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'Holby Control to 3006. | 0:00:50 | 0:00:53 | |
'Emergency call on the Porter Estate. | 0:00:53 | 0:00:55 | |
'Male patient with stab wound, patient is conscious and breathing, | 0:00:55 | 0:00:59 | |
'possible gang assault.' | 0:00:59 | 0:01:01 | |
'Please rendezvous with police on Parkside Road. | 0:01:08 | 0:01:12 | |
'Repeat. Please rendezvous with police on Parkside Road.' | 0:01:12 | 0:01:17 | |
Name's Rossy. You'll be OK. | 0:01:32 | 0:01:35 | |
Come on, Dix, you're driving like an old lady. | 0:01:42 | 0:01:44 | |
-Step on it, let's just get in there. -Control told us to wait for plod. | 0:01:44 | 0:01:48 | |
Yeah, well, they could be ages yet. | 0:01:48 | 0:01:51 | |
Oi, oi. | 0:01:51 | 0:01:52 | |
-This is Marcus. -Hi. | 0:01:59 | 0:02:02 | |
He's been in a bit of a scrap, he's got a knife wound to the left arm. | 0:02:02 | 0:02:05 | |
It looks superficial. Minimal blood loss. | 0:02:05 | 0:02:07 | |
No reduced sensation or function. | 0:02:07 | 0:02:09 | |
OK. All right, Marcus, shall we have a little look at you, sweetheart? | 0:02:09 | 0:02:12 | |
-OK. -Come on, kid. | 0:02:12 | 0:02:14 | |
Where'd you come from? | 0:02:14 | 0:02:15 | |
-Control said he was on the west side. -You were supposed to wait for the police. | 0:02:15 | 0:02:19 | |
-You'll be waiting all day on that lot. -Yeah, I'm Jeff. This is Dixie. | 0:02:19 | 0:02:23 | |
-Rossy. Just started at Walton. -You're a long way from home. | 0:02:23 | 0:02:27 | |
I got the call as I was passing through. I'll, um, | 0:02:27 | 0:02:29 | |
-I'll leave him in your hands. -Yeah, sweet, yeah. | 0:02:29 | 0:02:32 | |
Do you want to sit down there for me, gorgeous? | 0:02:32 | 0:02:35 | |
-Hello? Got a patient. -Yeah, all right, yeah. | 0:02:35 | 0:02:38 | |
# Stuck in her daydream | 0:02:43 | 0:02:46 | |
# Been this way since 18... # | 0:02:46 | 0:02:48 | |
What makes you think he's going to ask you? | 0:02:48 | 0:02:51 | |
He's been hinting all week. | 0:02:51 | 0:02:53 | |
And he's booked a table at The Salerno. | 0:02:54 | 0:02:57 | |
Which is a pizza place. | 0:02:57 | 0:02:59 | |
It's got cutlery. Which means classy. | 0:02:59 | 0:03:02 | |
Which means tonight's the night. | 0:03:02 | 0:03:06 | |
Well, how do I look? | 0:03:06 | 0:03:08 | |
Boring. | 0:03:08 | 0:03:10 | |
I was going for elegant. | 0:03:10 | 0:03:12 | |
Why don't you wear your pulling dress? | 0:03:13 | 0:03:16 | |
Because my pulling days are over. And, anyway, Simon wouldn't approve. | 0:03:16 | 0:03:19 | |
He's going to have to get to know the real you sooner or later. | 0:03:19 | 0:03:22 | |
This is the real me now. | 0:03:22 | 0:03:24 | |
No more drinking, no more benders, no more clubs. | 0:03:24 | 0:03:28 | |
From now on, I'm sophisticated. | 0:03:29 | 0:03:32 | |
Mature. And, hopefully, if all goes well, | 0:03:32 | 0:03:34 | |
engaged. | 0:03:34 | 0:03:36 | |
Are you sure about him? | 0:03:36 | 0:03:38 | |
Simon's a good bloke. | 0:03:40 | 0:03:43 | |
DOORBELL RINGS | 0:03:43 | 0:03:44 | |
Damn, he's early. | 0:03:44 | 0:03:45 | |
Go let him in. | 0:03:45 | 0:03:47 | |
She ready yet? | 0:03:52 | 0:03:54 | |
She won't be long. | 0:03:54 | 0:03:55 | |
We ready then? | 0:04:04 | 0:04:06 | |
Wow. Look at you. Beautiful, isn't she? | 0:04:06 | 0:04:10 | |
You look great. | 0:04:12 | 0:04:14 | |
See you later, babes. | 0:04:14 | 0:04:15 | |
