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Next time they have one of these, Samuels can go to the firing squad! They've a right to be angry. | 0:01:33 | 0:01:40 | |
It's tough enough raising kids without gang vendettas and dope pushers. | 0:01:40 | 0:01:45 | |
You have to sympathise. Fine, but why do we have to be the villains? | 0:01:45 | 0:01:50 | |
They accuse us of letting criminals run wild, then of harassing Puerto Ricans in a low-rent district! | 0:01:50 | 0:01:56 | |
Please! You can't win with these people. | 0:01:56 | 0:02:00 | |
Who said it had to be a contest? Everything's a contest. I disagree. | 0:02:00 | 0:02:05 | |
Including getting in the last word with you. This is true. | 0:02:05 | 0:02:09 | |
Oh, would you pull over up here? I want to get some milk for the boys for breakfast. | 0:02:10 | 0:02:16 | |
What, the kids can't eat their Crispy Crinkles dry? | 0:02:16 | 0:02:20 | |
Real men eat their Crispy Crinkles dry. You're not half as tough as you think you are. | 0:02:20 | 0:02:26 | |
MUFFLED HISPANIC PIANO MUSIC | 0:02:30 | 0:02:33 | |
MUSIC GETS LOUDER | 0:02:38 | 0:02:41 | |
GLASS SMASHES | 0:02:42 | 0:02:45 | |
GLASS SMASHES AGAIN | 0:02:48 | 0:02:50 | |
GLASS SMASHES | 0:03:17 | 0:03:20 | |
CONTINUOUS SMASHING | 0:03:26 | 0:03:29 | |
THUD | 0:03:48 | 0:03:51 | |
What do you think you're doing?! Wanna hold it right there? I'm a police officer. | 0:03:51 | 0:03:56 | |
I said knock it off! | 0:03:56 | 0:03:58 | |
Just put that thing down, mister. Nobody needs to get hurt here. | 0:04:02 | 0:04:06 | |
I'm warning you! Put it down. | 0:04:08 | 0:04:11 | |
Put it down! | 0:04:11 | 0:04:13 | |
I said put it down. Don't make me shoot. | 0:04:14 | 0:04:18 | |
Oh, como se llama these here? | 0:04:24 | 0:04:27 | |
Ah, churritos. Churritos. Dos, por favor. | 0:04:27 | 0:04:31 | |
Ah! | 0:04:31 | 0:04:32 | |
What the hell's the matter with you, mister? | 0:04:35 | 0:04:38 | |
CLATTER | 0:04:43 | 0:04:45 | |
Christine! | 0:04:55 | 0:04:56 | |
Christine! | 0:05:00 | 0:05:01 | |
Cagney! | 0:05:05 | 0:05:07 | |
Are you OK?! | 0:05:09 | 0:05:11 | |
You OK? | 0:05:21 | 0:05:23 | |
He just kept coming at me with that thing. I shot him in the shoulder, | 0:05:39 | 0:05:44 | |
but he didn't st... | 0:05:44 | 0:05:47 | |
You OK to stay here? ..I'm going to get an ambulance. | 0:05:50 | 0:05:54 | |
Stand back, folks, stand back. | 0:06:05 | 0:06:07 | |
Hey, get close to the stretcher. Let's get a close-up of that, Mike. | 0:06:14 | 0:06:18 | |
Real tight, real tight. | 0:06:18 | 0:06:20 | |
Whoa, did some damage, didn't they? | 0:06:23 | 0:06:25 | |
OK, let's get some crowd reaction. Over here. Get the mike ready. | 0:06:29 | 0:06:33 | |
Buenos noches. Buenos noches. Mira, necesito testigos... | 0:06:33 | 0:06:38 | |
THEY SPEAK IN SPANISH | 0:06:38 | 0:06:41 | |
I told the officer... We'll take a statement at the precinct. Yes, sir. | 0:06:41 | 0:06:45 | |
Is there anything else? Get your story straight before we get there. | 0:06:45 | 0:06:49 | |
Oh, God. ..Keys, Chris. | 0:06:51 | 0:06:53 | |
Christine, keys to the car? | 0:06:53 | 0:06:56 | |
Good shot. | 0:07:01 | 0:07:03 | |
I just wish I'd had a 45. | 0:07:03 | 0:07:06 | |
Thank you. | 0:07:10 | 0:07:12 | |
How many times did you order him to halt? Three or four. Which is it? | 0:07:17 | 0:07:22 | |
Three. Then what? Then there was no response. Not to any words or warnings... | 0:07:22 | 0:07:28 | |
not even to the first gunshot. I think the kid was high on something, maybe PCP. | 0:07:28 | 0:07:33 | |
I don't want what you think right now. I'm interested in the facts of what actually happened. ..Got it? | 0:07:33 | 0:07:39 | |
Now, you fired two shots? First time I went for the shoulder. Why? | 0:07:41 | 0:07:45 | |
Because I didn't wanna kill him! If I'd had a 45, | 0:07:45 | 0:07:49 | |
the shoulder hit would've taken him down, and he'd be in better shape. | 0:07:49 | 0:07:53 | |
You know you should never fire your weapon to wound. You fire to kill. | 0:07:53 | 0:07:58 | |
I don't agree with you. OK, then what? | 0:07:58 | 0:08:01 | |
It's just like I told you before. Tell me again. | 0:08:01 | 0:08:05 | |
But you only heard the one shot? Yes, when I came out of the store. Inside, the music was so loud. | 0:08:05 | 0:08:12 | |
What kind of music? | 0:08:12 | 0:08:14 | |
Spanish music. Uh...it was loud. | 0:08:14 | 0:08:17 | |
Very loud music. | 0:08:17 | 0:08:19 | |
Why were you sure he was breaking in? ..Well, I figured the bat was bigger than any key I'D ever seen. | 0:08:19 | 0:08:25 | |
