 0:12:15 | |
I thought there was somebody in the room with me. | 0:12:19 | 0:12:22 | |
Here, have some brandy. | 0:12:25 | 0:12:28 | |
Ah! | 0:12:28 | 0:12:30 | |
PHILIP CHUCKLES | 0:12:31 | 0:12:33 | |
Good for you, Vera. | 0:12:33 | 0:12:35 | |
What, you think I've done something to it? | 0:12:35 | 0:12:38 | |
I'm going to go and fetch another bottle that hasn't been opened. | 0:12:38 | 0:12:41 | |
-I need some water. -This brandy's all right. | 0:12:44 | 0:12:47 | |
I haven't done anything to it. | 0:12:47 | 0:12:48 | |
Brandy's good for shock, that's why I got it. | 0:12:48 | 0:12:50 | |
(He called her Vera.) | 0:12:50 | 0:12:52 | |
Lombard. That's the second time. | 0:12:53 | 0:12:56 | |
There's something going on between them. | 0:12:56 | 0:12:58 | |
Sealed and untampered with. | 0:13:00 | 0:13:03 | |
-THUNDERCLAP -What's that for? | 0:13:09 | 0:13:11 | |
-I don't know. -A chandelier, maybe. | 0:13:13 | 0:13:15 | |
Like downstairs. | 0:13:15 | 0:13:17 | |
A chandelier in the bedroom? | 0:13:17 | 0:13:19 | |
Well, it's posh people, innit? | 0:13:19 | 0:13:21 | |
They put a chandelier anywhere. | 0:13:21 | 0:13:23 | |
Put a chandelier in a pigsty if the fancy took them. | 0:13:23 | 0:13:26 | |
THEY CHUCKLE | 0:13:26 | 0:13:27 | |
-I'm becoming very fond of you, Tubs. -Hm! | 0:13:30 | 0:13:33 | |
You're an arrogant arsehole, you. | 0:13:33 | 0:13:35 | |
Ooh! Bloody hell! Sorry, Miss Claythorne. | 0:13:35 | 0:13:39 | |
No, you're right. He's an arsehole! | 0:13:39 | 0:13:41 | |
SHE LAUGHS | 0:13:41 | 0:13:43 | |
Where's the judge? | 0:13:43 | 0:13:45 | |
THUNDERCLAP | 0:13:47 | 0:13:50 | |
WIND WHISTLES | 0:13:50 | 0:13:51 | |
THUNDERCLAP | 0:13:52 | 0:13:54 | |
-Jesus! -THUNDERCLAP | 0:13:56 | 0:13:58 | |
He's been shot in the head. | 0:14:05 | 0:14:07 | |
Well, what are you doing? | 0:14:11 | 0:14:12 | |
Well, his head needs to be wrapped if we're going to move him. | 0:14:12 | 0:14:15 | |
He's right. | 0:14:15 | 0:14:17 | |
We don't want his brains spilling out all over the floor. | 0:14:17 | 0:14:20 | |
Don't use your jacket, Armstrong. I'll find something else. | 0:14:20 | 0:14:23 | |
Shot? | 0:14:26 | 0:14:27 | |
-Are you sure? -Well, look at him! | 0:14:28 | 0:14:30 | |
We searched everywhere for that gun. | 0:14:32 | 0:14:34 | |
THUNDERCLAP | 0:14:37 | 0:14:38 | |
You went back downstairs to get the bottle. | 0:15:05 | 0:15:08 | |
You went downstairs, too, to get a glass of brandy. | 0:15:08 | 0:15:11 | |
And you, you disappeared for a bit. | 0:15:12 | 0:15:14 | |
To fetch my bag so that I could attend to...Vera! | 0:15:14 | 0:15:17 | |
We didn't hear the shot. | 0:15:17 | 0:15:19 | |
You could have muffled it with a cushion. | 0:15:19 | 0:15:21 | |
Well, we'll have to take your word for it. | 0:15:21 | 0:15:22 | |
I've never shot a man in the head. That's more your field of expertise. | 0:15:22 | 0:15:26 | |
How would I have had the time to go downstairs, | 0:15:26 | 0:15:28 | |
grab a bottle of brandy, | 0:15:28 | 0:15:30 | |
