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Children of the night? Hi. How do you like working midnight to eight? We don't. | 0:01:19 | 0:01:26 | |
Not if we get mugged twice tonight. I know what you mean. | 0:01:26 | 0:01:29 | |
Two kids found the body a half hour ago. Samuels has come from Brooklyn? | 0:01:29 | 0:01:35 | |
You don't enter a crime scene! | 0:01:35 | 0:01:38 | |
Negative. He was sleeping at the station when we caught this one. | 0:01:38 | 0:01:43 | |
Don't ask me why. | 0:01:43 | 0:01:45 | |
Strangled. | 0:01:45 | 0:01:48 | |
I'd say in her early 20s. We got a lot of work to do. Start with those two space cadets who found the body. | 0:01:48 | 0:01:56 | |
Opal and Hilary Durrell? You're detectives? Which one is Opal? | 0:01:56 | 0:02:01 | |
I'm Opal. I'm not. We found her. It was gross. Totally. | 0:02:01 | 0:02:08 | |
Are you two in a play? | 0:02:08 | 0:02:11 | |
No. Costume party? For the Rocky Horror Picture Show, celebrating my 47th time. | 0:02:11 | 0:02:18 | |
It's a movie. They run it at midnight on weekends. All the kids dress up. It's really something. | 0:02:18 | 0:02:25 | |
I bet. Does your mother know you're out this late? No, she works nights, but if she found out... | 0:02:25 | 0:02:32 | |
She'll know if we don't get the last train to Larchmont. You'll miss it. I've got to ask you some questions. | 0:02:32 | 0:02:39 | |
You wanna come with me? Over here! | 0:02:39 | 0:02:43 | |
Give me your mother's number. I'll explain. 555... | 0:02:43 | 0:02:47 | |
Some time tonight, OK? ..914? Mm-hm. OK. | 0:02:47 | 0:02:51 | |
How long does it take to get a phone number? I'm sorry, sir. | 0:02:54 | 0:02:59 | |
We can rule our robbery - she had money in her purse. From round here? No. Roseanne Fiello, 24, | 0:02:59 | 0:03:06 | |
Bay Ridge, Brooklyn. Lived with her parents. Anybody notify them? | 0:03:06 | 0:03:12 | |
Yeah. I sent La Guardia to pick up her boyfriend. Get Isbecki. He's off. Get him in! | 0:03:12 | 0:03:18 | |
We're staying on this until we get something. | 0:03:18 | 0:03:22 | |
Denise Callan, Patricia Molloy and now Roseanne Fiello. Isbecki, am I keeping you awake? | 0:03:26 | 0:03:33 | |
No. Those are the homicides I worked on last week. And? Denise Callan, Riverdale housewife, | 0:03:33 | 0:03:41 | |
Patricia Molloy, Greenwich Village student. Now you got Roseanne Fiello. Brooklyn secretary. | 0:03:41 | 0:03:47 | |
We were gonna get married three weeks from tomorrow. | 0:03:52 | 0:03:57 | |
Do you know what she was doing in the city last night? She said she had some shopping to do. | 0:03:57 | 0:04:04 | |
Later on, I was gonna meet her, have some coffee. | 0:04:04 | 0:04:08 | |
Where were you last evening, Mr Romano? I was painting. | 0:04:08 | 0:04:12 | |
I was painting what was gonna be our new apartment. | 0:04:12 | 0:04:17 | |
We had a fight about the colour of the bedroom. When you say fight... | 0:04:17 | 0:04:23 | |
No, no, no, I mean argue, you know? | 0:04:23 | 0:04:26 | |
We always argued. It never meant nothing. | 0:04:26 | 0:04:31 | |
The most serious argument we had was about the ring. What ring? The engagement ring. | 0:04:31 | 0:04:38 | |
I've been laid off for five months. | 0:04:40 | 0:04:42 | |
But Roseanne... | 0:04:42 | 0:04:45 | |
She went and bought it anyway. | 0:04:45 | 0:04:48 | |
She said she was gonna do some more freelance typing to pay for it. | 0:04:49 | 0:04:55 | |
Can I go? | 0:04:58 | 0:05:01 | |
I should be with her father. | 0:05:04 | 0:05:06 | |
I should help... bring her to the funeral home. | 0:05:08 | 0:05:12 | |
Alone painting? He had paint under his fingernails, Chris. | 0:05:20 | 0:05:25 | |
Well, we'll check it out. | 0:05:25 | 0:05:28 | |
Wait! One question at a time. While there are similarities in the three murders, | 0:05:28 | 0:05:34 | |
many things are dissimilar. No connection between the victims? There's no evidence to suggest | 0:05:34 | 0:05:41 | |
we should look for one strangler. When will this air? On the 6 and 11. Over here, guys. | 0:05:41 | 0:05:48 | |
Excellent, just excellent. Authority, sincerity, concern. You project all those images. | 0:05:49 | 0:05:56 | |
That's showbiz. Lieutenant, are unrelated murders like this common? | 0:05:56 | 0:06:01 | |
I'm not sure they are unrelated. | 0:06:01 | 0:06:04 | |
So the city has a strangler on the loose? I think so. You disagree with Inspector Marquette? | 0:06:04 | 0:06:11 | |
I think we've a strangler out there. | 0:06:11 | 0:06:14 | |
May I talk to you in the office? | 0:06:15 | 0:06:17 | |
I can't believe he said that. Neither can Inspector Marquette. | 0:06:25 | 0:06:30 | |