A smart-aleck attitude isn't gonna help your case. | 0:08:25 | 0:08:29 | |
My case? I believe the penal law calls it attempted murder. I call it self-defence! Of course you do. | 0:08:29 | 0:08:35 | |
You're involved up to your eyeballs. But just between us, | 0:08:35 | 0:08:39 | |
passionate protests of innocence aren't conclusive in a court of law. | 0:08:39 | 0:08:44 | |
What I need is hard evidence to classify this as good shooting! | 0:08:44 | 0:08:48 | |
Are you gonna make my job easier or stay on your high horse all night?! | 0:08:48 | 0:08:52 | |
OK. | 0:08:53 | 0:08:55 | |
Let's take it from the top. | 0:08:55 | 0:08:58 | |
That's my line. | 0:08:58 | 0:09:00 | |
When I got there he was unconscious. He couldn't hold anything. | 0:09:00 | 0:09:04 | |
I don't know what more you want me to say. I'd settle for anything that could help your partner. | 0:09:04 | 0:09:11 | |
Would you have shot the second time if he hadn't raised the bat? | 0:09:12 | 0:09:16 | |
I wouldn't have shot the first time, OR the second time, | 0:09:22 | 0:09:26 | |
if my life had not been in danger. | 0:09:26 | 0:09:30 | |
Well, what would YOU have done? | 0:09:37 | 0:09:39 | |
SWITCHES OFF TAPE RECORDER Off the record? | 0:09:39 | 0:09:43 | |
Without back-up? Without witnesses? With a juvenile who can be alleged to be unarmed? | 0:09:43 | 0:09:48 | |
You saw those broken windows! I saw them up and down the alley and East 118th St and the neighbourhood! | 0:09:48 | 0:09:54 | |
Who could prove who's responsible, or when?! | 0:09:54 | 0:09:57 | |
I would have used a throw-away gun. | 0:10:02 | 0:10:05 | |
Off the record. | 0:10:05 | 0:10:07 | |
KNOCK AT DOOR Mary-Beth? Yeah. | 0:10:09 | 0:10:12 | |
You should've just undone the chain and gone to bed. You sounded shook up on the phone. You OK? | 0:10:15 | 0:10:21 | |
Did you eat? Mm-mm. I'll scramble you up some eggs. I don't want them. You gotta eat, don't you? | 0:10:33 | 0:10:39 | |
How's Chris? Oh, she's all right, I guess. | 0:10:43 | 0:10:46 | |
You know Christine. If she wasn't all right, you'd never know it. | 0:10:46 | 0:10:50 | |
It shouldn't have happened. We stopped by a market to g... | 0:10:50 | 0:10:54 | |
It makes me so angry. I always say, "Don't go off by yourself and...!" | 0:10:54 | 0:10:59 | |
Take it easy. It's all over. What...? Come on. | 0:10:59 | 0:11:03 | |
I'll sprinkle some Parmesan cheese in it, the way you like it. ..OK? | 0:11:06 | 0:11:10 | |
The kid is real young, Harv. He's like... | 0:11:14 | 0:11:18 | |
two, three years older than Harv Junior. | 0:11:18 | 0:11:21 | |
His poor mother. Was it a good shoot? | 0:11:23 | 0:11:27 | |
Yeah. Yeah, he was coming after her with a baseball bat. | 0:11:27 | 0:11:31 | |
He tried to kill her. Why's a kid do a thing like that? | 0:11:31 | 0:11:35 | |
I'll get you some milk. You'll sleep better. We're out of milk. | 0:11:37 | 0:11:41 | |
That's how come I went by the market. I got some on the way home. | 0:11:41 | 0:11:45 | |
This is Dory McKenna. I'm not home, but if you want to leave a message, | 0:12:11 | 0:12:16 | |
wait for the tone and I will get right back to you. BEEP | 0:12:16 | 0:12:20 | |
Uh, hi. Give me a call when you get home. I... | 0:12:20 | 0:12:24 | |
Just give me a call. | 0:12:25 | 0:12:28 | |
TV ANNOUNCER: ..With temperatures heading into the upper 30s | 0:12:39 | 0:12:43 | |
in Connecticut and New Jersey. | 0:12:43 | 0:12:45 | |
Tomorrow, we'll have highs in the 50s in metropolitan New York | 0:12:45 | 0:12:49 | |
with the winds coming in at 10 to 15mph. | 0:12:49 | 0:12:53 | |
That's it for the weather. Back to you, Pam. | 0:12:53 | 0:12:56 | |
Thank you, Sid. | 0:12:56 | 0:12:58 | |
And now for a special report live from East 118th St in Manhattan | 0:12:58 | 0:13:03 | |
we go to our nightly reporter, Arturo Perez, on the scene. | 0:13:03 | 0:13:07 | |
Pam, I'm in Spanish Harlem, scene of a shooting at 7pm this evening. | 0:13:07 | 0:13:11 | |
The police cars and ambulance are gone, but the residents of this community are angry and confused | 0:13:11 | 0:13:17 | |
at another in a series of police shootings in the neighbourhood. | 0:13:17 | 0:13:21 | |
Tonight, an unarmed 15-year-old Puerto Rican boy, Jesus Pinero, | 0:13:21 | 0:13:25 | |
was shot and critically wounded by a police detective. | 0:13:25 | 0:13:30 | |
If the guy had more money than me, I could understand it. | 0:13:41 | 0:13:45 | |
This turkey's a graduate student, and get this - Romance languages. | 0:13:45 | 0:13:50 | |