quickly put a slug in Wargrave, making sure that nobody heard him, | 0:15:30 | 0:15:33 | |
dress him up and make it back upstairs again? | 0:15:33 | 0:15:35 | |
Tubs here was away for longer. | 0:15:35 | 0:15:37 | |
I'm not as quick on my feet as you. | 0:15:37 | 0:15:39 | |
"Five little soldier boys going in for law | 0:15:39 | 0:15:41 | |
"One got Chancery and then there were four." | 0:15:41 | 0:15:44 | |
One by one | 0:15:44 | 0:15:47 | |
and in a particular way. | 0:15:47 | 0:15:48 | |
And where's my gun? | 0:15:48 | 0:15:50 | |
-Don't bloody look at me! -Or me! | 0:15:50 | 0:15:52 | |
THUNDERCLAP | 0:16:07 | 0:16:09 | |
WIND WHISTLES | 0:16:14 | 0:16:15 | |
I can't stand the sound of that wind. | 0:16:23 | 0:16:26 | |
I can't stand it! | 0:16:28 | 0:16:29 | |
I'm not just going to sit here and wait to die! | 0:16:31 | 0:16:33 | |
MUSIC PLAYS | 0:16:36 | 0:16:38 | |
FAINT LAUGHTER | 0:16:42 | 0:16:44 | |
In the war, do this all the time! | 0:16:44 | 0:16:47 | |
And stay awake! | 0:16:50 | 0:16:52 | |
Bodies, bodies, bodies, bodies! | 0:16:52 | 0:16:56 | |
Bones, blood, skulls! | 0:16:56 | 0:16:59 | |
Just this...this...this...this parade! | 0:16:59 | 0:17:02 | |
Endless parade of shattered...shattered meats! | 0:17:02 | 0:17:06 | |
Just standing there, cutting off legs and arms | 0:17:06 | 0:17:11 | |
and....guts everywhere and bodies and screaming! | 0:17:11 | 0:17:15 | |
RAUCOUS LAUGHTER | 0:17:20 | 0:17:22 | |
Ladies and gentlemen, silence, please! | 0:17:23 | 0:17:27 | |
You are charged with the following indictments... | 0:17:28 | 0:17:32 | |
Edward George Armstrong... | 0:17:32 | 0:17:34 | |
That's me! | 0:17:34 | 0:17:35 | |
WHOOPING | 0:17:35 | 0:17:37 | |
..William Henry Blore. | 0:17:37 | 0:17:39 | |
Yeah, that's me! | 0:17:39 | 0:17:40 | |
..that you did murder James Steven Landor. | 0:17:40 | 0:17:43 | |
-Well... -MUSIC PLAYS | 0:17:43 | 0:17:45 | |
Vera Elizabeth Claythorne... | 0:17:45 | 0:17:47 | |
The smell! And the noise, the noise, the noise...! | 0:17:47 | 0:17:50 | |
HE HOWLS | 0:17:50 | 0:17:52 | |
MUFFLED LAUGHTER | 0:17:54 | 0:17:56 | |
Prisoners at the bar, how do you plead? | 0:18:01 | 0:18:05 | |
Guilty! | 0:18:05 | 0:18:07 | |
-What are you laughing at? -LAUGHTER | 0:18:10 | 0:18:13 | |
(Blore? Watch them!) | 0:19:00 | 0:19:02 | |
Watch them! | 0:19:02 | 0:19:04 | |
You stick with me, Vera. | 0:19:07 | 0:19:09 | |
We're going to get through this. | 0:19:09 | 0:19:11 | |
I have no intention of getting killed. | 0:19:14 | 0:19:16 | |
Death...is for other people, not for us. | 0:19:20 | 0:19:23 | |
(You see? Look at them.) | 0:19:27 | 0:19:30 | |
(Together. Perhaps it's them.) | 0:19:30 | 0:19:34 | |
Mr and Mrs Owen. | 0:19:36 | 0:19:37 | |
It's them! | 0:19:39 | 0:19:41 | |
It's them! | 0:19:41 | 0:19:42 | |
It's them! | 0:19:42 | 0:19:44 | |
-SLURRED: -Fine! | 0:19:47 | 0:19:48 | |
Why am I wearing this fucking hat?! | 0:19:50 | 0:19:54 | |
I'm going to bed. | 0:19:54 | 0:19:55 | |
This party's over. | 0:19:57 | 0:19:58 | |
MUSIC STOPS | 0:20:14 | 0:20:16 | |
THEY MOAN | 0:21:57 | 0:21:59 | |
