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Yes, it was gorgeous, | 0:01:25 | 0:01:26 | |
but a red leather jacket is not exactly the thing to wear. | 0:01:26 | 0:01:29 | |
As a fellow commission member, don't I get a vote? | 0:01:29 | 0:01:33 | |
Look, I have been to a lot of those meetings | 0:01:35 | 0:01:37 | |
and they get awfully boring. | 0:01:37 | 0:01:38 | |
You'd sure look festive in that jacket. | 0:01:38 | 0:01:42 | |
Well, it's a commission on police brutality, | 0:01:42 | 0:01:45 | |
I'm supposed to look intelligent, not festive. | 0:01:45 | 0:01:48 | |
I move for both. | 0:01:48 | 0:01:50 | |
David, I can't let you buy me that jacket, | 0:01:54 | 0:01:57 | |
it's just too much money. | 0:01:57 | 0:01:59 | |
For someone you are not seeing exclusively? | 0:01:59 | 0:02:01 | |
Just too much money period. | 0:02:01 | 0:02:03 | |
I thought we had settled that last part. | 0:02:04 | 0:02:06 | |
Sorry. We have, you're right, it is better for both of us. | 0:02:06 | 0:02:10 | |
-Do you feel funny about us both being on the commission? -No. | 0:02:12 | 0:02:15 | |
No problem - we are both intelligent, mature adults. | 0:02:15 | 0:02:18 | |
Uh-huh, who disagree about everything. | 0:02:18 | 0:02:20 | |
Almost everything. | 0:02:20 | 0:02:21 | |
So you protect the rights of sleazy criminals. | 0:02:23 | 0:02:26 | |
I, on the other hand, protect the rights of innocent victims. | 0:02:26 | 0:02:29 | |
There is some truth in that. Come here. | 0:02:29 | 0:02:32 | |
-I love it when you lie. -I'm not lying. | 0:02:32 | 0:02:35 | |
-You have an enormous influence on me. -I can tell. | 0:02:35 | 0:02:38 | |
Listen, while I have your attention. | 0:02:39 | 0:02:42 | |
How long is this question? | 0:02:42 | 0:02:45 | |
Well, it's the police Big Brother Christmas dance. | 0:02:45 | 0:02:49 | |
Now, are you going to take me or not? | 0:02:49 | 0:02:52 | |
To the dance, Keeler. | 0:02:52 | 0:02:55 | |
Don't they make you check all the ACLU lawyers at the door? | 0:02:55 | 0:02:58 | |
Oh, not a chance, uh-uh. | 0:02:58 | 0:02:59 | |
They're the main course. | 0:02:59 | 0:03:01 | |
So? Are you free next Friday? | 0:03:02 | 0:03:04 | |
I might have to check my social calendar. | 0:03:05 | 0:03:08 | |
Let me describe my dress. | 0:03:08 | 0:03:09 | |
Which one of the three do you think I should take | 0:03:11 | 0:03:13 | |
to the Big Brother dinner - Francine, Cici or Michelle the magnificent? | 0:03:13 | 0:03:16 | |
I can't help you with this, Victor. | 0:03:16 | 0:03:18 | |
You see, one of the advantages of being married is that you | 0:03:18 | 0:03:21 | |
no longer have to struggle with these decisions. | 0:03:21 | 0:03:23 | |
-Are you going to wear a tux? -Absolutely. | 0:03:23 | 0:03:25 | |
Yeah, me, too. I always get lucky when I wear a tux. | 0:03:25 | 0:03:28 | |
Lieutenant, the man has been missing for three days. | 0:03:28 | 0:03:31 | |
I don't see how we can ignore this any longer. | 0:03:31 | 0:03:33 | |
The man is a street performer, that is hardly your stable population. | 0:03:33 | 0:03:37 | |
Sir, between my last semester at Cornell and my first-quarter | 0:03:37 | 0:03:40 | |
at Princeton, I was a street performer, I know the life. | 0:03:40 | 0:03:43 | |
This musician would not willingly leave a lucrative street corner, | 0:03:43 | 0:03:46 | |
especially not during the busy season, | 0:03:46 | 0:03:48 | |
and his friends out there have every right to be worried. | 0:03:48 | 0:03:50 | |
All right, I will tell you what, Newman. | 0:03:52 | 0:03:53 | |
In the spirit of Christmas, I am going to have an impartial | 0:03:53 | 0:03:57 | |
third party listen to the evidence and make a judgment, all right? | 0:03:57 | 0:04:00 | |
Cagney! Come on in here a minute, please. | 0:04:00 | 0:04:04 | |
We've played together for three years, | 0:04:04 | 0:04:06 | |
he wouldn't go without telling me. | 0:04:06 | 0:04:08 | |
They started out as a duo, then Rupert here joined them. | 0:04:08 | 0:04:10 | |
-They're very good. -You have to believe me, | 0:04:10 | 0:04:13 | |
Neil would never leave this astral plane voluntarily. | 0:04:13 | 0:04:16 | |
-Would you like some coffee? -No, thanks. | 0:04:16 | 0:04:20 | |
Miss Arakelian, | 0:04:20 | 0:04:21 | |
regulations are very specific on this point - | 0:04:21 | 0:04:24 | |
unless there is positive evidence of a crime having been committed | 0:04:24 | 0:04:27 | |
or a possible suicide, | 0:04:27 | 0:04:29 | |
the only one who is eligible to file a missing persons report is | 0:04:29 | 0:04:31 | |
a relative. Excuse me one minute. | 0:04:31 | 0:04:33 | |
Come on, Alice, you did what you could. Come on. | 0:04:36 | 0:04:40 | |
If I was a relative, you'd investigate? | 0:04:40 | 0:04:43 | |
Well, we would certainly make out a report, yes. | 0:04:43 | 0:04:47 | |
Well, I didn't want to tell you this, | 0:04:47 | 0:04:49 | |
but Neil and I used to go together, | 0:04:49 | 0:04:52 | |
you know, before Rupert. | 0:04:52 | 0:04:54 | |
And there was a real closeness. | 0:04:54 | 0:04:56 | |
But then we had our past lives read together | 0:04:57 | 0:05:00 | |
and we discovered something truly awful. | 0:05:00 | 0:05:03 | |
In at least three previous incarnations we were brother | 0:05:03 | 0:05:07 | |
and sister. | 0:05:07 | 0:05:08 | |
Which explained the closeness, of course, | 0:05:08 | 0:05:10 | |
but made it impossible to continue. | 0:05:10 | 0:05:12 | |
So, you see, we are related. Sort of. | 0:05:13 | 0:05:17 | |
-I understand you are a bit upset... -I know something happened to Neil. | 0:05:19 | 0:05:23 | |
He left his aura behind. | 0:05:23 | 0:05:25 | |
Also his flute. | 0:05:26 | 0:05:27 | |
OK, so Alice is a little...different. | 0:05:33 | 0:05:36 | |
Obviously, your type. | 0:05:36 | 0:05:38 | |
-Ever thought about asking her out? -She's already involved. | 0:05:38 | 0:05:41 | |
You see, that's what this all may be about. | 0:05:41 | 0:05:43 | |