I can just see the headlines in the papers. | 0:06:30 | 0:06:33 | |
"Strangler on streets" or "Lieutenant demoted to directing traffic"? Quiet! | 0:06:33 | 0:06:39 | |
We all put our foot in it sometimes. | 0:06:39 | 0:06:43 | |
No. When an experienced cop does that, the pressure is getting to him. | 0:06:43 | 0:06:48 | |
Until this case is resolved, you're all off the chart. You don't really think there's a strangler? | 0:06:49 | 0:06:57 | |
I don't need any smart mouth from you! The DA's... Focus on this case! Cagney and Lacey, you're on days. | 0:06:57 | 0:07:04 | |
Starting tomorrow? Now! Yes, sir. Petrie, Isbecki - Callan and Molloy. | 0:07:04 | 0:07:10 | |
Cagney and Lacey - Roseanne Fiello. Inventory of her personal effects. | 0:07:10 | 0:07:15 | |
What did the boyfriend say? He was painting. $120 cheque for Mary Ellen Stewart from Pierre's Restaurant. | 0:07:15 | 0:07:22 | |
Roseanne's parents said Roseanne worked for Stewart part-time. | 0:07:22 | 0:07:28 | |
The boyfriend said something about freelance typing. Check it out. Come on, let's get on it! Now! | 0:07:28 | 0:07:36 | |
There's no address on this cheque. Ever heard of Pierre's Restaurant? | 0:07:42 | 0:07:47 | |
I haven't been out to dinner in 18 months! What time is it? 8.33. | 0:07:47 | 0:07:52 | |
Do we have to do this today? | 0:07:52 | 0:07:55 | |
Think of the overtime. I'll be with you in one minute. | 0:07:55 | 0:08:00 | |
Hello? Hey, Harv. Where are you? Michael, that's enough butter. | 0:08:00 | 0:08:05 | |
You're missing waffles. 'We're stuck here with a homicide. I'll be home for supper.' | 0:08:05 | 0:08:11 | |
Mrs Barbero wanted to pick Harv Junior up early. 'They left ten minutes ago. When will you sleep?' | 0:08:11 | 0:08:19 | |
Samuels breakin' chops there, huh? Very much so. I gotta go. There's chicken in the freezer. | 0:08:19 | 0:08:26 | |
I love you. I'll take it out. Later. Ready! | 0:08:26 | 0:08:31 | |
There isn't any Pierre's Restaurant. I know I've heard of it. Fancy French place on 53rd off Madison. | 0:08:31 | 0:08:39 | |
Pierre's is a hole in the wall joint off Lexington and 28th. | 0:08:39 | 0:08:44 | |
I read about it in New York Magazine. It's on Central Park South. | 0:08:44 | 0:08:49 | |
Great. Thanks, guys. | 0:08:49 | 0:08:51 | |
I'll call the bank. | 0:08:51 | 0:08:54 | |
Do you wanna find a phone...? | 0:09:16 | 0:09:19 | |
Hey, you wanna watch where you're going! Sorry, but it helps to look where YOU'RE going! | 0:09:19 | 0:09:26 | |
You know this building? I'm in and out all day long. A&K Messenger Service. | 0:09:26 | 0:09:32 | |
You know Pierre's Restaurant? Take that elevator to the 12th floor. | 0:09:32 | 0:09:38 | |
Hang a left, it's 12-14. Are you looking for a job? We just wanna find the place. Thank you. | 0:09:38 | 0:09:45 | |
12th, please. | 0:09:50 | 0:09:53 | |
Well, this has got to be the wrong place. I knew the kid was a flake. | 0:09:59 | 0:10:04 | |
Excuse me. | 0:10:04 | 0:10:06 | |
Just wait right there, OK? Yeah. | 0:10:06 | 0:10:09 | |
This is just an answering service. Yeah. | 0:10:09 | 0:10:13 | |
I know you wanted to stay, but there'll be other jobs. I know you do good work. | 0:10:13 | 0:10:20 | |
Yeah. These things happen. | 0:10:20 | 0:10:22 | |
How's your daughter's leg? | 0:10:22 | 0:10:25 | |
You are a dirty boy! | 0:10:25 | 0:10:28 | |
Yes, you are. Yeah. | 0:10:28 | 0:10:30 | |
Just relaxing in your bedroom? | 0:10:30 | 0:10:33 | |
Yeah. | 0:10:33 | 0:10:35 | |
What are you wearing? | 0:10:35 | 0:10:37 | |
Are you comfortable? | 0:10:39 | 0:10:41 | |
Sounds nice. | 0:10:43 | 0:10:46 | |
Yeah. | 0:10:46 | 0:10:48 | |
Come on. I know we'd be terrific together. | 0:10:48 | 0:10:53 | |
Sounds like we like the same things. | 0:10:56 | 0:10:59 | |
Satin sheets. | 0:10:59 | 0:11:01 | |
I like that, too. | 0:11:01 | 0:11:04 | |
I can't believe you! What is going on? These girls are probably talking to their husbands and boyfriends. | 0:11:04 | 0:11:11 | |
Don't you talk to Harvey this way? | 0:11:11 | 0:11:14 | |
Yeah. | 0:11:15 | 0:11:17 | |
LAUGHS LOUDLY | 0:11:19 | 0:11:21 | |
You'd like to do what? I don't believe it. | 0:11:23 | 0:11:27 | |
Chris, you don't wanna go over there. Why not? She is talking about things even I've never heard of. | 0:11:27 | 0:11:35 | |
I may ask... Look, kids. Christine! I'm really jammed. Have you worked for an erotic hotline before? | 0:11:35 | 0:11:42 | |
Why call it Pierre's Restaurant? | 0:11:53 | 0:11:56 | |
Credit cards. So? You're single, Isbecki. | 0:11:56 | 0:12:00 | |
If you charged a call to the hotline and you were married and your wife opened your mail... She'd kill you. | 0:12:00 | 0:12:07 | |