'Now, look here, sunshine, you've been pinched. | 0:22:14 | 0:22:17 | |
'And we know what for. | 0:22:17 | 0:22:19 | |
'Lurking about in a gentleman's public convenience, in the bogs.' | 0:22:19 | 0:22:24 | |
What am I, born yesterday? | 0:22:24 | 0:22:27 | |
Now, you're lucky you got me. | 0:22:27 | 0:22:29 | |
Not some other copper. He might've been a bit heavy-handed. | 0:22:29 | 0:22:32 | |
I mean, look at you, there's nothing of you! | 0:22:34 | 0:22:37 | |
You're soft. | 0:22:37 | 0:22:39 | |
Eh? Like a peach, or something. | 0:22:40 | 0:22:43 | |
You'd be mush in a moment. | 0:22:44 | 0:22:46 | |
So go on. | 0:22:48 | 0:22:50 | |
On your way. | 0:22:50 | 0:22:52 | |
Let this be a lesson to you, all right? Be more discreet. | 0:22:54 | 0:22:58 | |
You don't want to end up getting a bloody nose | 0:22:58 | 0:23:00 | |
or doing a stretch inside | 0:23:00 | 0:23:02 | |
because it's no fun for you lot in the nick. | 0:23:02 | 0:23:04 | |
Go on, scarper. | 0:23:04 | 0:23:06 | |
Thank you. | 0:23:09 | 0:23:11 | |
That's what I should've done, innit? | 0:23:16 | 0:23:18 | |
That's what I should've done. | 0:23:20 | 0:23:22 | |
But I didn't. | 0:23:24 | 0:23:25 | |
HE SIGHS | 0:23:34 | 0:23:36 | |
FOOTSTEPS | 0:24:06 | 0:24:08 | |
Bastard! | 0:24:24 | 0:24:25 | |
THUNDERCLAP | 0:24:25 | 0:24:27 | |
(Lombard! Lombard!) | 0:24:28 | 0:24:30 | |
Lombard! Lombard! | 0:24:30 | 0:24:32 | |
BANGING | 0:24:32 | 0:24:34 | |
(Ed?!) | 0:24:34 | 0:24:35 | |
What is it? | 0:24:39 | 0:24:41 | |
It's him. It is Armstrong! | 0:24:41 | 0:24:43 | |
(He's left the house, I saw him.) | 0:24:43 | 0:24:45 | |
Lock your door, Vera, and put a chair against it. | 0:24:47 | 0:24:50 | |
THUNDERCLAP | 0:24:50 | 0:24:52 | |
How are you? | 0:25:27 | 0:25:29 | |
How is Mrs Hamilton? | 0:25:30 | 0:25:32 | |
I'm taking her to London. | 0:25:32 | 0:25:34 | |
She can't stay here. | 0:25:34 | 0:25:36 | |
Of course. | 0:25:36 | 0:25:37 | |
She, um...wants to give you three months' pay in lieu of notice | 0:25:39 | 0:25:43 | |
because, obviously, you cannot be a governess | 0:25:43 | 0:25:46 | |
when there is no child to govern. | 0:25:46 | 0:25:48 | |
If Mrs Hamilton is in London, I can look after the house. | 0:25:50 | 0:25:55 | |
Even if I'm not governess, I can still look after the house. | 0:25:56 | 0:25:59 | |
As a friend. | 0:25:59 | 0:26:00 | |
I'm locking the house up. | 0:26:00 | 0:26:02 | |
I imagine it might be sold. | 0:26:03 | 0:26:05 | |
But it's yours now. | 0:26:07 | 0:26:08 | |
I will have to find somewhere to stay. | 0:26:14 | 0:26:17 | |
I'll find a nice hotel. | 0:26:18 | 0:26:19 | |
For when you come down. | 0:26:21 | 0:26:23 | |
Perhaps I'll find us a little cottage. | 0:26:23 | 0:26:25 | |
I have to be with Olivia. | 0:26:25 | 0:26:27 | |
She's really rather unwell. | 0:26:28 | 0:26:30 | |
There will be an inquest. | 0:26:31 | 0:26:32 | |
They want it to be quite soon, so you'll be needed. | 0:26:34 | 0:26:38 | |
Of course. | 0:26:38 | 0:26:39 | |
And you'll come down for that? | 0:26:41 | 0:26:42 | |
