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-MATURE JENNY -'It seems to me, gazing back across the decades, | 0:01:17 | 0:01:22 | |
'that my journey into womanhood began on the streets of East London | 0:01:22 | 0:01:27 | |
'working as a midwife in the city's poorest quarter. | 0:01:27 | 0:01:31 | |
'I never knew an idle day, a misspent hour, | 0:01:31 | 0:01:34 | |
'a single moment without some sense of purpose. | 0:01:34 | 0:01:37 | |
'I could be bone tired and I would rally exhausted | 0:01:38 | 0:01:42 | |
'and bounce back time and again.' | 0:01:42 | 0:01:44 | |
THEY APPLAUD | 0:01:46 | 0:01:48 | |
Many happy returns, Jenny! | 0:01:52 | 0:01:54 | |
Thank you. | 0:01:54 | 0:01:56 | |
'Life was fuelled by learning, but there was laughter too | 0:02:02 | 0:02:07 | |
'and I was forging friendships that would last me all my days.' | 0:02:07 | 0:02:13 | |
-Stop! I've got something in my shoe! -Oh, Cynthia, do hurry up! | 0:02:13 | 0:02:16 | |
The bus won't wait, and neither will Rossano Brazzi. | 0:02:16 | 0:02:19 | |
Never mind Rossano Brazzi, there's Chummy! | 0:02:19 | 0:02:22 | |
-Sorry. Sorry! Sackcloth and ashes! -Evening, ladies. | 0:02:22 | 0:02:25 | |
ALL: Hello, Peter! | 0:02:25 | 0:02:26 | |
I just got into the most atrocious fix with a steamed sponge pudding! | 0:02:26 | 0:02:30 | |
One has to constantly top up the pan with water, | 0:02:30 | 0:02:32 | |
or else the tin will just...explode. | 0:02:32 | 0:02:34 | |
There's no harm done, Camilla. Go and enjoy the film. | 0:02:34 | 0:02:36 | |
I can still see bits of syrup on the braid! | 0:02:36 | 0:02:39 | |
MUSIC: Younger Than Springtime | 0:02:40 | 0:02:42 | |
-MATURE JENNY -'We strove to serve women, living alongside and amongst them. | 0:02:45 | 0:02:50 | |
'Men were creatures that you married, or marvelled at, | 0:02:50 | 0:02:55 | |
'or yearned for, or found somehow perplexing. | 0:02:55 | 0:02:59 | |
'Mainly, they made work for us, and we knew no rest.' | 0:02:59 | 0:03:05 | |
SOUTH PACIFIC PLAYS | 0:03:06 | 0:03:10 | |
THEY SING YOUNGER THAN SPRINGTIME | 0:03:13 | 0:03:16 | |
All hands on deck! | 0:03:19 | 0:03:22 | |
Sister Julienne has already gone to Mrs Hall. | 0:03:24 | 0:03:27 | |
Her waters broke a week before the due date. | 0:03:27 | 0:03:29 | |
Clinic starts 2.00 sharp, this afternoon. | 0:03:29 | 0:03:32 | |
In the meantime, Sister Bernadette, you will man the phone. | 0:03:32 | 0:03:35 | |
Yes, Sister. | 0:03:35 | 0:03:36 | |
Nurses Lee and Noakes, you can take the booking-in list. | 0:03:36 | 0:03:39 | |
-Yes, Sister. -Nurse Miller, I think we should add in Mrs Mournsey | 0:03:39 | 0:03:42 | |
to the morning calls. The baby's refused the breast again, | 0:03:42 | 0:03:45 | |
-and we should check him for tongue-tie. -Yes, Sister. | 0:03:45 | 0:03:49 | |
Oh dear, have we started? | 0:03:49 | 0:03:51 | |
These kirby grips have got a mind of their own this morning. | 0:03:51 | 0:03:53 | |
Where would we be without Nurse Franklin, | 0:03:53 | 0:03:56 | |
bringing up the rear like a poodle at the circus? | 0:03:56 | 0:03:58 | |
Mafeking Buildings are all yours. | 0:03:58 | 0:04:01 | |
-Single-handed? -Hmm. | 0:04:01 | 0:04:02 | |
But there's been 18 births there this month alone! | 0:04:02 | 0:04:04 | |
Hark at the oracle! | 0:04:04 | 0:04:06 | |
Maybe you can ask them, while you're there, if they know what causes it. | 0:04:06 | 0:04:10 | |
But, Sister, from experience... | 0:04:11 | 0:04:13 | |
Experience? | 0:04:13 | 0:04:14 | |
If you had more experience and less confidence, | 0:04:14 | 0:04:17 | |
I might be inclined to listen to you. | 0:04:17 | 0:04:19 | |
-Mafeking Buildings, and that's final. -Yes, Sister. | 0:04:19 | 0:04:22 | |
You'll just have to keep your head down, Trixie. | 0:04:25 | 0:04:27 | |
Sister will have forgotten all about it by the end of the day. | 0:04:27 | 0:04:30 | |
You might get a supplementary lecture during clinic. | 0:04:30 | 0:04:32 | |
I got "needing to learn some respect" the other day. | 0:04:32 | 0:04:35 | |
What Sister Evangelina needs to learn is that respect goes both ways! | 0:04:35 | 0:04:38 | |
And you can hold your horses, young Trixie. | 0:04:38 | 0:04:40 | |
I have never known a chain drink as much oil as yours. | 0:04:40 | 0:04:44 | |
We don't want you coming off and incurring further wrath, do we? | 0:04:44 | 0:04:47 | |
-No. -And you can ignore all that stuff about experience. | 0:04:47 | 0:04:52 | |
What she says deep down, is a load of hot air. | 0:04:52 | 0:04:57 | |
Trouble is, Fred, deep down I know it isn't. | 0:04:57 | 0:04:59 | |
Heavy boy. Little butterball. | 0:05:07 | 0:05:09 | |
Off you go. | 0:05:13 | 0:05:14 | |
Mrs Collins? You've forgotten something. | 0:05:25 | 0:05:30 | |
Oh well, plenty more like her at home. | 0:05:30 | 0:05:33 | |
Mrs Brignall? | 0:05:34 | 0:05:36 | |
Molly Brignall? | 0:05:38 | 0:05:41 | |
Nitrous oxide, also known as gas and air, | 0:05:41 | 0:05:44 | |
is a wonderful method of pain relief. | 0:05:44 | 0:05:46 | |
Is it the same as that pethidine? | 0:05:46 | 0:05:48 | |
In my view, it's much better. | 0:05:48 | 0:05:49 | |
We'll be offering nitrous oxide in the new maternity home. | 0:05:49 | 0:05:53 | |
I want to stay in me own home! You've got a car. | 0:05:53 | 0:05:55 | |
-Why can't you bring it in your boot? -I suppose in theory I could. | 0:05:55 | 0:05:58 | |
Doctor only comes out in complicated cases! | 0:05:58 | 0:06:01 | |
Now, if Doctor's agreeable, | 0:06:01 | 0:06:03 | |
we'll have a little demonstration of how this apparatus works. | 0:06:03 | 0:06:06 | |
Thank you, Nurse. Er, perhaps you'd climb onto the couch. | 0:06:06 | 0:06:09 | |
It's perfectly safe to inhale the gas when you're lying down, | 0:06:09 | 0:06:12 | |
as of course you will be when you're in labour. | 0:06:12 | 0:06:15 | |
Nurse Noakes, if you'd take over. | 0:06:15 | 0:06:17 | |
This form of pain relief really is top-hole. | 0:06:17 | 0:06:19 | |
The midwife will turn it on and off for you, | 0:06:19 | 0:06:22 | |
but rule number one is you start to breathe the gas | 0:06:22 | 0:06:25 | |
before the contraction really gets its boots on. | 0:06:25 | 0:06:28 | |
Thus, the pain begins. I indicate this to my attendant. | 0:06:28 | 0:06:33 | |
The gas is activated. I breathe in and out. | 0:06:33 | 0:06:36 | |
MUFFLED SPEECH | 0:06:38 | 0:06:41 | |
As Nurse is saying, you then simply breathe deeply and evenly | 0:06:42 | 0:06:46 | |