Yeah. What about Mary Ellen Stewart? They didn't know her, but we have some checking to do. | 0:12:07 | 0:12:15 | |
They have branch offices - Affairs By Phone and Sheila's Loveline. | 0:12:15 | 0:12:20 | |
We're looking into those now. You had a shot to make a collar. Vice tells us the whole thing is legal. | 0:12:20 | 0:12:28 | |
I only care about these homicides. | 0:12:28 | 0:12:31 | |
Denise Callan. From four to six on the day she was killed, she had a baby-sitter. | 0:12:31 | 0:12:37 | |
She had the same baby-sitter four times that week. She gave her a number? | 0:12:37 | 0:12:43 | |
Couldn't be reached by phone. Sounds like she has something on the side. | 0:12:43 | 0:12:49 | |
Everything sounds that way to you. | 0:12:49 | 0:12:52 | |
Well, find him or her or whoever. | 0:12:52 | 0:12:55 | |
What about Patricia Molloy? Until last week, she was studying Business Administration at NYU. | 0:12:55 | 0:13:02 | |
She lived with a room-mate on St Mark's Place. And her movements? | 0:13:02 | 0:13:07 | |
From four to six, she didn't show up for her exercise class. I checked. She dropped out six months ago. | 0:13:07 | 0:13:15 | |
Did her room-mate know that? No, she'd show up every day at 6.15 saying how terrific her work-out was. | 0:13:15 | 0:13:23 | |
Good. Now we're getting someplace. | 0:13:23 | 0:13:26 | |
(Four to six, you and him...) A two-hour block of unaccounted for time. Next! | 0:13:26 | 0:13:32 | |
Where's the boyfriend? Funeral home in Brooklyn. Ride out there. | 0:13:32 | 0:13:37 | |
See what he knows about Mary Ellen Stewart. Get back here with some answers! | 0:13:37 | 0:13:43 | |
I don't wanna bother those people. I'll handle it. | 0:13:45 | 0:13:49 | |
Have you two got a problem? | 0:13:57 | 0:13:59 | |
We don't feel that going to the funeral home would be useful. We talked to the boyfriend. | 0:13:59 | 0:14:06 | |
You don't wanna disturb him at the funeral home? Is that it? | 0:14:07 | 0:14:12 | |
Partly. It's just not right to invade these people's lives. | 0:14:12 | 0:14:17 | |
This is a murder investigation. We got a strangler on our hands! | 0:14:17 | 0:14:23 | |
A strangler, OK... Oh, I see. You don't think there IS a strangler out there! | 0:14:23 | 0:14:29 | |
We know you're under pressure. I'm doing my job and you two are not doing yours! | 0:14:29 | 0:14:35 | |
A trail of a homicide investigation gets cold within 48 hours. | 0:14:35 | 0:14:40 | |
If you haven't got what it takes... Wait a minute. We didn't say that. I'm saying it! | 0:14:40 | 0:14:47 | |
OK. | 0:14:47 | 0:14:49 | |
Fine. You go to work with Petrie and Isbecki. I'll question the boy for myself. | 0:14:49 | 0:14:56 | |
Good. Nice work. | 0:14:56 | 0:14:58 | |
My feet are killing me. I don't wanna type up this stuff tonight. We hit one dead end after another. | 0:15:01 | 0:15:09 | |
I wanna give Samuels something. I'll tell you what I'd like to give him! | 0:15:09 | 0:15:14 | |
Come on. | 0:15:17 | 0:15:20 | |
Working late, aren't you? You, too. Yeah. | 0:15:28 | 0:15:33 | |
Don't you wanna know what happened at the funeral home? | 0:15:35 | 0:15:40 | |
I made a jackass of myself. | 0:15:45 | 0:15:48 | |
The boyfriend and the whole family sick with grief | 0:15:50 | 0:15:55 | |
and I show up and I... | 0:15:55 | 0:15:58 | |
bully them. | 0:15:58 | 0:16:00 | |
It's a tough situation to walk into. | 0:16:00 | 0:16:03 | |
After I was through, they stared at me like I was the scum of the earth. | 0:16:04 | 0:16:10 | |
When I was a kid, I... | 0:16:13 | 0:16:16 | |
I saw a friend of my father's get his face bloodied by a detective. | 0:16:16 | 0:16:21 | |
It was over nothing. | 0:16:22 | 0:16:24 | |
That cop was a fat slob who wasn't fit to be a human being, let alone a detective. | 0:16:24 | 0:16:30 | |
That's me. | 0:16:40 | 0:16:43 | |
That's me when I got my shield. | 0:16:44 | 0:16:47 | |
I promised that, no matter what, I would never do anything like that. | 0:16:48 | 0:16:53 | |
This thing with Inspector Marquette, it's bothering you, huh? | 0:16:57 | 0:17:02 | |
When I was a Lieutenant, he was still a uniformed sergeant in Harlem. | 0:17:02 | 0:17:08 | |
Now he's a Deputy Inspector and I'm still a Lieutenant. | 0:17:09 | 0:17:13 | |
Yeah, that's part of it. | 0:17:13 | 0:17:16 | |
Maybe you need a rest, some peace and quiet. A week or two at home would do you the world of good. | 0:17:16 | 0:17:24 | |
What'll I do there? Things with Thelma aren't so good. | 0:17:24 | 0:17:29 | |
Don't worry. I won't pull a number like that Captain from the 1-6. | 0:17:29 | 0:17:34 | |
Captain Casanova Reznikov? | 0:17:35 | 0:17:38 | |
