
Browse content similar to The Eye of the Storm. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains some violent scenes from the start and some strong language | 0:00:17 | 0:00:24 | |
DISTANT, ECHOING SHOUTING | 0:00:56 | 0:01:00 | |
Where is she now? She cleared off. Now what? | 0:01:24 | 0:01:28 | |
We've got to get on. | 0:01:28 | 0:01:29 | |
DOOR OPENS LOUDLY, LOUD FOOTSTEPS | 0:01:55 | 0:01:58 | |
APPROACHING CAR | 0:02:27 | 0:02:28 | |
MOBILE BEEPS | 0:04:03 | 0:04:04 | |
Hey, Martin. | 0:06:20 | 0:06:21 | |
Hey. | 0:06:21 | 0:06:23 | |
The End Justifies the Means. | 0:07:00 | 0:07:02 | |
Hey. Hey. | 0:09:48 | 0:09:50 | |
CAMERA SHUTTER CLICKS | 0:14:37 | 0:14:39 | |
PHONE DIALLING | 0:14:57 | 0:14:59 | |
MOBILE RINGS | 0:14:59 | 0:15:01 | |
Hello? | 0:15:19 | 0:15:20 | |
COUGHING | 0:15:23 | 0:15:24 | |
DOOR OPENS | 0:17:55 | 0:17:56 | |
COUGHING | 0:19:28 | 0:19:29 | |
Do you know how to play? | 0:20:09 | 0:20:10 | |
Where's Mummy? | 0:20:12 | 0:20:13 | |
How'd it go? Fine. Everything is shut down and | 0:20:53 | 0:20:55 | |
the cooling is now only from the external sources. | 0:20:55 | 0:20:59 | |
And then the day shift will take over, as we planned. | 0:20:59 | 0:21:01 | |
Very good. | 0:21:01 | 0:21:02 | |
There you go. | 0:21:02 | 0:21:04 | |
How long will they be out? | 0:21:04 | 0:21:05 | |
An hour or something. OK. | 0:21:05 | 0:21:08 | |
Good. | 0:21:08 | 0:21:09 | |
Bye. | 0:21:09 | 0:21:10 | |
Hey. Hey. | 0:22:10 | 0:22:12 | |
Gunvald! | 0:25:17 | 0:25:19 | |
How close did you get? 150 metres. | 0:26:02 | 0:26:05 | |
And around it? Nothing. | 0:26:05 | 0:26:07 | |
Nothing? No. | 0:26:08 | 0:26:10 | |
No surveillance? | 0:26:10 | 0:26:12 | |
No, no. And how quickly can we get there? | 0:26:12 | 0:26:14 | |
From the road? Yeah. 20 minutes, I've timed it. | 0:26:14 | 0:26:17 | |
OK. I've tested them. | 0:26:19 | 0:26:21 | |
The sound is fantastic. | 0:26:21 | 0:26:23 | |
Everyone will be able to hear and be heard the whole time. | 0:26:23 | 0:26:25 | |
And here are your weapons. | 0:26:29 | 0:26:33 | |
You really think they'll be necessary? | 0:26:39 | 0:26:41 | |
I mean, the guards in the central security posts will be unarmed. | 0:26:44 | 0:26:47 | |
I sincerely hope we don't need to use them, Pino. | 0:26:50 | 0:26:53 | |
But, uh... | 0:26:53 | 0:26:54 | |
..we can't take any risks. | 0:26:55 | 0:26:57 | |
Are we set? | 0:27:00 | 0:27:01 | |
Yeah. But weren't we going to wait for confirma...? | 0:27:01 | 0:27:04 | |
Yes, we were going to wait for confirmation, | 0:27:04 | 0:27:06 | |
but considering what happened to Melina, | 0:27:06 | 0:27:08 | |
the schedule has been changed for obvious reasons. | 0:27:08 | 0:27:10 | |
Where's Kim? She's asleep, she was up all night. | 0:27:10 | 0:27:12 | |
Could you wake her up, please? | 0:27:12 | 0:27:14 | |
Kim, George wants to speak to you. | 0:28:04 | 0:28:07 | |
OK. What are you doing? | 0:28:10 | 0:28:13 | |
