Browse content similar to Heat. Check below for episodes and series from the same categories and more!
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Kids throwing stones in a railroad yard - they've got to be kidding! What do we have uniforms for? | 0:01:28 | 0:01:35 | |
Fill out YAD cards, get the mayor's office off the lieutenant's back. | 0:01:35 | 0:01:40 | |
What can it take, 10 minutes? 20. | 0:01:40 | 0:01:42 | |
It's gotta be 90 degrees already. | 0:01:42 | 0:01:45 | |
-They said it's going up. -My air conditioner is on the fritz. | 0:01:45 | 0:01:49 | |
Hello? | 0:01:49 | 0:01:51 | |
-So, where is everybody? -Probably off chasing our little darlings. | 0:01:55 | 0:01:59 | |
Crime wave, kids throwing rocks(!) | 0:01:59 | 0:02:01 | |
Got the air conditioner the same place I did. | 0:02:01 | 0:02:05 | |
Let's go. | 0:02:05 | 0:02:07 | |
How about down here? At least there's some shade. | 0:02:08 | 0:02:12 | |
You got up at the wrong side of bed this morning. Count your blessings. | 0:02:12 | 0:02:16 | |
There you go, understanding me. I hate that more than anything. | 0:02:16 | 0:02:21 | |
-I happen to be feeling good today. -You don't have to infect me with your joy, all right? | 0:02:21 | 0:02:26 | |
Dammit! Would you look at that? | 0:02:26 | 0:02:29 | |
-Hey! -Take it easy. -He's got a gun! | 0:02:29 | 0:02:31 | |
-Hey! -Back off or I'll kill her. | 0:02:31 | 0:02:34 | |
That woman is a police officer. | 0:02:34 | 0:02:36 | |
-Come on! -We're both of us cops. | 0:02:36 | 0:02:39 | |
Oh, boy! | 0:02:41 | 0:02:43 | |
Just relax. I'm not going to do anything foolish. Neither is she. | 0:02:44 | 0:02:49 | |
-Good. Back off. -Put the gun down and we'll talk. Just drop your gun. | 0:02:49 | 0:02:53 | |
-Back off or she gets it! -Chris, do like he says! By the book, OK?! | 0:02:53 | 0:02:57 | |
-Back off! -I'll be fine! | 0:02:57 | 0:03:00 | |
I'll be fine. | 0:03:00 | 0:03:03 | |
Easy! | 0:03:03 | 0:03:04 | |
OK, just...take it easy. | 0:03:06 | 0:03:08 | |
I got the wrong shoes for this. | 0:03:08 | 0:03:11 | |
OK, all right, just relax... | 0:03:11 | 0:03:14 | |
-Where are we going? -Follow me up here. -I can't... | 0:03:18 | 0:03:21 | |
Come on! | 0:03:21 | 0:03:24 | |
-Come on. -All right. You don't want to go in here. -Come on! | 0:03:24 | 0:03:28 | |
Over there! | 0:03:29 | 0:03:31 | |
Get up! | 0:03:37 | 0:03:39 | |
I said get up! Get away from me. Get up! Get up and turn around. | 0:03:40 | 0:03:46 | |
Turn around! | 0:03:49 | 0:03:51 | |
-Mind telling me what this is about? -You're my ticket out of here. | 0:03:59 | 0:04:04 | |
-Out of where? -Just shut up! | 0:04:04 | 0:04:07 | |
Turn around. | 0:04:09 | 0:04:12 | |
Put 'em on. | 0:04:15 | 0:04:17 | |
Bend down there and pick 'em up! | 0:04:18 | 0:04:21 | |
-Hook one around your wrist. -Hey, fella... -Go ahead! Hook one around your wrist! | 0:04:26 | 0:04:31 | |
Put your hands behind your back. | 0:04:36 | 0:04:39 | |
Put 'em behind your back! | 0:04:39 | 0:04:41 | |
Hook it up there. | 0:04:45 | 0:04:47 | |
There. | 0:04:51 | 0:04:54 | |
How's it feel, huh? | 0:04:54 | 0:04:55 | |
Detective Cagney. Get over here! | 0:05:00 | 0:05:03 | |
-We're after a guy who knocked off a grocery store. -Male cauc, 6'2"? | 0:05:03 | 0:05:08 | |
-Dark hair, green T-shirt, black leather jacket? -You saw him? | 0:05:08 | 0:05:12 | |
He's in the boxcar with my partner. | 0:05:12 | 0:05:14 | |
-He's packing a Saturday night special. -Six shot? 38 calibre? | 0:05:14 | 0:05:18 | |
-Yeah. You got an ID on him? -Zilch. | 0:05:18 | 0:05:20 | |
-I'll phone it in. You contain him, all right? Just contain him! -OK. | 0:05:20 | 0:05:25 | |
-Even if they come busting out, no shooting! -OK. -No shooting! -OK! | 0:05:26 | 0:05:31 | |
Johnny... | 0:05:31 | 0:05:32 | |
Central, this is car 21 with an emergency message. | 0:05:36 | 0:05:40 | |
I have a 10-13 in a railroad yard near the 112th Street overpass. | 0:05:40 | 0:05:44 | |
I'm there in civilian clothes and we have a hostage situation. | 0:05:44 | 0:05:48 | |
We have a member of the service being held as hostage. | 0:05:48 | 0:05:52 | |
SIRENS WAIL | 0:05:52 | 0:05:55 | |
-You've got her piece? -She's got her purse. She's carrying a 38 with the extra standard 12 rounds. | 0:06:03 | 0:06:09 | |
-What's he got? -Saturday night special. I think it's a 38. | 0:06:09 | 0:06:13 | |
That's 18 rounds to contend with, plus at least 6 more on the suspect. | 0:06:13 | 0:06:17 | |
You're team A. You, you, team B. | 0:06:17 | 0:06:19 | |
Give those uniform guys some relief. | 0:06:19 | 0:06:22 | |
When you get set up in position, watch your crossfire. | 0:06:22 | 0:06:27 | |
Send those uniform guys back. I wanna talk to them. | 0:06:27 | 0:06:30 | |
-Lieutenant, set up a perimeter. -We're clearing the whole area. | 0:06:30 | 0:06:34 | |