# And they scream | 0:04:17 | 0:04:18 | |
# The worst things in life come free to us | 0:04:18 | 0:04:21 | |
# Cos we're just under the upperhand | 0:04:21 | 0:04:24 | |
# And go mad for a couple of grammes | 0:04:24 | 0:04:27 | |
# And she don't want to go outside tonight | 0:04:27 | 0:04:31 | |
# And in a pipe... # | 0:04:31 | 0:04:33 | |
So, I had Lenny came and see me again about taking Resus cases. | 0:04:33 | 0:04:38 | |
I had a word with Tess and Charlie, | 0:04:38 | 0:04:40 | |
they seemed happy, thought I'd ask you too. | 0:04:40 | 0:04:43 | |
Yeah, I think he's definitely turned a corner. | 0:04:43 | 0:04:46 | |
-Seriously? -Well, I'm not saying his bedside manner's great. Thanks. | 0:04:46 | 0:04:51 | |
-But at least he's got one now. -OK. | 0:04:51 | 0:04:53 | |
-Why do you have to be so rigid? -Control told us to wait. | 0:04:53 | 0:04:55 | |
And when do we listen to control? | 0:04:55 | 0:04:57 | |
Since I started getting it in the neck for not following procedure. | 0:04:57 | 0:04:59 | |
-And this is? -Marcus Campbell. | 0:04:59 | 0:05:02 | |
Fourteen. He's got a stab wound in his left arm, it's not too deep. | 0:05:02 | 0:05:05 | |
-Hiya, Marcus. -There's no major structures involved. | 0:05:05 | 0:05:08 | |
Bleeding controlled with a pressure dressing | 0:05:08 | 0:05:10 | |
and he's had ten of morphine. | 0:05:10 | 0:05:12 | |
-Right, cubicle three. -Procedure's well and good, | 0:05:12 | 0:05:15 | |
-but it's not very good for our image, is it? -What image? | 0:05:15 | 0:05:19 | |
We're paramedics, ain't we? You know, rough and ready life savers, | 0:05:19 | 0:05:22 | |
gung-ho heroes. | 0:05:22 | 0:05:23 | |
Knights in shining armour, that sort of thing? | 0:05:23 | 0:05:26 | |
-Yeah, that's the sort of thing. -Like your new mate Rossy? | 0:05:26 | 0:05:28 | |
-He's hardly a mate. -He was all over him, Charlie. | 0:05:28 | 0:05:31 | |
I liked the cut of his jib, Charlie. | 0:05:31 | 0:05:34 | |
-I want to go back to the pub. -Let's check your arm first, mate. | 0:05:34 | 0:05:37 | |
It's fine, look, nothing, just a bit of a sprain. | 0:05:37 | 0:05:40 | |
Look, this will go a lot better if you cooperate a bit. | 0:05:40 | 0:05:43 | |
It's beautiful, Simon. | 0:05:46 | 0:05:47 | |
Just like my fiance. | 0:05:47 | 0:05:48 | |
We just got engaged. | 0:05:50 | 0:05:52 | |
-Congratulations. -Thanks. | 0:05:52 | 0:05:54 | |
Ah! Shall I get you a bottle of champagne, then? | 0:05:54 | 0:05:56 | |
No, cava will be fine. Spanish champagne. Extra special. | 0:05:56 | 0:06:00 | |
I need to tell Gemma. | 0:06:03 | 0:06:05 | |
-Yeah, I wondered how long that would take. -What? | 0:06:06 | 0:06:09 | |
Well, can't we just enjoy the moment | 0:06:09 | 0:06:12 | |
without having to bring your sister into it? | 0:06:12 | 0:06:14 | |
But she'll want to know. | 0:06:14 | 0:06:15 | |
Oh, come on, couple of hours isn't going to hurt, is it? | 0:06:15 | 0:06:20 | |
And, anyway, isn't it about time | 0:06:20 | 0:06:22 | |
the two of you started living your own lives. | 0:06:22 | 0:06:25 | |
Your extra special champagne(!) | 0:06:25 | 0:06:29 | |
DANCE MUSIC | 0:06:42 | 0:06:46 | |
Yeah, um, I'm a mate of Tara's. | 0:06:52 | 0:06:54 | |
POUNDING DANCE MUSIC | 0:07:35 | 0:07:37 | |
Oi. | 0:07:48 | 0:07:49 | |
-Look at her. -Very nice. -Gorgeous. -She did all that for us, didn't she? | 0:07:49 | 0:07:52 | |
What do you want? Leave me alone. | 0:07:52 | 0:07:55 | |
MUFFLED VOICES AND LAUGHTER | 0:07:55 | 0:07:59 | |
You want a little bit more, love? Get a bit more crazy. | 0:08:01 | 0:08:04 | |