That's the one, yeah. | 0:17:39 | 0:17:42 | |
Came in one day and said, "I quit." | 0:17:42 | 0:17:44 | |
Left his wife and kids and ran off to Arizona with a manicurist. | 0:17:44 | 0:17:50 | |
I hate the desert. | 0:17:54 | 0:17:57 | |
And I don't know any manicurists. | 0:17:59 | 0:18:02 | |
Go on home. | 0:18:08 | 0:18:10 | |
What about you? Go on, I'm fine. | 0:18:10 | 0:18:15 | |
Good night, sir. Good night. Good night. | 0:18:15 | 0:18:18 | |
ALARM BUZZES | 0:18:24 | 0:18:27 | |
Good morning. | 0:18:37 | 0:18:42 | |
PHONE RINGS | 0:18:44 | 0:18:47 | |
Hello? | 0:18:55 | 0:18:57 | |
Chris. | 0:18:58 | 0:19:00 | |
Mary Beth? 'Yeah.' I got a call from Isbecki this morning. 'How wonderful for you(!)' | 0:19:00 | 0:19:07 | |
He's got something about Roseanne and Samuels wants us in. What did he get? He'll tell us when we get in. | 0:19:07 | 0:19:14 | |
'I could kill him.' I'm on my way. Bye-bye. 'Bye.' | 0:19:14 | 0:19:19 | |
Oh, honey! They want me in early. | 0:19:21 | 0:19:25 | |
They're gonna have to wait. | 0:19:28 | 0:19:31 | |
'This is for you on the Patricia Molloy file.' | 0:19:34 | 0:19:38 | |
Christine, I want you to follow this through. What have you got here? | 0:19:38 | 0:19:43 | |
Lacey, where have you been? I asked for everybody to be here early. Sorry, sir. I hope it was worth it. | 0:19:43 | 0:19:51 | |
Hold on. It's Marquette's PIO guy - Daniels. Yeah? | 0:19:51 | 0:19:56 | |
When can you make a statement saying you changed your mind about the strangler? Tell him to go to hell! | 0:19:56 | 0:20:04 | |
Four o'clock will be fine. He'll see you then... I had to say something. | 0:20:04 | 0:20:09 | |
By four o'clock you could be out on an emergency. | 0:20:09 | 0:20:13 | |
Denise's mother-in-law thought Denise was cheating on her son, hired a private detective. | 0:20:13 | 0:20:19 | |
Petrie's looking for him. Isbecki's been doing good work. Really(?) | 0:20:19 | 0:20:25 | |
Roseanne's engagement ring is worth over three grand. She bought it last month for cash. | 0:20:25 | 0:20:32 | |
That's a hunk of change! We checked her bank statements. | 0:20:32 | 0:20:36 | |
Roseanne Fiello's depositing Mary Ellen Stewart's cheques from Pierre's Restaurant in her account every week, | 0:20:36 | 0:20:44 | |
once a week for nine months. | 0:20:44 | 0:20:47 | |
Total? That's 9,000 dollars. | 0:20:48 | 0:20:50 | |
You know this woman? Yeah. Name? Mary Ellen Stewart. Are you sure? | 0:20:50 | 0:20:56 | |
Positive. Her real name was Roseanne Fiello. We don't use our real names here. | 0:20:56 | 0:21:03 | |
I'm losing patience! Roseanne was murdered. She was getting married. | 0:21:03 | 0:21:08 | |
I didn't know it was her. I don't ask the girls their real names. What else don't you know about her? | 0:21:08 | 0:21:16 | |
Got a file on her or something? Yeah. Get it. Ladies, gather round. | 0:21:16 | 0:21:22 | |
14th Squad, Detective Petrie? | 0:21:22 | 0:21:25 | |
We're at the hotline place. Mary Ellen Stewart and Roseanne Fiello are the same person. | 0:21:25 | 0:21:40 | |
That's two of 'em? Three. Isbecki went to Patricia's exercise class. | 0:21:40 | 0:21:45 | |
She told one of her friends she got a job that paid big bucks talking to pathetic guys on the telephone. | 0:21:45 | 0:21:53 | |
Tell Samuels we'll be back there as soon as we can. | 0:21:53 | 0:21:58 | |
Hang on a minute. | 0:22:00 | 0:22:03 | |
All three victims worked for these hotlines. Then Samuels hit it right. We are looking for a strangler. Yes. | 0:22:04 | 0:22:11 | |
Inspector Marquette, what sort of person are you looking for? | 0:22:14 | 0:22:19 | |
An individual with sexual problems. | 0:22:19 | 0:22:22 | |
Did your opposing views early on create any friction? | 0:22:22 | 0:22:27 | |
No. Lieutenant Samuels was right, but we're concerned about apprehending the strangler, not who's right. | 0:22:27 | 0:22:35 | |
Do you have any suspects? No, we don't. But we will have soon. | 0:22:35 | 0:22:41 | |
You're right about one thing. The Lieutenant did call the shot. | 0:22:41 | 0:22:46 | |
Instinct. Samuels got it. All the great detectives have it. | 0:22:46 | 0:22:51 | |
I got it. | 0:22:51 | 0:22:53 | |
Thank you. You're welcome. Come with me. | 0:22:53 | 0:22:58 | |
What's the matter? In the middle of all this, I'm thinking about Roseanne Fiello. | 0:23:05 | 0:23:12 | |
She had a choice, Mary Beth. | 0:23:12 | 0:23:15 | |
She paid a very high price. | 0:23:15 | 0:23:18 | |
Detectives Cagney and Lacey, right? | 0:23:20 | 0:23:23 | |
I know you're involved in this investigation. I'd like to ask you a favour. If something should break, | 0:23:23 | 0:23:30 | |