I have to go. | 0:26:45 | 0:26:46 | |
Poor little Cyril. | 0:26:49 | 0:26:50 | |
Poor little Cyril. | 0:26:55 | 0:26:57 | |
FAINT BIRDSONG | 0:27:14 | 0:27:16 | |
BANGING | 0:27:19 | 0:27:21 | |
Vera? It's us. | 0:27:21 | 0:27:23 | |
It was just on your bed. | 0:27:58 | 0:28:01 | |
It was just...on my bed. | 0:28:01 | 0:28:04 | |
Well, how do I know you didn't plant it in there last night? | 0:28:04 | 0:28:07 | |
If Philip had the gun before now, he would have taken it with you | 0:28:07 | 0:28:09 | |
when you went after Armstrong, wouldn't he? | 0:28:09 | 0:28:11 | |
You could have crept out of your room and planted it. | 0:28:11 | 0:28:13 | |
There was no-one around here to hear you. | 0:28:13 | 0:28:15 | |
I had my door locked in case Armstrong came back. | 0:28:15 | 0:28:17 | |
Armstrong's disappeared. Thin air. | 0:28:17 | 0:28:21 | |
We split up when we went searching last night, didn't we? | 0:28:21 | 0:28:25 | |
-Yes, we did. -Did you find him? | 0:28:25 | 0:28:27 | |
Did you chuck him off the cliff? | 0:28:27 | 0:28:29 | |
No, Tubs, I didn't find him | 0:28:29 | 0:28:31 | |
-and chuck him off the cliff. Did you? -No! | 0:28:31 | 0:28:34 | |
No. | 0:28:35 | 0:28:36 | |
Red herring. | 0:28:36 | 0:28:38 | |
What? | 0:28:39 | 0:28:40 | |
"Four little soldier boys going out to sea | 0:28:40 | 0:28:43 | |
"A red herring swallowed one and then there were three." | 0:28:43 | 0:28:47 | |
Red herring. | 0:28:47 | 0:28:49 | |
Armstrong's still alive. | 0:28:49 | 0:28:50 | |
Why's it always you that works it out? | 0:28:50 | 0:28:53 | |
Has been from the off, innit? | 0:28:55 | 0:28:58 | |
Working it out. | 0:28:58 | 0:29:00 | |
Armstrong said that and all. | 0:29:00 | 0:29:02 | |
It's been a long night. | 0:29:02 | 0:29:05 | |
You're letting the booze and powder do the thinking for you, Tubs. | 0:29:05 | 0:29:09 | |
I've told you to stop calling me that! | 0:29:09 | 0:29:11 | |
Your first name's William, isn't it? | 0:29:14 | 0:29:16 | |
Do you get Will, or...? | 0:29:16 | 0:29:18 | |
Bill. I get Bill. | 0:29:18 | 0:29:22 | |
Well, Bill, | 0:29:23 | 0:29:25 | |
whose idea was it to put music on, | 0:29:25 | 0:29:27 | |
to get drunk so we'd all pass out and not hear anything? | 0:29:27 | 0:29:31 | |
-Armstrong. -And who did you first suspect? | 0:29:32 | 0:29:36 | |
Who did you get the scent on, right from the off? | 0:29:38 | 0:29:40 | |
(Armstrong.) | 0:29:43 | 0:29:44 | |
Red herring. | 0:29:46 | 0:29:47 | |
He's been playing us off each other from the start. | 0:29:47 | 0:29:50 | |
And he's still alive. | 0:29:50 | 0:29:52 | |
Because people don't just vanish, not on an island this size. | 0:29:52 | 0:29:56 | |
He's still alive. | 0:29:56 | 0:29:57 | |
I've got an allotment at home. | 0:30:02 | 0:30:04 | |
In Edmonton. | 0:30:06 | 0:30:08 | |
I love it. | 0:30:10 | 0:30:11 | |
It's my little patch of paradise. | 0:30:11 | 0:30:14 | |
That's the best thing in the world, just sitting there, watching it all. | 0:30:15 | 0:30:19 | |
Growing away. | 0:30:21 | 0:30:22 | |
