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-How can they do this? -Hire your staff and pay them less! | 0:00:02 | 0:00:04 | |
Daniel, you haven't heard? | 0:00:04 | 0:00:06 | |
Henry Pulis is in a coma. He was attacked last night. | 0:00:06 | 0:00:10 | |
'Sylvie. My Sylvie.' | 0:00:10 | 0:00:11 | |
-Are you seeing someone? -None of your business, but I'm not. | 0:00:11 | 0:00:14 | |
Don't lie to me, Sylvie. I'll get proof. | 0:00:14 | 0:00:16 | |
'Police said they have CCTV footage of a woman running away.' | 0:00:16 | 0:00:20 | |
Why was he there? | 0:00:20 | 0:00:21 | |
Last time I was here, there was a woman over there. Do you know her? | 0:00:21 | 0:00:26 | |
This is all my doing. You don't deserve this. | 0:00:26 | 0:00:29 | |
'Just take care of the kids, please.' | 0:00:30 | 0:00:32 | |
I'm a drunk. | 0:00:32 | 0:00:33 | |
Nothing mattered to me more than getting wasted. | 0:00:33 | 0:00:36 | |
Maybe there is a purpose you don't know yet, for you. | 0:00:36 | 0:00:38 | |
Maybe they're right. | 0:00:38 | 0:00:40 | |
You can use what has happened to you to help people. | 0:00:40 | 0:00:43 | |
What kind of city would want me as a mayor? | 0:00:43 | 0:00:46 | |
This programme contains some violent scenes and some strong language. | 0:00:46 | 0:00:53 | |
REPORTERS CLAMOUR | 0:00:53 | 0:00:56 | |
CAMERAS CLICK | 0:00:56 | 0:00:58 | |
They say people get the leader they deserve. | 0:01:03 | 0:01:06 | |
REPORTERS FALL SILENT | 0:01:06 | 0:01:07 | |
Our city picked a drunk for a mayor. Well done. | 0:01:07 | 0:01:10 | |
I'm getting a chance to pay for all the wrongs that I've done. | 0:01:10 | 0:01:13 | |
But right now, I've got to take the kids to school. | 0:01:13 | 0:01:16 | |
REPORTERS CLAMOUR | 0:01:16 | 0:01:18 | |
Come on. | 0:01:18 | 0:01:19 | |
BOTTLE TOP CLINKS | 0:01:26 | 0:01:28 | |
The thing to remember is, they want you to take charge. | 0:01:37 | 0:01:41 | |
So make a gesture. Do something to show them that you're going to lead. | 0:01:41 | 0:01:46 | |
Do it kindly. | 0:01:46 | 0:01:49 | |
-Let's dive straight in. What's first on the list? -Recycling and refuse collection. | 0:02:42 | 0:02:46 | |
And who said politics wasn't sexy any more? | 0:02:46 | 0:02:49 | |
CHUCKLING | 0:02:49 | 0:02:51 | |
There is a broader issue, which is that | 0:02:51 | 0:02:52 | |
the whole city services contracts remain up for renewal, | 0:02:52 | 0:02:55 | |
postponed after Henry Pulis's death. | 0:02:55 | 0:02:57 | |
We've been holding onto the tenders | 0:02:57 | 0:02:59 | |
until the new administration was in place. | 0:02:59 | 0:03:02 | |
We can go through those, but I think we should open it out | 0:03:02 | 0:03:04 | |
-to bring in some more bids. -Maybe not. | 0:03:04 | 0:03:07 | |
We spend millions and millions of pounds of council money... | 0:03:07 | 0:03:11 | |
Oh, I've lost touch already! | 0:03:11 | 0:03:13 | |
Millions of pounds of TAXPAYERS' money. | 0:03:13 | 0:03:16 | |
People like Henry Pulis take a thick slice of profit off the top. | 0:03:16 | 0:03:20 | |
Sorry, but the idea of taking services back into public ownership, | 0:03:20 | 0:03:23 | |
that's the land that time forgot! CHUCKLING | 0:03:23 | 0:03:26 | |
Well, that's not what I'm saying. | 0:03:26 | 0:03:29 | |
So, what are you proposing? | 0:03:29 | 0:03:30 | |
The people who do the work, they own the company, they run it. | 0:03:30 | 0:03:33 | |
There's a word for that - communism. | 0:03:33 | 0:03:35 | |
When I was a kid, it was called the Co-op. | 0:03:35 | 0:03:37 | |
Problem number one - it won't work. | 0:03:37 | 0:03:40 | |
Problem number two - it wasn't in the manifesto. | 0:03:40 | 0:03:44 | |
They didn't vote for who collects the rubbish. | 0:03:44 | 0:03:47 | |
They voted for someone to tell them the truth. So, let's do that. | 0:03:47 | 0:03:50 | |
Let's spell it out, let them decide. | 0:03:50 | 0:03:52 | |
Hello. Is it possible to speak to the mayor, please? | 0:03:58 | 0:04:03 | |
-'Not at the moment.' -Well, can I leave a message? | 0:04:03 | 0:04:06 | |
'Can I take your name? | 0:04:06 | 0:04:07 | |
'No, I don't really want to leave my name.' | 0:04:07 | 0:04:10 | |
Are you ready? | 0:04:15 | 0:04:16 | |
852 employees. Equal shares in the company. | 0:04:22 | 0:04:25 | |
They vote in the management, who stand for re-election every year. | 0:04:25 | 0:04:29 | |
Three objectives. One - provide the city with services. They serve. | 0:04:29 | 0:04:34 | |
Two - take care of employees, who happen to be the shareholders. | 0:04:34 | 0:04:38 | |
Three - any profit goes back into the city. | 0:04:38 | 0:04:41 | |
Radical. | 0:04:41 | 0:04:42 | |
Democratic. | 0:04:42 | 0:04:43 | |
Daniel, please, you don't need to convert me. I'm a believer. | 0:04:43 | 0:04:47 | |
You do see the problem, though, don't you? | 0:04:47 | 0:04:48 | |
-Enlighten me. -It's a world without incentive. | 0:04:48 | 0:04:51 | |
Today, I am my own boss. So how would I like to get up | 0:04:51 | 0:04:54 | |
and clear a shitty, rancid, disease-hole of a drain | 0:04:54 | 0:04:58 | |
-or would I rather just stay in bed? -You have no faith in humanity, Jerry. | 0:04:58 | 0:05:02 | |