until the contraction passes. | 0:06:46 | 0:06:48 | |
It reduces the pain, and gives a hazy, | 0:06:48 | 0:06:51 | |
relaxed feeling that many describe as being rather pleasant. | 0:06:51 | 0:06:53 | |
-What if you take an overdose? -It's not possible. | 0:06:53 | 0:06:56 | |
Nurse remains in charge, and after the contraction, | 0:06:56 | 0:06:59 | |
a few breaths of ordinary air will bring you round. | 0:06:59 | 0:07:02 | |
Nurse. | 0:07:02 | 0:07:03 | |
Nurse? You can let go of the mask now. | 0:07:05 | 0:07:07 | |
All in all, a thoroughly pleasant sensation. | 0:07:12 | 0:07:16 | |
THEY LAUGH I'll have one of them. | 0:07:16 | 0:07:19 | |
I don't hold with all this gas and air malarkey. | 0:07:19 | 0:07:23 | |
It's downright cruel, showing a woman pain relief | 0:07:23 | 0:07:26 | |
when you can't give it to her. | 0:07:26 | 0:07:28 | |
We can give it to them. In the Maternity Home. | 0:07:28 | 0:07:30 | |
Maternity Home. | 0:07:30 | 0:07:32 | |
Since Dr Turner lost his wife, he's been nothing but grand schemes. | 0:07:34 | 0:07:38 | |
We'll have half the East End trying to book in there | 0:07:38 | 0:07:40 | |
instead of gritting their teeth and getting on with it! | 0:07:40 | 0:07:43 | |
They shouldn't have to grit their teeth and get on with it. | 0:07:43 | 0:07:46 | |
All of the younger midwives have been trained in analgesia. | 0:07:46 | 0:07:49 | |
I've been trained myself. | 0:07:49 | 0:07:51 | |
When are you going to get yourself to an optician? | 0:07:51 | 0:07:53 | |
Your work and your patients will suffer, | 0:07:53 | 0:07:56 | |
if you can't see what you're doing. | 0:07:56 | 0:07:58 | |
Sister Evangelina, Molly Brignall missed her appointment today. | 0:07:58 | 0:08:01 | |
Oh, another one? | 0:08:01 | 0:08:02 | |
She's almost at term, and we haven't seen her for four weeks now. | 0:08:02 | 0:08:05 | |
You'll have to call in there tomorrow | 0:08:05 | 0:08:07 | |
-after you've finished your morning list. -Yes, Sister. | 0:08:07 | 0:08:10 | |
Hello. | 0:08:10 | 0:08:11 | |
RAISED MALE VOICE | 0:08:22 | 0:08:23 | |
What other options we got, Mol? What other options we got? | 0:08:23 | 0:08:26 | |
Cos I certainly can't think of any, can you? | 0:08:26 | 0:08:29 | |
Don't know. | 0:08:29 | 0:08:31 | |
No, you don't know, do ya? Hey? | 0:08:31 | 0:08:33 | |
We've not got a penny piece. What am I supposed to do? | 0:08:33 | 0:08:37 | |
Ritchie, it's nearly my time! I can't do it! | 0:08:37 | 0:08:40 | |
KNOCK ON DOOR | 0:08:40 | 0:08:41 | |
Midwife calling! Is anyone at home? | 0:08:41 | 0:08:43 | |
I'm afraid if you don't answer, | 0:08:46 | 0:08:47 | |
someone more senior will have to call tomorrow. | 0:08:47 | 0:08:50 | |
Come in, Nurse. | 0:09:01 | 0:09:03 | |
Cup of tea, Nurse? It's in the pot. | 0:09:08 | 0:09:11 | |
No, thank you. | 0:09:11 | 0:09:13 | |
I'll bring a fresh bottle of milk back after I've done my shift. | 0:09:14 | 0:09:18 | |
Tinned will do. | 0:09:18 | 0:09:20 | |
Whatever the lady wants, hey? | 0:09:22 | 0:09:24 | |
I'm sorry to call by unannounced, | 0:09:35 | 0:09:38 | |
but it is a worry when you don't come to the clinic. | 0:09:38 | 0:09:41 | |
It's on the wrong bus route. | 0:09:41 | 0:09:43 | |
What's this? | 0:09:51 | 0:09:52 | |
Banged it on the handle of the wardrobe. | 0:09:52 | 0:09:55 | |
According to your notes, you're down for a home delivery, Molly. | 0:10:01 | 0:10:05 | |
I'll have all this looking like the ideal home by then. | 0:10:05 | 0:10:09 | |
Oh, hello, lovely! This is my little Lorraine. | 0:10:13 | 0:10:19 | |
It's only the nurse. No-one's going to hurt you. | 0:10:20 | 0:10:25 | |
I can't understand why that hovel has been | 0:10:27 | 0:10:29 | |
passed as fit for home delivery! | 0:10:29 | 0:10:31 | |
I checked the records when I got back, | 0:10:31 | 0:10:34 | |
and five weeks ago it was deemed as suitable. | 0:10:34 | 0:10:36 | |
Jenny, five weeks ago, it was! I passed it fit myself. | 0:10:36 | 0:10:39 | |
It was probably her mother. | 0:10:39 | 0:10:41 | |
When I delivered Molly's first, | 0:10:41 | 0:10:42 | |
she was at it non-stop with the Stardrops. | 0:10:42 | 0:10:45 | |
If someone was helping Molly, then we have to find out why that | 0:10:45 | 0:10:47 | |
help has stopped, and if it can be resumed before the baby's born. | 0:10:47 | 0:10:51 | |
Sister Monica Joan, you haven't had the Swiss roll. | 0:10:51 | 0:10:54 | |
I cannot excite myself about a fatless sponge. | 0:10:54 | 0:10:57 | |
It is principally air, and I feel untethered by it. | 0:10:57 | 0:11:01 | |
You must speak to Molly's mother. | 0:11:03 | 0:11:05 | |
If an improvement cannot be guaranteed, | 0:11:05 | 0:11:07 | |
then Molly must be booked into the hospital for a hospital birth. | 0:11:07 | 0:11:10 | |
She was adamant she didn't want that. | 0:11:10 | 0:11:12 | |
Or more to the point, her husband didn't want that. | 0:11:12 | 0:11:15 | |
Sorry. But I find that the most disturbing thing of all. | 0:11:15 | 0:11:18 | |
PHONE RINGS | 0:11:18 | 0:11:20 | |
What I wouldn't give for another cup of tea! | 0:11:22 | 0:11:25 | |
No shilly-shallying! | 0:11:25 | 0:11:26 | |
By all accounts, Bella Collins pops them out | 0:11:26 | 0:11:28 | |
as though she's shelling peas. | 0:11:28 | 0:11:30 | |
With any luck we'll be back in time for Horlicks. | 0:11:30 | 0:11:32 | |
LOUD MOANS | 0:11:38 | 0:11:39 | |
Here comes the cavalry! | 0:11:39 | 0:11:41 | |
Bella! It's the nurses. | 0:11:41 | 0:11:44 | |
Obviously not a false alarm! | 0:11:44 | 0:11:45 | |
I'll leave you to it. | 0:11:50 | 0:11:51 | |
Hooter's gone off for the evening shift, | 0:11:51 | 0:11:53 | |
I need to go and buy myself a pie. | 0:11:53 | 0:11:55 | |
It'd just be inconsiderate, asking her for sandwiches. | 0:11:55 | 0:11:58 | |
ANGUISHED MOANING | 0:11:58 | 0:12:00 | |
You'll wear yourself out, Bella! | 0:12:05 | 0:12:08 | |
Now, Nurse Foster says last time you had a splendid chat | 0:12:08 | 0:12:12 | |
about Pat Boone between contractions. | 0:12:12 | 0:12:15 | |
And during contractions I screamed my bloody head off. | 0:12:15 | 0:12:18 | |
Oh, it never gets any easier. | 0:12:18 | 0:12:21 | |
And I've gone off Pat Boone since he sang Tutti Frutti. | 0:12:21 | 0:12:24 | |
You're ticketty-boo. | 0:12:24 | 0:12:27 | |
Now if Nurse Miller helps me rearrange the bedclothes, | 0:12:27 | 0:12:30 | |