He must be doing something right, Victor. | 0:13:50 | 0:13:53 | |
Probably talks all that mushy stuff to her in Russian. | 0:13:53 | 0:13:57 | |
Russian isn't a Romance language. | 0:13:57 | 0:13:59 | |
I checked with the physician. The patient isn't critical. | 0:14:01 | 0:14:05 | |
I'm sorry, but we cannot release a blood sample while a patient is not in a mental condition to consent. | 0:14:05 | 0:14:11 | |
Excuse me, but it's potential evidence. It could influence the way this case is being handled. | 0:14:11 | 0:14:17 | |
It is a violation of patient rights and 5th Amendment protection from self-incrimination. Excuse me. | 0:14:17 | 0:14:24 | |
A fellow officer's career and reputation are on the line here. | 0:14:24 | 0:14:28 | |
My responsibility's to the patient. Now, I have business to attend to. | 0:14:28 | 0:14:33 | |
They just love to bust your chops. She's just doing her job. | 0:14:38 | 0:14:42 | |
Marcus, I have to ask you something. You're married, right? | 0:14:42 | 0:14:46 | |
And you're approaching your early middle years, right? Early middle years? | 0:14:46 | 0:14:51 | |
Well, you're not 21 any more. Remind me(!) | 0:14:51 | 0:14:55 | |
Do you... Well, do you sense a...drop-off in... | 0:14:59 | 0:15:05 | |
..in performance as you're getting older? | 0:15:06 | 0:15:09 | |
Uh, Victor, this is very personal stuff. | 0:15:12 | 0:15:17 | |
Yeah, Marcus, we're partners, right? | 0:15:17 | 0:15:19 | |
I mean, if I can't talk to you about this kind of thing, who else can I talk to about it? ..Yeah. | 0:15:19 | 0:15:26 | |
Um, well, from a purely physiological point of view... | 0:15:26 | 0:15:31 | |
yes. | 0:15:31 | 0:15:32 | |
What do you do about it? | 0:15:33 | 0:15:35 | |
What CAN you do? | 0:15:38 | 0:15:40 | |
Anyway, there ARE other things important to a woman besides... | 0:15:42 | 0:15:48 | |
You understand me, right? | 0:15:50 | 0:15:52 | |
Like what? | 0:15:55 | 0:15:57 | |
Like, um, intimacy? | 0:16:00 | 0:16:02 | |
Tenderness...um, you know - technique. | 0:16:03 | 0:16:07 | |
Technique. Technique. | 0:16:09 | 0:16:11 | |
Marcus, I have read The Sensuous Woman. | 0:16:12 | 0:16:15 | |
I have also been aware of all the erogenous zones from A to Z. | 0:16:15 | 0:16:21 | |
Believe me, there's nothing wrong with my technique. | 0:16:22 | 0:16:26 | |
What do you know about vitamin E? It's good for your complexion. | 0:16:30 | 0:16:35 | |
I resent this. Standard operating procedure. | 0:16:39 | 0:16:42 | |
Officers involved in shooting incidents are assigned clerical duty | 0:16:42 | 0:16:46 | |
pending the outcome of the investigation. Is Greco behind it? | 0:16:46 | 0:16:50 | |
The Firearms Review Team is behind YOU, whether or not you've got the good sense to realise it. | 0:16:50 | 0:16:57 | |
It'll be cleared up in a day or two and... | 0:16:57 | 0:17:00 | |
Right, sir? There are no outside caseloads for the duration of an internal investigation. | 0:17:00 | 0:17:06 | |
Lacey here will be getting all the blisters while you will be leading the life of Riley. | 0:17:06 | 0:17:12 | |
I say enjoy it while you can. ..Right, Lacey? Yes, sir. Doesn't sound too bad to me. | 0:17:12 | 0:17:18 | |
How long do I get to be so lucky? | 0:17:19 | 0:17:22 | |
Until we get all the evidence before the Grand Jury and they rule that there was no improper behaviour. | 0:17:22 | 0:17:28 | |
Four days, five days, a week at the most. Not long. | 0:17:28 | 0:17:32 | |
Well, if it isn't the talk of the town herself. Seen this? I saw it. | 0:17:32 | 0:17:37 | |
It's the afternoon edition - it's even juicier. | 0:17:37 | 0:17:40 | |
Must have been a slow day for the news. | 0:17:40 | 0:17:43 | |
I direct your attention to the second paragraph. "Allegedly armed with a baseball bat, | 0:17:43 | 0:17:49 | |
"a 15-year-old from a PUERTO RICAN community was shot point-blank | 0:17:49 | 0:17:54 | |
"by off-duty detective Christine Cagney, who CLAIMED the youngster was threatening her." | 0:17:54 | 0:17:59 | |
I don't care for their words, but those are the facts. | 0:17:59 | 0:18:03 | |
When is public opinion based on facts? We look bad! What do you think Community Watch was about? | 0:18:03 | 0:18:09 | |
We need to improve our image in Spanish Harlem, not destroy it. | 0:18:09 | 0:18:13 | |
The fact that he's a Puerto Rican juvenile doesn't make him innocent. | 0:18:13 | 0:18:17 | |
How do we know he didn't have a record a yard long? It makes no difference if he's an axe murderer. | 0:18:17 | 0:18:24 | |