Devil's advocate. | 0:05:02 | 0:05:03 | |
It will turn political and it will turn on you. | 0:05:03 | 0:05:06 | |
You sound to me more like the devil's best friend. | 0:05:06 | 0:05:09 | |
It's my job to spot the traps and pitfalls, | 0:05:09 | 0:05:12 | |
name them, shine a big light on them so that you, Mr Mayor, | 0:05:12 | 0:05:17 | |
can step right around them. | 0:05:17 | 0:05:19 | |
Come on, Jerry. Let's shake the tree, see what falls out. | 0:05:19 | 0:05:22 | |
I thought we could go out again tonight and celebrate. | 0:05:39 | 0:05:42 | |
What do you think? | 0:05:42 | 0:05:43 | |
I'm going to go round to Daniel's. | 0:05:45 | 0:05:47 | |
Well, I can come. | 0:05:47 | 0:05:49 | |
It becomes too visible. I just don't think it's... | 0:05:49 | 0:05:52 | |
it's fair to ask people to collude. | 0:05:52 | 0:05:54 | |
How's business? | 0:05:59 | 0:06:01 | |
Daniel seems to think we're the people's republic. | 0:06:01 | 0:06:04 | |
Aren't we? | 0:06:04 | 0:06:06 | |
LAUGHTER | 0:06:10 | 0:06:12 | |
It's two jobs, really - drugs and law. | 0:06:12 | 0:06:15 | |
Daniel, I can't take a job at City Hall. | 0:06:15 | 0:06:18 | |
It says here the mayor has a budget of £82 million. | 0:06:18 | 0:06:23 | |
You get to spend £82 million? | 0:06:23 | 0:06:25 | |
It's not like getting a wallet full of cash and heading down to Gap. | 0:06:25 | 0:06:29 | |
-We're custodians. -Mm-hm. | 0:06:29 | 0:06:31 | |
-Who knows what a custodian is? -I'd head to Zalando. | 0:06:31 | 0:06:34 | |
-That's a lot of shoes. -You're not telling me | 0:06:34 | 0:06:36 | |
you want to stay where you are, practising? | 0:06:36 | 0:06:38 | |
This is what you've always dreamed of. | 0:06:38 | 0:06:40 | |
It's time for me to leave this town. A new life. | 0:06:40 | 0:06:43 | |
What are you talking about? | 0:06:43 | 0:06:45 | |
Luke, does your laptop need to be on the table for every meal we have? | 0:06:45 | 0:06:49 | |
This pasta's fantastic. | 0:06:52 | 0:06:54 | |
It's pasta. It comes in a packet, | 0:06:54 | 0:06:58 | |
I boil it. | 0:06:58 | 0:07:00 | |
Right, I want you all to hear this. | 0:07:02 | 0:07:05 | |
If I can be half the person your mother is, I'll die happy. | 0:07:08 | 0:07:12 | |
When I was doing my best to rip this family apart, she held it together. | 0:07:15 | 0:07:19 | |
While I was running around like a selfish child, | 0:07:19 | 0:07:22 | |
she showed you what a real grown-up behaves like. | 0:07:22 | 0:07:26 | |
Alex, I can never repay you for what you've given me. | 0:07:29 | 0:07:32 | |
I don't care what the whole city thinks of me. | 0:07:33 | 0:07:35 | |
I just want to earn your respect. | 0:07:37 | 0:07:39 | |
Jeez, Dad! Can't we even have dinner without a Disney speech? | 0:07:43 | 0:07:46 | |
-Mum, can you pass us the...? -Yeah, sure. | 0:07:49 | 0:07:53 | |
Why do you want to leave now? We've only just got started. | 0:07:55 | 0:07:58 | |
I'm pregnant. | 0:08:01 | 0:08:02 | |
Well, that's great, isn't it? I had an idea you and Jerry were close. | 0:08:05 | 0:08:09 | |
What's the deal with his marriage? | 0:08:09 | 0:08:11 | |
It'll ruin Jerry if I stay here. | 0:08:11 | 0:08:14 | |
And I won't give up this baby. | 0:08:14 | 0:08:17 | |
He doesn't know? | 0:08:17 | 0:08:18 | |
I don't want to tell him. I know how mad that is. | 0:08:22 | 0:08:25 | |
ROCK MUSIC PLAYS | 0:09:18 | 0:09:21 | |
INCREASES VOLUME | 0:09:30 | 0:09:33 | |
What are you doing? | 0:09:40 | 0:09:42 | |
Is he in there? | 0:09:42 | 0:09:44 | |
Tell him to come out. | 0:09:44 | 0:09:46 | |
There's no-one in there! | 0:09:46 | 0:09:48 | |
I'm getting the locks changed. | 0:09:50 | 0:09:53 | |
Can you not see what you're doing? | 0:09:53 | 0:09:55 | |
Can you not see how you scare Kim and Jeannie? | 0:09:55 | 0:09:58 | |
Get out of my house. | 0:10:00 | 0:10:02 | |
You idiot! | 0:10:03 | 0:10:05 | |
You wonder why I've had enough of you? | 0:10:06 | 0:10:08 | |
This is why I've had enough of you. | 0:10:08 | 0:10:11 | |
It's all right. | 0:10:11 | 0:10:13 | |
I'm sorry. | 0:10:13 | 0:10:15 | |
I just want my family back. | 0:10:17 | 0:10:19 | |
HE SOBS | 0:10:23 | 0:10:24 | |
I just want my family back! | 0:10:28 | 0:10:31 | |
HE SNIVELS Please! Sylvie, please! | 0:10:31 | 0:10:35 | |
Get out! Go! | 0:10:35 | 0:10:38 | |
Get out! Will you get out?! | 0:10:38 | 0:10:41 | |
No! | 0:10:43 | 0:10:44 | |
I don't want to talk to any more junior officers. | 0:10:59 | 0:11:02 | |
I want to speak to the person leading the investigation. | 0:11:02 | 0:11:05 | |
Well, get Detective Griffin to call me, then. | 0:11:08 | 0:11:12 | |
My friend the mayor. | 0:11:13 | 0:11:16 | |
Can we get a coffee? | 0:11:16 | 0:11:18 | |
Dad was a member of these clubs. | 0:11:20 | 0:11:23 | |
I've been looking through his stuff. | 0:11:23 | 0:11:25 | |
Midnight Moves, the Silhouette Bar. | 0:11:25 | 0:11:28 | |
If all he wanted was sex, those clubs have rooms. | 0:11:28 | 0:11:31 | |
So if it was about having a woman, why go to some seedy alleyway? | 0:11:32 | 0:11:38 | |
It makes no sense to say he was with this prostitute. | 0:11:38 | 0:11:40 | |
-Have you told the police this? -I don't want to. | 0:11:40 | 0:11:43 | |