it might well be when we examine you, | 0:12:30 | 0:12:32 | |
you'll be ready to start helping baby on its way. | 0:12:32 | 0:12:34 | |
Aw, full marks, Bella! | 0:12:34 | 0:12:36 | |
You've already put the paper on the mattress. | 0:12:36 | 0:12:38 | |
I reckon it's a right big bugger this time. | 0:12:38 | 0:12:41 | |
HER SCREAMING ECHOES | 0:12:41 | 0:12:43 | |
What's going on? | 0:12:43 | 0:12:45 | |
Sorry, old bean, you're still only six fingers dilated. | 0:12:51 | 0:12:54 | |
Seems this baby isn't quite such a Speedy Gonzales as we thought. | 0:12:54 | 0:12:57 | |
I'm getting too old to do this again! | 0:12:57 | 0:12:59 | |
Stuff and nonsense, you're quite the spring chicken. | 0:12:59 | 0:13:02 | |
SHE MOANS AND GROANS | 0:13:05 | 0:13:07 | |
Perhaps you'd like to try some pethidine? | 0:13:07 | 0:13:10 | |
I'm not going down that road again! | 0:13:10 | 0:13:12 | |
It makes the wallpaper look as if it's moving. | 0:13:12 | 0:13:15 | |
SHE SCREAMS | 0:13:15 | 0:13:17 | |
I need the doctor. | 0:13:17 | 0:13:20 | |
I'm quite sure we don't need to trouble Doctor... | 0:13:20 | 0:13:23 | |
Haven't you ever heard of a mother's instinct before? | 0:13:23 | 0:13:26 | |
I need him to come. | 0:13:26 | 0:13:28 | |
SHE SCREAMS | 0:13:28 | 0:13:31 | |
I'm in agony! | 0:13:32 | 0:13:34 | |
Mrs Gray? | 0:13:39 | 0:13:41 | |
Has my Molly had the baby? | 0:13:42 | 0:13:44 | |
No, Mrs Gray. I need to talk to you. | 0:13:44 | 0:13:47 | |
Molly was as good as gold till she was 14. | 0:13:49 | 0:13:53 | |
Then she got a bust, and started giving lip. | 0:13:53 | 0:13:55 | |
She started saying, "Why did you send me off to the country? | 0:13:55 | 0:13:58 | |
"Didn't you want me? I never asked to go." | 0:13:58 | 0:14:02 | |
She'd been home years then, | 0:14:02 | 0:14:04 | |
I shouldn't think she could remember being on the farm. | 0:14:04 | 0:14:08 | |
Was she evacuated, during the war? | 0:14:08 | 0:14:10 | |
Tenterden, in Kent. Molly and her brother. | 0:14:10 | 0:14:15 | |
Labels round their necks, brand new plimsolls. | 0:14:15 | 0:14:18 | |
And their dad was just a telegram on the mantelpiece. | 0:14:18 | 0:14:21 | |
Missing in action at El-Alamein. | 0:14:22 | 0:14:24 | |
Mrs Gray. The worst thing about my job is that I sometimes have to pry. | 0:14:28 | 0:14:32 | |
I'm afraid I've come here today to pry about Molly. | 0:14:34 | 0:14:37 | |
You don't want to be getting mixed up in her sort of mess. | 0:14:39 | 0:14:41 | |
You're a young girl. | 0:14:41 | 0:14:43 | |
You want to be out doing your dancing, somewhere way up West. | 0:14:43 | 0:14:46 | |
No, I don't. | 0:14:46 | 0:14:48 | |
I did my dancing during the war. | 0:14:48 | 0:14:51 | |
It was like my kids had been magicked away. | 0:14:51 | 0:14:54 | |
I thought we could just pick up the pieces when peace came, | 0:14:56 | 0:14:58 | |
but we never did. | 0:14:58 | 0:15:00 | |
My boy's in the Army now. | 0:15:00 | 0:15:02 | |
I saved up, got a phone put in, but he never calls. | 0:15:04 | 0:15:07 | |
Got keys cut for Molly, but she don't come round. | 0:15:07 | 0:15:10 | |
We are quite worried about Molly, Mrs Gray. | 0:15:11 | 0:15:14 | |
I was wondering if you yourself had any concerns? | 0:15:16 | 0:15:19 | |
What, you mean apart from him? | 0:15:19 | 0:15:21 | |
Apart from him and including him. | 0:15:21 | 0:15:24 | |
She won't talk to me about anything. | 0:15:26 | 0:15:28 | |
She's always saying, "Ritchie loves me, Mum. He protects me. | 0:15:31 | 0:15:36 | |
"He never lets me out of his sight". | 0:15:36 | 0:15:38 | |
I never wanted her to marry him. | 0:15:39 | 0:15:41 | |
When the first was on the way, I was terrified he wouldn't. | 0:15:43 | 0:15:48 | |
But he did. | 0:15:48 | 0:15:49 | |
If Molly can't clean up her living conditions, Mrs Gray, | 0:15:53 | 0:15:56 | |
I'm very much afraid that Social Services will want to get involved. | 0:15:56 | 0:16:00 | |
Is it as bad as that? | 0:16:00 | 0:16:02 | |
It's every bit as bad as that. | 0:16:02 | 0:16:04 | |
MOANS ANDS SCREAMS | 0:16:08 | 0:16:10 | |
Help me! | 0:16:12 | 0:16:14 | |
You were right to send for me. | 0:16:28 | 0:16:30 | |
I'd always be concerned about ante-partum haemorrhage, | 0:16:30 | 0:16:33 | |
when the pain is very acute. | 0:16:33 | 0:16:34 | |
But all is well. There's no cause for concern. | 0:16:34 | 0:16:37 | |
Oh, none at all. I'm only having a bloomin' baby! | 0:16:37 | 0:16:40 | |
Everything's going like clockwork, Bella. | 0:16:40 | 0:16:42 | |
Absolutely. You'll be done and dusted in an hour or two! | 0:16:42 | 0:16:45 | |
I want gas. Dr Turner's got some in his boot. | 0:16:45 | 0:16:48 | |
He said so, when he was at the clinic! | 0:16:48 | 0:16:51 | |
I want gas! | 0:16:51 | 0:16:53 | |
SHE SCREAMS | 0:16:53 | 0:16:55 | |
SCREAMING CONTINUES | 0:17:03 | 0:17:06 | |
That's right, Well done, Bella. Well done! | 0:17:15 | 0:17:20 | |
I just want little pushes now. Can you hear me? | 0:17:24 | 0:17:28 | |
Little push. | 0:17:31 | 0:17:34 | |
MOANING | 0:17:34 | 0:17:37 | |
Head's born. | 0:17:37 | 0:17:39 | |
Bravo. Absolutely top-notch. | 0:17:39 | 0:17:41 | |
And so is the gas and air, if I may say so. | 0:17:43 | 0:17:46 | |
Now, Bella, I want one absolutely mammoth push, | 0:17:46 | 0:17:50 | |
and then it'll all be over. | 0:17:50 | 0:17:52 | |
Concentrate now! | 0:17:52 | 0:17:54 | |
SHE MOANS | 0:17:59 | 0:18:01 | |
Congratulations, Mrs Collins! | 0:18:05 | 0:18:07 | |
BABY CRIES | 0:18:07 | 0:18:09 | |
You have a little girl, Bella. | 0:18:09 | 0:18:11 | |
I'll be spreading the news about that gas. | 0:18:13 | 0:18:16 | |
Oh, just you wait, they'll all be wanting it! | 0:18:16 | 0:18:20 | |
MUSIC: Shangri-La | 0:18:27 | 0:18:29 | |
# Your kisses take me to Shangri-la | 0:18:34 | 0:18:42 | |
# Each kiss is magic | 0:18:46 | 0:18:50 | |
# That makes my little world a Shangri-la | 0:18:50 | 0:18:58 | |
# A land of bluebirds and fountains | 0:19:01 | 0:19:07 | |
# And nothing to do | 0:19:08 | 0:19:13 | |
# But cling to an angel | 0:19:14 | 0:19:19 | |
# That looks like you | 0:19:19 | 0:19:26 | |
# And when you hold me | 0:19:26 | 0:19:31 | |
# How warm you are | 0:19:31 | 0:19:37 | |
# Be mine, my darling... # | 0:19:37 | 0:19:39 | |
Thanks, Mum. | 0:19:39 | 0:19:41 | |
Don't have to thank me. I'm your mother. | 0:19:41 | 0:19:44 | |
Wonderful. | 0:19:46 | 0:19:48 | |
The flat's in pristine condition, and so are you. | 0:19:50 | 0:19:52 | |
