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BELL CHIMING | 0:00:28 | 0:00:30 | |
FOGHORN | 0:00:36 | 0:00:38 | |
'I used to think that night was a time for women. | 0:00:43 | 0:00:48 | |
'All day, the docks were raucous with the lives of men. | 0:00:48 | 0:00:52 | |
'Lightermen and stevedores, dockers and pilots, | 0:00:52 | 0:00:55 | |
'the sailors and the drivers of the trains. | 0:00:55 | 0:00:59 | |
'In the smallest hours, only the river's voice was heard. | 0:00:59 | 0:01:05 | |
'Only women were awake.' | 0:01:06 | 0:01:08 | |
-KETTLE WHISTLES -'Men slept. | 0:01:08 | 0:01:11 | |
'Mostly.' | 0:01:11 | 0:01:14 | |
WOMAN SCREAMS AND CRIES | 0:01:14 | 0:01:17 | |
WOMAN SCREAMS | 0:01:17 | 0:01:20 | |
Are you sure you're a midwife? You don't half look young. | 0:01:23 | 0:01:25 | |
Don't worry, Ingrid. You're quite safe. | 0:01:25 | 0:01:29 | |
INGRID GROANS AND SOBS | 0:01:29 | 0:01:33 | |
I'll...kill...him! | 0:01:34 | 0:01:37 | |
I'll bloody kill him when I'm done! | 0:01:37 | 0:01:40 | |
SCREAMS AND CRIES | 0:01:40 | 0:01:42 | |
Short breaths. | 0:01:42 | 0:01:44 | |
GASPING | 0:01:44 | 0:01:47 | |
There. | 0:01:47 | 0:01:48 | |
'She wouldn't kill him. No mother ever did. | 0:01:48 | 0:01:52 | |
'She would only curse his name, and say there'd never be a next time. | 0:01:52 | 0:01:56 | |
-BABY CRYING -'And she would mean it. | 0:01:56 | 0:01:58 | |
'And there always was.' | 0:01:58 | 0:02:00 | |
# O God, make speed to save us | 0:02:00 | 0:02:05 | |
# O Lord, make haste to help us | 0:02:05 | 0:02:10 | |
# Glory be to the Father and to the Son | 0:02:10 | 0:02:15 | |
# And to the Holy Ghost | 0:02:15 | 0:02:19 | |
# As it was in the beginning Is now, and ever shall be | 0:02:19 | 0:02:26 | |
# World without end, amen | 0:02:26 | 0:02:29 | |
# Praise ye the Lord | 0:02:29 | 0:02:34 | |
# The Lord's name be praised | 0:02:35 | 0:02:40 | |
# Have mercy upon me O God | 0:02:42 | 0:02:46 | |
# After Thy great goodness | 0:02:46 | 0:02:50 | |
# According to the multitude of Thy mercies | 0:02:50 | 0:02:56 | |
# Do away mine offences | 0:02:56 | 0:02:59 | |
# Wash me throughly from my wickedness... # | 0:02:59 | 0:03:04 | |
Zakir, I'm with someone. | 0:03:04 | 0:03:06 | |
# ..And cleanse me from my sin... # | 0:03:06 | 0:03:09 | |
SEAGULLS CRY | 0:03:09 | 0:03:11 | |
LOW CHATTER | 0:03:11 | 0:03:15 | |
Take him to the Crystal Room. | 0:03:26 | 0:03:29 | |
BIRDSONG OUTSIDE | 0:03:38 | 0:03:40 | |
Oh, she's a bit of all right. | 0:03:43 | 0:03:46 | |
I'm going to call her Dawn. | 0:03:47 | 0:03:50 | |
It's a beautiful name. | 0:03:50 | 0:03:52 | |
-Ah, hug, hug. -BABY GURGLES | 0:03:53 | 0:03:56 | |
-That's it, nicely. Good girl. -BABY CRIES | 0:03:56 | 0:04:00 | |
-Baby. -Baby, yeah. | 0:04:00 | 0:04:03 | |
COINS CLINK | 0:04:03 | 0:04:07 | |
Don't short-change me. | 0:04:09 | 0:04:10 | |
It's eight bob, if I bring you inside. | 0:04:10 | 0:04:15 | |
FOOTSTEPS | 0:04:15 | 0:04:18 | |
Thought he'd dropped off on the job. | 0:04:20 | 0:04:23 | |
Tell you what, some of them lascars don't half rub off on you. | 0:04:23 | 0:04:27 | |
Mary! You've got one in the oven. | 0:04:29 | 0:04:33 | |
Is it any wonder? | 0:04:36 | 0:04:37 | |
There's things you can do, Mare. | 0:04:44 | 0:04:46 | |
Things you'll have to do. | 0:04:47 | 0:04:49 | |
And what if I won't? | 0:04:51 | 0:04:52 | |
You can't keep it. They won't let you. | 0:04:53 | 0:04:57 | |
FOGHORN | 0:04:58 | 0:05:01 | |
'I had entered a house in the dead of night, | 0:05:03 | 0:05:06 | |
'and emerged into sunshine, leaving a new life behind, | 0:05:06 | 0:05:10 | |
'and I wouldn't have changed my job for all the world.' | 0:05:10 | 0:05:14 | |
Oh, hello, Jenny! Up all night again? | 0:05:16 | 0:05:19 | |
Mrs B kept you a kipper. | 0:05:19 | 0:05:21 | |
I'd be quick, if I were you, or Fred will have it. | 0:05:21 | 0:05:23 | |
I heard that, and I hate kippers. | 0:05:23 | 0:05:26 | |
I tried smoking 'em once. It's a mug's game. | 0:05:26 | 0:05:29 | |
Flat tyre. | 0:05:29 | 0:05:32 | |
Three advance delivery packs, | 0:05:32 | 0:05:34 | |
one booking-in and two final home visits. | 0:05:34 | 0:05:37 | |
-Nurse Lee! How is Mrs Mason? -A little girl, Sister. No complications. | 0:05:37 | 0:05:40 | |
Good. You'll have to see to Sister Bernadette's list later. | 0:05:40 | 0:05:44 | |
She's been seconded to the hospital today. | 0:05:44 | 0:05:46 | |
PHONE RINGING | 0:05:46 | 0:05:48 | |
Nonnatus House. Midwife speaking. | 0:05:49 | 0:05:52 | |
-Short-staffed again! -The new trainee is on her way. | 0:05:52 | 0:05:54 | |
I can't deny I'm looking forward to an extra pair of hands. | 0:05:54 | 0:05:57 | |
Doreen Riley. She's the twins case in Quebec Street. | 0:05:57 | 0:06:01 | |
We don't need an extra pair of hands. We need an octopus. | 0:06:01 | 0:06:04 | |
When I get back from Mrs Riley, I'll contact the aquarium(!) | 0:06:04 | 0:06:07 | |
In the meantime the new girl's details are on here. | 0:06:07 | 0:06:13 | |
BELL CHIMES | 0:06:13 | 0:06:15 | |
Ah! Camilla Fortescue-Cholmeley-Browne? | 0:06:18 | 0:06:21 | |
-Yes. -Come in. | 0:06:21 | 0:06:23 | |
I generally answer to Chummy. My pa used to say, | 0:06:23 | 0:06:26 | |
"Long dogs need short names." | 0:06:26 | 0:06:29 | |
Mm. Follow me. And mind your head. | 0:06:29 | 0:06:32 | |
I understand you qualified by a whisker, Nurse Fortescue-Cholmeley-Browne. | 0:06:32 | 0:06:39 | |
I did pass. It was a bit of a scrape. | 0:06:39 | 0:06:41 | |
Before that I was nursing for five years, and, well... | 0:06:41 | 0:06:45 | |
Come on, inside. | 0:06:45 | 0:06:48 | |
Do you need me to go through this piece by piece? | 0:06:48 | 0:06:50 | |
No, not remotely. What's that? | 0:06:50 | 0:06:53 | |
-It's an enema nozzle. -It's made of glass. | 0:06:53 | 0:06:56 | |
Do you break things? | 0:06:56 | 0:06:58 | |
No. | 0:06:58 | 0:07:00 | |
-And are all your dresses pink? -I do have another, in eau de nil. | 0:07:00 | 0:07:04 | |
I bet you look a picture in that too. | 0:07:04 | 0:07:06 | |
Nurse Lee! | 0:07:06 | 0:07:08 | |
KNOCK AT DOOR | 0:07:33 | 0:07:35 | |
Uniforms. | 0:07:37 | 0:07:39 | |
Standard pale blue. Two. | 0:07:39 | 0:07:41 | |
-I found some in the airing cupboard. -All girls together. | 0:07:41 | 0:07:44 | |
That's what we used to say at school. | 0:07:44 | 0:07:46 | |
I could never bear all that fussing and flapping under dressing capes. Ha-ha. | 0:07:46 | 0:07:51 | |
