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Are you getting these, too? | 0:00:04 | 0:00:05 | |
Every day now. Everyone in the road. | 0:00:05 | 0:00:07 | |
Detective Inspector Mill. | 0:00:07 | 0:00:09 | |
Here about the postcards. | 0:00:09 | 0:00:10 | |
It's because we're all millionaires. | 0:00:10 | 0:00:12 | |
Our houses. | 0:00:12 | 0:00:13 | |
You wouldn't find a doctor down here before. Or a banker. | 0:00:13 | 0:00:16 | |
Thank you, Mark. No need to over-elaborate on the terminology, | 0:00:16 | 0:00:19 | |
we all know you're a clever young man. | 0:00:19 | 0:00:20 | |
There's no reason why this bonus | 0:00:20 | 0:00:23 | |
might not be closer to two million than one. | 0:00:23 | 0:00:26 | |
I buy new, everything top spec. You know me, Mrs Yount, | 0:00:26 | 0:00:29 | |
my personal guarantee. | 0:00:29 | 0:00:30 | |
But I have met a wonderful lady here. | 0:00:30 | 0:00:32 | |
If you're looking for the sender of those postcards, | 0:00:32 | 0:00:35 | |
how about someone who comes here every morning with a grudge? | 0:00:35 | 0:00:37 | |
If I return, I will be killed. | 0:00:37 | 0:00:39 | |
You do know you're not legally permitted to work, don't you? | 0:00:39 | 0:00:42 | |
-Ms Kwama Lyons. -What do you want? | 0:00:42 | 0:00:43 | |
Well, why don't we start with you telling me your real name? | 0:00:43 | 0:00:46 | |
It's me. Iqbal Rashid. | 0:00:46 | 0:00:47 | |
What you doing here? | 0:00:47 | 0:00:49 | |
Hope you don't mind me using your laptop. | 0:00:49 | 0:00:50 | |
-Who's the artist? -It's my grandson. | 0:00:50 | 0:00:52 | |
-We could perhaps treat the tumour with chemotherapy. -No. | 0:00:52 | 0:00:55 | |
Don't you think now might be the right time to sell up? | 0:00:55 | 0:00:58 | |
-It's too late now. -No, it isn't. -Yes, it is. It's too late! | 0:00:58 | 0:01:01 | |
'I've gone away for a few days...' | 0:01:01 | 0:01:02 | |
-Turn it off, Conrad! -'..to give you a glimpse of what it's like to be me, | 0:01:02 | 0:01:05 | |
'you spoilt, lazy, lame excuse of a man!' | 0:01:05 | 0:01:08 | |
This programme contains some strong language. | 0:01:11 | 0:01:18 | |
Goodness knows what fresh Alaskan awaits. | 0:01:23 | 0:01:26 | |
I'm just hoping my absence might have made the penny drop. | 0:01:26 | 0:01:29 | |
But I'm not holding my breath. | 0:01:29 | 0:01:31 | |
I am going to have to go, darling, | 0:01:34 | 0:01:35 | |
there appears to have been some kind of nuclear war. | 0:01:35 | 0:01:38 | |
LOUD MUSIC THUMPS | 0:01:41 | 0:01:45 | |
# So if you want | 0:01:45 | 0:01:48 | |
# To be free | 0:01:48 | 0:01:51 | |
DOORBELL RINGS # To live your life... # | 0:01:51 | 0:01:55 | |
Roger! | 0:01:56 | 0:01:57 | |
-YELLS: -Roger! | 0:02:00 | 0:02:02 | |
Daddy said bad words, Joshy did a poo | 0:02:02 | 0:02:06 | |
and Father Christmas brought me an Emperor Zerg. | 0:02:06 | 0:02:08 | |
-HUNGARIAN ACCENT: -Hello. I'm Matya. Can I help you with your bag? | 0:02:08 | 0:02:12 | |
Did you bring presents, Mummy? | 0:02:12 | 0:02:14 | |
-SWEETLY: -Hello. Hello, little man. | 0:02:15 | 0:02:19 | |
DOOR BUZZES | 0:03:02 | 0:03:04 | |
BEEP | 0:03:08 | 0:03:11 | |
It's Autobots fighting Decepticons. | 0:03:24 | 0:03:27 | |
Oh, that's lovely, darling! | 0:03:27 | 0:03:29 | |
-There you go. -An agency? On Christmas Day? | 0:03:29 | 0:03:32 | |
You must have been keen. | 0:03:32 | 0:03:34 | |
I just finished my last job. | 0:03:34 | 0:03:37 | |
I have references. | 0:03:37 | 0:03:39 | |
I'm sure you do. | 0:03:39 | 0:03:40 | |
Conrad. Mummy might like one of the cakes we made. | 0:03:40 | 0:03:44 | |
Oooh... They look lovely, darling. Maybe later, though, yes? | 0:03:48 | 0:03:53 | |
Huh? | 0:03:53 | 0:03:54 | |
I'm just going to go upstairs and see my grown-up child. | 0:03:54 | 0:03:58 | |
MUSIC BLARES | 0:03:58 | 0:04:01 | |
# Oooh Friends are always tellin' me | 0:04:05 | 0:04:10 | |
# You're a user. # | 0:04:12 | 0:04:14 | |
Oh, hi! You're back. | 0:04:17 | 0:04:19 | |
Didn't hear you over the 1990s. | 0:04:19 | 0:04:21 | |
-Nice break? -Yes, thank you. | 0:04:21 | 0:04:23 | |
You've met Matya. I've just hired her. | 0:04:23 | 0:04:26 | |
She's, er, my very own Christmas miracle. | 0:04:26 | 0:04:28 | |
Well, haven't you been enterprising! | 0:04:28 | 0:04:30 | |
I hope you weren't too worried about the boys. | 0:04:30 | 0:04:33 | |
Mind you. They're very resilient, aren't they, children? | 0:04:33 | 0:04:36 | |
Now... Where to begin? | 0:04:38 | 0:04:40 | |
-Roger, I really can't be having... -I think we are looking at | 0:04:40 | 0:04:43 | |
a period of fiscal rectitude. | 0:04:43 | 0:04:45 | |
Fiscal rectitude? | 0:04:45 | 0:04:47 | |
Sounds like some sort of internal examination. | 0:04:47 | 0:04:50 | |
-HE CHUCKLES -Roger, you and I both know | 0:04:50 | 0:04:51 | |
-your bonus is about to come bouncing home. -Ah, my bonus! | 0:04:51 | 0:04:54 | |
Yes, now, my bonus... Do you know how much my bonus is this year? | 0:04:54 | 0:04:56 | |
It's not two million. | 0:04:56 | 0:04:58 | |
It's not one million. It's £30,000. | 0:04:58 | 0:05:00 | |
You expect me to believe that, Roger? | 0:05:02 | 0:05:04 | |
Just grow up! | 0:05:04 | 0:05:06 | |
-PHONE RINGS -India, darling, Merry Christmas. | 0:05:06 | 0:05:10 | |
How lovely to hear from you. | 0:05:10 | 0:05:12 | |
-MUSIC BLARES -No, no, skiing's off this year, | 0:05:12 | 0:05:14 | |
wrist-slashing tedium - just a little cottage in Minchinhampton. | 0:05:14 | 0:05:18 | |
Hardly a holiday! | 0:05:18 | 0:05:20 | |
BEEP Shoes off. | 0:05:26 | 0:05:28 | |
Turn around, please. | 0:05:39 | 0:05:41 | |
Feet up. | 0:05:42 | 0:05:44 | |
And the other. | 0:05:45 | 0:05:46 | |
-See you later. -See you, mate. -Bye. | 0:06:37 | 0:06:40 | |
-CHILD CRIES -Say, hello to Daadi. | 0:06:40 | 0:06:42 | |
'Why are you crying, little baby? | 0:06:42 | 0:06:45 | |
'Babies do need their sleep, Rohinka.' | 0:06:45 | 0:06:47 | |
Night, Ammi. | 0:06:47 | 0:06:48 | |
'Shahid, are you there? | 0:06:48 | 0:06:50 | |
'I've met a dentist with three daughters - all of them dentists.' | 0:06:50 | 0:06:54 | |
I've got a dentist, thank you, Ammi. | 0:06:54 | 0:06:56 | |
Nice Jewish chap in Golders Green. | 0:06:56 | 0:06:58 | |
'We'll talk some more when I come to visit next week.' | 0:06:58 | 0:07:00 | |
What? | 0:07:03 | 0:07:05 | |
-Next week? -'What?' | 0:07:05 | 0:07:07 | |
