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Oi! Slow down! > | 0:00:32 | 0:00:34 | |
FOGHORN BLOWS | 0:00:34 | 0:00:38 | |
Wake up. Shirley Redmond's gone into labour. I'm coming with you. | 0:00:42 | 0:00:46 | |
Best be safe, under the circumstances. | 0:00:46 | 0:00:48 | |
Come on! | 0:00:50 | 0:00:52 | |
-Don't leave me, Mum. -Where am I going to go? | 0:01:04 | 0:01:07 | |
< No-one's going anywhere. | 0:01:07 | 0:01:09 | |
All fine, love? | 0:01:14 | 0:01:15 | |
-Yeah, she's all right. -Going like clockwork. | 0:01:15 | 0:01:17 | |
Towels. | 0:01:17 | 0:01:19 | |
Thank you. | 0:01:20 | 0:01:21 | |
Squeeze my hand. Good girl | 0:01:21 | 0:01:24 | |
All right, boy? | 0:01:30 | 0:01:31 | |
Everything's perfect. | 0:01:33 | 0:01:35 | |
It's not going to be born dead like the last time, is it, Sister? | 0:01:35 | 0:01:39 | |
You're doing everything you should be doing, | 0:01:39 | 0:01:41 | |
so stop wasting all this energy worrying. | 0:01:41 | 0:01:43 | |
SCREAMS AND GROANS | 0:01:43 | 0:01:48 | |
The head is crowned, so the next few contractions are really important. | 0:01:48 | 0:01:52 | |
I need you to do exactly as I say, all right? | 0:01:52 | 0:01:54 | |
Keep panting for me, Shirley. | 0:01:54 | 0:01:57 | |
LOUDER SCREAMS | 0:01:57 | 0:01:59 | |
Oh Lord, I'm coming, Shirl. Hang on, love! Hang on, I'm on my way. | 0:01:59 | 0:02:03 | |
Here we are. | 0:02:04 | 0:02:06 | |
Shirl? | 0:02:06 | 0:02:08 | |
You have a beautiful little girl, Mr Redmond. | 0:02:09 | 0:02:12 | |
BABY CRIES | 0:02:14 | 0:02:17 | |
Listen to her. | 0:02:20 | 0:02:21 | |
Listen to her! | 0:02:21 | 0:02:24 | |
She's got a set of lungs on her, hasn't she? | 0:02:24 | 0:02:27 | |
'During my years in the East End, I cycled through sunny streets. | 0:02:31 | 0:02:35 | |
'Mothers were safely delivered of their babies | 0:02:35 | 0:02:38 | |
'and the whole world seemed to shine. | 0:02:38 | 0:02:40 | |
'It was easy to forget the sparks of darkness in the diamond, | 0:02:40 | 0:02:43 | |
'the shadows in the corners of the brightest day.' | 0:02:43 | 0:02:46 | |
You still managing to keep up, Nurse Lee? | 0:02:46 | 0:02:49 | |
Absolutely, Sister Evangelina. | 0:02:49 | 0:02:51 | |
CAR HORN BEEPS | 0:02:51 | 0:02:53 | |
Oi! Watch yourself, or I'll shove that aspidistra up your... | 0:02:53 | 0:02:56 | |
CAR HORN BEEPS | 0:02:56 | 0:02:58 | |
So much space after our little flat. | 0:03:07 | 0:03:09 | |
Now, now, now, now, now. | 0:03:11 | 0:03:13 | |
If you go down there, we'll never get you back up again. | 0:03:13 | 0:03:16 | |
I am starting to resemble some sort of disgusting, beached mammal, aren't I? | 0:03:16 | 0:03:20 | |
I don't know how you can bear to look at me. | 0:03:20 | 0:03:22 | |
I deserve the George Cross. | 0:03:25 | 0:03:27 | |
I suppose the thought of making love to me again is unbearable. | 0:03:27 | 0:03:32 | |
I couldn't even begin to explain. | 0:03:32 | 0:03:34 | |
-Have you started to think about other women? -Every moment of the day. | 0:03:34 | 0:03:38 | |
-You regret ever setting eyes on me, don't you? -Isn't it apparent? | 0:03:41 | 0:03:46 | |
You're planning your escape as we kiss. | 0:03:46 | 0:03:49 | |
Why do you think I haven't unpacked yet? | 0:03:49 | 0:03:51 | |
THEY LAUGH | 0:03:51 | 0:03:53 | |
Jenny, are you naked and indecent? | 0:03:57 | 0:03:59 | |
Yes, come in. | 0:03:59 | 0:04:01 | |
-Oh! -I've got lacquer in my eye. | 0:04:01 | 0:04:03 | |
Hurry up and get it out. There's someone on the telephone for you. | 0:04:03 | 0:04:07 | |
-Sympathy wouldn't go amiss. -You poor thing(!) -Everything all right? | 0:04:07 | 0:04:10 | |
-Oh, just an overreaction to a teensy spot of hair lacquer. -Shall I take a peek? | 0:04:10 | 0:04:14 | |
-No time! She has an important call waiting. -How exciting! | 0:04:14 | 0:04:18 | |
-It's Jimmy. -We'd never have guessed. | 0:04:18 | 0:04:21 | |
Wouldn't a spot of privacy be more appropriate? | 0:04:30 | 0:04:33 | |
It would, thank you, Chummy. | 0:04:33 | 0:04:35 | |
Right, well, I'll leave you to it. | 0:04:35 | 0:04:37 | |
Please hold the line for one moment. | 0:04:43 | 0:04:45 | |
Sorry, Jimmy, I was doing my hair. | 0:04:50 | 0:04:52 | |
'I just wondered if you fancied going up West tomorrow night?' | 0:04:52 | 0:04:56 | |
We could go to the cinema, that Elvis Presley film is playing. | 0:04:56 | 0:04:59 | |
'Come on, what do you say?' | 0:05:02 | 0:05:04 | |
All right. What time? | 0:05:04 | 0:05:06 | |
I'll call round about six. Have a drink first. How's that? | 0:05:06 | 0:05:10 | |
-All right. Bye. -Doesn't anyone else feel a bit childish? | 0:05:10 | 0:05:14 | |
That's the point, Cynthia. It's supposed to be fun. | 0:05:14 | 0:05:17 | |
We're trying to find out exactly what's going on with Jimmy. | 0:05:17 | 0:05:21 | |
What, alone? For the whole weekend? Jimmy, we couldn't! | 0:05:21 | 0:05:25 | |
You are a terrible actress, Jenny Lee. | 0:05:25 | 0:05:29 | |
And you are all terrible spies. Especially you, Sister Bernadette. | 0:05:29 | 0:05:33 | |
I'm sure I don't know what you're talking about. | 0:05:33 | 0:05:36 | |
-So apart from the tiredness... -I'm fine. | 0:05:40 | 0:05:44 | |
I didn't think it was possible after last time, | 0:05:44 | 0:05:46 | |
but I've never felt happier. | 0:05:46 | 0:05:48 | |
Or felt better. | 0:05:48 | 0:05:50 | |
I'm glad. | 0:05:51 | 0:05:53 | |
I think you're well enough to visit us at the clinic from now on, Mrs Redmond. | 0:05:58 | 0:06:02 | |