First of all, she starts out with Neil, | 0:05:43 | 0:05:45 | |
switches over to Rupert and Neil disappears. | 0:05:45 | 0:05:48 | |
It is a classic triangle. | 0:05:48 | 0:05:49 | |
Or maybe some other performer is trying to take over the corner. | 0:05:49 | 0:05:52 | |
Do you realise, Cagney, | 0:05:52 | 0:05:53 | |
that a good corner like that can net you 50, 60,000 a year tax free? | 0:05:53 | 0:05:58 | |
And second of all, I have a hunch about this, | 0:05:58 | 0:05:59 | |
and I have learned to go with my hunches. | 0:05:59 | 0:06:02 | |
First of all, there is no second of all, it is secondly. | 0:06:02 | 0:06:05 | |
That's cold, Cagney. | 0:06:05 | 0:06:07 | |
I'm talking about a possible life or death | 0:06:07 | 0:06:09 | |
and you are correcting my grammar? | 0:06:09 | 0:06:10 | |
Also your logic. | 0:06:10 | 0:06:12 | |
Street performers are like nomads, gypsies, | 0:06:12 | 0:06:15 | |
they move around a lot and they do not leave a forwarding address. | 0:06:15 | 0:06:19 | |
You don't have a case! | 0:06:19 | 0:06:20 | |
So why don't you spend some time on the cases you do have? | 0:06:20 | 0:06:23 | |
Like the Correlli homicide, here. | 0:06:23 | 0:06:25 | |
First of all, Mr Correlli is very dead, | 0:06:25 | 0:06:28 | |
and the odds are he'll remain so. | 0:06:28 | 0:06:29 | |
Neil the flute player is probably still alive | 0:06:29 | 0:06:31 | |
and can maybe even stay that way with our help. | 0:06:31 | 0:06:33 | |
And second...ly, you have bent a few rules yourself. | 0:06:33 | 0:06:36 | |
Yeah, on a good case, | 0:06:37 | 0:06:39 | |
not investigating the Grinch who stole Christmas. | 0:06:39 | 0:06:42 | |
If you will excuse me, please, I have ten days to | 0:06:42 | 0:06:44 | |
finish my Christmas shopping and I am already 11 days behind. | 0:06:44 | 0:06:47 | |
Goodbye, Newman. | 0:06:47 | 0:06:48 | |
-Careful, slippery. Oh, thank you. -Hi. | 0:07:07 | 0:07:11 | |
Anyway... | 0:07:11 | 0:07:13 | |
If this case wasn't bad enough... Excuse me. Here. | 0:07:13 | 0:07:18 | |
..I wasted my whole morning on that police brutality commission. | 0:07:18 | 0:07:22 | |
Sat around listening to a bunch of armchair liberals passing | 0:07:23 | 0:07:26 | |
judgment on situations they know nothing about, all of them | 0:07:26 | 0:07:29 | |
of course siding with David.. | 0:07:29 | 0:07:30 | |
-And then there was this woman... -Excuse me. | 0:07:30 | 0:07:33 | |
-Here, you all right? -Yeah. -Then there was this woman, right? | 0:07:33 | 0:07:36 | |
The kind dressed for success type, you know that. | 0:07:36 | 0:07:39 | |
And all day she just cooed. | 0:07:39 | 0:07:41 | |
"Oh, Mr Keeler, you are so right, so right." | 0:07:41 | 0:07:45 | |
Christine, do you think that Harvey is really going to like this? | 0:07:45 | 0:07:49 | |
Well, it will be hard to misplace. | 0:07:49 | 0:07:52 | |
I was thing about getting a jacket to match, you know, | 0:07:52 | 0:07:56 | |
colour-coordinated. | 0:07:56 | 0:07:58 | |
What do you think? Nice, huh? | 0:07:58 | 0:07:59 | |
Colour-coordinated, I don't think so, Mary Beth, no. | 0:07:59 | 0:08:02 | |
That's dull. Something more imaginative. | 0:08:02 | 0:08:05 | |
Christine, your outfits are more colour-coordinated than anybody's | 0:08:05 | 0:08:09 | |
I have ever seen. | 0:08:09 | 0:08:11 | |
That is not true, Mary Beth, my clothes are complementary. | 0:08:11 | 0:08:15 | |
Colour-coordinated is like died to match. | 0:08:15 | 0:08:18 | |
-Like that bimbosity. -What bimbosity? | 0:08:18 | 0:08:22 | |
The one at the commission I told you about. | 0:08:22 | 0:08:24 | |
I don't think David listens to anything she says. | 0:08:24 | 0:08:27 | |
She is a part-time fashion consultant, if you catch my drift. | 0:08:27 | 0:08:31 | |
Probably the biggest word in her vocabulary is paisley. | 0:08:31 | 0:08:35 | |
I bet she uses her home address as Lord and Taylor. | 0:08:35 | 0:08:38 | |
"Oh, Mr Keeler, you are so right." | 0:08:38 | 0:08:41 | |
What are you going to have? | 0:08:43 | 0:08:45 | |
The water. | 0:08:45 | 0:08:47 | |
Look at it, Christine. | 0:08:48 | 0:08:49 | |
-It looks so... -Warm? | 0:08:52 | 0:08:54 | |
Wet. | 0:08:56 | 0:08:57 | |
It looks so wet. | 0:08:58 | 0:09:00 | |
Harvey. | 0:09:13 | 0:09:15 | |
-Honey. -Yes? -Harv. | 0:09:17 | 0:09:20 | |
-What? -There's something I got to talk to you about. -Honey, OK. | 0:09:20 | 0:09:23 | |
And uh... | 0:09:23 | 0:09:24 | |
-It's a little strange, Harv. -What? | 0:09:24 | 0:09:28 | |
Actually, it's a lot strange. | 0:09:28 | 0:09:30 | |
-Would you tell me, baby? I'm sure it's not so bad. -No, it is. | 0:09:31 | 0:09:35 | |
It's about a... | 0:09:35 | 0:09:36 | |
..a craving I have. | 0:09:39 | 0:09:40 | |
HE LAUGHS | 0:09:40 | 0:09:43 | |
That's not strange. | 0:09:45 | 0:09:47 | |
You want some rhubarb pie? | 0:09:47 | 0:09:49 | |
Yes? | 0:09:49 | 0:09:50 | |
How about some broccoli with ice cream? | 0:09:50 | 0:09:52 | |
I want to go swimming. | 0:09:55 | 0:09:57 | |
Babe, that's not so strange. | 0:09:59 | 0:10:01 | |
Harvey, it is the dead of winter. | 0:10:04 | 0:10:06 | |
-Some people swim all year round. -Not me. | 0:10:06 | 0:10:08 | |
Maybe you need some exercise. | 0:10:09 | 0:10:11 | |
Harv, you're pretending that this isn't strange | 0:10:13 | 0:10:15 | |
to make me feel better, | 0:10:15 | 0:10:17 | |
but I have been giving this a lot of thought, and it is. | 0:10:17 | 0:10:21 | |
Strange. | 0:10:21 | 0:10:22 | |
I want to go swimming in the middle of winter. | 0:10:24 | 0:10:26 | |
And, Harvey, I want to go alone. | 0:10:26 | 0:10:29 | |
What do you think? | 0:10:31 | 0:10:32 | |
Honey, I think if you want to go alone, | 0:10:33 | 0:10:37 | |
it's probably because of your condition. | 0:10:37 | 0:10:40 | |
Oh, no. No, Harv, it's not that unselfconscious. | 0:10:41 | 0:10:45 | |
I don't think that a pregnant lady is an unusual sight. | 0:10:45 | 0:10:47 | |
Honey, I know, you are not self-conscious | 0:10:47 | 0:10:49 | |