Mum. It's, er, cold this time of year. | 0:07:07 | 0:07:10 | |
Why don't you try spring, hey? | 0:07:10 | 0:07:11 | |
'I think you need me to come and speak to the police | 0:07:11 | 0:07:14 | |
'about those abusive postcards you told me about, Ahmed. | 0:07:14 | 0:07:17 | |
-'What? -IN URDU: -Are you coming to the airport this time to pick me up? | 0:07:18 | 0:07:21 | |
'Or will you be leaving me waiting at Heathrow, | 0:07:21 | 0:07:23 | |
'at the mercy of muggers and Africans? | 0:07:23 | 0:07:25 | |
'9.00pm. Terminal 5. Wednesday. | 0:07:25 | 0:07:28 | |
'Make sure you find out from the travel agent.' | 0:07:28 | 0:07:31 | |
What? | 0:07:33 | 0:07:34 | |
What? | 0:07:36 | 0:07:37 | |
What did you tell her about the postcards for? | 0:07:37 | 0:07:39 | |
I was making conversation. | 0:07:39 | 0:07:41 | |
-Nice one. -What, do you think I like having her over? | 0:07:41 | 0:07:43 | |
Criticising my business, | 0:07:43 | 0:07:44 | |
my weight, the way I bring up my kids and my conduct as a Muslim. | 0:07:44 | 0:07:47 | |
She might have a point there. | 0:07:47 | 0:07:49 | |
It's all right for you. You're under her radar. | 0:07:49 | 0:07:51 | |
The moment I'm married off to some embarrassed girl, you'll be | 0:07:51 | 0:07:53 | |
-next in line. -Are you going to denounce arranged marriage? | 0:07:53 | 0:07:56 | |
Not for you, perhaps. Only chance you've got with those looks. | 0:07:56 | 0:07:59 | |
HE LAUGHS | 0:07:59 | 0:08:01 | |
Hello. | 0:08:03 | 0:08:04 | |
We're going to get the internet material taken down | 0:08:06 | 0:08:08 | |
and we are well on our way to tracing the owners of the blog, | 0:08:08 | 0:08:10 | |
but that's not the same thing as finding out who the person or | 0:08:10 | 0:08:13 | |
persons responsible are. And that's where you come in. The community. | 0:08:13 | 0:08:17 | |
Eyes and ears. | 0:08:17 | 0:08:19 | |
The vandalism in the street. The graffiti. | 0:08:19 | 0:08:21 | |
I want you all to be vigilant. | 0:08:21 | 0:08:22 | |
We need you to be vigilant. Any strange behaviour. Any detail. | 0:08:22 | 0:08:27 | |
Any sound. However insignificant... | 0:08:27 | 0:08:30 | |
Yes? The gentleman there with the blue jumper. | 0:08:30 | 0:08:33 | |
When you came into our shop, you mentioned | 0:08:33 | 0:08:35 | |
harassment as one of the likely charges. | 0:08:35 | 0:08:37 | |
That's just something that happens in their head, though right? | 0:08:37 | 0:08:40 | |
Like, if I feel harassed by you, that counts as harassment? | 0:08:40 | 0:08:44 | |
Well, perhaps now isn't the best time for a discussion on the | 0:08:44 | 0:08:46 | |
etymology of the term harassment. | 0:08:46 | 0:08:48 | |
The majority of the people in this room are here because | 0:08:49 | 0:08:52 | |
they feel upset or distressed by these things that have happened. | 0:08:52 | 0:08:55 | |
It isn't fair to call it something in their heads. | 0:08:55 | 0:08:57 | |
Will there be compensation of some kind? | 0:08:57 | 0:08:59 | |
It's not really my area, I'm afraid. | 0:08:59 | 0:09:01 | |
But are you aware if it has had an effect on the local housing market? | 0:09:01 | 0:09:06 | |
The purpose of this meeting... | 0:09:06 | 0:09:07 | |
That traffic warden. The African lady. | 0:09:07 | 0:09:09 | |
-She had nothing to do with it, then? -Er... No. | 0:09:09 | 0:09:11 | |
No. The campaign had nothing to do with her as it turns out. | 0:09:11 | 0:09:13 | |
So why did you arrest her? | 0:09:13 | 0:09:15 | |
I think we may be straying away from the subject here. Erm... | 0:09:15 | 0:09:18 | |
I promise you she had nothing to do with the postcards. | 0:09:18 | 0:09:20 | |
If she was committing criminal acts in our road, then surely... | 0:09:20 | 0:09:23 | |
She was working illegally, | 0:09:23 | 0:09:25 | |
in contravention of her refugee status. | 0:09:25 | 0:09:29 | |
Does that count as a result for you? | 0:09:29 | 0:09:30 | |
Like, it's the League Cup but it's still a trophy? | 0:09:30 | 0:09:33 | |
LAUGHTER | 0:09:33 | 0:09:34 | |
There was footage of my children outside our house | 0:09:34 | 0:09:37 | |
posted on that website. | 0:09:37 | 0:09:39 | |
And that's not something anybody wants to happen, but... | 0:09:39 | 0:09:42 | |
But if it's any comfort, | 0:09:42 | 0:09:43 | |
it doesn't seem like your children were targeted. | 0:09:43 | 0:09:45 | |
It looks like a coincidence that they wandered into the film | 0:09:45 | 0:09:48 | |
while the person or persons unknown were making it. | 0:09:48 | 0:09:50 | |
A coincidence? Oh, I see. | 0:09:50 | 0:09:52 | |
Well, since by your own admission you literally don't have a clue, | 0:09:52 | 0:09:56 | |
then I fail to see how your explanation | 0:09:56 | 0:09:58 | |
is even remotely reassuring. | 0:09:58 | 0:09:59 | |
You didn't have to say anything. "Harassment is in the mind," | 0:10:12 | 0:10:15 | |
what's that even supposed to mean? | 0:10:15 | 0:10:16 | |
I was deconstructing his imperialist mode of discourse. | 0:10:16 | 0:10:19 | |
-Yep. I think that landed. -Look, you were wasting police time. | 0:10:19 | 0:10:22 | |
I just want them to stop some idiot sending cards and DVDs in the post. | 0:10:22 | 0:10:26 | |
I don't need you wasting their time. | 0:10:26 | 0:10:28 | |
Did you notice how he called me "gentleman in the blue jumper" | 0:10:28 | 0:10:31 | |
to avoid saying Asian? | 0:10:31 | 0:10:32 | |
Hilarious(!) | 0:10:32 | 0:10:33 | |
It was a waste of time, really. | 0:10:40 | 0:10:42 | |
Were the Kamal family there? | 0:10:42 | 0:10:45 | |
Very nice family. Run the shop. | 0:10:45 | 0:10:47 | |
I didn't recognise anybody at all. Not a single soul. | 0:10:49 | 0:10:52 | |
Don't you think that's amazing? | 0:10:52 | 0:10:54 | |
I would have recognised people. | 0:10:54 | 0:10:56 | |
I'm not saying you wouldn't have, Mum. | 0:10:56 | 0:10:59 | |
The Kamal family for a start. | 0:10:59 | 0:11:01 | |
So you keep saying. | 0:11:01 | 0:11:03 | |
When you think about it, this is your house, | 0:11:04 | 0:11:06 | |
but is it... | 0:11:06 | 0:11:08 | |
is it your HOME... | 0:11:08 | 0:11:12 | |
any more? I mean, it's bricks and mortar when it comes down to it, | 0:11:12 | 0:11:16 | |
isn't it? | 0:11:16 | 0:11:17 | |
-This is where I want to die. -What? | 0:11:17 | 0:11:20 | |
Who's talking about that? | 0:11:21 | 0:11:23 | |
You are, aren't you? Isn't that where this is all leading? | 0:11:23 | 0:11:26 | |
