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There we are. Well done, Norma. | 0:00:29 | 0:00:33 | |
That's that bit done. | 0:00:33 | 0:00:35 | |
Oh, look at him, Norma! | 0:00:35 | 0:00:37 | |
When can Jim see him? | 0:00:37 | 0:00:40 | |
When I go down the Pig And Gate and fetch 'im. | 0:00:40 | 0:00:43 | |
He'll not set foot over this threshold until we're done. | 0:00:43 | 0:00:46 | |
-In't that right, Nurse? -Absolutely! | 0:00:46 | 0:00:49 | |
And then we'll be sending that rotten old | 0:00:49 | 0:00:52 | |
afterbirth down the allotment with your granddad, won't we? | 0:00:52 | 0:00:56 | |
Just the ticket for his runner beans. | 0:00:56 | 0:00:58 | |
'The arrival of new life eclipses everything.' | 0:00:58 | 0:01:00 | |
Won't we? Yeah! | 0:01:00 | 0:01:02 | |
'When all goes well, the room is filled with happiness | 0:01:02 | 0:01:06 | |
'and all the pain that went before is forgotten. | 0:01:06 | 0:01:09 | |
'Where there was mystery, there is knowledge. | 0:01:09 | 0:01:12 | |
'Where there was fear, there is love.' | 0:01:12 | 0:01:15 | |
Just need to have another quick look at you, Norma. | 0:01:15 | 0:01:17 | |
That's bad... | 0:01:19 | 0:01:21 | |
It's not ideal, Mrs Tunnidge. But we will manage this. | 0:01:21 | 0:01:24 | |
Norma! Stay with me, Norma. | 0:01:24 | 0:01:27 | |
Mrs Tunnidge, put Baby in his cot and keep him well wrapped up. | 0:01:27 | 0:01:30 | |
Could you pass me the kidney dish with the syringe, please? | 0:01:30 | 0:01:33 | |
I'm going to give you an injection to help stop the bleeding, | 0:01:33 | 0:01:35 | |
and then I'm going to massage your tummy to see | 0:01:35 | 0:01:37 | |
if we can bring on another contraction. | 0:01:37 | 0:01:40 | |
What's happening? | 0:01:40 | 0:01:41 | |
Part of the placenta hasn't quite come away, | 0:01:41 | 0:01:43 | |
so we need to give it some help. | 0:01:43 | 0:01:46 | |
Could you ring a doctor, and then an ambulance, | 0:01:46 | 0:01:49 | |
then we need some hot water bottles, to keep her warm till they arrive? | 0:01:49 | 0:01:52 | |
Stay with me, Norma. | 0:01:52 | 0:01:54 | |
There's something coming away. | 0:01:54 | 0:01:56 | |
Good girl. That's it! | 0:01:56 | 0:01:59 | |
Is it over? | 0:02:03 | 0:02:05 | |
I hope so. | 0:02:05 | 0:02:06 | |
Thanks, Nurse. | 0:02:11 | 0:02:13 | |
It's all right. | 0:02:15 | 0:02:17 | |
Oh, Nurse, you've got something on your face. | 0:02:31 | 0:02:34 | |
I can't believe what Mater's done. | 0:03:08 | 0:03:11 | |
She's only gone and bally discharged herself. | 0:03:11 | 0:03:15 | |
She told the ward sister she was checking into a private hotel, | 0:03:15 | 0:03:18 | |
and any mail should be forwarded on to a place called Pinehurst Lodge. | 0:03:18 | 0:03:23 | |
So it's business as usual, really. | 0:03:23 | 0:03:26 | |
Excuse me, I must change for work. I've a long night ahead. | 0:03:26 | 0:03:29 | |
Hello, dear. | 0:03:36 | 0:03:37 | |
You've a choice for your pudding tonight. | 0:03:43 | 0:03:45 | |
I tried my hand at an apple charlotte. | 0:03:45 | 0:03:48 | |
Or there's cling peaches and evap, if you want something lighter. | 0:03:48 | 0:03:52 | |
It's up to you. | 0:03:52 | 0:03:53 | |
I wish it was up to me. | 0:03:56 | 0:03:58 | |
Because if it was, I'd say apple charlotte. | 0:03:58 | 0:04:01 | |
Mum's been in the kitchen making it since you had your lunch. | 0:04:01 | 0:04:05 | |
We'll have that, then. | 0:04:05 | 0:04:07 | |
Apple charlotte it is. | 0:04:08 | 0:04:09 | |
You've done wonderfully well since arriving at the parish. | 0:04:14 | 0:04:17 | |
The men's group meet at my place once a week. | 0:04:17 | 0:04:19 | |
Numbers have grown, and we're going to have to meet elsewhere. | 0:04:19 | 0:04:22 | |
Men's group? Whatever happens in a men's group? | 0:04:22 | 0:04:25 | |
Well, we discuss things that are of interest to men. | 0:04:26 | 0:04:31 | |
This time, we're talking about pregnancy and birth. | 0:04:31 | 0:04:33 | |
Oh, I-I-I think that might perturb them. | 0:04:33 | 0:04:36 | |
Well, if it does, it shouldn't, surely? | 0:04:36 | 0:04:38 | |
Fear often comes from ignorance. | 0:04:38 | 0:04:40 | |
Mr Hereward, I couldn't agree more! | 0:04:40 | 0:04:43 | |
I was actually hoping I might get some of you on my side. | 0:04:43 | 0:04:46 | |
Dr Turner's offered to talk us through the nuts and bolts, | 0:04:46 | 0:04:49 | |
but if one or two of the midwives came along too, | 0:04:49 | 0:04:51 | |
-that would be even better. -And why is that? | 0:04:51 | 0:04:53 | |
Well, I thought that they could put over the female point of view. | 0:04:53 | 0:04:56 | |
So much goes on behind closed doors when a baby's born. | 0:04:56 | 0:05:00 | |
I'll tell you what goes on behind closed doors, Mr Hereward. | 0:05:00 | 0:05:02 | |
A lot of hard work, that's what! | 0:05:02 | 0:05:05 | |
No point in men discussing it. It's a time for women to help women, | 0:05:05 | 0:05:09 | |
and that is that. | 0:05:09 | 0:05:10 | |
I think most men would be a much better support to their wives | 0:05:10 | 0:05:13 | |
if they at least had some inkling of what was going on. | 0:05:13 | 0:05:16 | |
I'd be happy to come along, Mr Hereward. | 0:05:17 | 0:05:20 | |
Thank you, Nurse Franklin. Nurse Miller? | 0:05:20 | 0:05:23 | |
Ooh, I'd absolutely love to, but I'm on call. | 0:05:23 | 0:05:25 | |
What about you, Patsy? | 0:05:25 | 0:05:27 | |
Well, I've no objection. | 0:05:27 | 0:05:28 | |
As long as I'm back in time for Two-Way Family Favourites. | 0:05:28 | 0:05:32 | |
Talks at the parish men's group are the thin end of the wedge. | 0:05:32 | 0:05:36 | |
If you hear a single remark about men attending births, | 0:05:36 | 0:05:41 | |
you are to report straight to me. | 0:05:41 | 0:05:42 | |
Yes, Sister. | 0:05:42 | 0:05:44 | |
The thing is, Nurse Mount, | 0:05:44 | 0:05:45 | |