Good. I'm dying to show her off. | 0:06:02 | 0:06:05 | |
Something wrong? | 0:06:08 | 0:06:10 | |
Ron's keen to know when we can, er, you know... | 0:06:10 | 0:06:15 | |
Resume marital relations? | 0:06:17 | 0:06:19 | |
Things are different with this one. Everything is new. | 0:06:21 | 0:06:24 | |
Last time I... I wasn't myself, was I? Not for a while. | 0:06:24 | 0:06:29 | |
As long as there's no pain or discomfort... | 0:06:33 | 0:06:36 | |
..proceed with caution would be my advice. | 0:06:38 | 0:06:41 | |
I'll use them exact words! | 0:06:41 | 0:06:42 | |
Bring the baby through, Mum. | 0:06:42 | 0:06:45 | |
Nurse is ready for her now. | 0:06:45 | 0:06:49 | |
She's woken up in perfect time. | 0:06:49 | 0:06:51 | |
Doesn't she look lovely with her matching outfit? | 0:06:51 | 0:06:54 | |
You won't get one of them in the shops. Mum made it for her. | 0:06:54 | 0:06:58 | |
MUSIC: "Lollipop" by The Chordettes | 0:06:58 | 0:07:01 | |
Wait! Wait! | 0:07:10 | 0:07:12 | |
SHE PLAYS A SAD MELODY | 0:07:23 | 0:07:30 | |
That was exquisite. You should be in the Albert Hall. | 0:07:47 | 0:07:50 | |
I've told you a million times, | 0:07:50 | 0:07:53 | |
I'm only average, David. Always been too lazy to practise. | 0:07:53 | 0:07:57 | |
Ooh! | 0:07:57 | 0:07:58 | |
You all right, darling? | 0:07:58 | 0:08:00 | |
Just a bit light-headed. I stood up too quick. | 0:08:00 | 0:08:04 | |
Are you sure you'll be all right? | 0:08:05 | 0:08:07 | |
I don't have to go. | 0:08:07 | 0:08:09 | |
Go and drink beer and talk cricket with your cricket bores and stop fussing. | 0:08:09 | 0:08:15 | |
We can always ring Dr Carlton, you don't have to wait for your next appointment. | 0:08:15 | 0:08:19 | |
It's just a slight headache, David, perfectly normal. | 0:08:19 | 0:08:23 | |
There's a National Health clinic at the Parish Hall tomorrow, | 0:08:23 | 0:08:28 | |
if I still feel out of sorts by then, I'll pop in. | 0:08:28 | 0:08:30 | |
-Promise? -Promise. Now do stop fussing and go. | 0:08:30 | 0:08:36 | |
How was Elvis Presley? | 0:08:46 | 0:08:48 | |
Not my cup of tea, but I can see the attraction. | 0:08:48 | 0:08:52 | |
His moves are interesting, to say the least. | 0:08:52 | 0:08:55 | |
I know. Marvellous, isn't it? | 0:08:55 | 0:08:57 | |
He's absolutely gorgeous. I'd die for him. | 0:08:57 | 0:08:59 | |
Obviously. He's male and under 30. | 0:08:59 | 0:09:01 | |
An interest in the opposite sex is perfectly natural. | 0:09:01 | 0:09:05 | |
Sorry, Peggy. | 0:09:05 | 0:09:07 | |
CHILDREN PLAY NOISILY | 0:09:10 | 0:09:13 | |
Hello. | 0:09:23 | 0:09:24 | |
I'd like to speak to someone in charge, please. | 0:09:24 | 0:09:27 | |
Nurse Miller, duty midwife. | 0:09:27 | 0:09:31 | |
How may I help? | 0:09:31 | 0:09:33 | |
Would it be possible to see the doctor? | 0:09:33 | 0:09:36 | |
Is this your first visit? | 0:09:36 | 0:09:38 | |
Obviously not my first ever visit. | 0:09:38 | 0:09:41 | |
I'm registered with Dr Carlton, south of the river. | 0:09:41 | 0:09:45 | |
We recently moved here, but my next appointment isn't until next week and... | 0:09:45 | 0:09:48 | |
-Name? -Margaret Jones. Mrs Margaret Jones. | 0:09:48 | 0:09:55 | |
Please take a seat, Mrs Jones. I'll be back as soon as I can to take your details. | 0:09:55 | 0:10:00 | |
Don't worry, Mrs Blake, your turn next. | 0:10:00 | 0:10:03 | |
Marie O'Connor? | 0:10:03 | 0:10:05 | |
-She's adorable. What's her name? -Gillian. | 0:10:09 | 0:10:12 | |
You wouldn't say that at two in the morning. I could throttle her then! | 0:10:12 | 0:10:15 | |
-How long have you got to wait? -A few months yet. | 0:10:15 | 0:10:19 | |
It's lovely being a mum. | 0:10:19 | 0:10:21 | |
Stop it! Come here! | 0:10:21 | 0:10:24 | |
Stop it! | 0:10:26 | 0:10:29 | |
Patricia! Patricia, get back here now before I lamp you one an' all. | 0:10:32 | 0:10:38 | |
What you turning your nose up at? | 0:10:39 | 0:10:42 | |
Excuse me? | 0:10:44 | 0:10:45 | |
Did you see that? She was only having a gawp at her beads. | 0:10:45 | 0:10:50 | |
Just a little kid an' all, in't she? | 0:10:50 | 0:10:52 | |
Eileen Blake, she lives in my street. | 0:10:55 | 0:10:58 | |
A right troublemaker! | 0:10:58 | 0:11:00 | |
Just ignore her. | 0:11:00 | 0:11:02 | |
Here, what you saying about me, Shirley Redmond? | 0:11:02 | 0:11:06 | |
Say it to my face. | 0:11:06 | 0:11:08 | |
Stuck up bitch. | 0:11:10 | 0:11:12 | |
I've got to go. | 0:11:18 | 0:11:20 | |
Margaret Jones? | 0:11:21 | 0:11:23 | |
Fancy bumping into you. | 0:11:35 | 0:11:37 | |
Well, I was passing Nonnatus House earlier and I stole a glance at the rota. | 0:11:37 | 0:11:41 | |
I've been hanging around here for half an hour or so, waiting for you to come past. | 0:11:41 | 0:11:45 | |
Oh, I see. Any particular reason? | 0:11:45 | 0:11:48 | |
A most particular one, actually. | 0:11:50 | 0:11:52 | |
I was thinking what a nice time we had at the pictures | 0:11:52 | 0:11:55 | |
and how it seems daft not to do it again. Well, sooner rather than later. | 0:11:55 | 0:11:59 | |
So, erm...what do you say? | 0:11:59 | 0:12:03 | |
I'd say it seems worse than daft. It seems positively idiotic. | 0:12:03 | 0:12:07 | |
Well, there we go then. | 0:12:07 | 0:12:09 | |
It's only an early supper before the cinema, | 0:12:22 | 0:12:25 | |
not dinner at the Dorchester. | 0:12:25 | 0:12:27 | |
But things are progressing, Chummy, so it may as well be. | 0:12:27 | 0:12:30 | |
You have to think strategically. | 0:12:30 | 0:12:33 | |
This could be a pivotal moment. | 0:12:33 | 0:12:35 | |