I'll let Sister Julienne know all's well, | 0:19:52 | 0:19:55 | |
and register you for home delivery. | 0:19:55 | 0:19:57 | |
Nobody told me we'd be having company. | 0:20:06 | 0:20:08 | |
Molly's baby's almost due, Mr Brignall. | 0:20:08 | 0:20:11 | |
She'll have regular visits from midwives from now on. | 0:20:11 | 0:20:14 | |
I didn't mean you. I meant her. | 0:20:14 | 0:20:17 | |
DOOR SLAMS | 0:20:21 | 0:20:23 | |
Get out! Get out! We don't need you here! | 0:20:34 | 0:20:37 | |
I look after her. I know what's best. | 0:20:37 | 0:20:39 | |
If you know what's good for yourself, now leave. Don't push me! Leave! | 0:20:39 | 0:20:42 | |
Please don't hurt her! | 0:20:42 | 0:20:44 | |
I will hurt her unless you leave! Get out! | 0:20:44 | 0:20:46 | |
Get out and leave us alone. | 0:20:46 | 0:20:48 | |
I've said it to her, and I'll say it to you. | 0:20:52 | 0:20:54 | |
You clear out of my home, or I'll burn her, and I'll burn her again! | 0:20:54 | 0:20:58 | |
That's enough. | 0:20:58 | 0:20:59 | |
DOOR SLAMS | 0:21:15 | 0:21:17 | |
Where's Lorraine? | 0:21:18 | 0:21:21 | |
She went behind the sofa. | 0:21:21 | 0:21:22 | |
You've seen him in action now. | 0:21:24 | 0:21:26 | |
Yes. I have. | 0:21:26 | 0:21:28 | |
It certainly sounds like assault. | 0:21:36 | 0:21:37 | |
But we need to speak to Molly Brignall. | 0:21:37 | 0:21:40 | |
Could an officer go round to the flat? | 0:21:40 | 0:21:42 | |
We could try. But if she won't press charges, we can't prosecute. | 0:21:42 | 0:21:46 | |
I could press charges. Ritchie threatened me! | 0:21:46 | 0:21:49 | |
I think, if you did that now, | 0:21:49 | 0:21:53 | |
Ritchie would not allow Molly to receive care. | 0:21:53 | 0:21:56 | |
The needs of the patient must come first. | 0:21:57 | 0:22:00 | |
I know Molly's needs, Sister! She needs him. | 0:22:00 | 0:22:04 | |
And worse, she wants him. | 0:22:05 | 0:22:07 | |
She thinks he loves her, I can tell. | 0:22:09 | 0:22:12 | |
Whenever he's in the room, her eyes follow him. | 0:22:13 | 0:22:16 | |
Like a dog's eyes. It's pitiful. | 0:22:17 | 0:22:20 | |
Nurse, we're not here to pity! We are here to serve. | 0:22:20 | 0:22:24 | |
A man may beat his wife with a stick no bigger than his thumb. | 0:22:31 | 0:22:34 | |
It is enshrined in statute, and occasionally cited in the courts. | 0:22:34 | 0:22:39 | |
Sister, are you sure that's still the case? | 0:22:39 | 0:22:42 | |
He is entitled to do it if she cuckolds him, | 0:22:42 | 0:22:45 | |
insults his beard, or wishes pain upon his teeth. | 0:22:45 | 0:22:49 | |
I am reminded of the latter | 0:22:49 | 0:22:52 | |
because my own molars have been a source of some discomfort. | 0:22:52 | 0:22:56 | |
And we are faced with ginger nuts again. | 0:22:56 | 0:23:00 | |
You are apprised of my method, Sister. I await your permission. | 0:23:02 | 0:23:07 | |
Of course. | 0:23:07 | 0:23:09 | |
No more gas and air at home deliveries. | 0:23:09 | 0:23:11 | |
I've had it out with Dr Turner, and he has conceded defeat. | 0:23:11 | 0:23:15 | |
-Surely not? -Women have been begging for gas and air! | 0:23:15 | 0:23:18 | |
And you have absolutely no business giving in to them! | 0:23:18 | 0:23:20 | |
Doctor's been prevented from seeing half his patients. | 0:23:20 | 0:23:24 | |
He's just sat at his desk, and his face was grey. | 0:23:24 | 0:23:27 | |
I'm sorry, Sister, but it's 1958. Women want pain relief. | 0:23:27 | 0:23:31 | |
Good management of labour is not about medical folderols. | 0:23:31 | 0:23:35 | |
It is about care, and making sure the woman feels supported. | 0:23:35 | 0:23:39 | |
Besides, we already carry pethidine. | 0:23:39 | 0:23:42 | |
And nitrous oxide simply isn't practical. | 0:23:42 | 0:23:45 | |
If you ask me, Dr Turner's completely over-reached himself. | 0:23:45 | 0:23:48 | |
Has anyone else noticed a button's come off his clinical coat? | 0:23:48 | 0:23:51 | |
He's got no-one to sew it on for him. | 0:23:51 | 0:23:53 | |
It hardly inspires confidence! | 0:23:53 | 0:23:56 | |
Ugh, and his poor little boy's looking quite unkempt. | 0:23:56 | 0:23:58 | |
Speak more respectfully of Doctor, please. | 0:23:58 | 0:24:01 | |
And I'll thank you to hand me the malt loaf. | 0:24:01 | 0:24:04 | |
Anything exciting? | 0:24:08 | 0:24:11 | |
I was just reading Situations Vacant, for old time's sake. | 0:24:11 | 0:24:15 | |
It takes me right back to my otherwise entirely ghastly youth, | 0:24:15 | 0:24:19 | |
dreaming of Africa, and the missions. | 0:24:19 | 0:24:22 | |
There's a six month posting here, to Sierra Leone. | 0:24:23 | 0:24:26 | |
Just my cup of tea, once upon a time. | 0:24:27 | 0:24:29 | |
Will you test me on the Prostitution Laws? | 0:24:33 | 0:24:36 | |
You can recite the Prostitution Laws in your sleep! | 0:24:38 | 0:24:41 | |
I can recite them in my sleep. | 0:24:41 | 0:24:43 | |
That's the point. I'm aiming for promotion. | 0:24:43 | 0:24:46 | |
No point in ambitions, if you don't try to achieve them. | 0:24:47 | 0:24:50 | |
No. I don't suppose there is. | 0:24:50 | 0:24:53 | |
Now, shall we begin with importuning? | 0:24:58 | 0:25:00 | |
Or do you want to ring the changes with procurement? | 0:25:00 | 0:25:03 | |
SHE KNOCKS ON DOOR | 0:25:14 | 0:25:17 | |
Molly, are you there? | 0:25:17 | 0:25:19 | |
KNOCK ON DOOR | 0:25:27 | 0:25:28 | |
Please open the door, Molly. | 0:25:30 | 0:25:33 | |
Ritchie said I had to leave the bolt on. | 0:25:47 | 0:25:51 | |
Molly, in the next few days, you're going to have a baby. | 0:25:51 | 0:25:54 | |
And you are going to need help, and I think you know that. | 0:25:57 | 0:26:02 | |
What should I do, when the baby comes? | 0:26:12 | 0:26:16 | |
You must telephone Nonnatus House. That's Poplar, 459. | 0:26:16 | 0:26:23 | |
We've arranged for you to have the baby in the Maternity Home. | 0:26:24 | 0:26:28 | |
What about Lorraine? | 0:26:28 | 0:26:31 | |
You mustn't leave her alone. | 0:26:31 | 0:26:34 | |
I never leave her alone. | 0:26:34 | 0:26:36 | |
I love him. | 0:26:38 | 0:26:40 | |
But I know him. | 0:26:41 | 0:26:43 | |
And I love her. | 0:26:43 | 0:26:46 | |
Of course you do. | 0:26:46 | 0:26:48 | |
You could ask your mother to look after her. | 0:26:52 | 0:26:54 | |
Molly! | 0:26:56 | 0:26:58 | |
Molly! | 0:26:58 | 0:27:00 | |
MUSIC: Glory To The, My God, This Night | 0:27:00 | 0:27:03 | |
