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FOOTSTEPS CAMERA CLICKS | 0:00:03 | 0:00:06 | |
SHE BREATHES HEAVILY | 0:00:16 | 0:00:20 | |
# How many tears do you cry | 0:00:56 | 0:00:59 | |
# If love should break your heart in two? | 0:00:59 | 0:01:05 | |
# How many tears will I cry | 0:01:05 | 0:01:08 | |
# Now that I know I'm losing you? | 0:01:08 | 0:01:13 | |
# I can't stop wanting you | 0:01:14 | 0:01:17 | |
# And no matter what you do | 0:01:17 | 0:01:22 | |
# You're still a part of me | 0:01:22 | 0:01:26 | |
-# Even though I'm losing you, oh... # -Get a move on! | 0:01:26 | 0:01:33 | |
# How many years will go by | 0:01:33 | 0:01:37 | |
# Before my heart begins to mend? | 0:01:37 | 0:01:42 | |
# Waiting and wondering why | 0:01:42 | 0:01:46 | |
# I never thought our love could end | 0:01:46 | 0:01:50 | |
# I try forgetting you | 0:01:51 | 0:01:55 | |
# But you're still here on my mind | 0:01:55 | 0:01:59 | |
# It would take a miracle | 0:01:59 | 0:02:04 | |
# But someday maybe I'll find | 0:02:04 | 0:02:09 | |
# That I'm in the loving arms of someone | 0:02:11 | 0:02:15 | |
# That I'll know, know he's the someone | 0:02:15 | 0:02:19 | |
# Who'll kiss all the heartache away... # | 0:02:19 | 0:02:26 | |
I don't think anyone would want what I have. | 0:02:28 | 0:02:30 | |
I know I don't. | 0:02:30 | 0:02:32 | |
They're starting to get me down now. | 0:02:32 | 0:02:34 | |
-It's because we're all millionaires. -Are we? No-one told me. | 0:02:34 | 0:02:37 | |
-Turns out we are. Our houses. -Oh. Our houses. | 0:02:37 | 0:02:41 | |
Not real millionaires, then. | 0:02:41 | 0:02:43 | |
You wouldn't find a doctor down here before. Or a banker. | 0:02:43 | 0:02:46 | |
-I see. -Albert was a solicitor's clerk. | 0:02:46 | 0:02:49 | |
That is £12.80, mate. Thank you. | 0:02:49 | 0:02:51 | |
And then the immigrants started coming. | 0:02:51 | 0:02:54 | |
West Indians first, then Indians like yourself. | 0:02:54 | 0:02:57 | |
No. Pakistani. | 0:02:57 | 0:02:59 | |
Oh, sorry, beg your pardon. | 0:02:59 | 0:03:02 | |
Hindus. Muslims. Sikhs. | 0:03:02 | 0:03:04 | |
Albert didn't much like change, I'm afraid. | 0:03:05 | 0:03:08 | |
He was old-fashioned, perhaps. That is £7.21, please. | 0:03:08 | 0:03:11 | |
It wasn't just the immigrants. | 0:03:11 | 0:03:12 | |
He didn't much care for speed bumps either. | 0:03:12 | 0:03:14 | |
-Dead set against loft conversions. -I see. | 0:03:14 | 0:03:16 | |
You know it took him a year to agree to roller blinds? | 0:03:16 | 0:03:21 | |
If he knew what was happening now. | 0:03:21 | 0:03:24 | |
Digging down into their basements, he wouldn't like that. | 0:03:24 | 0:03:26 | |
He might like the prices the houses fetch. Who wouldn't? | 0:03:26 | 0:03:30 | |
Can you just shelve those peas before you go? | 0:03:30 | 0:03:32 | |
Oh sorry, brother. I've got an economics tutorial at 11. | 0:03:32 | 0:03:35 | |
Oh! Isn't this economics? | 0:03:35 | 0:03:36 | |
Have you put on weight since yesterday? | 0:03:36 | 0:03:39 | |
-And that's your considered reply? -Do you agree with me, Rohinka? | 0:03:39 | 0:03:41 | |
Ahmed is looking like a man with one chin too many? | 0:03:41 | 0:03:43 | |
-I wouldn't know. Fatima! Get a move on. -Whoa! | 0:03:43 | 0:03:45 | |
-What are you doing to my stock? -Be careful what you feed him, Rohinka. | 0:03:45 | 0:03:48 | |
He's turning into another ghee-fattened South Asian. | 0:03:48 | 0:03:51 | |
-My duty as a Muslim. -How do you know that isn't how I like him? | 0:03:51 | 0:03:53 | |
Get a shave and stop being... Give me that. | 0:03:53 | 0:03:55 | |
And stop being such a prick! Go on! | 0:03:55 | 0:03:57 | |
You need to have a word with Usman. | 0:03:57 | 0:03:59 | |
We don't want him volunteering for Syria or something. | 0:03:59 | 0:04:02 | |
Usman isn't going anywhere. He gets vertigo going north of the river. | 0:04:02 | 0:04:05 | |
-What does this mean? -It doesn't mean anything. | 0:04:05 | 0:04:07 | |
Like most of the stuff that comes through the letterbox. | 0:04:07 | 0:04:10 | |
Are you all right getting up, Mrs Howe? | 0:04:10 | 0:04:12 | |
You stay there for as long as you like. | 0:04:12 | 0:04:14 | |
Just a little wobble. I'm right as rain now, thank you. | 0:04:14 | 0:04:16 | |
Oh! | 0:04:18 | 0:04:19 | |
Where the builders' scaffolding is. I'm just after that. | 0:04:35 | 0:04:39 | |
Yes, Mrs Yount, no problem for you. I'll be right there. | 0:04:39 | 0:04:43 | |
No, no. Just move the 9.30 to 10 and the 10 till after lunch. | 0:04:45 | 0:04:50 | |
It's only the French. | 0:04:50 | 0:04:51 | |
Thanks, Jessica. | 0:04:53 | 0:04:54 | |
Lovely day, boys. Good morning, Pilar. | 0:04:56 | 0:05:00 | |
Ah, Bogdan. Good morning. | 0:05:00 | 0:05:01 | |
Now, where do you stand vis-a-vis cedar wood cladding? | 0:05:01 | 0:05:05 | |
Oh, you are joking, aren't you? Ah, you people make me sick! Ugh! | 0:05:05 | 0:05:09 | |
ENGINE STARTS | 0:05:12 | 0:05:14 | |
You can put your feet up now, eh? | 0:05:18 | 0:05:20 | |
-Oh, that is a relief, to get home. -Yeah. | 0:05:20 | 0:05:22 | |
ARABELLA: It's odd, isn't it? Second-class stamp. | 0:05:25 | 0:05:28 | |
"We want what you have." An estate agent, I think. | 0:05:28 | 0:05:31 | |
I buy new, everything top spec. | 0:05:33 | 0:05:35 | |
You know me, Mrs Yount, my personal guarantee. £12,000. | 0:05:35 | 0:05:40 | |
I could probably throw in the wiring and the down lighters for that. | 0:05:40 | 0:05:44 | |
And we do half cash, half through the books. | 0:05:44 | 0:05:46 | |
It's not that I don't like the wet room you've installed. | 0:05:46 | 0:05:49 | |
-It's just that... Well, we never use it. -It's your home. | 0:05:49 | 0:05:52 | |
It has to be just right. Do you want to talk about it with your husband? | 0:05:52 | 0:05:56 | |