there's only so many people can fit in a delivery room. | 0:05:45 | 0:05:49 | |
And there is something special | 0:05:49 | 0:05:52 | |
about a woman being supported by her mother. The mother-daughter bond | 0:05:52 | 0:05:55 | |
is a very precious thing. | 0:05:55 | 0:05:57 | |
SHE SOBS | 0:05:57 | 0:05:59 | |
I deem compline a place of succour for a soul in disarray. | 0:06:11 | 0:06:16 | |
Though I must not press you to join us, should you not desire it. | 0:06:22 | 0:06:26 | |
I rather suspect I do desire it. | 0:06:28 | 0:06:30 | |
I'm afraid I can't even think of what to think just now. | 0:06:32 | 0:06:36 | |
A conundrum that has ailed me much. | 0:06:36 | 0:06:38 | |
But in chapel, we need not choose our thoughts. | 0:06:40 | 0:06:44 | |
The words are aligned, like a rope for us to cling to. | 0:06:44 | 0:06:50 | |
How long ago did your mother die? | 0:06:59 | 0:07:01 | |
I think that is not of any consequence. | 0:07:05 | 0:07:07 | |
Dates, after all, are only scratchings on a stone. | 0:07:10 | 0:07:14 | |
# For thy loving kindness is comfortable | 0:07:18 | 0:07:22 | |
# Turn thee unto me according to the multitude of thy mercies | 0:07:25 | 0:07:31 | |
# And hide not thy face from thy servant, for I am in trouble | 0:07:33 | 0:07:39 | |
# Haste thee, and hear me | 0:07:41 | 0:07:43 | |
# Thou hast known my reproof, my shame, and my dishonour. # | 0:07:45 | 0:07:50 | |
Morning, love. Cup of tea, and into bed with this. | 0:08:07 | 0:08:12 | |
Once you've had some kip, you're going to visit your mother. | 0:08:12 | 0:08:15 | |
Has she been in touch? | 0:08:15 | 0:08:17 | |
No. But I tracked her down. | 0:08:17 | 0:08:18 | |
It was Pinewood Villa, not Pinehurst Lodge. | 0:08:18 | 0:08:21 | |
It's a private nursing home, and her fees are being paid | 0:08:21 | 0:08:24 | |
by a charity called the League For Distressed Gentlewomen. | 0:08:24 | 0:08:27 | |
Charity? She doesn't need charity, Peter. | 0:08:27 | 0:08:30 | |
What sort of place is it? | 0:08:30 | 0:08:32 | |
I draw your attention to the cup of tea, | 0:08:32 | 0:08:34 | |
hot water bottle and kip routine. | 0:08:34 | 0:08:36 | |
Then you can go and find out. | 0:08:36 | 0:08:38 | |
KNOCKING | 0:08:48 | 0:08:49 | |
Begging your pardon, Sister, but it's Sister Monica. | 0:08:49 | 0:08:52 | |
I will not be brought before the superior for a reprimand. | 0:08:52 | 0:08:55 | |
I am in the novitian, I am not in formation. | 0:08:55 | 0:08:58 | |
Oh, no... | 0:08:58 | 0:09:00 | |
She's really bad, Sister. I found her halfway up the Commercial Road. | 0:09:00 | 0:09:03 | |
-Sister. Come inside, and warm yourself. -I don't know you. | 0:09:03 | 0:09:06 | |
Nor do I know what you are about in Sister Ada's office. | 0:09:12 | 0:09:16 | |
Oh, my dear. This is not Sister Ada's office. | 0:09:16 | 0:09:18 | |
-Sister Ada is no longer with us. -Now, then... | 0:09:18 | 0:09:21 | |
Don't you "now, then" me. | 0:09:21 | 0:09:23 | |
Thou art a peasant and a man, | 0:09:23 | 0:09:26 | |
and as such no quarter should be given to you within these walls. | 0:09:26 | 0:09:31 | |
Should I go? | 0:09:31 | 0:09:32 | |
No. No... | 0:09:32 | 0:09:34 | |
Another man came once. I deemed him a doctor, though he did not say. | 0:09:36 | 0:09:41 | |
He asked me questions that I refused to answer, lest I betray myself. | 0:09:42 | 0:09:46 | |
SHE GIGGLES | 0:09:48 | 0:09:51 | |
My mother calls me stupid. | 0:09:52 | 0:09:54 | |
Stupid... | 0:09:57 | 0:09:59 | |
..and too tall. | 0:10:02 | 0:10:04 | |
Fred. You'll find the keys to the safe | 0:10:07 | 0:10:09 | |
in the top left-hand drawer of the chest. | 0:10:09 | 0:10:11 | |
You'll find a package in there, | 0:10:11 | 0:10:13 | |
marked "Property of Miss Antonia Keville". | 0:10:13 | 0:10:16 | |
-I know that name. -Of course you do. | 0:10:20 | 0:10:23 | |
I have seen these before. | 0:10:36 | 0:10:38 | |
They were your mother's. | 0:10:41 | 0:10:43 | |
And when she died - a long, long time ago - | 0:10:43 | 0:10:46 | |
she left them for you as a gift. | 0:10:46 | 0:10:49 | |
These were her pearls. | 0:10:53 | 0:10:56 | |
They are so cold. | 0:11:02 | 0:11:05 | |
I know it's your favourite robe. | 0:11:12 | 0:11:13 | |
The repair wasn't tricky. | 0:11:13 | 0:11:15 | |
Did you use silk thread? | 0:11:15 | 0:11:17 | |
No, rayon. I thought it would be more durable. | 0:11:17 | 0:11:20 | |
Now, don't fall off the bed with excitement, | 0:11:24 | 0:11:26 | |
but I brought you a smidgeon of savoury mince. | 0:11:26 | 0:11:29 | |
It's only what we had last night, but as I said to Peter, | 0:11:29 | 0:11:34 | |
"There's no harm in popping some into a Tupperware!" | 0:11:34 | 0:11:37 | |
What's Tupperware? | 0:11:37 | 0:11:39 | |
It keeps food fresh. | 0:11:40 | 0:11:41 | |
I wasn't sure what the cuisine would be like. | 0:11:43 | 0:11:45 | |
-It can be quite variable... -Well, it isn't variable here. | 0:11:45 | 0:11:48 | |
There's a baronet's widow across the landing. | 0:11:48 | 0:11:53 | |
It's in everyone's interests to keep up standards. | 0:11:53 | 0:11:55 | |
I'm still sure you'd be better looked after in a hospital - | 0:11:58 | 0:12:03 | |
where there's pain relief. | 0:12:03 | 0:12:04 | |
I brought you a photograph of Freddie. | 0:12:11 | 0:12:13 | |
And one of Peter and I, on our wedding day. | 0:12:15 | 0:12:17 | |
I thought they might look nice on your bedside table. | 0:12:17 | 0:12:20 | |
I can't put that on display. | 0:12:20 | 0:12:22 | |
-Why not? -You're not in white. And he's wearing a lounge suit. | 0:12:24 | 0:12:30 | |
One last thing. | 0:12:34 | 0:12:35 | |
Peter sent you satsumas. | 0:12:35 | 0:12:37 | |
But if they don't meet with your approval, | 0:12:38 | 0:12:40 | |
then you can pass them on to the baronet's widow. | 0:12:40 | 0:12:43 | |
Sister Julienne says that if you eat a good lunch, | 0:12:51 | 0:12:54 | |
