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-I have an idea. -What? | 0:01:28 | 0:01:31 | |
We don't have to move from this exact spot. | 0:01:32 | 0:01:35 | |
Whatever do you mean? | 0:01:35 | 0:01:38 | |
-You have no romance. -I thought that's what I was talking about! | 0:01:38 | 0:01:44 | |
I keep reading all these columns... | 0:01:44 | 0:01:46 | |
..how women expect more out of love than a quick roll in the hay, | 0:01:48 | 0:01:53 | |
like flowers... | 0:01:53 | 0:01:56 | |
You brought me flowers last night. | 0:01:56 | 0:01:59 | |
-..candy... -Rots your teeth. -..breakfast in bed... | 0:01:59 | 0:02:02 | |
Are you gonna cook? | 0:02:02 | 0:02:05 | |
-I'm gonna have it delivered. I'm a modern man. -Of course(!) -I am! | 0:02:06 | 0:02:11 | |
-Oh, come on! -Croissants... | 0:02:11 | 0:02:14 | |
coffee, quiche and juice, | 0:02:14 | 0:02:16 | |
served by a butler, in bed, in a tuxedo, who is about to arrive in ten minutes. | 0:02:16 | 0:02:23 | |
-Are you kidding? -I am not, and I think we should be presentable. | 0:02:23 | 0:02:28 | |
-You're lying! -I am not! He's going to be here in ten minutes. | 0:02:28 | 0:02:33 | |
-Ten minutes? -Ten minutes. | 0:02:35 | 0:02:38 | |
Maybe he'll be late. | 0:02:38 | 0:02:41 | |
KNOCKING | 0:03:01 | 0:03:03 | |
Good, you're here. The lady's still in the shower. Could you be changed and set up...? | 0:03:04 | 0:03:11 | |
Oh, it's too late. I really want this to be something special, OK? | 0:03:11 | 0:03:15 | |
Put these on the tray. | 0:03:17 | 0:03:20 | |
Chris, breakfast is ready! | 0:03:20 | 0:03:22 | |
Should we just get back in bed? | 0:03:22 | 0:03:25 | |
OK! | 0:03:26 | 0:03:28 | |
Ta-ta! | 0:03:28 | 0:03:30 | |
Pop! | 0:03:33 | 0:03:36 | |
-You don't know my father! -I'm certain he knows that you are...sexually active. | 0:03:37 | 0:03:43 | |
Thanks for the discreet phrase(!) You make it sound like poisoning. | 0:03:43 | 0:03:48 | |
I'm not making a judgement. You told him about Dory, right? | 0:03:48 | 0:03:52 | |
It is one thing for a father - my father - to know that I...know men. | 0:03:52 | 0:03:57 | |
But for him to walk in like that... | 0:03:57 | 0:04:00 | |
-I don't know what to do. -You want advice? -No. | 0:04:00 | 0:04:04 | |
I'm just trying to make appropriate responses here. | 0:04:04 | 0:04:08 | |
-I want to look at a corpse, OK? -You are a joy(!) | 0:04:08 | 0:04:12 | |
-I hate suicides. -Oh, so, a nice jolly murder? | 0:04:12 | 0:04:16 | |
-I know how it feels to want to kill somebody. -Anybody I know? -Yeah. | 0:04:16 | 0:04:22 | |
Your partner who's charming on a Monday morning. | 0:04:22 | 0:04:25 | |
-It surprised everybody. -Detectives Lacey and Cagney. -Upstairs. 17D. | 0:04:25 | 0:04:31 | |
It's such a shame. A real shame. | 0:04:31 | 0:04:33 | |
They were nice people, the Tantons. | 0:04:33 | 0:04:36 | |
Tipped very well. | 0:04:36 | 0:04:38 | |
Thank you. | 0:04:38 | 0:04:40 | |
I love New York! | 0:04:42 | 0:04:44 | |
-Oh, Lord, that's whatshisname! -Sinclair, with the terrible puns. "If you'll excuse the expression." | 0:04:55 | 0:05:02 | |
Father. | 0:05:03 | 0:05:05 | |
Ah, the lady detectives, Casey and Lacey! | 0:05:05 | 0:05:08 | |
Cagney and Lacey. So, what do we have? | 0:05:08 | 0:05:12 | |
-You don't want to look. A gun to the temple is messy. -Any idea on motive? -You might say he lost his head! | 0:05:12 | 0:05:20 | |
Come on, Sinclair. Give us a break. | 0:05:20 | 0:05:23 | |
I can't just pass those things up. | 0:05:23 | 0:05:25 | |
There's a note in the typewriter. | 0:05:25 | 0:05:28 | |
-Has anyone touched it? -Deceased and widow. She found him. She's in her bedroom - separate bedroom! | 0:05:28 | 0:05:35 | |
-If I get the body downtown now, I'll get a preliminary by this afternoon. -Are you through with your photos? | 0:05:35 | 0:05:42 | |
Sure you want to do that? | 0:05:44 | 0:05:48 | |
OK, boys. Take him away. I'll try to read what's left of his mind. | 0:05:58 | 0:06:03 | |
I got home about... | 0:06:10 | 0:06:13 | |
..ten o'clock last night | 0:06:15 | 0:06:17 | |
and Peter had told me that he was going to be working and he... | 0:06:17 | 0:06:22 | |
doesn't like me to disturb him when he's working, so...I went right to bed. | 0:06:22 | 0:06:29 | |
Woke up about... I guess it was four o'clock | 0:06:29 | 0:06:33 | |
and I went to get a drink of water and saw he wasn't in his room, but he often falls asleep in the study | 0:06:33 | 0:06:41 | |
and then it was... | 0:06:41 | 0:06:43 | |
..six... | 0:06:45 | 0:06:47 | |
..when I found him. | 0:06:49 | 0:06:52 | |
We know how hard this is on you, but we have to do it. Do you have any idea why he would kill himself? | 0:06:54 | 0:07:01 | |