I've always been a longshanks. | 0:07:51 | 0:07:54 | |
Even as a child in India, I was always taller than my brothers. | 0:07:54 | 0:07:57 | |
Poor old Mater, she used to be in tears, | 0:07:57 | 0:08:00 | |
but my ayah just sewed flounces at the bottom of my frocks. | 0:08:00 | 0:08:03 | |
It would look a bit rum round the hem of a nurse's outfit. | 0:08:03 | 0:08:07 | |
Oh, I can't move my arms. | 0:08:09 | 0:08:13 | |
Those are the biggest size. | 0:08:13 | 0:08:15 | |
Oh, well. Nil desperandum. | 0:08:17 | 0:08:19 | |
The rotating handle is delicately mechanised. | 0:08:25 | 0:08:28 | |
The cogs will be deranged if it's pounded out of rhythm. | 0:08:28 | 0:08:31 | |
Oh, don't worry, I've got the measure of this little warhorse. | 0:08:31 | 0:08:35 | |
I was at the Royal School of Needlework | 0:08:35 | 0:08:38 | |
before I turned to nursing. | 0:08:38 | 0:08:40 | |
Have you thought of French knots, to make that jolly fellow's hair? | 0:08:41 | 0:08:45 | |
I intend to furnish it with a beret. | 0:08:45 | 0:08:48 | |
-The scalp will not be visible to view. -Oh. | 0:08:48 | 0:08:51 | |
# Embrace me | 0:08:54 | 0:08:56 | |
# Embrace me | 0:08:57 | 0:09:01 | |
SHE SINGS ALONG | 0:09:03 | 0:09:04 | |
# Embrace me | 0:09:06 | 0:09:08 | |
# My sweet embraceable you | 0:09:08 | 0:09:15 | |
# Embrace me | 0:09:18 | 0:09:22 | |
# My irreplaceable yo-o-ou | 0:09:22 | 0:09:32 | |
# Just one look at you | 0:09:32 | 0:09:37 | |
# My heart grew... # | 0:09:37 | 0:09:40 | |
MUSIC PLAYS FAINTLY | 0:09:40 | 0:09:42 | |
STAIR CREAKS | 0:09:48 | 0:09:50 | |
# ..Bring out the gypsy in me | 0:09:53 | 0:09:59 | |
MUFFLED CONVERSATION | 0:10:02 | 0:10:05 | |
DOOR CREAKS | 0:10:17 | 0:10:20 | |
# Ooh, ooh, ooh, ah! # | 0:10:28 | 0:10:32 | |
I thank you and I love you all! | 0:10:32 | 0:10:35 | |
I wish I could make my own patterns. I'd save a bomb on clothes. | 0:10:38 | 0:10:42 | |
Yes. I've loved clothes ever since the New Look. | 0:10:42 | 0:10:45 | |
New Look's old hat, darling. | 0:10:45 | 0:10:47 | |
Aren't you bored of ironing all those layers? | 0:10:47 | 0:10:50 | |
Only wearing four tomorrow night. No room for six in the Royal Festival Hall. | 0:10:50 | 0:10:54 | |
Another concert? On your own? | 0:10:54 | 0:10:57 | |
Yes. Rachmaninoff. | 0:10:57 | 0:10:59 | |
Oh! Oh. I've chopped Princess Margaret's head off. | 0:10:59 | 0:11:01 | |
I was cutting out the sleeve. | 0:11:01 | 0:11:04 | |
She'll be giving me one of her hard cold stares. | 0:11:04 | 0:11:07 | |
I'm sure she'll forgive you. I think she looks fun. | 0:11:07 | 0:11:09 | |
Oh, she's frightfully vivacious when she's had a gin. | 0:11:09 | 0:11:13 | |
Not that I know her well. | 0:11:16 | 0:11:18 | |
No, I haven't really seen her since Pa's investiture. | 0:11:18 | 0:11:22 | |
-Investiture? -Yes, he was just... | 0:11:22 | 0:11:26 | |
Well, he was knighted for, er... services to the viceroy. | 0:11:26 | 0:11:29 | |
I'd keep that from Sister Evangelina. | 0:11:29 | 0:11:32 | |
-Why? -She grew up drinking out of jam jars. | 0:11:32 | 0:11:35 | |
It's made her a bit of an inverted snob. | 0:11:35 | 0:11:38 | |
-DOOR OPENS FRED: -Right, young madam. | 0:11:38 | 0:11:40 | |
Bicycles. | 0:11:40 | 0:11:42 | |
I've got a very nice Rival of Norwich, with a lightweight frame. | 0:11:42 | 0:11:45 | |
Or a Rover Imperial I reckon's come off the ark. The choice is yours. | 0:11:45 | 0:11:50 | |
Oh, I don't need a bicycle. Thanks awfully. | 0:11:50 | 0:11:53 | |
Shanks's pony will suffice for me. | 0:11:53 | 0:11:55 | |
Darling, you won't last five minutes on shanks's pony. | 0:11:55 | 0:11:58 | |
We cover eight square miles. | 0:11:58 | 0:12:00 | |
You can ride a bike? | 0:12:00 | 0:12:02 | |
I can ride a horse. That can't be so very different, surely? | 0:12:04 | 0:12:08 | |
Once somebody's learned to ride a bicycle, | 0:12:08 | 0:12:12 | |
-they never, ever forget. -Absolutely. | 0:12:12 | 0:12:15 | |
You'll have to do this once. It's like learning to smoke | 0:12:15 | 0:12:18 | |
-or having your ears pierced. -Quite. | 0:12:18 | 0:12:21 | |
Ready? Oh! Oh, gosh, erm... | 0:12:21 | 0:12:23 | |
-Buckle down. -Er... Oh. | 0:12:23 | 0:12:25 | |
-All right. -Yes, feet on. | 0:12:25 | 0:12:28 | |
-And go. -Oh, um... | 0:12:28 | 0:12:30 | |
-Keep going. -You want to tie her to our go-kart? | 0:12:30 | 0:12:33 | |
-You want to button your lip. -I'm sure he means well. | 0:12:33 | 0:12:35 | |
LAUGHTER | 0:12:35 | 0:12:37 | |
-Feet. -What? -Feet. -Yes. | 0:12:37 | 0:12:41 | |
Feet! Work your feet, Chummy. | 0:12:41 | 0:12:43 | |
-Feet. -Yes. Oh! -Down. | 0:12:43 | 0:12:46 | |
Pedal up, pedal down. | 0:12:46 | 0:12:50 | |
Oh, no! Sorry. Sorry. BIKE BELL RINGS | 0:12:50 | 0:12:52 | |
It's just this alternate body parts business. | 0:12:52 | 0:12:55 | |
Feet, you know, doing different things. | 0:12:55 | 0:12:58 | |
One fears there is something in her that is misaligned. | 0:12:59 | 0:13:03 | |
One suspects a planetary influence. | 0:13:03 | 0:13:06 | |
CHILDREN: Pedal up! Pedal down! | 0:13:06 | 0:13:09 | |
The East End'll eat her for breakfast. | 0:13:09 | 0:13:12 | |
TRAIN WHISTLE | 0:13:16 | 0:13:19 | |
Miss? | 0:13:43 | 0:13:44 | |
Miss? Could you change a five-pound note for me? | 0:13:44 | 0:13:48 | |
A five-pound note? No, I'm sorry. I can't. | 0:13:48 | 0:13:52 | |
-What about that cafe over there? -I daren't. They'll think I stole it. | 0:13:52 | 0:13:56 | |
Would you go in and change it for me? | 0:13:56 | 0:13:59 | |
I'm sorry. | 0:13:59 | 0:14:01 | |
Please! | 0:14:01 | 0:14:03 | |
I've not eaten today. | 0:14:03 | 0:14:05 | |
Nor yesterday. | 0:14:05 | 0:14:07 | |
Well, I suppose we could go in together. | 0:14:11 | 0:14:13 | |
We could get you something to eat. | 0:14:13 | 0:14:16 | |
I could pay using the banknote, so they'll think it's mine. | 0:14:16 | 0:14:20 | |
First dinner I ever had in England was like this. | 0:14:31 | 0:14:35 | |
That pie was in silver paper too. | 0:14:35 | 0:14:38 | |
It was in the transport cafe. That's near Liverpool. | 0:14:38 | 0:14:41 | |
You're not from Liverpool, though? | 0:14:41 | 0:14:43 | |
County Mayo. | 0:14:43 | 0:14:46 | |
Then Dublin, after Dadda died. | 0:14:46 | 0:14:48 | |
That was where our luck ran out. | 0:14:50 | 0:14:52 | |
And Mam fell in love with the drink. | 0:14:53 | 0:14:55 | |
I don't like it when people pry. I shouldn't pry myself. I'm sorry. | 0:14:57 | 0:15:01 | |