# Glory to thee, my God, this night | 0:27:03 | 0:27:09 | |
# For all the blessings of the light... # | 0:27:09 | 0:27:17 | |
-MATURE JENNY -'I struggled then, though I do not now, | 0:27:17 | 0:27:20 | |
'to comprehend that not all love was good, or all obedience holy.' | 0:27:20 | 0:27:27 | |
# Beneath thine own almighty wings | 0:27:27 | 0:27:35 | |
# Glory to thee... # | 0:27:35 | 0:27:39 | |
Chips? | 0:27:39 | 0:27:41 | |
I swear one day, if ever I go a long, way away from here, | 0:27:44 | 0:27:48 | |
this is the smell that would have me sobbing hot tears of nostalgia. | 0:27:48 | 0:27:52 | |
Sarson's malt, and a dash of printer's ink. | 0:27:52 | 0:27:55 | |
You aren't going a long, long way away are you? | 0:27:55 | 0:27:58 | |
Gosh, no. Honeymoon in Ramsgate. | 0:27:58 | 0:28:01 | |
That was enough to quench my wanderlust. | 0:28:01 | 0:28:04 | |
Besides, I've a pack of wolf cubs to keep in order. | 0:28:04 | 0:28:07 | |
No, this is home now. | 0:28:09 | 0:28:10 | |
Wherever I went, | 0:28:12 | 0:28:13 | |
I'd wing my way back here like a bally racing pigeon. | 0:28:13 | 0:28:16 | |
Home. Heart is. All of that. | 0:28:17 | 0:28:19 | |
The heart ends up making its home in some very peculiar places, | 0:28:21 | 0:28:25 | |
if you ask me. | 0:28:25 | 0:28:27 | |
Are you talking about Molly Brignall? | 0:28:27 | 0:28:29 | |
I've never loved a brutal man. | 0:28:31 | 0:28:33 | |
I've loved a wrong one. | 0:28:36 | 0:28:38 | |
It was so hard to break away, and for Molly that would be even harder. | 0:28:39 | 0:28:46 | |
I'm not sure she could find the courage. | 0:28:49 | 0:28:53 | |
Gosh. Courage. Wish we could bottle it, like gas and air. | 0:28:54 | 0:28:59 | |
Sister Evangelina wouldn't approve. | 0:29:01 | 0:29:03 | |
SHE GASPS | 0:29:07 | 0:29:09 | |
Oh, Lord. You did it. You got new specs! | 0:29:09 | 0:29:13 | |
My prescription had to be revised, so it did seem justified. | 0:29:13 | 0:29:16 | |
The frames really do suit you. | 0:29:16 | 0:29:18 | |
They're much lighter than your old pair. | 0:29:18 | 0:29:20 | |
Oh, it's not the colour. It's absolutely the upsweep. | 0:29:20 | 0:29:23 | |
Opens the peepers wider than three coats of mascara. | 0:29:23 | 0:29:26 | |
Do come and look at Sister Bernadette's glasses! | 0:29:26 | 0:29:29 | |
They could only be improved by diamante on the arms. | 0:29:29 | 0:29:32 | |
I don't think you can get diamante on the National Health. | 0:29:32 | 0:29:35 | |
Are they on the National Health? Oh, go on. Indulge me. | 0:29:35 | 0:29:39 | |
What do you think? | 0:29:44 | 0:29:46 | |
THEY GIGGLE | 0:29:46 | 0:29:48 | |
I take it the upswept frame and I are not soul mates? | 0:29:48 | 0:29:52 | |
THEY LAUGH | 0:29:52 | 0:29:54 | |
Sister. It is time to partake with the privilege of silence. | 0:29:59 | 0:30:03 | |
TELEVISION PLAYS | 0:30:11 | 0:30:13 | |
I'm off. | 0:30:23 | 0:30:25 | |
I'll bring you back a Babycham. If you're good. | 0:30:30 | 0:30:34 | |
I'm always good. | 0:30:34 | 0:30:36 | |
So come here, and give us a kiss. | 0:30:37 | 0:30:40 | |
No. You come here. | 0:30:40 | 0:30:42 | |
Nah. | 0:30:43 | 0:30:45 | |
And I want to hear that bolt go on. | 0:30:45 | 0:30:47 | |
DOOR BOLTS | 0:30:53 | 0:30:55 | |
SHE GASPS | 0:31:01 | 0:31:03 | |
SHE PANTS | 0:31:05 | 0:31:08 | |
PHONE RINGS | 0:31:11 | 0:31:13 | |
Nonnatus House. Midwife speaking. | 0:31:14 | 0:31:16 | |
Camilla? It's me. | 0:31:16 | 0:31:18 | |
Mr Impertinence. We're both on duty. I'm just off on a house call. | 0:31:18 | 0:31:22 | |
Listen, we've had a call from the West India Dock night watchman. | 0:31:22 | 0:31:25 | |
'It seems there's a woman in labour, on a ship.. | 0:31:25 | 0:31:28 | |
Passenger ship? | 0:31:28 | 0:31:29 | |
No, cargo. | 0:31:29 | 0:31:30 | |
Cargo? Women aren't permitted on cargo ships. | 0:31:30 | 0:31:33 | |
I have to say, I don't much like the sound of it. | 0:31:33 | 0:31:35 | |
-Who's on call? -Trixie. | 0:31:35 | 0:31:37 | |
-Don't send her on her own. -Fetch Jenny. Quickly. | 0:31:37 | 0:31:41 | |
Mum! | 0:31:42 | 0:31:44 | |
Molly? | 0:31:44 | 0:31:45 | |
SHE GASPS AND MOANS | 0:31:49 | 0:31:51 | |
Still think it may be some sort of a ruse. | 0:31:51 | 0:31:54 | |
We could end up being robbed till we're floating | 0:31:54 | 0:31:56 | |
face down in the docks. | 0:31:56 | 0:31:58 | |
Come on now, all the nice girls love a sailor. | 0:31:58 | 0:32:01 | |
PHONE RINGS | 0:32:01 | 0:32:03 | |
'Nonnatus House. Midwife speaking.' | 0:32:05 | 0:32:07 | |
It's Molly Brignall's mother. I'm bringing her to the Maternity Home. | 0:32:07 | 0:32:11 | |
I'm sorry, Trixie. I need to go to Molly. | 0:32:11 | 0:32:13 | |
But you've already said you'll come with me! | 0:32:13 | 0:32:15 | |
Molly needs to be with somebody she trusts. | 0:32:15 | 0:32:17 | |
And I don't need to be with Sister Evangelina! | 0:32:17 | 0:32:20 | |
Who alerted the night watchman? | 0:32:35 | 0:32:37 | |
It was this gentleman, Sister Evangelina. | 0:32:37 | 0:32:40 | |
He's the captain of the ship you can see across the river. | 0:32:40 | 0:32:44 | |
Ah. Well, I shan't waste my breath asking you a straight question. | 0:32:44 | 0:32:47 | |
Because I won't get a straight answer. | 0:32:47 | 0:32:50 | |
My English has limits. Mitt sprak ar Svenska. | 0:32:50 | 0:32:54 | |
German. No sprachen, you're out of luck. | 0:32:54 | 0:32:58 | |
The ship's sailing under the Swedish flag, Sister. | 0:32:58 | 0:33:01 | |
No sprachen Swedish either. | 0:33:01 | 0:33:04 | |
Has anyone inspected this man's papers? | 0:33:04 | 0:33:06 | |
Nurse. This is no time to play the shrinking violet. | 0:33:06 | 0:33:09 | |
It just seems rather irregular. | 0:33:09 | 0:33:11 | |
How...is...the...mother? | 0:33:14 | 0:33:17 | |
Ah. | 0:33:17 | 0:33:19 | |
HE SPEAKS SWEDISH | 0:33:19 | 0:33:20 | |
Very great scream. Every five minutes. | 0:33:20 | 0:33:24 | |
That regular enough for you? | 0:33:24 | 0:33:26 | |
Follow me. | 0:33:26 | 0:33:27 | |
HE SPEAKS SWEDISH | 0:33:27 | 0:33:28 | |
I thought it would be more like a hospital. | 0:33:35 | 0:33:38 | |
No, not at all. | 0:33:38 | 0:33:40 | |
Dr Turner's in charge, and the midwives deliver the babies, | 0:33:40 | 0:33:43 | |
just as they would if you were at home. | 0:33:43 | 0:33:45 | |
Will you deliver mine? | 0:33:45 | 0:33:47 | |
Of course. That's why I'm here. | 0:33:47 | 0:33:49 | |
I've never been on an ocean-going vessel in my life. | 0:34:05 | 0:34:09 | |