Do you really think so? | 0:12:35 | 0:12:38 | |
Absolutely no idea. | 0:12:38 | 0:12:40 | |
Sit up and follow me. Imagine you're at the Dorchester. | 0:12:40 | 0:12:44 | |
-But we aren't going... -Shut up and do as I say. | 0:12:44 | 0:12:47 | |
Ready? Like this. | 0:12:48 | 0:12:51 | |
Oh! Ah, excuse me! | 0:12:53 | 0:12:57 | |
Remember, he'll be watching your every move. | 0:12:57 | 0:13:02 | |
So when he pulls the chair out for you, take your time. | 0:13:02 | 0:13:07 | |
Oh! | 0:13:07 | 0:13:09 | |
When he sits opposite, lean in slightly | 0:13:13 | 0:13:16 | |
and tilt your head | 0:13:16 | 0:13:18 | |
so that you have to look at him through your eyelashes. | 0:13:18 | 0:13:22 | |
Hold that pose for quite a while. | 0:13:22 | 0:13:24 | |
It could give one's neck an awful crick. | 0:13:24 | 0:13:27 | |
Obviously, it's a pose you'll have to get used to. | 0:13:27 | 0:13:30 | |
Oh, thank you! | 0:13:30 | 0:13:32 | |
You are a woman comfortable with making decisions. | 0:13:34 | 0:13:38 | |
Oh! | 0:13:38 | 0:13:40 | |
Ah! | 0:13:43 | 0:13:44 | |
Look at him directly in the eyes | 0:13:45 | 0:13:48 | |
and say it like it's the naughtiest thing you've EVER said in your life. | 0:13:48 | 0:13:54 | |
-BREATHILY: -Fish and chips, please. | 0:13:57 | 0:13:59 | |
And can you put the vinegar on first? | 0:13:59 | 0:14:02 | |
Chummy! | 0:14:02 | 0:14:04 | |
MUSIC: "Next Time You See Me" by Junior Parker | 0:14:09 | 0:14:15 | |
HE HUMS A TUNE | 0:14:17 | 0:14:20 | |
Come out here for a bit, get some fresh air to her legs. | 0:14:22 | 0:14:25 | |
What's Mummy saying? What's Mummy saying? | 0:14:25 | 0:14:28 | |
Shall we go and see her? Come on then. Come on. | 0:14:28 | 0:14:32 | |
Stick with the job in hand, you - | 0:14:33 | 0:14:36 | |
me and my girl are having a little dance to ourselves. | 0:14:36 | 0:14:40 | |
Ain't we, sweetheart? Hmm? Eh? | 0:14:40 | 0:14:44 | |
All right now. | 0:14:55 | 0:14:58 | |
Gently does it. | 0:15:01 | 0:15:04 | |
You should have called my secretary, I'd have come home earlier. | 0:15:08 | 0:15:11 | |
I can't remember if I locked the back door. | 0:15:11 | 0:15:13 | |
Don't worry about that, darling. | 0:15:13 | 0:15:15 | |
We'll only be gone an hour. Besides, it's a pretty decent neighbourhood. | 0:15:15 | 0:15:19 | |
Margaret? Margaret? | 0:15:19 | 0:15:22 | |
BRAKES SQUEAL Margaret! | 0:15:22 | 0:15:25 | |
Ma...? | 0:15:27 | 0:15:28 | |
Help, help me! | 0:15:30 | 0:15:31 | |
Help me, please! | 0:15:31 | 0:15:34 | |
We were on our way to the doctor's, | 0:15:39 | 0:15:41 | |
and my wife had a fit of some sort. She's been complaining of headaches for the last few days. | 0:15:41 | 0:15:46 | |
When's the baby due? | 0:15:46 | 0:15:47 | |
She's 27 weeks. | 0:15:47 | 0:15:50 | |
You need to get her to the hospital as soon as possible. | 0:15:51 | 0:15:54 | |
Will you be all right to drive her there? | 0:15:54 | 0:15:56 | |
It'd be quicker than waiting for an ambulance. | 0:15:56 | 0:15:59 | |
Er, yes...yes. | 0:15:59 | 0:16:01 | |
-You carry on to Mrs Weston's and I'll stay to help. -All right. | 0:16:01 | 0:16:05 | |
You must hurry. | 0:16:05 | 0:16:07 | |
What's her name? | 0:16:07 | 0:16:09 | |
-Margaret...Jones. -Is she going to be all right? > | 0:16:09 | 0:16:13 | |
Mrs Margaret Jones. | 0:16:14 | 0:16:17 | |
I'll warn the hospital that you're on the way. Now, go. | 0:16:17 | 0:16:23 | |
Nurse, it was eclampsia. Baby didn't make it. | 0:16:27 | 0:16:31 | |
Mrs Jones hasn't got long. | 0:16:31 | 0:16:33 | |
I see. | 0:16:33 | 0:16:35 | |
Mr Jones? | 0:16:47 | 0:16:49 | |
I got here as soon as I could. | 0:16:50 | 0:16:52 | |
It was a little girl. | 0:16:55 | 0:16:56 | |
I'm so sorry. | 0:16:59 | 0:17:01 | |
She was too small. | 0:17:02 | 0:17:04 | |
They say her lungs weren't... | 0:17:06 | 0:17:08 | |
Is there someone you'd like me to call? | 0:17:08 | 0:17:12 | |
There's no-one else. | 0:17:14 | 0:17:17 | |
Just the two of us. | 0:17:17 | 0:17:19 | |
Margaret and I. | 0:17:19 | 0:17:22 | |
We were going to call her Helen. | 0:17:26 | 0:17:29 | |
Thomas, had he been a boy. | 0:17:29 | 0:17:32 | |
What will I tell Margaret? | 0:17:34 | 0:17:37 | |
The doctor did explain the situation? | 0:17:37 | 0:17:40 | |
Your wife's condition? | 0:17:40 | 0:17:42 | |
He said it's...toxaemia. | 0:17:45 | 0:17:50 | |
It can also be called eclampsia. | 0:17:50 | 0:17:53 | |
When she's stable, I'll be able to see her. | 0:17:54 | 0:17:57 | |
Talk to her about the baby. | 0:17:57 | 0:18:00 | |
-I need to be strong for her, don't I? -Mr Jones... | 0:18:04 | 0:18:09 | |
We've only been married six months. | 0:18:09 | 0:18:11 | |
Barely known each other a year. I don't feel strong at all. | 0:18:11 | 0:18:14 | |
It's a really good opportunity | 0:18:23 | 0:18:25 | |
to have first hand experience, sister. | 0:18:25 | 0:18:27 | |
If you can arrange it, I could follow this case to its conclusion. | 0:18:27 | 0:18:33 | |
I'd learn so much by being there. | 0:18:33 | 0:18:35 | |
It will be distressing. Are you sure you'll be able to handle it? | 0:18:35 | 0:18:40 | |
Of course. I want to be a good nurse. | 0:18:40 | 0:18:44 | |
Whatever it takes. | 0:18:44 | 0:18:46 | |
'Help had come too late for Margaret, | 0:18:54 | 0:18:57 | |
'so her eclampsia was a death sentence. | 0:18:57 | 0:19:01 | |
'All her husband could do was watch and wait.' | 0:19:01 | 0:19:07 | |
Ann Whelan's baby's an odd-looking little thing. | 0:19:10 | 0:19:14 | |