Juvenile records are sealed. We have to subpoena them. From our own department?! He's a juvenile! | 0:18:24 | 0:18:30 | |
With the strength of four men twice his size and a hardwood bat! | 0:18:30 | 0:18:34 | |
I already told the Review officers I thought he was on dust. | 0:18:34 | 0:18:38 | |
Pure conjecture on your part. ..So have we got the lab test back on the PCP? | 0:18:38 | 0:18:44 | |
Petrie and Isbecki went to the hospital this morning | 0:18:44 | 0:18:48 | |
and...we can't order a DD45 while the boy is still in a coma. We have to wait for the patient's consent. | 0:18:48 | 0:18:54 | |
There must be some way we can get around that. Not unless the boy... dies. That's all we need. | 0:18:54 | 0:19:00 | |
COMMOTION Oh, here come the vultures. | 0:19:00 | 0:19:03 | |
I don't want you saying anything to the press, anything at all. You got that, Cagney? | 0:19:03 | 0:19:10 | |
We'll have an official statement this afternoon at 1 Police Plaza. | 0:19:11 | 0:19:15 | |
I'd like to speak to the officer involved. She has no statement. Can she tell us what the NYPD can do | 0:19:15 | 0:19:21 | |
to regain the trust of residents of Spanish Harlem after her brutal and unwarranted shooting...? | 0:19:21 | 0:19:27 | |
Brutal and unwarranted?! Statements by officers involved in department investigations are prohibited. | 0:19:27 | 0:19:33 | |
We are aggressively investigating to determine that the officer acted within department guidelines. | 0:19:33 | 0:19:39 | |
No individual who may contaminate the integrity of the best of our men and women will be tolerated. | 0:19:39 | 0:19:45 | |
OK, show's over. Maybe you can answer... | 0:19:45 | 0:19:48 | |
You wanna play 20 questions, play somewhere else. We have work to do. | 0:19:48 | 0:19:52 | |
So do I, Officer. Lieutenant! Lieutenant Samuels. | 0:19:52 | 0:19:55 | |
I take it you're Detective Cagney's commanding officer? Good guess. | 0:19:55 | 0:19:59 | |
You're responsible for releasing Cagney's service record. Excuse me? The Freedom of Information Act. | 0:19:59 | 0:20:05 | |
"Any private citizen is entitled to request the record of a public servant for examination." | 0:20:05 | 0:20:11 | |
Any private citizen has the right to go through the proper channels! | 0:20:11 | 0:20:15 | |
The paperwork's on its way! ..Come on, guys, let's go. | 0:20:15 | 0:20:19 | |
Hey, you wanna start something?! SHOUTING | 0:20:19 | 0:20:23 | |
I don't believe it. I do not... Are you here?! Yeah. | 0:20:23 | 0:20:27 | |
That kid tried to kill me! You got any aspirin? | 0:20:27 | 0:20:31 | |
I can't get his arrest sheet without a subpoena and ANY jerk can get MY records! That's the law. | 0:20:31 | 0:20:38 | |
Well, it's damn unfair! That too. | 0:20:38 | 0:20:40 | |
So where you dashing off to? | 0:20:42 | 0:20:44 | |
See Dory. You finally got in touch with him, huh? No. Not really. | 0:20:44 | 0:20:49 | |
My answering machine talked to his answering machine. Chris? | 0:20:49 | 0:20:53 | |
If you want to talk and... Mary Beth... ..telephone... | 0:20:53 | 0:20:58 | |
I don't want any of your Mother Teresa routine. | 0:20:58 | 0:21:02 | |
I'm just fine, OK? Sure. | 0:21:02 | 0:21:04 | |
'Aren't you ever home? It's McKenna. I'm afraid tonight is off. | 0:21:21 | 0:21:26 | |
'I'm down here on the trail of some major suppliers and we're close to collaring the main man. | 0:21:26 | 0:21:33 | |
'I'll give you a ring as soon as I hit town. By the way, I've got a surprise for you. | 0:21:33 | 0:21:40 | |
'You'll love it.' | 0:21:40 | 0:21:42 | |
'Hi, Officer Daughter. If you're free, I'm in Flanagan's from 8 o'clock on.' | 0:21:42 | 0:21:50 | |
What did I tell you right from the start? | 0:21:50 | 0:21:53 | |
You've got to keep on your toes at all times. | 0:21:53 | 0:21:57 | |
One time, we were frisking some guys. We took a switchblade... | 0:21:57 | 0:22:02 | |
It was that long! His partner jumps my partner and starts to run for it. | 0:22:02 | 0:22:10 | |
Jack the Ripper knees me... south of the border. | 0:22:10 | 0:22:14 | |
He's grasping and clawing, trying to get his hands on the blade! | 0:22:14 | 0:22:18 | |
It took every bit of juice I had just to get my hands on my piece. What happened? | 0:22:18 | 0:22:24 | |
I shot the creep before he sliced me. They only fool with Charles Fitzgerald Cagney once. He died? | 0:22:24 | 0:22:30 | |
Nah. He was pretty tough. | 0:22:30 | 0:22:33 | |
But he did all his time at Attica. He never came on MY beat again. | 0:22:33 | 0:22:38 | |