she's happy for us to take care of you, and won't send for Doctor. | 0:12:54 | 0:12:58 | |
He could serve no purpose now. | 0:13:06 | 0:13:08 | |
I have been reminded that... | 0:13:10 | 0:13:14 | |
my mother is no more. | 0:13:14 | 0:13:16 | |
Her jewellery is very beautiful. | 0:13:22 | 0:13:25 | |
Our connection was never affectionate... | 0:13:29 | 0:13:31 | |
..and my call to the religious life corrupted it completely. | 0:13:34 | 0:13:38 | |
Ladies and gentlemen. Thank you. | 0:13:43 | 0:13:46 | |
Mrs Minter, we're about to begin. I think, perhaps, | 0:13:46 | 0:13:49 | |
if you could put your cigarette out until we break for tea. | 0:13:49 | 0:13:52 | |
As you will have gathered, we're going to be taking a close look | 0:13:56 | 0:14:00 | |
at our favourite piece of Mozart tonight. | 0:14:00 | 0:14:02 | |
I know it's far and away the strongest thing | 0:14:02 | 0:14:04 | |
in our repertoire, and for that very reason, I've decided it will be | 0:14:04 | 0:14:08 | |
our entry at the Truscott Choral Festival at St Dacorum's Church. | 0:14:08 | 0:14:12 | |
But that's only a couple of weeks off! | 0:14:12 | 0:14:16 | |
I know because my husband's a painter and decorator. | 0:14:16 | 0:14:18 | |
He's been brought in to emulsion the chancel. | 0:14:18 | 0:14:21 | |
From the very beginning, please, Timothy. | 0:14:21 | 0:14:23 | |
Oh. | 0:14:31 | 0:14:33 | |
Can we help you? | 0:14:33 | 0:14:35 | |
Sorry, but this is the parish men's group. | 0:14:35 | 0:14:38 | |
We're having the health education session here. | 0:14:38 | 0:14:40 | |
-No, you are not! -But it's all been planned. | 0:14:40 | 0:14:43 | |
I've everybody's name written down on a list. | 0:14:43 | 0:14:45 | |
There's clearly been an error. | 0:14:45 | 0:14:46 | |
The choir has an exclusive weekly booking, | 0:14:46 | 0:14:49 | |
and we aren't due to finish until nine. Again, please, Timothy. | 0:14:49 | 0:14:53 | |
# Ave...Ave... # | 0:15:02 | 0:15:06 | |
CHATTERING | 0:15:06 | 0:15:07 | |
That would make things go with a swing. | 0:15:09 | 0:15:12 | |
The nuns will be in compline. | 0:15:12 | 0:15:14 | |
Oh, do hurry up. We're falling behind schedule! | 0:15:14 | 0:15:17 | |
Ring the doorbell! Nobody bites! | 0:15:17 | 0:15:21 | |
I bite... if people don't wipe their feet. | 0:15:21 | 0:15:24 | |
I'm going to read out all the names on the list | 0:15:26 | 0:15:28 | |
the reverend gave me, and I want you all to call out "present" so | 0:15:28 | 0:15:31 | |
I can tick you off. Colin Warneck? | 0:15:31 | 0:15:34 | |
Present. | 0:15:34 | 0:15:35 | |
-Walter Mills? -Present. | 0:15:35 | 0:15:36 | |
-Vernon Parker. -Present. | 0:15:36 | 0:15:40 | |
James Peachely? | 0:15:40 | 0:15:41 | |
James Peachely, and Tony Muirhead? | 0:15:43 | 0:15:46 | |
I think we may have lost them to the Hand And Shears! | 0:15:46 | 0:15:49 | |
LAUGHTER | 0:15:49 | 0:15:50 | |
I'm sorry. I don't believe you're on my list. | 0:15:50 | 0:15:53 | |
Should I be on a list? | 0:15:53 | 0:15:55 | |
It's a requirement. | 0:15:55 | 0:15:56 | |
Worth. Philip Worth. | 0:15:56 | 0:15:59 | |
Thank you, that all seems to be in order. | 0:16:00 | 0:16:03 | |
Right, now, as you can see, I have gone right back to square one. | 0:16:03 | 0:16:08 | |
This circle represents the ova, or the female egg, | 0:16:08 | 0:16:13 | |
and this little chap here | 0:16:13 | 0:16:17 | |
is the male gamete, or the sperm. | 0:16:17 | 0:16:21 | |
Sorry, Dr T, I think we've got a question. | 0:16:21 | 0:16:24 | |
Where do I go to get the milk of magnesia? | 0:16:24 | 0:16:26 | |
What's the matter? Aren't you well? | 0:16:26 | 0:16:28 | |
My cousin telephoned earlier. | 0:16:28 | 0:16:30 | |
She's expecting, and she's in agony with heartburn. | 0:16:30 | 0:16:33 | |
The midwife said she could be given an antacid, so I came to fetch it. | 0:16:33 | 0:16:36 | |
I just walked in with everybody else. | 0:16:36 | 0:16:38 | |
Follow me. | 0:16:42 | 0:16:43 | |
Ah, it's a good job you've come back here, actually - | 0:16:51 | 0:16:53 | |
it's going to be a busy night. | 0:16:53 | 0:16:55 | |
I've just been called to Mrs Boyle on Flitch Street. | 0:16:55 | 0:16:57 | |
Oh, hello. | 0:16:57 | 0:16:58 | |
Evening. | 0:16:58 | 0:17:00 | |
I just had to rescue this poor chap from a terrifying ordeal. | 0:17:00 | 0:17:03 | |
Trial by the parish men's group. And Patsy. | 0:17:03 | 0:17:07 | |
Well, looks like he's lived to tell the tale. | 0:17:07 | 0:17:09 | |
There's no harm done. | 0:17:09 | 0:17:11 | |
One bottle of milk of magnesia. Nurse Lee will see you out. | 0:17:11 | 0:17:16 | |
Heartburn can be a rotten business. | 0:17:16 | 0:17:18 | |
Mind you, I've heard it means the baby's going to have a lot of hair. | 0:17:18 | 0:17:21 | |
I've heard that said where we come from. | 0:17:21 | 0:17:23 | |
Jeanette reckons it's an old wives' tale. | 0:17:23 | 0:17:25 | |
-Whereabouts in Scotland are you from? -Edinburgh. | 0:17:25 | 0:17:28 | |
I've just joined a barrister's chambers at Lincoln's Inn. | 0:17:28 | 0:17:30 | |
Thank you. | 0:17:32 | 0:17:33 | |
Follow me. | 0:17:34 | 0:17:36 | |
There's a nip in the air today. | 0:17:38 | 0:17:39 | |
Are you sure you don't want me to go to the cleaner's for your overcoat? | 0:17:39 | 0:17:43 | |
-I'm sure that... -No. er, I'll take a scarf. It's only a mild frost. | 0:17:43 | 0:17:48 | |
Would you get the post? | 0:17:50 | 0:17:52 | |
I'm just trying to show you that I care. | 0:17:58 | 0:18:01 | |
"Dr and Mrs P Turner." | 0:18:01 | 0:18:04 | |
Tim, go and wait in the car. | 0:18:09 | 0:18:11 | |
"After due consideration, we are pleased to inform you that | 0:18:24 | 0:18:28 | |
"you have been accepted as adoptive parents..." | 0:18:28 | 0:18:31 | |
"We have every confidence that | 0:18:32 | 0:18:33 | |
"in due course you will be able to offer an otherwise unwanted child | 0:18:33 | 0:18:37 | |