Hm! | 0:30:22 | 0:30:24 | |
Cup of tea from the flask and a bit of bread and a bit of cheese and... | 0:30:24 | 0:30:29 | |
..radish that you pulled from the ground a moment before. | 0:30:31 | 0:30:34 | |
Great, big, peppery radish. | 0:30:35 | 0:30:37 | |
Simple things. | 0:30:42 | 0:30:44 | |
Good things. | 0:30:46 | 0:30:47 | |
I wish I'd chucked that letter from Ulick Norman Owen in the bin! | 0:30:51 | 0:30:56 | |
And it serves me right, | 0:30:58 | 0:31:00 | |
trying to earn...a bit of cash on the sly. | 0:31:00 | 0:31:04 | |
It serves us all right. | 0:31:04 | 0:31:06 | |
Are we dead already? | 0:31:11 | 0:31:13 | |
What? | 0:31:13 | 0:31:15 | |
Perhaps we're dead already and we just don't realise it. | 0:31:15 | 0:31:19 | |
And this is hell. | 0:31:21 | 0:31:22 | |
We're in hell. | 0:31:24 | 0:31:25 | |
And we're being punished for what we done. | 0:31:25 | 0:31:28 | |
Because I did kill him. | 0:31:31 | 0:31:32 | |
Landor. | 0:31:34 | 0:31:36 | |
I stomped him till he was pulp. | 0:31:38 | 0:31:41 | |
His own mother couldn't see him. | 0:31:43 | 0:31:45 | |
Couldn't say goodbye. | 0:31:45 | 0:31:47 | |
I murdered him, all right. | 0:31:50 | 0:31:52 | |
He was helpless and I didn't stop. | 0:31:54 | 0:31:58 | |
He must've been so frightened. | 0:32:00 | 0:32:01 | |
Just...just a young lad. | 0:32:03 | 0:32:05 | |
HE SOBS | 0:32:05 | 0:32:08 | |
I've got a tomato crop that's got to be harvested. Who's going to do it? | 0:32:09 | 0:32:12 | |
What's going to happen to my allotment? | 0:32:12 | 0:32:15 | |
Hey. Hey, come on, Tubs. | 0:32:15 | 0:32:18 | |
We're not done yet. | 0:32:18 | 0:32:19 | |
It's us three against him. We can hold our own. | 0:32:20 | 0:32:23 | |
And someone has to come for us soon. They...they have to. | 0:32:23 | 0:32:26 | |
Mm-hm. That's the spirit. | 0:32:26 | 0:32:28 | |
Who's going to come for us? | 0:32:28 | 0:32:30 | |
That Narracott never turned up when he was supposed to. | 0:32:30 | 0:32:34 | |
Reckon he was paid off. | 0:32:35 | 0:32:37 | |
We light a fire. | 0:32:37 | 0:32:39 | |
On the cliff. Someone's bound to see it. | 0:32:39 | 0:32:41 | |
OK. We're going to need supplies. | 0:32:41 | 0:32:44 | |
I don't want to spend another night in this house, do you? | 0:32:44 | 0:32:46 | |
(I reckon we're being watched.) | 0:32:46 | 0:32:49 | |
We are. | 0:32:52 | 0:32:54 | |
-Let's go. -OK. | 0:33:21 | 0:33:22 | |
Come on, Tubs, let's go! | 0:33:24 | 0:33:26 | |
CLATTERING | 0:34:00 | 0:34:03 | |
Where is he?! | 0:34:16 | 0:34:18 | |
Stay here. | 0:34:24 | 0:34:26 | |
Don't follow me! | 0:34:27 | 0:34:29 | |
ROARING | 0:34:45 | 0:34:47 | |
WAVES CRASH | 0:34:55 | 0:34:57 | |
Oh! | 0:35:06 | 0:35:07 | |
"Three little soldier boys walking in the zoo | 0:35:17 | 0:35:21 | |
"A big bear hugged one and then there were two." | 0:35:21 | 0:35:24 | |
Poor Tubs. | 0:35:26 | 0:35:27 | |
Poor Tubs. | 0:35:29 | 0:35:30 | |
CLOCK CHIMES | 0:35:35 | 0:35:38 | |
SHE PANTS | 0:35:59 | 0:36:01 | |
WIND WHISTLES | 0:36:06 | 0:36:08 | |