Roger? No. Roger's got other things on his mind. | 0:05:56 | 0:06:00 | |
TRAIN RATTLES | 0:06:00 | 0:06:04 | |
SIREN WAILS | 0:06:10 | 0:06:12 | |
-MARK: -...to trade on Monday. Pinker Lloyd, Mark Haydon. Yes. | 0:06:25 | 0:06:29 | |
Ah, lovely. Five minutes. | 0:06:30 | 0:06:32 | |
We're seeing some strange patterns in the Vix. | 0:06:35 | 0:06:37 | |
The levels of volatility, when we crunched down, | 0:06:37 | 0:06:40 | |
are not correlated with the underlying movement of our assets. | 0:06:40 | 0:06:44 | |
So, it's beginning to look like we're moving away from anything | 0:06:44 | 0:06:46 | |
we can simulate using historically-based algorithms. | 0:06:46 | 0:06:49 | |
Roger? | 0:06:52 | 0:06:53 | |
Thank you, Mark. Yes, I think that pretty much covers all the bases. | 0:06:54 | 0:06:59 | |
No need to over-elaborate on the terminology. | 0:06:59 | 0:07:01 | |
We all know you're a clever young man. | 0:07:01 | 0:07:03 | |
Yes. Thank you, Mark. | 0:07:03 | 0:07:05 | |
Good. | 0:07:11 | 0:07:12 | |
Yes, he's shaping up, Mark. He's... | 0:07:15 | 0:07:16 | |
..a bit rough around the edges but he'll get there. They're a good lot. | 0:07:17 | 0:07:22 | |
Work hard, play hard. And not just at this time of year. | 0:07:22 | 0:07:26 | |
You know, bonus season round the corner. | 0:07:28 | 0:07:32 | |
Figures are looking pretty good. | 0:07:32 | 0:07:34 | |
£75 million on a £625 million turnover. | 0:07:34 | 0:07:37 | |
Not so dusty in the current climate. | 0:07:37 | 0:07:39 | |
As I said, they're looking pretty good. | 0:07:39 | 0:07:42 | |
Whoo! | 0:08:06 | 0:08:07 | |
ON TANNOY: 'Mr Barry Cultaire.' | 0:08:33 | 0:08:35 | |
Hello. | 0:08:35 | 0:08:37 | |
-MAN: -I know, lost the keys, yeah. And no, all over the taxi. | 0:08:37 | 0:08:41 | |
Becks? No, no, she didn't come out. | 0:08:41 | 0:08:42 | |
No, she's still got that problem, ain't she? That problem with James. | 0:08:42 | 0:08:45 | |
Yeah. No, they're not seeing each other any more. | 0:08:45 | 0:08:47 | |
'Mrs Petunia Howe, please?' | 0:08:47 | 0:08:49 | |
Yeah, I'll give you a call. Tomorrow. No... | 0:08:49 | 0:08:52 | |
-'Mrs Petunia Howe, please.' -We're not doing that. | 0:08:52 | 0:08:55 | |
I'm just going to listen to your heart, if that's OK? | 0:08:55 | 0:08:58 | |
No, no. No need for that. | 0:09:00 | 0:09:03 | |
Please. | 0:09:03 | 0:09:04 | |
-ANNOUNCER: -'The next station is Clapham Common.' | 0:09:36 | 0:09:39 | |
-ANNOUNCER: -'Ladies and gentlemen, this is your service update. | 0:09:42 | 0:09:45 | |
'There is a good service on all lines.' | 0:09:45 | 0:09:47 | |
That's £5.10. | 0:10:00 | 0:10:02 | |
-Don't you ever sleep? -Eight hours a night, sir. The sleep of the just. | 0:10:17 | 0:10:21 | |
-Evening. -Hi. | 0:10:26 | 0:10:28 | |
-Hey, how are you doing? -Hi. | 0:10:28 | 0:10:30 | |
BOTH SPEAK POLISH | 0:10:30 | 0:10:32 | |
-Oh! -Gran. | 0:10:44 | 0:10:46 | |
Graham! What are you doing here? | 0:10:46 | 0:10:48 | |
You all right? | 0:10:50 | 0:10:51 | |
Oh! | 0:10:54 | 0:10:56 | |
These look dear. Where did you get the money to buy these? | 0:10:57 | 0:11:00 | |
This is my favourite room in the whole world. | 0:11:00 | 0:11:02 | |
Retro doesn't even begin to cover it. | 0:11:02 | 0:11:05 | |
You know your mum has organised this home delivery over the internet now. | 0:11:05 | 0:11:09 | |
They come, they deliver, even take their bags away. | 0:11:09 | 0:11:12 | |
You can get anything over the internet now, Gran. | 0:11:12 | 0:11:14 | |
Flats, cars, lovers. | 0:11:14 | 0:11:16 | |
SHE LAUGHS | 0:11:16 | 0:11:17 | |
I think I'll just stick to Tesco's home delivery for now. | 0:11:17 | 0:11:20 | |
I wonder why Mum didn't get your sense of humour. | 0:11:22 | 0:11:25 | |
Takes after her dad, I'm afraid. | 0:11:25 | 0:11:27 | |
Hold up. | 0:11:29 | 0:11:30 | |
I'll have them open in no time. | 0:11:32 | 0:11:34 | |
What are these, Gran? | 0:11:40 | 0:11:42 | |
Oh, somebody trying to sell me something. Usually is. | 0:11:43 | 0:11:46 | |
-Do you mind if I borrow them? -No, of course I don't. | 0:11:46 | 0:11:48 | |
Got those chocolates open yet? | 0:11:48 | 0:11:50 | |
Supper in 20 minutes. You just have time to read Conrad a story. | 0:11:53 | 0:11:56 | |
Does he read himself yet? How much are we paying that prep? | 0:11:56 | 0:12:00 | |
-Look, Daddy! -Hmm. What's that supposed to be? | 0:12:00 | 0:12:04 | |
-A spaceship. -Oh, yes. Of course. | 0:12:04 | 0:12:07 | |
-Does that taste young to you? -He spent all afternoon on that painting. | 0:12:10 | 0:12:14 | |
That's even more worrying. | 0:12:14 | 0:12:15 | |
I don't suppose you remembered to pick up | 0:12:17 | 0:12:19 | |
the pomegranate molasses, did you? | 0:12:19 | 0:12:21 | |
FOOTSTEPS | 0:12:21 | 0:12:23 | |
Tell you what. This is a better idea. | 0:12:26 | 0:12:28 | |
Yeah. Here. | 0:12:31 | 0:12:32 | |
This is someone who knows what they're doing. | 0:12:33 | 0:12:35 | |
-MAN ON CD: -'Mole had been working very hard all morning, | 0:12:40 | 0:12:43 | |
-'spring-cleaning his little home. First with brooms...' -See? | 0:12:43 | 0:12:46 | |
-'..then with dusters, then on ladders...' -Much better than me. | 0:12:46 | 0:12:50 | |
-'..with a brush and a pail of whitewash.' -Right. | 0:12:50 | 0:12:53 | |
'..dust in his throat and eyes. | 0:12:53 | 0:12:55 | |
-'And splashes of whitewash all over his black fur...' -Night, night. | 0:12:55 | 0:12:58 | |
'..and an aching back weary arms. Spring was moving in the air above | 0:12:58 | 0:13:02 | |
'and in the earth below and around him, | 0:13:02 | 0:13:04 | |
'penetrating even his dark and lowly little house.' | 0:13:04 | 0:13:07 | |
CAMERA CLICKS | 0:13:07 | 0:13:10 | |
"The figures look pretty good". Is that all that Lothar said? | 0:13:32 | 0:13:37 | |