"a very happy home." | 0:18:37 | 0:18:39 | |
They seem very confident of that. | 0:18:41 | 0:18:43 | |
What? | 0:18:45 | 0:18:47 | |
The notion that we have a happy home. | 0:18:47 | 0:18:49 | |
At the moment, I'm not sure that we do. | 0:18:51 | 0:18:54 | |
This really is a beautiful room, Mrs Heckford. | 0:19:08 | 0:19:10 | |
Oh, thank you. I like to put my stamp on a place. | 0:19:10 | 0:19:15 | |
My husband and I have had to move round a lot, because of his work. | 0:19:16 | 0:19:19 | |
-And what does your husband do? -He's a marine engineer. | 0:19:19 | 0:19:22 | |
He's just been posted to Gibraltar for three weeks. | 0:19:24 | 0:19:27 | |
Does that mean you'll be alone when the baby comes? | 0:19:27 | 0:19:29 | |
Well, I've got my cousin in residence. | 0:19:29 | 0:19:32 | |
I daresay we can train him to run errands and boil water. | 0:19:32 | 0:19:35 | |
-Any port in a storm. -There won't be a storm. | 0:19:36 | 0:19:39 | |
You have a lovely home, | 0:19:39 | 0:19:41 | |
and it feels to me as though Baby's in the perfect position. | 0:19:41 | 0:19:46 | |
-Nicely lined up for delivery. -Is the head engaged? | 0:19:46 | 0:19:48 | |
It is. Have you been reading books? | 0:19:48 | 0:19:51 | |
I've always been a reader. | 0:19:51 | 0:19:53 | |
And a painter, too, by the looks of it. | 0:19:53 | 0:19:56 | |
Oh. That's my wee cousin's. | 0:19:56 | 0:19:59 | |
He's currently inspired by the music of Mussorgsky. | 0:19:59 | 0:20:01 | |
I love Mussorgsky! | 0:20:01 | 0:20:03 | |
I went to a concert of his music at the Festival Hall last year. | 0:20:03 | 0:20:07 | |
I just wish he'd been inspired by something | 0:20:07 | 0:20:09 | |
a little more comprehensible. | 0:20:09 | 0:20:11 | |
I like it. | 0:20:12 | 0:20:14 | |
Excellent. | 0:20:14 | 0:20:16 | |
I will pass on the compliment. | 0:20:17 | 0:20:19 | |
ANGUISHED SCREAMS | 0:20:23 | 0:20:26 | |
Lady Browne, if you can try and drink this - please, try... | 0:20:32 | 0:20:36 | |
-I can't rest. -What's happening? | 0:20:36 | 0:20:37 | |
I beg your pardon. Are you a relative? | 0:20:37 | 0:20:40 | |
My wife's her daughter. I'm... | 0:20:40 | 0:20:42 | |
I'm visiting on her behalf. Is the doctor on his way? | 0:20:42 | 0:20:46 | |
He isn't expected until this evening. | 0:20:46 | 0:20:48 | |
We aren't equipped to cope with cases like this. | 0:20:48 | 0:20:50 | |
-Lady Browne needs to be in hospital. -Help me! Help. | 0:20:50 | 0:20:52 | |
Hospital's the one place where she doesn't want to be. | 0:20:52 | 0:20:55 | |
Help me! Help. Help me. | 0:20:55 | 0:20:58 | |
-I'm sorry, your ladyship. -Where are we going? -Home. | 0:21:02 | 0:21:06 | |
What-oh, Mater! | 0:21:19 | 0:21:21 | |
Lady Browne...? | 0:21:21 | 0:21:22 | |
Lady Browne. | 0:21:25 | 0:21:26 | |
She's been sick... in the wastepaper bin. | 0:21:26 | 0:21:30 | |
Well, better out than in. | 0:21:30 | 0:21:31 | |
I'll take it and give it a swill with some Dettol. | 0:21:31 | 0:21:34 | |
I want her visited three times a day | 0:22:01 | 0:22:03 | |
until a bed at the London comes free. | 0:22:03 | 0:22:05 | |
If she can't get up the stairs, | 0:22:05 | 0:22:07 | |
she will have to be nursed on the sofa in the meantime. | 0:22:07 | 0:22:10 | |
Yes, Doctor. | 0:22:10 | 0:22:11 | |
I will prescribe morphine in liquid form, for her to take | 0:22:11 | 0:22:14 | |
when necessary. | 0:22:14 | 0:22:15 | |
I do know when I'm being discussed. | 0:22:15 | 0:22:18 | |
Mater. Doctor's only trying to help. | 0:22:18 | 0:22:20 | |
She's right, Nurse. | 0:22:20 | 0:22:22 | |
Lady Browne, is there anything you'd like to ask me? | 0:22:24 | 0:22:28 | |
Have a sip of water, Lady Browne. | 0:22:31 | 0:22:33 | |
You don't have to swallow, just wet your lips. | 0:22:33 | 0:22:36 | |
How long have I got? | 0:22:45 | 0:22:47 | |
Weeks. | 0:22:49 | 0:22:50 | |
-Many? -No. | 0:22:52 | 0:22:54 | |
Days? | 0:22:56 | 0:22:58 | |
It's impossible to say. | 0:22:58 | 0:23:00 | |
I thought what was impossible to say was the name of the disease. | 0:23:02 | 0:23:09 | |
People say "inflammation of the liver". | 0:23:10 | 0:23:14 | |
Some people just call it "the big C". | 0:23:14 | 0:23:18 | |
Never its name. | 0:23:20 | 0:23:22 | |
No. | 0:23:22 | 0:23:24 | |
Why? | 0:23:24 | 0:23:25 | |
Because it is the thing that we fear the most. | 0:23:28 | 0:23:33 | |
Fear is the sentiment I don't hold with. Ask her. | 0:23:33 | 0:23:40 | |
So. | 0:23:43 | 0:23:45 | |
Cancer. | 0:23:45 | 0:23:46 | |
The beast is named. | 0:23:48 | 0:23:50 | |
It's unlikely we'll ever tame it. | 0:23:54 | 0:23:56 | |
We can get it cornered... for a while. | 0:23:59 | 0:24:01 | |
Chummy? Will you help me to organise some sheets? | 0:24:06 | 0:24:09 | |
Roger, over and out. | 0:24:11 | 0:24:12 | |
I can remember you sewing a baby's nightdress in that chair. | 0:24:22 | 0:24:26 | |
Yes. It wasn't to be. | 0:24:26 | 0:24:28 | |
What did you do with it? | 0:24:30 | 0:24:31 | |
I gave it to Sister Julienne. | 0:24:31 | 0:24:33 | |
Someone else's baby will have it now. | 0:24:33 | 0:24:35 | |
I-I should have told you about my breakdown. | 0:24:41 | 0:24:45 | |
We started out in silence. | 0:24:49 | 0:24:52 | |
Not able to speak. | 0:24:54 | 0:24:56 | |
And after I dared to write to you, | 0:24:58 | 0:25:01 | |
I thought, "Have I said too much? | 0:25:01 | 0:25:04 | |
"Or not enough?" | 0:25:04 | 0:25:05 | |
If I didn't speak of other things, that was my weakness, | 0:25:08 | 0:25:13 | |
and my fault and I can only beg you to forgive me. | 0:25:13 | 0:25:17 | |
I won't forgive you, Patrick. | 0:25:17 | 0:25:20 | |
Because you did nothing wrong. | 0:25:21 | 0:25:23 | |
I didn't speak when I should've done. | 0:25:23 | 0:25:25 | |
I didn't let you when I should've done. | 0:25:25 | 0:25:29 | |
But we're speaking now. | 0:25:32 | 0:25:33 | |