-And the info officer will need a media area. -How about the CP? | 0:06:34 | 0:06:38 | |
All right. Where are they? | 0:06:38 | 0:06:41 | |
The boxcar, down the track there. | 0:06:41 | 0:06:44 | |
The door that you can't see is padlocked from the outside. You don't have to worry about that. | 0:06:45 | 0:06:51 | |
-The one that you CAN see...that's the only way in or out. -Gotcha. | 0:06:51 | 0:06:56 | |
-Secure that shack. I want to use it. -OK, we'll set you up. | 0:06:56 | 0:07:00 | |
Excuse me. Who are you? | 0:07:11 | 0:07:12 | |
-Detective Cagney. -It's your partner in there, right? -That's right. | 0:07:12 | 0:07:17 | |
We'll get her out for you. I never lost one yet. | 0:07:17 | 0:07:21 | |
Look, we've handled enough of these to know what we're doing. | 0:07:23 | 0:07:26 | |
You got an ID on the suspect yet? | 0:07:26 | 0:07:29 | |
-No. -Has anyone talked to him? | 0:07:29 | 0:07:32 | |
No. | 0:07:32 | 0:07:33 | |
-Made any demands? -Not yet, no. | 0:07:33 | 0:07:36 | |
So we don't know his name... | 0:07:37 | 0:07:40 | |
OK. I guess this is what we call "square one". | 0:07:40 | 0:07:45 | |
Armed robber, am I right? | 0:07:52 | 0:07:54 | |
So, what's your name? | 0:07:55 | 0:07:58 | |
Look, there's only two possible endings. One I don't want to think about. The other is you give up. | 0:08:02 | 0:08:08 | |
I can guarantee your safety, but we will have to take you into custody. | 0:08:08 | 0:08:12 | |
-Just knock it off. I gotta think. -That's good. | 0:08:12 | 0:08:16 | |
-That's what you should do, because the rest of your life is on the line. -Your life too. | 0:08:16 | 0:08:21 | |
Don't forget that. Your life's on the line too. | 0:08:21 | 0:08:25 | |
What did you say your name was? | 0:08:25 | 0:08:27 | |
Hey, we're gonna be here a while. I gotta call you something. | 0:08:30 | 0:08:34 | |
Boyd. | 0:08:38 | 0:08:40 | |
Boyd? OK, Boyd. | 0:08:40 | 0:08:43 | |
So, how old are you, Boyd? 25, 26 years old? | 0:08:43 | 0:08:46 | |
Yeah, about. | 0:08:46 | 0:08:49 | |
Then let's get serious. First offence, 15 years. You do a third of that. We're talking 4½ years. | 0:08:49 | 0:08:55 | |
No. | 0:08:55 | 0:08:57 | |
No way. | 0:08:57 | 0:08:58 | |
Boyd, if you keep on with this, we'll have to add kidnapping. | 0:08:58 | 0:09:03 | |
That's two felonies. They label you a persistent felon - heavy time. | 0:09:03 | 0:09:07 | |
Instead of being out before you're 30, we're talking 55, 60 maybe. | 0:09:07 | 0:09:11 | |
I ain't going to no joint and I ain't staying here. I'm going out and you're coming with me. | 0:09:11 | 0:09:17 | |
I'm trying to give you an out! I'm being straight with you. | 0:09:17 | 0:09:21 | |
You give up now and we charge you with maybe unlawful imprisonment. That could be a misdemeanour. | 0:09:21 | 0:09:27 | |
I'm giving you my best shot. What are you gonna do? | 0:09:27 | 0:09:30 | |
Use your head. What'll you do? | 0:09:32 | 0:09:35 | |
-Make a decision! -You shut up! | 0:09:39 | 0:09:41 | |
Just shut up! | 0:09:41 | 0:09:43 | |
I've gotta think. | 0:09:47 | 0:09:50 | |
OK. | 0:09:52 | 0:09:54 | |
But think fast, would you, Boyd? It's hot in here. | 0:09:54 | 0:09:58 | |
You there, in the boxcar... My name is King. | 0:10:00 | 0:10:04 | |
I'm a police officer. I know you're wondering what'll happen next. | 0:10:04 | 0:10:08 | |
We've had situations like this that worked out fine. | 0:10:08 | 0:10:12 | |
We want this to work out fine. | 0:10:12 | 0:10:14 | |
You have a police officer in there. | 0:10:14 | 0:10:17 | |
She will keep her head, so don't do anything foolish. | 0:10:17 | 0:10:21 | |
I want you to know if you come out now, no-one will jeopardise your safety. | 0:10:21 | 0:10:28 | |
You have my word. Lay down your weapons. No harm will come to you. So, what do you say? | 0:10:28 | 0:10:34 | |
I'm coming out, all right! But my way, mister, not yours. | 0:10:34 | 0:10:37 | |
-My name is King. What's yours? -Forget it, I'm not buying that. | 0:10:37 | 0:10:42 | |
I have to call you something. | 0:10:50 | 0:10:53 | |
How about John, OK? | 0:10:53 | 0:10:55 | |
John, we're here in force and we're not going away and neither are you. | 0:10:55 | 0:11:00 | |
Like I said, no-one's gonna do anything foolish, | 0:11:00 | 0:11:03 | |
but understand this - | 0:11:03 | 0:11:05 | |
I want you to stay where you are till we work something out. | 0:11:05 | 0:11:09 | |
I got this lady - she's my passport! | 0:11:09 | 0:11:12 | |
Any place I want to go, anything I want to do, I get, or she's had it. | 0:11:12 | 0:11:17 | |
-You hear me? -I hear you! | 0:11:17 | 0:11:19 | |
Listen, have you got anybody that you'd like to talk to? Family? | 0:11:19 | 0:11:24 | |
-Girlfriend? Priest? Minister? -Oh, come on, forget it! Give it up! | 0:11:24 | 0:11:28 | |