And Ann's quite pretty, really. | 0:19:14 | 0:19:17 | |
Well? | 0:19:19 | 0:19:20 | |
Fish and chips, then High Society. | 0:19:20 | 0:19:22 | |
What did you talk about? | 0:19:24 | 0:19:26 | |
Horses. His uncle has a farm. | 0:19:26 | 0:19:28 | |
What else? We need details. Preferably more exciting ones. | 0:19:28 | 0:19:31 | |
Grace Kelly. She's awfully good. And so attractive. | 0:19:31 | 0:19:34 | |
-Oh! -Stop teasing. -I've been working. You've waited up especially. | 0:19:34 | 0:19:38 | |
I can't believe my intensive course in the art of seduction failed. | 0:19:38 | 0:19:43 | |
Sit down and have some Horlicks, Chummy. | 0:19:43 | 0:19:46 | |
He was the perfect gentleman, actually. | 0:19:47 | 0:19:50 | |
Damn! How disappointing. | 0:19:50 | 0:19:52 | |
Trixie! But... you are a woman, Chummy, | 0:19:52 | 0:19:56 | |
and Constable Noakes is a man. | 0:19:56 | 0:19:58 | |
So I imagine that the natural progression of this relationship... | 0:19:58 | 0:20:02 | |
-Steady on! -..Will eventually entail some sort of flirtatious behaviour, | 0:20:02 | 0:20:07 | |
outside the realms of what is considered gentlemanly conduct. | 0:20:07 | 0:20:11 | |
Were there any other future outings planned at all? | 0:20:11 | 0:20:14 | |
He did ask if I'd like to accompany him to the dance next week. | 0:20:14 | 0:20:19 | |
But one has so many horrific memories. | 0:20:19 | 0:20:21 | |
-I couldn't bear to embarrass myself. -I used to feel the same | 0:20:21 | 0:20:24 | |
but I've been with Trixie a few times and I actually enjoyed it. | 0:20:24 | 0:20:28 | |
-I think it depends on the company. -So why don't we all go? | 0:20:28 | 0:20:32 | |
-Yes. Let's go dancing. -Oh, that's a splendid idea. | 0:20:32 | 0:20:36 | |
I promised Jimmy we'd do something together at the weekend. | 0:20:36 | 0:20:40 | |
Oh, he could come too. | 0:20:40 | 0:20:41 | |
You'll have a wonderful time! | 0:20:41 | 0:20:43 | |
All right, I'll ask him. | 0:20:43 | 0:20:45 | |
Oh, gosh, it seems I'm going to a dance. Voluntarily. | 0:20:45 | 0:20:50 | |
"Look at me now, Ma." | 0:20:51 | 0:20:54 | |
I take it Constable Noakes is the source of all this excitement? | 0:20:54 | 0:20:58 | |
It's true what they say, then. | 0:20:58 | 0:21:00 | |
There is a sock for every old slipper. | 0:21:00 | 0:21:03 | |
How did you meet? | 0:21:33 | 0:21:35 | |
She's a violinist. | 0:21:37 | 0:21:39 | |
Some friends of mine took me to a concert to hear her play. | 0:21:40 | 0:21:44 | |
I've always admired musicians. | 0:21:44 | 0:21:47 | |
The Swan, by Saint Saens. | 0:21:47 | 0:21:50 | |
That's what she was playing when I first saw her. | 0:21:50 | 0:21:54 | |
So? After the concert, you swept her off her feet? | 0:21:54 | 0:21:59 | |
Hardly. We barely spoke. | 0:21:59 | 0:22:01 | |
I've never been very good around women, I'm rather shy. | 0:22:01 | 0:22:05 | |
But that smile kept me going for weeks. Look at me. | 0:22:05 | 0:22:08 | |
Headmaster, smitten with a woman half my age in less than a minute. | 0:22:08 | 0:22:13 | |
Ludicrous, isn't it? | 0:22:13 | 0:22:15 | |
Obviously not. | 0:22:15 | 0:22:17 | |
When I saw her again, near Lyon's Corner House in Islington, | 0:22:19 | 0:22:25 | |
I couldn't believe my luck. | 0:22:25 | 0:22:27 | |
The first thing she said was, "What took you so long? | 0:22:27 | 0:22:30 | |
"I'm fed up waiting." | 0:22:30 | 0:22:32 | |
We've been together ever since. It's been glorious. | 0:22:32 | 0:22:35 | |
BLUES MUSIC PLAYS, WOMEN LAUGH | 0:22:49 | 0:22:53 | |
You all right? | 0:23:02 | 0:23:03 | |
Aren't you attempting a medical and physical impossibility, Trixie? | 0:23:08 | 0:23:12 | |
Just takes practice. | 0:23:12 | 0:23:15 | |
Aren't they terribly painful? | 0:23:20 | 0:23:22 | |
Excruciating. Why don't you try some of my new lipstick, Cynthia? | 0:23:22 | 0:23:28 | |
My lips are too thin. I'd look silly. There. | 0:23:28 | 0:23:33 | |
Oh, how civilised. It's Pa's favourite tipple. | 0:23:33 | 0:23:37 | |
Maybe it will stop some of us from being so bloody miserable. | 0:23:37 | 0:23:42 | |
I'm not miserable, I'm tired. | 0:23:42 | 0:23:45 | |
I'll be all right once I get there. | 0:23:48 | 0:23:51 | |
Right. Lawks help me. | 0:23:51 | 0:23:54 | |
Chin chin! | 0:23:54 | 0:23:57 | |
KNOCK AT DOOR | 0:24:04 | 0:24:05 | |
Ooh, quick, the gin! | 0:24:05 | 0:24:07 | |
There's a gentleman at the door. | 0:24:14 | 0:24:18 | |
You all look very nice. Have a lovely evening. | 0:24:18 | 0:24:22 | |
Come on! | 0:24:22 | 0:24:23 | |
-Come along, Cynthia. -Good night, Sister. | 0:24:23 | 0:24:26 | |
< Hurry up! | 0:24:26 | 0:24:28 | |
Good evening. | 0:24:33 | 0:24:34 | |
Ladies. | 0:24:34 | 0:24:37 | |
-We thought, um, we'd go down together. -Sorry I'm late. | 0:24:37 | 0:24:41 | |
I'd say your timing is perfect, Jimmy. | 0:24:41 | 0:24:43 | |
-Aren't we the lucky fellows? -Don't worry. | 0:24:43 | 0:24:46 | |
MUSIC PLAYS | 0:25:33 | 0:25:35 | |
# I work in the store on the edge of town | 0:25:41 | 0:25:44 | |
# Daily shoppers going up and down | 0:25:44 | 0:25:47 | |
# Elevator rock | 0:25:47 | 0:25:48 | |
# Elevator roll | 0:25:48 | 0:25:51 | |
# Elevator rock | 0:25:51 | 0:25:53 | |
# Elevator roll | 0:25:53 | 0:25:55 | |
# Buzzin' all day, buzzin' all night... # | 0:25:56 | 0:26:00 | |
Gosh, they're terribly energetic! | 0:26:00 | 0:26:02 | |
# Elevator rock | 0:26:02 | 0:26:03 | |
# Elevator roll... # | 0:26:03 | 0:26:04 | |
Excuse me. | 0:26:06 | 0:26:08 | |