Let that be the thing that matters. | 0:25:35 | 0:25:37 | |
Sister Monica Joan, would you like me to find your knitting bag? | 0:25:45 | 0:25:49 | |
Or I could help you wind some wool, perhaps. | 0:25:50 | 0:25:52 | |
I find myself entirely disinclined to knit. | 0:25:56 | 0:26:00 | |
There are enough tangles already in my mind. | 0:26:02 | 0:26:04 | |
That's not true. | 0:26:05 | 0:26:07 | |
They are warm now. | 0:26:07 | 0:26:08 | |
And I fancy I detect my mother's scent upon them. | 0:26:10 | 0:26:15 | |
Sweet violet... | 0:26:22 | 0:26:24 | |
..mingled with Wright's Coal Tar - the latter from my hand. | 0:26:26 | 0:26:31 | |
Oh, I wish we had made our peace sooner. | 0:26:36 | 0:26:39 | |
Your husband brought him down. | 0:27:11 | 0:27:13 | |
He's in the kitchen making a cup of tea. | 0:27:13 | 0:27:15 | |
My husband does have a name, Mater. | 0:27:17 | 0:27:19 | |
We're quite content with formal terms. We have an arrangement. | 0:27:21 | 0:27:25 | |
And furthermore, I have come to a decision. | 0:27:27 | 0:27:30 | |
Sister, I want to talk to you about Lady Browne. | 0:27:32 | 0:27:34 | |
A doctor called Cicely Saunders has been exploring new ways | 0:27:34 | 0:27:38 | |
of caring for people who are terminally ill. | 0:27:38 | 0:27:41 | |
She's based at St Joseph's Hospital in Hackney, isn't she? | 0:27:41 | 0:27:44 | |
It's a hospice, Sister. | 0:27:44 | 0:27:46 | |
She advocates a different kind of nursing. | 0:27:47 | 0:27:50 | |
It's not like a hospital at all. | 0:27:50 | 0:27:51 | |
The patient's family are as important as the patient. | 0:27:51 | 0:27:55 | |
Do you think we should approach St Joseph's, | 0:27:55 | 0:27:57 | |
and see if there's a bed for Lady Browne? | 0:27:57 | 0:27:59 | |
I tried, but the beds are full. At least for now. | 0:27:59 | 0:28:02 | |
It's such a shame! | 0:28:02 | 0:28:04 | |
We should aim to give everyone the chance of a good death. | 0:28:04 | 0:28:08 | |
Sister Julienne, would you agree to let me care for Lady Browne | 0:28:10 | 0:28:15 | |
until she passes away? | 0:28:15 | 0:28:17 | |
I'd like to implement some of the principles of hospice care. | 0:28:17 | 0:28:21 | |
You're a midwife, Nurse Lee. | 0:28:21 | 0:28:23 | |
You were trained to bring life into the world, not to help it to depart. | 0:28:23 | 0:28:27 | |
But surely they're both equally important? | 0:28:27 | 0:28:30 | |
I've lost count of the number of babies I've delivered, Sister, | 0:28:30 | 0:28:34 | |
and this would be something new for me. | 0:28:34 | 0:28:36 | |
It's something I feel very inspired by. | 0:28:38 | 0:28:40 | |
I can see that. | 0:28:40 | 0:28:42 | |
But if I were to take you away from midwifery - | 0:28:42 | 0:28:45 | |
possibly for weeks - | 0:28:45 | 0:28:47 | |
the mothers and babies of the district would suffer. | 0:28:47 | 0:28:50 | |
But Lady Browne is suffering. And Chummy is suffering. | 0:28:50 | 0:28:53 | |
As it happens, Nurse Noakes just telephoned to say that | 0:28:53 | 0:28:56 | |
Lady Browne has chosen to stay at home with her until the end comes. | 0:28:56 | 0:29:00 | |
We will support them, and they will support one another. Now, | 0:29:02 | 0:29:07 | |
we have been asked to take on some pupil midwives from the London | 0:29:07 | 0:29:10 | |
for a day or two, whilst their clinic is reorganised. | 0:29:10 | 0:29:14 | |
I am putting you in charge of the arrangements. | 0:29:14 | 0:29:17 | |
MUSIC: "Hushabye" by The Mystics | 0:29:18 | 0:29:22 | |
# Hushabye, hushabye | 0:29:29 | 0:29:33 | |
# Oh, my darling, don't you cry | 0:29:33 | 0:29:36 | |
# Guardian angels up above | 0:29:36 | 0:29:39 | |
# Take care of the one I love | 0:29:39 | 0:29:43 | |
# Oh-h-h-h-h | 0:29:43 | 0:29:46 | |
# Hush, hush, hushabye | 0:29:46 | 0:29:49 | |
# Oh-h-h-h-h | 0:29:49 | 0:29:52 | |
# Hush, hush, hushabye | 0:29:52 | 0:29:55 | |
# Hushabye, hushabye | 0:29:55 | 0:29:59 | |
# Oh, my darling, don't you cry | 0:29:59 | 0:30:03 | |
# Guardian angels up above | 0:30:03 | 0:30:06 | |
# Take care of the one I love | 0:30:06 | 0:30:09 | |
# Oh-h-h-h-h | 0:30:09 | 0:30:13 | |
# Hush, hush, hushabye | 0:30:13 | 0:30:16 | |
# Oh-h-h-h-h | 0:30:16 | 0:30:19 | |
# Hush, hush, hushabye | 0:30:19 | 0:30:23 | |
# Pillows lying on your bed | 0:30:23 | 0:30:25 | |
# Oh, my darling, rest your head | 0:30:25 | 0:30:29 | |
# Sandman will be coming soon | 0:30:29 | 0:30:32 | |
# Singing you a slumber tune... # | 0:30:32 | 0:30:35 | |
Cynthia, there's a whole cake in this tin. | 0:30:41 | 0:30:43 | |
I haven't seen that the entire time I've been at Nonnatus. | 0:30:43 | 0:30:47 | |
Sister Monica Joan's at Chummy's all the time, looking after Lady Browne. | 0:30:47 | 0:30:51 | |
We've got extra Horlicks to go with it, too. | 0:30:53 | 0:30:55 | |
When I went upstairs, all the pupil midwives were asleep. | 0:30:55 | 0:30:59 | |
Set 'em up, Joe! | 0:30:59 | 0:31:00 | |
One commode. All ship-shape and Bristol fashion. | 0:31:07 | 0:31:09 | |
Right. | 0:31:11 | 0:31:13 | |
I think it will serve well over there. | 0:31:13 | 0:31:15 | |
Perfect! | 0:31:19 | 0:31:21 | |
Would you like me to find you a change of clothes? | 0:31:23 | 0:31:25 | |
You might feel more on top of things in a pair of slacks. | 0:31:25 | 0:31:28 | |
I think not! I'm a nurse, old bean. | 0:31:28 | 0:31:30 | |
This is my armour. | 0:31:32 | 0:31:33 | |
The Plaza Suite is open for business! | 0:31:50 | 0:31:54 | |
You take your time, Lady Browne. There's no rush. | 0:31:54 | 0:31:57 | |
Once I'm up... | 0:31:59 | 0:32:02 | |
..I'm up, I suppose. | 0:32:03 | 0:32:06 | |
You'll have no reason to come down. | 0:32:06 | 0:32:08 | |
We've got it all laid on for you up there. | 0:32:08 | 0:32:10 | |
Come on. Stairway To The Stars time. | 0:32:12 | 0:32:15 | |
The choir are absolutely note perfect on Ave Verum Corpus. | 0:32:19 | 0:32:23 | |