and you are not an unusual sight. | 0:10:49 | 0:10:51 | |
You are a pregnant lady that is a little bit strange. | 0:10:51 | 0:10:54 | |
I just want to know one thing. | 0:10:54 | 0:10:56 | |
Why do you want to swim solo in the middle of December? | 0:10:57 | 0:11:00 | |
I don't know. | 0:11:06 | 0:11:07 | |
The fact remains that Officer Ballew put this man in the hospital. | 0:11:24 | 0:11:28 | |
He was trying to stop him from beating up his eight-year-old kid. | 0:11:28 | 0:11:31 | |
The guy would not let up. | 0:11:31 | 0:11:33 | |
Ballew has two kids of his own. | 0:11:33 | 0:11:35 | |
What if he had backed off and let the boy keep taking | 0:11:35 | 0:11:37 | |
blows to the head to the point of sustaining brain damage? | 0:11:37 | 0:11:40 | |
Now, that is a very emotional response, Sergeant Cagney. | 0:11:40 | 0:11:44 | |
But don't you think that one should always attempt to use | 0:11:44 | 0:11:47 | |
the power of words before resorting to the power of physical violence? | 0:11:47 | 0:11:53 | |
-I think one should... -Ehem. | 0:11:54 | 0:11:56 | |
Have you ever been in this kind of situation, Mrs Cody? | 0:12:03 | 0:12:06 | |
Of course not. | 0:12:07 | 0:12:09 | |
Well, sometimes life or death depends on instant reactions. | 0:12:09 | 0:12:13 | |
It's a judgment call. | 0:12:13 | 0:12:14 | |
Police are just people, but with this kind of hostile scrutiny, | 0:12:14 | 0:12:17 | |
cops are going to become like those doctors who are afraid | 0:12:17 | 0:12:19 | |
to come forward in emergencies for fear of being sued. | 0:12:19 | 0:12:22 | |
Is that the kind of police protection one wants? | 0:12:22 | 0:12:24 | |
Come on, Sergeant, there is a middle area here, | 0:12:24 | 0:12:27 | |
and that is what we are trying to define. | 0:12:27 | 0:12:29 | |
You're right, David, you are so right. | 0:12:29 | 0:12:32 | |
-So, how's the police brutality commission? -Brutal. | 0:12:40 | 0:12:43 | |
Cagney, I have been waiting for you. | 0:12:43 | 0:12:45 | |
-What is it, Newman? -We have a visitor. | 0:12:45 | 0:12:47 | |
Hello. | 0:12:52 | 0:12:53 | |
-What is she doing here, Newman? -Her boyfriend is missing. -We know that. | 0:12:56 | 0:12:59 | |
No, Cagney, not the first one, the second one, | 0:12:59 | 0:13:01 | |
the one she has never been related to. | 0:13:01 | 0:13:04 | |
We have two musicians just like Santa Claus, | 0:13:10 | 0:13:12 | |
both missing from the same street corner in a span of four days. | 0:13:12 | 0:13:15 | |
Obviously, something is very wrong here, Sergeant, | 0:13:15 | 0:13:17 | |
Why are you so resistant about this? | 0:13:17 | 0:13:20 | |
Because it is hard for me to take someone who | 0:13:20 | 0:13:22 | |
believes in reincarnation and works in an elf costume very seriously. | 0:13:22 | 0:13:26 | |
Don't you have any compassion for these people? | 0:13:26 | 0:13:28 | |
What I have, Newman, is the Rogers case. | 0:13:28 | 0:13:30 | |
-And I have the Lipsich case... -And now you got this one, too. | 0:13:30 | 0:13:33 | |
-Lieutenant! -I don't want to hear it, Cagney. | 0:13:33 | 0:13:36 | |
I am making an administrative decision, the case is official | 0:13:36 | 0:13:39 | |
and you are catching it with Newman. | 0:13:39 | 0:13:41 | |
Come on, Victor, uniforms are waiting for us | 0:13:48 | 0:13:51 | |
at the Bronstein building. Let's go. | 0:13:51 | 0:13:53 | |
Are you sure you are busy? Look, check the date again. | 0:13:53 | 0:13:56 | |
Look, I'm really sorry about the last time. | 0:13:58 | 0:14:00 | |
-I didn't know it was a religious holiday. -Victor! | 0:14:00 | 0:14:03 | |
Yeah. Oh, no, thanks, I understand. Yeah, bye. | 0:14:03 | 0:14:07 | |
I should've called Francine first. | 0:14:10 | 0:14:12 | |
They were the first four gold records I produced for Clio Records. | 0:14:14 | 0:14:18 | |
Actually, there was no gold in them. | 0:14:18 | 0:14:19 | |
In reality, they were worthless other than a certain | 0:14:19 | 0:14:22 | |
sentimental value. | 0:14:22 | 0:14:23 | |
So, I'm sorry Miss Stone troubled you. | 0:14:23 | 0:14:25 | |
When she came in this morning and saw that they were missing | 0:14:25 | 0:14:28 | |
from the wall, she called you without consulting me. | 0:14:28 | 0:14:30 | |
As long as we are here, Mr Casey, we might as well look around. | 0:14:30 | 0:14:33 | |
That won't be necessary. | 0:14:33 | 0:14:34 | |
Rosetta, would you show the officers to the door? | 0:14:34 | 0:14:37 | |
And come back in here, please. | 0:14:37 | 0:14:38 | |
Yes, Mr Casey. | 0:14:38 | 0:14:40 | |
Gentleman. | 0:14:40 | 0:14:41 | |
Officer Petrie, has anyone ever told you that | 0:14:44 | 0:14:48 | |
you look more like a model than a policeman? | 0:14:48 | 0:14:52 | |
Yes, ma'am, my wife. | 0:14:52 | 0:14:53 | |
I modelled once. | 0:14:56 | 0:14:58 | |
For a trucking company brochure. | 0:14:58 | 0:15:00 | |
SONG: "We Three Kings" | 0:15:05 | 0:15:08 | |
All right, let's get it over with. | 0:15:16 | 0:15:18 | |
You corner the three wise men before they escape. | 0:15:19 | 0:15:22 | |
And I'll check out that dangerous looking pretzel vendor over there. | 0:15:22 | 0:15:25 | |
I think you should take this case a little more seriously, Sergeant. | 0:15:28 | 0:15:31 | |
Be sure and let me know anything that will help me do that, | 0:15:31 | 0:15:34 | |
won't you, Detective? | 0:15:34 | 0:15:35 | |
SONG: "My Christmas Love" | 0:15:35 | 0:15:38 | |
-Great song, huh? My Christmas Love. -Oh, I always liked it. | 0:15:55 | 0:15:58 | |
I can believe that, you're the man who wrote this song. | 0:15:58 | 0:16:01 | |
-You're Jackson Bell. -No, I'm not. | 0:16:01 | 0:16:04 | |
Come on, man, I took a course on the roots of R&B when I was at NYU. | 0:16:04 | 0:16:07 | |
Look, you got me mixed up with someone else. | 0:16:07 | 0:16:09 | |
OK, man? | 0:16:09 | 0:16:11 | |
Sure, whatever you say. Who needs a bunch of fans going crazy, right? | 0:16:11 | 0:16:15 | |
-Don't worry about it, I'm cool. -Yeah. | 0:16:15 | 0:16:17 | |