# ..Elevator roll... # | 0:26:08 | 0:26:10 | |
-More drinks, gang? -Thanks. | 0:26:17 | 0:26:18 | |
Gosh, I've never seen anything quite like it. | 0:26:18 | 0:26:22 | |
Certainly not at any of the dos Mother forced me to attend. | 0:26:22 | 0:26:25 | |
This place is positively savage in comparison. | 0:26:25 | 0:26:29 | |
Well, how about a dance, then? | 0:26:29 | 0:26:31 | |
-Oh, good gracious, I'm no dancer. -Neither am I, | 0:26:31 | 0:26:34 | |
but I wouldn't mind giving it a go. If you promise not to laugh? | 0:26:34 | 0:26:37 | |
Well, if you promise not to arrest me for common assault | 0:26:37 | 0:26:41 | |
when I tread all over your toes. I might be some time. | 0:26:41 | 0:26:45 | |
TTFN! | 0:26:45 | 0:26:47 | |
# Elevator rock | 0:26:47 | 0:26:49 | |
# Elevator roll... # | 0:26:49 | 0:26:53 | |
Don't look now. Blond, six four, | 0:26:53 | 0:26:56 | |
dark jacket, over by the door at ten to twelve. | 0:26:56 | 0:26:59 | |
I'm in love. I'll be back in five minutes when I've seduced him into asking me out. | 0:26:59 | 0:27:03 | |
But you agreed to a date with that dark-haired chap you danced with. | 0:27:03 | 0:27:07 | |
Obviously I'll be careful not to overbook myself. | 0:27:07 | 0:27:10 | |
# ..Second floor socks | 0:27:10 | 0:27:11 | |
# Third floor dresses Oh, my head, it rocks | 0:27:11 | 0:27:13 | |
# Elevator rock | 0:27:13 | 0:27:15 | |
# Elevator roll | 0:27:15 | 0:27:18 | |
# Elevator rock | 0:27:18 | 0:27:19 | |
# Elevator roll | 0:27:19 | 0:27:23 | |
# Buzzin' all day, buzzin' all night | 0:27:23 | 0:27:25 | |
# Floors to the left and floors to the right | 0:27:25 | 0:27:27 | |
# You can keep "see you later, alligator" | 0:27:27 | 0:27:31 | |
# I got my elevator Elevator rock | 0:27:31 | 0:27:34 | |
# Elevator roll. # | 0:27:34 | 0:27:38 | |
Come in. | 0:27:50 | 0:27:51 | |
I can't sleep. | 0:27:53 | 0:27:55 | |
The toxaemia case? | 0:27:55 | 0:27:57 | |
I haven't mentioned it before but she came into the clinic, | 0:28:02 | 0:28:07 | |
last week, before her regular doctor's appointment. | 0:28:07 | 0:28:10 | |
I was a bit short with her | 0:28:10 | 0:28:12 | |
and she left before I had time to book her in. | 0:28:12 | 0:28:14 | |
That would have made no difference. | 0:28:14 | 0:28:16 | |
-I know, but I can't help thinking... -Then don't. | 0:28:16 | 0:28:20 | |
Who knows why these things happen? | 0:28:20 | 0:28:23 | |
Her poor husband, David. | 0:28:26 | 0:28:27 | |
He's so devoted to her. | 0:28:27 | 0:28:29 | |
You have to be brave to be in love, don't you? | 0:28:31 | 0:28:34 | |
I mean, knowing your heart may get broken at some point along the way. | 0:28:34 | 0:28:38 | |
Yes, I suppose so. | 0:28:41 | 0:28:43 | |
He spent years being frightened and lonely | 0:28:43 | 0:28:46 | |
because he's much older than her. | 0:28:46 | 0:28:48 | |
They hardly had any time together | 0:28:48 | 0:28:51 | |
and yet he said that she made his life truly meaningful. | 0:28:51 | 0:28:55 | |
Love doesn't seem to adhere to time or boundaries, does it? | 0:28:55 | 0:28:58 | |
It just is. | 0:28:58 | 0:29:01 | |
I didn't know you were such a romantic. | 0:29:03 | 0:29:05 | |
Neither did I. | 0:29:07 | 0:29:09 | |
Jenny... | 0:29:12 | 0:29:13 | |
What? | 0:29:14 | 0:29:15 | |
We have a duty to live every moment the best we can. | 0:29:15 | 0:29:20 | |
I mean really live it. | 0:29:20 | 0:29:22 | |
Even if it means getting hurt. | 0:29:22 | 0:29:25 | |
Otherwise, what's the point? | 0:29:25 | 0:29:28 | |
We mustn't let fear stop us. | 0:29:29 | 0:29:32 | |
No. | 0:29:33 | 0:29:35 | |
I'm back, Shirl. Where's my girl, then? | 0:29:42 | 0:29:45 | |
-Did you remember to get the milk? -Course I did. | 0:29:45 | 0:29:47 | |
-I called in at the allotments to say hello to Arthur. -How's he doing? | 0:29:47 | 0:29:50 | |
Good. He was asking all about the baby. Where is she? | 0:29:50 | 0:29:54 | |
Out in the pram in the fresh air. | 0:29:54 | 0:29:55 | |
You passed her on your way in, you great daft sod. | 0:29:55 | 0:29:58 | |
-Mum, is she with you? -Who? | 0:30:01 | 0:30:04 | |
The baby, have you got the baby? | 0:30:04 | 0:30:06 | |
-What are you talking about? -The baby, Mum! | 0:30:06 | 0:30:08 | |
-Have you seen my baby? She was in her pram. -No, love, sorry. | 0:30:08 | 0:30:12 | |
Please, someone help us. Someone's taken our baby. | 0:30:12 | 0:30:16 | |
SHE SCREAMS | 0:30:16 | 0:30:18 | |
Gillian! Gillian! | 0:30:18 | 0:30:21 | |
Police! | 0:30:23 | 0:30:24 | |
Excuse me, stop. Sorry, have you seen...? | 0:30:30 | 0:30:34 | |
I need to ask your thoughts on Shirley Redmond's mental state. | 0:30:34 | 0:30:38 | |
She's been ill recently, hasn't she? | 0:30:40 | 0:30:42 | |
I'm not exactly sure what you're getting at, Constable? | 0:30:42 | 0:30:45 | |
There have been a few questions raised, I'm afraid. | 0:30:45 | 0:30:49 | |
About what, specifically? | 0:30:49 | 0:30:52 | |
Her behaviour as a mother. According to a neighbour, she's been acting strange | 0:30:52 | 0:30:56 | |
-since she suffered a stillbirth two years ago. -Eileen Blake! | 0:30:56 | 0:31:00 | |
If she's not careful, she'll feel the toe of my boot right up.... | 0:31:00 | 0:31:03 | |
Sister Evangelina delivered that poor child. | 0:31:03 | 0:31:06 | |
Shirley suffered as any mother would. | 0:31:06 | 0:31:08 | |
She wasn't herself for a while. I assure you, Constable Noakes, | 0:31:08 | 0:31:12 | |
that you are wasting your time | 0:31:12 | 0:31:14 | |
following that line of enquiry. | 0:31:14 | 0:31:16 | |