So did the Department stay behind you? Behind me? | 0:22:42 | 0:22:46 | |
I got a commendation from the Commissioner. I was doing my job - protecting the streets. | 0:22:46 | 0:22:53 | |
Fellow officers respect you for that and people look up to you. | 0:22:53 | 0:22:57 | |
Well, police work's a little more complicated now. Yeah, I know. | 0:22:57 | 0:23:02 | |
You've got review boards. Got to ask permission before you shoot, then they ask you 600 questions! | 0:23:02 | 0:23:08 | |
Questions I don't mind. I know we are accountable. | 0:23:08 | 0:23:11 | |
Hey! Guy comes at you with a baseball bat, what're you supposed to do?! ..Did they blow it? | 0:23:11 | 0:23:18 | |
Yeah. Pathetic! See what the Knicks are doing. | 0:23:18 | 0:23:22 | |
You believe those Jets? They go for three and they miss it! | 0:23:22 | 0:23:26 | |
Do you want another drink? 'Our special feature updating last night's shooting in Spanish Harlem.' | 0:23:27 | 0:23:33 | |
I don't want to see that. I do NOT wanna see it. Hey. | 0:23:33 | 0:23:37 | |
Hold it. You've got nothing to be ashamed of. | 0:23:37 | 0:23:40 | |
'..The mother of the young victim still in serious condition from gunshot wounds he suffered | 0:23:40 | 0:23:47 | |
'in a darkened alleyway off 118th St in Spanish Harlem. | 0:23:47 | 0:23:51 | |
'Senora Pinero, can you share your feelings at this moment with us? | 0:23:56 | 0:24:01 | |
'I...I be... | 0:24:02 | 0:24:06 | |
'triste...muy triste, Senor. | 0:24:06 | 0:24:11 | |
'Muy triste. Sad. Very sad. | 0:24:15 | 0:24:18 | |
'And now the universal language worth 1,000 words... | 0:24:18 | 0:24:22 | |
'The image of a beloved son, shown here | 0:24:24 | 0:24:28 | |
'in the robes he wore as an altar boy, a good boy who worked hard to support his widowed mother...' | 0:24:28 | 0:24:35 | |
I don't believe this. | 0:24:35 | 0:24:38 | |
He's just milking it. '..Because an off-duty police officer thought she heard noises in the alleyway | 0:24:38 | 0:24:45 | |
'that Jesus was walking through on his way home, | 0:24:45 | 0:24:48 | |
'thought the baseball bat he had been playing with just a few hours before was a weapon, | 0:24:48 | 0:24:54 | |
'thought that a young, brown-skinned boy...' What are you doing? | 0:24:54 | 0:25:00 | |
I just ate dinner! I don't have the stomach for that crap! Hey, wait! | 0:25:00 | 0:25:05 | |
Nobody would believe you'd shoot a kid like that without real provocation! | 0:25:05 | 0:25:09 | |
He tried to kill me! That isn't provocation enough? | 0:25:09 | 0:25:13 | |
Yeah, sure, th-that's what I said! You have witnesses, right? | 0:25:13 | 0:25:17 | |
Goodnight, Charlie. Where are you going?! I'm on YOUR side! | 0:25:17 | 0:25:22 | |
Got a temper just like her mother's. | 0:25:24 | 0:25:28 | |
VOICES SHOUT, OFFICE IS BUSTLING | 0:25:30 | 0:25:34 | |
OFFICE GROWS QUIET | 0:25:38 | 0:25:41 | |
What's the matter with you? | 0:25:51 | 0:25:54 | |
Hey! Just cos I'm a big TV star now doesn't mean you have to worry. | 0:25:55 | 0:26:00 | |
How could I forget my friends who knew me when, huh? | 0:26:01 | 0:26:05 | |
It would have been nice if someone had sent a limo to the house... | 0:26:05 | 0:26:10 | |
Christine. Christine. What? The boy died at 3.15 this morning. | 0:26:10 | 0:26:14 | |
You must have strong roots. I'd have a fistful of hair... | 0:26:19 | 0:26:23 | |
You know what Perez is gonna do with this? Christine, the facts... | 0:26:23 | 0:26:28 | |
No-one ever listens to the facts when you've got a media con artist planning those melodramatic stunts. | 0:26:28 | 0:26:35 | |
Like last night. Did you like the bit about the kid taking care of the poor widowed mother? | 0:26:35 | 0:26:42 | |
Maybe he was. | 0:26:42 | 0:26:44 | |
It doesn't matter because the fact is... It matters a whole lot - | 0:26:45 | 0:26:50 | |
if a member of the Grand Jury ever saw Perez's report. | 0:26:50 | 0:26:53 | |
He made me out to be a gunslinger, blasting away underprivileged children. It was self-defence. | 0:26:53 | 0:26:59 | |
Damn right it was. And I'M the one getting crucified! I did what any good cop would have done, right? | 0:26:59 | 0:27:06 | |
I remember how I felt when I killed that kid... I asked you a question. | 0:27:06 | 0:27:11 | |
Your life was in danger, you saved your life. | 0:27:11 | 0:27:15 | |
Any cop who gave a damn about himself or the job would do the same thing. So make peace with it. | 0:27:15 | 0:27:21 | |
Yeah. | 0:27:21 | 0:27:24 | |
At least now we can run a drug test. | 0:27:26 | 0:27:30 | |