You're forgetting one pertinent fact. He's German. | 0:13:37 | 0:13:41 | |
Masters of understatement. | 0:13:41 | 0:13:43 | |
A German saying, "The figures look good" is an Englishman saying, | 0:13:43 | 0:13:46 | |
"Million pound bonus." | 0:13:46 | 0:13:48 | |
Well, at least we'll have something to pay Bogdan with. | 0:13:48 | 0:13:51 | |
While he's doing the bathroom, | 0:13:51 | 0:13:53 | |
I thought he could do Conrad's room at the same time. Dinosaur theme. | 0:13:53 | 0:13:57 | |
Perhaps when we're away in the summer, | 0:13:57 | 0:13:59 | |
he can give this place the once-over. | 0:13:59 | 0:14:01 | |
Perhaps you should get Pinker Lloyd to pay Bogdan my bonus direct. | 0:14:01 | 0:14:04 | |
He must be worth more than both of us. | 0:14:04 | 0:14:06 | |
What is that supposed to mean? | 0:14:06 | 0:14:08 | |
You'd be surprised how little £1 million actually covers these days. | 0:14:08 | 0:14:13 | |
Conrad's school fees, the nannies, your car, my car, family car, | 0:14:13 | 0:14:18 | |
tax, pensions, your frock money. | 0:14:18 | 0:14:21 | |
A weekend house, the extension on the weekend house, holidays. | 0:14:21 | 0:14:27 | |
The wet room, slate tiles. | 0:14:27 | 0:14:30 | |
Kitchen, the extension, the basement. Gardeners for both houses. | 0:14:30 | 0:14:35 | |
Name of one of those things that isn't absolutely essential. | 0:14:35 | 0:14:38 | |
No, I know, it's just... | 0:14:38 | 0:14:40 | |
Sometimes feels as if my bonus has already been spent | 0:14:40 | 0:14:43 | |
before I've trousered it. | 0:14:43 | 0:14:44 | |
Still... | 0:14:46 | 0:14:47 | |
Goodnight. | 0:14:50 | 0:14:52 | |
Oh. | 0:14:54 | 0:14:56 | |
I'm no feminist, Roger, | 0:14:56 | 0:14:57 | |
but a lecture on thrift does not constitute foreplay. Ever. | 0:14:57 | 0:15:02 | |
It's very disappointing. | 0:15:03 | 0:15:05 | |
SIRENS WAIL | 0:15:23 | 0:15:25 | |
-Evening, sir. -All right, Mashinko? | 0:16:12 | 0:16:14 | |
-Daddy? -Mm-hm. -What's this? | 0:16:52 | 0:16:54 | |
-And why are they taking pictures of Mummy? -I don't know. | 0:16:58 | 0:17:01 | |
HE CLEARS HIS THROAT | 0:17:01 | 0:17:04 | |
Have you done those, uh, those papers? | 0:17:04 | 0:17:06 | |
The paper boys will be here in a minute. Come on. | 0:17:06 | 0:17:08 | |
Hello? | 0:17:14 | 0:17:15 | |
Hello, sir. Yeah, I'd like to report an offence. Yes. | 0:17:17 | 0:17:21 | |
I'm not sure what the offence is just yet. | 0:17:21 | 0:17:25 | |
Perhaps if you could send an officer around who could tell me? | 0:17:25 | 0:17:28 | |
TRAIN RUMBLES | 0:17:35 | 0:17:38 | |
MEN SPEAK YORUBA | 0:18:07 | 0:18:11 | |
WOMAN: It's all politics, I'm afraid. | 0:18:23 | 0:18:25 | |
The government are sticking to their 2010 policy of forced repatriations | 0:18:25 | 0:18:29 | |
and reviewing the refugee status of most Zimbabweans. | 0:18:29 | 0:18:32 | |
-Am I in the most? -I'm afraid you won't know until you get the letter. | 0:18:32 | 0:18:35 | |
If I return, I will be killed. | 0:18:36 | 0:18:40 | |
-Perhaps you'll be lucky. -Yes. | 0:18:40 | 0:18:43 | |
Perhaps I will only be raped. | 0:18:43 | 0:18:45 | |
No. What I meant was, if you haven't received a letter by now, | 0:18:46 | 0:18:51 | |
it may not happen. | 0:18:51 | 0:18:53 | |
Civil service cuts might work in your favour. | 0:18:53 | 0:18:56 | |
I know what you meant. | 0:18:56 | 0:18:57 | |
-You do know you're not legally permitted to work, don't you? -Yes. | 0:19:02 | 0:19:06 | |
I am aware of that. | 0:19:06 | 0:19:08 | |
We wouldn't bother you with this normally | 0:19:15 | 0:19:17 | |
but it's the taking of photographs without us knowing. | 0:19:17 | 0:19:20 | |
With the children and so on, we do worry... | 0:19:20 | 0:19:22 | |
-You have every right to call us. -We called you three weeks ago. | 0:19:22 | 0:19:26 | |
Unless a crime has actually been committed... | 0:19:26 | 0:19:28 | |
Have you spoken to Mrs Howe? The elderly lady at Number 84? | 0:19:28 | 0:19:31 | |
She gets them too. | 0:19:31 | 0:19:32 | |
We have had calls from some of your other neighbours, yes. | 0:19:32 | 0:19:34 | |
-That's why I'm here now. -Because white people have complained? | 0:19:34 | 0:19:37 | |
I can assure you this will be taken very seriously at the highest level. | 0:19:37 | 0:19:41 | |
I do have a copy of our diversity mission statement, if you... | 0:19:41 | 0:19:46 | |
Cheers. | 0:19:46 | 0:19:47 | |
-Have we been robbed? -No, the postcard thing. | 0:19:47 | 0:19:50 | |
-You could file it under Islamophobia and forget all about it. -Usman... | 0:19:50 | 0:19:53 | |
No, no, no. Perfectly valid line of inquiry. | 0:19:53 | 0:19:56 | |
This could constitute harassment, trespass. | 0:19:56 | 0:19:59 | |
Antisocial behaviour, even. May I...take those? | 0:19:59 | 0:20:02 | |
-Help yourself. There'll be more. -Um, why do you say that? | 0:20:03 | 0:20:07 | |
If it's a viral ad campaign, | 0:20:07 | 0:20:08 | |
then they aren't going to stop till they reveal the punchline, are they? | 0:20:08 | 0:20:11 | |
And if it's a wind-up, then they'll take it further. It will get worse. | 0:20:11 | 0:20:15 | |
I'm sorry about Shahid. He's a student. | 0:20:18 | 0:20:20 | |
This is the third degree he started. | 0:20:20 | 0:20:22 | |
He hasn't finished any but he likes to start. | 0:20:22 | 0:20:25 | |
Well, he's probably right. | 0:20:25 | 0:20:28 | |
About the escalation, I mean. That's what I'm worried about. | 0:20:28 | 0:20:31 | |
Do you have any idea why anybody would send these postcards | 0:20:45 | 0:20:47 | |
to you and your neighbours? | 0:20:47 | 0:20:49 | |
Class envy. It's the mansion tax written by a hooligan. | 0:20:49 | 0:20:53 | |
The rich are an easy target. | 0:20:53 | 0:20:55 | |
That and the fact the police have the spend more time | 0:20:55 | 0:20:57 | |