They'll mess it up. It's like they don't want to know. | 0:11:43 | 0:11:46 | |
-Ruth, listen to me... -I don't think she is a prostitute, this woman. | 0:11:50 | 0:11:54 | |
If she was, they would have found her. | 0:11:54 | 0:11:57 | |
-You have to stop this. -I want to go to the alleyway where they found him. | 0:11:57 | 0:12:00 | |
Will you come with me? Tonight? | 0:12:00 | 0:12:03 | |
There's a woman downstairs who wants to see you. She says she knows you. | 0:12:06 | 0:12:10 | |
She won't rearrange for another day. Insists she has to see you now. | 0:12:10 | 0:12:14 | |
What are you doing here? | 0:12:18 | 0:12:20 | |
I was going to come and see you after you got out of the hospital, | 0:12:20 | 0:12:23 | |
but one or two things were happening. | 0:12:23 | 0:12:25 | |
You got yourself elected, so it was impossible. | 0:12:25 | 0:12:28 | |
You saved my life, so now you reckon I owe you. | 0:12:28 | 0:12:30 | |
You've come to petition me about hospital funding. | 0:12:30 | 0:12:33 | |
You're going to pick up a drink, mister. | 0:12:35 | 0:12:37 | |
Not possible. | 0:12:37 | 0:12:38 | |
I've seen you on TV. | 0:12:38 | 0:12:40 | |
You're on top of the world. | 0:12:40 | 0:12:42 | |
I hear the ticking of the clock. | 0:12:42 | 0:12:44 | |
-You've got me worked out? -Yes, I have. | 0:12:45 | 0:12:48 | |
Do you know how far you are from drinking again? | 0:12:48 | 0:12:51 | |
This far. | 0:12:53 | 0:12:55 | |
When the thought of a drink comes - and it WILL come... | 0:12:55 | 0:12:58 | |
call me. | 0:12:58 | 0:13:00 | |
-PULIS: -'You think I'm here with you because I like you? | 0:13:12 | 0:13:16 | |
'Because we're mates? Because you matter one bit to me?' | 0:13:16 | 0:13:19 | |
Danny, you cut this crap! You're beginning to sound like a drunk! | 0:13:19 | 0:13:24 | |
You get your act together. | 0:13:24 | 0:13:27 | |
My act, Henry? | 0:13:27 | 0:13:29 | |
My act is this. | 0:13:29 | 0:13:31 | |
I don't belong in my own skin! | 0:13:31 | 0:13:34 | |
Dad was talking about you that day. | 0:13:53 | 0:13:54 | |
The day he was killed. | 0:13:54 | 0:13:57 | |
He was cursing you. | 0:13:57 | 0:13:58 | |
Saying what an awkward swine you were. | 0:13:58 | 0:14:01 | |
He liked to get his own way. | 0:14:03 | 0:14:05 | |
The police say the girl ran down here. | 0:14:11 | 0:14:13 | |
I just don't believe no-one saw her. It's like no-one's telling the truth. | 0:14:13 | 0:14:18 | |
Hi, there! | 0:14:18 | 0:14:20 | |
There's blood on your shirt. | 0:14:24 | 0:14:26 | |
She's gone. | 0:14:26 | 0:14:28 | |
She ran. | 0:14:28 | 0:14:29 | |
There's blood all over you. | 0:14:29 | 0:14:32 | |
-'There's blood all over you...' -Please don't protect me. | 0:14:32 | 0:14:35 | |
Are you OK? | 0:14:39 | 0:14:41 | |
Hey. | 0:14:52 | 0:14:54 | |
I'm going to take you home. | 0:14:56 | 0:14:58 | |
DISTANT SHOUTING | 0:15:33 | 0:15:36 | |
SIRENS WAILING | 0:15:36 | 0:15:37 | |
Oh, no. | 0:16:14 | 0:16:17 | |
Absolute piece of crap. | 0:16:17 | 0:16:20 | |
I didn't do anything! I don't know anything! | 0:17:47 | 0:17:50 | |
-Do you know who I am? -I don't know anything! | 0:17:50 | 0:17:52 | |
-Well, why did you run when you saw me? -You're police, aren't you? | 0:17:52 | 0:17:55 | |
-You saw me that night. -Who are you? | 0:17:55 | 0:17:57 | |
You can't talk to anyone, understand? | 0:17:57 | 0:18:00 | |
-I must have hit him, did I? -Listen to me, | 0:18:00 | 0:18:03 | |
you didn't do anything, OK? | 0:18:03 | 0:18:04 | |
It's going to be all right, you didn't kill anyone. | 0:18:04 | 0:18:07 | |
-They're saying he's dead. Is he dead? -Not you. -I can't remember! | 0:18:07 | 0:18:10 | |
(I can't remember. | 0:18:11 | 0:18:13 | |
(I can't remember.) | 0:18:15 | 0:18:16 | |
I want you to stay here tonight, OK? I'll come and see you tomorrow. | 0:18:18 | 0:18:22 | |
-Why are you doing this? -I'm the same as you, I'm a drunk. | 0:18:22 | 0:18:25 | |
You stay here, OK? | 0:18:25 | 0:18:27 | |
Have a shower. Can you do that? | 0:18:28 | 0:18:30 | |
Here, pay cash. | 0:18:31 | 0:18:33 | |
OK? | 0:18:34 | 0:18:36 | |
I'll come back. | 0:18:36 | 0:18:38 | |
DOOR OPENS AND CLOSES | 0:19:00 | 0:19:01 | |
Alex? | 0:19:23 | 0:19:24 | |
'I didn't want you to ever know.' | 0:19:27 | 0:19:28 | |
I wanted to give myself up to the police. | 0:19:37 | 0:19:40 | |
That's why I went to see Lucy. | 0:19:40 | 0:19:42 | |
I want to pay. | 0:19:44 | 0:19:46 | |
I'm doing it. | 0:19:48 | 0:19:50 | |
I'm trying. | 0:19:50 | 0:19:52 | |
Everything that's happened is telling me | 0:19:54 | 0:19:56 | |
that I can pay for what I've done. | 0:19:56 | 0:19:58 | |
I know how that sounds. | 0:20:02 | 0:20:04 | |
Alex. | 0:20:06 | 0:20:08 | |
I must have been so gone. | 0:20:08 | 0:20:10 | |
It keeps coming back to me. | 0:20:13 | 0:20:14 | |
What happened. | 0:20:16 | 0:20:17 | |
Me and Henry in that alleyway. | 0:20:19 | 0:20:21 | |
I see it. | 0:20:22 | 0:20:24 | |
What I did to him. | 0:20:24 | 0:20:26 | |
You think I want to hear that? | 0:20:27 | 0:20:29 | |
You think I want to know what happened? | 0:20:31 | 0:20:33 | |
Ever since I woke up that morning... | 0:20:36 | 0:20:38 | |
..I've been thinking. | 0:20:40 | 0:20:42 | |