She was overheard stating she wanted to hurt her baby. | 0:31:16 | 0:31:20 | |
-Rubbish! -That's utterly ridiculous! | 0:31:20 | 0:31:24 | |
You were heard at the clinic saying you wanted to throttle your child. | 0:31:24 | 0:31:28 | |
I didn't mean it! I love her. | 0:31:28 | 0:31:31 | |
I wouldn't hurt her for the world. | 0:31:31 | 0:31:34 | |
-How are we? -Bearing up. | 0:31:43 | 0:31:46 | |
Thank God Margaret's a fighter. | 0:31:46 | 0:31:49 | |
Could I ask you a favour, nurse? | 0:31:49 | 0:31:51 | |
A favour? | 0:31:51 | 0:31:53 | |
I need some things from home. | 0:31:53 | 0:31:56 | |
A razor, a few toiletries, a clean shirt, that sort of thing. | 0:31:56 | 0:32:01 | |
I don't want to leave her. | 0:32:01 | 0:32:02 | |
Please. | 0:32:02 | 0:32:04 | |
If I make a list and write down the address, could you? | 0:32:04 | 0:32:07 | |
Yes. Yes, of course. | 0:32:07 | 0:32:10 | |
Thank you. | 0:32:10 | 0:32:12 | |
Thank you very much, madam. | 0:32:59 | 0:33:01 | |
Best get these out of the way before she wakes. | 0:33:10 | 0:33:14 | |
Are you sure you'll be able to carry them back to Nonnatus, Sister? | 0:33:14 | 0:33:18 | |
I'll be absolutely fine, Nurse Lee. | 0:33:18 | 0:33:20 | |
When they're dry, Sister Evangelina will pick them up. | 0:33:20 | 0:33:23 | |
I've never seen her so upset. | 0:33:23 | 0:33:26 | |
You must remain strong if you're to stay here for the night and give some comfort. | 0:33:26 | 0:33:31 | |
The situation can only be served | 0:33:31 | 0:33:33 | |
by someone with a clear head and an open heart. | 0:33:33 | 0:33:36 | |
You are a good nurse. I trust you will rise to the occasion. | 0:33:36 | 0:33:40 | |
I'll do my best, Sister. | 0:33:40 | 0:33:42 | |
I have every faith in you. | 0:33:42 | 0:33:44 | |
-If you hear any news, call Nonnatus House right away. -I will. | 0:33:47 | 0:33:52 | |
Ron? Have you found her? Have you brought her back? | 0:33:55 | 0:33:59 | |
No, love. | 0:33:59 | 0:34:00 | |
I want her back home, now. I want my Gillian back home. | 0:34:02 | 0:34:07 | |
She's alive. | 0:34:14 | 0:34:16 | |
I know she is. | 0:34:17 | 0:34:19 | |
Her milk. | 0:34:25 | 0:34:28 | |
Come with me, Shirley. | 0:34:33 | 0:34:35 | |
Come on. | 0:34:37 | 0:34:39 | |
Gladys, can you see that Ron gets a hot drink inside him? | 0:34:42 | 0:34:45 | |
Of course I will. Yeah. | 0:34:45 | 0:34:47 | |
WOMAN HUMS, BABY GURGLES | 0:34:52 | 0:34:55 | |
Take it. | 0:35:10 | 0:35:12 | |
Take it. | 0:35:12 | 0:35:14 | |
The pains will stop if you take it. | 0:35:14 | 0:35:17 | |
I know how it feels, see. | 0:35:17 | 0:35:19 | |
You're not sick, you're just hungry! | 0:35:19 | 0:35:23 | |
Now take the bloody milk, will ya! | 0:35:23 | 0:35:26 | |
Oh, Peggy, is Fred here? I've got a ghastly puncture. | 0:35:28 | 0:35:31 | |
Um, he's in the garden, I think. | 0:35:31 | 0:35:33 | |
Righty-ho. Oh, any news on the Redmond baby? | 0:35:33 | 0:35:37 | |
I'm afraid not. | 0:35:37 | 0:35:39 | |
"The worldly life grows down apace: | 0:35:40 | 0:35:43 | |
"But does the milk that's drawn from the cow go back to the bullock?" | 0:35:43 | 0:35:48 | |
Sorry, Sister? | 0:35:48 | 0:35:51 | |
Sister Monica Joan has been talking about the mystic poets. | 0:35:51 | 0:35:55 | |
-What's all this for? -People have been out searching for that baby | 0:35:55 | 0:35:59 | |
the moment they get home from work. We thought we'd offer refreshments. | 0:35:59 | 0:36:03 | |
"A barren cow gives birth to a bullock..." | 0:36:03 | 0:36:07 | |
Sister Monica Joan, please! | 0:36:07 | 0:36:10 | |
They're all talking about me. | 0:36:17 | 0:36:18 | |
They think I've done something bad. | 0:36:18 | 0:36:21 | |
Let 'em. We know the truth, love. | 0:36:21 | 0:36:24 | |
I don't know how much more of this I can take. | 0:36:24 | 0:36:28 | |
Try and stay with it, Shirl. | 0:36:31 | 0:36:34 | |
Please. For me. | 0:36:34 | 0:36:36 | |
KNOCK AT DOOR | 0:36:36 | 0:36:37 | |
Thought you might need a few things. | 0:36:47 | 0:36:49 | |
You didn't have to go to all that trouble, nurse. | 0:36:49 | 0:36:52 | |
I didn't. It was Sister Julienne. | 0:36:52 | 0:36:54 | |
Besides, I wanted to come. | 0:36:56 | 0:36:58 | |
She doesn't like it when I haven't shaved. | 0:37:26 | 0:37:28 | |
There, darling, smooth enough for you? | 0:37:41 | 0:37:46 | |
Do I pass the test? | 0:37:46 | 0:37:48 | |
They want your permission to take Margaret's wedding ring off. | 0:37:53 | 0:37:56 | |
I've already told them she'd never forgive me. | 0:37:56 | 0:38:00 | |
She swore to never take it off. | 0:38:00 | 0:38:02 | |
-I can do it, if you prefer. -No. | 0:38:04 | 0:38:07 | |
The doctor doesn't seem to think you understand | 0:38:08 | 0:38:11 | |
the severity of the situation. | 0:38:11 | 0:38:13 | |
Please, listen to me. We can only make her comfortable. | 0:38:15 | 0:38:20 | |
Nothing more. | 0:38:20 | 0:38:21 | |
She is dying, Mr Jones. | 0:38:22 | 0:38:25 | |
You don't know my wife. You don't know her strength. | 0:38:26 | 0:38:30 | |
Her body is failing and it will keep on failing. | 0:38:30 | 0:38:34 | |
I'm sorry but nothing can prevent that from happening. | 0:38:34 | 0:38:39 | |
I want to look after her. | 0:38:41 | 0:38:43 | |
I want to do everything for her. | 0:38:44 | 0:38:47 | |
She's my soulmate. That's why she's still here with me. | 0:38:49 | 0:38:53 | |
But she's suffering, Mr Jones. | 0:38:53 | 0:38:56 | |
Some people need permission to die... | 0:39:01 | 0:39:06 | |
from those that they love the most. | 0:39:06 | 0:39:09 | |