-Did you get anything? -No, just waiting for them to finish. | 0:16:23 | 0:16:25 | |
Listen, Cagney, there's someone here I'd like you to meet. | 0:16:25 | 0:16:28 | |
He was just here a minute ago. There was this guy, | 0:16:32 | 0:16:34 | |
he was caring Chinese food. | 0:16:34 | 0:16:36 | |
It was Jackson Bell, one of the early pioneers of rock'n'roll. | 0:16:36 | 0:16:39 | |
Cagney, the man wrote this song. | 0:16:39 | 0:16:40 | |
Newman, I don't care if it was Jerry Lee Lewis eating pizza | 0:16:40 | 0:16:43 | |
in his baby grand, all right? | 0:16:43 | 0:16:45 | |
I'm cold and I'd like to get this over with. | 0:16:45 | 0:16:47 | |
Good, they're finished. | 0:16:47 | 0:16:50 | |
So no other offices were burglarised and nothing else | 0:16:50 | 0:16:52 | |
-is missing? -Not so far, and I have been in touch with all of them. | 0:16:52 | 0:16:55 | |
I guess there is no point in asking | 0:16:57 | 0:16:58 | |
if you have noticed anyone unusual looking lately? | 0:16:58 | 0:17:01 | |
-Music biz. -Rights, thanks. Ah, Miss Stone. | 0:17:01 | 0:17:05 | |
Just go away. You guys have caused me enough trouble already. | 0:17:06 | 0:17:10 | |
What happened? | 0:17:10 | 0:17:12 | |
Lou Casey fired me! | 0:17:13 | 0:17:14 | |
He said I never should have called you | 0:17:14 | 0:17:16 | |
and that I should have known better than to ever call the police. | 0:17:16 | 0:17:19 | |
Hey. | 0:17:20 | 0:17:21 | |
You can call me any time you want. | 0:17:23 | 0:17:25 | |
None of this makes any sense. | 0:17:30 | 0:17:32 | |
If the records only have sentimental value, why would anybody steal them? | 0:17:32 | 0:17:36 | |
Yeah, and why would Casey pretend that it didn't mean anything | 0:17:36 | 0:17:39 | |
to him when it did? | 0:17:39 | 0:17:40 | |
Especially when he fired Rosetta just for calling us. | 0:17:40 | 0:17:43 | |
What are they doing here? | 0:18:01 | 0:18:02 | |
Mary Beth, it's like the Bermuda Triangle, | 0:18:10 | 0:18:12 | |
things just keep vanishing - musicians, gold records, Santas. | 0:18:12 | 0:18:16 | |
-I tell you, it is the case of the month. -Mom. | 0:18:16 | 0:18:19 | |
Newman, of course, is convinced it is all tied together, | 0:18:19 | 0:18:21 | |
and we know how often he has been right. | 0:18:21 | 0:18:23 | |
-Mary Beth, I'm home, let me in! -Mom. | 0:18:23 | 0:18:24 | |
It's not just the stupid case that's upsetting me, | 0:18:24 | 0:18:27 | |
it's David and that woman on the commission. | 0:18:27 | 0:18:29 | |
They're driving me up the wall. | 0:18:29 | 0:18:31 | |
-Mary Beth! -Mom, let me talk to you. -Chris, can I call you back? -Mom! | 0:18:31 | 0:18:35 | |
I'll call you back, OK? Yeah. Bye-bye. | 0:18:35 | 0:18:38 | |
Nice talking with you, Mary Beth. | 0:18:38 | 0:18:41 | |
Michael, that was very rude. | 0:18:44 | 0:18:46 | |
It's important. Have you looked at your Christmas gift? | 0:18:46 | 0:18:49 | |
The one I made you in school. | 0:18:49 | 0:18:51 | |
No, of course not, it's wrapped up in your closet where you put it. | 0:18:51 | 0:18:55 | |
Well, don't you want to know what it is? | 0:18:55 | 0:18:56 | |
Yes, I want to know what it is, Michael, | 0:18:56 | 0:18:58 | |
-but I didn't want to wreck the surprise. -Mary Beth! -Yes. | 0:18:58 | 0:19:00 | |
I don't care if you peek a little. | 0:19:00 | 0:19:02 | |
All right, if that's what you want, I'll peek a little. | 0:19:02 | 0:19:05 | |
-Ta-dah! A bathing suit for pregnant women. -Yeah? | 0:19:06 | 0:19:09 | |
-How many can you get in there? -Have I got some good news for you. | 0:19:09 | 0:19:12 | |
There is a church in the East 70s with a pool in the basement, | 0:19:12 | 0:19:15 | |
and we may be able to use it during Sunday morning services. | 0:19:15 | 0:19:19 | |
-Harv, I can't. How can I swim while people are praying? No. -Wait, honey. | 0:19:19 | 0:19:23 | |
Whoa, whoa, whoa. It may be very peaceful. | 0:19:23 | 0:19:25 | |
There could be some nice organ music in the background. | 0:19:25 | 0:19:28 | |
I never liked organ music, Harvey. It reminds me of skating rinks. | 0:19:28 | 0:19:31 | |
Oh, OK. | 0:19:31 | 0:19:32 | |
OK, the church is out. | 0:19:32 | 0:19:34 | |
There is a pool right across the bridge in a men's club. | 0:19:34 | 0:19:38 | |
-How are you going to get two women in a men's club? -Who else is coming? | 0:19:38 | 0:19:43 | |
-Well, it could be. -Oh, yeah. | 0:19:43 | 0:19:45 | |
Only one thing, we're going to have to be kind of discrete. | 0:19:46 | 0:19:50 | |
-How discrete? -We're going to have to sneak in. | 0:19:50 | 0:19:53 | |
Honey, OK, I'm sorry, it was just an idea. | 0:19:53 | 0:19:55 | |
-Mary Beth, I'm trying, I'm trying. -I'm an officer of the law... | 0:19:55 | 0:19:59 | |
Here, Mom, you don't have to wait. | 0:19:59 | 0:20:02 | |
-You sure? -Uh-huh. -OK. | 0:20:02 | 0:20:04 | |
OK. | 0:20:04 | 0:20:07 | |
Oh! | 0:20:07 | 0:20:08 | |
SHE GASPS | 0:20:08 | 0:20:11 | |
Oh, Michael! | 0:20:11 | 0:20:12 | |
-Oh, that's wonderful. -I drew it all by myself. | 0:20:14 | 0:20:17 | |
-Hey. -It's me. -Yeah? | 0:20:17 | 0:20:19 | |
Yeah, so you don't forget what I look like | 0:20:19 | 0:20:21 | |
when you're in the hospital having the baby. | 0:20:21 | 0:20:24 | |
That's a very smart idea. What a smart kid you are. | 0:20:24 | 0:20:27 | |
Smart kid. | 0:20:27 | 0:20:29 | |
Lieutenant says, if we are going to go undercover, | 0:20:29 | 0:20:31 | |
we have to blend in with our surroundings. | 0:20:31 | 0:20:34 | |
These are the wrong shoes. | 0:20:37 | 0:20:38 | |
These are not Santa Claus shoes, these are elf shoes. | 0:20:38 | 0:20:41 | |
I told you before, it's the busy season. They ran out of your size. | 0:20:44 | 0:20:47 | |
Hey, I offered. But no, you didn't want to be Mrs Santa Claus. | 0:20:47 | 0:20:51 | |
I don't play supporting roles. | 0:20:51 | 0:20:53 | |
I hate this. I really hate it. | 0:21:00 | 0:21:02 | |
Come on, I don't look any better than you do. | 0:21:04 | 0:21:08 | |