I'm meditating. | 0:28:13 | 0:28:15 | |
I'll be with you in a sec. | 0:28:15 | 0:28:17 | |
OK. | 0:28:20 | 0:28:21 | |
HE SINGS | 0:30:32 | 0:30:36 | |
HE SINGS | 0:30:44 | 0:30:47 | |
Will it be made clear in the film? | 0:30:50 | 0:30:52 | |
That we can set it off by remote control? | 0:30:52 | 0:30:54 | |
I hope so. | 0:30:54 | 0:30:55 | |
And if they don't believe us? | 0:30:55 | 0:30:57 | |
They'll have to believe us. | 0:30:57 | 0:31:00 | |
Besides, we're doing it for their sake as well. | 0:31:01 | 0:31:03 | |
You look very tired. | 0:31:06 | 0:31:07 | |
I couldn't sleep. | 0:31:09 | 0:31:11 | |
How is Tom? | 0:31:16 | 0:31:17 | |
He's fine. | 0:31:20 | 0:31:21 | |
Where is he? | 0:31:23 | 0:31:24 | |
Why can't I see him? | 0:31:25 | 0:31:26 | |
Birgitte, he is just a child. | 0:31:28 | 0:31:30 | |
He must... Kim. | 0:31:30 | 0:31:32 | |
Birgitte, please. | 0:31:32 | 0:31:34 | |
Kim. | 0:31:41 | 0:31:42 | |
I'm sorry. | 0:31:43 | 0:31:45 | |
I... I think it's perfectly vile | 0:31:45 | 0:31:47 | |
that we've had to involve a child in this. | 0:31:47 | 0:31:50 | |
Then why are you doing it? | 0:31:52 | 0:31:54 | |
You haven't given us much choice. | 0:31:55 | 0:31:57 | |
We've been planning this operation for over a year now, | 0:31:58 | 0:32:02 | |
you know that. | 0:32:02 | 0:32:03 | |
We can't pull out now. | 0:32:03 | 0:32:05 | |
And without you it can't be done. | 0:32:06 | 0:32:07 | |
And besides, Kim, we're doing this for Tom, aren't we? | 0:32:13 | 0:32:17 | |
For both his and future generations. Where is he? | 0:32:18 | 0:32:21 | |
He's all right. He's all right?! | 0:32:22 | 0:32:24 | |
Yes, he's all right. We're taking care of him. | 0:32:26 | 0:32:29 | |
You know we wouldn't harm a hair on his head. | 0:32:29 | 0:32:32 | |
As long as I do as you say. | 0:32:32 | 0:32:34 | |
As long as you do what you've been wanting to do for years now! | 0:32:34 | 0:32:38 | |
Come on, Kim, you were one of the most enthusiastic | 0:32:40 | 0:32:42 | |
when I first presented this idea, weren't you? | 0:32:42 | 0:32:45 | |
And then you brought in Tim and Andy, | 0:32:45 | 0:32:47 | |
the most untrustworthy people we have! | 0:32:47 | 0:32:49 | |
You know exactly what happened in the gene bank in Kuala Lumpur. | 0:32:49 | 0:32:53 | |
They went totally bananas! | 0:32:53 | 0:32:55 | |
And everything went wrong and Bernard died. | 0:32:55 | 0:32:57 | |
Yes, I agree, that was unfortunate. | 0:32:57 | 0:33:00 | |
That means you know what my reaction was when you took them on board. | 0:33:00 | 0:33:04 | |
But you still took the job, didn't you? | 0:33:04 | 0:33:06 | |
You went on according to plan, you gave no indication | 0:33:06 | 0:33:09 | |
that you wanted to pull out! It grew steadily. | 0:33:09 | 0:33:13 | |
Well, I'm sorry. It's a bit late for that, unfortunately. | 0:33:15 | 0:33:18 | |
It's his birthday today. | 0:33:31 | 0:33:34 | |
Mama | 0:35:14 | 0:35:16 | |