Let's both give it a rest, think things over, huh? | 0:11:28 | 0:11:32 | |
-Looks like we're going to be here for a while. -You're right. | 0:11:38 | 0:11:42 | |
SIRENS WAIL | 0:11:42 | 0:11:45 | |
My name is Kelsey. Can I have your attention? I've been authorised to make the following statement. | 0:11:48 | 0:11:55 | |
A nickel and dime stick-up, and the whole police force is here. | 0:12:02 | 0:12:06 | |
Yeah, they're good, too. | 0:12:06 | 0:12:08 | |
I gotta tell the truth about that. You're a little out of your depth. | 0:12:08 | 0:12:13 | |
Knock it off. | 0:12:13 | 0:12:15 | |
Must be 150 degrees in here. | 0:12:28 | 0:12:30 | |
You know, for what it's worth, there's a shack over there. | 0:12:33 | 0:12:37 | |
It's got running water and an air conditioner. | 0:12:37 | 0:12:41 | |
Sure, a nice little stroll in the sun together(!) | 0:12:42 | 0:12:46 | |
You must think I'm really stupid. | 0:12:47 | 0:12:50 | |
What I meant was, you could talk to the negotiator, work something out. | 0:12:50 | 0:12:54 | |
Mm-hm... | 0:12:54 | 0:12:56 | |
What about snipers, police rifles? | 0:12:56 | 0:13:00 | |
-I know about that. -They don't shoot without orders. | 0:13:00 | 0:13:04 | |
Forget it! Bad idea. | 0:13:06 | 0:13:09 | |
Stupid idea. | 0:13:09 | 0:13:11 | |
It's scary, huh? | 0:13:14 | 0:13:17 | |
Well, I'm scared. | 0:13:17 | 0:13:19 | |
There's nothing wrong with being scared, right? | 0:13:19 | 0:13:22 | |
What makes you think I'm scared? | 0:13:26 | 0:13:28 | |
I dunno... While we're here, don't be afraid to let your hair down. | 0:13:28 | 0:13:33 | |
Huh? | 0:13:33 | 0:13:35 | |
-Look, as long as we're on the subject... -All lady cops wear lace? | 0:13:44 | 0:13:49 | |
-There's one thing I'd like to get out the way, Boyd. -What's that? | 0:13:51 | 0:13:55 | |
You really want to kill me? | 0:13:55 | 0:13:57 | |
What's with you, motor mouth? | 0:14:04 | 0:14:07 | |
-All of a sudden, you've nothing to say? -I was thinking about my aunt. | 0:14:07 | 0:14:12 | |
Actually, she was my mother's aunt. Doesn't matter. | 0:14:12 | 0:14:15 | |
She used to take a sheet, put it in the freezer, | 0:14:15 | 0:14:19 | |
then drape it over the fire escape, and we'd sleep out there. | 0:14:19 | 0:14:23 | |
-Did you ever do that? Better than air conditioning! -No, never did. | 0:14:23 | 0:14:28 | |
Just shut up about that. I don't wanna hear about your aunt. | 0:14:28 | 0:14:32 | |
-What's the matter, Boyd? Getting warm? -No. | 0:14:32 | 0:14:36 | |
YOU are. | 0:14:36 | 0:14:38 | |
KNOCKING Just a minute. | 0:14:43 | 0:14:46 | |
Mr Lacey? | 0:14:48 | 0:14:50 | |
Yeah. | 0:14:50 | 0:14:53 | |
I've been monitoring the calls. | 0:14:57 | 0:14:59 | |
Detective Cagney, this is Jim Palmer, Lieutenant Palmer. He's the department psychologist. | 0:14:59 | 0:15:05 | |
-Lieutenant. -Detective. I need to know things about Detective Lacey that might not be in her file. | 0:15:05 | 0:15:11 | |
-Like what? -Anything you can tell me about her...that might affect the way she behaves out here. | 0:15:11 | 0:15:17 | |
Uh...she's had 14 years on the job, Lieutenant. She knows what she's doing. | 0:15:17 | 0:15:23 | |
-She familiar with the hostage book? -Cover to cover. -Is she persuasive? | 0:15:23 | 0:15:28 | |
Lieutenant, she could talk anybody into anything. Sometimes even me. | 0:15:28 | 0:15:32 | |
Is she smart enough to play him? Stress him, keep him off balance? | 0:15:32 | 0:15:37 | |
-I think so. -Good. Jim, I think we'll play this a different way. | 0:15:38 | 0:15:42 | |
I like the fact that we've got a woman down there, working him. | 0:15:42 | 0:15:46 | |
Sergeant, you know, it's...it's getting pretty damn hot down there. | 0:15:46 | 0:15:51 | |
-Imagine what it's like in that boxcar. How long do you think they can take? -Time is on our side. | 0:15:51 | 0:15:57 | |
It's one thing to drop the hammer on a total stranger. It's a lot harder to kill somebody you know. | 0:15:57 | 0:16:03 | |
The longer she's there, the better they get to know each other. She's doing half our work - follow me? | 0:16:03 | 0:16:08 | |
Cagney! | 0:16:25 | 0:16:27 | |
Excuse me. | 0:16:29 | 0:16:31 | |
-How you doing? -It's Mary Beth who's got the problem, Lieutenant. -You should see yourself. | 0:16:35 | 0:16:41 | |
Thought it was a pretty good act. | 0:16:42 | 0:16:44 | |
You know about that man there? He's never lost a hostage. Not one. Not ever. | 0:16:44 | 0:16:50 | |
So how come I don't feel better? | 0:16:50 | 0:16:52 | |
You wanna help Lacey? They're having trouble identifying the suspect. | 0:16:52 | 0:16:57 | |
-Why don't you go over to the scene? -No, I don't want to leave her. -There's nothing you can do here. | 0:16:57 | 0:17:02 | |
Go on. | 0:17:03 | 0:17:05 | |
That's an order. | 0:17:07 | 0:17:09 | |