Well, maybe a little better. | 0:21:08 | 0:21:09 | |
-To whom, Donner or Blitzen? -You see, Cagney? | 0:21:13 | 0:21:16 | |
You know what your problem is? You're inappropriately competitive. | 0:21:16 | 0:21:20 | |
Me? You are competitive about breathing, Newman. | 0:21:20 | 0:21:23 | |
I took Psych 101 also, Newman. You know what is wrong with you? | 0:21:23 | 0:21:27 | |
Arrested development. You're stuck somewhere in junior high, | 0:21:29 | 0:21:32 | |
probably because of your height and your lack of popularity with girls. | 0:21:32 | 0:21:36 | |
I'll have you know, Cagney, I have no problem with women | 0:21:36 | 0:21:39 | |
whatsoever, and there is no doubt in my mind's that... | 0:21:39 | 0:21:42 | |
I am more of a feminist than you ever were. | 0:21:43 | 0:21:46 | |
Labels are crutches, Newman, I don't need them. | 0:21:47 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:54 | |
Come on, Cagney, try to assume a more positive attitude. | 0:22:10 | 0:22:12 | |
You know, ho-ho-ho? | 0:22:12 | 0:22:14 | |
I'm trying to be reason, Newman, but this is demeaning. | 0:22:14 | 0:22:17 | |
I'll play the tambourine if you want to play the drums. | 0:22:17 | 0:22:20 | |
-I can't play drums. -Then play the tambourine, please. | 0:22:20 | 0:22:23 | |
Oh, my God. | 0:22:38 | 0:22:39 | |
Play it again, Santa! | 0:22:40 | 0:22:42 | |
-What's the matter? -Nothing, just keep playing. | 0:22:42 | 0:22:45 | |
Aren't they cute?! | 0:22:53 | 0:22:55 | |
Come on, Barb, I don't like to encourage people who | 0:22:55 | 0:22:58 | |
commercialise Christmas. | 0:22:58 | 0:22:59 | |
Oh, David, you are so right. | 0:22:59 | 0:23:02 | |
Somebody you know? | 0:23:10 | 0:23:12 | |
Nobody. | 0:23:12 | 0:23:13 | |
Woman sure knows how to dress. | 0:23:15 | 0:23:17 | |
-Are you feeling OK? -I feel fine. | 0:23:19 | 0:23:21 | |
I'm going to lunch. | 0:23:23 | 0:23:24 | |
Here. | 0:23:25 | 0:23:27 | |
Get me something, OK? | 0:23:28 | 0:23:30 | |
Newman? | 0:24:19 | 0:24:20 | |
Let's clear it up. Start with a four-block area | 0:24:28 | 0:24:30 | |
to the north-west, I'll start with the north-east. | 0:24:30 | 0:24:32 | |
-Yoo-hoo, Cagney! -Come back here in an hour. | 0:24:32 | 0:24:34 | |
-Unless you find something... -Up here. -Hey! -Cagney! | 0:24:34 | 0:24:38 | |
Hey! | 0:24:38 | 0:24:40 | |
Newman! Is that you, Newman? | 0:24:43 | 0:24:45 | |
Where the hell have you been? | 0:24:45 | 0:24:47 | |
So, when this carton came | 0:24:47 | 0:24:48 | |
crashing down with the word help scrawled on it... | 0:24:48 | 0:24:51 | |
"Help, I'm being held captive," on a Chinese food package? | 0:24:51 | 0:24:53 | |
No, sir, just help. It looked like blood. | 0:24:53 | 0:24:55 | |
Actually, it was plum sauce. | 0:24:55 | 0:24:57 | |
It all happened with the missing Santas. | 0:24:57 | 0:24:58 | |
You remember them, sir, the flute and clarinet players? | 0:24:58 | 0:25:01 | |
-Actually, it all started with Jackson Bell. -He was a Santa? | 0:25:01 | 0:25:04 | |
No, sir, he was disguised as a janitor. | 0:25:04 | 0:25:06 | |
In the Bronstein Building where the music companies are. | 0:25:06 | 0:25:08 | |
Where Lou Casey had these gold records stolen. | 0:25:08 | 0:25:10 | |
-Lou Casey, he was a Santa. -No, sir, but you should see his secretary. | 0:25:10 | 0:25:13 | |
-She was a Santa? -No. See, Lieutenant, | 0:25:13 | 0:25:15 | |
Jackson Bell took the job in the Bronstein Building to get at Lou | 0:25:15 | 0:25:19 | |
Casey, who had stolen the credit and the royalties from all his music. | 0:25:19 | 0:25:22 | |
Like My Christmas Love and Ellie's Song, that was a great record. | 0:25:22 | 0:25:25 | |
Claudia and I used to dance to that. | 0:25:25 | 0:25:26 | |
Yeah, I remember that from senior prom. | 0:25:26 | 0:25:28 | |
I don't want to know about your dancing and I don't want | 0:25:28 | 0:25:30 | |
to know about your prom, I want to know who kidnapped the Santy Clauses. | 0:25:30 | 0:25:35 | |
Cagney, does this make any sense to you? | 0:25:35 | 0:25:38 | |
I'm afraid so, Lieutenant. | 0:25:38 | 0:25:40 | |
All right, so you've got 30 seconds to explain it. Go! | 0:25:40 | 0:25:45 | |
Jackson Bell was recognised by the flute-playing Santa on the corner. | 0:25:45 | 0:25:49 | |
To prevent him from exposing his identity to anybody else who | 0:25:49 | 0:25:51 | |
might alert Casey, Bell kidnapped the flu player. | 0:25:51 | 0:25:54 | |
Now, he kidnapped the clarinet player two days later who | 0:25:54 | 0:25:56 | |
also happen to identify him. | 0:25:56 | 0:25:57 | |
Now, Bell told the men that he had taken the gold records from Casey | 0:25:57 | 0:26:00 | |
to blackmail Casey into publicly acknowledging his authorship. | 0:26:00 | 0:26:03 | |
You see, he feels like he has been cheated, Lieutenant. He wants, | 0:26:03 | 0:26:06 | |
if you'll pardon the expression, to set the record straight. | 0:26:06 | 0:26:09 | |
23 seconds. You hear that, Newman? | 0:26:09 | 0:26:12 | |
Less is more, that is why she is a sergeant. | 0:26:12 | 0:26:15 | |
Oh, Chris, look at it. That is adorable! Look at that. | 0:26:24 | 0:26:28 | |
It's not an official Christmas present. I just... | 0:26:28 | 0:26:30 | |
I saw it and so I picked it up. | 0:26:30 | 0:26:32 | |
Why should I be the only one in a Santa suit? | 0:26:32 | 0:26:34 | |
Oh, I am so sorry I missed that. | 0:26:34 | 0:26:38 | |
It is not funny, Mary Beth. What if David had recognised me? | 0:26:38 | 0:26:41 | |
Huh? A grown man does not go out with bearded women in elf shoes. | 0:26:41 | 0:26:45 | |
LACEY LAUGHS | 0:26:45 | 0:26:47 | |
For that matter, grown men don't go out with space cadets either. | 0:26:47 | 0:26:51 | |
-Oh, Christine, I never heard you like this. -Bitchy? -Jealous. | 0:26:51 | 0:26:55 | |
I'm not jealous, Mary Beth. I'm not jealous, I'm irritated. | 0:26:55 | 0:26:58 | |
Here you go, guys, eggnog. | 0:26:58 | 0:27:00 | |
Plain, fancy. | 0:27:00 | 0:27:03 | |
-Thank you, sweetheart. -Thanks, Harv. | 0:27:03 | 0:27:05 | |