Just shake your golden curls. Pretend it's the Good Ship Lollipop. | 0:34:09 | 0:34:15 | |
But how do they get us on board? | 0:34:18 | 0:34:20 | |
Probably just winch this boat up. Be a piece of cake. | 0:34:22 | 0:34:26 | |
HE SHOUTS IN SWEDISH | 0:34:26 | 0:34:29 | |
Very well. | 0:34:34 | 0:34:36 | |
And now, follow me. | 0:34:42 | 0:34:44 | |
I'm sorry. I'm not really dressed for gymnastics. | 0:34:45 | 0:34:49 | |
Pull yourself together. No-one's going to be looking up your drawers! | 0:34:49 | 0:34:53 | |
Um, er, important! We have bags. | 0:34:53 | 0:34:57 | |
HE REPLIES IN SWEDISH | 0:34:57 | 0:34:59 | |
Come! | 0:34:59 | 0:35:00 | |
I won't waste my breath saying "after you." | 0:35:22 | 0:35:25 | |
You can touch up your lipstick while you're waiting. | 0:35:27 | 0:35:30 | |
SHE GRUNTS | 0:35:39 | 0:35:42 | |
SHE GRUNTS | 0:35:57 | 0:35:59 | |
My arm! | 0:36:21 | 0:36:23 | |
THEY SPEAK RAPIDLY | 0:36:23 | 0:36:25 | |
Leave me be! Leave me be! | 0:36:25 | 0:36:27 | |
THEY CHAT IN SWEDISH | 0:36:46 | 0:36:48 | |
SOMETHING THUDS | 0:37:07 | 0:37:08 | |
THEY EXCLAIM | 0:37:08 | 0:37:10 | |
Oh, Lord. | 0:37:17 | 0:37:18 | |
If I've ever given you the impression that | 0:37:18 | 0:37:21 | |
I don't believe in you, I absolutely promise that I do now. | 0:37:21 | 0:37:24 | |
SHE PANTS | 0:37:53 | 0:37:55 | |
I did it! | 0:37:58 | 0:38:00 | |
THEY APPLAUD AND LAUGH | 0:38:00 | 0:38:02 | |
One curtain call only, your bouquet's in the post. | 0:38:02 | 0:38:04 | |
LOUD MOANING | 0:38:04 | 0:38:06 | |
THEY SPEAK SWEDISH | 0:38:13 | 0:38:15 | |
Auf Wiedersehen. Frauleins only! | 0:38:23 | 0:38:25 | |
Shutsen! | 0:38:27 | 0:38:28 | |
I am so happy to see some other women! | 0:38:30 | 0:38:33 | |
Men, they don't know anything. Me, I don't know much. | 0:38:33 | 0:38:39 | |
You don't need to know anything. Now we're here. | 0:38:39 | 0:38:44 | |
I'm Sister Evangelina, and this is Nurse Franklin. | 0:38:44 | 0:38:48 | |
-PANTING -I'm Kirsten. | 0:38:48 | 0:38:50 | |
-What a pretty name! -Kirsten, now then. | 0:38:50 | 0:38:54 | |
Let's have a little look, shall we? | 0:38:54 | 0:38:57 | |
Well, baby looks nice and cosy. | 0:38:57 | 0:39:00 | |
But I can't be expecting. | 0:39:02 | 0:39:04 | |
Pinard, if you would Nurse. | 0:39:04 | 0:39:06 | |
Obese. We're in for shenanigans, mark my words. | 0:39:08 | 0:39:11 | |
Yes. Yes, a heartbeat. | 0:39:13 | 0:39:16 | |
A baby? | 0:39:16 | 0:39:19 | |
Kicking away to beat the band. | 0:39:19 | 0:39:22 | |
A baby? | 0:39:22 | 0:39:23 | |
Yes, of course. | 0:39:23 | 0:39:25 | |
Are you certain? | 0:39:25 | 0:39:26 | |
Yes, and a good thing too, I didn't fancy taking out your appendix. | 0:39:26 | 0:39:30 | |
My father said it was a baby. | 0:39:30 | 0:39:33 | |
He remembered my mother's cries, when she gave birth to me. | 0:39:33 | 0:39:36 | |
Your father? | 0:39:36 | 0:39:38 | |
He's the captain. My mother died many years ago. | 0:39:38 | 0:39:41 | |
I want her examined internally without delay. | 0:39:42 | 0:39:45 | |
Yes, Sister. How am I going to access the birth canal? | 0:39:45 | 0:39:48 | |
She's wedged into that bunk like a sardine! | 0:39:48 | 0:39:50 | |
I'm sorry to have to break this to you, Nurse, | 0:39:50 | 0:39:52 | |
but you're just going to have to use your common sense. | 0:39:52 | 0:39:55 | |
Sorry, sweetheart. | 0:39:55 | 0:39:57 | |
I really need to put you somewhere comfy, | 0:39:57 | 0:39:59 | |
where you can lie on your back with your legs apart. | 0:39:59 | 0:40:02 | |
Would you tell that to my father? | 0:40:02 | 0:40:04 | |
It wasn't so bad when he first brought me on board, | 0:40:04 | 0:40:07 | |
but there's more flesh to me now than it was then. | 0:40:07 | 0:40:10 | |
I have had men slide right off my body, and fall onto the floor. | 0:40:11 | 0:40:16 | |
Men? | 0:40:16 | 0:40:17 | |
The sailors. | 0:40:17 | 0:40:19 | |
I see. | 0:40:19 | 0:40:20 | |
My father always says there is no fighting on a ship | 0:40:20 | 0:40:23 | |
when the crew have a woman they can go to for relief. | 0:40:23 | 0:40:25 | |
He's got it all organised, hasn't he? | 0:40:27 | 0:40:29 | |
He thinks of everything. You feel under my pillow. | 0:40:29 | 0:40:33 | |
Go on. | 0:40:33 | 0:40:35 | |
What an absolutely enormous amount of contraceptive sheaths. | 0:40:39 | 0:40:44 | |
My father has never, ever, let me run out of rubbers | 0:40:45 | 0:40:49 | |
and I'm free from disease and.... | 0:40:49 | 0:40:52 | |
SHE MOANS | 0:40:52 | 0:40:54 | |
..and I cannot get pregnant. | 0:41:01 | 0:41:03 | |
Help me up. | 0:41:03 | 0:41:06 | |
SHE MOANS | 0:41:06 | 0:41:08 | |
Your daughter, mein Herren, must be removed to a decent cabin. | 0:41:12 | 0:41:16 | |
She needs clean bed, hot water, bright lights, soap and towels. | 0:41:16 | 0:41:21 | |
Comprendez? And if he doesn't comprendez, do you? | 0:41:21 | 0:41:25 | |
There's nae need to holler at me. I'm fae Glasgow. | 0:41:25 | 0:41:28 | |
HE SPEAKS SWEDISH | 0:41:28 | 0:41:30 | |
Sister. | 0:41:33 | 0:41:35 | |
I don't know you've done to yourself but I want you on that chair now. | 0:41:35 | 0:41:38 | |
I've dislocated my shoulder. | 0:41:38 | 0:41:41 | |
I can feel the displacement, and I can't move my arm. | 0:41:41 | 0:41:44 | |
I've a jolly good mind to give you pethidine. | 0:41:44 | 0:41:46 | |
The pethidine is for the patient! | 0:41:46 | 0:41:48 | |
And we'll have a bottle of brandy while you're about it! | 0:41:49 | 0:41:53 | |
THE DOOR SLAMS | 0:41:54 | 0:41:56 | |
I saw a horse have a foal when I was in the country. | 0:42:00 | 0:42:03 | |
Did you? | 0:42:03 | 0:42:05 | |
I sat on the gate with my brother, and I watched it happen. | 0:42:06 | 0:42:09 | |
They don't do it like we do, horses. They stay standing. | 0:42:12 | 0:42:17 | |
Or that one did. | 0:42:17 | 0:42:20 | |
As though it liked the feeling of the sun on its back. | 0:42:20 | 0:42:23 | |
SHE PANTS | 0:42:25 | 0:42:26 | |
It's all right. | 0:42:26 | 0:42:28 | |
SHE PANTS | 0:42:29 | 0:42:31 | |
Try not to bite your lip, Molly. You'll make it bleed. | 0:42:33 | 0:42:36 | |
It don't hurt. | 0:42:47 | 0:42:49 | |
It didn't hurt the horse, it just stood there. | 0:42:51 | 0:42:55 | |
Kirsten. | 0:42:57 | 0:42:59 | |
HE SPEAKS SWEDISH | 0:43:04 | 0:43:07 | |
Tak, Fader. | 0:43:17 | 0:43:19 | |
Du fortjanar det. | 0:43:19 | 0:43:20 | |
If I deserve it, why did you wait until now? | 0:43:20 | 0:43:24 | |