He can stay an hour. | 0:35:21 | 0:35:23 | |
MOBILE RINGS | 0:36:54 | 0:36:56 | |
What is it? | 0:40:44 | 0:40:46 | |
I think somebody's tailing us. | 0:40:47 | 0:40:49 | |
You sure? | 0:40:50 | 0:40:52 | |
Yeah. | 0:41:00 | 0:41:02 | |
Go right! | 0:41:35 | 0:41:36 | |
Whoa! Slow down! | 0:41:54 | 0:41:55 | |
He's coming up beside us! | 0:42:34 | 0:42:36 | |
I think we lost him | 0:42:52 | 0:42:53 | |
Oh, shit, go, go, go! He's beside us! Go, go, go! | 0:42:58 | 0:43:00 | |
Go back! Turn around, come on! | 0:43:44 | 0:43:46 | |
OK, OK! | 0:44:24 | 0:44:25 | |
Easy! | 0:44:25 | 0:44:28 | |
Hey. | 0:45:17 | 0:45:18 | |
And is he dead? | 0:46:13 | 0:46:15 | |
I think so. | 0:46:15 | 0:46:16 | |
Do we call off the operation? No. | 0:46:16 | 0:46:18 | |
Can we take over Philipe's assignment? | 0:46:24 | 0:46:26 | |
Well, most of it's already prepared, yeah. | 0:46:29 | 0:46:32 | |
I can go in and take the physical part and, uh... | 0:46:33 | 0:46:36 | |
Let's do it. | 0:46:37 | 0:46:38 | |
What about Kim? | 0:46:40 | 0:46:41 | |
That guy on the quay, he must have been tipped off, right? | 0:46:43 | 0:46:46 | |
So what do we do with her? | 0:46:47 | 0:46:48 | |
Well, we need Kim. | 0:46:48 | 0:46:50 | |
And we still have Tom. | 0:46:51 | 0:46:53 | |
I'm going to have to have a chat with her. | 0:46:54 | 0:46:56 | |
So, he... He's going to have a little chat with her. | 0:47:05 | 0:47:08 | |
Sometimes I wonder if he really understands what we're doing here. | 0:47:10 | 0:47:13 | |
She's put the whole operation at risk. | 0:47:14 | 0:47:16 | |
I don't understand why she was brought in to begin with. | 0:47:17 | 0:47:19 | |
She's too soft. She's good, she's taken part in several... | 0:47:21 | 0:47:23 | |
How far is she prepared to go? | 0:47:23 | 0:47:24 | |
If the situation aggravates. | 0:47:26 | 0:47:27 | |
Will she be willing to detonate the explosives? | 0:47:29 | 0:47:31 | |
They're not even supposed to be detonated. | 0:47:31 | 0:47:33 | |
How do you know that? | 0:47:35 | 0:47:36 | |
What if they don't show the film? Yeah, and? | 0:47:38 | 0:47:41 | |
How do you know what's going to happen? | 0:47:42 | 0:47:44 | |
Oh, come on... | 0:47:49 | 0:47:50 | |
We-We're not going to actually do it? | 0:47:52 | 0:47:54 | |
Philipe was shot and killed today. | 0:48:07 | 0:48:08 | |
Melina died in the tunnel. | 0:48:09 | 0:48:11 | |
You are responsible for the deaths of two EJM members. | 0:48:11 | 0:48:15 | |
They were your comrades! | 0:48:15 | 0:48:17 | |
We are involved in a higher cause here, | 0:48:22 | 0:48:24 | |
but not one that involves the spilling of blood. | 0:48:24 | 0:48:27 | |
You have done that! | 0:48:27 | 0:48:29 | |
And we still have Tom. | 0:48:29 | 0:48:31 | |
Who was he? | 0:48:38 | 0:48:39 | |
Who? | 0:48:41 | 0:48:42 | |
The guy who did the shooting. | 0:48:43 | 0:48:45 | |
No idea. | 0:48:46 | 0:48:47 | |
No idea. | 0:48:47 | 0:48:48 | |
No. | 0:48:48 | 0:48:50 | |