-Hey, Harvey. -Yeah? -Wait a minute, you are an objective observer. | 0:27:05 | 0:27:09 | |
I could use a male point of view on this. | 0:27:09 | 0:27:11 | |
-Let me to run something by you. -Well, sure, I'd be happy to. -OK. | 0:27:11 | 0:27:14 | |
This is called My Worthy Rival Theory. | 0:27:14 | 0:27:17 | |
Now, let's just assume that I am in a nonexclusive relationship | 0:27:17 | 0:27:21 | |
with a man and I learn that he is going out with another woman, | 0:27:21 | 0:27:24 | |
somebody like Mary Beth or Mother Teresa. | 0:27:24 | 0:27:27 | |
My reaction would be, "I can handle that, they are worthy rivals." | 0:27:27 | 0:27:33 | |
Now then, should I discover that the man is dating a major ditz, | 0:27:33 | 0:27:38 | |
that is insulting to me. | 0:27:38 | 0:27:39 | |
Now, you could drive a convoy of trucks, the holes in that theory. | 0:27:39 | 0:27:42 | |
-Right? -No, wait a minute. -Yeah, wait a second. | 0:27:42 | 0:27:45 | |
Chris, in other words, what you are saying is | 0:27:45 | 0:27:46 | |
-if the guy likes this ditz, what does that make you? -Exactly. | 0:27:46 | 0:27:49 | |
Yeah, but when a woman tells you, | 0:27:49 | 0:27:51 | |
"I like you but I don't want to make a commitment," | 0:27:51 | 0:27:53 | |
she has given permission to go out with other women, ditz is included. | 0:27:53 | 0:27:57 | |
PHONE RINGS Excuse me. | 0:27:57 | 0:27:59 | |
He's right, Christine. | 0:28:00 | 0:28:01 | |
You are the one who said you didn't want to be exclusive with David, | 0:28:01 | 0:28:05 | |
you can't exactly expect to pick out who he gets out go out with. | 0:28:05 | 0:28:08 | |
Well, it's a new theory, I don't have all the kinks worked out. | 0:28:08 | 0:28:12 | |
I have to go. | 0:28:12 | 0:28:14 | |
-What, already? -Yes. -Well... | 0:28:14 | 0:28:16 | |
Hey, thanks again for the play suit, Christine, it's adorable. | 0:28:16 | 0:28:20 | |
Oh, you're welcome. I'm glad you like it. | 0:28:20 | 0:28:22 | |
It's perfect for a boy or a girl. | 0:28:22 | 0:28:24 | |
Well, the both of us appreciate it, and counting Harvey, | 0:28:24 | 0:28:26 | |
that makes three of us. | 0:28:26 | 0:28:28 | |
Listen, Chris, do you mind if I say something here? | 0:28:28 | 0:28:31 | |
It's obvious that you like this David. | 0:28:31 | 0:28:34 | |
So why don't you do something special for him? | 0:28:34 | 0:28:36 | |
I mean, after all the time we have been together, | 0:28:36 | 0:28:38 | |
Harvey and I still like to surprise each other. | 0:28:38 | 0:28:41 | |
You mean like those women who dress up in plastic wrap | 0:28:41 | 0:28:43 | |
-and wait at the door? -Christine, I'm serious. | 0:28:43 | 0:28:46 | |
Surprises are nice. | 0:28:46 | 0:28:48 | |
Now, take it from a woman who has been married 16 years. | 0:28:48 | 0:28:52 | |
Call it My Surprises Are Nice Theory. | 0:28:52 | 0:28:54 | |
-I'll think about it. -OK. | 0:28:55 | 0:28:57 | |
-See you. -Take it slow. -Bye. | 0:28:57 | 0:28:59 | |
Come here. Come here. | 0:29:03 | 0:29:05 | |
Get into this bathing suit. The kids will do the dishes. | 0:29:05 | 0:29:08 | |
-You found a pool. -Yeah. That was Mario, do you remember Mario? | 0:29:08 | 0:29:11 | |
-He used to work for me. -Yes. | 0:29:11 | 0:29:13 | |
Well, he is now a night watchman at the Ashford Towers, | 0:29:13 | 0:29:15 | |
that new co-op. | 0:29:15 | 0:29:16 | |
Well, it is still almost empty and for 100 bucks, | 0:29:16 | 0:29:19 | |
we can have the swimming pool, the indoor one, tonight! | 0:29:19 | 0:29:22 | |
Oh, Harv! | 0:29:22 | 0:29:24 | |
Oh, you are a generous, wonderful man | 0:29:24 | 0:29:27 | |
and I can't let you spend 100 on something like this. | 0:29:27 | 0:29:29 | |
Mary Beth, I want to. | 0:29:29 | 0:29:30 | |
No, Harvey, we have a baby coming, we have doctor bills, | 0:29:30 | 0:29:33 | |
we have Christmas and everything. | 0:29:33 | 0:29:35 | |
And I couldn't enjoy it, Harv. | 0:29:35 | 0:29:37 | |
I love you and I thank you and I'm sorry, I can't. | 0:29:37 | 0:29:40 | |
You are very difficult, Mary Beth, very difficult. What are you doing? | 0:29:40 | 0:29:43 | |
I got to take a bath. | 0:29:43 | 0:29:44 | |
KNOCK ON DOOR | 0:29:48 | 0:29:50 | |
-Hey. -Chris. | 0:30:05 | 0:30:07 | |
Hi. | 0:30:07 | 0:30:08 | |
You said you were working late night, | 0:30:08 | 0:30:10 | |
so I thought you might be hungry. | 0:30:10 | 0:30:12 | |
Oh, Chris, I would invite you in, but it's kind of a bad time. | 0:30:13 | 0:30:17 | |
Timing never stopped us before. | 0:30:17 | 0:30:19 | |
David! | 0:30:19 | 0:30:21 | |
Do you have any mineral water? | 0:30:22 | 0:30:24 | |
Chris, I'm sorry. | 0:30:28 | 0:30:29 | |
-IMITATING HER: -"No, David doesn't have any mineral water. | 0:30:32 | 0:30:37 | |
"He does have an 81 Bordeaux. | 0:30:37 | 0:30:40 | |
"It's full-bodied." | 0:30:40 | 0:30:41 | |
And mildly amusing. | 0:30:42 | 0:30:45 | |
Forgive me if I don't pour. | 0:30:46 | 0:30:48 | |
No need to apologise, David, we are both two mature, intelligent adults. | 0:31:07 | 0:31:12 | |
Who never have to see each other again! | 0:31:12 | 0:31:15 | |
-'Sergeant, this is Newman.' -Newman? | 0:31:15 | 0:31:17 | |
'I'm at The Blues Joint, on 149th Street, | 0:31:17 | 0:31:20 | |
'Jackson Bell used to play here in the old days. | 0:31:20 | 0:31:22 | |
'Get up here as soon as you can, I got a hot lead.' | 0:31:22 | 0:31:25 | |
Hot lead, it is almost 11 o'clock. | 0:31:25 | 0:31:27 | |
'I don't care what time it is, this is so good you won't be sorry.' | 0:31:27 | 0:31:31 | |
# I can't buy you diamonds | 0:31:32 | 0:31:36 | |
# Or shiny limousines | 0:31:36 | 0:31:40 | |
# I can't make all fancy dreams come true | 0:31:40 | 0:31:45 | |
# And my gift, it may be simple | 0:31:47 | 0:31:50 | |
# But it is the best that I can do | 0:31:50 | 0:31:54 | |
# To sing this Christmas song | 0:31:55 | 0:32:02 | |
# For you. # | 0:32:02 | 0:32:05 | |
Chris, over here. | 0:32:09 | 0:32:11 | |