What's with the kid? | 0:08:27 | 0:08:29 | |
Honestly? I can't find anything wrong. | 0:08:29 | 0:08:33 | |
So, you want to discharge him? | 0:08:33 | 0:08:35 | |
Nah. We'll hold on to him for a couple of hours. | 0:08:35 | 0:08:37 | |
His mum seems to think there's a problem so... | 0:08:37 | 0:08:39 | |
And that's good enough for you? | 0:08:39 | 0:08:42 | |
Why wouldn't it be? | 0:08:42 | 0:08:43 | |
Well, because you're the one | 0:08:43 | 0:08:45 | |
who said all mothers are sleep-deprived neurotics. | 0:08:45 | 0:08:48 | |
Ay, that's true enough, | 0:08:48 | 0:08:49 | |
it just turns out that they seem to know their kids better than we do. | 0:08:49 | 0:08:52 | |
OK. | 0:08:52 | 0:08:53 | |
I don't know how you did it. | 0:08:55 | 0:08:57 | |
-Did what? -Lenny. It's almost like he's human. | 0:08:57 | 0:09:01 | |
SIRENS | 0:09:01 | 0:09:03 | |
SHE MOANS AND WHIMPERS | 0:09:09 | 0:09:12 | |
Can I have some room, please? | 0:09:12 | 0:09:14 | |
Hello, love. | 0:09:16 | 0:09:17 | |
Can you tell me your name? | 0:09:17 | 0:09:20 | |
Can you just move back, please? | 0:09:21 | 0:09:23 | |
Now, listen, I need you to be brave, all right? | 0:09:23 | 0:09:26 | |
This is only going to take a second but it's going to hurt | 0:09:26 | 0:09:28 | |
but it can't wait, do you understand me, yeah? Yeah? | 0:09:28 | 0:09:31 | |
SIRENS | 0:09:31 | 0:09:33 | |
SHE SCREAMS | 0:09:36 | 0:09:37 | |
Good girl. Good girl. | 0:09:39 | 0:09:43 | |
Looks like you beat us to it again, mate. | 0:09:43 | 0:09:44 | |
-Faster brief, that's all. -Yeah, what we got? | 0:09:44 | 0:09:47 | |
Looks like a fall from height. Her legs took the worst of it. | 0:09:47 | 0:09:49 | |
It's a fracture dislocation of the left ankle, which I've reduced. | 0:09:49 | 0:09:52 | |
I haven't done anything else yet. | 0:09:52 | 0:09:54 | |
Saving her leg will do for starters. See that, Dixie? | 0:09:54 | 0:09:56 | |
Get's stuck in, get's the job done. | 0:09:56 | 0:09:58 | |
-Yeah, he's a proper hero. -We should get her out of here. | 0:09:58 | 0:10:02 | |
-OK, I'll get a collar and board. You all right to cannulate? -Yeah. | 0:10:02 | 0:10:05 | |
-Should try redial. -Sorry? -Her phone. I can't get a name out of her. | 0:10:07 | 0:10:12 | |
PHONE RINGS | 0:10:16 | 0:10:18 | |
Least I can tell her the good news. | 0:10:24 | 0:10:27 | |
Gemma, babe? | 0:10:27 | 0:10:28 | |
-We need to go. -What? | 0:10:33 | 0:10:36 | |
-Stella! I need to talk to you. -Kind of busy. | 0:10:43 | 0:10:47 | |
-It's really important. -Ali, I'm working. | 0:10:47 | 0:10:50 | |
Brendan's cheating on me. | 0:10:52 | 0:10:54 | |
Excuse me for a minute. | 0:10:55 | 0:10:57 | |
OK, tell me what happened. | 0:11:02 | 0:11:03 | |
OK, so, um, I leave work, yeah? | 0:11:03 | 0:11:06 | |
I have to go and see the solicitor about the entry date | 0:11:06 | 0:11:08 | |
and then I have to let the lettings agency know | 0:11:08 | 0:11:10 | |
and then I have to get new tile catalogues | 0:11:10 | 0:11:12 | |
-because I'm not sure the magenta's going to work. -Yeah. | 0:11:12 | 0:11:15 | |
All right, skip this bit. | 0:11:15 | 0:11:16 | |
OK, so, I get home and Brendan's dressed to go out. | 0:11:16 | 0:11:21 | |
Says he's meeting Fat Terry. | 0:11:21 | 0:11:22 | |
-Fat Terry's in Australia. -Exactly. | 0:11:22 | 0:11:25 | |
Plus, he's really edgy. Can't wait to get out the flat. | 0:11:25 | 0:11:28 | |
He's in such a rush that he forgets his phone. | 0:11:28 | 0:11:30 | |