Shouldn't the NYPD take a long, hard look at the citizen's complaint on Detective Cagney's record, | 0:27:31 | 0:27:38 | |
charging her with inflicting bodily harm in a routine questioning | 0:27:38 | 0:27:42 | |
at a family disturbance? Family disturbance? | 0:27:42 | 0:27:46 | |
The citizen to whom Mr Perez is referring is one of the biggest pimps in the South Bronx. | 0:27:46 | 0:27:54 | |
You're off limits, Cagney! Does that entitle you to deny the man his civil rights? | 0:27:54 | 0:28:00 | |
The same way you denied Jesus the right to reach manhood? What about MY rights? Button it, Cagney! | 0:28:00 | 0:28:07 | |
Why won't the Department discipline those officers who use excess force? | 0:28:07 | 0:28:11 | |
Well, I-I don't believe that, er, there is sufficient evidence | 0:28:11 | 0:28:16 | |
to, er...suggest that Detective Cagney has done anything but serve the citizens of New York | 0:28:16 | 0:28:23 | |
in any but a responsible manner. Then why was she overheard to remark at the shooting scene | 0:28:23 | 0:28:28 | |
that...I'm quoting here, "I just wish I'd had a 45." | 0:28:28 | 0:28:33 | |
Now, we presumed that to mean that a 45 could blow a bigger hole... I'm not gonna comment on hearsay. | 0:28:33 | 0:28:41 | |
Can you comment...? No, I will not! This interview is finished! | 0:28:41 | 0:28:45 | |
Out of my office! Did you get the door slamming in my face? | 0:28:45 | 0:28:49 | |
Sit down, Cagney. | 0:29:41 | 0:29:43 | |
Go ahead. Take a load off. | 0:29:45 | 0:29:47 | |
What's the matter? You never take a coffee break? | 0:29:55 | 0:29:59 | |
I guess a little "caffeine" wouldn't hurt. | 0:30:01 | 0:30:05 | |
Thank you. | 0:30:06 | 0:30:08 | |
We got a good squad here, huh? | 0:30:08 | 0:30:11 | |
I think probably the best in the city. | 0:30:11 | 0:30:14 | |
You know long have I've been on the force? 20 years? 22. | 0:30:14 | 0:30:19 | |
You're a very dedicated man. Who said masochism can't be fun? | 0:30:19 | 0:30:23 | |
22 years. | 0:30:28 | 0:30:30 | |
Had a lot of close calls, but... | 0:30:31 | 0:30:34 | |
I never had a bullet of mine take another person's life. | 0:30:34 | 0:30:38 | |
That's not what I meant to say. | 0:30:41 | 0:30:44 | |
What I meant is... | 0:30:44 | 0:30:47 | |
They give judges and juries months to make a decision that they expect us to deliver in a split second, | 0:30:49 | 0:30:57 | |
just like that. | 0:30:57 | 0:31:00 | |
Supposed to act like God. | 0:31:01 | 0:31:04 | |
The most you can do is just muster up the best you got, that's all. | 0:31:06 | 0:31:10 | |
I guess I...I was lucky. | 0:31:13 | 0:31:16 | |
I can't say that I know how you feel because I don't. | 0:31:20 | 0:31:24 | |
A lot of cops pull pension without having to go through what you're going through. | 0:31:24 | 0:31:30 | |
But I tell you this much, Cagney, I can tell you this... | 0:31:30 | 0:31:34 | |
there is not one of us that doesn't wonder what it would be like | 0:31:34 | 0:31:39 | |
and how we would act in the same situation. | 0:31:39 | 0:31:43 | |
There's not one of us that doesn't understand the kind of guts it takes to pull through all of it. | 0:31:43 | 0:31:50 | |
I imagine, er...you've probably got plans for tonight. No, I don't. | 0:32:00 | 0:32:06 | |
Oh, well, I do. | 0:32:06 | 0:32:08 | |
Well... | 0:32:10 | 0:32:12 | |
Thank you for the coffee. | 0:32:13 | 0:32:15 | |
KNOCK ON DOOR Who is it? | 0:32:22 | 0:32:25 | |
The man of your dreams! | 0:32:25 | 0:32:28 | |
Hello! | 0:32:31 | 0:32:33 | |
Miss me? ..Well, I missed you. | 0:32:33 | 0:32:37 | |
So what do you think of my surprise? | 0:32:39 | 0:32:41 | |
What surprise? | 0:32:41 | 0:32:44 | |
Oh... | 0:32:44 | 0:32:45 | |
Take a good look. | 0:32:45 | 0:32:48 | |
You shaved off your moustache. | 0:32:48 | 0:32:50 | |
Right! So what do you think of it? Nice. | 0:32:50 | 0:32:54 | |
It would have been considerate if you'd let me know you were coming. What, and spoil the spontaneity? | 0:32:56 | 0:33:03 | |
Besides, this way, I get to surprise any competition that might be lurking around in my absence. | 0:33:03 | 0:33:10 | |
Actually, I always liked your moustache. I'll grow it back. | 0:33:10 | 0:33:15 | |
Caviar and champagne. | 0:33:20 | 0:33:23 | |
What's the occasion? | 0:33:23 | 0:33:25 | |
The champagne is for you and the caviar is for me. | 0:33:25 | 0:33:29 | |
The occasion is you and me. | 0:33:29 | 0:33:32 | |
And the collaring of the biggest middleman between Boston and DC. | 0:33:32 | 0:33:36 | |
The real sweet part is, the guy had just hustled in a shipment of horse worth a half-million dollars. | 0:33:36 | 0:33:43 | |