# So when the snow is falling | 0:32:11 | 0:32:13 | |
# When the wind blows... # | 0:32:13 | 0:32:15 | |
What took you so long? | 0:32:15 | 0:32:16 | |
This better be as advertised, Newman. | 0:32:16 | 0:32:19 | |
Scotch, please, rocks. | 0:32:20 | 0:32:22 | |
After you left the squad room, I called Rosetta Stone | 0:32:23 | 0:32:26 | |
on the chance she might know something about Jackson Bell. | 0:32:26 | 0:32:28 | |
She had no idea he was working at the Bronstein Building. | 0:32:28 | 0:32:32 | |
-Are you getting to a point? -Rosetta did know something else, though. | 0:32:32 | 0:32:35 | |
A long time ago when Bell wrote the songs that Casey stole, | 0:32:35 | 0:32:39 | |
he was in love with a woman named Ellie Hendricks. | 0:32:39 | 0:32:41 | |
# I know that you don't care about... # | 0:32:47 | 0:32:53 | |
Hendricks is her professional name, though. | 0:32:53 | 0:32:55 | |
She hasn't used it in years. | 0:32:55 | 0:32:57 | |
All that time she was known as Ellie Casey. | 0:32:57 | 0:32:59 | |
# But someday... # | 0:33:01 | 0:33:02 | |
She's married to Lou Casey? | 0:33:02 | 0:33:04 | |
Rosetta said they separated about a month ago. | 0:33:04 | 0:33:07 | |
But 20 years ago, Casey stole Bell's music and his woman, there is | 0:33:07 | 0:33:11 | |
your motive right there, Cagney. | 0:33:11 | 0:33:13 | |
# But till the day when my ship comes in | 0:33:18 | 0:33:22 | |
# And I can dress you up in furs | 0:33:22 | 0:33:26 | |
# I'll wrap you up in promises and dreams | 0:33:26 | 0:33:32 | |
# I'm going to warm you like a winter fire | 0:33:33 | 0:33:37 | |
# That glows the whole night through | 0:33:37 | 0:33:42 | |
# And sing this Christmas song | 0:33:44 | 0:33:50 | |
# For you, baby | 0:33:51 | 0:33:58 | |
# And sing this Christmas song | 0:34:00 | 0:34:06 | |
# For you. # | 0:34:07 | 0:34:13 | |
She said she hadn't seen Jackson Bell since she got married. | 0:34:18 | 0:34:21 | |
# For you. # | 0:34:22 | 0:34:26 | |
If she hasn't seen Jackson Bell in 20 years, | 0:34:29 | 0:34:32 | |
I'll eat your elf shoes. | 0:34:32 | 0:34:33 | |
OK, one more time! | 0:34:42 | 0:34:45 | |
# Sleep in | 0:34:45 | 0:34:47 | |
# Heavenly peace | 0:34:47 | 0:34:54 | |
# Sleep in heavenly... # | 0:34:54 | 0:34:59 | |
What the hell are you doing here? | 0:35:02 | 0:35:03 | |
What's the matter? She didn't like the Bordeaux? | 0:35:07 | 0:35:09 | |
You see, you are angry. | 0:35:09 | 0:35:11 | |
I'm not angry, I just didn't want to disturb your work. | 0:35:11 | 0:35:14 | |
-I think I should go. -Not a chance, I want to talk about the case! | 0:35:14 | 0:35:17 | |
-What is he doing here? -He's my partner. | 0:35:17 | 0:35:19 | |
-I am Detective Jonah Newman. -Your partner is pregnant! | 0:35:19 | 0:35:21 | |
-Well, not this one. -I really think I should go. | 0:35:21 | 0:35:23 | |
-PHONE RINGS -Oh, no, no, no. | 0:35:23 | 0:35:25 | |
I'm leaving first. I don't want to break up | 0:35:25 | 0:35:27 | |
what looks like a really good time. | 0:35:27 | 0:35:29 | |
-We weren't having a really good time. -I was. -We were working. | 0:35:29 | 0:35:32 | |
I came over here because I thought you'd be upset. | 0:35:32 | 0:35:34 | |
But I see you didn't waste much time finding back up. | 0:35:34 | 0:35:36 | |
-Do you want me to get that? -Yeah, what's your excuse? | 0:35:36 | 0:35:39 | |
You make up the rules, Sergeant, you don't want to deal with them? | 0:35:39 | 0:35:42 | |
-Maybe you should get out of the game. -Fine. | 0:35:42 | 0:35:44 | |
Fine! | 0:35:44 | 0:35:45 | |
I'm so glad we had this chat. | 0:35:46 | 0:35:48 | |
That was Charlie, he said he'll call back later. | 0:35:48 | 0:35:51 | |
-Charlie? As in good time? -No, Charlie as in father. | 0:35:51 | 0:35:54 | |
-What would a priest be doing calling you at 12:30 the morning? -My father. | 0:35:54 | 0:35:58 | |
You know what your problem is? | 0:36:00 | 0:36:02 | |
You can't make up your mind what kind of relationship you want. | 0:36:02 | 0:36:05 | |
Well, how about a non-relationship? | 0:36:05 | 0:36:07 | |
Just when you think things can only get worse, they do. | 0:36:12 | 0:36:15 | |
Good night, Newman. | 0:36:17 | 0:36:19 | |
Look at it this way, Chris, | 0:36:24 | 0:36:26 | |
it's pretty funny that he'd be jealous of me. | 0:36:26 | 0:36:29 | |
Good night, Cag. | 0:36:39 | 0:36:40 | |
Sir. | 0:36:47 | 0:36:48 | |
Pick up line one, please. | 0:36:50 | 0:36:51 | |
How are you doing? | 0:36:55 | 0:36:57 | |
Me? Sitting on a rainbow. | 0:36:57 | 0:37:00 | |
When are we going to go see Ellie Hendricks? | 0:37:00 | 0:37:02 | |
She is going to sleep till noon. | 0:37:02 | 0:37:04 | |
-I've got tons of files. -Would you like a cup of coffee? | 0:37:04 | 0:37:07 | |
Yes, that would be very nice. Thank you, Newman. | 0:37:07 | 0:37:09 | |
Good, because I took the liberty of pouring you a cup. Let me help. | 0:37:09 | 0:37:12 | |
Thank you, Newman. | 0:37:12 | 0:37:13 | |
Court dates, lawyers, how can you have a sane relationship | 0:37:16 | 0:37:19 | |
with a man who argues for a living? | 0:37:19 | 0:37:21 | |
I don't think you can, which is why I thought I'd ask you... | 0:37:21 | 0:37:23 | |
Cagney, what's the story on the d'Alella evidence? | 0:37:23 | 0:37:26 | |
The lab reports will be here this afternoon, Lieutenant. | 0:37:26 | 0:37:28 | |
All right, so get it into me as soon as it comes in. | 0:37:28 | 0:37:30 | |
You got it, Lieutenant. | 0:37:30 | 0:37:32 | |
-I'm sorry, Newman, you were saying? -Yes... -You know what burns me? | 0:37:34 | 0:37:38 | |
-The Big Brothers' dinner. -As a matter fact, Cagney, | 0:37:38 | 0:37:40 | |
that's what I wanted to talk to you about. | 0:37:40 | 0:37:42 | |
He acts as though he is doing me a favour being my date. | 0:37:42 | 0:37:46 | |
Who needs David Keeler anyway, right? | 0:37:46 | 0:37:47 | |
I got plenty of things I can do if he doesn't show up tonight. | 0:37:47 | 0:37:50 | |
I have presents to wrap and eggs to nog. | 0:37:50 | 0:37:53 | |