on political correctness courses and not enough time catching criminals. | 0:20:57 | 0:21:01 | |
Well, it's a theory, I suppose. | 0:21:01 | 0:21:02 | |
We have a weekend house in the Cotswolds and we have to pay someone | 0:21:02 | 0:21:05 | |
to keep an eye on that. | 0:21:05 | 0:21:06 | |
Squatters, gypsies. | 0:21:06 | 0:21:08 | |
I do worry the same thing might be happening in London. | 0:21:08 | 0:21:11 | |
I do realise the plights of the middle classes | 0:21:11 | 0:21:14 | |
are hardly your priority these days. | 0:21:14 | 0:21:16 | |
-JOSHUA: Bogdan! -Come estas, Pilar? Todo bien? -Stop! Don't you dare! | 0:21:24 | 0:21:27 | |
We did the scan in order to eliminate the possibility of a brain tumour. | 0:21:37 | 0:21:40 | |
Yes. You explained. | 0:21:42 | 0:21:43 | |
But unfortunately...you have a large tumour. | 0:21:45 | 0:21:49 | |
And it has grown surprisingly quickly for someone your age. | 0:21:49 | 0:21:53 | |
-I've got cancer? -Not strictly, no. | 0:21:57 | 0:22:00 | |
Brain tumour is not a form of cancer. | 0:22:00 | 0:22:02 | |
But you have a tumour | 0:22:02 | 0:22:05 | |
and I'm sorry to say that there is evidence that it is growing. | 0:22:05 | 0:22:08 | |
I see. | 0:22:10 | 0:22:12 | |
So I'm dying, is that what you're telling me? | 0:22:14 | 0:22:17 | |
We could perhaps treat the tumour with chemotherapy. | 0:22:17 | 0:22:20 | |
No. | 0:22:21 | 0:22:23 | |
-Thank you, but no. -You... | 0:22:24 | 0:22:26 | |
-You don't have to decide here and now. -I have decided. | 0:22:26 | 0:22:29 | |
And it's no. | 0:22:31 | 0:22:32 | |
I speak to her every week. I check on her online delivery. | 0:23:26 | 0:23:29 | |
She sounds absolutely fine. | 0:23:29 | 0:23:31 | |
Of course she's going to say she's all right on the phone, isn't she? | 0:23:31 | 0:23:33 | |
-If there was anything seriously wrong, I'd know. -What's that? | 0:23:33 | 0:23:37 | |
A psychic thing because you're such a close mother and daughter? | 0:23:37 | 0:23:41 | |
I realise that parents are always a disappointment | 0:23:41 | 0:23:43 | |
to their children, Graham. | 0:23:43 | 0:23:45 | |
-Just go and see her for yourself. -Easier said than done. | 0:23:46 | 0:23:50 | |
Two hours there, two hours back. I work full time. | 0:23:50 | 0:23:54 | |
I've told her she should move closer to us. I could do more for her then. | 0:23:54 | 0:23:58 | |
-Be nicer for her too. -She likes it where she is. | 0:23:58 | 0:24:01 | |
Where she doesn't know anybody any more? Where she's got no support? | 0:24:01 | 0:24:04 | |
HE SCOFFS | 0:24:04 | 0:24:05 | |
-Let's hope I'm a bit kinder when it's your turn to be old. -Kinder? | 0:24:05 | 0:24:09 | |
Do you know what, Graham? | 0:24:09 | 0:24:11 | |
I can't remember the last kind thing you said or did for me. | 0:24:11 | 0:24:14 | |
Just go and see her. | 0:24:21 | 0:24:22 | |
MAN RECITES PRAYERS | 0:24:52 | 0:24:55 | |
ALL: Ameen. | 0:25:02 | 0:25:04 | |
-MAN: -Allahu Akbar. | 0:25:04 | 0:25:07 | |
-Allahu Akbar. -Allahu Akbar... | 0:25:09 | 0:25:12 | |
What a terrible thing to happen to such a devout young man. | 0:25:26 | 0:25:29 | |
It was your bike. | 0:25:30 | 0:25:32 | |
-Insha'Allah, it will turn up. -Don't start, Mr Devout. | 0:25:33 | 0:25:36 | |
It's bad enough watching you showboating in there. | 0:25:36 | 0:25:38 | |
-Don't try it out here too. -What do you mean? | 0:25:38 | 0:25:40 | |
You pray from the outside, for show. | 0:25:40 | 0:25:42 | |
Don't think I haven't noticed cos I have. | 0:25:42 | 0:25:44 | |
Shahid? Shahid Karmal? | 0:25:45 | 0:25:49 | |
It's me, Iqbal Rashid! | 0:25:49 | 0:25:51 | |
Muslim Solidarity, remember? | 0:25:51 | 0:25:53 | |
Yeah. Of course. Iqbal. | 0:25:53 | 0:25:56 | |
-What are you doing here? -Looking for you, my brother. Looking for you! | 0:25:56 | 0:26:00 | |
My friend let me down. | 0:26:04 | 0:26:05 | |
-If it were not for that, I would not be having to turn to you. -I see. | 0:26:05 | 0:26:09 | |
Brothers shouldn't treat each other like that. | 0:26:09 | 0:26:11 | |
And we are brothers, aren't we? | 0:26:11 | 0:26:13 | |
You know, I often think of our days fighting imperialism. | 0:26:13 | 0:26:16 | |
I'll show you where stuff is, how to set up the sofa bed and all that. | 0:26:16 | 0:26:19 | |
Man, I am grateful. | 0:26:19 | 0:26:21 | |
-I feel all appropriate gratitude. -Right, good. | 0:26:21 | 0:26:26 | |
There's a match on Sky in 20 minutes so you might want to | 0:26:26 | 0:26:29 | |
-get sorted before that. -I don't follow kafir sport. | 0:26:29 | 0:26:31 | |
Lot of Muslim brothers playing these days. | 0:26:31 | 0:26:34 | |
I remember now you could be quite glib at times. | 0:26:34 | 0:26:37 | |
It isn't a good quality. We're going to have to work on that. | 0:26:37 | 0:26:41 | |
It took me about 30 seconds to recognise him. | 0:26:41 | 0:26:43 | |
-By then, it was too late to make an excuse. -So why has he turned up now? | 0:26:43 | 0:26:46 | |
-Here? Now? -Who knows? Maybe he needs a free spirit in his life. | 0:26:46 | 0:26:50 | |
-Ha! Or maybe a lazy halfwit. -Good morning. -Morning. | 0:26:50 | 0:26:53 | |
-That's for you. -Thank you. | 0:26:53 | 0:26:54 | |
I want to go back and get him! | 0:27:05 | 0:27:07 | |
-ARABELLA: -One morning without Buzz Lightyear | 0:27:07 | 0:27:09 | |
is not the end of the world. | 0:27:09 | 0:27:10 | |
Upper Richmond Road's going to be murder by now. | 0:27:12 | 0:27:15 | |
Careful! | 0:27:15 | 0:27:16 | |
Hmm! | 0:27:18 | 0:27:19 | |
-BOTH: -One, two, three, four, five, six, seven, eight, | 0:27:23 | 0:27:28 | |
nine, ten, 11, 12... | 0:27:28 | 0:27:31 | |
Coming! Ready or not! | 0:27:38 | 0:27:41 | |
-Where's Daddy? -Daddy! -Good boy. Where's Daddy, Conrad? Where is he? | 0:28:02 | 0:28:06 | |