Do it now, then. | 0:39:46 | 0:39:48 | |
Cut the ring off now. | 0:39:49 | 0:39:51 | |
I've found something. | 0:40:30 | 0:40:32 | |
I've found something. | 0:40:32 | 0:40:34 | |
It's Gillian's. I know it. | 0:40:38 | 0:40:41 | |
I'm sorry, but I need you to tell me. | 0:40:47 | 0:40:52 | |
Is it hers? | 0:40:52 | 0:40:53 | |
It's the one you made her, isn't it? | 0:40:55 | 0:40:58 | |
It's part of a matching set. | 0:41:02 | 0:41:04 | |
BABY CRIES | 0:41:17 | 0:41:20 | |
You've got to stay here for a while. | 0:41:25 | 0:41:27 | |
Mammy has to go to work, my angel. | 0:41:29 | 0:41:32 | |
Otherwise we'll starve, won't we? | 0:41:32 | 0:41:36 | |
You looking for company, mister? | 0:41:40 | 0:41:42 | |
I'm very reasonable...honest. | 0:41:42 | 0:41:46 | |
Sorry to hear about your toxaemia patient, Cynthia. | 0:42:45 | 0:42:49 | |
-It's an awful way to go. -Yes. | 0:42:49 | 0:42:51 | |
-How's the husband? -As you'd imagine. | 0:42:51 | 0:42:54 | |
-They were soulmates. -You don't actually believe | 0:42:54 | 0:42:57 | |
in the notion of soulmates, do you? | 0:42:57 | 0:42:59 | |
Yes, I think I do. | 0:42:59 | 0:43:01 | |
-Oh, you are kidding me? What romantic tosh! -Oh, do be quiet! | 0:43:01 | 0:43:06 | |
Not everyone feels as you do. | 0:43:06 | 0:43:08 | |
TELEPHONE RINGS | 0:43:08 | 0:43:10 | |
All right? | 0:43:10 | 0:43:12 | |
Yes, we were just talking about soulmates. | 0:43:12 | 0:43:17 | |
"Soulmates." Rather like the sound of that. | 0:43:17 | 0:43:21 | |
Any news? | 0:44:03 | 0:44:04 | |
-No. It's Shirley. We've had the doctors out, but... -What's happened? | 0:44:04 | 0:44:10 | |
Well, she's stopped talking again. She's had a funny turn. | 0:44:10 | 0:44:12 | |
-Just stares. -I'll be there as soon as I can. | 0:44:12 | 0:44:16 | |
Blaming yourself won't do any good. | 0:44:26 | 0:44:30 | |
Now, listen to me. | 0:44:31 | 0:44:33 | |
Ron is not strong. That's why he chose you. | 0:44:35 | 0:44:39 | |
You won't do anybody any good like this. | 0:44:39 | 0:44:41 | |
It was love that brought Gillian to you, remember? | 0:44:46 | 0:44:50 | |
Whatever happens, you will only find peace | 0:44:50 | 0:44:55 | |
by loving those that need you and Ron needs you. | 0:44:55 | 0:44:59 | |
Am I going to have to whisper in your ear until the sun goes down? | 0:45:02 | 0:45:06 | |
Because my backside is starting to go numb. | 0:45:06 | 0:45:09 | |
Oi! Oi! Stop her! | 0:45:39 | 0:45:41 | |
Oi! Oi! Stop her! | 0:45:41 | 0:45:44 | |
Police! Police! Police! | 0:45:47 | 0:45:50 | |
Don't you people have any sense of decency? | 0:45:56 | 0:45:58 | |
Go away. Go on, go away. | 0:45:58 | 0:46:02 | |
It's Nurse Lee. | 0:46:02 | 0:46:05 | |
Mrs Redmond, what can you tell us about the missing baby? | 0:46:05 | 0:46:09 | |
I should take the dog out when your mum gets back. | 0:46:09 | 0:46:13 | |
Poor thing doesn't know whether he's coming or going. | 0:46:13 | 0:46:16 | |
I could stay for another ten minutes, if it's any help? | 0:46:16 | 0:46:21 | |
I really can't imagine what you're going through. | 0:46:31 | 0:46:34 | |
If there was anything I could do... | 0:46:36 | 0:46:39 | |
You know, I didn't realise how much my mum loved me till I was a mum. | 0:46:39 | 0:46:43 | |
It's the kind of love that only goes one way. | 0:46:45 | 0:46:48 | |
Forward. Only realise that when you have your own. | 0:46:48 | 0:46:53 | |
When it's too late to change your mind. | 0:46:53 | 0:46:57 | |
I know what they mean now, when they say love hurts. | 0:47:00 | 0:47:03 | |
Can't have one without the other. | 0:47:03 | 0:47:07 | |
Not ever. | 0:47:07 | 0:47:08 | |
Yet we keep on doing it again and again. | 0:47:10 | 0:47:15 | |
I wonder why? | 0:47:16 | 0:47:18 | |
-Before you turn off towards Market Street. That's where she is. -Right. Come on. | 0:47:26 | 0:47:30 | |
BABY GURGLES | 0:47:33 | 0:47:34 | |
We've got to stay strong now, Kathleen, it's the only way. | 0:47:38 | 0:47:43 | |
We've only got each other. It'll be all right now we're together again. | 0:47:44 | 0:47:49 | |
She doesn't look right in the head. | 0:47:50 | 0:47:52 | |
-How was the baby? -I only got a quick look. | 0:47:52 | 0:47:54 | |
-I don't know if it's alive. -There's one way to find out. | 0:47:54 | 0:47:57 | |
'I didn't know it, but as I walked into the warehouse, | 0:47:59 | 0:48:03 | |
'I stepped through a door into the past. | 0:48:03 | 0:48:05 | |
'There were ghosts in these shadows. | 0:48:08 | 0:48:10 | |
'The ghosts of an encounter | 0:48:11 | 0:48:13 | |
'where love had tried and failed.' | 0:48:13 | 0:48:17 | |
Hello there? | 0:48:21 | 0:48:22 | |
Get away. | 0:48:23 | 0:48:25 | |
Don't be afraid. I'm a nurse. | 0:48:30 | 0:48:32 | |
If you or your baby are hurt, I can help. | 0:48:35 | 0:48:38 | |
Get away. My Kathleen is back safe where she belongs now. | 0:48:38 | 0:48:42 | |
(Oh, my God. I know her.) | 0:48:42 | 0:48:45 | |
Stay here. | 0:48:50 | 0:48:51 | |
Who's there? | 0:48:53 | 0:48:55 | |
Don't come any closer. | 0:48:55 | 0:48:58 | |
Mary? | 0:48:58 | 0:49:00 | |
Mary, it's Jenny Lee. Remember? | 0:49:00 | 0:49:04 | |
You stay away from us, you hear me? | 0:49:06 | 0:49:10 | |
I swear I won't get too close. | 0:49:10 | 0:49:13 | |
I'd like to see your face. And the baby's. | 0:49:16 | 0:49:19 | |
To make sure you're both well. | 0:49:21 | 0:49:23 | |
-Mary? -I won't let anyone take her again. I'll die first. | 0:49:32 | 0:49:39 | |
Let me see her face. | 0:49:41 | 0:49:43 | |