Let's not tiptoe round the tulips. | 0:11:26 | 0:11:28 | |
I want to die here, where I've lived all my life. | 0:11:29 | 0:11:32 | |
And I'm sorry if that's inconvenient. | 0:11:32 | 0:11:34 | |
Am I talking about that, Mum? No, I'm not. | 0:11:34 | 0:11:36 | |
I'm thinking about where you'd be most comfortable. | 0:11:36 | 0:11:38 | |
I can move your bed downstairs to my dining room. | 0:11:38 | 0:11:42 | |
-I've got a downstairs toilet, so... -Well, bully for you! | 0:11:42 | 0:11:45 | |
Sorry, that wasn't kind. | 0:11:49 | 0:11:51 | |
Thank you for all you're doing. | 0:11:55 | 0:11:58 | |
Like what? | 0:11:58 | 0:11:59 | |
You've never been an easy girl to thank. Like your dad. | 0:12:03 | 0:12:08 | |
Right, well... Let's not go there now, hey? | 0:12:08 | 0:12:11 | |
WATER RUNS | 0:12:16 | 0:12:19 | |
CLOCK TICKS QUIETLY | 0:12:21 | 0:12:24 | |
MUFFLED SCREAMING | 0:12:34 | 0:12:37 | |
DOOR SLAMS, ALARM RINGS | 0:12:37 | 0:12:40 | |
SCREAMING CONTINUES | 0:12:43 | 0:12:47 | |
SCREAMING CONTINUES | 0:12:52 | 0:12:55 | |
SPORTS MATCH ON TV | 0:13:04 | 0:13:07 | |
Oh, Piotr, Piotr. | 0:14:10 | 0:14:12 | |
HE LAUGHS | 0:14:12 | 0:14:15 | |
-Mum. -DOOR CLOSES | 0:14:20 | 0:14:23 | |
What? What? Stop stressing about her. | 0:14:23 | 0:14:26 | |
I'll come and see Gran. I'll give you a night off. | 0:14:28 | 0:14:31 | |
Mum. Of course I can look after her. | 0:14:31 | 0:14:33 | |
I've worked in a hospital for two years. | 0:14:33 | 0:14:35 | |
You make some arrangements, go out. | 0:14:37 | 0:14:40 | |
I don't know where. Anywhere. | 0:14:40 | 0:14:41 | |
Non-negotiable. | 0:14:41 | 0:14:43 | |
See you then. | 0:14:44 | 0:14:45 | |
Families, hey? | 0:14:51 | 0:14:52 | |
Yeah. | 0:14:52 | 0:14:53 | |
Fuck 'em, hey? | 0:14:54 | 0:14:56 | |
What did you say? | 0:14:56 | 0:14:57 | |
Mine. Yours. Just a trick of biology. | 0:14:57 | 0:15:00 | |
You're...you're saying, "Fuck my family." | 0:15:00 | 0:15:02 | |
Is that what you're saying? | 0:15:02 | 0:15:03 | |
You're disrespecting my family? This is my gran we're talking about. | 0:15:03 | 0:15:07 | |
-Goodfellas. Right? -What? | 0:15:07 | 0:15:08 | |
Joe Pesci. You know? "Saying I'm funny, I'm a clown? I amuse you?" | 0:15:08 | 0:15:11 | |
-That's what you're doing, isn't it? -That's you all over, isn't it? | 0:15:11 | 0:15:14 | |
Everything always reminds you of something else. | 0:15:14 | 0:15:16 | |
You wouldn't know real anger if it came and bit your bollocks off. | 0:15:16 | 0:15:20 | |
I don't get it. Are you angry now? | 0:15:20 | 0:15:22 | |
Yeah. Yeah, that was me being angry. It's a real emotion. | 0:15:22 | 0:15:25 | |
Sound familiar at all? No? | 0:15:25 | 0:15:27 | |
You just don't feel anything, do you? | 0:15:27 | 0:15:29 | |
And until you do, you will always be my assistant, | 0:15:29 | 0:15:32 | |
secretly thinking that it should be you in the big chair and me | 0:15:32 | 0:15:36 | |
-running around with the coffees. -I can get angry! | 0:15:36 | 0:15:39 | |
-My coffee's cold. -Get it yourself. | 0:15:39 | 0:15:41 | |
I think now you're mistaking anger with petulance. | 0:15:43 | 0:15:46 | |
Just go and get me a coffee. Quick. | 0:15:46 | 0:15:48 | |
'Don't trouble me, huh? | 0:16:15 | 0:16:16 | |
'I hope you have my flight number. | 0:16:16 | 0:16:19 | |
'Will I bring my own bedding this time or have you replaced | 0:16:19 | 0:16:21 | |
'those terrible sheets?' | 0:16:21 | 0:16:22 | |
We have bought new fitted sheets. And a new duvet. | 0:16:22 | 0:16:25 | |
Nice and warm. | 0:16:25 | 0:16:26 | |
'Not too warm, I hope.' | 0:16:26 | 0:16:28 | |
You're breaking up. | 0:16:28 | 0:16:29 | |
I saw that. | 0:16:30 | 0:16:32 | |
Don't judge me, Shahid. | 0:16:32 | 0:16:33 | |
I would never judge you, Rohinka. | 0:16:33 | 0:16:35 | |
Well, if you do I might just point out that your flat's bigger | 0:16:35 | 0:16:37 | |
and she could stay at yours. | 0:16:37 | 0:16:38 | |
I can't see her sharing a sofa with Iqbal, can you? | 0:16:38 | 0:16:41 | |
No. But it might be good to watch. | 0:16:41 | 0:16:44 | |
Brilliant. | 0:16:47 | 0:16:49 | |
This is brilliant! | 0:16:49 | 0:16:51 | |
-Where will I go? -Well, there must be someone at the mosque | 0:16:53 | 0:16:56 | |
with a spare room going who doesn't know what you're like. | 0:16:56 | 0:16:59 | |
That was a joke by the way. It can't be helped. | 0:16:59 | 0:17:02 | |
It's family. I'm sorry. | 0:17:02 | 0:17:03 | |
Why would your mum stay here and not with your brother and the kids? | 0:17:03 | 0:17:08 | |
Because, Iqbal, she wants to work on me. Marriage and all that. | 0:17:08 | 0:17:13 | |
I think she's got somebody in mind. A dentist from Karachi. | 0:17:13 | 0:17:16 | |
It isn't fair. | 0:17:16 | 0:17:18 | |
She has two sisters - also dentists if you're interested. | 0:17:18 | 0:17:20 | |
That isn't what I mean. | 0:17:20 | 0:17:22 | |
I know, Iqbal. But if you knew Mamji... | 0:17:22 | 0:17:26 | |
She's like a drone, mate. | 0:17:26 | 0:17:28 | |
And you're what the American infidels would call collateral damage. | 0:17:28 | 0:17:32 | |
Morning. Just these two. Thank you. | 0:17:54 | 0:17:58 | |
Oh! | 0:18:04 | 0:18:05 | |
Thank you for keeping the evidence. I'll be in touch. | 0:18:29 | 0:18:32 | |
It's an escalation, isn't it? It's more serious than before. | 0:18:32 | 0:18:35 | |
-It's terrorism almost. -I'm not sure I'd call getting a dead animal | 0:18:35 | 0:18:37 | |
shoved through your door terrorism exactly, but... | 0:18:37 | 0:18:40 | |
I can't help thinking we are the wrong kind of victim. | 0:18:40 | 0:18:43 | |
Can you please start taking this problem more seriously? | 0:18:43 | 0:18:46 | |
I can only keep saying we are doing everything we can. | 0:18:46 | 0:18:48 | |
-Which we are. -Ah! Hello, erm... | 0:18:48 | 0:18:51 | |
DI Mill. | 0:18:51 | 0:18:52 | |
Well, I'll leave you to it. Mr Yount. Mrs Yount. | 0:18:54 | 0:18:57 | |
-Thank you. -Thank you. | 0:18:58 | 0:19:00 | |
What did he want? | 0:19:02 | 0:19:03 | |
We've had a corpse delivered in the post. | 0:19:03 | 0:19:05 | |
An animal of some kind. | 0:19:05 | 0:19:07 | |
Right. Right. Well... | 0:19:08 | 0:19:11 | |
Why don't you tell me about it on the way? | 0:19:11 | 0:19:13 | |
You do need to get a move on. | 0:19:13 | 0:19:14 | |
You can't seriously think I'm still coming? I'm completely traumatised. | 0:19:16 | 0:19:21 | |
COUGHING | 0:19:28 | 0:19:32 | |
