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This programme contains scenes of sexual violence, some strong language | 0:00:02 | 0:00:05 | |
and some scenes of a sexual nature | 0:00:05 | 0:00:07 | |
Before I met you, I was a civilised woman. | 0:00:07 | 0:00:11 | |
Civilised. | 0:00:16 | 0:00:17 | |
Now, I don't even know what that means. | 0:00:21 | 0:00:24 | |
Food, shelter, sex - | 0:00:30 | 0:00:32 | |
once those needs are covered, we can pretend we're in control. | 0:00:32 | 0:00:36 | |
That the lives we build keep us human. | 0:00:38 | 0:00:40 | |
But, really, we're all just animals. | 0:00:48 | 0:00:50 | |
You know how I know that? | 0:00:54 | 0:00:55 | |
Fear. | 0:00:58 | 0:00:59 | |
SCREECHING, SHE GASPS | 0:00:59 | 0:01:01 | |
Fear for your life. | 0:01:07 | 0:01:09 | |
Once you've felt that, | 0:01:15 | 0:01:17 | |
everything else - | 0:01:17 | 0:01:19 | |
all this so-called civilisation... | 0:01:19 | 0:01:22 | |
..it's a dream. | 0:01:23 | 0:01:25 | |
You've taught me that, my love. | 0:01:26 | 0:01:28 | |
Would the defendant please stand? | 0:01:29 | 0:01:31 | |
'Fear makes animals of us all.' | 0:01:33 | 0:01:35 | |
BELL CHIMES | 0:01:46 | 0:01:48 | |
In terms of our research, we're pushing at frontiers | 0:01:48 | 0:01:51 | |
and there are bound to be anxieties around that - I do understand. | 0:01:51 | 0:01:54 | |
But, to be frank, most of those anxieties are completely unfounded. | 0:01:54 | 0:01:58 | |
-MAN: -So everything we're hearing about Frankenfoods...? | 0:01:58 | 0:02:01 | |
They're still foods and how they're processed and regulated, | 0:02:01 | 0:02:04 | |
that's crucial, obviously. | 0:02:04 | 0:02:06 | |
But that's a question for Government or business, not science. | 0:02:06 | 0:02:10 | |
Listen, the more we learn about DNA, | 0:02:10 | 0:02:13 | |
the more avenues there are for gene therapy, | 0:02:13 | 0:02:16 | |
which could lead to the eradication | 0:02:16 | 0:02:18 | |
of genetically-based illness | 0:02:18 | 0:02:20 | |
and that has to be a tremendous positive. | 0:02:20 | 0:02:22 | |
But you can reassure us, professor, | 0:02:22 | 0:02:25 | |
no ten-foot mice on the cards, | 0:02:25 | 0:02:28 | |
or triangular cows? | 0:02:28 | 0:02:30 | |
The work we're doing is never going to result in corn with udders. | 0:02:30 | 0:02:34 | |
LAUGHTER | 0:02:34 | 0:02:36 | |
Hi, it's me. Just to say they're done with me, so you don't need | 0:02:36 | 0:02:39 | |
to be home in time for the Tesco delivery... | 0:02:39 | 0:02:42 | |
Um, that's it. | 0:02:42 | 0:02:43 | |
Oh, and I'll cook, by the way. See ya. | 0:02:43 | 0:02:45 | |
We won't be seeing you this afternoon, then, | 0:02:55 | 0:02:57 | |
Professor Carmichael? | 0:02:57 | 0:02:59 | |
No. David moved up the technology questions | 0:02:59 | 0:03:01 | |
-so that I'd be finished by lunchtime. -Oh. | 0:03:01 | 0:03:04 | |
Efficiency in the civil service - | 0:03:04 | 0:03:06 | |
-there's a novelty. -SHE LAUGHS | 0:03:06 | 0:03:07 | |
-Hi. -Anything else? | 0:03:17 | 0:03:18 | |
Uh, no, that's it, thank you. | 0:03:18 | 0:03:21 | |
-You were very articulate in there, professor. -Thanks. | 0:03:24 | 0:03:27 | |
The first time I've ever understood what a genome is. | 0:03:27 | 0:03:30 | |
Oh, good! Um, well, I do... I do a lot of lecturing, | 0:03:30 | 0:03:33 | |
but it's not professor, actually. | 0:03:33 | 0:03:35 | |
Ah. | 0:03:35 | 0:03:36 | |
-That's more American, is it? -Exactly, yes. | 0:03:36 | 0:03:39 | |
I get that because of the mad scientist thing. | 0:03:39 | 0:03:42 | |
You know, Nutty Professor. | 0:03:42 | 0:03:43 | |
Right, well, I can see, obviously, you're deranged. | 0:03:43 | 0:03:46 | |
SHE LAUGHS | 0:03:46 | 0:03:47 | |
So have you appeared in front | 0:03:47 | 0:03:48 | |
of the Select Committee before? | 0:03:48 | 0:03:50 | |
A couple of times, actually, yes. | 0:03:50 | 0:03:53 | |
Governments get really het up about genetics, | 0:03:53 | 0:03:55 | |
whichever lot are in, you know, modification, cloning. | 0:03:55 | 0:03:58 | |
Do you get nervous, speaking in front of a group of people like that? | 0:03:58 | 0:04:01 | |
I only say that because you didn't seem it at all. | 0:04:01 | 0:04:03 | |
-Didn't I? -No, not at all. -Um... -Thanks, Nick. | 0:04:03 | 0:04:07 | |
No, I suppose I don't, really. | 0:04:07 | 0:04:09 | |
Well, not in front of MPs anyway. | 0:04:09 | 0:04:11 | |
THEY LAUGH | 0:04:11 | 0:04:13 | |
-I think I know more about it than they do. -Right. Yeah, well, | 0:04:13 | 0:04:16 | |
you know, that's a relief cos I'd be worried to think | 0:04:16 | 0:04:19 | |
that MPs set themselves up as experts on anything. | 0:04:19 | 0:04:22 | |
Are you allowed to say that in here? | 0:04:22 | 0:04:24 | |
Oh, off the record you are, yeah. Yeah. | 0:04:24 | 0:04:26 | |
Well, all right. | 0:04:27 | 0:04:29 | |
-That's me. -Oh... | 0:04:30 | 0:04:32 | |
..have you seen the Chapel in the Crypt? | 0:04:33 | 0:04:35 | |
No. | 0:04:36 | 0:04:37 | |
Wait one second. | 0:04:37 | 0:04:39 | |
PHONE ALERT CHIMES | 0:04:42 | 0:04:44 | |
Sorted. | 0:04:52 | 0:04:53 | |
Just remind me to give those back to Martha afterwards | 0:04:53 | 0:04:56 | |
cos my life will not be worth living, even if you are a VIP. | 0:04:56 | 0:04:59 | |
SO are you OK for time? | 0:04:59 | 0:05:01 | |
-Uh, yeah, sure. -Sure? | 0:05:01 | 0:05:03 | |