I've been asking myself, | 0:20:42 | 0:20:44 | |
"Why don't the police come after me? | 0:20:44 | 0:20:46 | |
"Why don't they know I did it?" | 0:20:48 | 0:20:50 | |
What if the kids never have to know? | 0:20:56 | 0:20:58 | |
Don't you ever touch our children again. | 0:20:59 | 0:21:02 | |
Don't you fucking ever go near them! | 0:21:02 | 0:21:04 | |
DONNA: 'I hear the ticking of the clock. | 0:21:33 | 0:21:35 | |
'When the thought of a drink comes - and it WILL come... | 0:21:38 | 0:21:41 | |
'..call me.' | 0:21:42 | 0:21:43 | |
MUFFLED SOUND | 0:21:51 | 0:21:55 | |
MUSIC PLAYING | 0:21:58 | 0:22:01 | |
In a few minutes, you can drink it, if you still want it. | 0:22:01 | 0:22:04 | |
Look at it. | 0:22:06 | 0:22:07 | |
I'm an alcoholic too. I understand your need. | 0:22:08 | 0:22:12 | |
But what happens if you drink that one? | 0:22:14 | 0:22:17 | |
I'll drink another one. | 0:22:17 | 0:22:18 | |
-Then what? -I'd keep going till I get to oblivion. | 0:22:18 | 0:22:23 | |
Then hell. | 0:22:23 | 0:22:24 | |
You know where it takes you and you still want to pick it up. | 0:22:27 | 0:22:31 | |
Is that sane? | 0:22:31 | 0:22:32 | |
No. | 0:22:33 | 0:22:35 | |
No, it's not sane. | 0:22:35 | 0:22:37 | |
You give your life over to King Alcohol. | 0:22:40 | 0:22:45 | |
Every time. | 0:22:45 | 0:22:46 | |
Is that true? | 0:22:49 | 0:22:51 | |
Who is king? | 0:22:52 | 0:22:54 | |
Say it. | 0:22:55 | 0:22:56 | |
The booze is king. | 0:22:58 | 0:23:00 | |
Not king, no. It is God. | 0:23:00 | 0:23:03 | |
You give your life to it. | 0:23:03 | 0:23:05 | |
Say it. | 0:23:05 | 0:23:06 | |
The booze is God. | 0:23:09 | 0:23:11 | |
My wife knows what a vile piece of scum I am. | 0:23:15 | 0:23:18 | |
I can't bear it! | 0:23:21 | 0:23:23 | |
I can't bear being me. | 0:23:24 | 0:23:26 | |
I say you can bear it. I say you are bearing it right now. | 0:23:26 | 0:23:30 | |
Are you bearing it right now? | 0:23:30 | 0:23:32 | |
You hate yourself. We alcoholics all do. | 0:23:37 | 0:23:40 | |
That's why booze is not your problem, it's your solution. | 0:23:40 | 0:23:44 | |
You need it to escape being you. | 0:23:44 | 0:23:46 | |
But that makes you powerless. | 0:23:46 | 0:23:49 | |
So my question for you is... | 0:23:51 | 0:23:54 | |
..are you beat? | 0:23:56 | 0:23:57 | |
Yes. | 0:24:00 | 0:24:01 | |
Are you done? | 0:24:05 | 0:24:07 | |
Don't say it for me. Don't say it for your kids or your wife. | 0:24:07 | 0:24:10 | |
Say it because you know it in your soul. | 0:24:10 | 0:24:14 | |
I am done. | 0:24:15 | 0:24:17 | |
-Tell me. -66. | 0:24:54 | 0:24:57 | |
OK, get it packed. | 0:24:57 | 0:24:59 | |
Morning, Mum. | 0:25:05 | 0:25:07 | |
-Come on. -Morning, Mum. | 0:25:07 | 0:25:11 | |
See you, Mum. | 0:25:16 | 0:25:18 | |
Bye. | 0:25:34 | 0:25:35 | |
Dad? | 0:25:48 | 0:25:51 | |
I know where there are some bottles at home if you want them. | 0:25:51 | 0:25:54 | |
I can get them for you. | 0:25:54 | 0:25:56 | |
It's OK, Charlie. | 0:25:59 | 0:26:01 | |
I don't want to drink today. | 0:26:01 | 0:26:04 | |
The Commissioner made an announcement this morning. | 0:26:43 | 0:26:45 | |
They have forensic evidence from the crime scene. | 0:26:48 | 0:26:50 | |
They're looking for some bloody street drunk called Frank Waters. | 0:26:50 | 0:26:54 | |
-Why now? -What do you mean? | 0:26:54 | 0:26:56 | |
How come they've suddenly got evidence, after weeks of nothing? | 0:26:56 | 0:27:00 | |
How come they name a suspect today? | 0:27:00 | 0:27:02 | |
Daniel, this is good news, isn't it? | 0:27:03 | 0:27:05 | |
A drunk. | 0:27:13 | 0:27:14 | |
That's it. Some drunk killed my father | 0:27:14 | 0:27:16 | |
-because he happened to rob him? -We don't know yet. | 0:27:16 | 0:27:19 | |
-Let's see what they come up with. -Well, they might find him. | 0:27:19 | 0:27:23 | |
They might be right. | 0:27:23 | 0:27:24 | |
It was him. He came into that alleyway and he did it. | 0:27:24 | 0:27:27 | |
But that doesn't say why my father was there. Why does no-one ask that? | 0:27:27 | 0:27:32 | |
It keeps sort of jumping into my mind. | 0:27:36 | 0:27:38 | |
The night it happened, that was the day before | 0:27:38 | 0:27:42 | |
the bids for the contract. | 0:27:42 | 0:27:44 | |
I keep thinking my dad being killed has something to do with that. | 0:27:44 | 0:27:48 | |
We're not giving all the city's money to some corporation. | 0:28:06 | 0:28:10 | |
We're giving it back to the people who live here. | 0:28:10 | 0:28:13 | |
That's government by emotion, Daniel. | 0:28:13 | 0:28:15 | |
It won't cook. When I first spoke to you in the hospital, | 0:28:15 | 0:28:18 | |
you said you didn't want this job. Remember why? | 0:28:18 | 0:28:20 | |
You said you weren't up to it. | 0:28:20 | 0:28:22 | |
Now look at you. You're talking like a conviction politician. | 0:28:22 | 0:28:25 | |
Like only you know best. | 0:28:25 | 0:28:26 | |
You're right. I should slow down, but I can't. | 0:28:26 | 0:28:28 | |
PHONE RINGING | 0:28:28 | 0:28:30 | |
Alex. | 0:28:33 | 0:28:34 | |
I have a choice. | 0:29:07 | 0:29:09 | |
I have to decide. | 0:29:11 | 0:29:14 | |
I know what I should do. I should go to the police and tell them | 0:29:14 | 0:29:17 | |