-There was a note. -Yes, Mrs Tanton, but it was pretty vague. | 0:07:04 | 0:07:09 | |
He said there was no...purpose any more. | 0:07:11 | 0:07:15 | |
You live with a man for 25 years and... | 0:07:15 | 0:07:19 | |
..there are things about him you don't know. | 0:07:20 | 0:07:23 | |
He was a stranger. | 0:07:29 | 0:07:31 | |
-Doesn't feel right. -I don't like the idea of a typed suicide note. -With no signature. Listen. | 0:07:33 | 0:07:40 | |
"I apologise for the pain I have caused. | 0:07:40 | 0:07:43 | |
"I have been neither a good father nor a good husband, for which I ask forgiveness." | 0:07:43 | 0:07:49 | |
-What kind of suicide worries about a dangling whatsit? -A careful man. -Who splashes himself over the room? | 0:07:49 | 0:07:56 | |
-Cab? -No, thanks. We've got our own. | 0:07:56 | 0:07:59 | |
What kind of wife waits two hours to check on her husband? | 0:08:03 | 0:08:07 | |
Not everybody is as happily married as you. | 0:08:07 | 0:08:11 | |
-You wanted a homicide. -Which we won't even get. The Lieutenant wants the Lekowski report. | 0:08:11 | 0:08:17 | |
-We'll work on that till the autopsy's done. What's the problem? -I loathe optimism. | 0:08:17 | 0:08:23 | |
-Have you got the Lekowski report? -I'm working on it now, sir. | 0:08:23 | 0:08:28 | |
-I want it today. -On your desk. | 0:08:28 | 0:08:31 | |
-D'you talk to the medical examiner? -Yeah, he said... Oh, never mind. | 0:08:36 | 0:08:41 | |
What'd he say? | 0:08:41 | 0:08:44 | |
He said he had a good head start on it. | 0:08:44 | 0:08:47 | |
Very sick man. | 0:08:49 | 0:08:51 | |
-In light of the medical examiner's report, we need to ask a few more questions. -OK. | 0:08:56 | 0:09:02 | |
Do you know anybody who would want to harm your husband? | 0:09:02 | 0:09:06 | |
No. | 0:09:06 | 0:09:08 | |
He was a very POPULAR man. | 0:09:08 | 0:09:11 | |
No enemies? None at all? | 0:09:11 | 0:09:14 | |
No. | 0:09:14 | 0:09:15 | |
-Did he ever discuss any problems regarding business with you? -No. | 0:09:15 | 0:09:20 | |
-There was no sign of a forced entry and nothing was missing? -Not that I'm aware of, no. | 0:09:20 | 0:09:27 | |
It would appear that whoever shot your husband was someone that he probably knew. | 0:09:28 | 0:09:35 | |
Did he mention anyone coming to visit him last night? | 0:09:35 | 0:09:39 | |
No. | 0:09:39 | 0:09:42 | |
-We'll have to talk to a few other people - business associates, friends, your daughter... -Jane? | 0:09:42 | 0:09:49 | |
-Why would you bring her into this? -Her father may have talked to her. | 0:09:49 | 0:09:54 | |
No. | 0:09:54 | 0:09:56 | |
They...rarely spoke to each other. | 0:09:56 | 0:10:00 | |
Yes, ma'am. We'd still like to talk to her. | 0:10:00 | 0:10:04 | |
-No. -I beg your pardon? | 0:10:04 | 0:10:07 | |
I'm afraid I...I can't allow that. | 0:10:07 | 0:10:11 | |
She's a...a very emotional girl. | 0:10:11 | 0:10:14 | |
I'm sorry, but it's necessary. | 0:10:14 | 0:10:17 | |
In fact, it would help if you could give us names and addresses of... | 0:10:23 | 0:10:28 | |
Mrs Tanton? | 0:10:28 | 0:10:30 | |
It's...no use. | 0:10:35 | 0:10:38 | |
Ma'am? | 0:10:38 | 0:10:40 | |
You don't need to talk to anyone else. | 0:10:40 | 0:10:43 | |
I killed my husband. | 0:10:50 | 0:10:53 | |
-Case closed. Move on. -Yes, sir. Only we're not entirely satisfied. | 0:11:01 | 0:11:06 | |
-Why? You got a confession. The DA's office is happy. -Yes, sir, but we didn't get a motive. | 0:11:06 | 0:11:13 | |
-She told us she killed him, typed the note, then waited. -Two hours. | 0:11:13 | 0:11:18 | |
But she won't say why she did it. | 0:11:18 | 0:11:21 | |
They've been married for what, 25 years? Tell her, Lacey - it happens. | 0:11:21 | 0:11:26 | |
-Yes, but we asked her why and she said it wasn't important. -That's not acceptable. | 0:11:26 | 0:11:33 | |
-We'd like to stay on it. -Yeah, but you still got the warehouse break-ins? -Yes, sir. | 0:11:33 | 0:11:39 | |
And the social security muggings? I've yet to see the Lekowski report. | 0:11:39 | 0:11:44 | |
-Yes, sir. -And you got time to mess around with this? -With respect... | 0:11:44 | 0:11:49 | |
You want to have some more work? OK, I got some more work for you. | 0:11:49 | 0:11:55 | |
-Here. -No, sir, really, that's fine. Thank you. | 0:11:55 | 0:11:59 | |
Annual performance evaluations. | 0:11:59 | 0:12:01 | |
Mary Beth Lacey. Christine Cagney. | 0:12:01 | 0:12:04 | |
Look 'em over. Initial 'em. I don't think you'll be too unhappy. | 0:12:04 | 0:12:09 | |
Thank you, sir. | 0:12:09 | 0:12:11 | |
-What do we do now, partner? -The Lekowski report first. | 0:12:11 | 0:12:16 | |
What's that? | 0:12:19 | 0:12:21 | |