This way. | 0:05:03 | 0:05:04 | |
It's strictly by-appointment and Members can use it - | 0:05:07 | 0:05:10 | |
they have christenings. You can even get married here. | 0:05:10 | 0:05:12 | |
HEAVY DOOR OPENS | 0:05:15 | 0:05:16 | |
(Wow.) | 0:05:21 | 0:05:22 | |
It's a Royal Peculiar. | 0:05:26 | 0:05:28 | |
It means it's under the monarch's control via the Lord Chamberlain | 0:05:28 | 0:05:31 | |
and that's Great Lord Chamberlain to you. | 0:05:31 | 0:05:34 | |
SHE LAUGHS | 0:05:34 | 0:05:36 | |
Apparently, Oliver Cromwell stabled his horses here. | 0:05:36 | 0:05:40 | |
I don't know if that's true. | 0:05:40 | 0:05:42 | |
Oh, I'm sorry. | 0:05:47 | 0:05:49 | |
-It's obviously not top of the cleaning rota. -Oh, thank you. | 0:05:49 | 0:05:52 | |
This isn't the best bit. | 0:06:04 | 0:06:06 | |
Come here. Come on. | 0:06:06 | 0:06:07 | |
You've come this far. | 0:06:18 | 0:06:20 | |
You're going to have to go first because it's a bit tight in there. | 0:06:26 | 0:06:29 | |
It used to be a broom cupboard. | 0:06:30 | 0:06:31 | |
What am I looking for? | 0:06:40 | 0:06:41 | |
It's on the back of the door. Can you see it? | 0:06:41 | 0:06:43 | |
LOCK CLICKS | 0:06:53 | 0:06:55 | |
The suffragette, you know? | 0:06:55 | 0:06:57 | |
Yeah. Um, I know who she is - Derby Day. | 0:06:57 | 0:07:00 | |
Yeah. She slipped in here on the night | 0:07:00 | 0:07:03 | |
of the census of 1911, I think it was. | 0:07:03 | 0:07:05 | |
It was before she, you know, jumped in front of the horse, | 0:07:05 | 0:07:08 | |
obviously caused a lot of trouble. | 0:07:08 | 0:07:10 | |
"In this broom cupboard Emily Wilding Davison | 0:07:11 | 0:07:13 | |
"hid herself illegally | 0:07:13 | 0:07:15 | |
"during the night of the 1911 census. | 0:07:15 | 0:07:18 | |
"In this way she was able to record her address | 0:07:19 | 0:07:22 | |
"on the night of the census as being... | 0:07:22 | 0:07:25 | |
"..the House of Commons." | 0:07:26 | 0:07:28 | |
I knew you'd be interested. | 0:07:30 | 0:07:32 | |
(OK?) | 0:07:51 | 0:07:52 | |
SHE MOANS | 0:07:56 | 0:07:57 | |
BELT BUCKLE RATTLES | 0:08:00 | 0:08:02 | |
SHE BREATHES HEAVILY | 0:08:04 | 0:08:05 | |
BUCKLE RATTLES | 0:08:16 | 0:08:17 | |
HE BREATHES HEAVILY | 0:08:28 | 0:08:29 | |
SHE MOANS | 0:08:36 | 0:08:37 | |
RATTLING | 0:08:41 | 0:08:43 | |
THEY PANT | 0:08:43 | 0:08:44 | |
THEY PANT AND MOAN | 0:08:50 | 0:08:51 | |
BUCKET CONTINUES TO RATTLE | 0:08:53 | 0:08:55 | |
HE MOANS | 0:08:57 | 0:08:59 | |
HE MOANS LOUDLY | 0:09:00 | 0:09:01 | |
THEY PANT | 0:09:04 | 0:09:05 | |
I've never done anything like that before. | 0:09:22 | 0:09:24 | |
(Then lucky me.) | 0:09:26 | 0:09:28 | |
BELL CHIMES IN DISTANCE | 0:09:45 | 0:09:47 | |
SHE EXHALES | 0:10:13 | 0:10:14 | |
GLASS CLINKS | 0:10:23 | 0:10:25 | |
DOOR OPENS AND CLOSES | 0:10:35 | 0:10:36 | |
-MAN: -Hey. | 0:10:36 | 0:10:37 | |
Hi. | 0:10:39 | 0:10:40 | |
HE SIGHS | 0:10:43 | 0:10:44 | |
-Oh, sorry, I forgot to get back... -It's OK, it's OK. | 0:10:44 | 0:10:46 | |
The girl at the counter said the own-brand stuff | 0:10:46 | 0:10:50 | |
is exactly the same, unsurprisingly. | 0:10:50 | 0:10:53 | |
You still suffering? HE GROANS | 0:10:53 | 0:10:55 | |
The chilli might help. | 0:10:55 | 0:10:57 | |
Yeah, if I can taste it. | 0:10:57 | 0:10:58 | |
HE SUPS | 0:11:03 | 0:11:05 | |
Mm, not bad. | 0:11:05 | 0:11:07 | |
-Did you get a chance to talk to Rosa? -How did it go? | 0:11:07 | 0:11:10 | |
-The Standing Committee? -Oh. | 0:11:10 | 0:11:12 | |
Select Committee. Um, fine, yeah. | 0:11:14 | 0:11:17 | |
Rosa wasn't in today. | 0:11:18 | 0:11:19 | |
Shall I set the table? | 0:11:21 | 0:11:23 | |
I've done it. | 0:11:24 | 0:11:25 | |
So, according to Martin, | 0:11:28 | 0:11:30 | |
it's a thing now, so no going back. | 0:11:30 | 0:11:33 | |
-Every birthday? -Mm. | 0:11:35 | 0:11:37 | |
-As if secret sodding Santa wasn't bad enough. -Huh. | 0:11:37 | 0:11:40 | |
It's good, love. Tasty. | 0:11:45 | 0:11:48 | |
HE SNORES | 0:11:56 | 0:11:58 | |
SNORING CONTINUES | 0:12:03 | 0:12:05 | |
HE GRUMBLES | 0:12:07 | 0:12:09 | |
'..but the only person I can talk to about you is you. | 0:13:21 | 0:13:25 | |
'What we did today is without doubt... | 0:13:27 | 0:13:30 | |
'I know nothing about you. | 0:13:37 | 0:13:39 | |
'Sex with you is like being eaten by a wolf. | 0:13:45 | 0:13:48 | |
'Will you even give me a second thought, | 0:13:53 | 0:13:55 | |
'or is this just something you do?' | 0:13:55 | 0:13:58 | |
CROSSING SIGNAL BEEPS | 0:14:01 | 0:14:03 | |
FYI, all the candidates and the specs we put up. | 0:14:13 | 0:14:17 | |
Saves you printing out the e-mails. | 0:14:17 | 0:14:19 | |
You're a star. Thank you. | 0:14:19 | 0:14:22 | |
Um, Liz, about Kat's maternity cover... | 0:14:22 | 0:14:26 | |
I'm really sorry, I just can't face it. | 0:14:26 | 0:14:29 | |
The thought of doing that commute again every day makes me | 0:14:30 | 0:14:33 | |
want to bang my head against a wall. | 0:14:33 | 0:14:34 | |
Even for six months? | 0:14:34 | 0:14:36 | |
-It's really why I went part-time. -It's OK. | 0:14:36 | 0:14:39 | |
Kat practically told us at the moment of conception. | 0:14:39 | 0:14:41 | |
We'll find someone. | 0:14:41 | 0:14:43 | |
Um, it's black silk | 0:14:56 | 0:14:58 | |
with a red and orange pattern in it. | 0:14:58 | 0:15:00 | |