She'll be on the cold tea and meths by now. | 0:15:01 | 0:15:03 | |
She used to tell me the story of Dick Whittington and his cat, | 0:15:04 | 0:15:08 | |
and how they came to London and he heard the bells. | 0:15:08 | 0:15:13 | |
I thought, "What sort of eejit goes to make his fortune and takes his cat with him?" | 0:15:13 | 0:15:17 | |
When she took a man to live with us, I knew I'd have to leave. | 0:15:20 | 0:15:24 | |
I thought, "I'll take a leaf out of Dick Whittington's book. | 0:15:24 | 0:15:28 | |
"I'm just not taking any pets." | 0:15:28 | 0:15:29 | |
I thought the boat went from Dublin straight to London. | 0:15:30 | 0:15:34 | |
I didn't know there was any other city. | 0:15:34 | 0:15:36 | |
And I hitched a ride from Liverpool docks. | 0:15:36 | 0:15:38 | |
It was the driver who bought me the pie. | 0:15:38 | 0:15:41 | |
Did he take advantage of you? | 0:15:43 | 0:15:45 | |
I like your scarf. | 0:15:47 | 0:15:50 | |
It's from Paris. | 0:15:50 | 0:15:52 | |
Is that what the writing on it says? | 0:15:52 | 0:15:54 | |
Did the lorry driver take advantage of you? | 0:15:55 | 0:15:58 | |
No. | 0:15:59 | 0:16:01 | |
He was the last good Englishman I met. | 0:16:01 | 0:16:03 | |
It's just... | 0:16:05 | 0:16:07 | |
-..I can see you're expecting a baby. -Can you? | 0:16:08 | 0:16:11 | |
I've a trained eye. I'm a midwife. | 0:16:11 | 0:16:13 | |
You're not old enough. | 0:16:13 | 0:16:15 | |
-I'm older than you. -Sorry, girls. | 0:16:15 | 0:16:17 | |
I'm closing me till. That's two and nine, please. | 0:16:17 | 0:16:20 | |
I can't change that. Haven't you got anything smaller? | 0:16:22 | 0:16:25 | |
If you can't change this banknote, we can't pay for the meal. | 0:16:25 | 0:16:29 | |
Which, of course, has now been eaten. | 0:16:29 | 0:16:32 | |
THEY GIGGLE | 0:16:36 | 0:16:39 | |
Four pounds seventeen and thruppence. | 0:16:40 | 0:16:44 | |
Is there somewhere you can go? | 0:16:49 | 0:16:52 | |
There's the place I used to work. | 0:16:52 | 0:16:55 | |
But, if I go there, they'll hurt me. | 0:16:57 | 0:16:59 | |
People like you are supposed to help people like me. | 0:17:02 | 0:17:06 | |
Come on. | 0:17:14 | 0:17:16 | |
I can't wake Sister Julienne now. | 0:17:21 | 0:17:23 | |
The nuns get up to pray at half past four. | 0:17:23 | 0:17:26 | |
I hate half past four. | 0:17:26 | 0:17:28 | |
It's cold, even in the summer. | 0:17:28 | 0:17:31 | |
Will she let me stay? | 0:17:32 | 0:17:34 | |
She'll know where you can stay. | 0:17:34 | 0:17:36 | |
I thought you were one of my sort. | 0:17:37 | 0:17:40 | |
Only of the grand kind. | 0:17:40 | 0:17:43 | |
It was your lovely coat, and the way you let it swing when you were walking. | 0:17:43 | 0:17:48 | |
There's a girl called Charmaine in the place where I was living with Zakir. | 0:17:48 | 0:17:53 | |
She said she was going to go up west | 0:17:53 | 0:17:55 | |
and wear white gloves and a touch-me-not expression. | 0:17:55 | 0:17:58 | |
She probably thought she could look like you. | 0:17:58 | 0:18:02 | |
Mary, is Zakir the father of your child? | 0:18:04 | 0:18:08 | |
I don't think so. | 0:18:08 | 0:18:10 | |
It's such a long time since he wanted me. | 0:18:11 | 0:18:15 | |
And some nights I've been with three men. | 0:18:15 | 0:18:17 | |
Even four. | 0:18:17 | 0:18:19 | |
God love your innocence, Nurse Jenny Lee. | 0:18:21 | 0:18:24 | |
Which of us is the oldest now? | 0:18:26 | 0:18:28 | |
SEAGULLS CRY OUTSIDE | 0:18:32 | 0:18:35 | |
You're not still up? | 0:18:50 | 0:18:51 | |
Bit of an argument with the bust darts. | 0:18:51 | 0:18:55 | |
Night. | 0:18:55 | 0:18:57 | |
Night. | 0:18:57 | 0:19:00 | |
SHOUTING AND CHEERING | 0:19:20 | 0:19:22 | |
-Pedal up. -Up. | 0:19:25 | 0:19:27 | |
-Pedal down. -Down. | 0:19:27 | 0:19:31 | |
-Pedal up. -Up. | 0:19:31 | 0:19:32 | |
-Pedal down... -Getting it! Getting it! | 0:19:32 | 0:19:35 | |
-Bravo, Chummy! -CHILDREN: # Champion the Wonder Horse! | 0:19:35 | 0:19:39 | |
-# Champion the Wonder horse... # -I'm so proud of you, Chummy! | 0:19:39 | 0:19:42 | |
# ..Like a streak of lightnin' flashing 'cross the sky... # | 0:19:42 | 0:19:46 | |
-Well done, Chummy! -Oh! | 0:19:46 | 0:19:49 | |
# ..You'll hear about her everywhere you go... # | 0:19:49 | 0:19:52 | |
Oh! Oh, no! Aah! | 0:19:52 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:57 | |
-Move out of the way, please. -Are you all right? | 0:19:57 | 0:20:00 | |
SOBBING | 0:20:00 | 0:20:03 | |
I'm not going out of that door! | 0:20:07 | 0:20:10 | |
I'm safe here! | 0:20:10 | 0:20:12 | |
You'll be safe with Father Joe at Wellclose Square. | 0:20:13 | 0:20:16 | |
He's set up a refuge for girls like you. | 0:20:16 | 0:20:18 | |
I'm not going out! Someone will see me. | 0:20:18 | 0:20:22 | |
You're very afraid of something, aren't you, Mary? | 0:20:22 | 0:20:24 | |
MARY SNIFFS | 0:20:24 | 0:20:28 | |
If you can tell us what it is, you may be able to help us help you. | 0:20:28 | 0:20:32 | |
There was a girl with a baby in her. | 0:20:37 | 0:20:40 | |
And they sent for a woman to come. | 0:20:41 | 0:20:44 | |
She had a hook, like the one you knit with. | 0:20:45 | 0:20:50 | |
I had to help to hold her down. | 0:20:50 | 0:20:53 | |
And there was blood, like in a butcher's. | 0:20:53 | 0:20:57 | |
Did the girl lose the baby? | 0:20:59 | 0:21:02 | |
There was a chamberpot in the corner of our room. | 0:21:04 | 0:21:08 | |
It had violets printed on the china. | 0:21:09 | 0:21:12 | |
And I saw the baby in there, no bigger than my hand. | 0:21:13 | 0:21:17 | |
My baby's bigger than my hand now. | 0:21:17 | 0:21:20 | |
I can feel it underneath my heart. | 0:21:20 | 0:21:23 | |
Mary, we're not a nursing home, or a clinic. | 0:21:23 | 0:21:28 | |
MARY SOBS | 0:21:28 | 0:21:30 | |
This is where the midwives live. | 0:21:30 | 0:21:32 | |
We look after women in the community. | 0:21:32 | 0:21:35 | |
When you go to Father Joe's, you'll be in the community | 0:21:35 | 0:21:40 | |
and we'll look after you. | 0:21:40 | 0:21:43 | |
I'll go if Jenny comes. | 0:21:50 | 0:21:52 | |
Fred's mending the dent on your mudguard. You've got gravel in that. | 0:21:58 | 0:22:02 | |
Botheration. | 0:22:02 | 0:22:04 | |
You are going to have to get cycling under your belt. | 0:22:04 | 0:22:08 | |
You'll have to find time for it, | 0:22:08 | 0:22:10 | |
just like you've got to find time for your extra study. | 0:22:10 | 0:22:13 | |
I know, Sister. I know I barely scratched a pass at my exams. But I won't give up. | 0:22:13 | 0:22:17 | |