WHEEZING, COUGHING | 0:19:32 | 0:19:35 | |
SHE WHIMPERS | 0:19:39 | 0:19:42 | |
Oh, Graham. I didn't mean to disturb you. | 0:19:43 | 0:19:47 | |
Your mother said you'd be here. | 0:19:49 | 0:19:50 | |
Yeah. Mum's gone out. She's on a large one. | 0:19:52 | 0:19:55 | |
That doesn't sound much like your mum. | 0:19:57 | 0:19:59 | |
Are you all right? | 0:20:00 | 0:20:01 | |
Stupid question, really. | 0:20:04 | 0:20:05 | |
Just tired. | 0:20:07 | 0:20:08 | |
What are you listening to on your whatsit, your hearing aids? | 0:20:11 | 0:20:15 | |
You wouldn't have heard of it, Gran. | 0:20:19 | 0:20:21 | |
Hm! Wouldn't be so sure about that. | 0:20:21 | 0:20:23 | |
The builders have their radios on full blast all day. | 0:20:24 | 0:20:27 | |
You'll be picking up a fair bit of Polish swear words as well, then. | 0:20:29 | 0:20:32 | |
SHE LAUGHS, COUGHS | 0:20:32 | 0:20:36 | |
Are you all right, Gran? | 0:20:36 | 0:20:37 | |
Do you want some water? | 0:20:37 | 0:20:39 | |
All I want is to know you'll be all right. | 0:20:42 | 0:20:45 | |
-SOFTLY: -I know. | 0:20:51 | 0:20:52 | |
Are you? | 0:20:56 | 0:20:57 | |
Are you all right? | 0:20:59 | 0:21:00 | |
Yeah. | 0:21:06 | 0:21:07 | |
Yeah, I am. | 0:21:10 | 0:21:12 | |
Why should I believe that? | 0:21:12 | 0:21:13 | |
How do I know you're not just saying that to keep a dying old lady happy? | 0:21:15 | 0:21:19 | |
I'll tell you why. | 0:21:22 | 0:21:23 | |
But don't you go telling anybody else. | 0:21:26 | 0:21:29 | |
A secret. | 0:21:29 | 0:21:30 | |
I like that. | 0:21:32 | 0:21:33 | |
HE WHISPERS | 0:21:38 | 0:21:41 | |
You know what? | 0:21:47 | 0:21:49 | |
I think it's a terrible idea. She'll be bored out of her mind. | 0:21:49 | 0:21:51 | |
It'll be a nice change for her. | 0:21:51 | 0:21:53 | |
I've been to those things a thousand times before, I find them so vulgar. | 0:21:53 | 0:21:58 | |
Matya, on the other hand, is from Hungary. | 0:21:58 | 0:22:00 | |
The nearest she's probably come to genuine luxury is the Easy Jet | 0:22:00 | 0:22:04 | |
-departure lounge. -Exactly. She'll be out of her depth. | 0:22:04 | 0:22:06 | |
-With your colleagues? -MOCKING: -Don't be stupid. | 0:22:06 | 0:22:09 | |
She won't have to talk much, just sit there looking pretty | 0:22:09 | 0:22:13 | |
and pretending to listen while they go wanking on about shooting | 0:22:13 | 0:22:16 | |
-and the congestion charge. -(They'll think she's an escort.) | 0:22:16 | 0:22:19 | |
They're bankers. They'll admire your chutzpah. | 0:22:19 | 0:22:21 | |
If they interrogate you further, say I'm staying away | 0:22:21 | 0:22:24 | |
as a protest against your tiny bonus. | 0:22:24 | 0:22:26 | |
They should be having a charity auction for us, quite frankly. | 0:22:27 | 0:22:31 | |
Wow! You look so much better in it than I do. | 0:22:31 | 0:22:36 | |
That, Roger, is your cue to say something flattering to me. | 0:22:39 | 0:22:43 | |
-CLAPPING, CHEERING -The next lot is... | 0:22:50 | 0:22:53 | |
a day's fly fishing in Wiltshire. | 0:22:53 | 0:22:56 | |
Chalk stream. Complete with cream tea. | 0:22:56 | 0:22:59 | |
And who will give me £500? | 0:22:59 | 0:23:01 | |
-Is all this just for fishing? -'500.' | 0:23:01 | 0:23:04 | |
-From a river? -'Six? 700?' | 0:23:04 | 0:23:06 | |
You wait, it gets a whole lot more expensive. | 0:23:06 | 0:23:08 | |
'Nine. 900.' | 0:23:08 | 0:23:10 | |
And it's all for charity. | 0:23:10 | 0:23:12 | |
Well, they are very generous. | 0:23:12 | 0:23:13 | |
No. Just very competitive and ostentatious. | 0:23:13 | 0:23:17 | |
They haven't got a charitable bone in their body. | 0:23:18 | 0:23:21 | |
You talk as though you hate it. | 0:23:21 | 0:23:22 | |
Gone. For £1,300. | 0:23:22 | 0:23:25 | |
CLAPPING | 0:23:25 | 0:23:27 | |
Rog. Rog. | 0:23:27 | 0:23:30 | |
Fuck me, you're a dark horse! | 0:23:30 | 0:23:32 | |
How much did you pay for her? | 0:23:33 | 0:23:35 | |
I'll have to change my escort agency. | 0:23:35 | 0:23:37 | |
If you must know, Arabella's ill. She's our children's nanny. | 0:23:37 | 0:23:40 | |
So, have you bid yet? | 0:23:42 | 0:23:45 | |
I don't think so. | 0:23:45 | 0:23:46 | |
Would you like to? | 0:23:46 | 0:23:48 | |
-I don't have that money. -No. I do. Go on. | 0:23:48 | 0:23:52 | |
The next lot is a signed Roger Federer shirt. | 0:23:52 | 0:23:55 | |
-'2012. Who'll start me...?' -I'll pay. Go on. | 0:23:55 | 0:23:57 | |
-Come on. -No. no. | 0:23:57 | 0:23:59 | |
Just to see what it feels like. Go on. | 0:23:59 | 0:24:01 | |
-Just to see the look on your face. -'800.' | 0:24:01 | 0:24:04 | |
Somebody start me at 800. | 0:24:04 | 0:24:05 | |
Go on. Go on. | 0:24:05 | 0:24:06 | |
'800.' | 0:24:06 | 0:24:07 | |
That's it. | 0:24:07 | 0:24:09 | |
That's 800 to the lady in the green dress. | 0:24:09 | 0:24:11 | |
'Who will give me £900? Over there, yes. | 0:24:11 | 0:24:14 | |
-'1,000.' -Go on. | 0:24:14 | 0:24:15 | |
-'1,500.' -Again, again. Go on. | 0:24:15 | 0:24:18 | |
'1,600.' | 0:24:18 | 0:24:20 | |
Yes! Come on, one more and we'll get it. One more. Come on. | 0:24:20 | 0:24:23 | |
-'1,700.' -Go on, go on, go on, go on. | 0:24:23 | 0:24:25 | |
-'1,800.' -Raise your hand. | 0:24:25 | 0:24:27 | |
1,800. | 0:24:27 | 0:24:29 | |
'1,800, going once. | 0:24:29 | 0:24:32 | |
'Going twice.' | 0:24:32 | 0:24:34 | |
Gone to the lady in the green dress. | 0:24:34 | 0:24:36 | |
Thank you. | 0:24:39 | 0:24:40 | |
-Oh, my God. Oh, my God! -Want to get another one? | 0:24:46 | 0:24:49 | |
POP MUSIC PLAYS SOFTLY | 0:24:55 | 0:24:58 | |
DOOR OPENS LOUDLY | 0:25:03 | 0:25:06 | |
DOOR OPENS SOFTLY | 0:25:26 | 0:25:30 | |
Not much of a night, back this early. | 0:25:34 | 0:25:37 | |
By your standards, perhaps. | 0:25:37 | 0:25:39 | |
God knows how you get up for work in the morning. | 0:25:39 | 0:25:41 | |
You don't need to worry about me. | 0:25:42 | 0:25:44 | |
Good. Cos I haven't got any worry left. | 0:25:44 | 0:25:46 | |
Thanks for looking after her for tonight. | 0:25:47 | 0:25:50 | |
It was nice to see her. | 0:25:51 | 0:25:53 | |
-We had a nice chat, you know. -No. I don't know. | 0:25:54 | 0:25:56 | |
She only ever talks to me if she wants to go to the toilet. | 0:25:56 | 0:26:00 | |
It was mainly me, all right? | 0:26:00 | 0:26:02 | |
Don't patronise me. And stop talking in that accent. | 0:26:03 | 0:26:06 | |
You weren't brought up to talk like that. | 0:26:06 | 0:26:08 | |