my husband killed Henry Pulis. | 0:29:17 | 0:29:19 | |
But if I go that way, my whole life is shattered. | 0:29:20 | 0:29:23 | |
I want to know all of it. | 0:29:25 | 0:29:27 | |
I get information for Henry. | 0:29:31 | 0:29:33 | |
Quotes, contract information, | 0:29:34 | 0:29:38 | |
so he could pitch his own offer at the right place. | 0:29:38 | 0:29:41 | |
He paid me. | 0:29:43 | 0:29:44 | |
There's a lot of money to be made in council contracts. Millions. | 0:29:44 | 0:29:49 | |
I told myself, "I deserve this. | 0:29:50 | 0:29:53 | |
"I'm entitled. | 0:29:53 | 0:29:56 | |
"I can get away with this." | 0:29:56 | 0:29:57 | |
I could shut all feeling down with booze, | 0:30:00 | 0:30:02 | |
so it didn't matter. | 0:30:02 | 0:30:05 | |
But then you look at your kids and you think, "Who am I?" | 0:30:05 | 0:30:09 | |
I don't want to tell them it was you. | 0:30:12 | 0:30:15 | |
I don't want you involved. | 0:30:15 | 0:30:18 | |
-It's past that now. There is no other way. -If the police find out, | 0:30:19 | 0:30:23 | |
-you're implicated. -No, we can't let them find out. | 0:30:23 | 0:30:26 | |
TYRES SCREECH | 0:30:26 | 0:30:28 | |
-What? -I get jumpy. | 0:30:31 | 0:30:33 | |
Alex, someone saw me that night. | 0:30:35 | 0:30:38 | |
A street drunk. He saw me running. | 0:30:38 | 0:30:41 | |
But I found him. | 0:30:41 | 0:30:43 | |
I have to talk to him again. Find out what he saw. | 0:30:43 | 0:30:47 | |
I put him in a hotel to buy some time. | 0:30:47 | 0:30:50 | |
PHONE RINGS | 0:31:29 | 0:31:32 | |
Ruth. | 0:31:36 | 0:31:37 | |
-Daniel, it's so obvious. -What is? | 0:31:37 | 0:31:40 | |
There's a club, close to where they found my father. | 0:31:42 | 0:31:46 | |
The Yellow Moon. | 0:31:46 | 0:31:49 | |
TYRES SCREECH | 0:31:51 | 0:31:53 | |
MUSIC POUNDS | 0:32:01 | 0:32:03 | |
Daniel. | 0:32:13 | 0:32:14 | |
Dad didn't come here. | 0:32:16 | 0:32:18 | |
I just thought, because it was nearby... | 0:32:18 | 0:32:21 | |
Ruth, you've got to stop doing this to yourself. | 0:32:21 | 0:32:23 | |
Can we have a drink? | 0:32:23 | 0:32:26 | |
Yeah. Come on. | 0:32:26 | 0:32:28 | |
I could have told you that your dad didn't come here. | 0:32:31 | 0:32:34 | |
I used to come here. | 0:32:36 | 0:32:38 | |
It's where I drank. | 0:32:38 | 0:32:40 | |
So, now you're mayor, Mr Demoys. | 0:32:40 | 0:32:44 | |
Did you find your friend you were looking for? | 0:32:44 | 0:32:47 | |
Yes, I found him. Can we get some drinks? | 0:32:47 | 0:32:50 | |
Ruth? | 0:32:50 | 0:32:52 | |
Gin, please. Just with ice. | 0:32:52 | 0:32:54 | |
Sure. | 0:32:56 | 0:32:57 | |
The "friend"... | 0:32:59 | 0:33:01 | |
Did you see the look on his face? | 0:33:01 | 0:33:04 | |
That was my dealer. | 0:33:04 | 0:33:07 | |
He used to bring coke to my table. | 0:33:07 | 0:33:09 | |
-You were looking for him? -Then, not now. | 0:33:09 | 0:33:11 | |
Not any more. | 0:33:11 | 0:33:12 | |
Do you mind if we get out of this place? | 0:33:14 | 0:33:17 | |
I-I don't like myself being here. | 0:33:17 | 0:33:19 | |
PHONE BEEPS | 0:33:19 | 0:33:20 | |
They've found Waters. | 0:33:25 | 0:33:26 | |
RUTH SOBS | 0:33:54 | 0:33:56 | |
You're Ruth, yeah? You're Ruth Pulis? | 0:34:05 | 0:34:09 | |
Mr Mayor. | 0:34:11 | 0:34:12 | |
Maybe I shouldn't be talking to you. I'm not on this case, | 0:34:12 | 0:34:15 | |
er, officially, but it was me who found him. | 0:34:15 | 0:34:18 | |
It was me who got the tip-off that he was here. | 0:34:20 | 0:34:24 | |
He was drunk, walked right off the bridge. | 0:34:24 | 0:34:27 | |
I'm sorry. | 0:34:27 | 0:34:29 | |
If it helps you, we only work with what we have. | 0:34:29 | 0:34:33 | |
And what we have is a man with a history of violence. | 0:34:33 | 0:34:36 | |
He had cash on him. We have strong forensic evidence. | 0:34:36 | 0:34:40 | |
The suspect is dead, we can't question him. | 0:34:40 | 0:34:43 | |
-His kill fits with this man. -Thank you. | 0:34:43 | 0:34:46 | |
-Detective...? -Bevan. Detective Bevan. | 0:34:46 | 0:34:49 | |
Suspect is dead, we can't question him. | 0:34:49 | 0:34:52 | |
So all we have here is... | 0:34:52 | 0:34:55 | |
..is the evidence. | 0:34:57 | 0:34:59 | |
'It's like they're trying to cover up the killing.' | 0:35:07 | 0:35:10 | |
-No, they ARE covering it up. -I don't understand. | 0:35:10 | 0:35:12 | |
Who would want to do this? Why? | 0:35:12 | 0:35:14 | |
PHONE BEEPS | 0:35:14 | 0:35:15 | |
Waters didn't drink himself to death. | 0:35:17 | 0:35:21 | |
He saw me that night, now he's dead. | 0:35:21 | 0:35:23 | |
They set him up, put Pulis's DNA on him | 0:35:23 | 0:35:26 | |
and then pushed him off a bridge. | 0:35:26 | 0:35:28 | |
They know! | 0:35:28 | 0:35:29 | |
Whoever they are, they know I killed Henry Pulis. | 0:35:29 | 0:35:32 | |
SHE RETCHES | 0:35:35 | 0:35:37 | |
Let's go. | 0:35:42 | 0:35:43 | |
Let's just get in the car and take the kids and go... | 0:35:43 | 0:35:46 | |
Alex. Alex! Stop it, there's nowhere to go. | 0:35:46 | 0:35:49 | |
I still have Pulis's phone. | 0:35:49 | 0:35:52 | |
Alex, listen to me. I need you to get this. | 0:35:54 | 0:35:57 | |
I want you to promise me. Now, we have this. | 0:35:57 | 0:36:00 | |