If you can't serve your patients, you're a hindrance, not a help, | 0:22:17 | 0:22:21 | |
and you'll have to be replaced. | 0:22:21 | 0:22:23 | |
But I need district experience. | 0:22:23 | 0:22:25 | |
Without it, I can't go to Africa. | 0:22:25 | 0:22:27 | |
What do you want to go there for? Aren't we good enough for you? | 0:22:27 | 0:22:31 | |
I feel I've been called to work in Africa by God. | 0:22:31 | 0:22:35 | |
-Do you feel called to the religious life? -Oh, gosh, no. | 0:22:35 | 0:22:39 | |
One hopes there might be some sort of a chap along the way. | 0:22:39 | 0:22:42 | |
I'm quite happy just to be a missionary. | 0:22:42 | 0:22:44 | |
But when I close my eyes to pray, I see all these little black faces. | 0:22:44 | 0:22:49 | |
You don't have to up sticks to Africa to see them. | 0:22:49 | 0:22:52 | |
Just go a bit nearer the docks. It's not that far...by bicycle. | 0:22:52 | 0:22:56 | |
That's the place I used to work. | 0:23:14 | 0:23:15 | |
It's all right. I'm not taking you there. | 0:23:15 | 0:23:18 | |
Yes, you are! | 0:23:18 | 0:23:20 | |
No! You are! No, no, no! | 0:23:20 | 0:23:23 | |
Do you know him? | 0:23:32 | 0:23:34 | |
No. | 0:23:36 | 0:23:37 | |
Tea for three. | 0:23:52 | 0:23:54 | |
I hope you've no objection to fig rolls. | 0:24:08 | 0:24:10 | |
Never had one. Are they foreign? | 0:24:10 | 0:24:12 | |
Probably. I never reckoned they were up to much. | 0:24:12 | 0:24:16 | |
They taste like treacle wrapped in a doormat. | 0:24:18 | 0:24:22 | |
I'm not a fallen woman. | 0:24:32 | 0:24:33 | |
No. | 0:24:35 | 0:24:38 | |
I had a boyfriend. | 0:24:38 | 0:24:41 | |
His name was Zakir. | 0:24:41 | 0:24:43 | |
He took me in, when he found me eating bread left for the birds. | 0:24:43 | 0:24:48 | |
But he worked for his uncle. | 0:24:51 | 0:24:53 | |
And I had to work for his uncle too. | 0:24:54 | 0:24:56 | |
We understand that you were forced. | 0:24:57 | 0:25:00 | |
There is no shame in it. | 0:25:02 | 0:25:04 | |
There isn't for the men. | 0:25:04 | 0:25:06 | |
It's a pimp's trick, old as the hills. | 0:25:09 | 0:25:12 | |
A young man finds a vulnerable girl, | 0:25:12 | 0:25:15 | |
lures her to bed with a kiss and kind words. | 0:25:15 | 0:25:18 | |
By the time he's finished with her, she'd do anything for him. | 0:25:18 | 0:25:23 | |
But don't the girls have any sense of danger? | 0:25:23 | 0:25:25 | |
They've usually been in danger all their lives. | 0:25:25 | 0:25:28 | |
If not from violence, then from hunger and disease. | 0:25:28 | 0:25:32 | |
It's hard to imagine, I grant you, if you've never lived like that. | 0:25:32 | 0:25:35 | |
I work in the East End, Father. I know about poverty. | 0:25:35 | 0:25:38 | |
Nurse, I don't think you do. | 0:25:38 | 0:25:40 | |
Poverty isn't bad housing, dirty clothing, families of ten. | 0:25:41 | 0:25:44 | |
It's never having been loved, or even respected. | 0:25:44 | 0:25:48 | |
Not knowing the difference between love and abuse, | 0:25:48 | 0:25:51 | |
a kiss that wasn't down payment on a blow. | 0:25:51 | 0:25:53 | |
I'm sorry. | 0:25:59 | 0:26:02 | |
You must think me very ignorant. | 0:26:02 | 0:26:04 | |
I think you're very fortunate. | 0:26:07 | 0:26:09 | |
And there's no need to apologise for that. | 0:26:09 | 0:26:11 | |
# O God, make speed to save us | 0:26:11 | 0:26:15 | |
# O Lord, make haste to help us | 0:26:15 | 0:26:20 | |
# Praise ye the Lord | 0:26:21 | 0:26:25 | |
# The Lord's name be praised | 0:26:26 | 0:26:32 | |
# Have mercy upon me, O God | 0:26:32 | 0:26:37 | |
# After thy great goodness | 0:26:37 | 0:26:41 | |
# According to the multitude of thy mercies | 0:26:42 | 0:26:47 | |
# Do away mine offences | 0:26:47 | 0:26:51 | |
# Wash me thoroughly from my wickedness | 0:26:52 | 0:26:57 | |
# And cleanse me from my sin... # | 0:26:57 | 0:27:02 | |
MEN CHATTERING | 0:27:05 | 0:27:07 | |
-What happened to the Wonder Horse? -Will you put a sock in it? | 0:27:13 | 0:27:17 | |
You've a voice like you've swallowed a foghorn! Good afternoon, Nurse. | 0:27:17 | 0:27:20 | |
Afternoon. | 0:27:20 | 0:27:22 | |
Excuse me. | 0:27:22 | 0:27:24 | |
Size of her. She could pull a brewer's dray. | 0:27:25 | 0:27:28 | |
BABIES CRYING | 0:27:34 | 0:27:38 | |
I hope everyone's brought their sample today. | 0:27:38 | 0:27:41 | |
Oh, not the syrup tin again, Mrs Teeman. | 0:27:41 | 0:27:44 | |
It plays havoc with the sugar test. | 0:27:44 | 0:27:47 | |
Ah, good afternoon. Or is it good evening? | 0:27:55 | 0:27:59 | |
You're with Dr Turner. Cubicle on the end. | 0:28:00 | 0:28:05 | |
Hello, Brenda! | 0:28:05 | 0:28:07 | |
Never thought I'd be bumping into you here! | 0:28:07 | 0:28:09 | |
I remarried. Two years ago. | 0:28:09 | 0:28:11 | |
Well, that's a poke in the eye for Adolf, innit? | 0:28:11 | 0:28:14 | |
How did you lose your first husband again? | 0:28:17 | 0:28:21 | |
In the Blitz. When the sugar works caught fire. | 0:28:21 | 0:28:24 | |
Oh, will I ever forget it? The gutters ran with fudge for a week. | 0:28:24 | 0:28:28 | |
-You're happy, I presume? -Delighted. Aren't you? | 0:28:28 | 0:28:32 | |
Ah, I come round to the idea. I was disgusted at first. | 0:28:32 | 0:28:35 | |
It don't seem right, does it? | 0:28:35 | 0:28:37 | |
Mother of the bride being in the family way. | 0:28:37 | 0:28:40 | |
Her wedding's in a fortnight. | 0:28:40 | 0:28:42 | |
I've had to buy one of those trapeze-line coats. | 0:28:42 | 0:28:45 | |
Mrs Brenda McEntee to see Dr Turner. | 0:28:45 | 0:28:48 | |
-Good luck, love. -Thank you. | 0:28:50 | 0:28:53 | |
Bowels been normal and regular? | 0:28:58 | 0:29:00 | |
Yeah. | 0:29:00 | 0:29:02 | |
-Any vomiting or nausea? -No. That's stopped. | 0:29:02 | 0:29:04 | |
Any swelling of the ankles? Any fainting or dizziness? | 0:29:04 | 0:29:08 | |
No. | 0:29:08 | 0:29:10 | |
Then we'll examine your tummy. Mrs McEntee had rickets as a child, | 0:29:10 | 0:29:15 | |
and has a skeletal malformation as a result, | 0:29:15 | 0:29:17 | |
including what's known as a rachitic pelvis. | 0:29:17 | 0:29:19 | |
-Have you come across it before? -No, I haven't. | 0:29:19 | 0:29:22 | |
Mrs McEntee is a rare bird. | 0:29:22 | 0:29:25 | |
She was deprived of sunlight and malnourished as a child. | 0:29:25 | 0:29:29 | |
Rickets was a disease of poverty. | 0:29:29 | 0:29:32 | |
Now we have the welfare state it's become a disease of the past. | 0:29:32 | 0:29:35 | |