Would you look at this! | 0:12:22 | 0:12:25 | |
Highest grades in ten categories, second-highest in the other one. | 0:12:26 | 0:12:31 | |
Communication skills - he says that I'm sometimes... What does he say? | 0:12:31 | 0:12:36 | |
Brusque! I've never been brusque! | 0:12:36 | 0:12:39 | |
If I were a man, he wouldn't say "brusque" - he'd say "aggressive". | 0:12:39 | 0:12:44 | |
Mary Beth, do you find me brusque? | 0:12:44 | 0:12:47 | |
I understand how you feel, but sometimes you are a little... | 0:12:47 | 0:12:52 | |
-less than tactful. -But never brusque! I'm gonna talk to him. | 0:12:52 | 0:12:56 | |
-Excuse me, Lieutenant. -Oh, Cagney...come on in. | 0:12:59 | 0:13:03 | |
-Yes... -I've been thinking about it and maybe I was a little hasty. | 0:13:03 | 0:13:08 | |
I've been looking over the Tanton file and...I don't like it either. | 0:13:08 | 0:13:13 | |
Take a day. Talk to a few people and then we'll re-evaluate. | 0:13:15 | 0:13:19 | |
Something else? | 0:13:24 | 0:13:26 | |
No, sir. Thank you. | 0:13:26 | 0:13:29 | |
Thank you, sir. | 0:13:34 | 0:13:36 | |
Brusque! | 0:13:41 | 0:13:43 | |
-Hey, Dory. -Hello, Mr Cagney. -Hi. How are you? | 0:13:57 | 0:14:01 | |
So, you...got a minute for a drink? | 0:14:01 | 0:14:04 | |
-Sure. -There's a place round the corner. Come on. | 0:14:04 | 0:14:08 | |
URGENT KNOCKING | 0:14:08 | 0:14:11 | |
KNOCKING CONTINUES | 0:14:13 | 0:14:16 | |
I'm coming! Hold your horses! | 0:14:18 | 0:14:21 | |
Oh, Chris, come in. Something wrong? | 0:14:21 | 0:14:24 | |
-You're damn straight! What do you think you were doing tonight? -Want some coffee? I could make it fresh. | 0:14:24 | 0:14:30 | |
Is it your plan to cross-examine every one of my boyfriends? | 0:14:30 | 0:14:35 | |
-All I did was buy the guy a coffee! -You were trying to find out... | 0:14:35 | 0:14:40 | |
-whether Dory's intentions were honourable... -Oh, come on! -..which is none of your business. | 0:14:40 | 0:14:47 | |
Wait one minute, young lady! It's a father's business to know who his daughter's... | 0:14:47 | 0:14:53 | |
-associating with. -Sleeping with. I am an adult. -And I'm your father. | 0:14:53 | 0:14:58 | |
-I raised you and I love you, and what you do... -Reflects back on you. | 0:14:58 | 0:15:04 | |
..affects me. | 0:15:05 | 0:15:07 | |
I am hardly what you would call promiscuous. | 0:15:10 | 0:15:14 | |
I am 38 years old, Daddy, | 0:15:14 | 0:15:17 | |
-and who I spend my time with... -Sleep with. | 0:15:17 | 0:15:21 | |
..is nobody's business but my own. | 0:15:21 | 0:15:24 | |
Charlie...you're the one that told me a parent's job was to become obsolete. | 0:15:28 | 0:15:35 | |
You said it had to end. You did. | 0:15:35 | 0:15:37 | |
-At 18 or 21 or somewhere, it's got to end... -No, no, honey... | 0:15:37 | 0:15:42 | |
Not if you care. Then it never ends. Just the job description changes... | 0:15:42 | 0:15:47 | |
If I wanted you to meet Dory, I'd have introduced you. | 0:15:47 | 0:15:51 | |
That's terrific(!) He's good enough to sleep with, but not to meet me. | 0:15:51 | 0:15:56 | |
He came crying to you because I bought him coffee. | 0:15:56 | 0:16:00 | |
You know why he told me? He thought it was nice. I don't. | 0:16:00 | 0:16:04 | |
You leave him alone, Charlie. | 0:16:08 | 0:16:10 | |
How can you get serious about anyone who roots for the Boston Celtics? | 0:16:15 | 0:16:20 | |
-Miss Tanton. -You! Do you know what you've done? | 0:16:36 | 0:16:40 | |
Do you have any idea? This is a false arrest. | 0:16:40 | 0:16:44 | |
You have the wrong person. | 0:16:44 | 0:16:46 | |
-I'm a law student. I'll sue you for every penny you've... -Wait, lady. | 0:16:46 | 0:16:51 | |
-Your mother confessed to shooting your father. -Well, she didn't. He killed himself. | 0:16:51 | 0:16:57 | |
-He couldn't live with himself, so... -Miss Tanton, we have a medical examiner's report. | 0:16:57 | 0:17:04 | |
-It could not have been suicide. -That doesn't mean my mother did it. | 0:17:04 | 0:17:09 | |
She couldn't have. If you knew what kind of a person... the kindest, gentlest soul... | 0:17:09 | 0:17:16 | |
-We know this is hard on you... -Did you know she has a heart condition? -We'll have a doctor examine her. | 0:17:16 | 0:17:23 | |
You don't understand! My mother would never hurt anybody! | 0:17:23 | 0:17:27 | |
My father...ruined her life. | 0:17:33 | 0:17:37 | |
He made it hell for her and she never once confronted him. | 0:17:38 | 0:17:43 | |
She never even complained. | 0:17:43 | 0:17:46 | |
I used to beg her to leave him and she said she couldn't, that we had to love him. | 0:17:46 | 0:17:52 | |