We keep it. | 0:36:00 | 0:36:02 | |
YOU keep it. | 0:36:02 | 0:36:03 | |
It might reach the point where you go to the police. | 0:36:03 | 0:36:07 | |
If you give me up, then you're in the clear. | 0:36:07 | 0:36:11 | |
That's all that matters. | 0:36:11 | 0:36:12 | |
What's in here is a ticket to Paris, or Prague, or Venice... | 0:36:30 | 0:36:35 | |
'Whatever we want is in here.' | 0:36:35 | 0:36:38 | |
PHONE RINGS | 0:36:46 | 0:36:49 | |
Hello? | 0:36:49 | 0:36:52 | |
It's me. It's Daniel. | 0:36:52 | 0:36:54 | |
'Oh.' | 0:36:54 | 0:36:56 | |
Got my card? | 0:36:56 | 0:36:58 | |
'I didn't know what else to do. | 0:36:58 | 0:36:59 | |
'I called the number you gave me, but it was wrong.' | 0:36:59 | 0:37:02 | |
I was drunk when I gave it you. | 0:37:02 | 0:37:04 | |
-'Are you OK?' -Yeah. | 0:37:04 | 0:37:06 | |
Considering. | 0:37:06 | 0:37:08 | |
I've been so scared, Daniel. | 0:37:11 | 0:37:13 | |
'When can I see you? | 0:37:13 | 0:37:15 | |
-'Can we meet tonight?' -OK. | 0:37:16 | 0:37:19 | |
Call me by my name. | 0:37:20 | 0:37:22 | |
Sylvie. | 0:37:25 | 0:37:26 | |
PHONE RINGS | 0:37:33 | 0:37:35 | |
Daniel Demoys. | 0:37:36 | 0:37:38 | |
'I'm hoping you remember me, Mr Mayor. | 0:37:38 | 0:37:41 | |
'Detective Bevan.' | 0:37:41 | 0:37:42 | |
-You found the vagrant. -'Yeah.' | 0:37:42 | 0:37:45 | |
Yeah. But now there's something bothering me. | 0:37:45 | 0:37:49 | |
I want to come and see you. | 0:37:49 | 0:37:51 | |
'When?' | 0:37:51 | 0:37:52 | |
How about now? | 0:37:53 | 0:37:54 | |
-I have a committee meeting. -If I were you, Mr Mayor, | 0:38:00 | 0:38:03 | |
I'd want to hear what I have to say. | 0:38:03 | 0:38:05 | |
I found him. | 0:38:16 | 0:38:17 | |
I knew I'd find him if I wanted to. | 0:38:19 | 0:38:22 | |
They shut me out of that investigation | 0:38:26 | 0:38:29 | |
because I'm not one of DI Griffin's pets. | 0:38:29 | 0:38:32 | |
They're saying that, er... | 0:38:32 | 0:38:36 | |
he walked off the bridge and he must have been the drunk of all drunks | 0:38:36 | 0:38:40 | |
because he had money on him and it all adds up neat, like maths. | 0:38:40 | 0:38:44 | |
Yeah, I got them. But then I noticed something. | 0:38:44 | 0:38:47 | |
I noticed how smooth it all is, and I'm not used to smooth. | 0:38:52 | 0:38:56 | |
Smooth does not follow me round. | 0:38:56 | 0:38:59 | |
And the way DI Griffin is talking to me, telling me what a good boy I am, | 0:38:59 | 0:39:03 | |
it's just... It's starting to make my skin itch. | 0:39:03 | 0:39:06 | |
Because when everything is so good... | 0:39:06 | 0:39:10 | |
..it has to be bad. | 0:39:12 | 0:39:13 | |
You understand that, Mr Mayor? | 0:39:15 | 0:39:17 | |
So I go back. | 0:39:18 | 0:39:20 | |
And I find a couple of drunks who knew Waters. | 0:39:20 | 0:39:23 | |
'And what they tell me is he disappeared from The Mission Bell | 0:39:23 | 0:39:27 | |
'in the middle of the night with some guy. | 0:39:27 | 0:39:30 | |
'The drunks assumed it was police.' | 0:39:30 | 0:39:34 | |
So I checked. | 0:39:34 | 0:39:36 | |
No police contact with Waters in the days before his death. | 0:39:36 | 0:39:40 | |
Waters is then found and next, | 0:39:42 | 0:39:45 | |
I tell DI Griffin what I've discovered | 0:39:45 | 0:39:47 | |
and he's pleased and he's grateful. | 0:39:47 | 0:39:50 | |
Tells me, "Don't... Ssh! Don't tell anyone." | 0:39:50 | 0:39:54 | |
And he's talking to me like I'm one of his pets. | 0:39:54 | 0:39:57 | |
So what's he done about it? | 0:39:57 | 0:39:59 | |
Do you really think I'd be talking to you here | 0:39:59 | 0:40:02 | |
if he was cracking the whip to chase it down? | 0:40:02 | 0:40:04 | |
And why wouldn't he? | 0:40:04 | 0:40:06 | |
Well, maybe he's so convinced that we got it right | 0:40:06 | 0:40:09 | |
-that what I say just bounces off him. -And you don't think so? | 0:40:09 | 0:40:12 | |
Unlikely. Or maybe he doesn't like the mess. | 0:40:12 | 0:40:15 | |
We've got to tidy. He wants to keep it all...tidy. | 0:40:15 | 0:40:18 | |
You're not buying? | 0:40:18 | 0:40:20 | |
Unlikely. | 0:40:20 | 0:40:21 | |
So it's not conviction and it's not negligence. What does that leave? | 0:40:25 | 0:40:29 | |
Well, let's just call it... | 0:40:29 | 0:40:32 | |
..a mystery. | 0:40:33 | 0:40:34 | |
Oh, another thing. | 0:40:38 | 0:40:40 | |
Griffin was pretty matey with Henry Pulis. | 0:40:40 | 0:40:43 | |
Wouldn't that make him all the more determined to find the right killer? | 0:40:46 | 0:40:49 | |
It would me. | 0:40:49 | 0:40:50 | |
It would you, wouldn't it? | 0:40:52 | 0:40:54 | |
You were pretty friendly with Pulis too, Mr Mayor. | 0:40:57 | 0:41:00 | |
Do you want me to go to the Commissioner, Detective? | 0:41:00 | 0:41:04 | |
One thing that bothers me is that Griffin loves being a cop. | 0:41:04 | 0:41:07 | |
-If he's crooked, then so is Jesus. -Why did you come here? | 0:41:07 | 0:41:12 | |
-What do you want me to do? -Two things - don't mention me, | 0:41:12 | 0:41:14 | |
don't mention the information I've given you. | 0:41:14 | 0:41:17 | |
Find a reason to make smoke for the Commissioner and DI Griffin. | 0:41:17 | 0:41:22 | |
Maybe use Pulis's daughter. She doesn't like the way things are going. | 0:41:22 | 0:41:25 | |