I'd appreciate it if you'd call me first. Mr...? Daniels. Peter. | 0:23:30 | 0:23:35 | |
Mr Daniels, that man in there is our Lieutenant. | 0:23:35 | 0:23:40 | |
If something happens, he's next in the chain of command. It might be broken soon. Pardon? | 0:23:40 | 0:23:46 | |
Lieutenant Samuels is very close to becoming a memory in this department. | 0:23:46 | 0:23:52 | |
If Inspector Marquette sees a chance, he'll bounce him out. | 0:23:52 | 0:23:57 | |
You two are in a position to do yourselves some good. Thank you. | 0:23:57 | 0:24:03 | |
Think about it. | 0:24:04 | 0:24:06 | |
Cute, isn't he? | 0:24:09 | 0:24:11 | |
All right, the circus is over. We get back to work. | 0:24:14 | 0:24:18 | |
Vice detectives say these hotlines are connected, controlled by Allen Brown. | 0:24:18 | 0:24:24 | |
Lacey, we want this man's client list. Right, sir. One of his customers may be our strangler. | 0:24:24 | 0:24:32 | |
Cagney, see if the women who work for the hotlines can recall any especially weird customers. | 0:24:32 | 0:24:38 | |
Will do. All arranged. Petrie and Isbecki, you've got an appointment with the psychologist. | 0:24:38 | 0:24:46 | |
Get more on the profile, so we can find out what kind of a wacko we're looking for. | 0:24:46 | 0:24:52 | |
Right. Anybody got anything to add? No. | 0:24:52 | 0:24:56 | |
All right, let's get on it. | 0:24:56 | 0:24:59 | |
What are we gonna do here, Chris? | 0:25:07 | 0:25:10 | |
About what? About Samuels. I think we've got to tell him. Look at him, Mary Beth. | 0:25:10 | 0:25:17 | |
Another crisis is not what he needs. His marriage is in trouble. He knows he's not Marquette's favourite! | 0:25:17 | 0:25:25 | |
Detective Lacey, I can make you some cappuccino. No, thanks. I do nothing illegal. | 0:25:33 | 0:25:39 | |
I pay my taxes, my parking tickets, but a lot of lonely guys need somebody to talk to. | 0:25:39 | 0:25:46 | |
I want a list of your clients in New York. Magazines want it, lonely hearts organisations, swingers clubs. | 0:25:48 | 0:25:56 | |
A Save The Seals organisation wants our mailing list, but my clients' names are confidential. | 0:25:56 | 0:26:03 | |
If we were to look into your hotline services, we might find that these phone calls lead to prostitution, | 0:26:03 | 0:26:10 | |
which is illegal. Detective Lacey, use your head. | 0:26:10 | 0:26:15 | |
For a phone conversation of four minutes, customers pay 38.50. | 0:26:15 | 0:26:20 | |
When they get their credit card bills, it says "Pierre's Restaurant", "Northeast Marketing", | 0:26:20 | 0:26:27 | |
"Galaxy Communication Incorporated". | 0:26:27 | 0:26:29 | |
This operation is active in 26 states. Last year, we averaged two million dollars. | 0:26:29 | 0:26:36 | |
I gotta get involved in prostitution? What for? | 0:26:36 | 0:26:41 | |
Why are three women dead? I have no knowledge of what happened to them. | 0:26:41 | 0:26:46 | |
I'm dealing with a murder investigation here! | 0:26:46 | 0:26:50 | |
It'll take time, but I can get the court to sub-poena your client list. | 0:26:50 | 0:26:55 | |
Maybe. And maybe not. | 0:26:57 | 0:27:00 | |
If you make me go to court, you will be harassed so you regret the day you were born! | 0:27:00 | 0:27:07 | |
Let me ask you this. Your customers, the men that you talk to - are there any weird ones? | 0:27:07 | 0:27:14 | |
How do you define "weird"? Some might think this is normal. You've no right to judge. | 0:27:14 | 0:27:20 | |
I'm not. It's part of my job. I just need to know. | 0:27:20 | 0:27:25 | |
We have steady customers we talk to five times a week. We're like friends to these guys. | 0:27:25 | 0:27:31 | |
We talk about a lot of things besides sex. What? Family problems, whatever. | 0:27:31 | 0:27:37 | |
It's cheaper and maybe better than going to an analyst. Oh, boy! Thanks. | 0:27:37 | 0:27:44 | |
Hey, baby. Did you get that job? | 0:27:49 | 0:27:52 | |
I am not your baby and I didn't get the job. You don't want people to know. That's cool. | 0:27:52 | 0:27:59 | |
Understand this. | 0:27:59 | 0:28:01 | |
I'm the heat! | 0:28:01 | 0:28:04 | |
It's my best. I swear. Taste it. | 0:28:07 | 0:28:09 | |
Wait a minute, wait a minute. | 0:28:09 | 0:28:12 | |
Oh, my... Oh, that's good! | 0:28:12 | 0:28:15 | |
It is good. Oh, yeah. Hmm? Perfect. | 0:28:15 | 0:28:18 | |
It's perfect. That should be against the law. Salud! | 0:28:18 | 0:28:23 | |
Sweetheart... Huh? | 0:28:29 | 0:28:32 | |
We got two things of this in the freezer already. Michael's birthday party. Vintage stuff. | 0:28:32 | 0:28:39 | |
We should label this like wine bottles. Why all this? | 0:28:39 | 0:28:44 | |