-So, when he gets a text... -Naturally, you read it. | 0:11:30 | 0:11:33 | |
"Can't wait for tonight. Got the dress you love. | 0:11:33 | 0:11:36 | |
"See you in Minsky's at seven. | 0:11:36 | 0:11:40 | |
"Love you, Polly". Three kisses. | 0:11:40 | 0:11:43 | |
-Wow. Do you know who this Polly is? -She went to drama college with him. | 0:11:45 | 0:11:49 | |
He always said she had star potential. | 0:11:49 | 0:11:52 | |
-Have I met her? -Christmas party. Up herself. | 0:11:52 | 0:11:55 | |
Kept going on about her bit part in Hollyoaks. | 0:11:55 | 0:11:58 | |
Look, what does it matter? Point is, she's seeing my boyfriend tonight. | 0:11:58 | 0:12:03 | |
What am I going to do, Stella? | 0:12:03 | 0:12:04 | |
It's obvious, isn't it? | 0:12:04 | 0:12:06 | |
-Dixie. -Hi, Zoe, this is Gemma. | 0:12:10 | 0:12:12 | |
She fell about 20 feet from a pedestrian bridge. | 0:12:12 | 0:12:14 | |
She's got a fractured dislocation to the left ankle | 0:12:14 | 0:12:17 | |
-which a paramedic reduced on the scene. -Straight through. | 0:12:17 | 0:12:19 | |
-Sats are at 95%. -OK, pain relief? -Oh, yes, please. Five of morphine. | 0:12:19 | 0:12:26 | |
Let's get ready to move, please. Very, very gently. | 0:12:26 | 0:12:29 | |
-On three. One, two... -OK. | 0:12:29 | 0:12:31 | |
OK, thanks, guys. Hi, Gemma. I'm Zoe. | 0:12:31 | 0:12:36 | |
-I'm one of the doctors here. Can you hear me? -SHE MOANS | 0:12:36 | 0:12:39 | |
-Gemma. -OK, airway's clear. Let's hook her up. | 0:12:39 | 0:12:40 | |
-Sorry. You have to wait outside. -I need to be with her. | 0:12:40 | 0:12:43 | |
-And you are? -Tara's her sister. | 0:12:43 | 0:12:44 | |
Let's get another line in and five more of morphine | 0:12:44 | 0:12:46 | |
-How far did she fall? -About 20 feet. | 0:12:46 | 0:12:48 | |
-20 feet! Where was she? -She was on Porter Estate, love. | 0:12:48 | 0:12:51 | |
-What the hell was she doing there? -Who reduced this ankle? | 0:12:51 | 0:12:53 | |
-Well, that'd be Rossy, here. -Mate, good job. | 0:12:53 | 0:12:56 | |
Let's get Ortho's down here to look at this leg before we plaster. | 0:12:56 | 0:12:59 | |
I'm going to let CT know we need them. | 0:12:59 | 0:13:02 | |
OK, we'll need IV antibiotics, a chest and pelvis X-ray. | 0:13:02 | 0:13:05 | |
Quick as we can. And, Lloyd... | 0:13:05 | 0:13:06 | |
OK, this way, please. What age is your sister? | 0:13:06 | 0:13:10 | |
20. Just turned. | 0:13:10 | 0:13:12 | |
-They need to examine her. -Tara, come on. Let's let them do their jobs. | 0:13:12 | 0:13:16 | |
Tara. We're going to look after her. | 0:13:16 | 0:13:18 | |
After that, I'll come find you, I promise. | 0:13:18 | 0:13:20 | |
-What on earth was she wearing? -I don't know. | 0:13:22 | 0:13:25 | |
-You earned your money today, mate. -It was nothing. | 0:13:29 | 0:13:33 | |
It was just a case of keeping calm and remembering the training. | 0:13:33 | 0:13:36 | |
Well, it takes a bit of nerve, you know, something like that. | 0:13:36 | 0:13:38 | |
-It's what we do, though, isn't it? -Yeah, I suppose. | 0:13:38 | 0:13:43 | |
We're going to grab a cup of tea, you want to join us? | 0:13:43 | 0:13:46 | |
-I should be getting back. -What about the paperwork? | 0:13:46 | 0:13:49 | |
-Oh, we can do that, can't we? -No, Rossy was first on the scene. | 0:13:49 | 0:13:53 | |
Come on, Dix. | 0:13:53 | 0:13:54 | |
-All right, another time, eh? Get a drink? -Definitely. | 0:13:57 | 0:14:01 | |
Did you just bump fists? | 0:14:06 | 0:14:07 | |