The perfect choice for the competition. | 0:32:23 | 0:32:26 | |
They could sing it standing on their heads. | 0:32:26 | 0:32:28 | |
Might make it a bit more interesting. | 0:32:28 | 0:32:30 | |
This one is just addressed to you, but it looks official. | 0:32:30 | 0:32:34 | |
Is it about the baby? | 0:32:34 | 0:32:35 | |
No. It's from the festival. | 0:32:43 | 0:32:46 | |
The East Ham Singers are doing Ave Verum Corpus. | 0:32:46 | 0:32:49 | |
No two choirs can sing the same piece, and they entered first, | 0:32:49 | 0:32:52 | |
so we have to find another song. | 0:32:52 | 0:32:54 | |
Great(!) | 0:32:54 | 0:32:56 | |
By Saturday! | 0:32:56 | 0:32:58 | |
That's a lovely, steady heartbeat. And Baby's head's well down. | 0:33:00 | 0:33:04 | |
But I can't see any signs that labour's under way just yet, | 0:33:04 | 0:33:07 | |
especially now those twinges have petered out. | 0:33:07 | 0:33:10 | |
I know it sounds silly, but I was kind of in the mood for it! | 0:33:10 | 0:33:13 | |
KNOCKING | 0:33:13 | 0:33:15 | |
Thank you. | 0:33:15 | 0:33:16 | |
Hello, Mr Heckford! You're back from Gibraltar! | 0:33:16 | 0:33:19 | |
Ha-ha! Bless you, Nurse. This is my cousin, Philip. | 0:33:19 | 0:33:22 | |
Would you like a coffee? | 0:33:22 | 0:33:24 | |
BOTH: Yes, please. | 0:33:24 | 0:33:25 | |
Last time Nurse Lee was here, she was admiring your painting. | 0:33:25 | 0:33:29 | |
Really? | 0:33:29 | 0:33:31 | |
Yes. I was. | 0:33:31 | 0:33:33 | |
And I win. Again. | 0:33:38 | 0:33:41 | |
This is a much better game than bridge. | 0:33:45 | 0:33:47 | |
What did you say it was called? | 0:33:47 | 0:33:49 | |
Strip Jack Naked, your ladyship. | 0:33:51 | 0:33:53 | |
You know, I shouldn't object if you called me by my Christian name. | 0:33:53 | 0:33:59 | |
Artemis? | 0:34:01 | 0:34:02 | |
Ghastly, isn't it? Sir Rex used to call me Arthur, sometimes. | 0:34:04 | 0:34:12 | |
I think it was on account of my large feet. | 0:34:14 | 0:34:17 | |
I passed them on to Camilla. | 0:34:18 | 0:34:20 | |
Had you ever noticed? | 0:34:22 | 0:34:24 | |
I love Camilla's feet. | 0:34:24 | 0:34:26 | |
Good. | 0:34:28 | 0:34:30 | |
I will not be defeated by this. The choir have worked too hard. | 0:34:31 | 0:34:35 | |
If I find the right song, they can sing it simply. | 0:34:35 | 0:34:39 | |
I won't need to rehearse them too hard. Puff, please. | 0:34:39 | 0:34:42 | |
You can always have one of your own. | 0:34:44 | 0:34:46 | |
No, because that would make me a smoker. | 0:34:46 | 0:34:49 | |
# May the good Lord bless and keep you... # | 0:34:56 | 0:35:01 | |
Ah! Jim Reeves. Perfect! | 0:35:01 | 0:35:03 | |
You and Jim Reeves. | 0:35:03 | 0:35:05 | |
# ..When you are far away | 0:35:05 | 0:35:08 | |
# May you find that... # | 0:35:09 | 0:35:11 | |
This might just be a very appropriate choice. | 0:35:11 | 0:35:15 | |
# ..Day to day... # | 0:35:15 | 0:35:18 | |
I feel like the princess in The Princess And The Pea... | 0:35:20 | 0:35:25 | |
..floating up on layer upon layer of mattresses. | 0:35:29 | 0:35:34 | |
It's probably the morphine. | 0:35:34 | 0:35:36 | |
It's the pillows. | 0:35:36 | 0:35:37 | |
I used to have a manicure once a week in Rajputan. | 0:35:58 | 0:36:04 | |
We had Nivea cream sent over by diplomatic bag. | 0:36:06 | 0:36:12 | |
SHE CHUCKLES | 0:36:12 | 0:36:14 | |
I wouldn't mind a manicure today. | 0:36:16 | 0:36:21 | |
You don't want to bother with all that fuss and nonsense. | 0:36:23 | 0:36:27 | |
Did I ever read you The Princess And The Pea? | 0:36:34 | 0:36:37 | |
I'm not sure you did. | 0:36:40 | 0:36:42 | |
Perhaps I sent it to you at boarding school. | 0:36:46 | 0:36:51 | |
The post in India was abominable. | 0:36:54 | 0:37:00 | |
So much got lost...on the way. | 0:37:00 | 0:37:08 | |
Mind the wet stairs now, Sister. | 0:37:15 | 0:37:16 | |
Don't want you tripping over on them. | 0:37:16 | 0:37:18 | |
Out of my way. I am in search of the most particular accoutrements. | 0:37:18 | 0:37:22 | |
Oh, Nurse Franklin, such unseemly quantities of intimate apparel. | 0:37:24 | 0:37:30 | |
Sister Monica Joan? | 0:37:30 | 0:37:32 | |
Instead of skulking outside this chamber, I suggest you enter, | 0:37:32 | 0:37:36 | |
and offer me your aid. Is this Nivea? | 0:37:36 | 0:37:40 | |
I don't know but I reckon that's for putting on your face. | 0:37:40 | 0:37:43 | |
I need Nivea. And nail paint. | 0:37:43 | 0:37:46 | |
Is that what you're looking for? | 0:37:49 | 0:37:51 | |
You are very slow to see what is before you. | 0:37:52 | 0:37:56 | |
I think you should consult an oculist. | 0:37:56 | 0:37:59 | |
I'm sorry to press-gang you when you must be so busy. | 0:38:00 | 0:38:03 | |
But if we can't swell the numbers of the choir, I don't think | 0:38:03 | 0:38:05 | |
the judges will even entertain such a simple piece of music. | 0:38:05 | 0:38:08 | |
I think it's a terrific choice. | 0:38:08 | 0:38:10 | |
There's no reason why it has to be a piece of classical music. | 0:38:10 | 0:38:12 | |
Quite. But we need more voices. | 0:38:12 | 0:38:14 | |
I want children, adults, the elderly, all involved, | 0:38:14 | 0:38:18 | |
-and singing side by side. -I like the sound of that. | 0:38:18 | 0:38:21 | |
Hello! Back again, like a bad penny. | 0:38:23 | 0:38:25 | |
Not at all. Jeanette hoped it would be you. | 0:38:25 | 0:38:29 | |
JEANETTE MOANS | 0:38:29 | 0:38:31 | |
M blank... | 0:38:33 | 0:38:35 | |
G, N, I, blank, blank, blank, E, blank, blank, second word, | 0:38:35 | 0:38:41 | |
blank B, S, E, blank, S, blank, O, blank. | 0:38:41 | 0:38:45 | |
Is it Magnificent Obsession? | 0:38:47 | 0:38:49 | |
Excellent! Full marks. | 0:38:51 | 0:38:54 | |
Philip! That was the last clue. Now what are we going to do? | 0:38:54 | 0:38:58 | |
You could eat some of this toast I just made. | 0:39:02 | 0:39:05 | |
Or maybe not. | 0:39:05 | 0:39:07 | |