As are the problems of pregnancy she experienced in the past. | 0:29:35 | 0:29:39 | |
SOBBING | 0:29:39 | 0:29:41 | |
Now, come along, Mrs McEntee. | 0:29:41 | 0:29:45 | |
I've been coming along! I've...I've been trying to be brave. | 0:29:45 | 0:29:48 | |
But I had the quickening this week. | 0:29:48 | 0:29:52 | |
I've felt it move. Like the others moved. | 0:29:52 | 0:29:54 | |
SOBBING | 0:29:54 | 0:29:57 | |
And I lost every one of them. | 0:29:57 | 0:29:59 | |
Mrs McEntee had four obstructed labours, many years ago. | 0:30:01 | 0:30:05 | |
Her babies were stillborn. | 0:30:05 | 0:30:06 | |
But we can refer her for surgery now, all free of charge. | 0:30:06 | 0:30:11 | |
There's no need to attempt a natural childbirth. | 0:30:11 | 0:30:14 | |
SOBBING | 0:30:14 | 0:30:15 | |
I'm... I'm sorry. | 0:30:20 | 0:30:22 | |
It's just that...that, well, things come back, you know. | 0:30:22 | 0:30:27 | |
Did you hear Doctor, Brenda? | 0:30:27 | 0:30:29 | |
This a brand-new baby, and a splendid chance for you. | 0:30:29 | 0:30:33 | |
We're all here to help, and Doctor's going to help most of all. | 0:30:33 | 0:30:37 | |
I... I know. | 0:30:37 | 0:30:39 | |
I... I'm making a show of myself. | 0:30:39 | 0:30:42 | |
Not at all. | 0:30:42 | 0:30:44 | |
Now, let's start by letting him look at that old tummy. | 0:30:44 | 0:30:48 | |
Look out! | 0:30:55 | 0:30:57 | |
BABIES CRYING | 0:30:57 | 0:30:59 | |
I hope you take greater care of the babies. | 0:31:03 | 0:31:08 | |
They're not quite so easily replaced. | 0:31:08 | 0:31:11 | |
Well done. | 0:31:24 | 0:31:26 | |
You made Brenda McEntee feel safe. | 0:31:26 | 0:31:29 | |
-Magic handkerchief. Never known to fail. -No. | 0:31:29 | 0:31:32 | |
You made her feel safe. It's the mark of a good nurse. | 0:31:32 | 0:31:36 | |
A midwife too. | 0:31:36 | 0:31:38 | |
Everything else is just mechanics. You'll soon get the hang of it. | 0:31:38 | 0:31:42 | |
Do you think so? | 0:31:42 | 0:31:45 | |
Yes, I do. | 0:31:45 | 0:31:47 | |
MUSIC: "See The Pyramids Along The Nile" by The Duprees | 0:31:48 | 0:31:52 | |
# See the pyramids along the Nile | 0:32:06 | 0:32:13 | |
# Watch the sun rise on a tropic isle | 0:32:13 | 0:32:20 | |
# Just remember, darling, all the while | 0:32:20 | 0:32:27 | |
# You belong to me | 0:32:27 | 0:32:34 | |
# See the marketplace in old Algiers | 0:32:34 | 0:32:41 | |
# Send me photographs and souvenirs | 0:32:41 | 0:32:48 | |
# But remember when a dream appears | 0:32:48 | 0:32:55 | |
# You belong to me | 0:32:55 | 0:33:02 | |
# I'll be so alone... # | 0:33:02 | 0:33:05 | |
We like to hold refresher classes when we can. | 0:33:05 | 0:33:08 | |
Some complications come up only rarely, | 0:33:08 | 0:33:10 | |
and it's as well to stay on top of all the theory. | 0:33:10 | 0:33:13 | |
Now. | 0:33:13 | 0:33:14 | |
Approximately 3 to 4% of babies arriving at term are born breech. | 0:33:14 | 0:33:19 | |
That is to say, the buttocks will be the presenting part. | 0:33:19 | 0:33:23 | |
Didn't Shakespeare describe Richard III as being breech? | 0:33:23 | 0:33:27 | |
Something about him coming into the world with his legs forward? | 0:33:27 | 0:33:31 | |
In Poplar they call it arriving arse-first. | 0:33:31 | 0:33:33 | |
SNORTS | 0:33:33 | 0:33:35 | |
Did anyone see any breech births during training? | 0:33:35 | 0:33:37 | |
-I saw two. -I saw one, the second of a set of twins. | 0:33:37 | 0:33:41 | |
Nurse Browne? | 0:33:41 | 0:33:43 | |
-Oh, um...I did and I didn't. -Oh? | 0:33:43 | 0:33:47 | |
All tickety-boo to start with, then after the legs descended, | 0:33:47 | 0:33:50 | |
the midwife wrapped the baby in a towel and let its body hang there. | 0:33:50 | 0:33:54 | |
It was dangling. Still with its head inside the birth canal. | 0:33:54 | 0:33:57 | |
Yes. That is done to increase the flexion of the head. | 0:33:57 | 0:34:01 | |
It increases the risk of asphyxiation. | 0:34:01 | 0:34:03 | |
It is a showman's trick, in my view. | 0:34:03 | 0:34:05 | |
-How long was it allowed to hang? -I don't know. | 0:34:05 | 0:34:08 | |
I passed out. Came to face down on the lino in the corridor. | 0:34:08 | 0:34:12 | |
Nurse Fortescue-Cholmeley-Browne! | 0:34:12 | 0:34:17 | |
According to the duty log, you were late for your first three appointments, | 0:34:17 | 0:34:21 | |
and missed the last two altogether! | 0:34:21 | 0:34:24 | |
Chummy wrote those entries in the log herself! | 0:34:24 | 0:34:26 | |
-As if it's something to be proud of? -Chummy has to walk everywhere. | 0:34:26 | 0:34:30 | |
Then why isn't she doing something about it? | 0:34:30 | 0:34:32 | |
"Blow, winds, and crack your cheeks! | 0:34:32 | 0:34:36 | |
"Rage! Blow! Ye cataracts and hurricanes, spout". | 0:34:36 | 0:34:40 | |
Sister Monica Joan... | 0:34:40 | 0:34:41 | |
I refer to the fact... that her nose is running. | 0:34:41 | 0:34:45 | |
Oh. Here you are. | 0:34:46 | 0:34:48 | |
You need to have more respect for your patients. | 0:34:48 | 0:34:51 | |
If you can't be trusted to turn up on time, | 0:34:51 | 0:34:54 | |
you can't be trusted to do your own deliveries, | 0:34:54 | 0:34:56 | |
no matter how much studying you do. | 0:34:56 | 0:34:58 | |
I love it every time it kicks. | 0:35:17 | 0:35:20 | |
All I can think is, "Please let it be born strong." | 0:35:20 | 0:35:24 | |
-Everything else can wait till later. -Quite right. You need to keep rested | 0:35:24 | 0:35:28 | |
and eat as much as you can. | 0:35:28 | 0:35:30 | |
That's it. Perfect. | 0:35:31 | 0:35:34 | |
I could get used to perfect. I can't get used to them fig rolls. | 0:35:35 | 0:35:39 | |
They'll do you good. They've got fruit in. | 0:35:39 | 0:35:42 | |
The night I met Zakir, he gave me chocolate cake with fruit in. | 0:35:42 | 0:35:47 | |
He'd given me wine to drink, and I hadn't liked it. | 0:35:47 | 0:35:51 | |
The cake was supposed to make the wine taste sweeter, | 0:35:51 | 0:35:54 | |
but it only made it taste more sour. | 0:35:54 | 0:35:57 | |
You can open the curtains now, Mary. I've finished examining you. | 0:35:57 | 0:36:01 | |
It was after that that he took me to the Crystal Room. | 0:36:01 | 0:36:05 | |
I knew what men did to women. | 0:36:09 | 0:36:12 | |
I'd had it done to me. | 0:36:13 | 0:36:15 | |
And...I didn't think it could be beautiful... | 0:36:17 | 0:36:20 | |
..or that it could happen on a bed with golden sheets. | 0:36:22 | 0:36:25 | |
-Mary. -He said afterwards, | 0:36:25 | 0:36:28 | |