It was your idea. It was? You cut out the coupons. The butcher had a sale on pork shoulders. | 0:28:44 | 0:28:51 | |
Me and the kids went over there, made a big score. Oh, yeah. | 0:28:51 | 0:28:56 | |
I forgot all about it. | 0:28:56 | 0:28:58 | |
Samuels still putting you and Chris through the hoops with this strangler business? Yeah. | 0:28:58 | 0:29:05 | |
It's a bad time for him. It's not just work. I think things between him and Thelma don't sound so good. | 0:29:05 | 0:29:13 | |
Every marriage has its ups and downs, huh? | 0:29:13 | 0:29:17 | |
I don't know. It bothers me. | 0:29:20 | 0:29:22 | |
What bothers you, babe? | 0:29:22 | 0:29:25 | |
What? | 0:29:26 | 0:29:28 | |
He looks so tired. | 0:29:28 | 0:29:31 | |
And old. | 0:29:32 | 0:29:34 | |
It's bad enough, you turn around, the kids are growing up. | 0:29:35 | 0:29:40 | |
Come on, Mary Beth, huh? | 0:29:40 | 0:29:43 | |
Nothing like that's gonna happen to us. | 0:29:43 | 0:29:47 | |
There's too much at stake. | 0:29:47 | 0:29:50 | |
We're sitting on a fortune in spaghetti sauce here. | 0:29:50 | 0:29:54 | |
You got sauce on your chin. | 0:29:56 | 0:29:58 | |
About time you got here! You don't take the subway. | 0:30:02 | 0:30:06 | |
Brown's list did it. The computer guys have been working on it. Since when did they work so fast? | 0:30:06 | 0:30:13 | |
They matched the customers who had contact with the victims. The computer had a busy night! | 0:30:13 | 0:30:20 | |
It came up with the one guy who talked to all three victims a lot. | 0:30:20 | 0:30:25 | |
Mary Beth, I think we got him. Yeah! | 0:30:25 | 0:30:28 | |
Here's more on that psychological profile. "Passive, unresolved anger towards mother." | 0:30:28 | 0:30:35 | |
It's always the mother! "No tolerance for anxiety or rejection." | 0:30:35 | 0:30:40 | |
Listen, I was thinking. Why don't I call on the guy? The shrink gave ME the psychological profile. | 0:30:40 | 0:30:47 | |
So? I know what to expect, I know how to handle him. Are we mentally incompetent? We can read! | 0:30:48 | 0:30:56 | |
Are you sure this is the right place? Maybe we got the wrong Wyler. | 0:30:56 | 0:31:01 | |
Mr Colton Wyler? Who shall I say is here to see him? Detectives Cagney and Lacey, NYPD. | 0:31:01 | 0:31:07 | |
Why don't you just take us down to his office? Of course. | 0:31:07 | 0:31:12 | |
Would you ask him to step outside, please? | 0:31:16 | 0:31:20 | |
Yes? | 0:31:20 | 0:31:23 | |
Mr Wyler, could you come out for a moment, please? | 0:31:23 | 0:31:27 | |
Yeah, Marcie? | 0:31:27 | 0:31:30 | |
Mr Colton Wyler? Yes. | 0:31:30 | 0:31:32 | |
Do you live at 466, West End Avenue? Yes, that's right. Marcie... | 0:31:32 | 0:31:38 | |
I'm Detective Lacey. This is Detective Cagney. Can we speak to you in private? Sure. | 0:31:38 | 0:31:45 | |
Come on in. Thank you. | 0:31:45 | 0:31:48 | |
Mr Wyler, do you know these women? | 0:31:53 | 0:31:56 | |
No. I've never seen them before. | 0:32:00 | 0:32:03 | |
According to The Hotline, Sheila's Loveline and Affairs By Phone, you talk to them all the time. | 0:32:03 | 0:32:11 | |
That's not true. Mr Wyler, we have your credit card receipts. | 0:32:11 | 0:32:16 | |
That was private. You have no right to be here. | 0:32:16 | 0:32:20 | |
We have every right. These three women were murdered. Oh, no. | 0:32:20 | 0:32:25 | |
And you think I killed them? | 0:32:28 | 0:32:30 | |
Did you, Mr Wyler? | 0:32:30 | 0:32:33 | |
'Between the ages of 16 and 21,' | 0:32:33 | 0:32:36 | |
did you take anything of value that didn't belong to you? No. Are we both in New York City? Yes. | 0:32:36 | 0:32:45 | |
I gotta hand it to Samuels. With all his problems, he's really cooking. Look at him! | 0:32:45 | 0:32:51 | |
Are you afraid I will make a mistake on this test? Yes. Did you murder Patricia Molloy...? | 0:32:51 | 0:32:57 | |
I've been thinking about that creep Daniels. We gotta tell Samuels. | 0:32:57 | 0:33:02 | |
What do you think about Wyler? We'll turn him into a basket case. | 0:33:02 | 0:33:07 | |
No. Did you ever meet the victims of this homicide investigation? No. | 0:33:07 | 0:33:12 | |
No good, Mr Wyler. | 0:33:12 | 0:33:16 | |
I want you to see for yourself. Let's start with where I asked you if you ever met any of the victims. | 0:33:16 | 0:33:23 | |
See how the needle jumped? | 0:33:23 | 0:33:26 | |
Why? I wasn't lying. | 0:33:26 | 0:33:29 | |
I never met any of them. Someone once offered to arrange a meeting, but that wasn't my thing. | 0:33:29 | 0:33:36 | |
Who? I don't know his name. He's an office messenger. | 0:33:36 | 0:33:42 | |
I refused. | 0:33:42 | 0:33:44 | |
PHONE RINGS | 0:33:44 | 0:33:47 | |
Samuels... Yeah. | 0:33:50 | 0:33:53 | |