All waiting for us, easy as pie. | 0:33:43 | 0:33:45 | |
Congratulations. | 0:33:45 | 0:33:48 | |
Wait till you taste this caviar. McKenna, you are on a roll. | 0:33:48 | 0:33:53 | |
Ah! Bravo! | 0:33:53 | 0:33:56 | |
This is one of the biggest busts to come down in the tri-state area since that trawler in '82. | 0:33:58 | 0:34:04 | |
Here's to the big collar. | 0:34:07 | 0:34:10 | |
They don't get much bigger. | 0:34:10 | 0:34:12 | |
Mmm! Fantastic. | 0:34:15 | 0:34:17 | |
It was a good shoot, Chris. The guy came at you with an intent to kill. | 0:34:24 | 0:34:30 | |
I just know he was high on something, Dory. I know he was. | 0:34:34 | 0:34:38 | |
You know how those guys get that are on PCP? They... | 0:34:39 | 0:34:45 | |
They're almost superhuman, they're flying so high that you just can't even touch them. | 0:34:47 | 0:34:53 | |
They don't hear and they don't feel... | 0:34:53 | 0:34:56 | |
And that first bullet... It's like it never even touched him. | 0:34:58 | 0:35:03 | |
Weren't the lab tests conclusive? Haven't got them yet. | 0:35:03 | 0:35:07 | |
Well, someone's falling down on the job. Kick a little butt to get results. | 0:35:07 | 0:35:13 | |
Dory... Did he have a record? We're waiting for the subpoena. Listen! | 0:35:13 | 0:35:18 | |
I don't want you involved in this! I'll get this thing fixed up! I don't want you to fix anything! | 0:35:18 | 0:35:24 | |
What's wrong? I don't want you riding in here on your white horse to save the day! | 0:35:24 | 0:35:30 | |
I can solve my own problems! | 0:35:32 | 0:35:34 | |
What's getting loaded gonna do? | 0:35:36 | 0:35:39 | |
Seems to me I used to say the same thing to you not so long ago. | 0:35:39 | 0:35:43 | |
It seems to me I finally stopped kidding myself and asked for help. | 0:35:43 | 0:35:47 | |
Don't you patronise me. | 0:35:47 | 0:35:50 | |
Here. Give me that. | 0:35:50 | 0:35:53 | |
I'm sorry. Look what you did. | 0:35:57 | 0:36:00 | |
Look what you did! Chris... No! Just get away from me! | 0:36:00 | 0:36:04 | |
I'm sorry. | 0:36:12 | 0:36:14 | |
I'm so tired! | 0:36:14 | 0:36:17 | |
Oh, I'm so tired! | 0:36:21 | 0:36:23 | |
Lacey! Your partner's a little late this morning. Really, sir? I hadn't noticed. | 0:36:24 | 0:36:30 | |
But I do know she stayed late last night to finish up these DD5s. | 0:36:30 | 0:36:34 | |
Tell her I want to see her. Yes. ..Lieutenant? Yeah? | 0:36:34 | 0:36:38 | |
I was wondering what... | 0:36:38 | 0:36:40 | |
Is there anything I can do to help, sir? I'd like to handle this on my own, if it's OK with you. | 0:36:40 | 0:36:47 | |
Oh. OK with me, sir. | 0:36:47 | 0:36:50 | |
How's Chris? Late. Let me know when she gets in. I'll put you on the list. | 0:36:51 | 0:36:57 | |
Vitamin E, Victor? Yeah. I've got a problem with my complexion. | 0:36:58 | 0:37:04 | |
Looks OK to me. It's always good to take this stuff before you have a problem. Preventative medicine. | 0:37:04 | 0:37:10 | |
Want one? | 0:37:10 | 0:37:12 | |
Morning. Good morning. You look a little tired out, Christine. | 0:37:19 | 0:37:23 | |
Dory's back in town. Oh. | 0:37:23 | 0:37:25 | |
You had a good night, then, huh? | 0:37:25 | 0:37:28 | |
Had its moments. | 0:37:28 | 0:37:30 | |
I fielded three calls for you, Petrie wants to talk to you and the Lieutenant wants to see you. | 0:37:30 | 0:37:36 | |
I don't know. | 0:37:38 | 0:37:41 | |
Christine? | 0:37:48 | 0:37:50 | |
You wanted to see me? | 0:37:57 | 0:37:59 | |
Yeah. Nice of you to join us this morning. Sorry. It was a strange night. | 0:37:59 | 0:38:05 | |
Well, it's gonna be a good day. DD45 is on top. | 0:38:05 | 0:38:09 | |
They found .75 milligrams of PCP in his bloodstream. | 0:38:09 | 0:38:14 | |
His juvenile record's underneath - three priors for burglary in the last seven months. | 0:38:14 | 0:38:20 | |
So will that do it? Yeah. | 0:38:20 | 0:38:23 | |
I'll be surprised if we don't get a justified homicide from the Grand Jury in 24 hours. | 0:38:23 | 0:38:28 | |
So that's it? Isn't that enough? | 0:38:29 | 0:38:33 | |
Thank you. | 0:38:34 | 0:38:36 | |
She said, "You can't stoke a dead fire." So I said, "There are still sparks between us." | 0:38:43 | 0:38:49 | |
I was trying to pick up on how her mind works. | 0:38:49 | 0:38:53 | |
You were mirroring her metaphor. ..Yeah. | 0:38:53 | 0:38:56 | |
You could say that. Anyway... | 0:38:56 | 0:38:59 | |
She says, "Speak for yourself." So I say, "Hey... | 0:38:59 | 0:39:03 | |