-Where's Dad? -Daddy, Daddy! Where are you? | 0:28:09 | 0:28:12 | |
Come on, little man! Whoo! Let's see if we can find him in here. | 0:28:13 | 0:28:17 | |
-Daddy, Daddy! Where are you? -Roger! | 0:28:31 | 0:28:36 | |
HE CRIES | 0:28:37 | 0:28:39 | |
Roger! | 0:28:41 | 0:28:42 | |
Bingo! | 0:28:54 | 0:28:55 | |
Roger! | 0:29:03 | 0:29:06 | |
Roger! HE CRIES | 0:29:06 | 0:29:09 | |
Please, Roger! | 0:29:09 | 0:29:10 | |
Daddy! Where are you? | 0:29:13 | 0:29:15 | |
This has really gone beyond a joke, Rog! | 0:29:17 | 0:29:19 | |
Roger! | 0:29:21 | 0:29:22 | |
Daddy! Daddy! Where are you? | 0:29:23 | 0:29:29 | |
Both the boys are traumatised. | 0:29:45 | 0:29:46 | |
-That was a very mean. -It's character building. | 0:29:46 | 0:29:49 | |
-That's what men say when they've been very mean. -No, I'm serious. | 0:29:49 | 0:29:52 | |
They need a bit more rough and tumble. More falling out of trees. | 0:29:52 | 0:29:56 | |
I could take them fishing. Kayaking, even. Whatever kayaking is... | 0:29:56 | 0:30:00 | |
Swallows And Amazons is a fiction, Roger. Not a parenting guide. | 0:30:00 | 0:30:04 | |
Maybe we should spend the summer in Minchinhampton? | 0:30:04 | 0:30:07 | |
Really embrace nature. | 0:30:07 | 0:30:09 | |
There is no greater fan of the Cotswolds than I | 0:30:09 | 0:30:11 | |
but spending our summer holidays in our country house. | 0:30:11 | 0:30:14 | |
-Doesn't that strike you as a bit dowdy? -I could have a different life. | 0:30:14 | 0:30:17 | |
We all could, in the country. | 0:30:18 | 0:30:21 | |
-And do what, exactly? -Something. | 0:30:21 | 0:30:23 | |
I don't know. Something simpler. | 0:30:25 | 0:30:28 | |
Teach, perhaps. | 0:30:31 | 0:30:32 | |
It's moving. | 0:30:33 | 0:30:34 | |
-What? -The queue, it's moving. | 0:30:34 | 0:30:37 | |
KNOCKS ON DOOR Come! | 0:30:44 | 0:30:46 | |
Quentina. You look beautiful. | 0:30:56 | 0:31:00 | |
Did you dress up for me? | 0:31:00 | 0:31:01 | |
£300 this week. Somebody has been busy. | 0:31:07 | 0:31:11 | |
I worked overtime. | 0:31:11 | 0:31:13 | |
You work too hard, Quentina. | 0:31:13 | 0:31:15 | |
You need to enjoy life more. | 0:31:15 | 0:31:17 | |
-£200 just for you. -£200? | 0:31:22 | 0:31:26 | |
I've had to increase my commission, I'm afraid. | 0:31:26 | 0:31:29 | |
If you don't like it, you can have it paid into your own bank account. | 0:31:30 | 0:31:34 | |
-You know I cannot. -Yes, I do. | 0:31:34 | 0:31:36 | |
Which is why I'm happy to take this risk for you. So, £200 it is. | 0:31:38 | 0:31:44 | |
Perhaps a little kiss by way of thanks? | 0:31:47 | 0:31:50 | |
Have a lovely day. | 0:32:02 | 0:32:03 | |
"Kwama Lyons." | 0:32:05 | 0:32:07 | |
# And gladly take my station there | 0:32:09 | 0:32:16 | |
# And wait for thee | 0:32:16 | 0:32:20 | |
# Sweet hour of prayer | 0:32:20 | 0:32:24 | |
# Sweet hour of prayer, sweet hour of prayer | 0:32:25 | 0:32:33 | |
# Thy wings shall my petition bear | 0:32:34 | 0:32:41 | |
# To him whose truth and faithfulness | 0:32:42 | 0:32:50 | |
# Engage the waiting soul to bless | 0:32:51 | 0:32:59 | |
# And since he bids me seek his face | 0:33:00 | 0:33:08 | |
# Believe his word... # | 0:33:08 | 0:33:11 | |
I just wanted to say, that was really beautiful. Your singing. | 0:33:11 | 0:33:15 | |
Oh! | 0:33:15 | 0:33:17 | |
-Um, thank you, uh... -Quentina. -Thank you, Quentina. I am Mashinko. | 0:33:17 | 0:33:22 | |
-I look forward to singing with you again. -Hmm. | 0:33:23 | 0:33:26 | |
LAUGHTER ON TELEVISION | 0:33:51 | 0:33:54 | |
APPLAUSE ON TELEVISION | 0:34:01 | 0:34:04 | |
GUNSHOTS | 0:34:26 | 0:34:29 | |
-What are you doing? It's three in the morning. -Sorry. | 0:34:43 | 0:34:48 | |
I hope you don't mind me using your laptop. | 0:34:48 | 0:34:51 | |
No, I suppose not. | 0:34:51 | 0:34:53 | |
But if it's porn, then delete the history after you're done. | 0:34:53 | 0:34:56 | |
I can't say I understand this grooming ritual of yours | 0:35:20 | 0:35:24 | |
but much like Islam and Pilates, I've come to respect it. | 0:35:24 | 0:35:27 | |
I was thinking, there's no reason why this bonus might not be | 0:35:28 | 0:35:32 | |
closer to two million than one. | 0:35:32 | 0:35:34 | |
Given what we've achieved in the current climate. | 0:35:36 | 0:35:39 | |
Managed to steer the ship past the treacherous recession | 0:35:39 | 0:35:41 | |
and banker-bashing, Libor, mis-selling. | 0:35:41 | 0:35:44 | |
Really? | 0:35:44 | 0:35:46 | |
Ooh! | 0:35:46 | 0:35:47 | |
-Don't forget your lucky boxer shorts. -Thank you. | 0:35:53 | 0:35:56 | |
SHE SLAPS HIM AND LAUGHS | 0:35:59 | 0:36:02 | |
Lothar. | 0:36:18 | 0:36:19 | |
-Petra well? -Yes. -Toby, Isabella? | 0:36:23 | 0:36:27 | |
All good. Arabella, Conrad and, um...? | 0:36:27 | 0:36:31 | |
Joshua? | 0:36:31 | 0:36:32 | |
-Fit as fleas. You know what they're like. -Good year for the department. | 0:36:32 | 0:36:37 | |
The figures speak for themselves. | 0:36:37 | 0:36:39 | |
We are confident that your department's performance | 0:36:39 | 0:36:42 | |
is in the top quartile of the sector. | 0:36:42 | 0:36:44 | |
Your personal evaluations are strong. | 0:36:46 | 0:36:48 | |
The compensation committee is of the view | 0:36:48 | 0:36:50 | |
that your performance overall is strong. Very strong. | 0:36:50 | 0:36:53 | |
There is, of course, a context for all of this. | 0:36:54 | 0:36:58 | |
It is not just the wider problems in the industry. | 0:36:59 | 0:37:03 | |
There's also the difficulty we've been having | 0:37:03 | 0:37:05 | |
with our Swiss subsidiary. | 0:37:05 | 0:37:08 | |
Goes beyond routine volatility as a genuine loss. | 0:37:08 | 0:37:11 | |
HE WRETCHES | 0:37:32 | 0:37:34 | |
30 grand? | 0:37:36 | 0:37:37 | |
But... | 0:37:39 | 0:37:40 | |
Hmm, what is...? | 0:37:41 | 0:37:43 | |