Yes, sir. | 0:17:10 | 0:17:12 | |
Excuse me. You can't come in here. | 0:17:20 | 0:17:23 | |
-Who are you? -Detective Fickett. Who are YOU? | 0:17:23 | 0:17:26 | |
-Detective Cagney, 14th. You got an ID on the perp? -Working on it. | 0:17:26 | 0:17:31 | |
Go and check the back, will you? | 0:17:31 | 0:17:33 | |
-Those the witnesses? -That's right. -So, are they co-operating? | 0:17:33 | 0:17:37 | |
Look, we do have an ongoing investigation here. Unless you've been authorised to take over... | 0:17:37 | 0:17:42 | |
I need an ID on this man, fast. I need a psychological profile and a rap sheet. | 0:17:42 | 0:17:48 | |
You know what's going down there?! | 0:17:48 | 0:17:51 | |
You're the partner. | 0:17:51 | 0:17:53 | |
Why didn't you say so? | 0:17:55 | 0:17:58 | |
Sorry. | 0:17:59 | 0:18:01 | |
-It's all right. I understand. If you want to talk to the victims, they're right over here. -Thank you. | 0:18:01 | 0:18:08 | |
Excuse me. I'm Detective Cagney, from the 14th precinct. What can you tell me about this man? | 0:18:09 | 0:18:15 | |
So, Boyd, how's your life going? Happy? How's tricks? | 0:18:16 | 0:18:20 | |
-Don't get funny. -No, I'm serious. | 0:18:20 | 0:18:23 | |
-Do you like the way your life's going? -Sometimes you don't have a choice. -You've got a choice now. | 0:18:23 | 0:18:29 | |
I don't wanna hear that. | 0:18:34 | 0:18:37 | |
Oh, all right, OK... | 0:18:37 | 0:18:39 | |
A change of subject. | 0:18:39 | 0:18:42 | |
Have you thought about your family? They'll suffer the consequences. | 0:18:43 | 0:18:47 | |
HE LAUGHS | 0:18:47 | 0:18:49 | |
Family! | 0:18:49 | 0:18:52 | |
-What family? -Well, you had to come from somewhere. | 0:18:55 | 0:18:58 | |
I know what you're trying to do. | 0:19:00 | 0:19:01 | |
You're trying to keep me talking so I don't figure out what's going on. | 0:19:01 | 0:19:06 | |
-Right? -I'm trying to put in my 20 years, that's all. | 0:19:06 | 0:19:10 | |
MUFFLED SIRENS | 0:19:14 | 0:19:18 | |
So, what's up with your friends? Let's go see what they're doing. | 0:19:21 | 0:19:25 | |
-Get up. -OK. -Get up! -OK. | 0:19:25 | 0:19:28 | |
-I'm sure he'll be glad to hear from us. -All right. | 0:19:29 | 0:19:33 | |
Hey, you out there! | 0:19:40 | 0:19:43 | |
King! You hear me? | 0:19:43 | 0:19:45 | |
-Right here, John. -Just keep thinking I'm stupid, you're going to be sorry. | 0:19:49 | 0:19:54 | |
-And stop calling me John! -What do I call you, then? | 0:19:54 | 0:19:58 | |
Boyd, man! And don't forget it! | 0:19:58 | 0:20:01 | |
-What's on your mind, Boyd? -The heat's on my mind, man. | 0:20:04 | 0:20:08 | |
You're waiting for me to pass out, right? Forget it! | 0:20:08 | 0:20:11 | |
It ain't going to happen. | 0:20:11 | 0:20:14 | |
We're coming out of here right now. | 0:20:15 | 0:20:17 | |
The suspect is threatening to move. | 0:20:17 | 0:20:20 | |
Just a minute there, Boyd! So you come out. Where are you gonna go? | 0:20:20 | 0:20:24 | |
That shack! | 0:20:24 | 0:20:26 | |
- It's got air conditioning, right? - I'd give it to him. | 0:20:26 | 0:20:29 | |
-You want this shack, huh? -Yeah, right. -Well, I'll tell you, Boyd, | 0:20:30 | 0:20:35 | |
-I've got to filter this through a lot of people. I can't authorise a move like that. -Well, you do that! | 0:20:35 | 0:20:41 | |
You'll give me a few minutes, won't you? I'll get back to you. | 0:20:41 | 0:20:45 | |
OK? | 0:20:45 | 0:20:47 | |
What do you think? | 0:20:47 | 0:20:49 | |
It's giving him an awful lot. | 0:20:49 | 0:20:52 | |
-If we give him this, we've got chips to bargain with. -We know the layout. That's in our favour. | 0:20:52 | 0:20:58 | |
-You can contain him, right? -That's what we're set up for, yeah. | 0:20:58 | 0:21:02 | |
-What about the air conditioning? -I never said it was working, did I? | 0:21:02 | 0:21:06 | |
-What was the name? -'Boyd.' | 0:21:09 | 0:21:12 | |
-Did you get anything else? -'Zero.' | 0:21:12 | 0:21:15 | |
OK. | 0:21:15 | 0:21:17 | |
Uh, | 0:21:17 | 0:21:18 | |
-what if we cut into the computer line and run the name? -'Just the first name?' | 0:21:18 | 0:21:24 | |
It's not like his name's John or Joe. How many Boyds could there be? Pull all the mugs. | 0:21:24 | 0:21:29 | |
-'It's kind of a long shot.' -It's the only shot we got. | 0:21:29 | 0:21:33 | |
-It'll take three or four days to run the latents. -'OK. We're on it.' | 0:21:33 | 0:21:38 | |
-'Chris.' -Paul, are you there too? | 0:21:38 | 0:21:41 | |
'Don't worry, she's going to come out just fine.' | 0:21:41 | 0:21:45 | |
Yeah. | 0:21:45 | 0:21:47 | |
OK. Thanks, guys. | 0:21:47 | 0:21:49 | |
Where is she? The boxcar over there. | 0:22:05 | 0:22:08 | |
Boxcar?! Take it easy. She's doing OK. | 0:22:08 | 0:22:12 | |
Looks like the Third World War. Come and meet the guy in charge. | 0:22:12 | 0:22:16 | |