Things that they do not require the services of an attorney. | 0:37:53 | 0:37:56 | |
Or you could go with someone else. | 0:37:56 | 0:37:58 | |
All right! | 0:37:58 | 0:37:59 | |
She said yes, she is going to go to the dance with me. | 0:37:59 | 0:38:02 | |
I can't believe it, Rosetta Stone. I mean even her name is beautiful. | 0:38:02 | 0:38:06 | |
I get the feeling, though, I've heard the name somewhere before. | 0:38:06 | 0:38:10 | |
Petrie, where is Petrie? Marcus! Petrie! | 0:38:10 | 0:38:15 | |
-Speaking of asking... -Cagney, Newman, you got a visitor. | 0:38:15 | 0:38:18 | |
Detective, I lied to you last night. | 0:38:21 | 0:38:24 | |
I have seen Jackson Bell, he has been hiding in my dressing room, | 0:38:24 | 0:38:27 | |
and he also stole the financial books from Clio Records, | 0:38:27 | 0:38:31 | |
and they show how Lou has been cheating on his income tax | 0:38:31 | 0:38:33 | |
-all of these years. -Of course, he only took the gold records | 0:38:33 | 0:38:36 | |
to let Casey know who it was. | 0:38:36 | 0:38:37 | |
And now he has gone to the record company to see Lou | 0:38:37 | 0:38:40 | |
and I'm afraid they're liable to kill each other. | 0:38:40 | 0:38:43 | |
SIRENS | 0:38:43 | 0:38:47 | |
All right, out of the way, please. Please, out of the way. | 0:38:49 | 0:38:52 | |
-Out of the way. -Stop him, he's crazy! | 0:38:52 | 0:38:54 | |
-Keep singing! -Get back, please! -Put the gun down. | 0:38:54 | 0:38:57 | |
Put the gun down! | 0:38:57 | 0:38:58 | |
-Ain't nobody going to get hurt. -Not if you put the gun down. | 0:38:58 | 0:39:01 | |
Let the man finish my song for the TV folks | 0:39:01 | 0:39:04 | |
and then I will turn myself in. | 0:39:04 | 0:39:05 | |
Keep dancing. | 0:39:05 | 0:39:07 | |
-The only person you are hurting is yourself. -No, ma'am. | 0:39:07 | 0:39:10 | |
I'm all the hurt I'll ever be. | 0:39:10 | 0:39:12 | |
It took me 20 years to get angry enough to stand up for myself, | 0:39:12 | 0:39:16 | |
and now I will do with Lou Casey. | 0:39:16 | 0:39:19 | |
His crooked books in return to put my name on the gold records. | 0:39:19 | 0:39:23 | |
That's all. | 0:39:23 | 0:39:25 | |
-And then he pulled his gun on me. -What about the books, Jackson? | 0:39:25 | 0:39:28 | |
-Where are the books? -What do you think he's dancing on? | 0:39:28 | 0:39:31 | |
# This Christmas song. # | 0:39:33 | 0:39:35 | |
-Now, are you satisfied? -Mr Bell, please. | 0:39:35 | 0:39:38 | |
You done good, Lou. | 0:39:40 | 0:39:41 | |
-You get all that? -You bet, Mr Bell. | 0:39:43 | 0:39:45 | |
Put the gun down now, Mr Bell, please. | 0:39:45 | 0:39:48 | |
I did what I had to do, baby. | 0:39:55 | 0:39:56 | |
Mr Bell, you have the right to remain silent. | 0:39:59 | 0:40:01 | |
You give up the right to remain silent, anything... | 0:40:01 | 0:40:03 | |
Oh, baby, it's going to be all right. I did what I had to do. | 0:40:03 | 0:40:06 | |
Excuse me, Miss Casey, if you could just step away for just a moment. | 0:40:08 | 0:40:11 | |
That's good. Just step away for just a moment while I... | 0:40:11 | 0:40:14 | |
This is a really weird time to say this, Mr Bell, | 0:40:14 | 0:40:17 | |
but I really love your music and it is an honour to meet you. | 0:40:17 | 0:40:21 | |
Ha-ha. Man, it ain't never the wrong time to hear that. | 0:40:21 | 0:40:24 | |
# So when the snow is falling | 0:40:26 | 0:40:28 | |
# When the wind blows cold | 0:40:28 | 0:40:31 | |
# I'll wrap you up in promises and dreams | 0:40:31 | 0:40:36 | |
# And I'll warm you like the winter fire | 0:40:36 | 0:40:40 | |
KNOCK ON DOOR # That glows the whole night through | 0:40:40 | 0:40:44 | |
# And sing this Christmas song | 0:40:44 | 0:40:49 | |
# For you. # | 0:40:49 | 0:40:51 | |
-Hi. -What are you doing here? | 0:40:57 | 0:40:59 | |
Whatever happened to "you look nice"? | 0:41:00 | 0:41:02 | |
You look nice. | 0:41:02 | 0:41:04 | |
Come on in. | 0:41:05 | 0:41:06 | |
Don't tell me I got the wrong night. | 0:41:08 | 0:41:11 | |
Too early? | 0:41:13 | 0:41:14 | |
To tell you the truth, I wasn't expecting you. | 0:41:17 | 0:41:20 | |
Do I look like the kind of man who would miss a Christmas | 0:41:20 | 0:41:22 | |
benefit with a bunch of cops? | 0:41:22 | 0:41:24 | |
Uh-huh. | 0:41:24 | 0:41:26 | |
Well... Maybe I do. | 0:41:27 | 0:41:29 | |
But do I look like the kind of man who would miss a night out with you? | 0:41:31 | 0:41:35 | |
I wasn't sure. | 0:41:36 | 0:41:38 | |
I wouldn't. | 0:41:44 | 0:41:45 | |
How long before you are ready? | 0:42:00 | 0:42:02 | |
30 minutes if you'll leave me alone. | 0:42:02 | 0:42:04 | |
20 if you leave off the beard? | 0:42:06 | 0:42:07 | |
Although I liked the elf shoes. | 0:42:10 | 0:42:12 | |
They were a nice touch. | 0:42:12 | 0:42:14 | |
# I can't buy you diamonds | 0:42:24 | 0:42:27 | |
# Or shiny limousines | 0:42:27 | 0:42:30 | |
# I can't make all fancy dreams come true | 0:42:30 | 0:42:34 | |
# My gift, it may be simple | 0:42:36 | 0:42:38 | |
# But it's the best that I can do | 0:42:38 | 0:42:41 | |
# To sing this Christmas song | 0:42:43 | 0:42:48 | |
# For you | 0:42:48 | 0:42:50 | |
# But till that day my ships comes in | 0:42:51 | 0:42:54 | |
# And I can dress you up in furs | 0:42:54 | 0:42:57 | |
# I'll wrap you up in promises and dreams | 0:42:57 | 0:43:02 | |
# And I warmly like a winter fire | 0:43:02 | 0:43:06 | |
# That glows the whole night through | 0:43:06 | 0:43:12 | |
# And sing this Christmas song | 0:43:12 | 0:43:18 | |
# For you | 0:43:18 | 0:43:22 | |
# And sing this Christmas song | 0:43:26 | 0:43:32 | |
# For you. # | 0:43:32 | 0:43:37 | |
The DA thinks he's going to get off with probation. Look. | 0:43:48 | 0:43:50 | |
That's good to hear. | 0:43:50 | 0:43:52 | |
You know, I used to dance to Jackson Bell's music in high school. | 0:43:55 | 0:43:59 | |
They are really slow dances. | 0:43:59 | 0:44:01 | |
Oh, yeah? | 0:44:01 | 0:44:03 | |
I like the slow dances. | 0:44:03 | 0:44:05 | |
Good. | 0:44:08 | 0:44:10 |