I can't. I simply can't. | 0:39:12 | 0:39:15 | |
It's just too frivolous when there is so much else to do. | 0:39:17 | 0:39:21 | |
But there's almost nothing else to do. And little time. | 0:39:21 | 0:39:26 | |
I'm sorry, Sister... | 0:39:33 | 0:39:34 | |
But I can't... | 0:39:36 | 0:39:38 | |
I can't touch her. | 0:39:40 | 0:39:42 | |
Unless it's a nursing matter, but even then... | 0:39:44 | 0:39:48 | |
I'm sorry. But it's true. | 0:39:51 | 0:39:52 | |
My mother and I did not have a tactile union. | 0:39:55 | 0:39:58 | |
I did not regret it when she was alive. | 0:40:00 | 0:40:03 | |
But now... | 0:40:03 | 0:40:05 | |
I think of Keats and how he cried... | 0:40:06 | 0:40:10 | |
Touch has a memory! | 0:40:10 | 0:40:13 | |
O say, love, say | 0:40:13 | 0:40:15 | |
What can I do to kill it | 0:40:15 | 0:40:17 | |
And be free? | 0:40:17 | 0:40:19 | |
You've never done that before. | 0:41:35 | 0:41:37 | |
Oh, I have... | 0:41:40 | 0:41:42 | |
When you were very, very tiny. | 0:41:44 | 0:41:49 | |
SHE SIGHS | 0:41:59 | 0:42:02 | |
I've been going at it all night, Nurse. | 0:42:05 | 0:42:07 | |
This baby is never going to come. | 0:42:08 | 0:42:11 | |
Jeanette. | 0:42:11 | 0:42:13 | |
Your contractions are coming every five minutes, steadily and surely. | 0:42:13 | 0:42:18 | |
Baby's coming steadily and surely, too. | 0:42:18 | 0:42:20 | |
I don't want it to come steadily and surely. | 0:42:21 | 0:42:24 | |
-I want it now. -Sssh. | 0:42:24 | 0:42:26 | |
Or soon. | 0:42:28 | 0:42:29 | |
Let's set our hopes on "soon". "Soon" seems very reasonable to me. | 0:42:32 | 0:42:37 | |
UNSTEADY BREATHING | 0:43:23 | 0:43:26 | |
The tide is turning. | 0:43:28 | 0:43:29 | |
Time to lay aside your uniform. Today, you are her child. | 0:43:31 | 0:43:37 | |
I'm still a nurse. I know what that sound means. | 0:43:37 | 0:43:42 | |
LABOURED BREATHING | 0:43:44 | 0:43:47 | |
SHE MOANS AND WHIMPERS | 0:43:51 | 0:43:53 | |
That's it. Good, now stay calm, Jeanette. | 0:43:53 | 0:43:57 | |
This is a good, strong contraction. It will help you, | 0:43:57 | 0:44:00 | |
and it will help your baby make its way into the world. | 0:44:00 | 0:44:03 | |
-I can't face another night of this. -Ssh. Come on. | 0:44:08 | 0:44:11 | |
I can't. How long have I got? | 0:44:11 | 0:44:16 | |
Sorry, it's impossible to say. | 0:44:16 | 0:44:18 | |
SHE SOBS | 0:44:18 | 0:44:20 | |
Tell me what to do. | 0:44:23 | 0:44:25 | |
Telephone Nonnatus House, tell them I've had a lady with | 0:44:27 | 0:44:30 | |
a very, very long first stage and we need gas and air. | 0:44:30 | 0:44:34 | |
And a new midwife. | 0:44:38 | 0:44:40 | |
LABOURED BREATHING | 0:44:46 | 0:44:49 | |
JEANETTE MOANS | 0:45:06 | 0:45:08 | |
They're here. | 0:45:08 | 0:45:09 | |
Oh, look at you two. Poor little chicks. | 0:45:09 | 0:45:13 | |
-Are you the father? -He's the cousin. | 0:45:13 | 0:45:14 | |
Out. | 0:45:14 | 0:45:16 | |
Right, case notes, and then get your mac on. | 0:45:16 | 0:45:19 | |
I'm not a betting woman, | 0:45:19 | 0:45:20 | |
but I'll wager five bob you just need a bit of blood sugar. | 0:45:20 | 0:45:23 | |
I don't suppose you could force down a Creamline toffee? | 0:45:23 | 0:45:26 | |
No enema, I see. And you wonder why things have stalled. | 0:45:26 | 0:45:29 | |
I told Nurse Lee I didn't want one... | 0:45:29 | 0:45:32 | |
Don't worry. You might just find we've packed the wrong kit. | 0:45:32 | 0:45:35 | |
Off you pop. Get a bit of shuteye. | 0:45:35 | 0:45:38 | |
Will you let me walk you back to the convent? | 0:45:40 | 0:45:43 | |
I know my way. I'd know it blindfolded. | 0:45:43 | 0:45:46 | |
Nurse Lee, are you upset? | 0:45:46 | 0:45:48 | |
Um... | 0:45:50 | 0:45:52 | |
I've delivered so many babies and I've never once not managed. | 0:45:55 | 0:46:00 | |
Never once failed to do what I was trained for. | 0:46:00 | 0:46:05 | |
If it was just tiredness, I'd know tomorrow would be better but... | 0:46:05 | 0:46:08 | |
Please. Let me walk you back. | 0:46:08 | 0:46:10 | |
Thank you but there's somewhere I need to go first. | 0:46:13 | 0:46:18 | |
CHUMMY GASPS | 0:46:37 | 0:46:39 | |
THEY STIFLE LAUGHTER | 0:46:41 | 0:46:43 | |
LABOURED BREATHING | 0:46:48 | 0:46:51 | |
Put this on. | 0:46:52 | 0:46:54 | |
It's Mater's. | 0:46:56 | 0:46:58 | |
WHEEZING | 0:47:16 | 0:47:19 | |
CHUMMY SNIFFLES | 0:47:40 | 0:47:42 | |
LABOURED BREATHING | 0:48:26 | 0:48:28 | |
I love you. | 0:48:48 | 0:48:50 | |
SHE SOBS | 0:48:55 | 0:48:57 | |
-MATURE JENNY: -'The departure of life eclipses everything. | 0:48:57 | 0:49:01 | |
'When a death is good, the room is filled with peace, | 0:49:02 | 0:49:07 | |
'and all the pain that went before it is forgotten. | 0:49:07 | 0:49:12 | |
'Where there was mystery, there is knowledge, | 0:49:12 | 0:49:15 | |
'where there was fear, there is love.' | 0:49:15 | 0:49:18 | |
May I have everybody's attention. | 0:49:23 | 0:49:25 | |
As you know, Timothy has had to go back for his sheet music, | 0:49:25 | 0:49:29 | |
which he forgot. As soon as he arrives, | 0:49:29 | 0:49:32 | |
we will be catching the bus to St Dacorum's church. | 0:49:32 | 0:49:36 | |
The fare will be sixpence each way but if anyone | 0:49:36 | 0:49:39 | |
is in difficulties, will they please talk to me or Mr Hereward. | 0:49:39 | 0:49:43 | |
At last! I wondered what had kept you. | 0:49:44 | 0:49:49 | |
It was the adoption agency. There was a phone call. | 0:49:49 | 0:49:52 | |
-Thank you, Doctor. -You're welcome. | 0:49:57 | 0:49:58 | |
Patrick. The adoption agency have a baby girl. | 0:50:01 | 0:50:04 | |
They need us to go straight there. | 0:50:04 | 0:50:06 | |
Well, how much have they told you? | 0:50:06 | 0:50:08 | |
Hardly anything! Just that the mother is only 16. | 0:50:08 | 0:50:11 | |
She was meant to be taking the baby home with her, | 0:50:11 | 0:50:14 | |