-And when was it you were in, madam? -Tuesday. | 0:15:00 | 0:15:03 | |
Tuesday. One moment, please. | 0:15:03 | 0:15:05 | |
Sorry, madam. No scarves at all. | 0:15:13 | 0:15:15 | |
-Oh, well, it was worth a try. -Indeed. -Thank you. | 0:15:15 | 0:15:18 | |
You're welcome. | 0:15:18 | 0:15:19 | |
HE LAUGHS | 0:16:10 | 0:16:11 | |
So... | 0:16:11 | 0:16:13 | |
are you sure that you weren't just hanging out here | 0:16:13 | 0:16:16 | |
on the off-chance that we'd bump into each other? | 0:16:16 | 0:16:18 | |
Naturally(!) | 0:16:18 | 0:16:20 | |
No, I... I work at the Beaufort Institute. | 0:16:20 | 0:16:23 | |
-Oh, classy. -You've heard of it? | 0:16:24 | 0:16:26 | |
Well, yeah, of course. | 0:16:26 | 0:16:27 | |
It crops up in the news all the time, doesn't it? | 0:16:27 | 0:16:30 | |
Whenever there's something about genes or genomes or DNA, | 0:16:30 | 0:16:33 | |
which, thanks to you, I now know aren't all the same thing. | 0:16:33 | 0:16:37 | |
PHONE ALERT BEEPS | 0:16:37 | 0:16:38 | |
Sorry. | 0:16:39 | 0:16:41 | |
What is it you do exactly? | 0:16:49 | 0:16:50 | |
Well, you know, it's civil service. | 0:16:50 | 0:16:53 | |
All very boring. | 0:16:53 | 0:16:54 | |
You don't look like a civil servant. | 0:16:58 | 0:17:00 | |
You don't look like a scientist. | 0:17:00 | 0:17:02 | |
You're married. | 0:17:09 | 0:17:11 | |
So am I. | 0:17:13 | 0:17:14 | |
Shall we just skip all that? | 0:17:17 | 0:17:19 | |
I assume neither of us is looking for a parachute. | 0:17:19 | 0:17:21 | |
No. | 0:17:23 | 0:17:24 | |
Absolutely not. | 0:17:25 | 0:17:26 | |
(Great.) | 0:17:28 | 0:17:29 | |
I would love it if my daughter wanted to be a scientist, | 0:17:38 | 0:17:41 | |
it's just that, at the moment, that would depend on lab coats coming | 0:17:41 | 0:17:45 | |
in totally artificial fibre, being really shiny, and preferably pink. | 0:17:45 | 0:17:49 | |
SHE LAUGHS | 0:17:49 | 0:17:51 | |
Carrie, my daughter, was always completely set on it. | 0:17:51 | 0:17:54 | |
Tunnel vision like me, I suppose. | 0:17:54 | 0:17:56 | |
SHE GIGGLES | 0:17:56 | 0:17:57 | |
My niece is doing triple science | 0:18:01 | 0:18:03 | |
at A level - maybe you could give her a pep talk? | 0:18:03 | 0:18:06 | |
Um... | 0:18:10 | 0:18:12 | |
isn't this all a bit... | 0:18:12 | 0:18:14 | |
back to front, maybe, don't you think? | 0:18:14 | 0:18:17 | |
Shoot first, ask questions later. | 0:18:22 | 0:18:25 | |
SHE LAUGHS | 0:18:25 | 0:18:26 | |
LAUGHTER CONTINUES FAINTLY | 0:18:37 | 0:18:38 | |
Yvonne! | 0:18:49 | 0:18:50 | |
Come on, drink. | 0:18:52 | 0:18:54 | |
So how's Gary? | 0:18:56 | 0:18:57 | |
Me first. How are things with you and Chris? | 0:18:59 | 0:19:01 | |
Oh... | 0:19:03 | 0:19:04 | |
"Oh"? | 0:19:04 | 0:19:06 | |
It's nothing to worry about. | 0:19:06 | 0:19:08 | |
It's...just...you know, | 0:19:08 | 0:19:10 | |
he's stopped making as much of an effort, | 0:19:10 | 0:19:13 | |
we're not tearing each other's clothes off anymore. | 0:19:13 | 0:19:16 | |
That's not sounding good, Suze. | 0:19:16 | 0:19:18 | |
It's fine. | 0:19:18 | 0:19:20 | |
It's very...civilised. | 0:19:20 | 0:19:23 | |
Anyway, I thought you'd be pleased... | 0:19:28 | 0:19:31 | |
Captain Sensible. | 0:19:31 | 0:19:33 | |
Oh, God, is that what I am? | 0:19:33 | 0:19:35 | |
Always. | 0:19:35 | 0:19:37 | |
SHE SIGHS | 0:19:37 | 0:19:38 | |
Is everything OK? | 0:19:42 | 0:19:44 | |
How is Gary? | 0:19:44 | 0:19:46 | |
Yeah, he's fine. Um... | 0:19:48 | 0:19:50 | |
sends his love. | 0:19:50 | 0:19:52 | |
-You know, it's not that girl, is it? -Rosa? | 0:19:54 | 0:19:57 | |
I told him to talk to the dean to make sure it was official. | 0:19:57 | 0:20:00 | |
I know it's all in her head, | 0:20:02 | 0:20:03 | |
but you need backup these days. | 0:20:03 | 0:20:05 | |
You're sure it was, then? | 0:20:06 | 0:20:08 | |
No, it's just Gary's still an attractive man. | 0:20:09 | 0:20:13 | |
I know you two are rock solid... | 0:20:13 | 0:20:14 | |
Hey, always his greatest fan. | 0:20:14 | 0:20:16 | |
No, I think we're out of the woods on that one. | 0:20:20 | 0:20:22 | |
20 years ago, maybe. | 0:20:22 | 0:20:24 | |
The students were queueing up - he used to get so embarrassed. | 0:20:24 | 0:20:27 | |
"Still attractive". | 0:20:32 | 0:20:33 | |
Do you think that's what they say about us? | 0:20:35 | 0:20:37 | |
What is going on with you? | 0:20:38 | 0:20:40 | |
(You're very twitchy.) | 0:20:43 | 0:20:45 | |
Must be my age. | 0:20:50 | 0:20:52 | |
Why was that...? Why's that funny? | 0:20:55 | 0:20:57 | |
It's like, what age are you, 100? | 0:20:57 | 0:20:59 | |
Let's change the subject now. I'm getting you drunk. | 0:20:59 | 0:21:02 | |
Oh...go for it. | 0:21:03 | 0:21:05 | |
Hi, erm, | 0:21:12 | 0:21:14 | |
I think... | 0:21:14 | 0:21:15 | |
Let's not. | 0:21:17 | 0:21:18 | |
I mean, it was really, really... | 0:21:18 | 0:21:22 | |
..what it was, but too many people can get hurt. | 0:21:23 | 0:21:27 | |
Oh, God, the cliches, but it's true. | 0:21:27 | 0:21:29 | |
So... | 0:21:30 | 0:21:32 | |
that's it. | 0:21:32 | 0:21:34 | |
Yeah. | 0:21:34 | 0:21:35 | |
Take care. | 0:21:35 | 0:21:36 | |
DISTURBANCE OUTSIDE | 0:22:12 | 0:22:13 | |
-GLASS BREAKING -No! | 0:22:14 | 0:22:16 | |
Ah, fuck! | 0:22:24 | 0:22:25 | |
Shit! | 0:22:26 | 0:22:27 | |
Bloody hell! | 0:22:28 | 0:22:30 | |