Right. | 0:33:53 | 0:33:55 | |
Lieutenant, can we talk to you, sir? Not now. | 0:34:01 | 0:34:05 | |
They just found another Hotline employee strangled, killed within the past couple of hours. Oh, Lord! | 0:34:05 | 0:34:12 | |
Then it couldn't have been Wyler. No. Get over to the Hotline offices. | 0:34:12 | 0:34:18 | |
The latest victim was Deborah Alfano. See what you can find out about her and this messenger. | 0:34:18 | 0:34:25 | |
This is wrong, Christine. I can't stand it. We gotta warn him. | 0:34:26 | 0:34:32 | |
He doesn't wanna listen. We make him listen. Go talk to him. He likes you better than me. He does not. | 0:34:32 | 0:34:40 | |
Where do you get that idea? He tells you he likes your instincts. He tells me he likes my scarf. Scarf? | 0:34:40 | 0:34:47 | |
You know, all the little blue and green owls on it? | 0:34:47 | 0:34:52 | |
I haven't worn it in a while. Chris! Go tell him! I'll keep the motor running. | 0:34:52 | 0:34:58 | |
What are you doing back here? I've got to talk to you, sir. This is not the time. Sorry, it can't wait. | 0:35:01 | 0:35:09 | |
The Inspector's Public Information Aide, Mr Daniels, asked Cagney and myself to let him know immediately | 0:35:09 | 0:35:16 | |
if anything happened with the case, which we refused. | 0:35:16 | 0:35:21 | |
He said the Inspector wanted to get rid of you. Doesn't surprise me. | 0:35:21 | 0:35:26 | |
He would have pulled me already, except it might make him look bad. | 0:35:26 | 0:35:31 | |
You haven't been around here long enough to see this kind of thing. I have. It's about humiliation. | 0:35:31 | 0:35:39 | |
It won't stop here. You can't let that happen, sir. | 0:35:39 | 0:35:43 | |
I've been thinking of pulling the plug myself. I've got my 20 years. Why do I need this? | 0:35:43 | 0:35:50 | |
If I can help, sir, I'd like to. Then find the strangler! | 0:35:50 | 0:35:56 | |
Yes, sir. Lacey... | 0:35:56 | 0:35:59 | |
Sir? You played this all wrong. It would have been easy for you to play ball with him | 0:35:59 | 0:36:06 | |
and find yourself a nice, cushy situation someplace. Yeah. | 0:36:06 | 0:36:11 | |
Like you said, I haven't been around here long enough. | 0:36:11 | 0:36:15 | |
What's going on? They're examining Deborah's things. We questioned one of your clients. | 0:36:26 | 0:36:34 | |
He got an invitation to meet one of the victims. I never knew about it. It came from a messenger. | 0:36:34 | 0:36:41 | |
We don't have a messenger, do we? No, we use A&K Service, but it's always the same guy - Manny. | 0:36:41 | 0:36:48 | |
The guy in the building. What, with roller skates? | 0:36:48 | 0:36:53 | |
Yeah. Would he have access to names and addresses? | 0:36:53 | 0:36:57 | |
He collects credit card receipts and delivers cheques to the girls. | 0:36:57 | 0:37:02 | |
He does have access. Where is A&K Messenger Service? | 0:37:02 | 0:37:06 | |
This schedule shows him in at four o'clock. Does he ever come in earlier? Take care of this. | 0:37:06 | 0:37:13 | |
You gotta be kidding me. If he shows up at four, it's a miracle. | 0:37:13 | 0:37:18 | |
Thanks. Well? The address Manfred Williams gave you at 123rd Street doesn't exist. | 0:37:18 | 0:37:24 | |
The phone number's out of service. What do you expect from a guy who comes to work on roller skates? | 0:37:24 | 0:37:32 | |
Has he any personal effects here? Back here. Oh, right. | 0:37:32 | 0:37:36 | |
Does that belong to him? Mandarin orange. He's the only one that drinks that junk. | 0:37:39 | 0:37:45 | |
You don't mind if I take it? We're gonna send someone over here to wait for him. | 0:37:45 | 0:37:52 | |
I don't know nothin'. | 0:37:52 | 0:37:54 | |
Chris! Thanks very much. Take care. | 0:37:54 | 0:37:57 | |
Stan? Hey, Bert, how are you doin'? What brings you to the big building? | 0:38:03 | 0:38:09 | |
Can you help me out? I need this done right away. It's a bad time. I got six priorities from K Squad. | 0:38:09 | 0:38:17 | |
Can you get Marquette's office to phone in a requisition? Can't do that. That way, I'm covered. | 0:38:19 | 0:38:26 | |
My back's to the wall, Stan. Marquette out to whack you on this? Something like that. | 0:38:26 | 0:38:33 | |
Well, let me see what I can do. | 0:38:34 | 0:38:37 | |
Go back to your office and I'll give you a call as soon as I get something. Thanks. | 0:38:37 | 0:38:44 | |
Taubman on three. Thanks. | 0:38:46 | 0:38:49 | |
Yeah? | 0:38:49 | 0:38:51 | |
What time was that? | 0:38:51 | 0:38:54 | |
Stay there in case he shows. Manny called. He's going straight to his runs at the Hotline. | 0:38:54 | 0:39:01 | |
'Yeah, Samuels.' You were lucky. We lifted a full five prints. | 0:39:03 | 0:39:09 | |