I'll stay right here. | 0:49:43 | 0:49:46 | |
Can you see how she's a little floppy in your arms? | 0:49:58 | 0:50:01 | |
That's because she needs water. | 0:50:04 | 0:50:05 | |
We have to get some liquids into her very soon, or she might die. | 0:50:05 | 0:50:09 | |
I can take care of Kathleen better than anyone. I love her. | 0:50:09 | 0:50:13 | |
Yes. | 0:50:13 | 0:50:16 | |
I only want to be a good mother. | 0:50:16 | 0:50:18 | |
It's something I can be good at. | 0:50:21 | 0:50:24 | |
It's my real purpose. I'm sure of it. | 0:50:24 | 0:50:28 | |
Mary, please listen to me. | 0:50:31 | 0:50:35 | |
That baby isn't yours. | 0:50:36 | 0:50:38 | |
Look at the way she looks at me. | 0:50:41 | 0:50:43 | |
Isn't that the way a child looks at its mother? | 0:50:45 | 0:50:48 | |
Remember how much it hurt when Kathleen got taken away from you. | 0:50:53 | 0:50:57 | |
-Stop saying such terrible things. -That baby's mother is going through exactly the same thing right now. | 0:50:57 | 0:51:02 | |
I'll kill myself, | 0:51:02 | 0:51:04 | |
as God is my judge. | 0:51:04 | 0:51:06 | |
Mary, your baby is safe. | 0:51:08 | 0:51:12 | |
It's well looked after. She's loved. | 0:51:13 | 0:51:17 | |
This baby could die now. | 0:51:18 | 0:51:20 | |
What's her name? | 0:51:31 | 0:51:33 | |
Gillian. | 0:51:34 | 0:51:36 | |
Gillian Redmond. | 0:51:36 | 0:51:38 | |
She doesn't look like a Gillian to me. | 0:51:39 | 0:51:43 | |
And the mammy? | 0:51:43 | 0:51:46 | |
Is she a nice woman? | 0:51:46 | 0:51:48 | |
She is. | 0:51:49 | 0:51:51 | |
She's in a terrible state. | 0:51:52 | 0:51:55 | |
Does she have a decent husband with a good job? | 0:51:56 | 0:51:59 | |
This "Mammy in a terrible state"? | 0:52:01 | 0:52:03 | |
Yes. | 0:52:06 | 0:52:07 | |
Jesus, Mary and Joseph, she's got it all, hasn't she? | 0:52:07 | 0:52:12 | |
Lucky bitch! | 0:52:13 | 0:52:15 | |
That baby's mother is pining after her child. | 0:52:15 | 0:52:19 | |
You know what a terrible feeling that is. | 0:52:19 | 0:52:22 | |
I knew all along this wasn't my Kathleen, I did. I knew. | 0:52:22 | 0:52:26 | |
My Kathleen's prettier. | 0:52:28 | 0:52:30 | |
But this one's got something about her too. | 0:52:33 | 0:52:37 | |
Let me have her. | 0:52:38 | 0:52:41 | |
She needs water. | 0:52:43 | 0:52:45 | |
Just one more minute. | 0:52:45 | 0:52:47 | |
Let me take enough to help me through the rest of it. | 0:52:50 | 0:52:54 | |
Mary... | 0:54:45 | 0:54:47 | |
How is she? | 0:54:58 | 0:54:59 | |
Pitiful. | 0:54:59 | 0:55:00 | |
I understand what Mary did was an awful thing | 0:55:00 | 0:55:03 | |
but if she goes to prison she won't get any help at all. | 0:55:03 | 0:55:06 | |
And worse, she'll have never had anyone to speak for her. | 0:55:06 | 0:55:10 | |
Not in the whole of her life. | 0:55:10 | 0:55:12 | |
Let me get this straight, Sister. | 0:55:15 | 0:55:18 | |
You want us to ask for leniency for the evil that stole our baby? | 0:55:18 | 0:55:21 | |
Mary is a very sick young woman. | 0:55:21 | 0:55:23 | |
Well, she'd swing if I had anything to do with it. | 0:55:23 | 0:55:26 | |
-I'd put the noose around her neck myself. -She's barely 16. | 0:55:26 | 0:55:28 | |
Her own baby was taken for adoption | 0:55:28 | 0:55:31 | |
and her mental health broke down. | 0:55:31 | 0:55:34 | |
I think you'd best leave before I say something out of turn. | 0:55:35 | 0:55:39 | |
Ron's right. | 0:55:41 | 0:55:43 | |
Of course it's only you here that knows the weight of such pain. | 0:55:43 | 0:55:46 | |
There's no words can describe it. | 0:55:46 | 0:55:49 | |
Some say it's a kind of madness. And, I would have thought, | 0:55:49 | 0:55:53 | |
-worthy of anyone's compassion. -All right, that's enough. | 0:55:53 | 0:55:56 | |
Leave. | 0:55:56 | 0:55:58 | |
Sister Evangelina? | 0:56:07 | 0:56:10 | |
What do you want me to say to the police? | 0:56:11 | 0:56:14 | |
Nurse Miller. | 0:56:23 | 0:56:24 | |
'Nurses often receive tokens of appreciation from patients | 0:56:30 | 0:56:35 | |
'or their loved ones. | 0:56:35 | 0:56:37 | |
'David Jones sent Cynthia a note | 0:56:37 | 0:56:40 | |
'and a long playing record.' | 0:56:40 | 0:56:42 | |
'The exquisite music was heard throughout Nonnatus House. | 0:57:03 | 0:57:09 | |
'And its message touched our whole community, | 0:57:09 | 0:57:12 | |
'for just as the swan's last song | 0:57:12 | 0:57:14 | |
'is the sweetest of its life, | 0:57:14 | 0:57:17 | |
'so loss is made endurable by love | 0:57:17 | 0:57:22 | |
'and it is love that will echo through eternity.' | 0:57:22 | 0:57:28 | |
Fancy getting out of the East End for a bit? What do you think? | 0:57:50 | 0:57:53 | |
You've got a lot more pig than you bargained for. She's pregnant. | 0:57:56 | 0:58:00 | |
Oh, give me strength, oh, Lord. | 0:58:00 | 0:58:02 | |
Frank? | 0:58:02 | 0:58:04 | |
It's my Frank. He's took bad. | 0:58:04 | 0:58:06 | |
Please, Sister, please come quick. | 0:58:06 | 0:58:09 | |
My mother insists on meeting the woman I can't stop talking about. | 0:58:09 | 0:58:13 | |
What do I do, Sister? How do I be without him? | 0:58:13 | 0:58:18 | |
He was everything to me, except mine. | 0:58:18 | 0:58:21 | |
You look at me and there's someone else you want to see. | 0:58:22 | 0:58:26 | |
# Love me | 0:58:26 | 0:58:28 | |
# Love me completely | 0:58:28 | 0:58:31 | |
# Now and for ever | 0:58:32 | 0:58:36 | |
# As I love...you. # | 0:58:36 | 0:58:45 | |
Subtitles by Red Bee Media Ltd 2012 | 0:58:46 | 0:58:49 | |
E-mail [email protected] | 0:58:49 | 0:58:53 |