"Did you think anything like that could ever come to you?" | 0:36:28 | 0:36:32 | |
As if he knew I'd never known it could. | 0:36:32 | 0:36:35 | |
Mary. | 0:36:35 | 0:36:37 | |
What Zakir did to you was obscene, not beautiful. | 0:36:37 | 0:36:42 | |
You shouldn't speak of him. You shouldn't think of him. | 0:36:42 | 0:36:44 | |
I can't help it. | 0:36:44 | 0:36:46 | |
He's standing in the street. | 0:36:48 | 0:36:50 | |
He comes and stands there every afternoon. | 0:36:54 | 0:36:58 | |
I don't care how many calls I have to make or how far we have to send her. | 0:37:01 | 0:37:05 | |
But I am going to get her out of Stepney. | 0:37:05 | 0:37:09 | |
She's younger than most, she's not sharp in the head, | 0:37:09 | 0:37:12 | |
and she's valuable to them on both those counts. | 0:37:12 | 0:37:15 | |
Right. | 0:37:17 | 0:37:19 | |
'A place was found for Mary | 0:37:21 | 0:37:23 | |
'at a Catholic mother-and-baby home in Kent. | 0:37:23 | 0:37:27 | |
'She would be cared for there, | 0:37:27 | 0:37:29 | |
'with her child delivered in the cottage hospital.' | 0:37:29 | 0:37:32 | |
Thank you for being my friend, Jenny Lee. | 0:37:32 | 0:37:36 | |
Well done, Chummy! | 0:37:52 | 0:37:55 | |
We're going to go straight ahead and turn right into Lisbon Street. | 0:37:55 | 0:37:59 | |
-Don't forget your hand signals. -I just stick out my arm, don't I? | 0:37:59 | 0:38:02 | |
Medal for that woman! | 0:38:02 | 0:38:05 | |
Slow down now, Chum! | 0:38:05 | 0:38:07 | |
How? | 0:38:08 | 0:38:10 | |
-Lean in as you turn. -I don't know how to turn. | 0:38:10 | 0:38:13 | |
I've forgotten how to turn! | 0:38:13 | 0:38:15 | |
THEY SQUEAL | 0:38:15 | 0:38:17 | |
Brake! Brake, Nurse! | 0:38:17 | 0:38:19 | |
BELLS RING | 0:38:19 | 0:38:21 | |
-What happened? -They were going too fast. | 0:38:21 | 0:38:23 | |
GROANS | 0:38:23 | 0:38:26 | |
All right? That's it. | 0:38:26 | 0:38:28 | |
You all right, nurse? | 0:38:28 | 0:38:31 | |
I think so. | 0:38:31 | 0:38:32 | |
All right, darling? All right, take it easy. Anything hurt? | 0:38:32 | 0:38:37 | |
Oh, dear, I'm such a fool. Sorry. | 0:38:37 | 0:38:39 | |
Just take a minute. | 0:38:39 | 0:38:41 | |
First, I'm glad that none of you are more seriously injured, | 0:38:48 | 0:38:54 | |
and, second, that you aren't all up before the magistrates. | 0:38:54 | 0:38:57 | |
How did you persuade the policeman not to charge you? | 0:38:57 | 0:39:01 | |
Assaulting an officer is a criminal offence. | 0:39:01 | 0:39:04 | |
I can't remember. I just tried to say it as nicely as I could. | 0:39:04 | 0:39:08 | |
"Sweet voice, sweet lips, soft hand, and softer breast, | 0:39:08 | 0:39:13 | |
"Warm breath, light whisper, tender semi-tone." | 0:39:13 | 0:39:20 | |
Not even the softness of the breast or any other portion of the form | 0:39:20 | 0:39:25 | |
helped to turn away the policeman's wrath. | 0:39:25 | 0:39:28 | |
I don't care if they did. | 0:39:28 | 0:39:29 | |
Nurse Fortescue-Cholmeley-Browne has got off scot-free, | 0:39:29 | 0:39:33 | |
we're short-staffed and our patients will suffer. | 0:39:33 | 0:39:36 | |
Nurse Browne was diagnosed with shock and mild concussion. | 0:39:36 | 0:39:40 | |
After bed rest, she will recover and then she'll be attending deliveries by herself. | 0:39:40 | 0:39:46 | |
She's not competent! | 0:39:46 | 0:39:47 | |
Cycling aside, she's competent enough. | 0:39:47 | 0:39:51 | |
She is a qualified midwife and a highly experienced nurse. | 0:39:51 | 0:39:55 | |
There's experience and experience. | 0:39:55 | 0:39:57 | |
What experience has she got of ordinary people? | 0:39:57 | 0:40:00 | |
-What experience have they got of her? -They like her. | 0:40:00 | 0:40:03 | |
They laugh at her. | 0:40:03 | 0:40:06 | |
And they've every right. She's no better than a tourist. | 0:40:06 | 0:40:09 | |
She's using them for her own ends. | 0:40:09 | 0:40:12 | |
The East End's nothing but a stepping stone to her. | 0:40:12 | 0:40:15 | |
What if it's the stepping stone to her life's work? | 0:40:15 | 0:40:18 | |
This is our life's work. | 0:40:18 | 0:40:20 | |
We don't need Madame Lah-di-dah looking down on us | 0:40:20 | 0:40:23 | |
from her...her great height! | 0:40:23 | 0:40:27 | |
Nurse Browne! | 0:40:27 | 0:40:29 | |
- What are you doing out of bed? - I've been to the off-licence. | 0:40:29 | 0:40:33 | |
To buy some whisky for the policeman. | 0:40:33 | 0:40:37 | |
I asked if they had the Glenlivet, but they'd never heard of it. | 0:40:37 | 0:40:42 | |
BIRDSONG | 0:40:45 | 0:40:47 | |
LOW CHATTER | 0:40:50 | 0:40:52 | |
# Just one look at you | 0:40:56 | 0:41:01 | |
# My heart goes dipsy in me... # | 0:41:01 | 0:41:07 | |
I called her Kathleen. | 0:41:10 | 0:41:12 | |
It means pure. | 0:41:14 | 0:41:16 | |
It's a shame you gave that Scotch to the bobby. | 0:41:25 | 0:41:28 | |
You could have done with a nip tonight. | 0:41:28 | 0:41:31 | |
Do you suppose this is how fighter pilots felt, waiting for the call to fly? | 0:41:34 | 0:41:38 | |
I dunno. I was an Army man myself. Pioneer Corps. | 0:41:38 | 0:41:41 | |
Gosh. One of the glamour boys? | 0:41:41 | 0:41:43 | |
Well, I specialised in lavatories. | 0:41:43 | 0:41:47 | |
It's a myth that an army marches on its stomach. | 0:41:47 | 0:41:49 | |
What a fighting man needs is a top-notch khazi... | 0:41:49 | 0:41:52 | |
-PHONE RINGS -..and not to panic. | 0:41:52 | 0:41:55 | |
Like Monty said at El Alamein, | 0:41:55 | 0:41:59 | |
"It can be done, and it will be done!" | 0:41:59 | 0:42:01 | |
Nonnatus House. Midwife speaking. | 0:42:07 | 0:42:09 | |
My daughter's waters went when they cut the wedding cake! | 0:42:09 | 0:42:13 | |
-Is the lady in labour the bride? -Bride's mother. | 0:42:13 | 0:42:16 | |
I'd hurry. This is her fifth, and she don't half have 'em fast! | 0:42:16 | 0:42:21 | |
I looked in the book. | 0:42:21 | 0:42:23 | |
She's two weeks before her due date so nothing's been sent on ahead! | 0:42:23 | 0:42:28 | |
Thank you. | 0:42:33 | 0:42:34 | |
Oh, you put a nip of something in it. | 0:42:35 | 0:42:38 | |
-Army trick. -Before going into battle? | 0:42:38 | 0:42:41 | |
Before going into the other ranks' latrines. | 0:42:41 | 0:42:44 | |