-You understand? -Yes, but why'd she say she killed him? -He was evil. | 0:17:52 | 0:17:57 | |
-I'm asking about your mother. -What did he do? Did he beat her? | 0:17:57 | 0:18:02 | |
-He deserved to die! He was evil. -There must be a reason why she killed him. | 0:18:02 | 0:18:08 | |
-She didn't kill him! -She confessed to it! | 0:18:08 | 0:18:11 | |
-Miss Tanton...do you think maybe you'd better go home now? -No. | 0:18:13 | 0:18:19 | |
-No, I won't. -Please... -Are you deaf? -No. -Don't you listen to me? -Yes. | 0:18:19 | 0:18:23 | |
My mother's trying to protect me. | 0:18:25 | 0:18:27 | |
She didn't kill the bastard. | 0:18:27 | 0:18:30 | |
I did. | 0:18:30 | 0:18:33 | |
-What, so you're blaming us? -Who else? | 0:18:36 | 0:18:40 | |
Two confessions! | 0:18:40 | 0:18:42 | |
Let's say one of our confessed murderers - worse, both ladies - changes her mind. Then what? | 0:18:44 | 0:18:52 | |
Who do I file against? Pick one, any one? | 0:18:52 | 0:18:56 | |
And then what? I'll tell you what. | 0:18:56 | 0:18:59 | |
Smart defence lawyer takes it to a bleeding heart jury. | 0:18:59 | 0:19:03 | |
"How can we ever really know what happened on that fateful night? | 0:19:04 | 0:19:09 | |
"Is it not better that 100 guilty women be set free than one poor unfortunate unfairly convicted?" | 0:19:09 | 0:19:16 | |
Excuse me, but how exactly is it our fault? | 0:19:16 | 0:19:19 | |
I will reiterate - | 0:19:20 | 0:19:23 | |
I am not going to trial like this, OK? | 0:19:23 | 0:19:26 | |
Either tie them in together, or blow the air out of one of their stories, and we will pray to get out of this. | 0:19:26 | 0:19:33 | |
Capisce? I appreciate it, ladies. | 0:19:33 | 0:19:36 | |
Goodbye. | 0:19:38 | 0:19:40 | |
And good luck. | 0:19:42 | 0:19:44 | |
How exactly is this our fault? | 0:19:44 | 0:19:47 | |
Yes, Miss Panchez. OK, thank you. | 0:19:54 | 0:19:57 | |
Bingo! It is confirmed. We have a motive. | 0:19:57 | 0:20:01 | |
OK. | 0:20:01 | 0:20:02 | |
-Why aren't I happy? -Mary Beth, come on! We never believed Jane's confession, so we were right. | 0:20:02 | 0:20:10 | |
-You think the mother's for real? -I don't know. She had a good reason for murdering her husband. | 0:20:10 | 0:20:16 | |
So...we go confront Jane, we get her to retract. | 0:20:16 | 0:20:21 | |
I really hate this. | 0:20:21 | 0:20:23 | |
It's not my favourite thing either. | 0:20:23 | 0:20:26 | |
-Want to be bad cop or good cop? -It's up to you. Take your pick. | 0:20:26 | 0:20:31 | |
I am telling you I did it. What more do you bloodsuckers want? | 0:20:31 | 0:20:35 | |
You have to let my mother go. | 0:20:35 | 0:20:38 | |
-We don't have to do anything of the kind. -I don't believe you. | 0:20:38 | 0:20:43 | |
I did it. | 0:20:43 | 0:20:45 | |
It's my fault. | 0:20:45 | 0:20:48 | |
Good. Fine, Jane. Are you familiar with the name of Denise Manchester? | 0:20:48 | 0:20:54 | |
27 years old, part-time "model". | 0:20:54 | 0:20:56 | |
-I love that! She's living in an apartment rented in your father's name. -I know who she is. -I'll bet! | 0:20:56 | 0:21:04 | |
-She believed your father was going to leave your mother. -My mother told me. -Did she? -Finally got lucky. | 0:21:04 | 0:21:11 | |
You think that's how your mother felt? After 25 years of marriage? What are you, a mind-reader?! | 0:21:11 | 0:21:18 | |
You talk to her. | 0:21:20 | 0:21:22 | |
Miss Tanton, I can understand why you confessed. | 0:21:25 | 0:21:29 | |
You're close to your mother and want to help her, | 0:21:29 | 0:21:33 | |
but as a law student, you know what two confessions do to our case. | 0:21:33 | 0:21:38 | |
Miss Tanton? | 0:21:38 | 0:21:40 | |
Are you OK? | 0:21:40 | 0:21:43 | |
OK? | 0:21:43 | 0:21:45 | |
Oh, I'm fine! | 0:21:45 | 0:21:47 | |
It's you who's not OK! | 0:21:47 | 0:21:49 | |
You think you know everything and you're so stupid! | 0:21:49 | 0:21:54 | |
-Cut it out... -Shut up and listen to me! You don't know anything! | 0:21:54 | 0:21:58 | |
My father wasn't leaving my mother for another woman! | 0:21:58 | 0:22:01 | |
He was leaving her for two little girls. | 0:22:01 | 0:22:05 | |
I beg your pardon? | 0:22:05 | 0:22:08 | |
Denise Manchester has two little girls. | 0:22:08 | 0:22:11 | |
I don't know what you mean. | 0:22:11 | 0:22:14 | |
Miss Tanton, did your father...? | 0:22:16 | 0:22:18 | |
-I'm trying to say... did your father...? -He molested me. | 0:22:21 | 0:22:25 | |
He was a horrible, disgusting man. | 0:22:26 | 0:22:29 | |
I hated him. | 0:22:29 | 0:22:31 | |
Every night I prayed he wouldn't do it any more. | 0:22:31 | 0:22:35 | |
I wanted him to die. | 0:22:35 | 0:22:38 | |
-Oh, Lord, I'm sorry. -Sorry?! | 0:22:39 | 0:22:42 | |