Contribution. | 0:37:45 | 0:37:46 | |
This is... | 0:37:49 | 0:37:51 | |
..fundamentally not fair. | 0:37:51 | 0:37:52 | |
When I think of what I've done. | 0:37:54 | 0:37:56 | |
Basic pay? | 0:37:56 | 0:37:58 | |
What I have made for... | 0:38:00 | 0:38:03 | |
Billions. | 0:38:03 | 0:38:04 | |
It's not a question of greed. | 0:38:04 | 0:38:05 | |
It's justice. Hmm? | 0:38:07 | 0:38:10 | |
30 grand? And I... | 0:38:10 | 0:38:13 | |
I'll need a proper bonus, Lothar. I need the money. | 0:38:13 | 0:38:16 | |
You can't do this. This isn't how it works. What use is 30 grand? | 0:38:17 | 0:38:20 | |
What use is 30 grand to anybody? | 0:38:20 | 0:38:22 | |
DOOR OPENS AND CLOSES | 0:38:27 | 0:38:29 | |
Well? | 0:38:38 | 0:38:39 | |
-Well, what? -The bonus! Do you want me to guess? | 0:38:41 | 0:38:44 | |
It's been put off till after Christmas. | 0:38:45 | 0:38:48 | |
-Banks are worried about bad publicity at this time of year. -Oh. | 0:38:48 | 0:38:52 | |
-Well, January isn't that far away. -I'm sure we'll struggle through. | 0:38:52 | 0:38:57 | |
Pilar's leaving us at Christmas, isn't she? | 0:38:57 | 0:38:59 | |
Yes, and I expect some help. | 0:38:59 | 0:39:01 | |
I'm sure once you get used to your own children, | 0:39:02 | 0:39:04 | |
you'll get on like a house on fire. | 0:39:04 | 0:39:06 | |
I called the police again today about those postcards. | 0:39:08 | 0:39:11 | |
Hmm. Are they busy at Christmas? | 0:39:11 | 0:39:13 | |
Perhaps they could help out with the children? | 0:39:13 | 0:39:16 | |
I'm going to leave you alone with your sarcasm. | 0:39:16 | 0:39:18 | |
Anything else happened today? Chip a nail in Pilates? | 0:39:18 | 0:39:23 | |
Drop your credit card in Waitrose? | 0:39:23 | 0:39:24 | |
-Remember your children's names? -Just piss off, Roger! | 0:39:26 | 0:39:28 | |
DOOR SLAMS | 0:39:37 | 0:39:39 | |
-Um, you don't by any chance have any fresh coriander? -Oh, um... | 0:39:48 | 0:39:52 | |
Not in the shop, no, but hang on a moment. Rohinka! | 0:39:52 | 0:39:55 | |
Can we spare some coriander for a customer? | 0:39:55 | 0:39:58 | |
-Oh, that really is very kind of you. -No trouble, really. | 0:39:58 | 0:40:01 | |
-Are you getting these too? -Yeah, every day now. Everyone in the road. | 0:40:04 | 0:40:08 | |
It's horrible, isn't it? It's like living under siege. | 0:40:08 | 0:40:11 | |
-Where do you live? -I'm sorry? -Which road? | 0:40:11 | 0:40:14 | |
-Where are you getting these cards? -This road. | 0:40:14 | 0:40:17 | |
-I live on this road, number 92. -Oh, I see. I'm sorry, I didn't... | 0:40:17 | 0:40:20 | |
Thanks. | 0:40:22 | 0:40:23 | |
-How much do I owe you? -Oh, it's no trouble, really. Take it. | 0:40:24 | 0:40:28 | |
Thank you. | 0:40:29 | 0:40:30 | |
It's like being under siege. That's what the lady said. | 0:40:36 | 0:40:39 | |
Maybe she should try being in Pakistan | 0:40:39 | 0:40:41 | |
-when the drones come calling. -Say goodnight to Daadi-jan. | 0:40:41 | 0:40:44 | |
-You've only seen the fireworks over Battersea Bridge! -Night, night. | 0:40:44 | 0:40:47 | |
I'm just saying, white people have no idea. A few postcards? | 0:40:47 | 0:40:49 | |
It's more than postcards, it's a website now. | 0:40:49 | 0:40:51 | |
-'Hello, I'm still here. Your only mother.' -Goodnight, Ammi. | 0:40:51 | 0:40:54 | |
'Shah, how is your medical degree progressing?' | 0:40:54 | 0:40:57 | |
You know I'm not doing a medical degree. | 0:40:57 | 0:40:58 | |
'In which case, nobody is going to die | 0:40:58 | 0:41:00 | |
'if you come to Pakistan to visit your ailing mother.' | 0:41:00 | 0:41:02 | |
-Yeah! You are not ailing. -'How do you know? | 0:41:02 | 0:41:05 | |
'I thought you weren't doing a medical degree? | 0:41:05 | 0:41:07 | |
'I saw that Usman. Shahid has always been a good-for-nothing. | 0:41:07 | 0:41:12 | |
'I expect better from you. And Ahmed, have you put on weight again? | 0:41:12 | 0:41:16 | |
'Or is something wrong with my computer screen?' | 0:41:16 | 0:41:18 | |
OTHERS LAUGH | 0:41:18 | 0:41:20 | |
-Goodnight, Ammi. -Night, Ammi. -Night, night. -'Night.' | 0:41:20 | 0:41:23 | |
-I'd like to let her loose on Iqbal. -What's wrong with Iqbal? | 0:41:25 | 0:41:28 | |
He's so boring, he can cause a fundamental disruption | 0:41:28 | 0:41:31 | |
in the space-time continuum. | 0:41:31 | 0:41:32 | |
He's a one-man walking injustice and he stinks, | 0:41:32 | 0:41:36 | |
so he's cramping my style. | 0:41:36 | 0:41:37 | |
-What style is that? -Here speaks the fashion God! | 0:41:37 | 0:41:40 | |
He takes things more seriously than you do, that's all. | 0:41:40 | 0:41:43 | |
-Doesn't seem to me such a bad characteristic. -Get a shave. | 0:41:43 | 0:41:45 | |
Maybe what really bugs you is that he reminds you that you have sold out. | 0:41:45 | 0:41:49 | |
That you've passively accepted the state of injustice and oppression. | 0:41:49 | 0:41:52 | |
You're a child. | 0:41:52 | 0:41:53 | |
You don't have any real opinions, you just strike at attitudes | 0:41:53 | 0:41:55 | |
to try and create an effect. | 0:41:55 | 0:41:57 | |
It would be a boring enough having it in a 13-year-old boy | 0:41:57 | 0:42:00 | |
but in a young man like yourself, it's pathetic. | 0:42:00 | 0:42:02 | |
Anything for a quiet life, hey, Ahmed? | 0:42:02 | 0:42:04 | |
As long as there's enough food on your plate, | 0:42:04 | 0:42:06 | |
-why care about anything else? -Why indeed? | 0:42:06 | 0:42:08 | |
If you cared or looked after anything in your life, | 0:42:08 | 0:42:11 | |
maybe you might know the responsibility of providing food! | 0:42:11 | 0:42:14 | |
SHE CLEARS HER THROAT | 0:42:14 | 0:42:16 | |
-Daddy! You promised sweeties. -You didn't. | 0:42:19 | 0:42:23 | |
He's in trouble now. | 0:42:25 | 0:42:26 | |
KNOCKS AT THE DOOR | 0:42:33 | 0:42:36 | |