-Sergeant King, this is Harvey Lacey. -Let's get away from here. | 0:22:16 | 0:22:20 | |
Your wife's fine, Mr Lacey. She's a bit uncomfortable but fine. | 0:22:20 | 0:22:23 | |
-What are you going to do? -Well, the suspect - the guy holding her - wants to move to this shack. | 0:22:23 | 0:22:29 | |
-Are you gonna let him? -Well, yes. Tactically, it's to our advantage. -Tactically? What does that mean? | 0:22:29 | 0:22:35 | |
You're not going to start shooting?! | 0:22:35 | 0:22:37 | |
Nobody wants to shoot this guy, but we're all brothers in blue here | 0:22:37 | 0:22:42 | |
and your wife's safety comes first. The guy has threatened her life. | 0:22:42 | 0:22:47 | |
What if they shoot at him and miss?! | 0:22:47 | 0:22:50 | |
Lieutenant Talbot, this is Detective Lacey's husband. | 0:22:50 | 0:22:54 | |
We'll get your wife out, sir. | 0:22:54 | 0:22:56 | |
I've got 14 snipers here and they are highly disciplined officers. | 0:22:56 | 0:23:01 | |
Any one of them could shoot a dime from your fingers at 200 yards. | 0:23:01 | 0:23:04 | |
They never squeeze off a round until they know where it's going. | 0:23:04 | 0:23:08 | |
I-I don't know. | 0:23:08 | 0:23:10 | |
Look, Mr Lacey, we've never lost a hostage. | 0:23:10 | 0:23:13 | |
Not a single one. You're gonna have to trust us. | 0:23:13 | 0:23:17 | |
Is he lying to me? Is that true, he's never lost a hostage? | 0:23:21 | 0:23:25 | |
Absolutely true. We've got one of the best teams in the country. | 0:23:25 | 0:23:30 | |
How are the kids? They're with a neighbour. I guess they'll have turned the TV off. | 0:23:31 | 0:23:36 | |
This could be a while here... No, I'm staying. I'm not leaving till she's out of there. | 0:23:36 | 0:23:42 | |
And they got air conditioning in there, right? | 0:23:49 | 0:23:52 | |
-And water, running water? -Yes, I saw it. | 0:23:57 | 0:24:01 | |
-You're not gonna pass out on me, are you? -I'll be all right. We're in this together, right? | 0:24:01 | 0:24:07 | |
I'll flat blow you away. | 0:24:07 | 0:24:10 | |
-I mean it. -I'll be all right. It's just the heat here. | 0:24:10 | 0:24:15 | |
Well, you'd better, cos I ain't fooling around with you. | 0:24:17 | 0:24:21 | |
What's going on? Where are they going? | 0:24:38 | 0:24:42 | |
If they do drop the guy, it's all over, right? | 0:24:42 | 0:24:45 | |
Yeah... | 0:24:45 | 0:24:47 | |
Listen, Harvey, they're never going to endanger her for one second. I mean that! Never! | 0:24:47 | 0:24:52 | |
I'm no good at this, no good at all. | 0:24:54 | 0:24:57 | |
Team C, team D, this is Talbot. | 0:24:59 | 0:25:03 | |
Ease away and stay out of sight. | 0:25:04 | 0:25:07 | |
I don't want to surprise this guy. | 0:25:07 | 0:25:10 | |
All right, Boyd, | 0:25:12 | 0:25:14 | |
we've got some good news for you. | 0:25:14 | 0:25:17 | |
I've been fair with you and I know you're going to be fair with me. | 0:25:17 | 0:25:21 | |
I've cleared the tracks between the boxcar and the shack. | 0:25:21 | 0:25:25 | |
Your only route is to that shack. I can't cut you any more leeway. | 0:25:25 | 0:25:29 | |
-Boy, am I glad you're here! -Harvey, how are you doing? -Not so hot. | 0:25:34 | 0:25:38 | |
-They've got it pretty well under control. -That's what they tell me. | 0:25:38 | 0:25:43 | |
Chris, I am scared to death here. | 0:25:43 | 0:25:46 | |
That's no dummy out there. That's Mary Beth, right? | 0:25:46 | 0:25:49 | |
-Does the kid know what she's doing or not? -Sure she does. I just wish there was something I could do. | 0:25:49 | 0:25:56 | |
So do I. I got something for you. | 0:25:56 | 0:25:58 | |
Here. | 0:25:58 | 0:26:00 | |
Uniforms...they picked this up at the site. | 0:26:00 | 0:26:04 | |
You give it to her. | 0:26:04 | 0:26:06 | |
-All right, Boyd. We're ready for your move. -They're coming out. -You won't see a single officer. | 0:26:06 | 0:26:13 | |
No-one will threaten your safety. | 0:26:13 | 0:26:15 | |
All right. Let's move. Turn around. Come on. | 0:26:15 | 0:26:18 | |
Go straight into the shack. That's your only chance for safety. No detours. | 0:26:18 | 0:26:23 | |
Understand? That would be dangerous. | 0:26:23 | 0:26:27 | |
They're coming out. | 0:26:29 | 0:26:32 | |
He's got her tethered. He's got a belt around her neck. | 0:26:32 | 0:26:35 | |
Damn! | 0:26:35 | 0:26:38 | |
What we're looking for is targeted opportunity. | 0:26:43 | 0:26:46 | |
You've got the green light. | 0:26:47 | 0:26:50 | |
-You've got the green light to shoot. -Roger. | 0:26:50 | 0:26:53 | |
I don't want a miss, gentlemen. | 0:26:54 | 0:26:56 | |
I don't want a dead officer there. | 0:26:57 | 0:27:01 | |
This kid knows what he's doing. | 0:27:13 | 0:27:16 | |
Damn! They made it. | 0:27:35 | 0:27:37 | |
All right, Lieutenant. We've got a few surprises in there for him. | 0:27:53 | 0:27:58 | |