My father forced me to have sex with him from the age of ten... until I could get out of the house. | 0:22:44 | 0:22:51 | |
Only it wasn't over then. | 0:22:51 | 0:22:54 | |
All the hate... | 0:22:55 | 0:22:57 | |
and the mess... | 0:22:57 | 0:23:00 | |
..and the guilt... | 0:23:01 | 0:23:03 | |
My life... | 0:23:05 | 0:23:07 | |
..is a disaster. | 0:23:09 | 0:23:11 | |
Two years of law school, that's all. | 0:23:11 | 0:23:14 | |
I never finish anything. | 0:23:14 | 0:23:17 | |
My marriage... | 0:23:18 | 0:23:21 | |
..men... | 0:23:22 | 0:23:24 | |
I think about that horrible filth and I want to die! | 0:23:26 | 0:23:30 | |
More than that, I want him dead. | 0:23:30 | 0:23:33 | |
He IS dead. | 0:23:33 | 0:23:36 | |
Jane, did you kill him? | 0:23:37 | 0:23:39 | |
When I heard about Denise Manchester... | 0:23:42 | 0:23:46 | |
and her two daughters... | 0:23:46 | 0:23:48 | |
Two little innocent girls! | 0:23:48 | 0:23:51 | |
..I couldn't let him do that again. | 0:23:51 | 0:23:54 | |
I went to tell him I'd expose him if he went ahead with it. | 0:23:54 | 0:23:58 | |
And do you know what he did? | 0:23:58 | 0:24:01 | |
He laughed at me. | 0:24:03 | 0:24:05 | |
You want to know why I killed him? | 0:24:05 | 0:24:08 | |
My life is a sewer | 0:24:08 | 0:24:11 | |
and it's his fault! | 0:24:11 | 0:24:14 | |
And he laughed at me! | 0:24:15 | 0:24:18 | |
Don't! | 0:24:19 | 0:24:21 | |
You OK? | 0:24:44 | 0:24:47 | |
The first time I broke an incest case, it was a kid under nine. | 0:24:47 | 0:24:52 | |
She'd be about the age Jane is now, and I was wondering if she still hurts the way that woman does. | 0:24:52 | 0:24:58 | |
Oh, I don't know... | 0:25:00 | 0:25:03 | |
No matter how long I do this, how many horrors I see, | 0:25:04 | 0:25:08 | |
sometimes I get one and I think, "When am I going to get tough? Why do I keep subjecting myself...?" | 0:25:08 | 0:25:15 | |
Family stuff is the worst. | 0:25:16 | 0:25:19 | |
Husbands and wives and... children and parents is the stuff that's supposed to make life... | 0:25:19 | 0:25:25 | |
..good. Right? | 0:25:27 | 0:25:29 | |
Instead it gets twisted up into something ugly. | 0:25:30 | 0:25:34 | |
Sorry! | 0:25:34 | 0:25:36 | |
I'm sorry. I'll be OK. | 0:25:36 | 0:25:39 | |
You're OK. | 0:25:40 | 0:25:43 | |
I worry about the rest of us. | 0:25:43 | 0:25:45 | |
Good afternoon. | 0:25:48 | 0:25:51 | |
-Mr Montgomery? -Yes. -Detective Cagney. -How do you do? | 0:25:51 | 0:25:55 | |
-Detective Lacey. -Detective. -Hello. | 0:25:55 | 0:25:57 | |
That chair... | 0:26:02 | 0:26:04 | |
-Hello, Julia. -Hello, Sam. -Please sit down. | 0:26:05 | 0:26:09 | |
-I want to go on record again - my client is talking to you over my objections. -Got it, Mr Montgomery. | 0:26:09 | 0:26:16 | |
Mrs Tanton...you've read your daughter's statement? | 0:26:18 | 0:26:22 | |
Yes. I didn't want... | 0:26:22 | 0:26:25 | |
I'm so sorry | 0:26:27 | 0:26:29 | |
Janey had to tell it to strangers. | 0:26:29 | 0:26:32 | |
-You knew about it all the time, didn't you? -No. I didn't know anything until then, that night. | 0:26:32 | 0:26:39 | |
I came home early and they were shouting so loud they didn't even hear me come in. | 0:26:39 | 0:26:46 | |
At first I didn't even recognise their voices, so I listened. | 0:26:46 | 0:26:51 | |
And I...I couldn't believe what Janey was accusing him of. | 0:26:52 | 0:26:58 | |
It was...too horrible. | 0:27:01 | 0:27:04 | |
And then she was gone. We didn't even see each other. | 0:27:05 | 0:27:09 | |
And I went into the study... | 0:27:09 | 0:27:12 | |
..and there was someone there that I'd never seen before... | 0:27:14 | 0:27:19 | |
in my life. | 0:27:19 | 0:27:21 | |
Never. | 0:27:21 | 0:27:23 | |
In 25 years. | 0:27:23 | 0:27:26 | |
That's when I knew it was true. | 0:27:30 | 0:27:34 | |
Peter just looked at me. | 0:27:37 | 0:27:39 | |
He didn't even seem surprised to see me. | 0:27:39 | 0:27:43 | |
And he said, | 0:27:44 | 0:27:47 | |
"Julia, this is all your fault. | 0:27:47 | 0:27:51 | |
"The whole thing. | 0:27:51 | 0:27:53 | |
"You didn't satisfy me. | 0:27:53 | 0:27:56 | |
"You were always too sick." | 0:27:56 | 0:27:59 | |
I was too sick?! | 0:28:00 | 0:28:03 | |
I remembered all the times Jane had asked me to take her with me... | 0:28:06 | 0:28:12 | |
asked me not to leave her alone... | 0:28:12 | 0:28:15 | |
with him. | 0:28:15 | 0:28:17 | |
She begged me... to send her to boarding school, | 0:28:18 | 0:28:22 | |
to send her to camp - anywhere. | 0:28:22 | 0:28:25 | |
And it never occurred to me. | 0:28:29 | 0:28:32 | |
I got Peter's gun from his bedroom and I came back into the study | 0:28:36 | 0:28:41 | |
and he was sitting at his desk... | 0:28:41 | 0:28:44 | |