No. | 0:14:07 | 0:14:08 | |
Let's cross match four units. | 0:14:10 | 0:14:11 | |
And can someone try the Orthopaedic SPR again? | 0:14:11 | 0:14:14 | |
Let's keep the leg immobilised. | 0:14:16 | 0:14:18 | |
Doctor Hanna, the results for the little girl are back. | 0:14:18 | 0:14:20 | |
-Oh, I need to go. Can you lead here, Tom? -Yeah. -OK. | 0:14:20 | 0:14:24 | |
Gemma? Gemma, can you hear me? | 0:14:25 | 0:14:28 | |
SHE MOANS | 0:14:28 | 0:14:30 | |
-She still seems groggy. -She's had a fair amount of morphine. | 0:14:30 | 0:14:33 | |
Could be a head injury? | 0:14:33 | 0:14:35 | |
No external signs of head trauma | 0:14:35 | 0:14:36 | |
and her chest and abdomen were clear on primary survey. | 0:14:36 | 0:14:40 | |
Let's fast track a CT brain and C spine just in case. | 0:14:40 | 0:14:45 | |
OK. FBC, Us & Es, clotting and blood gas | 0:14:45 | 0:14:47 | |
and sample for the crossmatch, please. | 0:14:47 | 0:14:50 | |
We're going to need a urine sample for the HCG | 0:14:50 | 0:14:52 | |
but I don't want to catheterise until we get the pelvic views. | 0:14:52 | 0:14:54 | |
-Where you going? -To speak to the sister. | 0:14:54 | 0:14:57 | |
What's happening? | 0:15:01 | 0:15:02 | |
Please sit down. | 0:15:02 | 0:15:04 | |
She's stable for now. | 0:15:06 | 0:15:08 | |
And we'll know more when we get the results of our tests. | 0:15:08 | 0:15:10 | |
What about her leg? | 0:15:10 | 0:15:11 | |
Well, the orthopaedic surgeons will see her | 0:15:11 | 0:15:14 | |
but she's has sustained significant injuries. | 0:15:14 | 0:15:16 | |
Surgeons? What? She needs an operation? | 0:15:16 | 0:15:19 | |
As soon as we get a theatre slot. | 0:15:19 | 0:15:21 | |
The Police have witnesses saying she jumped because she was being chased. | 0:15:21 | 0:15:25 | |
Chased by who? | 0:15:25 | 0:15:26 | |
It's the Porter Estate, Tara. Place is overrun by gangs... | 0:15:26 | 0:15:29 | |
Look, right now, I'm a little worried | 0:15:29 | 0:15:31 | |
about Gemma's low level of consciousness. | 0:15:31 | 0:15:33 | |
-Has Gemma been drinking tonight? -Gemma hardly touches alcohol. | 0:15:33 | 0:15:36 | |
Anyway, she was sober when we left for dinner. | 0:15:36 | 0:15:40 | |
We got engaged tonight. | 0:15:40 | 0:15:41 | |
Well, maybe she went out to meet with some friends. | 0:15:41 | 0:15:43 | |
It's like I told the police. | 0:15:43 | 0:15:45 | |
She doesn't have any friends on that estate. Does she? | 0:15:45 | 0:15:47 | |
No. I wouldn't let her go there. | 0:15:47 | 0:15:50 | |
Protective sister. | 0:15:50 | 0:15:51 | |
We'll wait on the CT scan and then you can go and see her. | 0:15:51 | 0:15:55 | |
Oh, congratulations, by the way. | 0:15:59 | 0:16:02 | |
Where have you been? | 0:16:06 | 0:16:08 | |
Oh, I thought I'd get some background | 0:16:08 | 0:16:10 | |
on your new drinking buddy. | 0:16:10 | 0:16:12 | |
You know, Dix, you really got to do something about | 0:16:12 | 0:16:14 | |
that jealous streak of yours. | 0:16:14 | 0:16:15 | |
When it comes to Rossy there's a lot to be jealous of. | 0:16:15 | 0:16:18 | |
What's that supposed to mean? | 0:16:18 | 0:16:20 | |
According to the boys at Walton, he's a first-rate paramedic. | 0:16:20 | 0:16:23 | |
Yeah, could of told you that. | 0:16:23 | 0:16:24 | |
Yeah, he's reliable, gutsy, knows his stuff. They love him over there. | 0:16:24 | 0:16:29 | |
But they did mention one tiny flaw he had. | 0:16:29 | 0:16:32 | |
-What's that? -He's dead. | 0:16:32 | 0:16:34 | |