Has she cut herself? | 0:22:30 | 0:22:31 | |
It's Rosa. | 0:22:31 | 0:22:33 | |
What?! | 0:22:33 | 0:22:34 | |
-Sorry. -Come on, Rosa. What the hell are you doing? | 0:22:35 | 0:22:38 | |
Careful, careful! | 0:22:38 | 0:22:39 | |
No! Leave the bloody bottles! | 0:22:39 | 0:22:42 | |
Oh, God. | 0:22:42 | 0:22:43 | |
Sorry, I'm... I'm a bit...bit pissed. | 0:22:43 | 0:22:46 | |
-Clearly. -I just... | 0:22:46 | 0:22:49 | |
My friend, Mel, she lives just down the road. | 0:22:49 | 0:22:52 | |
She was having a crisis, a thing, and I just thought... | 0:22:52 | 0:22:55 | |
You know, it's the... | 0:22:55 | 0:22:57 | |
it's your road. | 0:22:57 | 0:22:59 | |
-I'm sorry. -It's all right. -Sorry. | 0:22:59 | 0:23:00 | |
Oh, Jeez! What have you done to yourself? | 0:23:01 | 0:23:03 | |
Keep it up, keep it up. Come on. | 0:23:03 | 0:23:06 | |
There we are. | 0:23:06 | 0:23:07 | |
Straight through. | 0:23:07 | 0:23:09 | |
I think she needs stitches. | 0:23:17 | 0:23:18 | |
Thank you. | 0:23:18 | 0:23:20 | |
I'll get it looked at. | 0:23:20 | 0:23:21 | |
Come on. | 0:23:23 | 0:23:24 | |
I'm sorry. | 0:23:27 | 0:23:28 | |
Mind your head. | 0:23:31 | 0:23:32 | |
CAR DOOR OPENS AND SHUTS | 0:23:39 | 0:23:42 | |
WOMAN LAUGHING | 0:24:11 | 0:24:12 | |
Hello, come in! | 0:24:15 | 0:24:16 | |
Mum! | 0:24:17 | 0:24:18 | |
All right? | 0:24:18 | 0:24:20 | |
-How are you doing? -I'm good. How are you? | 0:24:22 | 0:24:25 | |
These are lovely, Carrie, thank you. | 0:24:25 | 0:24:27 | |
Poor Dad! Does he ever have to work on a Saturday? | 0:24:27 | 0:24:30 | |
He won't be much longer. | 0:24:30 | 0:24:31 | |
I think it was just some papers that he forgot to bring back. | 0:24:31 | 0:24:34 | |
Can I borrow these? | 0:24:34 | 0:24:35 | |
Yeah, sure. | 0:24:35 | 0:24:37 | |
Yes, please. Thanks. | 0:24:37 | 0:24:38 | |
Carrie, love, do you want some? | 0:24:38 | 0:24:40 | |
-Or there's white in the fridge if you'd prefer? -Oh, no thanks. | 0:24:40 | 0:24:43 | |
Have you spoken to Adam at all? | 0:24:44 | 0:24:46 | |
Mm-mm. | 0:24:46 | 0:24:47 | |
Not recently, though Dad's been in touch on Facebook though. | 0:24:49 | 0:24:51 | |
Hey! | 0:24:51 | 0:24:52 | |
Here he is! | 0:24:52 | 0:24:53 | |
Bloody hell, A&E! | 0:24:55 | 0:24:57 | |
I'm not doing that again in a hurry. | 0:24:57 | 0:24:58 | |
-A&E? What's wrong? -Hey! | 0:24:58 | 0:25:00 | |
Didn't Mum say? | 0:25:01 | 0:25:02 | |
Hi, Sathnam. | 0:25:02 | 0:25:04 | |
This research assistant turned up on our doorstep in the middle of | 0:25:04 | 0:25:07 | |
the night and managed to cut herself on a broken bottle. | 0:25:07 | 0:25:12 | |
Mum said you were at the office. | 0:25:12 | 0:25:14 | |
Well, what was she doing pitching up here in the middle of the night? | 0:25:16 | 0:25:19 | |
God knows! She was pissed, I think. | 0:25:19 | 0:25:21 | |
Did she need stitches? | 0:25:21 | 0:25:23 | |
A couple. All fine. | 0:25:23 | 0:25:24 | |
Nobody died! | 0:25:29 | 0:25:31 | |
Look at this! Smashing. | 0:25:31 | 0:25:33 | |
Smells good as well, love. | 0:25:33 | 0:25:34 | |
Let's get some of it through to the table, shall we? | 0:25:34 | 0:25:37 | |
-So, news. -Hmm? | 0:25:40 | 0:25:43 | |
Is it the Aberystwyth job? | 0:25:43 | 0:25:44 | |
I'm pregnant. | 0:25:45 | 0:25:47 | |
Oh, my God...pregnant. Pregnant! | 0:25:50 | 0:25:53 | |
I know, it's mad! | 0:25:53 | 0:25:55 | |
I should have told you when I came in. | 0:25:55 | 0:25:58 | |
That's wonderful, well done. | 0:25:58 | 0:25:59 | |
Oh, Mum! | 0:25:59 | 0:26:01 | |
I'm five years older than you were when you had me. | 0:26:10 | 0:26:13 | |
Yeah, and I've never pretended that that was ideal. | 0:26:13 | 0:26:15 | |
Yes, you did! You said it was great. | 0:26:15 | 0:26:17 | |
"Got it all out of the way and was back on the career ladder | 0:26:17 | 0:26:20 | |
"before the rest of them were even thinking of popping out a sprog." | 0:26:20 | 0:26:23 | |
I'm just saying that your work is going so well. | 0:26:23 | 0:26:26 | |
And it'll go just as well when I'm back from maternity leave. | 0:26:26 | 0:26:29 | |
Honestly, Mum, the department's fine about it. | 0:26:29 | 0:26:33 | |
What if you don't want to go back? | 0:26:33 | 0:26:35 | |
Of course I'll want to. You did. | 0:26:35 | 0:26:36 | |
You know, it took me eight years to finish my PhD. | 0:26:39 | 0:26:42 | |
And your dad did it in three. | 0:26:43 | 0:26:45 | |
And your Nana practically sang the Hallelujah Chorus | 0:26:46 | 0:26:49 | |
every time he changed a nappy. | 0:26:49 | 0:26:51 | |
She still calls women who work "career girls". | 0:26:51 | 0:26:54 | |
Yeah. Don't forget "lady doctors". | 0:26:54 | 0:26:57 | |
Well, Nana... | 0:26:57 | 0:26:59 | |
..the world's moved on a bit, hasn't it? | 0:27:00 | 0:27:02 | |
Yeah. Thank God. | 0:27:03 | 0:27:05 | |
Go to the cinema, do all the things you won't be able to do | 0:27:05 | 0:27:07 | |
in nine months. | 0:27:07 | 0:27:08 | |
Oh, don't tell him that! Love you. | 0:27:08 | 0:27:11 | |
Or ever again! I love you, too. | 0:27:11 | 0:27:13 | |
Thanks for everything. | 0:27:13 | 0:27:14 | |
Keep them as long as you like. | 0:27:15 | 0:27:16 | |
Love you, guys. Thanks for lunch. | 0:27:16 | 0:27:18 | |
Drive safely. | 0:27:18 | 0:27:19 | |
Bloody hell. | 0:27:24 | 0:27:26 | |
Granny and Grandad. | 0:27:26 | 0:27:28 | |