You make a noise here and I'm going to watch them from the inside. | 0:41:25 | 0:41:28 | |
I'm going to dig around. And if they should suddenly find dope | 0:41:28 | 0:41:31 | |
in my locker or child pornography on my computer, | 0:41:31 | 0:41:34 | |
and I'm discredited, | 0:41:34 | 0:41:36 | |
suspended, arrested, I'm going to come to you. | 0:41:36 | 0:41:39 | |
This conversation is my insurance. | 0:41:41 | 0:41:43 | |
Sorry. | 0:41:55 | 0:41:56 | |
OK. Here's what we're looking at. | 0:42:03 | 0:42:06 | |
We've made some informal soundings with the management of Services. | 0:42:06 | 0:42:09 | |
They're going to put together a business plan, | 0:42:09 | 0:42:11 | |
based on the idea of a workers' co-operative. | 0:42:11 | 0:42:13 | |
Now, obviously the biggest problem is getting this organised. | 0:42:13 | 0:42:17 | |
How to go from nothing to a functioning operation. | 0:42:17 | 0:42:19 | |
I don't believe that is the biggest problem, Mr Mayor. | 0:42:19 | 0:42:22 | |
The real danger is the risk. | 0:42:22 | 0:42:24 | |
It's nice to assume that all will go well, | 0:42:24 | 0:42:26 | |
but what happens if they go bust? | 0:42:26 | 0:42:27 | |
Who carries the can? | 0:42:27 | 0:42:29 | |
The taxpayer, just like the old days. | 0:42:29 | 0:42:31 | |
We have to ask ourselves, who are we doing this for? | 0:42:31 | 0:42:33 | |
A few hundred people that sweep the roads, maintain the parks. | 0:42:33 | 0:42:36 | |
Is our obligation to them? | 0:42:36 | 0:42:38 | |
Or is it to the entire population of this city? | 0:42:38 | 0:42:41 | |
Our mission isn't to be charitable. | 0:42:41 | 0:42:43 | |
It's to be smart. | 0:42:43 | 0:42:45 | |
Our purse is empty. Are we willing to raise taxes? | 0:42:45 | 0:42:48 | |
This is a company called Danto Global. Quality for less. | 0:42:55 | 0:42:58 | |
Their costs are lower because they buy big and they have | 0:42:58 | 0:43:02 | |
the systems already in place. They're the experts, basically. | 0:43:02 | 0:43:05 | |
Thank you, Jerry, that gives us two clear alternatives. | 0:43:05 | 0:43:09 | |
Bear in mind I've now spoken to Danto. | 0:43:09 | 0:43:10 | |
If they were to get the contract on a 20-year deal, | 0:43:10 | 0:43:13 | |
they're prepared to come in with some serious investment. | 0:43:13 | 0:43:17 | |
Like the Lexworth School Project, which has been dropped. | 0:43:17 | 0:43:20 | |
Well, the devil certainly has a very powerful advocate. | 0:43:23 | 0:43:26 | |
PHONE RINGS | 0:43:26 | 0:43:29 | |
'What's been nagging at you?' | 0:43:37 | 0:43:39 | |
The night Dad was killed was the night before the bids and tenders | 0:43:43 | 0:43:46 | |
-for the contract renewal. -And why do you think that matters? | 0:43:46 | 0:43:49 | |
I think my father might have... | 0:43:49 | 0:43:51 | |
I don't know how to say this. | 0:43:53 | 0:43:55 | |
I think he corrupted the contract process. | 0:43:56 | 0:44:00 | |
Well, that's a pretty big conclusion to get to. | 0:44:00 | 0:44:03 | |
If he was going to do that, who would be in it with him? | 0:44:03 | 0:44:06 | |
Me. | 0:44:06 | 0:44:07 | |
If he had won a contract, my father was going to sell his business. | 0:44:09 | 0:44:13 | |
It was all done, in place. | 0:44:13 | 0:44:15 | |
He was going to walk away with millions. | 0:44:15 | 0:44:18 | |
Who was he going to sell to? | 0:44:18 | 0:44:21 | |
A company called Danto. | 0:44:21 | 0:44:23 | |
If there was someone on the inside working with him, | 0:44:25 | 0:44:27 | |
how do we find that person? | 0:44:27 | 0:44:30 | |
They'd be in there. | 0:44:33 | 0:44:34 | |
Why are we meeting here, Daniel? | 0:45:13 | 0:45:16 | |
This isn't a dress for a car park. | 0:45:16 | 0:45:19 | |
-Maybe it is. -This is all going to stop now, Sylvie. | 0:45:22 | 0:45:24 | |
We've been waiting all of our lives for this. | 0:45:24 | 0:45:27 | |
This is not love. I was in blackout. | 0:45:27 | 0:45:30 | |
I was in alcoholic blackout when I was with you. | 0:45:30 | 0:45:32 | |
-No. -I don't remember what I said. | 0:45:32 | 0:45:35 | |
-It wasn't me talking to you. -No. | 0:45:35 | 0:45:37 | |
This is not real. | 0:45:37 | 0:45:39 | |
You don't need me. | 0:45:39 | 0:45:41 | |
You have two children. | 0:45:42 | 0:45:44 | |
They need you to grow up. | 0:45:48 | 0:45:50 | |
I want you to know that you're safe. I won't mention your name. | 0:45:52 | 0:45:55 | |
You're safe from me. | 0:45:55 | 0:45:56 | |
You're saying this to protect me. | 0:45:57 | 0:46:00 | |
That's love. | 0:46:00 | 0:46:02 | |
Go home, Sylvie. | 0:46:04 | 0:46:06 | |
Please. | 0:46:06 | 0:46:08 | |
Go home. | 0:46:08 | 0:46:10 | |
VOICES OUTSIDE ROOM | 0:47:05 | 0:47:07 | |
BANGING | 0:47:43 | 0:47:45 | |
RAGGED BREATHING | 0:48:02 | 0:48:06 | |
Ah! | 0:48:33 | 0:48:34 | |
Luke, how do you get past this PR bullshit? | 0:48:45 | 0:48:49 | |
PHONE RINGS | 0:49:01 | 0:49:03 | |
Hi, Ruth. | 0:49:10 | 0:49:12 | |
They took it! | 0:49:12 | 0:49:14 | |
They took it all. | 0:49:14 | 0:49:16 | |
His files, his laptop, everything. | 0:49:16 | 0:49:19 | |
If I may, just to fill you all in quickly. | 0:49:44 | 0:49:47 | |
If this co-operative was to even get off the ground, | 0:49:47 | 0:49:50 | |