Hello? | 0:42:36 | 0:42:38 | |
Who is it? | 0:42:43 | 0:42:45 | |
Mrs Howe? Detective Inspector Mill. I'm here about the postcards. | 0:42:45 | 0:42:49 | |
KETTLE WHISTLES | 0:42:49 | 0:42:52 | |
So, who's the artist? | 0:42:54 | 0:42:55 | |
Oh, those? It's my grandson, Graham. He was very good at school. | 0:42:57 | 0:43:03 | |
Even went to college for a bit. | 0:43:03 | 0:43:05 | |
I do worry about him. | 0:43:05 | 0:43:07 | |
There's no money in it. Not really. | 0:43:07 | 0:43:09 | |
I wanted to talk to you about these nuisance postcards. | 0:43:11 | 0:43:13 | |
I gave them to Graham. He was quite taken with them. | 0:43:14 | 0:43:18 | |
Your neighbours reported odd noises at night. | 0:43:18 | 0:43:21 | |
Well, I wander around here at all hours. | 0:43:22 | 0:43:25 | |
Perhaps it's me they're hearing. | 0:43:25 | 0:43:27 | |
The grandson you mentioned. Does he live nearby? | 0:43:29 | 0:43:31 | |
Do you have any other family close? | 0:43:31 | 0:43:33 | |
To keep an eye on you, if you need it? | 0:43:33 | 0:43:35 | |
I have a daughter lives near Colchester. | 0:43:35 | 0:43:38 | |
And Mr Ahmed at the corner shop is very considerate. | 0:43:38 | 0:43:41 | |
-No, what I was meaning was... -I know what you're meaning. But no. | 0:43:41 | 0:43:45 | |
-And I don't mind, I've got other things to worry about. -Such as? | 0:43:45 | 0:43:49 | |
That's none of your business. There is one thing, though. | 0:43:50 | 0:43:52 | |
I mean, the postcards are one thing | 0:43:52 | 0:43:54 | |
but the DVD nearly took my letterbox off. | 0:43:54 | 0:43:57 | |
-I don't even have anything to play it on. -What DVD? | 0:43:57 | 0:44:00 | |
It arrived this morning. I thought that's why you'd called. | 0:44:00 | 0:44:03 | |
-Ah, Mr Yount? -Excuse me. | 0:44:09 | 0:44:11 | |
-I spoke to your wife a few days ago about the unpleasant postcards. -Yes. | 0:44:11 | 0:44:15 | |
Parked up late last night. | 0:44:15 | 0:44:17 | |
Very sorry and all that | 0:44:17 | 0:44:19 | |
but I'm sure you're in a position to show some leniency. | 0:44:19 | 0:44:21 | |
I'm sorry, but I've already shown discretion to your nanny | 0:44:21 | 0:44:24 | |
and your good lady wife and I've already started the process. | 0:44:24 | 0:44:27 | |
No, no, the permit's in the window now, isn't it? | 0:44:27 | 0:44:29 | |
So, we always had permission, we just didn't display the permit. | 0:44:29 | 0:44:32 | |
-Permission is granted by displaying of the permit. -No, no, no. | 0:44:32 | 0:44:36 | |
Our residency grants us permission. We live here! | 0:44:36 | 0:44:39 | |
If you're looking for the sender of those postcards, | 0:44:47 | 0:44:49 | |
how about someone who comes here every morning with a grudge? | 0:44:49 | 0:44:51 | |
How about the likes of her! | 0:44:51 | 0:44:53 | |
-That's not really how the investigation works, sir. -No, no. | 0:44:53 | 0:44:55 | |
That would be too logical altogether, wouldn't it? Come in! | 0:44:55 | 0:44:58 | |
# Perfect submission, perfect delight | 0:45:01 | 0:45:05 | |
# Visions of rapture now burst on my sight | 0:45:05 | 0:45:09 | |
# Angels descending, bring from above | 0:45:10 | 0:45:16 | |
# Echoes of the mercy, whispers of love | 0:45:16 | 0:45:21 | |
# This is my story, this is my song | 0:45:23 | 0:45:27 | |
# Praising my saviour all day long | 0:45:29 | 0:45:34 | |
# This is my story, this is my song... # | 0:45:35 | 0:45:40 | |
I walk like this, ten miles a day and I never lose one ounce. | 0:45:40 | 0:45:44 | |
You don't need to lose a single ounce. | 0:45:44 | 0:45:46 | |
It's all about the bass! | 0:45:46 | 0:45:48 | |
SHE LAUGHS | 0:45:48 | 0:45:50 | |
OK, but if you want to get an aerobic effect, | 0:45:50 | 0:45:54 | |
and I'm not saying you need to for one moment, | 0:45:54 | 0:45:56 | |
you have to move faster to burn fat. | 0:45:56 | 0:45:59 | |
Like this. | 0:45:59 | 0:46:00 | |
BOTH LAUGH | 0:46:01 | 0:46:03 | |
-Like that. -Like the Olympics? -Did I say that? | 0:46:03 | 0:46:06 | |
Goodnight, Mashinko. | 0:46:14 | 0:46:15 | |
Goodnight. | 0:46:17 | 0:46:19 | |
I would invite you in but it's not a nice place. | 0:46:21 | 0:46:24 | |
HE LAUGHS | 0:46:41 | 0:46:43 | |
Ms Kwama Lyons? | 0:47:19 | 0:47:20 | |
What do you want? | 0:47:22 | 0:47:23 | |
Well, why don't we start with you telling me your real name? | 0:47:23 | 0:47:26 | |
HE BABBLES | 0:47:32 | 0:47:36 | |
Where's Mummy? | 0:47:45 | 0:47:46 | |
Mummy's gone. Mummy's gone. | 0:47:49 | 0:47:52 | |
What do you mean, Mummy gone? | 0:47:52 | 0:47:54 | |
HE SCREAMS | 0:47:54 | 0:47:56 | |
Josh, Joshy. Arabella? | 0:47:56 | 0:47:59 | |
Conrad? Where's Mummy? | 0:48:04 | 0:48:06 | |
Mummy's gone. | 0:48:06 | 0:48:08 | |
What do you mean? It's Christmas Eve. | 0:48:08 | 0:48:10 | |
She left our presents under the tree. Can we open them now? | 0:48:10 | 0:48:13 | |
No, no, no. Let's get you on the potty. Come on. | 0:48:13 | 0:48:16 | |
She phoned you, I heard her. | 0:48:16 | 0:48:18 | |
-ARABELLA ON ANSWERPHONE: -'Hello, Roger. | 0:48:19 | 0:48:21 | |
'I've gone away for a few days. | 0:48:21 | 0:48:22 | |
'It will give you a glimpse of what it's like to be me, | 0:48:22 | 0:48:25 | |
-'you spoiled, lazy utter cock...' -Turn that off, Conrad. | 0:48:25 | 0:48:28 | |
'You have no idea what it's like to look after children and you | 0:48:28 | 0:48:31 | |
'have no idea at all what the last couple of years have been like.' | 0:48:31 | 0:48:34 | |
-Turn that off, Conrad! Joshy, come back. -'You stupid, selfish sod!' | 0:48:34 | 0:48:37 | |
-Come here! For God's sake. Ow! -'Welcome to my world. | 0:48:37 | 0:48:39 | |
-'Merry Christmas! Arabella.' -I just want you to turn these things off | 0:48:39 | 0:48:42 | |
when I ask you. Is that clear? | 0:48:42 | 0:48:43 | |