If you're sleeping with her, you can tell me, you know. | 0:27:37 | 0:27:39 | |
I mean, she seems very vulnerable... | 0:27:42 | 0:27:44 | |
I'm not. | 0:27:44 | 0:27:45 | |
Von. | 0:27:51 | 0:27:53 | |
OK. | 0:27:54 | 0:27:55 | |
There was a possibility of that... | 0:28:14 | 0:28:16 | |
..but I shut it down. | 0:28:18 | 0:28:20 | |
I think that's why she's so upset. | 0:28:20 | 0:28:22 | |
"Possibility". | 0:28:26 | 0:28:27 | |
That day when we got the grant, back in the summer... | 0:28:29 | 0:28:31 | |
..we were all celebrating... | 0:28:33 | 0:28:35 | |
-..pissed... -You said it was all in her head. | 0:28:36 | 0:28:38 | |
Well...largely. | 0:28:38 | 0:28:40 | |
So, what? You snogged her or was it more than that...? | 0:28:45 | 0:28:48 | |
I'm not going to give you chapter and verse. We're not bloody teenagers! | 0:28:48 | 0:28:51 | |
Nothing happened. | 0:28:58 | 0:29:00 | |
That's all you need to know. | 0:29:03 | 0:29:05 | |
Shit. | 0:29:25 | 0:29:27 | |
Thank you. | 0:30:00 | 0:30:01 | |
How's the wonderful world of protein sequencing? | 0:30:08 | 0:30:12 | |
You got it right. | 0:30:13 | 0:30:15 | |
Of course I did. | 0:30:15 | 0:30:16 | |
So, what...what made you change your mind, then? | 0:30:27 | 0:30:30 | |
About seeing me again? | 0:30:32 | 0:30:33 | |
I suppose you're irresistible. | 0:30:39 | 0:30:41 | |
HE LAUGHS | 0:30:41 | 0:30:42 | |
Clearly. | 0:30:43 | 0:30:44 | |
There's something else going on with you though, isn't there? | 0:30:47 | 0:30:49 | |
KNOCKING THEN OPENING OF DOOR | 0:30:51 | 0:30:52 | |
'Tell me something about your work.' | 0:30:59 | 0:31:01 | |
Something surprising that everybody gets wrong. | 0:31:03 | 0:31:06 | |
Umm... | 0:31:06 | 0:31:07 | |
That we know what we're doing? | 0:31:09 | 0:31:11 | |
Seriously. | 0:31:11 | 0:31:12 | |
There's this image of science, the clinical thing, | 0:31:12 | 0:31:14 | |
that we're efficient and we know everything, but, actually, | 0:31:14 | 0:31:18 | |
all we can ever do is hazily grasp but a fraction of what it is | 0:31:18 | 0:31:21 | |
we're trying to pin down... | 0:31:21 | 0:31:23 | |
like the genome. | 0:31:23 | 0:31:24 | |
Your typical haploid human genome... | 0:31:24 | 0:31:26 | |
Sorry, haploid, what's that again? | 0:31:26 | 0:31:28 | |
Your basic genome. | 0:31:28 | 0:31:30 | |
It has three billion DNA base pairs... | 0:31:31 | 0:31:35 | |
..of which less than 2% code for proteins. | 0:31:36 | 0:31:39 | |
So, the rest of the DNA, 98%, | 0:31:39 | 0:31:42 | |
we don't really know what it's there for. | 0:31:42 | 0:31:45 | |
Could be useful or could be just biochemical rubbish. | 0:31:47 | 0:31:50 | |
And what I do? I'm just scrabbling about in the dirt, | 0:31:51 | 0:31:54 | |
trying to look for the good stuff. | 0:31:54 | 0:31:55 | |
"We'll never conquer space." | 0:31:57 | 0:31:58 | |
It's an Arthur C Clarke thing. | 0:32:00 | 0:32:02 | |
Well, basically, when everyone was getting all excited over the | 0:32:02 | 0:32:06 | |
moon landings, he said, "Don't worry, whatever we discover, | 0:32:06 | 0:32:10 | |
"the universe is far too big and too random for us ever to know it properly." | 0:32:10 | 0:32:16 | |
"We'll never conquer space." | 0:32:17 | 0:32:18 | |
'Life's mysterious, | 0:32:28 | 0:32:30 | |
'which is a good thing.' | 0:32:30 | 0:32:31 | |
Isn't it? | 0:32:33 | 0:32:34 | |
What are we doing? | 0:32:42 | 0:32:44 | |
You're beautiful. | 0:32:47 | 0:32:48 | |
Oh, no. You, you were carrying that, actually. | 0:33:14 | 0:33:17 | |
Well, no, I mean, if someone happened to see us | 0:33:19 | 0:33:22 | |
coming downstairs together, they might wonder why | 0:33:22 | 0:33:25 | |
you're dressed differently coming out. | 0:33:25 | 0:33:27 | |
'Am I in over my head with you?' | 0:33:29 | 0:33:31 | |
Remind me what it is you do again? | 0:33:36 | 0:33:38 | |
I told you, didn't I? | 0:33:38 | 0:33:39 | |
Crown Estate. | 0:33:39 | 0:33:41 | |
Oiling the wheels. | 0:33:41 | 0:33:42 | |
'Who are you? | 0:33:46 | 0:33:47 | |
'I couldn't say. | 0:33:49 | 0:33:50 | |
'Although I have noticed | 0:33:51 | 0:33:53 | |
'secrets are the air you breathe.' | 0:33:53 | 0:33:55 | |
'I've got you a present.' | 0:33:57 | 0:33:58 | |
You didn't go for the cheapest option. | 0:33:59 | 0:34:02 | |
Well, why would you have a cheap phone in your bag? | 0:34:02 | 0:34:05 | |
'It just sort of shouts "affair", doesn't it?' | 0:34:07 | 0:34:09 | |
'It's a pay-as-you-go. | 0:34:13 | 0:34:15 | |
'Obviously, you don't link it to your e-mail account. | 0:34:15 | 0:34:17 | |
'Oh, and don't top it up at the same place twice, right, | 0:34:17 | 0:34:20 | |
'cos it's important not to establish a pattern - | 0:34:20 | 0:34:22 | |
'which is kind of the exact opposite of what you do. | 0:34:22 | 0:34:25 | |
'If we're going to do this, | 0:34:31 | 0:34:32 | |
'then at least we can make sure no-one gets hurt.' | 0:34:32 | 0:34:35 | |
You look well. | 0:34:44 | 0:34:45 | |
-Do I? -Mmm. | 0:34:45 | 0:34:46 | |
Thanks. | 0:34:46 | 0:34:48 | |
Here you go. | 0:34:49 | 0:34:51 | |
Oh, I'm fine, George, thanks. | 0:34:51 | 0:34:52 | |
Thought you'd both be latte girls. | 0:34:54 | 0:34:55 | |
Am I right? | 0:34:55 | 0:34:56 | |
Well, that was the button I pressed. | 0:34:56 | 0:34:58 | |
It probably all tastes the same. | 0:34:58 | 0:35:00 | |
Sorry, Yvonne. I know you like posh coffee. | 0:35:00 | 0:35:02 | |