"I know what women like you want." She says, "Prove it." | 0:39:03 | 0:39:08 | |
So the jury comes in. Saturday night, her place. Good luck, Victor. No problem. | 0:39:10 | 0:39:16 | |
It looks good, Samuels thinks. | 0:39:18 | 0:39:21 | |
So... | 0:39:21 | 0:39:23 | |
So? | 0:39:23 | 0:39:25 | |
It's not over yet, Chris. | 0:39:27 | 0:39:30 | |
Oh, I know that. Samuels has... You know that's not what I mean. | 0:39:30 | 0:39:34 | |
Look...you think I don't know what's been going on with you? | 0:39:38 | 0:39:42 | |
I was in the very same shoes you're standing in after I killed that kid up in Harlem. | 0:39:42 | 0:39:49 | |
Pretending... | 0:39:49 | 0:39:51 | |
that the only thing on my mind was putting the shooting and the bad press behind me. | 0:39:51 | 0:39:58 | |
Lying to myself, just like you are. I've been straight with everyone... Yeah, everybody except yourself. | 0:39:58 | 0:40:04 | |
Cagney, you killed somebody! A real, live human being. | 0:40:04 | 0:40:09 | |
Not one of those cardboard dummies in target practice. | 0:40:09 | 0:40:13 | |
Damn right I killed somebody. But that's what I was trained to do. Of course. | 0:40:16 | 0:40:22 | |
THEY taught us how to do it. But nobody told us how to deal with the consequences. | 0:40:22 | 0:40:28 | |
It's part of the job. | 0:40:28 | 0:40:32 | |
Oh! | 0:40:32 | 0:40:33 | |
Does that... Does that mean that you can't wish it didn't happen?! | 0:40:33 | 0:40:38 | |
That you didn't have the weight of taking the life of some human being on your soul?! | 0:40:38 | 0:40:44 | |
You've got some unfinished business, Chris. | 0:40:49 | 0:40:53 | |
I'm sorry. I have a rent strike I have to cover tonight. What about tomorrow night? If there's time. | 0:41:01 | 0:41:08 | |
Hey! You had time to build a case against my partner, made her look like Adolf Eichmann! | 0:41:08 | 0:41:14 | |
You have a responsibility to set the record straight. Don't lecture me about responsibility. | 0:41:14 | 0:41:21 | |
If it weren't for people like me, Watergate would be just another hotel in the Potomac. It's unfair! | 0:41:21 | 0:41:29 | |
It's editorialising and unethical! It stinks and we both know it! | 0:41:29 | 0:41:34 | |
Ethics is a philosophical term. I don't deal in philosophy, I deal in the real world. | 0:41:34 | 0:41:40 | |
No realer than mine! What about poverty, the slums, unemployment? | 0:41:40 | 0:41:45 | |
What about an Hispanic community drowning in crime, | 0:41:45 | 0:41:49 | |
insufficiently protected by the police and neglected by City Hall? | 0:41:49 | 0:41:53 | |
How is cutting down one police officer gonna fix that? | 0:41:53 | 0:41:56 | |
Maybe we'll get police protection instead of police brutality. | 0:41:56 | 0:42:01 | |
Jesus Pinero tried to kill my partner and she DID kill him. | 0:42:01 | 0:42:06 | |
That's a tragedy all round and you only told one side! | 0:42:06 | 0:42:10 | |
He didn't deserve to die. Jesus was a kid who made some mistakes. | 0:42:10 | 0:42:15 | |
Your partner shot too fast, that's all there is to it! | 0:42:15 | 0:42:19 | |
Christine Cagney had to make a decision her life depended on. | 0:42:19 | 0:42:23 | |
What kind of decisions do you have to make - what colour tie to wear? | 0:42:23 | 0:42:27 | |
Pam, have we gotten those rent strike reports? | 0:42:29 | 0:42:33 | |
Si? | 0:42:52 | 0:42:54 | |
Senora Pinero? May I come in, please? | 0:42:57 | 0:43:02 | |
Thank you. | 0:43:05 | 0:43:07 | |
Are you from the welfare department? | 0:43:11 | 0:43:13 | |
No. I'm sorry... | 0:43:16 | 0:43:18 | |
I'm Detective Cagney. | 0:43:22 | 0:43:24 | |
SHE SPEAKS IN SPANISH | 0:43:24 | 0:43:28 | |
If you would let me... No! No! | 0:43:28 | 0:43:31 | |
..explain to you. | 0:43:33 | 0:43:35 | |
I never saw him like this. | 0:43:46 | 0:43:49 | |
When I saw him, he was very angry. | 0:43:55 | 0:43:58 | |
And he was very dangerous. | 0:43:58 | 0:44:02 | |
He didn't know what he was doing. | 0:44:02 | 0:44:05 | |
Senora... I never wanted to kill your son. | 0:44:10 | 0:44:13 | |
I just wanted to stop him. | 0:44:15 | 0:44:17 | |
The drugs just made him too strong. | 0:44:17 | 0:44:20 | |
Are you understanding any...? | 0:44:23 | 0:44:27 | |
I came here today to... | 0:44:47 | 0:44:50 | |
let you know that I'm sorry your son died. | 0:44:50 | 0:44:54 | |
And I'm sorry that I was the one who shot him. | 0:44:55 | 0:44:59 | |
And, er... | 0:45:03 | 0:45:06 | |
I'm triste. | 0:45:06 | 0:45:08 | |
Very sad. | 0:45:11 | 0:45:12 | |
Subtitles by Alison Rae Mary Easton BBC Broadcast | 0:45:52 | 0:45:56 |