# Oh, the hokey-cokey! | 0:42:57 | 0:43:00 | |
# Oh, the hokey-cokey! | 0:43:00 | 0:43:04 | |
# Oh, the hokey-cokey! | 0:43:04 | 0:43:08 | |
# Knees bent, arms stretched, rah, rah, rah! | 0:43:08 | 0:43:11 | |
# You put your left leg in! You put your left leg out! | 0:43:11 | 0:43:16 | |
# In! Out! In! Out! Shake it all about! | 0:43:16 | 0:43:19 | |
# You do the hokey-cokey and you turn around | 0:43:19 | 0:43:22 | |
# That's what it's all about! | 0:43:22 | 0:43:27 | |
# ..Oh, the hokey-cokey... # | 0:43:27 | 0:43:28 | |
-Watch it! -Look out! | 0:43:28 | 0:43:32 | |
Get out the way! | 0:43:32 | 0:43:34 | |
LOUD CLATTERING | 0:43:34 | 0:43:37 | |
Here! I will not have you giving cheek! | 0:43:37 | 0:43:40 | |
Especially to the nurse who's come to help your mum. | 0:43:40 | 0:43:43 | |
Here! What you walloping him for? | 0:43:43 | 0:43:46 | |
Disrespect. | 0:43:46 | 0:43:47 | |
Come here. | 0:43:47 | 0:43:49 | |
I know your wallops. You're too soft on him. | 0:43:49 | 0:43:53 | |
The midwife had a moustache. | 0:43:55 | 0:43:58 | |
SNORTS | 0:43:58 | 0:44:00 | |
She kept bending down between my knees | 0:44:00 | 0:44:02 | |
and looking where I don't like being looked at. | 0:44:02 | 0:44:05 | |
I yelled a little bit. | 0:44:07 | 0:44:09 | |
She kept on saying, "Nearly over. | 0:44:10 | 0:44:14 | |
"Nearly over." | 0:44:14 | 0:44:17 | |
And all I kept thinking was, "It's nearly starting. | 0:44:17 | 0:44:20 | |
"I'm nearly a mam." | 0:44:21 | 0:44:24 | |
What was it like when you saw her face? | 0:44:25 | 0:44:28 | |
Like I'd been missing her my whole life. | 0:44:30 | 0:44:32 | |
SINGING OUTSIDE | 0:44:34 | 0:44:37 | |
Aah! Oh! | 0:44:37 | 0:44:38 | |
SOBBING | 0:44:38 | 0:44:40 | |
That's the girl! Let it rip. | 0:44:40 | 0:44:42 | |
They're singing Old MacDonald now so no-one can hear you. | 0:44:42 | 0:44:46 | |
Now, after your contraction, I'll carry out an examination, | 0:44:46 | 0:44:49 | |
and we'll see how close to delivery you are. | 0:44:49 | 0:44:51 | |
I hope it's born before the party ends. | 0:44:51 | 0:44:54 | |
Be a right lark, making an announcement! | 0:44:54 | 0:44:57 | |
I don't want no attention being drawn to this, Mum! | 0:44:57 | 0:44:59 | |
I'm 42. It makes me look loose. | 0:44:59 | 0:45:02 | |
-It makes him indoors look loose. -Oh! | 0:45:02 | 0:45:04 | |
You should have made him take up dominoes. | 0:45:04 | 0:45:07 | |
Oi! My tortoise is under that bed! | 0:45:07 | 0:45:09 | |
-It went into early hibernation. -Well, he won't wake up. | 0:45:09 | 0:45:12 | |
All tortoises are deaf. Now, come on. Shoo. | 0:45:12 | 0:45:16 | |
Come on, out you go. | 0:45:16 | 0:45:18 | |
GASPING | 0:45:18 | 0:45:21 | |
This is happening too fast. I haven't even had my enema yet. | 0:45:21 | 0:45:24 | |
Everything in order, Nurse? | 0:45:37 | 0:45:40 | |
It would seem, Betty, as though your baby | 0:45:40 | 0:45:43 | |
is presenting in the breech position. | 0:45:43 | 0:45:45 | |
You what? | 0:45:45 | 0:45:47 | |
It's coming out arse-first. | 0:45:47 | 0:45:50 | |
-That's bad. -She's not quite fully dilated. | 0:45:50 | 0:45:54 | |
So, there's time to transfer her to hospital, | 0:45:54 | 0:45:56 | |
where she might feel a little more secure. | 0:45:56 | 0:45:59 | |
I feel secure here! I want to stay in my own bed. | 0:45:59 | 0:46:01 | |
And it's not like you're one of them slips of girls. | 0:46:01 | 0:46:05 | |
Betty's had all hers delivered by Nonnatus, just like I had mine. | 0:46:05 | 0:46:09 | |
Mum. Quick, get the bowl. | 0:46:09 | 0:46:12 | |
RETCHING AND COUGHING | 0:46:12 | 0:46:15 | |
She's moving on, Nurse. She's getting ready to want it out. | 0:46:15 | 0:46:19 | |
I shall be back in precisely one moment. | 0:46:19 | 0:46:21 | |
CHILDREN SHOUTING | 0:46:44 | 0:46:46 | |
LAUGHTER | 0:46:48 | 0:46:50 | |
Stop! | 0:46:50 | 0:46:53 | |
I want all the children to go downstairs. | 0:46:53 | 0:46:56 | |
Apart from Jack. | 0:46:56 | 0:46:57 | |
Jack, I need you to go to the telephone and ring Nonnatus House. | 0:46:57 | 0:47:00 | |
That's Poplar 459. Tell them the baby is breech. | 0:47:00 | 0:47:04 | |
What's that mean? | 0:47:04 | 0:47:05 | |
Just say "breech" to whoever answers the telephone. | 0:47:05 | 0:47:08 | |
It's like the beach, the seaside. But it's got an R in it. | 0:47:08 | 0:47:12 | |
Tell them we need additional support. Go! | 0:47:12 | 0:47:15 | |
Betty. Betty, listen to me. I need you to change position. | 0:47:19 | 0:47:24 | |
-What? -I need you with your bottom | 0:47:24 | 0:47:26 | |
-right at the edge of the bed. -I can't move. | 0:47:26 | 0:47:29 | |
I'm sorry. I know it's a rotten business. But I do know the form. | 0:47:29 | 0:47:35 | |
BETTY GROANS | 0:47:38 | 0:47:40 | |
CONGA MUSIC AND CHATTER | 0:47:42 | 0:47:45 | |
PHONE RINGS | 0:47:50 | 0:47:52 | |
Nonnatus House? | 0:47:52 | 0:47:54 | |
Well done. | 0:47:54 | 0:47:55 | |
I can feel your hand. It's shaking. | 0:47:55 | 0:47:59 | |
It's excitement. I'm always the same. | 0:47:59 | 0:48:02 | |
-Whoa! -Can I sit with you? | 0:48:09 | 0:48:13 | |
I told them to keep on dancing. | 0:48:13 | 0:48:16 | |
I told them your mum says the noise is a help. | 0:48:16 | 0:48:19 | |
Now, Betty. I'm sure you want to push like billy-o. | 0:48:20 | 0:48:23 | |
But I need this baby | 0:48:23 | 0:48:26 | |
to come very, very slowly. | 0:48:26 | 0:48:29 | |
So...pant. | 0:48:29 | 0:48:32 | |
Pant, pant. | 0:48:32 | 0:48:35 | |
Little push. GRUNTS | 0:48:37 | 0:48:39 | |
Little push. Stop. | 0:48:39 | 0:48:42 | |
GASPING | 0:48:42 | 0:48:43 | |
Bravo. | 0:48:43 | 0:48:46 | |
Little push. Little push. | 0:48:46 | 0:48:49 | |
Little push. Stop. | 0:48:49 | 0:48:52 | |
GASPING | 0:48:52 | 0:48:54 | |
Bravo, Betty. | 0:48:54 | 0:48:56 | |
Your baby's bottom is now delivered. | 0:48:56 | 0:48:59 | |
Now, | 0:48:59 | 0:49:02 | |
I need you to stay very still. | 0:49:02 | 0:49:05 | |
Breathe very calmly... | 0:49:05 | 0:49:08 | |
..as I hook my fingers... | 0:49:10 | 0:49:12 | |
..over her legs | 0:49:14 | 0:49:16 | |
and bring them into the world. | 0:49:16 | 0:49:19 | |
Have you done it yet? | 0:49:25 | 0:49:29 | |
-We're doing this together. -Yeah. | 0:49:29 | 0:49:31 | |
Oh! | 0:49:31 | 0:49:33 | |
Here, your hand's not shaking no more. | 0:49:38 | 0:49:41 | |
Now, Betty, I'm going to wrap the baby in a towel. | 0:49:47 | 0:49:51 | |
Her head is still inside the birth canal, | 0:49:54 | 0:49:57 | |
and, if she becomes cold, she may gasp, which...would be unfortunate. | 0:49:57 | 0:50:02 | |
GRUNTING | 0:50:02 | 0:50:05 | |
Now, with the next contraction, | 0:50:05 | 0:50:07 | |
you will feel the baby move, as I turn her just a quarter circle. | 0:50:07 | 0:50:11 | |