SHE GROANS | 0:43:27 | 0:43:29 | |
Thank you, Captain. Raus. | 0:43:31 | 0:43:34 | |
I'll take over from here. | 0:43:35 | 0:43:39 | |
THEY BOTH MOAN | 0:43:39 | 0:43:41 | |
SHE PANTS | 0:43:43 | 0:43:45 | |
-Not too late for the gas and air, Molly. -Nothing! -Sure? | 0:43:47 | 0:43:51 | |
SHE SCREAMS | 0:43:56 | 0:43:58 | |
Gosh. Plenty of room in here! | 0:44:08 | 0:44:11 | |
Sister. Sister! | 0:44:16 | 0:44:19 | |
What? | 0:44:19 | 0:44:21 | |
I think we've got a prankster on our hands. | 0:44:21 | 0:44:23 | |
It appears to have pushed its cord into the birth canal. | 0:44:23 | 0:44:26 | |
-Prolapsed? -I'm not actually sure. I've never had to deal with one. | 0:44:26 | 0:44:29 | |
Well, you're just going to have to stay calm, | 0:44:29 | 0:44:30 | |
and remember what you were taught in training! | 0:44:30 | 0:44:33 | |
In training, they said a Caesarean section may be needed! | 0:44:33 | 0:44:36 | |
Well, we haven't got that luxury. | 0:44:36 | 0:44:38 | |
You need her on her knees, with her head on her forearms | 0:44:38 | 0:44:40 | |
and her bottom in the air. | 0:44:40 | 0:44:41 | |
If I got her into that position, she wouldn't be able to sustain it! | 0:44:41 | 0:44:45 | |
Well, you've to get the cord out of the way! | 0:44:45 | 0:44:47 | |
If the baby's head crushes it on the way down, | 0:44:47 | 0:44:49 | |
it will stop the oxygen, and it might die. | 0:44:49 | 0:44:51 | |
You look worried. | 0:44:54 | 0:44:56 | |
Oh no, that's just my silent sympathetic glance. | 0:44:56 | 0:45:00 | |
On your feet. | 0:45:01 | 0:45:03 | |
-What? -I need your chair. | 0:45:03 | 0:45:05 | |
What you going to do? Put your feet up! | 0:45:05 | 0:45:08 | |
Not my feet, Sister. Her pelvis. Trust me, Sister. | 0:45:08 | 0:45:13 | |
You look like a lion tamer. | 0:45:13 | 0:45:15 | |
Frankly, Sister Evangelina, taming a lion would be preferable. | 0:45:15 | 0:45:19 | |
Now, would you like some more brandy? | 0:45:19 | 0:45:21 | |
-No, thank you. I am replete. -Then I'll proceed. | 0:45:21 | 0:45:24 | |
Sweetie, can you raise your bottom. | 0:45:28 | 0:45:31 | |
As far as you can. | 0:45:31 | 0:45:33 | |
Taking as much weight on your shoulders as possible. | 0:45:33 | 0:45:38 | |
Like what...? | 0:45:38 | 0:45:40 | |
It's all very well playing tricks with gravity, | 0:45:40 | 0:45:43 | |
but how's she actually going to deliver in that position? | 0:45:43 | 0:45:46 | |
RUMBLING AND SHAKING | 0:45:46 | 0:45:48 | |
I think a boat went past. | 0:45:51 | 0:45:53 | |
Unless it has an obstetrician on it, that's of no interest to me! | 0:45:53 | 0:45:56 | |
And Sister! | 0:45:56 | 0:45:58 | |
I asked you to trust me, because if you don't, I won't trust myself! | 0:45:58 | 0:46:02 | |
And Kirsten won't trust me either. | 0:46:02 | 0:46:04 | |
Yes, I am. I trust you. | 0:46:04 | 0:46:08 | |
I trust you. | 0:46:08 | 0:46:09 | |
Ready, sweetie? | 0:46:11 | 0:46:13 | |
I am going to press very hard on your baby's head, | 0:46:16 | 0:46:18 | |
but you need to stay exactly where you are. | 0:46:18 | 0:46:21 | |
Ya! | 0:46:21 | 0:46:23 | |
Feel for the pubic bone with your left hand! | 0:46:26 | 0:46:29 | |
I'm feeling for it! | 0:46:29 | 0:46:31 | |
SHE MUTTERS IN SWEDISH | 0:46:33 | 0:46:35 | |
It's here. It's here. | 0:46:35 | 0:46:37 | |
SHE MUTTERS IN SWEDISH | 0:46:37 | 0:46:39 | |
Keep up the external pressure. | 0:46:39 | 0:46:41 | |
What if I tear the sac? | 0:46:41 | 0:46:43 | |
You won't tear the sac, because we're not going to lose this baby. | 0:46:43 | 0:46:48 | |
KIRSTEN MOANS | 0:46:48 | 0:46:50 | |
SHE SCREAMS | 0:46:55 | 0:46:56 | |
There really ought to be some sort of a fanfare. | 0:47:11 | 0:47:14 | |
The cord's slipped back, and I can't feel anything but the baby's head. | 0:47:14 | 0:47:19 | |
SHE SPEAKS SWEDISH | 0:47:21 | 0:47:23 | |
Lift up now, sweetie. | 0:47:26 | 0:47:29 | |
RUMBLING AND SHAKING | 0:47:32 | 0:47:34 | |
I'm wetting the bed! | 0:47:35 | 0:47:37 | |
No. Your waters have broken. | 0:47:37 | 0:47:39 | |
And you're now in the perfect position for delivery. | 0:47:39 | 0:47:42 | |
Let's just put him on your chest a moment. | 0:47:44 | 0:47:47 | |
Ritchie wanted a boy. Hope he's got his father's eyes. | 0:47:49 | 0:47:53 | |
If he was like that little foal, he'd be up on his legs | 0:48:08 | 0:48:11 | |
and running around in a minute. | 0:48:11 | 0:48:13 | |
All through the flowers and the grass. | 0:48:15 | 0:48:18 | |
I imagine he would. | 0:48:18 | 0:48:20 | |
My mum says to me, "Moll, you shouldn't romanticise. | 0:48:22 | 0:48:27 | |
"You shouldn't always go seeing the beauty where there's none!" | 0:48:27 | 0:48:31 | |
But if I didn't, then, what would there be to see? | 0:48:34 | 0:48:38 | |
SCREAMING | 0:48:44 | 0:48:47 | |
SHE PANTS | 0:49:01 | 0:49:03 | |
Come along, young madam. | 0:49:15 | 0:49:18 | |
It's a girl? It's a girl! | 0:49:18 | 0:49:22 | |
Shake a leg. It's your birthday! | 0:49:24 | 0:49:26 | |
It's in shock. You'll have to smack it on the backside. | 0:49:26 | 0:49:29 | |
No! Don't touch her! | 0:49:29 | 0:49:31 | |
SHE SPEAKS SWEDISH | 0:49:31 | 0:49:33 | |
There's no need to hurt her. She's doing it all for herself. | 0:49:33 | 0:49:37 | |
THE BABY CRIES | 0:49:42 | 0:49:45 | |
THEY CHATTER HAPPILY | 0:49:45 | 0:49:47 | |
THEY SING | 0:49:51 | 0:49:53 | |
# Ja, ma hon leva! | 0:49:53 | 0:49:56 | |
# Ja, ma hon leva! | 0:49:56 | 0:49:59 | |
# Ja, ma hon leva uti hundrade ar... # | 0:49:59 | 0:50:01 | |
SHE SPEAKS SWEDISH | 0:50:01 | 0:50:04 | |
# Javisst ska hon leva... # | 0:50:04 | 0:50:07 | |
You've made the crew very happy. | 0:50:07 | 0:50:10 | |
I always make them happy. It is my job. | 0:50:10 | 0:50:13 | |
Well, if you intend to continue in this vein, | 0:50:13 | 0:50:16 | |
you'll have to sort your contraception out. | 0:50:16 | 0:50:19 | |
All of that can wait. | 0:50:19 | 0:50:21 | |
I have lived without friendship for such a long time. | 0:50:24 | 0:50:27 | |
But today, you came. | 0:50:29 | 0:50:32 | |
And she came, too. | 0:50:36 | 0:50:38 | |
So now I have a friend for ever. | 0:50:41 | 0:50:43 | |
Hey, miss. | 0:50:50 | 0:50:52 | |
THEY CHATTER HAPPILY | 0:50:54 | 0:50:56 | |
There, there, little 'un. Don't make a sound. | 0:51:05 | 0:51:09 | |
SHE MOANS | 0:51:29 | 0:51:31 | |
Don't stroke my head! | 0:51:33 | 0:51:35 | |
Nurse. | 0:51:38 | 0:51:39 | |