How would you know? | 0:26:09 | 0:26:11 | |
You weren't even there. | 0:26:12 | 0:26:13 | |
Well, your gran wouldn't like it. How about that? | 0:26:15 | 0:26:18 | |
Does that count? | 0:26:18 | 0:26:19 | |
It's not a competition. | 0:26:21 | 0:26:22 | |
"Palliative care in the community," they call it. | 0:26:26 | 0:26:29 | |
-What? -What we're doing now. Arguing while Mum dies. | 0:26:29 | 0:26:34 | |
They give it a title so that it sounds like they're doing something. | 0:26:34 | 0:26:37 | |
But they're not. | 0:26:37 | 0:26:39 | |
They gave it a title, that is them doing something. | 0:26:39 | 0:26:42 | |
Can't you just agree with me that it's tough? | 0:26:43 | 0:26:46 | |
What is it all for, in the end? Look at this place. | 0:26:46 | 0:26:50 | |
A lifetime of clutter. Is that all there is? | 0:26:50 | 0:26:52 | |
There's nothing wrong with this place. | 0:26:52 | 0:26:54 | |
For God's sake! I'm not saying that there's anything wrong with it! | 0:26:54 | 0:26:59 | |
20 Silk Cut, please. | 0:27:07 | 0:27:08 | |
Of course. How is your mother? | 0:27:08 | 0:27:11 | |
-How is Mrs Howe? -Um... She's, um... | 0:27:11 | 0:27:15 | |
Oh, um, do you do decorating? | 0:27:15 | 0:27:17 | |
Yes. From time to time. | 0:27:18 | 0:27:19 | |
I know that you're a builder. I'm from number 84. | 0:27:19 | 0:27:22 | |
Do you do painting, papering, refurbishment, that kind of thing? | 0:27:22 | 0:27:26 | |
When do you want to start doing? | 0:27:26 | 0:27:28 | |
The sooner the better. As soon as possible. | 0:27:28 | 0:27:31 | |
Thank you. Thanks. | 0:27:31 | 0:27:33 | |
Well, now I feel I've corrupted you! | 0:27:34 | 0:27:38 | |
Why are you saying that? | 0:27:38 | 0:27:39 | |
Well, because I encouraged you to bid £2,000 for a sweaty T-shirt. | 0:27:39 | 0:27:44 | |
A sweaty T-shirt worn by Roger Federer. At Wimbledon. | 0:27:44 | 0:27:48 | |
There is a difference! | 0:27:48 | 0:27:49 | |
I think I ought to put it by my bed | 0:27:51 | 0:27:54 | |
so I can see it before I go to sleep. | 0:27:54 | 0:27:56 | |
Yeah, of course. | 0:27:56 | 0:27:58 | |
Eh... Don't...don't do that. | 0:28:02 | 0:28:05 | |
It's still your night out. | 0:28:06 | 0:28:08 | |
Please. Don't do that now. | 0:28:08 | 0:28:10 | |
OK. | 0:28:10 | 0:28:11 | |
It's odd, but I've always had a lot of time for Roger Federer. | 0:28:13 | 0:28:17 | |
Not least because he's the only cool Roger in the world. | 0:28:17 | 0:28:21 | |
Well... Apart from Roger Moore that is. | 0:28:21 | 0:28:26 | |
I'm sure he's very much before your time. | 0:28:26 | 0:28:29 | |
Hm. Well... | 0:28:31 | 0:28:33 | |
At least now you'll be able to tell your friends in Hungary it's true. | 0:28:34 | 0:28:38 | |
The English do have more money than sense! | 0:28:38 | 0:28:41 | |
Why are you always apologising for what you've got? | 0:28:42 | 0:28:45 | |
Cos I'm not sure how I got it. | 0:28:46 | 0:28:49 | |
Because you are clever and you worked hard. | 0:28:49 | 0:28:53 | |
There's no shame in that. | 0:28:53 | 0:28:54 | |
When I first came into banking, it was all about relationships. | 0:28:56 | 0:29:00 | |
And now it's... | 0:29:04 | 0:29:06 | |
..it's all about maths. | 0:29:07 | 0:29:08 | |
Let's just say I'm better at the relationships bit. | 0:29:13 | 0:29:16 | |
I left everybody I loved behind in Hungary... | 0:29:16 | 0:29:20 | |
..just to come here and earn money. | 0:29:22 | 0:29:24 | |
I think I am just the same as you and Arabella. | 0:29:26 | 0:29:29 | |
Right? | 0:29:31 | 0:29:32 | |
I...I don't think so. | 0:29:33 | 0:29:35 | |
No. | 0:29:37 | 0:29:38 | |
Well, you are wrong. | 0:29:42 | 0:29:43 | |
Time for bed, I think. | 0:29:46 | 0:29:47 | |
Goodnight, Mr...Roger. | 0:29:49 | 0:29:53 | |
Oh, and thank you for a lovely evening. | 0:29:58 | 0:30:01 | |
Oops. | 0:30:04 | 0:30:05 | |
-Night. -Goodnight, Matya. | 0:30:05 | 0:30:07 | |
My God. | 0:31:08 | 0:31:09 | |
To be young and childless. | 0:31:11 | 0:31:13 | |
You come straight from the party? | 0:31:13 | 0:31:15 | |
Sleep is for lightweights, Roger. | 0:31:15 | 0:31:16 | |
ROGER CHUCKLES | 0:31:16 | 0:31:19 | |
I wouldn't do any flash trading with a hangover if I were you. | 0:31:19 | 0:31:23 | |
How's Matya? | 0:31:25 | 0:31:26 | |
I didn't see her this morning. | 0:31:27 | 0:31:29 | |
Did she have a nice evening? | 0:31:29 | 0:31:31 | |
Yes. Far as I know. | 0:31:33 | 0:31:36 | |
You don't know... | 0:31:38 | 0:31:39 | |
Like, she isn't... | 0:31:40 | 0:31:41 | |
Is she seeing anybody at the moment, do you know? | 0:31:43 | 0:31:45 | |
Oh, Mark. Dear me. | 0:31:48 | 0:31:51 | |
I know you are an ambitious young man and full marks for cheek, | 0:31:51 | 0:31:55 | |
but I'm afraid Matya is rather out of your league. | 0:31:55 | 0:31:59 | |
Dear me. Dear me! | 0:32:01 | 0:32:04 | |
PHONE RINGS | 0:32:07 | 0:32:10 | |
YELLING | 0:33:01 | 0:33:04 | |
I don't know why we all have to be here. | 0:33:22 | 0:33:25 | |
Because last time it was just me | 0:33:25 | 0:33:26 | |
and for two months we never heard the end of it. | 0:33:26 | 0:33:28 | |
This time we'll overwhelm her with our love and devotion. | 0:33:28 | 0:33:31 | |
-She won't know what's hit her. -That doesn't sound like Ammi. | 0:33:31 | 0:33:33 | |
Hey, you're not allowed to criticise her. You're her golden boy. | 0:33:33 | 0:33:36 | |
Let's have a bet on what she says first. | 0:33:36 | 0:33:38 | |
Gambling is un-Islamic. | 0:33:38 | 0:33:39 | |
That's better. I prefer you without sense of humour. | 0:33:39 | 0:33:42 | |
I'll go first. It will be, | 0:33:42 | 0:33:44 | |
"Rohinka, what are you feeding my fatty son? | 0:33:44 | 0:33:46 | |
"Are you trying to kill him?" | 0:33:46 | 0:33:47 | |
"The flight was a horror." | 0:33:47 | 0:33:49 | |
Hello. She'll say, "Hello." | 0:33:49 | 0:33:51 | |
Of course she will, clever girl! | 0:33:51 | 0:33:54 | |
Right, she's here. | 0:33:58 | 0:33:59 | |
-Daadi Jaan! -Ah! | 0:34:07 | 0:34:09 | |
Gurhyaa! | 0:34:09 | 0:34:12 | |
-All here this time. -I can see that! | 0:34:12 | 0:34:16 | |
And nobody minding the till. | 0:34:16 | 0:34:17 | |
That's a lovely dress you're wearing, Fatima. | 0:34:20 | 0:34:23 | |
Allah ka shukar, your mum let you wear a dress for once. | 0:34:23 | 0:34:27 | |
And, Rohinka, what are you feeding my son? | 0:34:27 | 0:34:29 | |
He has no self-control, you must be his self-control. | 0:34:29 | 0:34:33 | |