That will help ease the shoulders out. | 0:50:13 | 0:50:17 | |
GASPS AND GROANS | 0:50:17 | 0:50:20 | |
Well done. | 0:50:31 | 0:50:32 | |
CONGA MUSIC | 0:50:35 | 0:50:37 | |
She should have called you direct. | 0:50:46 | 0:50:48 | |
Doctor is always called for in the case of a breech. | 0:50:48 | 0:50:51 | |
You called for me. Now we're both here. | 0:50:51 | 0:50:54 | |
Now, Betty, I don't want you to move a muscle. | 0:50:54 | 0:50:58 | |
GRUNTS | 0:50:58 | 0:51:00 | |
I'm going to loosen my hand on Baby... | 0:51:00 | 0:51:03 | |
..and let her body hang. | 0:51:05 | 0:51:07 | |
SOBS AND GASPS | 0:51:07 | 0:51:11 | |
BETTY WHIMPERS | 0:51:14 | 0:51:16 | |
Oh. Oh. | 0:51:17 | 0:51:19 | |
Not a muscle, Betty. Can we have quiet for the mother, please? | 0:51:22 | 0:51:26 | |
-Why are you holding back? -It looks to me | 0:51:26 | 0:51:28 | |
as though Nurse is managing things beautifully. | 0:51:28 | 0:51:31 | |
BETTY GASPING | 0:51:31 | 0:51:32 | |
Now, old thing. | 0:51:32 | 0:51:35 | |
Push. | 0:51:35 | 0:51:36 | |
LONG GROAN | 0:51:36 | 0:51:38 | |
Keep it coming. | 0:51:41 | 0:51:44 | |
Keep it coming. | 0:51:44 | 0:51:46 | |
BETTY GROANING | 0:51:46 | 0:51:48 | |
That's it. | 0:51:48 | 0:51:50 | |
Keep it coming. Keep it coming. | 0:51:50 | 0:51:54 | |
BETTY SOBBING | 0:51:54 | 0:51:55 | |
BABY CRIES | 0:51:59 | 0:52:01 | |
BETTY SOBS | 0:52:03 | 0:52:05 | |
Hello. | 0:52:10 | 0:52:12 | |
My baby. | 0:52:12 | 0:52:15 | |
Come on, you big girl's blouse. | 0:52:16 | 0:52:21 | |
It's only a baby being born. | 0:52:21 | 0:52:24 | |
BABY GRIZZLES | 0:52:24 | 0:52:27 | |
BABY CRYING | 0:52:31 | 0:52:33 | |
You're all right. | 0:52:36 | 0:52:39 | |
WHISPERS: Thank you. | 0:52:42 | 0:52:44 | |
Gone to sleep already. Just like her dad. | 0:52:53 | 0:52:56 | |
Kathleen! | 0:53:36 | 0:53:38 | |
SOBS | 0:53:40 | 0:53:41 | |
Kathleen! | 0:53:41 | 0:53:43 | |
Kathleen! | 0:53:44 | 0:53:47 | |
DOOR SLAMS | 0:53:47 | 0:53:48 | |
Kathleen! | 0:53:50 | 0:53:52 | |
Kathleen! | 0:53:53 | 0:53:56 | |
Jenny Lee. | 0:53:57 | 0:53:59 | |
Do you know where my baby is? | 0:54:03 | 0:54:05 | |
She needs me to feed her! | 0:54:08 | 0:54:10 | |
She has abscesses in both breasts! | 0:54:19 | 0:54:21 | |
Isn't her mental agony enough for them? | 0:54:21 | 0:54:24 | |
Babies are always placed for adoption in these cases. | 0:54:24 | 0:54:27 | |
It's thought to be in the child's best interests. | 0:54:27 | 0:54:29 | |
What about Mary's interests? She's the mother, she did not consent! | 0:54:29 | 0:54:33 | |
Nurse Lee. | 0:54:33 | 0:54:35 | |
She can't consent. | 0:54:36 | 0:54:38 | |
She's only 15, still legally a child herself. | 0:54:39 | 0:54:43 | |
It was a case of which child should we choose. | 0:54:43 | 0:54:46 | |
How can a girl of 15 with no home, no education, | 0:54:46 | 0:54:51 | |
no trade other than that of prostitution, bring up a baby? | 0:54:51 | 0:54:55 | |
She gave up prostitution. | 0:54:55 | 0:54:57 | |
She doesn't have that choice. And you're not the only one who's angry! | 0:54:57 | 0:55:01 | |
HE SIGHS | 0:55:02 | 0:55:04 | |
But you're young. | 0:55:07 | 0:55:10 | |
You can be angry in the abstract, | 0:55:10 | 0:55:12 | |
and our Lord will love you for your righteous indignation. | 0:55:12 | 0:55:15 | |
Even while Mary's condemned as a sinner? | 0:55:15 | 0:55:18 | |
God forgives. The Church forgives. | 0:55:18 | 0:55:21 | |
The Church took her baby. I think it will kill her. | 0:55:21 | 0:55:25 | |
Without a baby, Mary is employable. | 0:55:25 | 0:55:28 | |
She could find love. | 0:55:28 | 0:55:31 | |
She could have another child. | 0:55:31 | 0:55:34 | |
And you think that will console her? | 0:55:34 | 0:55:36 | |
It consoles me. | 0:55:36 | 0:55:38 | |
Your milk ducts have become blocked, Mary. | 0:55:48 | 0:55:52 | |
That's the cause of the infection. | 0:55:52 | 0:55:54 | |
It hurts. | 0:55:54 | 0:55:57 | |
It hurts like I never knew hurt could hurt. | 0:55:57 | 0:55:59 | |
Reverend Mother has sent for the doctor. | 0:56:02 | 0:56:05 | |
He'll prescribe you antibiotics. | 0:56:05 | 0:56:08 | |
In the meantime, I'm going to bind your breasts | 0:56:08 | 0:56:11 | |
so we can help stop the flow of milk. | 0:56:11 | 0:56:13 | |
I don't want it stopped. It's Kathleen's. | 0:56:13 | 0:56:17 | |
Can I use this? | 0:56:25 | 0:56:27 | |
BELL CHIMING | 0:56:42 | 0:56:44 | |
'Mary was never reunited with her child. | 0:56:45 | 0:56:49 | |
'She might look for her, but her name would not be Kathleen any more.' | 0:56:49 | 0:56:54 | |
# Lo-o-ove | 0:57:02 | 0:57:03 | |
# Is a many-splendoured thing... # | 0:57:05 | 0:57:11 | |
Jack became Chummy's devoted guardian. | 0:57:11 | 0:57:15 | |
Never taunted again by any passer-by, | 0:57:15 | 0:57:18 | |
she finally mastered the art of the bike. | 0:57:18 | 0:57:22 | |
# ..Love is nature's way... # | 0:57:24 | 0:57:28 | |
All right, Constable? | 0:57:28 | 0:57:30 | |
Unused to such kindness, Chummy bought him a bicycle | 0:57:30 | 0:57:34 | |
from her generous private funds. | 0:57:34 | 0:57:37 | |
BABY CRIES | 0:57:40 | 0:57:41 | |
Brenda McEntee delivered a daughter by the Caesarean section | 0:57:41 | 0:57:45 | |
that could have saved each of her stillborn children. | 0:57:45 | 0:57:48 | |
The National Health Service gave her the gift of motherhood. | 0:57:51 | 0:57:55 | |
She called her child Grace Miracle. | 0:57:55 | 0:58:02 | |
And she was perfect. | 0:58:02 | 0:58:04 | |
-Jimmy? What are you doing here? -I'm in a tight spot, Jenny. | 0:58:07 | 0:58:10 | |
Don't worry, Nurse Lee, I shan't go telling any tales, | 0:58:10 | 0:58:14 | |
I had a few overnight guests of my own. | 0:58:14 | 0:58:18 | |
-You look well. -And you. Very well. | 0:58:18 | 0:58:20 | |
-As do you. -CLEARS THROAT | 0:58:20 | 0:58:23 | |
It's not right, Mr Collett. They can't make you leave your own home. | 0:58:23 | 0:58:26 | |
Don't cry over an old codger like myself. | 0:58:26 | 0:58:30 | |
-I'm scared! -We're going to take good care of you. | 0:58:30 | 0:58:32 | |
Don't worry. | 0:58:32 | 0:58:34 | |
You don't understand! I'm scared! | 0:58:34 | 0:58:37 | |
What are you so afraid of, Mrs Luce? | 0:58:37 | 0:58:39 | |
# Once | 0:58:40 | 0:58:44 | |
# On a high and windy hill | 0:58:44 | 0:58:49 | |
# In the morning mist | 0:58:51 | 0:58:55 | |
# Two lovers kissed | 0:58:55 | 0:58:58 | |
# And the world stood still... # | 0:58:58 | 0:59:02 | |
E-mail: [email protected] | 0:59:02 | 0:59:05 |