-What's he doing in a place like this? -Yeah. | 0:16:38 | 0:16:40 | |
Maybe we should leave it. | 0:16:40 | 0:16:43 | |
You're kidding, aren't you? | 0:16:43 | 0:16:45 | |
It's probably just a mistake. | 0:16:45 | 0:16:46 | |
Look, I walked out of a shift for this. | 0:16:46 | 0:16:48 | |
We are staying here until we find them. | 0:16:48 | 0:16:52 | |
There she is. | 0:16:53 | 0:16:55 | |
Oh, that Polly. | 0:16:55 | 0:16:57 | |
I'm going to be sick. | 0:16:58 | 0:17:01 | |
Just take it easy, OK? Like you said, might just be a mistake. | 0:17:01 | 0:17:05 | |
Then again... | 0:17:09 | 0:17:10 | |
There must be some mistake. | 0:17:18 | 0:17:19 | |
No mistake. | 0:17:19 | 0:17:21 | |
Jamie Ross was killed in the line of duty last year. | 0:17:21 | 0:17:24 | |
Jamie Ross? | 0:17:24 | 0:17:26 | |
Yeah, yeah, I know the name, he's the train fire guy. | 0:17:26 | 0:17:29 | |
Yeah, the very same. | 0:17:29 | 0:17:31 | |
He was pulling passengers out when he was overcome by smoke. | 0:17:32 | 0:17:35 | |
All right, so who's our bloke, then? | 0:17:35 | 0:17:37 | |
Bogus, they reckon. | 0:17:37 | 0:17:39 | |
Some joker getting off on playing the hero. | 0:17:39 | 0:17:41 | |
Yeah, but he's not just playing at it, is he? He's treating people. | 0:17:41 | 0:17:44 | |
Scooping kids. That girl could have lost her foot. | 0:17:44 | 0:17:47 | |
Yeah, well, I've called the police. They're on to it now. | 0:17:47 | 0:17:51 | |
-Won't take long. -He'd better pray they find him before I do. | 0:17:51 | 0:17:55 | |
-What are you doing? -I can't go back in there. | 0:17:57 | 0:18:01 | |
Oh, for God's sake, Ali. Grow a pair. | 0:18:01 | 0:18:03 | |
This is your boyfriend we're talking about here. | 0:18:03 | 0:18:05 | |
He's made his choice. | 0:18:05 | 0:18:06 | |
Do you know what this is? | 0:18:06 | 0:18:09 | |
This is the year ten disco all over again. Remember that? | 0:18:09 | 0:18:12 | |
Remember how you were supposed to cop off with Carl? | 0:18:12 | 0:18:15 | |
-And what happened? -Cheryl Wall stole him. | 0:18:15 | 0:18:17 | |
Yes, she did. Snogged him right in front of you. | 0:18:17 | 0:18:20 | |
Made you a laughing stock. Her in there, that's Cheryl. | 0:18:20 | 0:18:24 | |
And she's doing it again. Is that what you want? | 0:18:24 | 0:18:26 | |
-No. -No, of course it's not. | 0:18:26 | 0:18:29 | |
Because you're not that girl any more, are you, Ali? | 0:18:29 | 0:18:32 | |
No. I'm not. | 0:18:32 | 0:18:34 | |
So, what are you going to do? | 0:18:34 | 0:18:36 | |
I'm going to kill the bitch! | 0:18:36 | 0:18:39 | |
Well, good evening. Here we are tonight, a great cabaret night. | 0:18:39 | 0:18:43 | |
We've got some great acts on, we got some comics, singers, | 0:18:43 | 0:18:46 | |
everything you want to see tonight, let's have some fun. | 0:18:46 | 0:18:48 | |
-Everyone enjoying themselves? -Ali? What are you doing here? | 0:18:48 | 0:18:50 | |
Collecting my boyfriend. Where is he? | 0:18:50 | 0:18:53 | |
-Look, I told him to come clean. -Yeah. I'm sure you did. | 0:18:53 | 0:18:56 | |
-I said you'd understand. -Understand? | 0:18:56 | 0:18:59 | |
Well, it's no big deal, is it? | 0:18:59 | 0:19:00 | |
Easy girls. | 0:19:04 | 0:19:06 | |
Ali! | 0:19:10 | 0:19:12 | |
Brendan? | 0:19:19 | 0:19:20 | |
Ali? | 0:19:20 | 0:19:22 | |
Ali. Wait! | 0:19:27 | 0:19:30 | |
Argh. | 0:19:30 | 0:19:31 | |
Why isn't she more awake? | 0:19:35 | 0:19:37 | |
We're trying to find that out. | 0:19:37 | 0:19:39 | |
Gemma, love. What were you doing? | 0:19:40 | 0:19:44 | |