He shut the power off! | 0:27:58 | 0:28:00 | |
No water either. | 0:28:06 | 0:28:08 | |
They shut everything off! | 0:28:08 | 0:28:10 | |
-You knew about this, didn't you? -It's procedure. It's in the book. | 0:28:10 | 0:28:14 | |
You knew about this. | 0:28:14 | 0:28:17 | |
You let me be a walking target out there! Didn't you?! Didn't you? | 0:28:17 | 0:28:22 | |
-We had to get out of there. -This was a set-up and I fell for it. | 0:28:22 | 0:28:26 | |
HELICOPTER WHIRS | 0:28:26 | 0:28:29 | |
There's no covers on the windows. Why is that? | 0:28:34 | 0:28:38 | |
Come on, you know everything! Why? | 0:28:38 | 0:28:40 | |
Snipers, right? Boy, you guys never give up, do you? | 0:28:40 | 0:28:45 | |
-You ready? -Yeah, I'm ready. | 0:28:45 | 0:28:48 | |
We cover the windows... PHONE RINGS | 0:28:48 | 0:28:51 | |
Gonna get that? | 0:28:52 | 0:28:54 | |
We're coming! Hang on! | 0:29:00 | 0:29:03 | |
-This is King. How we doing in there? -You know damn well! -Come on, Boyd, you got what you wanted. | 0:29:10 | 0:29:16 | |
You blew it. You lied! You said there'd be air conditioning here. | 0:29:16 | 0:29:21 | |
-I didn't lie. I never said it was working. -I want the water on and the power on, right now! | 0:29:21 | 0:29:26 | |
You don't understand. You're not in control - I am. | 0:29:26 | 0:29:30 | |
You want the power on? Fine! You've gotta give me something. | 0:29:30 | 0:29:34 | |
I'll give you something, all right. | 0:29:34 | 0:29:36 | |
You want me to give you something? | 0:29:36 | 0:29:38 | |
Here, how's this? | 0:29:38 | 0:29:40 | |
There, how's that? I'll give you a body. How's that, huh? | 0:29:40 | 0:29:45 | |
How's that? You see that? | 0:29:45 | 0:29:47 | |
-I'll give you one or the other, but not both. -Don't push me, King. | 0:29:47 | 0:29:52 | |
You're running out of time, buddy. | 0:29:52 | 0:29:54 | |
Looks like we've got a stand-off. | 0:29:54 | 0:29:56 | |
You want me to waste this cop right here? Is that what you want? | 0:29:56 | 0:30:01 | |
Go easy. | 0:30:01 | 0:30:03 | |
Boyd, let's settle down a little. | 0:30:03 | 0:30:06 | |
-You have to trust me. -Blow it off! | 0:30:06 | 0:30:08 | |
I'll turn the water and power on. Then you'll know you can trust me. I'm going to send an officer down. | 0:30:08 | 0:30:15 | |
-No cops! -Then things stay as they are. I can't send a civilian. | 0:30:15 | 0:30:19 | |
You know I can't do that. | 0:30:19 | 0:30:22 | |
Boyd? | 0:30:24 | 0:30:26 | |
Boyd? | 0:30:26 | 0:30:28 | |
All right. Send a woman, that broad she was with before. | 0:30:28 | 0:30:31 | |
-It's going to take a little time. -Time is something you ain't got. -Boyd, she may not want to come. | 0:30:31 | 0:30:37 | |
I'll have to guarantee her safety. I'll get back to you in 10. | 0:30:37 | 0:30:42 | |
-Can you conceal a weapon on me? -I thought you were running the legwork. -I got help. | 0:30:49 | 0:30:55 | |
-You really wanna go down there? -I can think of things I'd rather do. But I'm going. | 0:30:55 | 0:31:00 | |
So, Boyd, what do you think all this will get you? | 0:31:00 | 0:31:04 | |
-Out of jail, what else? -Where do you think you are now? Look around! | 0:31:04 | 0:31:09 | |
On my way out of here. | 0:31:17 | 0:31:20 | |
Sure about that? | 0:31:20 | 0:31:22 | |
You just watch. | 0:31:34 | 0:31:36 | |
Boyd, would you look at me, please? | 0:31:56 | 0:31:59 | |
Hey, come on. | 0:32:02 | 0:32:04 | |
There's no way it's gonna happen. | 0:32:07 | 0:32:10 | |
They're never going to take me out of here alive. | 0:32:19 | 0:32:22 | |
The way I figure it... | 0:32:22 | 0:32:25 | |
as long as you're with me, I'm calling the shots. | 0:32:25 | 0:32:29 | |
Where I go, you go. | 0:32:29 | 0:32:31 | |
It's pretty simple. | 0:32:31 | 0:32:33 | |
MUFFLED SIRENS | 0:32:34 | 0:32:37 | |
-How many years together on the force? -14. | 0:32:47 | 0:32:51 | |
-And does the hostage have a family? -Yes, a husband and two boys... | 0:32:51 | 0:32:55 | |
-Excuse me. What'd you get? -Try this. | 0:32:55 | 0:32:59 | |
His general description fits. | 0:32:59 | 0:33:02 | |
-That's him. -Boyd Evan Strouder, parole-jumper out of Illinois. | 0:33:02 | 0:33:07 | |
-Excuse me. We ID'd him. -Let's see that. | 0:33:07 | 0:33:11 | |
Heavy ugly sheet. Went down for manslaughter, beat 2 murder charges. | 0:33:11 | 0:33:16 | |
-This is what I've been dealing with. OK. -Good work, you two. -Yes, terrific. Thank you. | 0:33:16 | 0:33:21 | |
It was the computer run. 84 Boyds! But I got him. | 0:33:21 | 0:33:26 | |
I want 200,000 and a police car with a radio so I know I'm not being followed. | 0:33:29 | 0:33:34 | |
One thing at a time, pal. We're turning on the water and the power. | 0:33:34 | 0:33:38 | |
-Let's not get carried away. -I want the cash and I want the car, right now! | 0:33:38 | 0:33:44 | |