Did he die, too? | 0:48:56 | 0:48:58 | |
From now on, Kim, you will be guarded day and night. | 0:49:03 | 0:49:05 | |
DOORBELL | 0:49:22 | 0:49:24 | |
PHONE RINGS | 0:50:56 | 0:50:58 | |
MOBILE RINGS | 0:51:38 | 0:51:40 | |
MOBILE RINGS | 0:53:16 | 0:53:18 | |
DOOR OPENS Hey. | 0:54:44 | 0:54:45 | |
Nuclear energy is a death threat | 0:55:57 | 0:56:00 | |
to all of humanity. | 0:56:00 | 0:56:02 | |
After the film has been shown, we will remove the explosives. | 0:56:04 | 0:56:07 | |
If you do not show the film | 0:56:07 | 0:56:10 | |
we will take out the remaining transformer station, | 0:56:10 | 0:56:14 | |
causing a meltdown at Forsmark within 90 minutes. | 0:56:14 | 0:56:19 | |
We are linked to your channel and will wait exactly 35 minutes. | 0:56:19 | 0:56:24 | |
That's OK? Good. | 0:56:28 | 0:56:30 | |
Let's wrap it up. | 0:56:31 | 0:56:32 | |
Let's do it. | 0:56:32 | 0:56:34 | |
Shit, I forgot something. What? | 0:57:01 | 0:57:03 | |
The camera cable. | 0:57:03 | 0:57:05 | |
Could you hurry, please? Yeah. | 0:57:05 | 0:57:06 | |
DOOR OPENS AND CLOSES | 0:58:32 | 0:58:33 | |
Hey! | 1:00:19 | 1:00:20 | |
OK. | 1:02:14 | 1:02:15 | |
Eyes are out. OK. | 1:04:56 | 1:04:59 | |
On the floor! | 1:05:14 | 1:05:15 | |
On the floor, now! Now, get down! | 1:05:16 | 1:05:19 | |
Now! | 1:05:19 | 1:05:20 | |
On the floor! | 1:05:20 | 1:05:22 | |
We're ready here. OK, we're on our way. | 1:05:46 | 1:05:49 | |
Martin! | 1:06:13 | 1:06:14 | |
MOBILE VIBRATES | 1:06:57 | 1:07:00 | |
ELEVATOR DINGS | 1:08:00 | 1:08:01 | |
The first one is down. | 1:09:24 | 1:09:25 | |
TYRES SCREECH | 1:09:42 | 1:09:43 | |
ALARM WAILS | 1:09:53 | 1:09:55 | |
ALARM WAILS | 1:10:48 | 1:10:50 | |
The fourth generator is down. | 1:11:33 | 1:11:35 | |
HE SHOUTS OUT | 1:11:37 | 1:11:39 | |
The generator has been taken out. | 1:11:41 | 1:11:43 | |
Go ahead and upload the film to the TV station. | 1:11:43 | 1:11:46 | |
'End Justifies Means has just taken out four generators | 1:12:27 | 1:12:31 | |
'at Forsmark nuclear power station. | 1:12:31 | 1:12:34 | |
'The cooling of the reactor is now dependent on | 1:12:34 | 1:12:36 | |
'a singular transformer station.' | 1:12:36 | 1:12:38 | |
We have placed explosives there, as you're about to see. | 1:12:38 | 1:12:41 | |
We demand that you interrupt all programmes | 1:12:43 | 1:12:46 | |
and broadcast this film instead. | 1:12:46 | 1:12:49 | |
We also demand that the appropriate Swedish authorities confirm live | 1:12:49 | 1:12:54 | |
on television the true vulnerability of all nuclear power stations. | 1:12:54 | 1:13:00 | |
What we have done here can be repeated at any nuclear power | 1:13:00 | 1:13:03 | |
station anywhere in the world | 1:13:03 | 1:13:05 | |
by people whose objectives are far different than ours. | 1:13:05 | 1:13:09 | |
Nuclear energy is a death threat to all of humanity. | 1:13:09 | 1:13:14 | |
After the film has been shown, we will remove the explosives. | 1:13:14 | 1:13:19 | |