..working. | 0:28:46 | 0:28:48 | |
-And I came up behind him... -Julia, I don't think... -No, Stanley! | 0:28:50 | 0:28:55 | |
The only thing that matters now is that they believe me. You must believe me. I shot him. I shot him! | 0:28:55 | 0:29:03 | |
But you didn't say why. | 0:29:05 | 0:29:07 | |
I wanted to protect her. | 0:29:11 | 0:29:14 | |
Her reputation. That's all I can do for her now, you see. | 0:29:17 | 0:29:22 | |
-But, you see, she just confessed. -But she's lying. | 0:29:22 | 0:29:26 | |
My daughter is lying to save me. | 0:29:28 | 0:29:34 | |
Can you imagine? To save me. | 0:29:35 | 0:29:39 | |
OK. So, where were we? | 0:29:50 | 0:29:53 | |
Well, sir...back where we started, only now we have two motives to go with the two confessions. | 0:29:53 | 0:30:00 | |
We need independent corroboration, a third party. Otherwise, it's a mess. | 0:30:00 | 0:30:05 | |
We talked to the girlfriend. She swears her daughters were never left alone with Tanton. | 0:30:05 | 0:30:11 | |
She's shocked about the accusation. She thinks the mother and daughter are making it up. | 0:30:11 | 0:30:18 | |
-I see two avenues of exploration - the doorman in Tanton's co-op... -Yes, sir. | 0:30:18 | 0:30:24 | |
-..and also the live-in maid. -Yeah. | 0:30:24 | 0:30:28 | |
Isabella... Isabella Aragon. | 0:30:28 | 0:30:30 | |
The only address we had on her didn't pan out. | 0:30:30 | 0:30:34 | |
-Sounds like an illegal alien - doesn't want to be found. -We don't know she was even there that night. | 0:30:34 | 0:30:41 | |
-No chance she did it? -I don't think so. | 0:30:41 | 0:30:44 | |
Apparently, she speaks no English. The note was perfect English, down to the non-dangling participle. | 0:30:44 | 0:30:52 | |
I thought this one would be tough. | 0:30:52 | 0:30:55 | |
OK. Get on it. | 0:30:55 | 0:30:57 | |
Yes, sir. Thank you, sir. | 0:30:57 | 0:30:59 | |
-What first? -Check the co-op again. | 0:31:02 | 0:31:04 | |
Here we are, ladies. | 0:31:09 | 0:31:11 | |
-You sure about the maid? -Oh, I'd never miss a looker like that! | 0:31:11 | 0:31:16 | |
-I've got ESP, you know what I mean? -No. | 0:31:16 | 0:31:19 | |
-Extra-sensual prescription. -Ah! | 0:31:19 | 0:31:22 | |
That young beauty was nipping out the back way, carrying a paper bag full of clothes. Hard to miss her! | 0:31:22 | 0:31:28 | |
-Well, thank you, Mr MacDonald. Where is Isabella's room? -That way. | 0:31:28 | 0:31:33 | |
I...I always like to help the boys in blue, as it were. | 0:31:33 | 0:31:38 | |
-I've an uncle in the force... -Thank you. | 0:31:38 | 0:31:42 | |
Ah, all right, yes... | 0:31:42 | 0:31:45 | |
-So, she WAS here that night. -So, she'll know. -Maybe she'll know. | 0:31:56 | 0:32:01 | |
-If we can find her. -Even if we do, I doubt she's gonna testify. | 0:32:03 | 0:32:07 | |
I'd settle for talking with her. | 0:32:07 | 0:32:10 | |
-Mary Beth. -Yeah? -Look what I found. | 0:32:15 | 0:32:18 | |
What? | 0:32:18 | 0:32:20 | |
Oop! | 0:32:21 | 0:32:23 | |
Padre George Tate... | 0:32:23 | 0:32:25 | |
-What does that say? -Sociedad... Salvadorian Aid Society. | 0:32:26 | 0:32:31 | |
-Salvadorena, see? -Let's call them. | 0:32:31 | 0:32:34 | |
-Father Tate? -Yes. Can I help you? -I'm Detective Cagney. This is Detective Lacey. | 0:32:42 | 0:32:48 | |
-We were hoping that you could help us find someone. -I see. | 0:32:48 | 0:32:52 | |
-Then I'm afraid I can't help you. -Excuse me, Father. | 0:32:52 | 0:32:56 | |
-We're not with Immigration. We're working on a homicide. -A Mr Tanton. | 0:32:56 | 0:33:01 | |
He had a live-in maid named Isabella Aragon. She could help us. | 0:33:01 | 0:33:06 | |
-We just want to talk to her. -For most of the people I deal with at the Salvadorian Aid Society, | 0:33:08 | 0:33:14 | |
the distinction between the INS and the NYPD is very blurred. | 0:33:14 | 0:33:19 | |
-There's not a lot of trust. -Do they trust you? | 0:33:19 | 0:33:23 | |
I don't know if I can trust you. | 0:33:24 | 0:33:26 | |
I don't know her. | 0:33:27 | 0:33:30 | |
-But you could find her. -Maybe, but it would be on my terms. -Which are? | 0:33:30 | 0:33:35 | |
-She's free to go afterwards. -That may not be our choice. -It will be. | 0:33:35 | 0:33:41 | |
Uh, excuse me, Father. I'm sorry. | 0:33:41 | 0:33:44 | |
-I don't like being dictated to. -You're the ones with the problem. | 0:33:44 | 0:33:49 | |
Listen, I'm not stupid. I know the advantage of having cops in my debt. | 0:33:51 | 0:33:57 | |
The Salvadorian Aid Society is my own crusade. | 0:33:57 | 0:34:01 | |
It isn't sanctioned by my church. | 0:34:03 | 0:34:06 | |
So, I learned the hard way that if I don't take care of these people, and myself, then nobody else will. | 0:34:06 | 0:34:12 | |