That's a tall order. You want 200,000. You want it now? | 0:33:44 | 0:33:48 | |
-Right. -It'll take a little time. I'll get back to you in...10. | 0:33:48 | 0:33:52 | |
-You heard him. What do you think? -This could be the break we're looking for. -Right. | 0:33:57 | 0:34:02 | |
-He's a hard case. -You won't crack him. -He's pulled the trigger twice. | 0:34:02 | 0:34:06 | |
This guy is a psychopathic personality! He's very disturbed, very unpredictable. | 0:34:06 | 0:34:12 | |
So? | 0:34:13 | 0:34:15 | |
So we're going to take him out. | 0:34:15 | 0:34:18 | |
When we were in the shack, I had these pictures taken. You see this bulletin board? | 0:34:26 | 0:34:32 | |
It's now over this window. | 0:34:32 | 0:34:34 | |
This desk is up-ended over this one, the yard map's tacked over that one. | 0:34:34 | 0:34:39 | |
The odds are that the door's not barricaded. | 0:34:39 | 0:34:42 | |
So what we're going to do is this... | 0:34:42 | 0:34:45 | |
We've got a two-pronged attack - a team flanking the door and a sniper for a shot through the window. | 0:34:45 | 0:34:51 | |
-That window's covered. -Yes, but the glass is broken. | 0:34:51 | 0:34:55 | |
Oh. Sorry. | 0:34:55 | 0:34:57 | |
-Kids throwing stones. -So we're going to send you down there. | 0:34:57 | 0:35:02 | |
He thinks you'll turn on the power and the water. So play it that way. | 0:35:02 | 0:35:06 | |
-All right. -From the moment you leave the CP, you'll be fully exposed to Boyd's view. | 0:35:06 | 0:35:12 | |
I'm going to keep him on the phone while the team slips into position, | 0:35:12 | 0:35:17 | |
while he's checking you out and I'm talking to him. | 0:35:17 | 0:35:20 | |
-OK. -You're going to be unarmed. You know that? | 0:35:20 | 0:35:24 | |
All he has is a handgun. It's not very accurate. | 0:35:24 | 0:35:28 | |
-That's what they tell me. -You'll be wearing a bulletproof vest. | 0:35:28 | 0:35:32 | |
-Fine. -I want you to understand, | 0:35:33 | 0:35:36 | |
this whole operation is keyed on you. If at any time it feels hinky, call it off and get the hell out. | 0:35:36 | 0:35:41 | |
All right. Uh...what's your trick? How are you going to take him down? | 0:35:41 | 0:35:46 | |
Here's what happens. You'll move down the track toward the shack. | 0:35:46 | 0:35:51 | |
He won't take his eyes off you, because you're a threat. | 0:35:51 | 0:35:54 | |
The switch for the power is here, at the far end of the track. | 0:35:54 | 0:35:58 | |
Boyd will be over here on the phone, talking to King. | 0:35:58 | 0:36:02 | |
-Sooner or later, you'll pass out of his line of vision, right? -Yeah. | 0:36:02 | 0:36:06 | |
He won't like that. He'll want to check up on you. | 0:36:06 | 0:36:10 | |
-So? -So what we'll do is confuse the suspect by giving him two choices. | 0:36:11 | 0:36:16 | |
As soon as you pass out of sight, I'll roll that getaway car out. | 0:36:16 | 0:36:20 | |
You'll be wired, so you'll hear what we say. If he takes the bait, | 0:36:20 | 0:36:24 | |
he'll look at that car, and I'll be talking to him. | 0:36:24 | 0:36:28 | |
When he does, that puts his back to your window and the front door. He'll never know what hit him. | 0:36:28 | 0:36:35 | |
How are you gonna get a clean shot? | 0:36:36 | 0:36:39 | |
You'll be monitoring the call, so you'll know by Boyd's conversation when he's looking at the car. | 0:36:39 | 0:36:44 | |
Reach up through the broken window, pull the map down, dive for cover. | 0:36:44 | 0:36:49 | |
That'll open him up to the snipers. | 0:36:49 | 0:36:51 | |
They'll drop him as a team enters. | 0:36:51 | 0:36:54 | |
This is your show, really. You think you're up to it? | 0:36:54 | 0:36:58 | |
You just tell me when. | 0:36:58 | 0:37:00 | |
-Two minutes. -All right. | 0:37:00 | 0:37:02 | |
How are you, Harvey? Paul, how are you doing? | 0:37:11 | 0:37:15 | |
OK. | 0:37:15 | 0:37:16 | |
I guess that's it, huh? | 0:37:16 | 0:37:19 | |
Yeah, that's the shack down there. | 0:37:19 | 0:37:22 | |
And Mary Beth? How's she doing? | 0:37:22 | 0:37:25 | |
She's still in there. She's fine as far as we know. | 0:37:25 | 0:37:29 | |
She can be a very persistent lady, you know. | 0:37:29 | 0:37:32 | |
I know. | 0:37:32 | 0:37:34 | |
Who's minding the store? | 0:37:34 | 0:37:37 | |
It's six thirty. | 0:37:37 | 0:37:39 | |
It's only six thirty? | 0:37:39 | 0:37:41 | |
I feel like I've been here half my life. | 0:37:41 | 0:37:45 | |
-Where did you get that? -Out of your bag, what do you think? | 0:37:49 | 0:37:53 | |
Oh, yeah - the kids' lunch. I forgot. | 0:37:53 | 0:37:57 | |
Don't suppose I could have a bite? | 0:37:59 | 0:38:01 | |
It IS mine. | 0:38:05 | 0:38:07 | |
-You got kids, huh? -Yeah. Two boys. | 0:38:12 | 0:38:15 | |
Nice. Nice boys. | 0:38:15 | 0:38:17 | |
How do they feel about funerals? | 0:38:17 | 0:38:20 | |