What are you feeding him? | 0:34:33 | 0:34:34 | |
Or is he stuffing himself with snack food | 0:34:34 | 0:34:36 | |
because he doesn't like what you cook him? | 0:34:36 | 0:34:38 | |
He looks like a gol gappa! | 0:34:38 | 0:34:39 | |
And I don't know what you're laughing about, huh? | 0:34:41 | 0:34:43 | |
25 years of age and no sign of a wife. | 0:34:43 | 0:34:45 | |
-IN URDU: -My son! | 0:34:47 | 0:34:49 | |
Come. Come. | 0:34:49 | 0:34:50 | |
Do you want the kitchen stripping out? | 0:35:03 | 0:35:05 | |
Um... Just make it modern, you know? | 0:35:05 | 0:35:08 | |
We'll get a kit from Ikea. Be basic but solid, you know. | 0:35:08 | 0:35:10 | |
Something new, that's the main thing. | 0:35:10 | 0:35:12 | |
Paintwork neutral? | 0:35:12 | 0:35:14 | |
Chalky Down is very popular. | 0:35:14 | 0:35:16 | |
We, eh... We can't go in there, I'm afraid. | 0:35:21 | 0:35:25 | |
But the bathroom will need renovating. Or refitting. | 0:35:25 | 0:35:29 | |
-It's up to you. -OK. | 0:35:29 | 0:35:31 | |
If you are having building work, | 0:35:33 | 0:35:35 | |
DISTANT COUGHING I can sort out permission. | 0:35:35 | 0:35:37 | |
I know who to talk to at the council and so on. | 0:35:40 | 0:35:44 | |
We might just leave that to the buyer. | 0:35:44 | 0:35:46 | |
We just need a rough quote for tarting it up. | 0:35:46 | 0:35:48 | |
OK. No problem. | 0:35:48 | 0:35:50 | |
Are you all right to do the other rooms on your own? | 0:35:50 | 0:35:52 | |
I'll...I'll be in the kitchen. | 0:35:52 | 0:35:54 | |
SHE BREATHES HEAVILY | 0:36:54 | 0:36:57 | |
Sorry... | 0:37:01 | 0:37:02 | |
BREATHING STOPS | 0:37:07 | 0:37:11 | |
SHE GASPS | 0:37:16 | 0:37:18 | |
I'm getting a few people in. Other quotes. Rough figures for now. | 0:37:23 | 0:37:26 | |
I'll have more idea when, um... | 0:37:26 | 0:37:29 | |
I'm looking for a good job, | 0:37:30 | 0:37:32 | |
but we're looking to freshen it up a bit before we put it | 0:37:32 | 0:37:36 | |
on the market, to be honest. | 0:37:36 | 0:37:38 | |
DOOR SHUTS | 0:37:50 | 0:37:52 | |
Morning, boss. | 0:37:56 | 0:37:58 | |
Oh. | 0:37:59 | 0:38:01 | |
Right. | 0:38:01 | 0:38:04 | |
-Thanks. -So you've been at it all night? | 0:38:04 | 0:38:06 | |
More or less. | 0:38:08 | 0:38:10 | |
What are you...what are you trying to say? I mean... | 0:38:10 | 0:38:14 | |
I don't know. You got any ideas? | 0:38:15 | 0:38:17 | |
Well, I mean, there's this wonderful quote by... | 0:38:19 | 0:38:22 | |
It's cold, mate. | 0:38:22 | 0:38:23 | |
Off you Trotsky. | 0:38:25 | 0:38:26 | |
In 2003, I was arrested in Harare, | 0:38:48 | 0:38:51 | |
interrogated and beaten up. Then I was released. | 0:38:51 | 0:38:54 | |
Then I was arrested and beaten up again. | 0:38:54 | 0:38:57 | |
They told me I had 72 hours to leave the country. | 0:38:57 | 0:39:00 | |
So I was smuggled out by the missionaries. | 0:39:00 | 0:39:03 | |
Quentina. | 0:39:03 | 0:39:04 | |
The judge already knows all this. | 0:39:04 | 0:39:08 | |
It's terrible, but it's not relevant. | 0:39:08 | 0:39:11 | |
I came to England on a student visa. | 0:39:14 | 0:39:16 | |
And he will say, | 0:39:16 | 0:39:17 | |
"And did you always intend to illegally outstay the visa?" | 0:39:17 | 0:39:20 | |
And I will say, "Yes. | 0:39:20 | 0:39:22 | |
"I intended to throw myself at the mercy of the British state." | 0:39:22 | 0:39:26 | |
And he will say, "How have you been supporting yourself | 0:39:26 | 0:39:28 | |
"since being refused asylum?" | 0:39:28 | 0:39:30 | |
-I will say, "By working." -By working illegally. -Yes! | 0:39:30 | 0:39:34 | |
I wanted to give something back to England. | 0:39:34 | 0:39:37 | |
So instead of collecting my £43 a week allowance, I...I worked. | 0:39:37 | 0:39:42 | |
I paid my way. | 0:39:42 | 0:39:43 | |
I don't understand why your law would discourage that. | 0:39:44 | 0:39:47 | |
That isn't relevant. | 0:39:47 | 0:39:50 | |
He will ignore that and he will say that you came here with | 0:39:50 | 0:39:53 | |
the intention of staying illegally. | 0:39:53 | 0:39:54 | |
And you did so, on the pretext that you were fleeing from persecution. | 0:39:54 | 0:39:58 | |
But it wasn't a pretext. | 0:39:58 | 0:39:59 | |
Don't contradict him. It'll piss him off. | 0:39:59 | 0:40:02 | |
-He doesn't need to like me. -He does, Quentina. He really does. | 0:40:02 | 0:40:06 | |
In fact, I'd say that's your only chance. | 0:40:07 | 0:40:11 | |
Well, that...is a problem. | 0:40:16 | 0:40:18 | |
Because there's only one person I know who thinks I'm likeable. | 0:40:20 | 0:40:24 | |
PHONE RINGS, DISTANT VOICES | 0:40:32 | 0:40:35 | |
Quentina! | 0:40:37 | 0:40:38 | |
Quentina, where are you? | 0:40:40 | 0:40:41 | |
I don't know why you dragged me all the way here from Karachi for these. | 0:40:42 | 0:40:47 | |
They just seem like, um, some foolishness. | 0:40:47 | 0:40:50 | |
I hardly dragged you here, Ammi. | 0:40:50 | 0:40:52 | |
They love it round here. All that fussing and running around. | 0:40:52 | 0:40:55 | |
It's that great British middle-class battle cry - | 0:40:55 | 0:40:58 | |
"Something must be done!" | 0:40:58 | 0:41:00 | |
Especially if it might have an effect on property prices. | 0:41:00 | 0:41:03 | |
Those are our neighbours and customers | 0:41:03 | 0:41:05 | |
-you are talking rubbish about. -I don't know, Ahmed. | 0:41:05 | 0:41:08 | |
This is a rare example of dear Usman being right about something. | 0:41:08 | 0:41:11 | |
Nobody's going to be marrying him for his brains, that's for sure! | 0:41:11 | 0:41:14 | |
Mayra gurhyaa! Will you do me a favour? | 0:41:14 | 0:41:17 | |
Will you ask your mother to put some sugar in this for me, gurhyaa? | 0:41:17 | 0:41:20 | |
I think she is trying to poison me! | 0:41:20 | 0:41:23 | |
-Go on. -Thank you! | 0:41:25 | 0:41:27 | |
Run, run! Quickly, quickly! | 0:41:27 | 0:41:29 | |
TV MURMURS, DOOR OPENS | 0:41:35 | 0:41:39 | |
FOOTSTEPS ON STAIRS | 0:41:39 | 0:41:42 | |
I think you should come up now. | 0:41:49 | 0:41:50 | |
SHE WHEEZES | 0:41:59 | 0:42:02 | |
WHEEZING STOPS | 0:42:24 | 0:42:29 | |
KNOCK ON DOOR | 0:43:02 | 0:43:04 | |
I'm starting to think this second wave of crimes is being done | 0:43:04 | 0:43:07 | |
by somebody new, | 0:43:07 | 0:43:08 | |
somebody separate from the person who posted the cards. | 0:43:08 | 0:43:11 | |
A copycat? | 0:43:11 | 0:43:13 | |
If you like. But I hope this is reassuring. | 0:43:13 | 0:43:15 | |