but at the last minute her parents have changed their minds. | 0:50:14 | 0:50:17 | |
-That's terrible. -Tim. -That's why they want a speedy settlement. | 0:50:17 | 0:50:20 | |
To spare further trauma for those involved. | 0:50:20 | 0:50:23 | |
Mrs Turner shows great faith in us. | 0:50:28 | 0:50:30 | |
I can't even get them in a straight line! Oi, stop that. | 0:50:30 | 0:50:32 | |
This is a community choir, | 0:50:32 | 0:50:34 | |
not a conga line at the Hammersmith Palais! | 0:50:34 | 0:50:36 | |
And if you don't keep up, | 0:50:36 | 0:50:38 | |
my next weapon will be the heel of my stiletto! | 0:50:38 | 0:50:41 | |
-Charming(!) -Go on! | 0:50:41 | 0:50:43 | |
Baby Jones is at the far end of the room, on the right. | 0:50:45 | 0:50:48 | |
There's a little felt sunflower attached to her cot. | 0:50:48 | 0:50:53 | |
Perhaps Master Turner would like to wait in the office with me? | 0:50:53 | 0:50:56 | |
Do you want to go in alone? | 0:51:05 | 0:51:07 | |
No, Patrick. | 0:51:07 | 0:51:09 | |
This is the closest I'm ever going to get to giving birth. | 0:51:09 | 0:51:13 | |
And I want, and I need, you to be by my side. | 0:51:13 | 0:51:15 | |
What's she like? | 0:51:52 | 0:51:53 | |
Close your eyes. | 0:51:55 | 0:51:57 | |
BABY GRIZZLES | 0:52:09 | 0:52:12 | |
Here's your mummy. | 0:52:21 | 0:52:22 | |
We have a daughter. | 0:52:34 | 0:52:36 | |
# May the good Lord bless and keep you | 0:52:44 | 0:52:49 | |
# Whether near or far away | 0:52:49 | 0:52:54 | |
# May you find that long awaited | 0:52:54 | 0:52:59 | |
# Golden day today | 0:52:59 | 0:53:04 | |
# May your troubles all be small ones | 0:53:04 | 0:53:10 | |
# And your fortunes ten times ten | 0:53:10 | 0:53:15 | |
# May the good Lord bless and keep you | 0:53:15 | 0:53:20 | |
# Till we meet again | 0:53:20 | 0:53:25 | |
# May you walk with sunlight shining | 0:53:26 | 0:53:30 | |
# And a bluebird in every tree | 0:53:30 | 0:53:36 | |
# May there be a silver lining | 0:53:36 | 0:53:41 | |
# Back on every cloud you see | 0:53:41 | 0:53:46 | |
# Fill your dreams with sweet tomorrows | 0:53:46 | 0:53:52 | |
# Never mind what might have been | 0:53:52 | 0:53:57 | |
# May the good Lord bless and keep you | 0:53:57 | 0:54:03 | |
# Till we meet again | 0:54:03 | 0:54:08 | |
# May the good Lord bless and keep you | 0:54:08 | 0:54:14 | |
# Till we meet | 0:54:14 | 0:54:17 | |
# Till we meet again. # | 0:54:17 | 0:54:25 | |
-ALL: Goodbye! -Congratulations! | 0:54:26 | 0:54:28 | |
Good night. | 0:54:28 | 0:54:29 | |
Shall I give the winner's trophy to Mrs Turner, or would you like to? | 0:54:29 | 0:54:33 | |
I don't think she'll even notice. | 0:54:33 | 0:54:34 | |
She's been given the prize of a lifetime today. | 0:54:34 | 0:54:37 | |
The baby? | 0:54:37 | 0:54:39 | |
It's just such a magical thought. | 0:54:39 | 0:54:41 | |
These souls that have never met being put together for a lifetime. | 0:54:41 | 0:54:46 | |
That's quite a deep thought for a Saturday evening. | 0:54:47 | 0:54:50 | |
Well, it might surprise you to hear this, but I'm quite a deep girl. | 0:54:50 | 0:54:54 | |
I know. | 0:54:56 | 0:54:57 | |
Why are we so low on chloral hydrate? | 0:55:10 | 0:55:12 | |
It's a sedative, not a pre-labour cocktail snack. | 0:55:12 | 0:55:16 | |
It should be administered sparingly! | 0:55:16 | 0:55:18 | |
Sisters. And ladies... | 0:55:18 | 0:55:20 | |
..Nurse Lee has some news for us. | 0:55:21 | 0:55:24 | |
I've handed my notice in. | 0:55:28 | 0:55:29 | |
Oh, I say! | 0:55:31 | 0:55:33 | |
I'm moving away to take up a position as a Staff Nurse | 0:55:34 | 0:55:37 | |
at the Marie Curie Hospital. | 0:55:37 | 0:55:40 | |
I want to work with the dying. | 0:55:40 | 0:55:42 | |
And a cancer hospital seems as good a place as any. | 0:55:42 | 0:55:45 | |
Are you absolutely sure, Jenny? | 0:55:46 | 0:55:48 | |
Yes. | 0:55:48 | 0:55:50 | |
It's what I feel called to do. | 0:55:52 | 0:55:54 | |
Right, Philip Worth, good luck. | 0:56:00 | 0:56:02 | |
I... | 0:56:03 | 0:56:05 | |
You look lovely. | 0:56:07 | 0:56:08 | |
Go on. | 0:56:10 | 0:56:12 | |
# I look at you... # | 0:56:16 | 0:56:19 | |
Thank you. Lovely. | 0:56:19 | 0:56:22 | |
# ..And I say to myself | 0:56:22 | 0:56:25 | |
# What more could I want... # | 0:56:25 | 0:56:28 | |
-Come in. -Thank you. | 0:56:28 | 0:56:31 | |
# ..if I had you? # | 0:56:31 | 0:56:34 | |
-MATURE JENNY: -'I was leaving midwifery behind but Nonnatus House | 0:56:34 | 0:56:40 | |
'was where my family lived and I would love it forever. | 0:56:40 | 0:56:45 | |
'My time there had shaped me as it shaped every life it touched.' | 0:56:45 | 0:56:51 | |
# ..My head in a cloud... # | 0:56:51 | 0:56:56 | |
-The nightdress. You kept it? -For you. For better times to come. | 0:56:56 | 0:57:04 | |
# ..I look at you and I say to myself | 0:57:04 | 0:57:08 | |
# What more could I want...? # | 0:57:08 | 0:57:12 | |
-MATURE JENNY: -'I would marry Philip Worth, though I did not know | 0:57:12 | 0:57:16 | |
'it then, and we would have two daughters of our own. | 0:57:16 | 0:57:19 | |
'The young can't see what lies ahead | 0:57:19 | 0:57:22 | |
'and perhaps that is their blessing and their sorrow.' | 0:57:22 | 0:57:26 | |
# ..I stand and I stare, my head in a cloud... # | 0:57:30 | 0:57:35 | |
BICYCLE BELL RINGS | 0:57:35 | 0:57:36 | |
THEY LAUGH | 0:57:36 | 0:57:39 | |
# ..I look at you | 0:57:41 | 0:57:46 | |
# And I say to my heart | 0:57:46 | 0:57:50 | |
# What chance would I have while at...? # | 0:57:52 | 0:57:59 | |
'I never lost touch with the convent or the friends I found there. | 0:57:59 | 0:58:04 | |
'Their story continued, as did my desire to tell the wider world. | 0:58:04 | 0:58:10 | |
'For what is joy if it goes unrecorded? | 0:58:12 | 0:58:16 | |
'And what is love if it is not shared?' | 0:58:16 | 0:58:20 | |
-Stay safe. Goodbye. ALL: -Goodbye. | 0:58:20 | 0:58:23 |