-Now's maybe not the time for questions. -OK, Tara. | 0:19:44 | 0:19:47 | |
There is nothing on Gemma's scan to explain her condition. | 0:19:49 | 0:19:52 | |
-So, what does that mean? -Are you sure that Gemma hasn't consumed any alcohol tonight? | 0:19:52 | 0:19:56 | |
I told you. Gemma's not a drinker. | 0:19:56 | 0:19:57 | |
-What about drugs? Medication? Allergies? -There's nothing. | 0:19:57 | 0:20:02 | |
What about your parents? Maybe they might know of something. | 0:20:02 | 0:20:05 | |
-No. They won't. -It's worth giving them a call. | 0:20:05 | 0:20:07 | |
Sometimes kids tell their mum and dad things. | 0:20:07 | 0:20:09 | |
-It won't be necessary, Lloyd. -Why not? | 0:20:09 | 0:20:11 | |
Because Tara is Gemma's mum. | 0:20:11 | 0:20:13 | |
What the hell was she doing? | 0:20:18 | 0:20:20 | |
Don't blame Ali. | 0:20:23 | 0:20:24 | |
You're the one having a warped affair with this one. | 0:20:24 | 0:20:27 | |
Actually, what is this anyway? | 0:20:27 | 0:20:29 | |
This was my debut performance. Been working on this for months. | 0:20:29 | 0:20:33 | |
-There are easier ways of coming out. -Brendan's not gay. | 0:20:33 | 0:20:36 | |
He's wanted to play this character ever since college. | 0:20:36 | 0:20:39 | |
Wanting to get into your knickers more like. | 0:20:39 | 0:20:42 | |
She's a friend. Been helping me prepare. | 0:20:42 | 0:20:45 | |
I designed his costume. | 0:20:45 | 0:20:46 | |
All right, mate. Let's take a look. | 0:20:47 | 0:20:49 | |
Where are you going? | 0:20:54 | 0:20:55 | |
I have a supper date and I'm no good around trauma. | 0:20:55 | 0:20:59 | |
-It drains my energy. -Seriously, who talks like that? | 0:20:59 | 0:21:02 | |
Brendan, you would have been fabulous. | 0:21:02 | 0:21:07 | |
And you were crap on Hollyoaks! | 0:21:07 | 0:21:09 | |
LAUGHTER | 0:21:09 | 0:21:11 | |
-I was going to tell you. -Then, why didn't you? | 0:21:13 | 0:21:17 | |
-It's complicated. -She's your daughter. You're her mum. | 0:21:17 | 0:21:19 | |
What's complicated about that? | 0:21:19 | 0:21:22 | |
-Does your fiance know the truth? -Oh, so, this is all for him, is it? | 0:21:22 | 0:21:25 | |
No. Yes. | 0:21:25 | 0:21:28 | |
I mean, me and Gemma, we've always been more like sisters. | 0:21:28 | 0:21:33 | |
Except you're not. | 0:21:33 | 0:21:34 | |
Well, it's not exactly what a man wants to hear, is it? | 0:21:34 | 0:21:37 | |
I'm 30 and this is my 16-year-old daughter. | 0:21:37 | 0:21:40 | |
You said she was 20. | 0:21:40 | 0:21:42 | |
I know, I messed up. I am going to tell Simon. | 0:21:42 | 0:21:46 | |
-Just need some time. -Your secret's safe with us. | 0:21:46 | 0:21:48 | |
But if there's anything you need to tell us about Gemma now is the time. | 0:21:48 | 0:21:54 | |
Not only is he endangering to the public, right, | 0:21:55 | 0:21:58 | |
he's tarnishing the name of a good paramedic. | 0:21:58 | 0:22:01 | |
I know, mate. It's not on. | 0:22:01 | 0:22:02 | |
I can't believe I didn't notice. | 0:22:02 | 0:22:04 | |
Well, you can notice now. | 0:22:04 | 0:22:06 | |
Oi! | 0:22:08 | 0:22:10 | |
I want a word with you, son! Open this door. | 0:22:11 | 0:22:14 | |
-We'll have to go after him. -No, just leave it to the police. | 0:22:17 | 0:22:20 | |
We can't let him get away with this. | 0:22:20 | 0:22:22 | |
This gentleman needs stitches, we need to get him back to the ED. | 0:22:22 | 0:22:26 | |
ALI CRIES | 0:22:29 | 0:22:31 | |
Urgh. Argh. | 0:22:34 | 0:22:37 | |