Oh, as long as it's caffeine. | 0:35:02 | 0:35:04 | |
I like to pretend I'm classy, but I'm really easy. | 0:35:04 | 0:35:07 | |
HE LAUGHS | 0:35:07 | 0:35:08 | |
So, I'm here to talk to you about why genome editing should have | 0:35:13 | 0:35:17 | |
-transformed the way we treat cancer. -LOUD BEEP | 0:35:17 | 0:35:19 | |
What is genome editing? | 0:35:19 | 0:35:21 | |
I don't think I need to explain that to this room, but if you'll | 0:35:21 | 0:35:23 | |
bear with me for one moment. | 0:35:23 | 0:35:25 | |
DNA. | 0:35:25 | 0:35:26 | |
Inserted, replaced, deleted. | 0:35:26 | 0:35:29 | |
Anyway Liz slices it, these things are always a slog. | 0:35:30 | 0:35:33 | |
You getting the Tube? | 0:35:33 | 0:35:34 | |
Er, no, I've got things to do. | 0:35:34 | 0:35:36 | |
Oh, I'll see you tomorrow then... | 0:35:36 | 0:35:38 | |
When fates are decided. | 0:35:38 | 0:35:40 | |
-Yeah. Bye, George. -See ya. | 0:35:40 | 0:35:42 | |
I've been stalking you. | 0:35:57 | 0:35:59 | |
RMU, | 0:36:03 | 0:36:04 | |
the PhD with merchant supervising, the Beaufort... | 0:36:04 | 0:36:08 | |
It's my dream career. | 0:36:08 | 0:36:09 | |
Well, we enjoyed hearing your presentation. | 0:36:09 | 0:36:12 | |
Hang on. Dr Carmichael, | 0:36:14 | 0:36:17 | |
whatever the outcome - and I do totally respect that - | 0:36:17 | 0:36:21 | |
I'd...I'd really appreciate the opportunity | 0:36:21 | 0:36:25 | |
to talk with you about your research. | 0:36:25 | 0:36:27 | |
I'm very discreet. | 0:36:34 | 0:36:36 | |
Were you tempted? | 0:36:43 | 0:36:44 | |
Would I be telling you if I was? | 0:36:45 | 0:36:47 | |
Tin. | 0:36:50 | 0:36:51 | |
Recycling. | 0:36:51 | 0:36:53 | |
He made my skin crawl, actually. | 0:36:53 | 0:36:54 | |
Confident little creep. | 0:36:54 | 0:36:56 | |
Lots of, you know, primate crotch display. | 0:36:56 | 0:36:59 | |
Well, you're the one with all the power, love, | 0:37:00 | 0:37:03 | |
that's probably what it was about. | 0:37:03 | 0:37:05 | |
You can screw him over, so he thought he'd do the same with you. | 0:37:05 | 0:37:10 | |
You know, redress the balance. | 0:37:10 | 0:37:11 | |
Well, he's not getting the job. | 0:37:11 | 0:37:13 | |
His presentation was extremely pedestrian. | 0:37:13 | 0:37:15 | |
Oh, you see? You won. | 0:37:15 | 0:37:16 | |
Adam came by today. | 0:37:19 | 0:37:21 | |
-Adam? -Yeah, around lunchtime. | 0:37:21 | 0:37:23 | |
I was lucky not to miss him. | 0:37:23 | 0:37:24 | |
Well, why didn't you say? | 0:37:24 | 0:37:25 | |
It was a flying visit. | 0:37:25 | 0:37:27 | |
He's down for a friend's gig, he said. Picked up a piece of kit. | 0:37:27 | 0:37:30 | |
A loop pedal or... | 0:37:30 | 0:37:31 | |
I've probably got that wrong. | 0:37:31 | 0:37:33 | |
-Well, how was he? -Fine. | 0:37:33 | 0:37:34 | |
Did he look well? | 0:37:35 | 0:37:37 | |
Ish. | 0:37:38 | 0:37:39 | |
He's looked worse. Love, he was fine. | 0:37:39 | 0:37:41 | |
You know what he's like. | 0:37:41 | 0:37:42 | |
He stayed for a cup of tea and the contents of the biscuit tin. | 0:37:42 | 0:37:45 | |
Did he say how long he was going to be around? | 0:37:45 | 0:37:47 | |
Just for the gig, I think, then he's back off up to Manchester. | 0:37:47 | 0:37:49 | |
He sends his love. | 0:37:51 | 0:37:52 | |
Said to give you a big kiss. | 0:37:53 | 0:37:54 | |
'Has anyone seen you using the phone?' | 0:38:30 | 0:38:32 | |
Well, no-one I know, obviously. | 0:38:32 | 0:38:33 | |
'What will you tell your husband, if he finds it, | 0:38:33 | 0:38:35 | |
'if he goes through your bag?' | 0:38:35 | 0:38:36 | |
He won't. | 0:38:36 | 0:38:38 | |
We're not like that. He's not the jealous type. | 0:38:38 | 0:38:41 | |
It's important to imagine the worst-case scenario. | 0:38:41 | 0:38:43 | |
'Well, I'll say that it belongs to Liz from work' | 0:38:43 | 0:38:45 | |
and that she left it at a meeting and I've been carrying it around, | 0:38:45 | 0:38:48 | |
intending to give it back. | 0:38:48 | 0:38:50 | |
-Ooh, you're good. -'I know.' | 0:38:50 | 0:38:52 | |
It's worrying, isn't it? | 0:38:52 | 0:38:53 | |
'It is a bit.' | 0:38:53 | 0:38:54 | |
But he won't ask or notice. | 0:38:54 | 0:38:56 | |
Tell me something that winds you up about him. | 0:38:56 | 0:38:59 | |
What? | 0:38:59 | 0:39:01 | |
'Your husband. Something that really gets on your nerves.' | 0:39:01 | 0:39:03 | |
No. | 0:39:03 | 0:39:04 | |
'Go on.' | 0:39:04 | 0:39:06 | |
No! I'm not doing that. | 0:39:06 | 0:39:07 | |
No parachutes, do you remember? | 0:39:07 | 0:39:09 | |
I'm going. | 0:39:09 | 0:39:10 | |
DOOR OPENS AND SHUTS | 0:39:20 | 0:39:22 | |
TEXT ALERT | 0:39:27 | 0:39:28 | |
Hey. | 0:39:37 | 0:39:39 | |
Oh, hi. | 0:39:39 | 0:39:40 | |
'I can't plead biology. | 0:39:45 | 0:39:46 | |
'Sex may be an animal pleasure, | 0:39:48 | 0:39:51 | |
'but adultery, I'm discovering, is a human one.' | 0:39:51 | 0:39:54 | |
"Is life a boon? | 0:39:56 | 0:39:59 | |
"If so, it must befall that death, | 0:39:59 | 0:40:03 | |
"whene'er he call, | 0:40:03 | 0:40:05 | |
"must call too soon." | 0:40:05 | 0:40:06 | |
'It's not exactly win-win, is it?' | 0:40:10 | 0:40:13 | |
Life is a boon and then you die. | 0:40:13 | 0:40:15 | |
Or life isn't a boon, | 0:40:17 | 0:40:19 | |
it's just shit, and then you die. | 0:40:19 | 0:40:20 | |
'What do you reckon?' | 0:40:23 | 0:40:24 | |