-Where's your friend? -Hey! -He said he'd call. -He said 10 minutes. -I'm getting tired of this. | 0:38:28 | 0:38:33 | |
Stop looking at me! Every time I look over, you're staring at me. | 0:38:33 | 0:38:38 | |
I was just thinking about funerals. | 0:38:38 | 0:38:40 | |
You know, I've been a cop 14 years. I never got used to dead bodies. | 0:38:40 | 0:38:45 | |
-I'd hate to see you dead, Boyd. -Who's gonna be dead, huh? | 0:38:45 | 0:38:50 | |
Who's gonna be dead? | 0:38:51 | 0:38:53 | |
PHONE RINGS | 0:38:53 | 0:38:55 | |
-It's about time! -I said 10 minutes, Boyd. It's been exactly 10 minutes. | 0:38:55 | 0:39:01 | |
-I want you to look out the west window. -Sure(!) And get blown away? | 0:39:01 | 0:39:05 | |
All right, don't, but it's a woman. It's what you asked for. She's unarmed. She's on her way. | 0:39:05 | 0:39:11 | |
She'll turn the power and water on. You ought to check her out. | 0:39:11 | 0:39:14 | |
OK, I see her. | 0:39:20 | 0:39:22 | |
She pulls one move and they're both dead! One move, King, | 0:39:22 | 0:39:26 | |
and they're both dead. You got that? | 0:39:26 | 0:39:29 | |
-She'll go round the east side to where the switches are. -Yeah. What about the car I asked for? | 0:39:39 | 0:39:46 | |
-I told you, I'm working on it. -Sure you are(!) -You talk like you don't believe me. -I don't believe you. | 0:39:46 | 0:39:52 | |
How do you want the cash? | 0:39:56 | 0:39:59 | |
-Large bills or small? -All right, King, don't jive me! | 0:39:59 | 0:40:03 | |
I want the car and the 200,000. | 0:40:05 | 0:40:08 | |
YOU work it out! | 0:40:08 | 0:40:10 | |
Take it easy. You've given me a lot to do. I can't pass miracles. | 0:40:13 | 0:40:18 | |
You want this lady alive?! Then you do like I tell you! | 0:40:18 | 0:40:22 | |
Got that? | 0:40:25 | 0:40:27 | |
Hey, where's she going? | 0:40:40 | 0:40:42 | |
Where's that policewoman going? | 0:40:42 | 0:40:45 | |
Speak to me. Come on, tell me! Where's she going?! | 0:40:45 | 0:40:50 | |
Where'd she go?! | 0:40:50 | 0:40:52 | |
She has to go round the other side to reach the utilities. I told you. | 0:40:53 | 0:40:59 | |
-How do I know she ain't got a bomb? -Boyd, you checked her out. Will you take it easy? | 0:40:59 | 0:41:04 | |
I don't like this at all, King. | 0:41:04 | 0:41:07 | |
Do you want the water on? Do you want the air conditioning on? | 0:41:07 | 0:41:12 | |
Are you listening to me? | 0:41:13 | 0:41:15 | |
Boyd? | 0:41:15 | 0:41:18 | |
Boyd? | 0:41:22 | 0:41:24 | |
Boyd? | 0:41:29 | 0:41:31 | |
Boyd, I got your car ready. | 0:41:31 | 0:41:33 | |
-You wanna see it? -I wanna know where that policewoman is! Hear me?! | 0:41:33 | 0:41:38 | |
I told you, she's going round the other side. We're rolling out the car now. Look towards the CP. | 0:41:38 | 0:41:43 | |
-Unmarked, right? -Hold it! | 0:41:43 | 0:41:46 | |
You said police car! | 0:41:46 | 0:41:49 | |
A police car has markings. | 0:41:51 | 0:41:54 | |
OK, King. Everybody is in position. | 0:42:04 | 0:42:07 | |
I changed my mind! I want an unmarked car. You got that?! | 0:42:07 | 0:42:11 | |
OK, but these things are not built for speed. You wanna move. | 0:42:11 | 0:42:15 | |
-I said unmarked, that's what I want! -All right. But it'll take time. -You're fooling around with me! | 0:42:15 | 0:42:21 | |
Listen, did you check it out, did you see the car? | 0:42:21 | 0:42:25 | |
It can do 125 miles an hour. It's got a heavy built engine. | 0:42:25 | 0:42:29 | |
-You never know when it'll come in handy. -I don't see it. | 0:42:29 | 0:42:32 | |
-I don't see no police car. Where is it? -We're rolling it out now. | 0:42:32 | 0:42:37 | |
Look at it! | 0:42:47 | 0:42:49 | |
Yeah, I see it. I see it. It's no good! | 0:42:52 | 0:42:56 | |
SHE SOBS | 0:43:28 | 0:43:31 | |
'Is the suspect neutralised?' | 0:43:33 | 0:43:36 | |
Oh, my God! | 0:43:36 | 0:43:38 | |
-Don't look at me, Chris! Don't look at me! -Shh... | 0:43:38 | 0:43:42 | |
Shh... | 0:43:42 | 0:43:43 | |
Is the suspect neutralised? | 0:43:43 | 0:43:46 | |
What the hell is going on there? | 0:43:46 | 0:43:48 | |
Somebody talk to me, dammit! | 0:43:48 | 0:43:51 | |
Get these off of me! Get me out of these! | 0:43:51 | 0:43:54 | |
Shh... | 0:43:54 | 0:43:56 | |
Come on, come on! | 0:43:56 | 0:43:58 | |
Ow! | 0:43:58 | 0:43:59 | |
'Is the suspect neutralised?' | 0:43:59 | 0:44:02 | |
Let me see you. | 0:44:02 | 0:44:04 | |
-Somebody talk to me! Is the suspect neutralised? -Wait... | 0:44:08 | 0:44:12 | |
Affirmative. | 0:44:14 | 0:44:16 | |
It's OK. | 0:44:17 | 0:44:19 | |
Take me home, would you? | 0:44:23 | 0:44:26 | |
Yeah. | 0:44:26 | 0:44:27 | |
Let's get the hell out. | 0:44:27 | 0:44:30 | |
SIRENS AND SHOUTING | 0:44:31 | 0:44:34 | |
SPEECH DROWNED BY SIRENS | 0:44:37 | 0:44:40 | |
Subtitles by BBC Broadcast - 2003 | 0:45:03 | 0:45:07 |