The tide's changing! | 0:36:09 | 0:36:11 | |
Philip? | 0:36:15 | 0:36:17 | |
Philip! | 0:36:18 | 0:36:19 | |
There's something down there. | 0:36:19 | 0:36:21 | |
Armstrong. | 0:37:21 | 0:37:23 | |
-Come on! -Where? | 0:37:39 | 0:37:41 | |
Not here. | 0:37:41 | 0:37:42 | |
I need to find a better view. | 0:37:43 | 0:37:45 | |
No, no, no. We...we can't leave him like this. | 0:37:45 | 0:37:48 | |
It's not right. We can't leave him! | 0:37:48 | 0:37:50 | |
Yes, we can. | 0:37:50 | 0:37:52 | |
No, when the boat comes, Philip, they'll see him like this | 0:37:52 | 0:37:55 | |
and we haven't done the decent, the...the right thing. | 0:37:55 | 0:37:57 | |
How will it look for us? | 0:37:57 | 0:37:59 | |
Please! | 0:38:01 | 0:38:02 | |
Please! | 0:38:03 | 0:38:04 | |
Argh! | 0:38:20 | 0:38:21 | |
It's you! | 0:38:34 | 0:38:35 | |
It's you! It's all you, all of it! | 0:38:35 | 0:38:38 | |
Give me the gun. | 0:38:38 | 0:38:39 | |
You're going to kill me! | 0:38:39 | 0:38:41 | |
No! No, I'm not going to kill you, Vera. | 0:38:41 | 0:38:46 | |
-But there's somebody else on this island.... -No, there's no-one else! | 0:38:46 | 0:38:49 | |
There's somebody on this island and they're going to kill us both if you don't give me that gun. | 0:38:49 | 0:38:53 | |
There's no-one else, you've killed them all! | 0:38:53 | 0:38:55 | |
Listen to me, we're being hunted! | 0:38:55 | 0:38:57 | |
Right now, we're being hunted! | 0:38:57 | 0:38:59 | |
I need the gun! | 0:39:01 | 0:39:02 | |
Give it to me. | 0:39:05 | 0:39:06 | |
Vera? | 0:39:10 | 0:39:11 | |
Give me the gun. | 0:39:17 | 0:39:19 | |
Give me the gun, Vera. | 0:39:22 | 0:39:24 | |
Ah! GUNSHOT | 0:39:36 | 0:39:38 | |
GUNSHOT | 0:39:44 | 0:39:45 | |
SHE SCREAMS | 0:39:50 | 0:39:53 | |
SHE SOBS | 0:40:00 | 0:40:02 | |
WAVES CRASH | 0:40:09 | 0:40:11 | |
'I promised him a game of bat and ball after our lessons.' | 0:40:14 | 0:40:19 | |
A reward for being so good. | 0:40:20 | 0:40:23 | |
He wanted to swim. | 0:40:25 | 0:40:27 | |
He always wanted to swim. | 0:40:27 | 0:40:29 | |
But I said no. | 0:40:30 | 0:40:31 | |
I went to get the bat and ball for our game... | 0:40:33 | 0:40:36 | |
..and he was gone. | 0:40:37 | 0:40:39 | |
I ran after him. | 0:40:40 | 0:40:42 | |
I ran as fast as I could. | 0:40:42 | 0:40:44 | |
If only I hadn't turned away for a minute, | 0:40:45 | 0:40:48 | |
but it was only a minute while I got the bat and ball. | 0:40:48 | 0:40:50 | |
(If only...) | 0:40:52 | 0:40:54 | |
SHE BREATHES DEEPLY | 0:40:59 | 0:41:01 | |
(Thank you. Thank you for trying to save him.) | 0:41:07 | 0:41:10 | |
-SOBS: -Oh, God! Oh, God! | 0:41:14 | 0:41:16 | |
You know, before, I wasn't sure. | 0:41:28 | 0:41:30 | |
But I am sure now. | 0:41:33 | 0:41:35 | |
Watching you, hearing you speak. | 0:41:35 | 0:41:37 | |
Now I'm sure. | 0:41:37 | 0:41:39 | |
-What are you sure of? -That you're lying. | 0:41:40 | 0:41:42 | |
You couldn't catch up with...Cyril? | 0:41:45 | 0:41:48 | |
I've seen you run, Vera. | 0:41:48 | 0:41:51 | |