If I find Isabella Aragon, I want guarantees, and the only ones I trust are my own. | 0:34:12 | 0:34:19 | |
Now, if that isn't acceptable, | 0:34:20 | 0:34:22 | |
then go in peace. | 0:34:22 | 0:34:25 | |
And may God be with you. | 0:34:26 | 0:34:29 | |
-I'm getting a candy bar. Want one? -Relax. The priest said he'd call. | 0:34:45 | 0:34:50 | |
-He said maybe he'd call. -Then maybe relax. | 0:34:50 | 0:34:53 | |
How can I relax?! Do you want a candy bar or not? | 0:34:53 | 0:34:57 | |
Everybody's leading us around by the nose - mother, daughter... | 0:34:57 | 0:35:04 | |
-Everybody's running this case but us. -We never have control. Sometimes we fool ourselves better. | 0:35:04 | 0:35:10 | |
-What is that supposed to be, deep? -No, it's what I was thinking about. | 0:35:10 | 0:35:15 | |
Want the reasoning behind it? | 0:35:15 | 0:35:18 | |
No, not a whole lot. | 0:35:20 | 0:35:22 | |
Christine, remember when you asked me if I thought you were brusque? | 0:35:23 | 0:35:27 | |
-Brusque? -Brusque. | 0:35:30 | 0:35:33 | |
I'm sorry. I'm working on it. So, tell me your theory. | 0:35:33 | 0:35:37 | |
If you believe, which I do, that order... | 0:35:37 | 0:35:40 | |
-Is this a long story? -Nobody ever learned with their mouth open. | 0:35:40 | 0:35:45 | |
-Hi, Charlie. -Officer Daughter. -Hi, Charlie. | 0:35:45 | 0:35:48 | |
They told me I'd find you here. | 0:35:48 | 0:35:51 | |
-Yeah, we're, um, working. Waiting for a phone call. -You want coffee? | 0:35:51 | 0:35:56 | |
-I'll get some. -Don't leave. I got tickets for the Knicks on Friday. I wondered if Christine could go. | 0:35:56 | 0:36:02 | |
-Friday? -Yeah. | 0:36:02 | 0:36:04 | |
Yeah, I could go. | 0:36:06 | 0:36:09 | |
Yeah? Terrific, terrific! | 0:36:09 | 0:36:11 | |
-Do me a favour - hang on to the tickets for safety. -You keep 'em. | 0:36:11 | 0:36:17 | |
I'd feel better if you'd hold 'em. | 0:36:17 | 0:36:20 | |
OK. | 0:36:21 | 0:36:22 | |
Well...I got a couple of guys waiting for me. I'd better go. | 0:36:22 | 0:36:27 | |
-See you on Friday. ..Mary Beth. -See you. -Bye, Charlie. | 0:36:27 | 0:36:31 | |
-Nice. -Peace offering. | 0:36:33 | 0:36:35 | |
Hey, there are three tickets! | 0:36:36 | 0:36:39 | |
-Oh? Maybe he wants you to invite somebody. -Do you think(?) | 0:36:39 | 0:36:43 | |
-Charlie! Guess who the Knicks are playing. The Celtics! -Who else? | 0:36:43 | 0:36:48 | |
PHONE RINGS | 0:36:48 | 0:36:50 | |
Detective Lacey, 14th Precinct. How you doing, Father? | 0:36:50 | 0:36:55 | |
-Good evening, Father. -How are you? -Father. | 0:37:10 | 0:37:14 | |
She is here. | 0:37:14 | 0:37:16 | |
Isabella... | 0:37:20 | 0:37:22 | |
estas son las dos detectives de quien te hable. | 0:37:22 | 0:37:26 | |
Como estas? | 0:37:28 | 0:37:30 | |
-Bien. Usted? -Not bad. | 0:37:30 | 0:37:33 | |
Senorita. | 0:37:33 | 0:37:35 | |
'We talked to Isabella Aragon.' | 0:37:35 | 0:37:38 | |
She says she was there. She heard you arguing. | 0:37:38 | 0:37:41 | |
Then she heard you leave, and then she heard a gunshot. | 0:37:41 | 0:37:46 | |
You're bluffing. If you could prove anything, you wouldn't have to talk to me. You'd just release me. | 0:37:46 | 0:37:52 | |
Smart. OK. | 0:37:52 | 0:37:55 | |
Your mother wants to plead guilty and the DA's office won't make a deal unless you withdraw your plea. | 0:37:55 | 0:38:01 | |
But I did it. It's my fault. | 0:38:01 | 0:38:04 | |
No, you may think it's your fault, but I know you didn't do it. | 0:38:04 | 0:38:09 | |
-No! Get her out of here! -Jane, please... | 0:38:09 | 0:38:13 | |
-You can't talk to me without my lawyer. -We called him. -We'll wait. | 0:38:13 | 0:38:18 | |
-This is unconstitutional. -Not if we don't ask any questions. | 0:38:18 | 0:38:22 | |
We're just going to listen. | 0:38:22 | 0:38:25 | |
-Jane... -Don't do this to me. | 0:38:28 | 0:38:31 | |
-You look pale. Are you all right? -This isn't going to do any good. | 0:38:31 | 0:38:36 | |
-I've missed talking to you. -Mother, please... | 0:38:37 | 0:38:41 | |
Let me do this. | 0:38:43 | 0:38:46 | |
It's my fault. | 0:38:46 | 0:38:48 | |
It was never your fault. | 0:38:48 | 0:38:51 | |
I tempted him, he said, especially because you were sick. You wouldn't, so I had to, he said. | 0:38:51 | 0:38:58 | |
I'm sorry, Mother, I'm sorry. | 0:38:58 | 0:39:01 | |
-I love you. How could I have done this to you? -To me? | 0:39:01 | 0:39:05 | |
You didn't do anything to me, Jane. It was just him. It was all him. | 0:39:05 | 0:39:10 | |
I hate myself for doing it. How could I have done it? | 0:39:10 | 0:39:14 | |
-He made you do it. -I should have made him stop. | 0:39:14 | 0:39:18 | |