then we're needing plant equipment, | 0:49:50 | 0:49:53 | |
machinery, vehicles. They're looking for a start-up loan. | 0:49:53 | 0:49:55 | |
As you said yourself, Daniel, they have nothing. | 0:49:55 | 0:49:57 | |
So I got them speaking to the banks. | 0:49:57 | 0:50:00 | |
Then I spoke with every possible source, | 0:50:00 | 0:50:03 | |
and no-one's prepared to take them on. The numbers are too big. | 0:50:03 | 0:50:06 | |
So the management have now accepted that it's simply not possible. | 0:50:06 | 0:50:10 | |
They've looked at the dangers to themselves, to the operation, | 0:50:10 | 0:50:13 | |
-and they admit it's out of reach. -You've been through all this with them? | 0:50:13 | 0:50:17 | |
I've been trying to get hold of you, Daniel, nail you down on this, | 0:50:17 | 0:50:20 | |
but you're not taking my calls. | 0:50:20 | 0:50:21 | |
Shall I go on? | 0:50:24 | 0:50:26 | |
Yeah, do. | 0:50:26 | 0:50:27 | |
So now it looks like we're back to the original offers. | 0:50:29 | 0:50:31 | |
Plus Danto. | 0:50:31 | 0:50:33 | |
What they are proposing is massive. | 0:50:33 | 0:50:36 | |
It's ambitious. It's way beyond the scope of just providing services. | 0:50:36 | 0:50:40 | |
Not only that, they will guarantee jobs | 0:50:40 | 0:50:42 | |
for everyone currently employed by the city. | 0:50:42 | 0:50:46 | |
Daniel? There's a woman who's called | 0:50:54 | 0:50:57 | |
to speak with you four times today. | 0:50:57 | 0:51:00 | |
Says her name's Roxy. | 0:51:00 | 0:51:01 | |
OK, just leave it with me. | 0:51:01 | 0:51:03 | |
I thought you understood. You said you accepted. | 0:51:06 | 0:51:09 | |
'I do accept. But something happened.' | 0:51:09 | 0:51:13 | |
I had, like, this panic attack. | 0:51:14 | 0:51:15 | |
I couldn't breathe, just kept seeing what happened in my head. | 0:51:15 | 0:51:18 | |
Seeing you in that alleyway. | 0:51:18 | 0:51:20 | |
-Sylvie... -I have protected you. | 0:51:20 | 0:51:22 | |
I haven't told anyone. | 0:51:22 | 0:51:24 | |
No-one. I just need you to help me. | 0:51:24 | 0:51:28 | |
Talk to me. | 0:51:28 | 0:51:30 | |
Well, what can I do? | 0:51:30 | 0:51:32 | |
Meet me. I just need to talk. | 0:51:32 | 0:51:34 | |
I have nightmares. | 0:51:34 | 0:51:37 | |
You're the only person I can talk to about this. | 0:51:37 | 0:51:39 | |
OK. | 0:51:39 | 0:51:40 | |
OK, Sylvie. | 0:51:40 | 0:51:43 | |
Is that yours or mine? | 0:52:05 | 0:52:07 | |
Just take whatever ones you want. | 0:52:07 | 0:52:09 | |
I'm clearing my stuff out of the way. Clean break. | 0:52:09 | 0:52:13 | |
And I appreciate it. | 0:52:13 | 0:52:16 | |
Is it OK to use the toilet? | 0:52:16 | 0:52:18 | |
BEEPING | 0:52:48 | 0:52:49 | |
'GPS activated.' | 0:52:49 | 0:52:51 | |
Is this mine? | 0:52:56 | 0:52:58 | |
Ask before you start snooping around in my room. | 0:52:58 | 0:53:01 | |
I miss it. | 0:53:02 | 0:53:04 | |
I'd just like to take you all through this new tendering document for the city. | 0:53:36 | 0:53:40 | |
-If we start by looking at finance... -Jerry. | 0:53:40 | 0:53:43 | |
The problem we have in setting up the co-operative | 0:53:44 | 0:53:46 | |
is being able to afford the plant equipment. | 0:53:46 | 0:53:49 | |
In other words, the problem is money. | 0:53:49 | 0:53:51 | |
The banks won't lend it. | 0:53:51 | 0:53:53 | |
But what if we don't need it? | 0:53:53 | 0:53:56 | |
If I may? | 0:53:57 | 0:53:58 | |
Ruth Pulis knows that this city has been good to her father. | 0:53:58 | 0:54:03 | |
And she wants to do something in return. | 0:54:03 | 0:54:05 | |
She'd tell you herself, | 0:54:05 | 0:54:07 | |
but she has difficulty speaking at the moment. | 0:54:07 | 0:54:10 | |
She was attacked in her own home. | 0:54:10 | 0:54:11 | |
Ruth is proposing that the new co-operative | 0:54:11 | 0:54:14 | |
takes on the existing plant from her father's company, | 0:54:14 | 0:54:18 | |
and a repayment package be arranged over ten years. | 0:54:18 | 0:54:22 | |
How does that sound? | 0:54:22 | 0:54:23 | |
Anyone want salt? | 0:54:32 | 0:54:34 | |
GENERAL CHATTER | 0:54:34 | 0:54:36 | |
PHONE BEEPS | 0:54:51 | 0:54:54 | |
I can see it sometimes. | 0:56:35 | 0:56:37 | |
When I'm on my own. | 0:56:40 | 0:56:43 | |
I see that man on the ground in the rain. | 0:56:43 | 0:56:46 | |
I can't get it out of my head. | 0:56:52 | 0:56:55 | |
'I just want to see you sometimes.' | 0:57:21 | 0:57:24 | |
Be with you. | 0:57:24 | 0:57:27 | |
So I don't feel like I'm on my own with this. | 0:57:27 | 0:57:32 | |
Hold me, please. | 0:57:44 | 0:57:45 | |
I just want to be held. | 0:57:45 | 0:57:47 | |
Police! | 0:58:17 | 0:58:19 | |
Why do I get the feeling I'm lost? | 0:58:39 | 0:58:41 | |
Because you are. | 0:58:41 | 0:58:43 | |
What does that mean? | 0:58:43 | 0:58:45 | |
What you do, Mr Mayor, is what you're told to do. | 0:58:45 | 0:58:48 | |
Secrets will kill you, Daniel. | 0:58:48 | 0:58:50 | |
Who's covering this up? Is it Griffin? | 0:58:50 | 0:58:54 | |
If anything happens to my daughter, | 0:58:54 | 0:58:55 | |
the last thing I'll do on this earth is come after you! | 0:58:55 | 0:58:58 | |
Subtitles by Red Bee Media Ltd | 0:59:12 | 0:59:15 |