You're fast. You're strong. You sprint. | 0:41:51 | 0:41:54 | |
You turn your back for a moment and you couldn't catch up with Cyril? | 0:41:54 | 0:41:57 | |
-Hugo, you can't think this... -I know why you did it. | 0:41:57 | 0:42:00 | |
But what you don't understand is that I really loved that little boy. | 0:42:00 | 0:42:03 | |
(So did I. And I love you.) | 0:42:03 | 0:42:06 | |
(I can't prove it. I can't prove a thing. | 0:42:09 | 0:42:11 | |
(Oh, but, Vera, if I did have proof...I'd see you hang.) | 0:42:11 | 0:42:17 | |
Cyril? | 0:42:29 | 0:42:30 | |
Now... | 0:43:21 | 0:43:22 | |
..you're strong enough to swim to that rock, aren't you? | 0:43:25 | 0:43:27 | |
You're strong enough. Excited? | 0:43:28 | 0:43:31 | |
OK. On your marks, get set, go! | 0:43:32 | 0:43:37 | |
MUFFLED SHOUTS | 0:44:38 | 0:44:40 | |
Nearly there! | 0:44:40 | 0:44:42 | |
Hold on! | 0:44:47 | 0:44:48 | |
Don't worry. I've got you. I've got you. | 0:44:52 | 0:44:56 | |
CLOCK TICKS | 0:46:14 | 0:46:17 | |
FOOTSTEPS | 0:48:06 | 0:48:10 | |
LOCK CLICKS | 0:48:15 | 0:48:17 | |
Hugo? | 0:48:18 | 0:48:20 | |
Hugo? | 0:48:21 | 0:48:23 | |
SHE GASPS | 0:48:33 | 0:48:35 | |
SHE CHOKES | 0:48:35 | 0:48:37 | |
"Two little soldier boys sitting in the sun... | 0:48:40 | 0:48:43 | |
"One got frizzled up and then there was one. | 0:48:45 | 0:48:48 | |
"One little soldier boy left all alone... | 0:48:52 | 0:48:54 | |
"He went and hanged himself and then there were none." | 0:48:56 | 0:49:00 | |
You wondering about that...? | 0:49:03 | 0:49:06 | |
HE CHUCKLES | 0:49:06 | 0:49:08 | |
Liver and kidneys. | 0:49:08 | 0:49:09 | |
You all believed the doctor when he said I was dead. | 0:49:11 | 0:49:13 | |
-None of you checked. -I need to get down! | 0:49:13 | 0:49:16 | |
Armstrong made it so much easier. | 0:49:16 | 0:49:19 | |
He was very keen to forge an alliance. | 0:49:20 | 0:49:22 | |
I don't know what he thought was going to happen | 0:49:24 | 0:49:26 | |
when he ran out into the night to meet me. | 0:49:26 | 0:49:28 | |
Perhaps that I was going to save him. | 0:49:28 | 0:49:30 | |
I lied about the success of my surgery. | 0:49:32 | 0:49:34 | |
The mass, the tumour is spreading. | 0:49:36 | 0:49:40 | |
There's nothing to be done but await the inevitable. | 0:49:40 | 0:49:44 | |
It's quite extraordinarily painful. | 0:49:44 | 0:49:47 | |
Well...not long now, though, hm? | 0:49:50 | 0:49:52 | |
Why are you doing this? | 0:49:52 | 0:49:54 | |
Because justice comes to all. | 0:49:54 | 0:49:56 | |
I told you that, were you not listening? | 0:49:58 | 0:50:00 | |
The evidence that led me to convict Edward Seton | 0:50:01 | 0:50:03 | |
was considered too terrible to be made public. | 0:50:03 | 0:50:06 | |
It was the stuff of nightmares. | 0:50:09 | 0:50:11 | |
Really. | 0:50:12 | 0:50:13 | |
And where others were revolted... | 0:50:15 | 0:50:17 | |
..Miss Claythorne, I was fascinated. | 0:50:20 | 0:50:22 | |
And when Seton looked into my eyes, | 0:50:25 | 0:50:27 | |
he could see that I was thrilled. | 0:50:27 | 0:50:29 | |