Janey, you were too little. | 0:39:19 | 0:39:22 | |
But I wish you had come to me. I would have made him stop. | 0:39:22 | 0:39:26 | |
I couldn't. I couldn't tell you. You were too sick. | 0:39:26 | 0:39:31 | |
Jane...I'm your mother. | 0:39:35 | 0:39:38 | |
You didn't want to be my mother. You wanted to be my friend. | 0:39:40 | 0:39:44 | |
But that's... what I thought you wanted too. | 0:39:47 | 0:39:51 | |
We had such a good time together. | 0:39:51 | 0:39:54 | |
Didn't we have fun, Jane? | 0:39:54 | 0:39:57 | |
I still can't... | 0:40:00 | 0:40:02 | |
believe he was... | 0:40:02 | 0:40:05 | |
Say it. | 0:40:06 | 0:40:09 | |
A child-molester. | 0:40:09 | 0:40:11 | |
Say it. | 0:40:13 | 0:40:15 | |
I can't. | 0:40:15 | 0:40:17 | |
Did you know? | 0:40:20 | 0:40:22 | |
-Oh, no. -You had to know! | 0:40:24 | 0:40:27 | |
-I swear to you, I didn't know. -Don't tell me you didn't know something. No, you knew. | 0:40:27 | 0:40:34 | |
You didn't do anything, because all you cared about was your marriage and what other people might think. | 0:40:34 | 0:40:41 | |
Janey... | 0:40:43 | 0:40:45 | |
if I had suspected... | 0:40:45 | 0:40:48 | |
..I would have taken you away. | 0:40:50 | 0:40:53 | |
I'd have taken you away with me. | 0:40:55 | 0:40:58 | |
You've got to believe me, Jane. | 0:41:01 | 0:41:05 | |
Please. | 0:41:05 | 0:41:07 | |
Please believe me, Janey. | 0:41:07 | 0:41:09 | |
I didn't know until I heard you that night... | 0:41:09 | 0:41:13 | |
..and then I had to kill him. | 0:41:16 | 0:41:19 | |
I... | 0:41:19 | 0:41:21 | |
killed him. | 0:41:21 | 0:41:23 | |
I'm glad he's dead! | 0:41:25 | 0:41:28 | |
Don't be glad, Janey! | 0:41:40 | 0:41:44 | |
Mrs Tanton... can I say something to her? | 0:41:47 | 0:41:52 | |
Jane... | 0:41:54 | 0:41:56 | |
I think that your mother wants to accept responsibility for her guilt | 0:41:56 | 0:42:01 | |
and I know that you have to accept responsibility for your innocence. You didn't do anything. | 0:42:01 | 0:42:08 | |
You're not guilty of anything. | 0:42:08 | 0:42:10 | |
Let me do this. | 0:42:12 | 0:42:14 | |
Please. | 0:42:14 | 0:42:16 | |
You have to go on... | 0:42:16 | 0:42:19 | |
..with the rest of your life, sweetheart. | 0:42:20 | 0:42:23 | |
Please, if you could just... | 0:42:25 | 0:42:27 | |
find it in your heart | 0:42:27 | 0:42:30 | |
to forgive me. | 0:42:30 | 0:42:33 | |
-Baby, just try to forgive me! -Oh, Mommy...! | 0:42:35 | 0:42:39 | |
I love you, Jane. | 0:42:45 | 0:42:48 | |
I love you, Jane. | 0:42:49 | 0:42:52 | |
I love you, Mommy. | 0:42:53 | 0:42:56 | |
I love it! You guys are fantastic. I really mean it. Coffee's on me. | 0:42:59 | 0:43:04 | |
We finish up the paperwork and Jane walks. The old lady cops to manslaughter and does less time. | 0:43:04 | 0:43:11 | |
She deserves worse, but I won't have to take it in front of a sympathetic jury. Guess I owe you guys one, huh? | 0:43:11 | 0:43:18 | |
-Thanks. -Cream? Sugar? -No, thanks. | 0:43:18 | 0:43:21 | |
Best of all, I get off for the weekend on time. | 0:43:21 | 0:43:25 | |
I'm taking my lady for a romantic two days out. | 0:43:25 | 0:43:29 | |
Come on, cheer up! | 0:43:30 | 0:43:32 | |
-You guys did good! -Yes, sir. | 0:43:32 | 0:43:35 | |
Listen, I gotta move if I'm to beat the traffic. You guys have a good weekend too, right? | 0:43:35 | 0:43:42 | |
Congratulations. See you next week. | 0:43:42 | 0:43:44 | |
Got anything on for the weekend? | 0:43:52 | 0:43:54 | |
Uh, the ball game with my father. | 0:43:56 | 0:43:58 | |
Oh, Celtics! | 0:43:58 | 0:44:01 | |
-How about you? -Got my steady date in Queens. | 0:44:02 | 0:44:06 | |
-You had to be blind not to see it. -Two refs and no-one blew a whistle! | 0:44:08 | 0:44:13 | |
-Only you two saw it. -What are you talking about?! | 0:44:13 | 0:44:16 | |
-Bird gave him an elbow. -Yeah, Parish had five fouls... -It wouldn't have meant a thing. | 0:44:16 | 0:44:23 | |
-We should have walked away with it. -It wouldn't have been close! -Right. More coffee? -Yeah, I'll have some. | 0:44:23 | 0:44:30 | |
-Uh...nah, it's OK. I told these guys I'd go to Jersey tomorrow. I gotta hit the rack early. -Oh, OK. | 0:44:30 | 0:44:37 | |
I'll come too. We can share a cab. | 0:44:37 | 0:44:40 | |
How come? | 0:44:40 | 0:44:42 | |
-Pop...? -You stay out of this. | 0:44:42 | 0:44:45 | |
Listen, pal, it makes no difference to me when you leave this apartment, | 0:44:45 | 0:44:50 | |
but you are not going to leave when I do, because I would not believe that. So...I'll see you soon. | 0:44:50 | 0:44:58 | |
-And you - I am telling you, Bird threw an elbow. -Pop? | 0:44:59 | 0:45:03 | |
Me too. | 0:45:07 | 0:45:10 |