-Joshy, come on. -Dad! | 0:48:45 | 0:48:47 | |
There we go, there we go. JOSH WAILS | 0:48:47 | 0:48:50 | |
-'Hello, Roger. I've gone away for a few days...' -Sit down, sit down. | 0:48:50 | 0:48:53 | |
Let's get you on the potty. Oh! | 0:48:53 | 0:48:55 | |
-For God's sake, turn that off. -No! -Dad! -Agh! | 0:48:55 | 0:48:58 | |
'You have no idea what it's like to look after children | 0:48:58 | 0:49:01 | |
-'and you have no idea at all...' -DOORBELL RINGS | 0:49:01 | 0:49:03 | |
There's Mummy! There's Mummy. | 0:49:03 | 0:49:05 | |
-'You stupid, selfish sod!' -Dad! -Oh. | 0:49:05 | 0:49:07 | |
-You've got to be kidding me! -'Welcome to my world. | 0:49:07 | 0:49:09 | |
'Merry Christmas. Arabella.' | 0:49:09 | 0:49:11 | |
-Yes? -Mr Yount? Where do you want the sofa? | 0:49:11 | 0:49:14 | |
Uh, I...I don't. Take it back. | 0:49:14 | 0:49:17 | |
-Well, I can't do that. The depot's in Cricklewood. -Wait, wait! | 0:49:17 | 0:49:22 | |
Oh, no! | 0:49:22 | 0:49:23 | |
Hello, Mum. Happy Christmas. | 0:49:31 | 0:49:33 | |
What do you want? | 0:49:34 | 0:49:36 | |
I'm hungry, Daddy. I'm hungry! | 0:49:46 | 0:49:47 | |
I don't like eggs like this. | 0:49:53 | 0:49:55 | |
I don't like eggs like this, I like them eggy! | 0:49:59 | 0:50:01 | |
This is nice. | 0:50:39 | 0:50:40 | |
It's a miracle anything's warm, given the state of your cooker. | 0:50:49 | 0:50:52 | |
There's a knack with the switch. | 0:50:55 | 0:50:57 | |
These, um, postcards that you've been getting and... | 0:51:00 | 0:51:03 | |
You don't look well, Mum, and... | 0:51:04 | 0:51:07 | |
Don't you think now might be the right time to sell up? | 0:51:07 | 0:51:10 | |
Get a little flat close to us. | 0:51:10 | 0:51:11 | |
Not a home, somewhere where you'd still have your independence. | 0:51:11 | 0:51:16 | |
With, um, a warden perhaps, | 0:51:16 | 0:51:19 | |
and one of those emergency whatsits around your neck. | 0:51:19 | 0:51:24 | |
God knows you could afford it. What are these going for nowadays? | 0:51:24 | 0:51:27 | |
£1.5 million. Two if you tarted it up a bit. | 0:51:27 | 0:51:31 | |
-I don't want to move now. -I know it's hard, Mum. | 0:51:34 | 0:51:36 | |
I know you've been here all your life, practically. | 0:51:36 | 0:51:39 | |
-It's too late now. -No, it isn't. -Yes, it is. It's too late! | 0:51:40 | 0:51:44 | |
There's something wrong, isn't there? | 0:51:56 | 0:51:58 | |
Mum? | 0:52:02 | 0:52:03 | |
-Witch's knickers! -I beg your pardon? | 0:52:22 | 0:52:26 | |
Pilar told me. Witch's knickers. | 0:52:26 | 0:52:29 | |
-Where? -There. | 0:52:29 | 0:52:31 | |
-So they are! -Witch's knickers. | 0:52:33 | 0:52:35 | |
Here we are. Off we go. There you are. | 0:52:38 | 0:52:42 | |
HE YELPS | 0:52:42 | 0:52:44 | |
Ah. | 0:52:46 | 0:52:48 | |
-Simple pleasures. -Yes. | 0:52:48 | 0:52:50 | |
-Do you live locally? -No, I'm here to meet a friend. She works locally. | 0:52:51 | 0:52:56 | |
-My girlfriend, I think. -You think? | 0:52:58 | 0:53:01 | |
Sorry, I didn't mean to be nosy. | 0:53:02 | 0:53:04 | |
Why do you say sorry so much in England? | 0:53:04 | 0:53:06 | |
Fear. HE LAUGHS | 0:53:07 | 0:53:10 | |
What do you have to be afraid of? | 0:53:10 | 0:53:12 | |
-You are safe, you are healthy, you are rich. -I wouldn't go that far. | 0:53:12 | 0:53:18 | |
Not by London standards. | 0:53:18 | 0:53:20 | |
But by Zimbabwe's standards, perhaps. | 0:53:20 | 0:53:22 | |
Yes. Yes, of course. Sorry. | 0:53:22 | 0:53:25 | |
Sorry, I didn't mean to say sorry! | 0:53:26 | 0:53:28 | |
-I'm Roger. -Mashinko. | 0:53:32 | 0:53:34 | |
-And uh, how do you find London? -Oh, oh! I hate it. | 0:53:34 | 0:53:38 | |
Really? | 0:53:38 | 0:53:40 | |
I hate the weather, I hate the central heating, | 0:53:40 | 0:53:43 | |
I hate the unfriendly people. | 0:53:43 | 0:53:46 | |
I hate the roads that go nowhere. | 0:53:46 | 0:53:49 | |
Well, I can't argue with any of that. | 0:53:49 | 0:53:52 | |
But I have met a wonderful lady here. | 0:53:52 | 0:53:54 | |
Merry Christmas, Roger. | 0:53:59 | 0:54:01 | |
Oh, yes, of course. Merry Christmas. | 0:54:01 | 0:54:04 | |
# Hark! The herald angels sing | 0:54:06 | 0:54:10 | |
# Glory to the newborn king | 0:54:10 | 0:54:14 | |
# Peace on earth and mercy mild | 0:54:15 | 0:54:20 | |
# God and sinners reconciled | 0:54:20 | 0:54:24 | |
# Joyful, all ye nations rise | 0:54:25 | 0:54:30 | |
-# Join the triumph of the skies... # -And those the passports? | 0:54:30 | 0:54:35 | |
# With angelic hosts proclaim | 0:54:35 | 0:54:39 | |
-# Christ is born in Bethlehem... # -Yes. | 0:54:39 | 0:54:44 | |
# Hark! The herald angels sing | 0:54:44 | 0:54:49 | |
# Glory to the newborn King | 0:54:49 | 0:54:54 | |
# Christ by highest heaven adored | 0:54:56 | 0:55:00 | |
# Christ the everlasting Lord | 0:55:00 | 0:55:05 | |
# Late in time, behold Him come... THEY LAUGH | 0:55:05 | 0:55:10 | |
# Offspring of the Virgin's womb | 0:55:10 | 0:55:14 | |
# Veiled in the flesh, the Godhead see | 0:55:15 | 0:55:19 | |
# Hail the incarnate deity | 0:55:19 | 0:55:24 | |
# Pleased as man with us to dwell | 0:55:24 | 0:55:29 | |
# Jesus our Emmanuel | 0:55:29 | 0:55:34 | |
# Hark! The herald angels sing | 0:55:34 | 0:55:39 | |
# Glory to the newborn King. # | 0:55:39 | 0:55:43 | |
DOOR SLAMS | 0:56:35 | 0:56:37 | |
Daddy! Daddy! I want to paint the road. | 0:56:37 | 0:56:40 | |
-It's Christmas and I want to paint the road too. -What time is it? | 0:56:40 | 0:56:44 | |
-I want to paint the road. -What? | 0:56:47 | 0:56:48 | |
-What are you talking about, Conrad? -Paint the road. | 0:56:51 | 0:56:53 | |
Dad! More men! | 0:57:08 | 0:57:09 | |
-Mr Yount? -Yes. | 0:57:43 | 0:57:45 | |
Matya Balatu. The agency nanny. | 0:57:47 | 0:57:50 | |
Merry Christmas. | 0:57:52 | 0:57:53 |