He knew that I was a kindred spirit. | 0:50:31 | 0:50:33 | |
And when his neck snapped... | 0:50:35 | 0:50:37 | |
..I felt as if I'd been handed a gift. | 0:50:39 | 0:50:41 | |
No. No! | 0:50:41 | 0:50:44 | |
You don't mean any of this. | 0:50:44 | 0:50:46 | |
You are a good man. Moral. | 0:50:46 | 0:50:50 | |
Moral? | 0:50:50 | 0:50:52 | |
SHE GASPS FOR BREATH | 0:50:52 | 0:50:54 | |
Maybe there's something in that. | 0:50:54 | 0:50:57 | |
There are differences between Seton and myself. | 0:50:57 | 0:51:00 | |
All his victims were innocent. | 0:51:01 | 0:51:03 | |
You are all guilty. | 0:51:05 | 0:51:06 | |
Now, imagine. | 0:51:08 | 0:51:10 | |
The detectives arrive to find a house full of slaughter | 0:51:10 | 0:51:14 | |
and the handiwork of UN Owen everywhere. | 0:51:14 | 0:51:17 | |
But UN Owen himself is nowhere to be seen. | 0:51:19 | 0:51:23 | |
But who else could have fired the final shot | 0:51:23 | 0:51:26 | |
that ended the life of the unimpeachable judge? | 0:51:26 | 0:51:29 | |
Ten bodies and no murderer. | 0:51:32 | 0:51:34 | |
How could he have disappeared? | 0:51:36 | 0:51:38 | |
SHE CHOKES | 0:51:38 | 0:51:39 | |
It's so unfathomable. | 0:51:41 | 0:51:43 | |
They'll be worrying about it for years. | 0:51:45 | 0:51:47 | |
No! No, wait! | 0:51:49 | 0:51:51 | |
There's...there's no...there's no more bullets! | 0:51:51 | 0:51:56 | |
There...there can be no final shot | 0:51:56 | 0:51:58 | |
because the gun is empty. | 0:51:58 | 0:52:01 | |
There are no more bullets. | 0:52:01 | 0:52:02 | |
Damn! | 0:52:04 | 0:52:06 | |
That's all spoiled. | 0:52:06 | 0:52:08 | |
No, it's not spoiled. | 0:52:08 | 0:52:09 | |
Yes, it is. There are corpses everywhere and only me left. | 0:52:09 | 0:52:12 | |
No, not just you. There's me! | 0:52:12 | 0:52:15 | |
The two of us, together. | 0:52:15 | 0:52:18 | |
We'll...we'll say it was Philip. | 0:52:20 | 0:52:21 | |
That he was mad. | 0:52:21 | 0:52:23 | |
Oh, he was quite the sanest of the lot, I thought. | 0:52:23 | 0:52:26 | |
He was insane. | 0:52:26 | 0:52:28 | |
He...he killed us all and I shot him. | 0:52:28 | 0:52:31 | |
I shot him to defend us. | 0:52:33 | 0:52:35 | |
It was all Philip Lombard. | 0:52:36 | 0:52:38 | |
Huh! Hm! | 0:52:38 | 0:52:40 | |
You took him as your lover. | 0:52:40 | 0:52:42 | |
Yes. | 0:52:42 | 0:52:44 | |
-Got his blood on your feet. -Self-defence! | 0:52:44 | 0:52:47 | |
(We'll say that.) | 0:52:47 | 0:52:49 | |
We'll say that. They'll believe us. | 0:52:51 | 0:52:53 | |
They believed me last time. | 0:52:54 | 0:52:56 | |
SHE GASPS | 0:52:57 | 0:52:59 | |
What a beguiling woman you are, Miss Claythorne. | 0:53:02 | 0:53:05 | |
Vera. | 0:53:06 | 0:53:08 | |
Quite my favourite, really. | 0:53:11 | 0:53:13 | |
There's no final bullet, Judge. | 0:53:14 | 0:53:16 | |
But I can save us both. | 0:53:18 | 0:53:19 | |
I'll keep your secret and I'll save us both. | 0:53:21 | 0:53:24 | |
Just let me down. Please! | 0:53:26 | 0:53:29 | |
SHE GASPS FOR BREATH | 0:53:33 | 0:53:34 | |
You forgot the one that shot me. | 0:53:46 | 0:53:48 |