We are closing in on the perpetrator. Make no mistake. | 0:43:15 | 0:43:17 | |
The traffic warden, the African lady, | 0:43:17 | 0:43:19 | |
you thought that she'd done it, but she wasn't guilty of anything. | 0:43:19 | 0:43:22 | |
She was guilty of a lot of things, but not the postal campaign. | 0:43:22 | 0:43:26 | |
So it works like a curse. | 0:43:26 | 0:43:28 | |
I'm sorry? | 0:43:30 | 0:43:31 | |
Um, the postcards. They work like a bad luck charm. | 0:43:31 | 0:43:35 | |
First the traffic warden, then Mum. | 0:43:35 | 0:43:37 | |
Your mum? Mrs Howe? Why, what's happened to her? | 0:43:37 | 0:43:40 | |
She died, didn't I tell you? | 0:43:41 | 0:43:43 | |
No, I don't think you did. | 0:43:44 | 0:43:46 | |
Last night. Well, early this morning to be precise. | 0:43:46 | 0:43:50 | |
You don't want to be hearing this stuff now. | 0:43:51 | 0:43:53 | |
She was the last of her kind. | 0:43:53 | 0:43:55 | |
She lived here nearly all her adult life. | 0:43:55 | 0:43:57 | |
She got... | 0:43:57 | 0:43:59 | |
she got married when she was 21 and never left. | 0:43:59 | 0:44:03 | |
Can you imagine? | 0:44:03 | 0:44:04 | |
Staying in the same place for...over 60 years? | 0:44:04 | 0:44:09 | |
-BEEP -Arms out, please. | 0:44:13 | 0:44:15 | |
Passport, please. | 0:44:18 | 0:44:19 | |
I tried to see a different lawyer at the Law Centre. | 0:44:25 | 0:44:28 | |
I waited all morning, but then I had to get back to work. | 0:44:28 | 0:44:31 | |
But - she rang me. She's coming to see you. | 0:44:31 | 0:44:35 | |
Don't rock the boat, Mashinko. Please. | 0:44:38 | 0:44:42 | |
I know you are trying to help, but you'll make things worse. | 0:44:42 | 0:44:47 | |
-By standing up for you? -Yes. | 0:44:47 | 0:44:49 | |
By standing up for me. | 0:44:50 | 0:44:51 | |
Now, you listen to me, my love. | 0:44:58 | 0:45:00 | |
Of course. | 0:45:00 | 0:45:01 | |
Let me just get my pad to take notes. | 0:45:01 | 0:45:03 | |
This isn't going to help me. I just need you to listen to me. | 0:45:03 | 0:45:07 | |
I am Quentina Mfeski, | 0:45:14 | 0:45:16 | |
BSc, MSc, Political Science, | 0:45:16 | 0:45:19 | |
the University of Zimbabwe. | 0:45:19 | 0:45:21 | |
I know, you told me you had a degree. | 0:45:21 | 0:45:23 | |
Are you going to let me finish talking? | 0:45:23 | 0:45:25 | |
I like to listen to Makoomba, | 0:45:29 | 0:45:32 | |
Beyonce | 0:45:32 | 0:45:33 | |
and I still love Brenda Fassie. | 0:45:33 | 0:45:36 | |
Why are you telling me this now? | 0:45:36 | 0:45:37 | |
Because I want you to know this about me. | 0:45:39 | 0:45:41 | |
And because when you think of me, I... | 0:45:43 | 0:45:45 | |
..I don't want you to think of just | 0:45:48 | 0:45:50 | |
Quentina the traffic warden or... | 0:45:50 | 0:45:52 | |
..Quentina the detainee. | 0:45:54 | 0:45:56 | |
Because... | 0:45:56 | 0:45:57 | |
Because I don't want you to visit me again. | 0:46:01 | 0:46:04 | |
You feel an obligation because we went on two dates. | 0:46:08 | 0:46:11 | |
And I want to release you from that obligation. | 0:46:13 | 0:46:16 | |
Obligation? | 0:46:18 | 0:46:20 | |
You really don't understand... | 0:46:22 | 0:46:24 | |
..how lonely I was. | 0:46:26 | 0:46:27 | |
I had the church and the job and nothing else. | 0:46:29 | 0:46:34 | |
And then I had you. And you were kind. | 0:46:35 | 0:46:38 | |
You were kind and lovely... | 0:46:39 | 0:46:42 | |
And I'm here. | 0:46:44 | 0:46:46 | |
Beloved wife of Albert, | 0:47:26 | 0:47:29 | |
proud mother of Mary and devoted grandmother of Graham. | 0:47:29 | 0:47:33 | |
I knew Petunia as a regular member of our congregation, | 0:47:35 | 0:47:39 | |
but over the last few days, I feel I've got to know her a little better. | 0:47:39 | 0:47:43 | |
She moved into 84 Pepys Road over 60 years ago, | 0:47:44 | 0:47:48 | |
as a new bride. | 0:47:48 | 0:47:50 | |
And although she saw many changes over the years, | 0:47:50 | 0:47:53 | |
she remained a well-known and well-loved member of the community. | 0:47:53 | 0:47:57 | |
Over the last months of her life, | 0:47:59 | 0:48:01 | |
she received, like all of those on Pepys Road, | 0:48:01 | 0:48:05 | |
a series of postcards | 0:48:05 | 0:48:07 | |
on which the sentence "We want what you have" was written. | 0:48:07 | 0:48:12 | |
Now, this campaign, intended perhaps to intimidate or amuse, | 0:48:13 | 0:48:18 | |
was met by Petunia with her usual good humour and stoicism. | 0:48:18 | 0:48:23 | |
But I think the pranksters who sent these postcards were saying more | 0:48:24 | 0:48:28 | |
than they knew when they posted the postcards through Petunia's door. | 0:48:28 | 0:48:32 | |
Because a life lived with patience, | 0:48:34 | 0:48:38 | |
a life lived with fortitude, | 0:48:38 | 0:48:41 | |
a life lived with humility and good humour, | 0:48:41 | 0:48:45 | |
always a kind word for the neighbours, | 0:48:45 | 0:48:47 | |
always a kind word for newcomers from whatever race. | 0:48:47 | 0:48:51 | |
Well. | 0:48:52 | 0:48:54 | |
I think it's fair to say, on reflection, | 0:48:54 | 0:48:57 | |
that we should all want a little of what Petunia had. | 0:48:57 | 0:49:00 | |
I'm sorry for your loss. | 0:49:26 | 0:49:28 | |
Right. Thank you. | 0:49:29 | 0:49:31 | |
And you're the artist, right? | 0:49:33 | 0:49:36 | |
What? | 0:49:36 | 0:49:37 | |
Your grandma had your school paintings all over her wall. | 0:49:37 | 0:49:40 | |
Right. Yeah. Right. | 0:49:42 | 0:49:43 | |
When I went to see her about the postcards. | 0:49:43 | 0:49:46 | |
I'm the police officer investigating. | 0:49:46 | 0:49:48 | |
Ah, OK. | 0:49:48 | 0:49:50 | |
-How you getting on with that? -Well, it's funny you should ask me that | 0:49:50 | 0:49:53 | |
because you've solved a little mystery for me today. | 0:49:53 | 0:49:56 | |
I'm sorry? I have? | 0:49:56 | 0:49:57 | |
You appear in one of the photographs of your grandmother's house. | 0:49:57 | 0:50:00 | |
At the front door. I was wondering who you were. | 0:50:00 | 0:50:03 | |
Me? Are you sure. | 0:50:03 | 0:50:05 | |
The latest set, for sure. | 0:50:05 | 0:50:07 | |
-When were they taken? -I don't know exactly, but they were | 0:50:07 | 0:50:09 | |
posted on the website this week, so I am guessing fairly recently. | 0:50:09 | 0:50:12 | |
So why the sudden escalation? | 0:50:12 | 0:50:14 | |
Your guess is as good as mine at this point. | 0:50:14 | 0:50:16 | |