You have, um, gratitude from me. | 0:51:42 | 0:51:47 | |
And you'll have gratitude from me, sir, when you have a boat waiting | 0:51:47 | 0:51:52 | |
for me, at the quay, at noon, every day, for the next two weeks. | 0:51:52 | 0:51:55 | |
HE SPEAKS SWEDISH | 0:51:55 | 0:51:57 | |
-Nej, uh...I cannot do that. -You have no choice. | 0:51:57 | 0:52:01 | |
Your exploitation of your daughter has been shameful. | 0:52:01 | 0:52:05 | |
And it's as easy for me to report you to the police | 0:52:05 | 0:52:09 | |
as it was for you to call and ask for help. | 0:52:09 | 0:52:12 | |
Oh. | 0:52:12 | 0:52:13 | |
My shift's not over until I've seen you safely into hospital. | 0:52:25 | 0:52:28 | |
Make yourself useful. Pass me the gas and air. | 0:52:28 | 0:52:32 | |
Neighbour saw her coming back this morning, | 0:52:46 | 0:52:48 | |
with the newborn in her arms. | 0:52:48 | 0:52:50 | |
BABY CRYING | 0:52:52 | 0:52:54 | |
KNOCK ON DOOR | 0:52:55 | 0:52:57 | |
Molly? Are you at home? | 0:52:57 | 0:52:59 | |
It's very dangerous, to discharge yourself from care! | 0:53:00 | 0:53:03 | |
Welcome home! Do you want to meet your little brother? | 0:53:07 | 0:53:12 | |
Yeah! | 0:53:12 | 0:53:13 | |
Yeah? Come on, let's go find him, eh? Come here! | 0:53:13 | 0:53:17 | |
DOOR SLAMS | 0:53:17 | 0:53:19 | |
I'd do anything for her. | 0:53:23 | 0:53:25 | |
I know. | 0:53:25 | 0:53:27 | |
She'd do anything for him. | 0:53:27 | 0:53:29 | |
I can't even tell you the things that people say. | 0:53:29 | 0:53:32 | |
Ignore them, Mrs Gray. You know your own daughter. | 0:53:32 | 0:53:36 | |
Yeah. I do. I wish I could turn back the clock. | 0:53:36 | 0:53:42 | |
If I'd been a better mother, I could reach her now. | 0:53:42 | 0:53:44 | |
It's Molly whose skills are in doubt. Not yours. | 0:53:44 | 0:53:47 | |
It's all part and parcel of the same. | 0:53:47 | 0:53:50 | |
I made a mess of everything. | 0:53:51 | 0:53:53 | |
-MATURE JENNY -'I called at Molly's flat each day, but the door was never opened. | 0:54:01 | 0:54:06 | |
'It seemed she'd locked herself away in what she thought was love. | 0:54:07 | 0:54:12 | |
'The truth was worse, though I didn't know it. | 0:54:14 | 0:54:18 | |
'In thrall to her husband, Molly was leaving her children alone, | 0:54:18 | 0:54:22 | |
'dosed with milk and alcohol so they didn't cry. | 0:54:22 | 0:54:26 | |
'We knew nothing of her actions until disaster struck.' | 0:54:53 | 0:54:56 | |
Please, let me through! | 0:54:56 | 0:54:58 | |
Left on her own. | 0:54:59 | 0:55:01 | |
There's another one! A newborn. | 0:55:01 | 0:55:03 | |
Another one! | 0:55:03 | 0:55:05 | |
-MATURE JENNY -'In court, the couple were convicted of child neglect. | 0:55:05 | 0:55:10 | |
'They were both imprisoned.' | 0:55:10 | 0:55:12 | |
Looks like it was started by a fag end. | 0:55:12 | 0:55:15 | |
'And that was the end of Molly's journey as a parent.' | 0:55:15 | 0:55:18 | |
THEY APPLAUD | 0:55:23 | 0:55:25 | |
'Meanwhile, Trixie, permitted now to go to work in slacks, | 0:55:25 | 0:55:29 | |
'helped another mother to make a better start. | 0:55:29 | 0:55:32 | |
'Pushed to her limits, she had flourished | 0:55:32 | 0:55:35 | |
'and with her support so did the Captain's daughter.' | 0:55:35 | 0:55:39 | |
A little goodbye present. Not gift-wrapped, I'm afraid. | 0:55:41 | 0:55:45 | |
It's from the National Health. | 0:55:45 | 0:55:46 | |
I'm Swedish. | 0:55:46 | 0:55:48 | |
I pulled strings. | 0:55:48 | 0:55:49 | |
And these are a very reputable brand, | 0:55:49 | 0:55:52 | |
they won't fail you like the last lot did. | 0:55:52 | 0:55:55 | |
I don't need them. | 0:55:55 | 0:55:57 | |
Well. Not this week, one would hope. | 0:55:57 | 0:55:59 | |
I'm going back to Stockholm. | 0:56:02 | 0:56:04 | |
I will live on land, and walk on grass. | 0:56:04 | 0:56:07 | |
And she will walk on grass, and her bed will be her own. | 0:56:07 | 0:56:11 | |
Has the captain agreed to it? | 0:56:11 | 0:56:13 | |
I didn't ask him. I told him. | 0:56:16 | 0:56:19 | |
And I would like to say he said yes because he loves me. | 0:56:20 | 0:56:23 | |
But I think it's because he's ashamed of himself. | 0:56:23 | 0:56:27 | |
I think he saw himself through your eyes. | 0:56:28 | 0:56:31 | |
I saw myself through your eyes. And I was pathetic. | 0:56:32 | 0:56:37 | |
No. No. You were magnificent. | 0:56:37 | 0:56:42 | |
I wasn't then. | 0:56:43 | 0:56:45 | |
But I am a mother now. | 0:56:46 | 0:56:48 | |
Liten flicka. | 0:56:54 | 0:56:56 | |
MUSIC: "Friendly Persuasion" by Pat Boone | 0:56:58 | 0:57:00 | |
# Come with me for thee I love | 0:57:00 | 0:57:08 | |
# Thee I love, more than the meadow so green and still... # | 0:57:09 | 0:57:17 | |
-MATURE JENNY -'Love cannot ease every anguish in the world but tenderly applied, | 0:57:18 | 0:57:23 | |
'it can transfigure fortunes, light up faces. Turn the tide.' | 0:57:23 | 0:57:29 | |
# More than the buds of a May apple tree | 0:57:29 | 0:57:35 | |
# I love thee | 0:57:35 | 0:57:41 | |
# Arms have I, strong as the oak... # | 0:57:41 | 0:57:48 | |
'Molly's children went to live with their grandmother, | 0:57:48 | 0:57:52 | |
'who bought an immaculate pram on hire purchase, | 0:57:52 | 0:57:55 | |
'investing in the future, whilst turning back the clock. | 0:57:55 | 0:57:59 | |
'Her spotless house became a happy home again, | 0:57:59 | 0:58:03 | |
'centred on a baby boy and a little girl. | 0:58:03 | 0:58:06 | |
'There was pain, but she could bear it. | 0:58:07 | 0:58:11 | |
'For her journey had come full circle. | 0:58:11 | 0:58:14 | |
'They were her second chance at love. | 0:58:14 | 0:58:17 | |
'And she was theirs.' | 0:58:17 | 0:58:20 | |
# Put on your bonnet, your cape, and your glove... # | 0:58:20 | 0:58:27 | |
Do you understand what a very great step you are about to take? | 0:58:27 | 0:58:30 | |
Absolutely, and I'm utterly terrified. | 0:58:30 | 0:58:33 | |
-Hello, stranger. -Oh, my gosh, Jenny. | 0:58:33 | 0:58:36 | |
-What happened? -I did everything I could. | 0:58:37 | 0:58:40 | |
You understand we have to ask these questions? | 0:58:40 | 0:58:42 | |
Constable Noakes, am I being accused of something? | 0:58:42 | 0:58:45 | |
# For this occasion | 0:58:45 | 0:58:51 | |
# Lips have I, to kiss thee too | 0:58:51 | 0:58:57 | |
# In friendly persuasion | 0:58:57 | 0:59:01 | |
# Thee is mine... # | 0:59:01 | 0:59:05 | |
Subtitles by Red Bee Media Ltd | 0:59:05 | 0:59:08 |