If the film is not shown, we will detonate the remaining transformer | 1:13:19 | 1:13:23 | |
station, resulting in a meltdown at Forsmark within 90 minutes. | 1:13:23 | 1:13:29 | |
We are linked to your channel and will wait exactly 35 minutes. | 1:13:29 | 1:13:33 | |
MURMURING | 1:13:33 | 1:13:35 | |
Haven't they shown it? | 1:13:55 | 1:13:57 | |
No. Nothing yet. | 1:13:57 | 1:13:59 | |
How long do we wait? | 1:13:59 | 1:14:01 | |
The security units will take 45 minutes to get here. | 1:14:01 | 1:14:03 | |
Yeah, after they sound the alarm. | 1:14:03 | 1:14:05 | |
They will have alerted them the minute the film arrived. | 1:14:05 | 1:14:07 | |
And how long ago was that? | 1:14:07 | 1:14:09 | |
35 minutes. So what do we do if they don't react? | 1:14:09 | 1:14:12 | |
Then we show the world that we're really serious about this. | 1:14:12 | 1:14:15 | |
We blow up the transformer station. That would be a perfect example. | 1:14:15 | 1:14:19 | |
I'm going to go there. | 1:14:19 | 1:14:21 | |
Let me know the minute you've seen the film and then come and | 1:14:23 | 1:14:25 | |
pick us up with the other car. | 1:14:25 | 1:14:27 | |
OK. Take me to the other car. | 1:14:27 | 1:14:29 | |
They haven't shown it yet. I'm on my way. | 1:14:55 | 1:14:58 | |
GUNSHOT | 1:15:27 | 1:15:28 | |
Put your hands on your head. | 1:15:29 | 1:15:32 | |
Now! | 1:15:32 | 1:15:33 | |
'George? George, have they shown the film? | 1:15:33 | 1:15:36 | |
'George!' | 1:15:36 | 1:15:38 | |
George? | 1:15:40 | 1:15:41 | |
Come on, answer me! | 1:15:41 | 1:15:43 | |
Why isn't he answering? | 1:15:45 | 1:15:46 | |
George? | 1:15:47 | 1:15:49 | |
Where's Kim? | 1:15:49 | 1:15:50 | |
Where is Kim? | 1:15:50 | 1:15:52 | |
GUNSHOT Where is Kim? | 1:15:52 | 1:15:55 | |
Has something happened? | 1:15:56 | 1:15:58 | |
HELICOPTER APPROACHING | 1:15:58 | 1:16:00 | |
Well, what the fuck do we do now? | 1:16:16 | 1:16:17 | |
FROM HELICOPTER: 'Attention. The area is secured by the police. | 1:16:17 | 1:16:21 | |
'Lay down on the ground. Keep your hands stretched out.' | 1:16:21 | 1:16:24 | |
We blow it up. | 1:16:37 | 1:16:38 | |
'I repeat, lay down on the ground, | 1:16:40 | 1:16:42 | |
'keep your hands stretched out with your face down.' | 1:16:42 | 1:16:45 | |
OK. | 1:16:50 | 1:16:51 | |
No! Kim! | 1:16:54 | 1:16:56 | |
Kim! | 1:17:04 | 1:17:05 | |
Give me the box. | 1:17:10 | 1:17:11 | |
I won't do it. | 1:17:17 | 1:17:19 | |
Just give me the box. | 1:17:20 | 1:17:22 | |
'Attention. This is the police. Drop your weapons. | 1:17:22 | 1:17:27 | |
'Drop your weapons and lay down on the ground.' | 1:17:27 | 1:17:30 | |
GUNSHOT | 1:17:32 | 1:17:33 | |
BELL TOLLS | 1:20:08 | 1:20:11 | |
I have some sense that there is some kind of malice at work here. | 1:26:46 | 1:26:49 | |
They do not see that the workhouse is for their own safety. | 1:26:49 | 1:26:52 | |
Welcome back, Inspector. | 1:26:52 | 1:26:54 |