But we will find out, don't worry on that score. | 0:50:16 | 0:50:18 | |
I wasn't. | 0:50:20 | 0:50:21 | |
SHE SIGHS | 0:51:10 | 0:51:13 | |
OK. | 0:51:13 | 0:51:14 | |
Oh, eh... Don't worry. You look after the boys. | 0:51:14 | 0:51:18 | |
It does me good to do this once in a blue moon. | 0:51:18 | 0:51:20 | |
Thank you. | 0:51:20 | 0:51:21 | |
SHE MAKES MOTOR NOISES | 0:51:23 | 0:51:25 | |
-Matya. -Yep? | 0:51:27 | 0:51:28 | |
Er, you do know, don't you, that if you ever wanted to bring | 0:51:28 | 0:51:32 | |
a friend here, we wouldn't mind? | 0:51:32 | 0:51:33 | |
That is kind. Thank you. | 0:51:35 | 0:51:36 | |
One more. | 0:51:36 | 0:51:38 | |
Friend. Boyfriend. Whatever. | 0:51:38 | 0:51:41 | |
Thank you. I don't have a boyfriend at the moment. | 0:51:41 | 0:51:43 | |
Right. | 0:51:43 | 0:51:44 | |
# The wheels on the bus go round and round | 0:51:45 | 0:51:49 | |
# Round and round | 0:51:49 | 0:51:50 | |
ALL: # Round and round | 0:51:50 | 0:51:52 | |
# The wheels on the bus go round and round | 0:51:52 | 0:51:55 | |
# All day long. # | 0:51:55 | 0:51:58 | |
I hate to interrupt this heart-warming, slash, | 0:51:58 | 0:52:00 | |
nauseating scene, but has anyone seen my mobile? | 0:52:00 | 0:52:03 | |
-TO KIDS: -OK, here we go. | 0:52:10 | 0:52:13 | |
Bogdan, darling, it's Arabella. | 0:52:15 | 0:52:16 | |
How busy are you at the moment? | 0:52:16 | 0:52:18 | |
Come on, come on. We don't have all day! | 0:52:18 | 0:52:20 | |
Come on. Hurry up. | 0:52:28 | 0:52:30 | |
Bogdan, darling, five seconds. Literally, five seconds. Come in. | 0:52:34 | 0:52:38 | |
Wait in the dining room. | 0:52:38 | 0:52:40 | |
-MATYA: -Matya is coming! | 0:52:41 | 0:52:43 | |
-Where are...? -SHE GASPS | 0:52:46 | 0:52:49 | |
Hello! | 0:52:49 | 0:52:50 | |
Where are you? | 0:52:52 | 0:52:54 | |
Oh! I see you! | 0:52:54 | 0:52:57 | |
-CHILD SQUEALS -Oh! | 0:52:57 | 0:53:00 | |
You are so mine! | 0:53:00 | 0:53:02 | |
You're it! | 0:53:04 | 0:53:05 | |
This was a game. | 0:53:07 | 0:53:09 | |
I know. I'm here to see Mrs Yount. | 0:53:09 | 0:53:11 | |
Joshy didn't do a poop today. | 0:53:11 | 0:53:14 | |
I did. | 0:53:15 | 0:53:17 | |
Oh, mi dispiace, Bogdan, I'm so sorry, I'm racked with guilt. | 0:53:17 | 0:53:20 | |
Listen, come with me. Can I show you my little thingies? | 0:53:20 | 0:53:23 | |
I wanted to change the white to one of those Swedish types. | 0:53:23 | 0:53:26 | |
Two sugars, by the way. | 0:53:32 | 0:53:34 | |
Pardon? | 0:53:37 | 0:53:38 | |
When I'm working here. I like two sugars in my tea. | 0:53:38 | 0:53:40 | |
Like the British builders. | 0:53:42 | 0:53:43 | |
I don't make tea for workmen. I look after the children. | 0:53:43 | 0:53:47 | |
It was a joke! Sorry. | 0:53:47 | 0:53:50 | |
So where are you from? | 0:53:53 | 0:53:55 | |
-The Ukraine? Czech Republic? -Hungary. | 0:53:57 | 0:54:00 | |
Ah, like the song. | 0:54:00 | 0:54:03 | |
What song? | 0:54:03 | 0:54:04 | |
Budapest. | 0:54:05 | 0:54:06 | |
I'm from Kecskemet. | 0:54:06 | 0:54:08 | |
There isn't a song about that. | 0:54:08 | 0:54:10 | |
Your turn to guess. | 0:54:11 | 0:54:13 | |
Oh, I don't need to. Arrogant, bad with children, builder - Polish. | 0:54:13 | 0:54:17 | |
Will you tell Arabella I will call her with the exact quote? | 0:54:20 | 0:54:22 | |
I am sure you can tell her yourself. | 0:54:22 | 0:54:24 | |
If that is not beneath you as a Pole and a man. | 0:54:25 | 0:54:28 | |
Joshua. Conrad. | 0:54:28 | 0:54:30 | |
Wash your hands for food, darlings! | 0:54:30 | 0:54:33 | |
Come on! | 0:54:33 | 0:54:34 | |
HE SWEARS IN POLISH | 0:54:39 | 0:54:43 | |
IN POLISH: Holy Mother of God. | 0:55:19 | 0:55:21 | |
BEEP | 0:55:33 | 0:55:35 | |
No. | 0:55:39 | 0:55:40 | |
-BEEP -No, no, no. | 0:55:42 | 0:55:45 | |
What?! | 0:55:45 | 0:55:46 | |
HELICOPTER WHIRS ALARM CLOCK BEEPS | 0:56:01 | 0:56:06 | |
They all stack up in order of delivery. | 0:56:26 | 0:56:28 | |
I know how to stack newspapers, Rohinka. | 0:56:28 | 0:56:30 | |
-Daadi Jaan? -Ah! | 0:56:31 | 0:56:34 | |
Here she is. My little gurhyaa. | 0:56:34 | 0:56:36 | |
Nice sweet tea for Daadi Jaan. Huh? | 0:56:36 | 0:56:39 | |
Are those boys' pyjamas you're wearing? | 0:56:39 | 0:56:41 | |
You're funny, Daadi Jaan. | 0:56:41 | 0:56:43 | |
You shouldn't be up so early. | 0:56:43 | 0:56:44 | |
You won't be top of the class if you don't get enough sleep. | 0:56:46 | 0:56:49 | |
That's what I'm always telling her. | 0:56:49 | 0:56:51 | |
Well, she doesn't seem to take much notice of you. | 0:56:51 | 0:56:54 | |
Mm-mm! | 0:56:54 | 0:56:56 | |
Very good, Fatima. Not perfect, but... | 0:56:56 | 0:57:00 | |
-DOOR BANGS OPEN, WOMEN SCREAM -Police! Stay where you are! | 0:57:00 | 0:57:03 | |
THEY SCREAM | 0:57:03 | 0:57:06 | |
DOORS BANG | 0:57:06 | 0:57:09 | |
Armed police! | 0:57:09 | 0:57:10 | |
On the floor now! Arms behind your head. Arms behind your head! | 0:57:10 | 0:57:13 | |
On the floor now! | 0:57:16 | 0:57:18 | |
Arms behind your head! Arms behind your head! | 0:57:18 | 0:57:20 | |
Get down! | 0:57:20 | 0:57:21 | |
It's all right, darling. Let's go and find your mummy. | 0:57:21 | 0:57:24 | |
My wife and kids. Where are my...where are my wife and kids? | 0:57:24 | 0:57:27 | |
Where are my wife and kids? | 0:57:27 | 0:57:29 | |
What are you doing? | 0:57:29 | 0:57:31 | |
What are you doing, man? Get off! Get off me! | 0:57:31 | 0:57:33 | |
Stay still! Stay where you are. | 0:57:34 | 0:57:37 | |
-Show me your hands! -On the floor now! Get down on the ground. | 0:57:37 | 0:57:40 | |
HELICOPTER WHIRS, YELLING | 0:57:40 | 0:57:44 | |
-Get down on the ground! -We will not get down. | 0:57:49 | 0:57:52 | |
Will you get down on the ground, Mum?! | 0:57:52 | 0:57:54 | |
-You should be ashamed of yourself. -IN URDU: -Ill-mannered. | 0:57:54 | 0:57:56 | |
You, you! Yes, I'm talking to you! | 0:57:56 | 0:57:58 | |
Will you just get down, Mum? | 0:57:58 | 0:58:00 | |
I won't get down. You will have to shoot me, young man. | 0:58:00 | 0:58:02 | |
-Get down on the ground. -Mum, will you just get down?! | 0:58:02 | 0:58:04 | |
Is that what you're ready to do? Are you ready to shoot me | 0:58:04 | 0:58:07 | |
and then go home and tell your mother this is what you did? | 0:58:07 | 0:58:10 | |
What are you doing?! | 0:58:10 | 0:58:11 | |
Be quiet! Give me your hand. | 0:58:11 | 0:58:13 | |
I haven't done anything! | 0:58:19 | 0:58:21 |