'Me? | 0:40:24 | 0:40:26 | |
'I reckon life's a boon.' | 0:40:27 | 0:40:28 | |
It's all right, it's all right. Risk assessment. | 0:40:55 | 0:40:57 | |
Camera... | 0:40:59 | 0:41:00 | |
Facing the wrong way. | 0:41:00 | 0:41:02 | |
Excuse me, have you got a light? | 0:41:20 | 0:41:21 | |
I didn't know you smoked. | 0:41:23 | 0:41:24 | |
I don't. | 0:41:25 | 0:41:26 | |
It's handy sometimes. | 0:41:28 | 0:41:29 | |
WOMEN LAUGH | 0:41:37 | 0:41:38 | |
Er, I'm sorry. I miscalculated. | 0:41:38 | 0:41:41 | |
Bit near rush hour. | 0:41:41 | 0:41:43 | |
It's really a thing with you, isn't it, public places? | 0:41:52 | 0:41:54 | |
Well, you know me well enough by now. It's... | 0:41:56 | 0:41:59 | |
I can't help it. It turns me on, it just does. | 0:42:00 | 0:42:03 | |
It's probably... | 0:42:03 | 0:42:04 | |
It's probably genetic. | 0:42:04 | 0:42:05 | |
Christ, do you really think that means something? | 0:42:05 | 0:42:08 | |
That that absolves you of all responsibility, just hard-wiring? | 0:42:08 | 0:42:11 | |
But... | 0:42:14 | 0:42:16 | |
Well... | 0:42:16 | 0:42:17 | |
OK, probably that was a bad choice of words, but... | 0:42:17 | 0:42:20 | |
I'm sorry, this is ridiculous. | 0:42:20 | 0:42:22 | |
At our age. What kind of stupid game are we playing, anyway? | 0:42:22 | 0:42:24 | |
Hey! What? | 0:42:24 | 0:42:26 | |
Wait, wait, wait. | 0:42:26 | 0:42:27 | |
I thought...I thought...I thought you did, too. | 0:42:27 | 0:42:29 | |
No. | 0:42:33 | 0:42:34 | |
It's you, actually. | 0:42:36 | 0:42:37 | |
You turn me on. | 0:42:38 | 0:42:39 | |
It's all right. I know the deal. | 0:42:45 | 0:42:47 | |
I might be stupid, but I'm not blind. Those girls earlier, | 0:42:47 | 0:42:50 | |
I'm sure you'd rather be screwing them, preferably outside, | 0:42:50 | 0:42:52 | |
-but you've got to settle for what's on offer. -Oh, my God! | 0:42:52 | 0:42:55 | |
-Well, look at me! -What? What? | 0:42:55 | 0:42:57 | |
You're gorgeous! | 0:42:59 | 0:43:00 | |
I'm middle-aged and my body looks... | 0:43:01 | 0:43:04 | |
I look like a bloody jelly baby! | 0:43:06 | 0:43:08 | |
Yvonne! | 0:43:09 | 0:43:10 | |
PHONE RINGS | 0:44:00 | 0:44:02 | |
PHONE RINGS | 0:44:27 | 0:44:28 | |
Hello? | 0:44:34 | 0:44:35 | |
Hello? | 0:44:37 | 0:44:38 | |
CALLER HANGS UP | 0:44:38 | 0:44:40 | |
-Adam? -No. It's no-one. | 0:44:41 | 0:44:43 | |
'Gary's friend, Michael, he started base jumping in his forties, | 0:45:01 | 0:45:04 | |
'flinging himself off cliffs. | 0:45:04 | 0:45:06 | |
'At least you don't do that. | 0:45:09 | 0:45:11 | |
'You just ask other people to.' | 0:45:16 | 0:45:18 | |
Von, I'm taking the charger from the kitchen. | 0:45:24 | 0:45:28 | |
That's mine. | 0:45:28 | 0:45:29 | |
You look nice. | 0:45:33 | 0:45:34 | |
Yeah, it's Jonathon's leaving do. | 0:45:34 | 0:45:36 | |
I'll be making your apologies. | 0:45:36 | 0:45:38 | |
Oh, course. That's tonight, is it? | 0:45:38 | 0:45:41 | |
They'll have a charger at the hotel. | 0:45:41 | 0:45:43 | |
Och, I told them not to bother with the hotel, | 0:45:43 | 0:45:46 | |
I'm...I'm kipping at Andy's. | 0:45:46 | 0:45:48 | |
Uh, right, OK. | 0:45:48 | 0:45:49 | |
Well, have a nice night. Love to Jonathon. | 0:45:49 | 0:45:52 | |
See you Friday. | 0:45:52 | 0:45:53 | |
I... | 0:46:24 | 0:46:26 | |
Thank you very much. | 0:46:26 | 0:46:28 | |
Cheers. | 0:46:28 | 0:46:29 | |
Thanks. | 0:46:29 | 0:46:30 | |
I-I was just... | 0:46:30 | 0:46:33 | |
I was just imagining something shorter, that's all. | 0:46:33 | 0:46:37 | |
Well, the rules are tits or legs, | 0:46:37 | 0:46:40 | |
but you can't have both. | 0:46:40 | 0:46:41 | |
(Take your knickers off.) | 0:46:55 | 0:46:56 | |
Who says I'm wearing any? | 0:47:01 | 0:47:02 | |
SHE LAUGHS | 0:47:04 | 0:47:05 | |
Oh, God, I love men. | 0:47:05 | 0:47:07 | |
Of course I am. A dress like this? | 0:47:09 | 0:47:11 | |
So...take... | 0:47:13 | 0:47:15 | |
Take them off now, then. | 0:47:15 | 0:47:17 | |
Come on. I mean, there's got to be something in it for me, | 0:47:18 | 0:47:20 | |
you're going to this party. | 0:47:20 | 0:47:22 | |
We could have had a night in a hotel. | 0:47:29 | 0:47:31 | |
Gary's away. | 0:47:33 | 0:47:34 | |
I know, you can't. | 0:47:36 | 0:47:37 | |
(I love hotels.) | 0:47:41 | 0:47:43 | |
Gary hates them. | 0:47:46 | 0:47:47 | |
(I'm sorry.) | 0:47:50 | 0:47:52 | |
Don't. | 0:47:52 | 0:47:53 | |
So? | 0:47:59 | 0:48:01 | |
HE GRUNTS | 0:48:03 | 0:48:04 | |
I'll take mine... I'll take mine off, too, if you like. | 0:48:10 | 0:48:12 | |
All right. (But you have to put them back on over your trousers.) | 0:48:13 | 0:48:17 | |
(Jesus Christ.) | 0:48:31 | 0:48:32 | |
SHE SIGHS | 0:48:49 | 0:48:50 | |
Don't talk to any strange men. | 0:48:53 | 0:48:55 | |
Well, it's a science faculty, | 0:48:55 | 0:48:57 | |
so it's going to be wall-to-wall strange men... | 0:48:57 | 0:48:59 | |
..and there'll be masses of drink. | 0:49:02 | 0:49:04 | |
OK. | 0:49:04 | 0:49:05 | |
So text me later. | 0:49:05 | 0:49:07 | |
-Even if you're pissed. -Hm. HE LAUGHS | 0:49:14 | 0:49:17 | |
Especially if you're pissed. | 0:49:23 | 0:49:25 | |
Risk assessment. | 0:49:38 | 0:49:39 | |
THEY SNIGGER | 0:49:46 | 0:49:47 | |
THEY LAUGH | 0:49:49 | 0:49:50 | |
-Hey... -It's fine. -How do you know? | 0:49:56 | 0:49:59 | |
Intuition. | 0:49:59 | 0:50:00 | |