Did you get an ID? Marvin Woodhouse. Attica graduate, manslaughter. | 0:39:09 | 0:39:14 | |
Warrant for felony assault in Albany. | 0:39:14 | 0:39:18 | |
I heard enough. Thanks, Stan. | 0:39:18 | 0:39:20 | |
I'm on it. Grab him at the messenger service. He's going straight to the Hotline. | 0:39:20 | 0:39:27 | |
PHONE RINGS Hello? Is Grace Lipton there? This is Detective Lacey. Just a minute. | 0:39:27 | 0:39:34 | |
It's Detective Lacey on 3-5. Oh, swell(!) | 0:39:35 | 0:39:39 | |
Hello, Detective Lacey. | 0:39:39 | 0:39:42 | |
What am I doing? This woman is not gonna give me the right time of day. Do it for me. | 0:39:42 | 0:39:48 | |
Please. If you weren't so emotional! | 0:39:48 | 0:39:52 | |
Miss Lipton, this is Detective Cagney. | 0:39:52 | 0:39:56 | |
'Has the messenger been it yet?' Did Manny make his pick-up yet? He just left. | 0:39:56 | 0:40:02 | |
He just left. Where to? He's delivering cheques to the girls. | 0:40:02 | 0:40:08 | |
Names and addresses...? What would you do without me? | 0:40:08 | 0:40:12 | |
Have Central put out an alarm for Marvin Woodhouse. We're calling the messenger's delivery list now. | 0:40:12 | 0:40:19 | |
Rita Carlyle...? This is Detective Cagney, New York Police Department. | 0:40:19 | 0:40:25 | |
A messenger is on his way to your apartment. Do not let him in. | 0:40:25 | 0:40:29 | |
Do not let him in. We will have a uniform there as soon as possible. | 0:40:29 | 0:40:34 | |
INTERCOM BUZZES | 0:40:41 | 0:40:43 | |
Who is it? It's me, Manny. Come on in. | 0:40:46 | 0:40:51 | |
Oh, damn! | 0:40:59 | 0:41:02 | |
It's your own fault, you know. | 0:41:02 | 0:41:04 | |
Every call you make, they charge 38.50. You make what, ten? | 0:41:04 | 0:41:08 | |
Nine. You're a bigger fool than I thought. Why don't you work for me? | 0:41:08 | 0:41:15 | |
I'll get you all the calls you want and then some. I'll split it 50/50. | 0:41:15 | 0:41:20 | |
I'll take good care of you. Not like those other chumps. | 0:41:20 | 0:41:24 | |
PHONE RINGS | 0:41:24 | 0:41:28 | |
Hello...? Hi, Michael. Are we on for dinner tonight? | 0:41:28 | 0:41:32 | |
Yes, spaghetti. Right. Well, I can't wait. | 0:41:32 | 0:41:37 | |
Me, too. Could you hold on one second, please? | 0:41:38 | 0:41:42 | |
What about my offer? | 0:41:42 | 0:41:45 | |
I don't think so, Manny. You can let yourself out, can't you? | 0:41:45 | 0:41:50 | |
Michael...? Yeah. | 0:41:50 | 0:41:52 | |
Are you finished? Except for Paula Martin. She's busy. | 0:41:59 | 0:42:04 | |
Operator, this is a police emergency. I am Detective Lacey, shield number 340. | 0:42:06 | 0:42:13 | |
I want you to cut in on 555 8135. | 0:42:13 | 0:42:17 | |
Is that it? | 0:42:17 | 0:42:19 | |
Don't tease me, come on. | 0:42:21 | 0:42:23 | |
Do you want to or not? Aaagh! | 0:42:23 | 0:42:26 | |
You and me, let's talk business. | 0:42:30 | 0:42:32 | |
Thank you, Operator. It's a problem on the line or it's out of order. | 0:42:34 | 0:42:39 | |
Get over there. I'll alert Uniform and have some cars meet you. | 0:42:39 | 0:42:43 | |
SIRENS WAIL | 0:42:43 | 0:42:46 | |
SHE SCREAMS | 0:42:57 | 0:43:02 | |
No! | 0:43:02 | 0:43:04 | |
Police, open up! Don't come in here. I'll kill her! | 0:43:05 | 0:43:09 | |
Take it easy. We're just here to serve a warrant. No big deal. | 0:43:09 | 0:43:14 | |
Open up! Stay back. I'm gonna kill her! All right. We'll go round. | 0:43:14 | 0:43:20 | |
Open up! Is Paula in there with you? | 0:43:20 | 0:43:22 | |
Stay out of here or I'll cut her! | 0:43:22 | 0:43:26 | |
Oh, come on! Can you get that down? | 0:43:28 | 0:43:31 | |
Come on. | 0:43:35 | 0:43:36 | |
If you come in here, I'll kill her! | 0:43:44 | 0:43:47 | |
Stay back, stay back! | 0:43:47 | 0:43:49 | |
Don't you come in here! I'm telling you, I'll kill her! | 0:43:49 | 0:43:54 | |
I'll kill her! | 0:43:54 | 0:43:57 | |
Get away! Stay back! | 0:43:57 | 0:44:00 | |
Hold it! Don't give me an excuse, man! | 0:44:02 | 0:44:06 | |
Drop it down! Drop it down! | 0:44:08 | 0:44:10 | |
Drop it down! | 0:44:13 | 0:44:15 | |
They're waiting for you, sir. Let 'em wait. The Inspector seemed cordial enough. | 0:44:24 | 0:44:31 | |
If he could bury me, he would. It'll keep him off my back for a while. | 0:44:31 | 0:44:37 | |
This was an important collar. I hoped it would make up for some wasted years, | 0:44:37 | 0:44:43 | |
but it didn't. You're a good cop, Lieutenant. | 0:44:43 | 0:44:47 | |
Yeah. | 0:44:48 | 0:44:50 | |
Why don't you tell that to my wife? She wants me to be with her in group therapy. | 0:44:50 | 0:44:57 | |
Cute, isn't he? | 0:44:58 | 0:45:00 | |
Subtitles by Red Bee Media Ltd | 0:45:46 | 0:45:50 |