By which I mean, of course, a combination of observation... | 0:50:09 | 0:50:13 | |
..knowledge and experience... | 0:50:15 | 0:50:18 | |
..otherwise known as... | 0:50:19 | 0:50:22 | |
gambler's edge. | 0:50:22 | 0:50:23 | |
(Oh, good God.) | 0:50:27 | 0:50:28 | |
HE MOANS I can't. | 0:50:29 | 0:50:31 | |
-Oh, yeah, you can. -I-I really can't. | 0:50:31 | 0:50:33 | |
No, you can. You really can. | 0:50:33 | 0:50:35 | |
SHE PANTS | 0:50:37 | 0:50:38 | |
BELT BUCKLE RATTLES | 0:50:40 | 0:50:41 | |
THEY PANT | 0:50:43 | 0:50:44 | |
HE MOANS | 0:50:48 | 0:50:50 | |
Hey. | 0:51:13 | 0:51:14 | |
Where's the apple tree? | 0:51:16 | 0:51:17 | |
Long gone. | 0:51:21 | 0:51:22 | |
What time is it? | 0:51:26 | 0:51:27 | |
-It's ten past nine. Shit. -Go. Go, go on. | 0:51:29 | 0:51:32 | |
Text me, OK? Send me a picture. | 0:51:32 | 0:51:34 | |
-Hey! -What? | 0:51:39 | 0:51:41 | |
It's a dummy camera. | 0:51:49 | 0:51:51 | |
How do you know? | 0:51:51 | 0:51:52 | |
It's not hooked up to anything. | 0:51:52 | 0:51:54 | |
They just put them up as a deterrent, that's all. Seriously. | 0:51:54 | 0:51:58 | |
It's easy to tell the difference if you know what to look for. | 0:51:58 | 0:52:01 | |
Have fun. | 0:52:01 | 0:52:02 | |
(Oh, my God.) | 0:52:05 | 0:52:07 | |
I'm fucking a spook. | 0:52:07 | 0:52:09 | |
BOMBASTIC MUSIC PLAYS | 0:52:19 | 0:52:20 | |
-Great. Thank you. -God, you look gorgeous. | 0:52:47 | 0:52:49 | |
-Thank you. -Hiya. -George, how are you? | 0:52:49 | 0:52:51 | |
-Good. Cheers. -Cheers. | 0:52:51 | 0:52:52 | |
-Proper champagne. -Mm. | 0:52:54 | 0:52:56 | |
Is Jonathon really paying for all this himself? | 0:52:56 | 0:52:58 | |
Well, maybe he got one of the patrons | 0:52:58 | 0:53:00 | |
to put their hand in their pocket - Peller or someone. | 0:53:00 | 0:53:02 | |
-Doesn't that count as a bribe? -Well, not if he's retiring. | 0:53:02 | 0:53:05 | |
-Jonathon. -Hey, George, hello! | 0:53:05 | 0:53:07 | |
-Good to see you. -Good to see you, too. | 0:53:07 | 0:53:09 | |
-Congratulations. -Thank you so much. | 0:53:09 | 0:53:11 | |
Nice to see you. How are you? | 0:53:11 | 0:53:13 | |
It's exactly like Gary to miss a party. | 0:53:13 | 0:53:16 | |
Well, anyway, he's in Sunderland. | 0:53:16 | 0:53:18 | |
Isn't Sunderland where they have that...? | 0:53:18 | 0:53:20 | |
Yep. Amazing mouse lab - Gary raves about it. | 0:53:20 | 0:53:22 | |
Do send him my love, won't you? | 0:53:23 | 0:53:24 | |
-Haven't seen him for yonks. -Mm. | 0:53:24 | 0:53:26 | |
(You're fucking a spook.) | 0:53:34 | 0:53:36 | |
DOOR OPENS | 0:53:38 | 0:53:39 | |
WOMEN GIGGLE | 0:53:39 | 0:53:40 | |
PHONE ALERT BEEPS | 0:53:42 | 0:53:43 | |
Signs are... | 0:54:05 | 0:54:07 | |
they're about to run out. | 0:54:07 | 0:54:09 | |
Better make hay while the sun shines. | 0:54:09 | 0:54:11 | |
Absolutely. | 0:54:11 | 0:54:12 | |
-Cheers. -Cheers. | 0:54:15 | 0:54:17 | |
PHONE ALERT BEEPS | 0:54:17 | 0:54:18 | |
BOTTLE HITS GROUND | 0:54:27 | 0:54:29 | |
THEY CHATTER AND LAUGH | 0:54:30 | 0:54:31 | |
I've got it. | 0:54:33 | 0:54:35 | |
Oh, dear | 0:54:35 | 0:54:37 | |
I'll look after it. | 0:54:37 | 0:54:38 | |
Oh, I'm for my bed. | 0:54:59 | 0:55:01 | |
Total lightweight these days. | 0:55:01 | 0:55:02 | |
Yeah, me, too. | 0:55:02 | 0:55:04 | |
-Sleep well, babe. -You, too. | 0:55:04 | 0:55:06 | |
-See you on Monday. -Monday! | 0:55:06 | 0:55:08 | |
PHONE ALERT CHIMES | 0:55:08 | 0:55:09 | |
Do you fancy splitting a cab? | 0:55:19 | 0:55:21 | |
Oh, that's a great idea. | 0:55:21 | 0:55:22 | |
You live west, don't you? | 0:55:22 | 0:55:24 | |
I do, I do, I do. | 0:55:24 | 0:55:25 | |
I just left my stuff in my office. Won't take me a sec. | 0:55:25 | 0:55:27 | |
-C'mon, c'mon. -OK. | 0:55:27 | 0:55:29 | |
OK. | 0:55:29 | 0:55:30 | |
Do you know what really winds me up about Gary? | 0:55:40 | 0:55:43 | |
His haircut. I hate his haircut. | 0:55:43 | 0:55:45 | |
He's had the same haircut for 30 years | 0:55:45 | 0:55:48 | |
and I hated it 30 years ago. | 0:55:48 | 0:55:49 | |
Oh, dearie me. | 0:55:49 | 0:55:52 | |
Oh, God, did I say that out loud? I'm really sorry. | 0:55:52 | 0:55:55 | |
It is definitely, definitely time for bed. | 0:55:55 | 0:55:58 | |
Oh, come on, George, don't be silly. | 0:56:06 | 0:56:08 | |
-No, no... -No, no, no... | 0:56:08 | 0:56:10 | |
Does your husband know you're fucking someone else? | 0:56:10 | 0:56:12 | |
What? | 0:56:12 | 0:56:14 | |
Does he? | 0:56:14 | 0:56:15 | |
-No, get off. -Shush, shush, shush. | 0:56:15 | 0:56:17 | |
Get off me! | 0:56:17 | 0:56:19 | |
HE ROARS | 0:56:24 | 0:56:25 | |
Come on! | 0:56:28 | 0:56:30 | |
-RASPS: -Listen to me. | 0:56:31 | 0:56:33 | |
Now, you move, | 0:56:33 | 0:56:34 | |
even a tiny bit, | 0:56:34 | 0:56:36 | |
and I'll hit you again. | 0:56:36 | 0:56:38 | |
Do you understand me? Do you? | 0:56:38 | 0:56:40 | |
Yeah? | 0:56:40 | 0:56:41 | |
Good girl. Fucking good girl. | 0:56:41 | 0:56:43 | |
HE BELLOWS | 0:56:48 | 0:56:50 | |
HE GRUNTS | 0:56:50 | 0:56:52 | |
SHE WHIMPERS | 0:56:52 | 0:56:53 | |
Please! | 0:56:54 | 0:56:55 | |
'Fear... | 0:56:58 | 0:57:01 | |
'that's what makes animals of us all.' | 0:57:01 | 0:57:03 | |
Before I met you... | 0:57:05 | 0:57:07 | |
..I was civilised. | 0:57:09 | 0:57:11 | |
Civilised. | 0:57:13 | 0:57:14 | |
So help me God. | 0:57:17 | 0:57:19 |