Argh, ah-ah. | 0:22:38 | 0:22:40 | |
'What's happening with Gemma?' | 0:22:46 | 0:22:47 | |
Theatre's still busy. | 0:22:47 | 0:22:49 | |
Ortho's want us to put her in a vacuum splint. | 0:22:49 | 0:22:52 | |
-She's still feeling groggy? -Hmm. | 0:22:52 | 0:22:53 | |
And the tox screen came back negative. | 0:22:53 | 0:22:56 | |
OK, I'm going to need you to keep the fiance busy | 0:22:56 | 0:22:58 | |
-while I speak to the mum. -What? | 0:22:58 | 0:23:01 | |
Hi. Simon, isn't it? Hi, my colleague would like a word. | 0:23:01 | 0:23:07 | |
-Sir, what do you want? -I was just wondering how you were bearing up. | 0:23:07 | 0:23:11 | |
Well, obviously... | 0:23:11 | 0:23:13 | |
OK, Linda, this is Brendan. Thirty. | 0:23:13 | 0:23:16 | |
He took a bit of a turn. He's got a nasty head wound. | 0:23:16 | 0:23:18 | |
Right, go through that way, straight to cubicles. | 0:23:18 | 0:23:20 | |
OK, GCS of 15. He's not showing any signs of concussion. | 0:23:20 | 0:23:25 | |
He's going to need that stitched. | 0:23:25 | 0:23:27 | |
-How long's this going to take? -We don't know yet. | 0:23:27 | 0:23:29 | |
I need to find my girlfriend. | 0:23:29 | 0:23:31 | |
Seems he forgot to tell her he has a thing about fishnets. | 0:23:31 | 0:23:33 | |
It's just a costume. It's to help with the character. | 0:23:33 | 0:23:36 | |
-It's called acting. -You were such a great actor(!) | 0:23:36 | 0:23:38 | |
Yeah, I was, actually. And I'd have done something if it wasn't for, you know, life. | 0:23:38 | 0:23:42 | |
Well, whose fault's that? I mean, you've got no drive, Brendan. | 0:23:42 | 0:23:45 | |
-No commitment. -Right and how's the book going, Stella? | 0:23:45 | 0:23:48 | |
Whenever you two are ready, can we...? | 0:23:48 | 0:23:50 | |
Look, just try and find Ali, will you? | 0:23:50 | 0:23:52 | |
Help me. | 0:24:18 | 0:24:20 | |
Please. Help me. | 0:24:20 | 0:24:23 | |
What's wrong? | 0:24:24 | 0:24:25 | |
My stomach. It's agony. And my back hurts. | 0:24:25 | 0:24:28 | |
I don't think I can stand up. | 0:24:30 | 0:24:32 | |
Well, did you fall or something? | 0:24:32 | 0:24:34 | |
Earlier. Yeah. Please. Help me. | 0:24:34 | 0:24:37 | |
All right. | 0:24:41 | 0:24:42 | |
All right, let me check you over. Um. Did you lose consciousness? | 0:24:44 | 0:24:49 | |
I don't know. I don't think so. | 0:24:49 | 0:24:52 | |
Argh. | 0:24:52 | 0:24:54 | |
Have you got anything for the pain? | 0:24:54 | 0:24:57 | |
I'll get some paracetamol. | 0:24:57 | 0:24:59 | |
It's going to need to be something stronger than that. | 0:24:59 | 0:25:01 | |
Haven't got anything else. | 0:25:01 | 0:25:03 | |
What about morphine or something? | 0:25:03 | 0:25:05 | |
-I don't do any of that stuff. -What do you mean you don't do it? | 0:25:05 | 0:25:07 | |
What kind of paramedic are you? | 0:25:07 | 0:25:09 | |
Gemma's tests are drawing a blank. | 0:25:16 | 0:25:18 | |
-There must be something you can do. -We're doing everything we can. | 0:25:18 | 0:25:21 | |
But if we haven't got all the information... | 0:25:21 | 0:25:23 | |
All right. I get it. I should've told you I was her mum. | 0:25:23 | 0:25:26 | |
I'm not having a go. | 0:25:26 | 0:25:28 | |
I knew you were Gemma's mum the moment you came in. | 0:25:28 | 0:25:32 | |
The look on your face, Tara. Real fear. | 0:25:32 | 0:25:35 | |
The kind of look only a mother feels. | 0:25:35 | 0:25:38 | |
Yeah, well, I love her, don't I? | 0:25:38 | 0:25:42 | |
Which is why I need you to think very hard. | 0:25:42 | 0:25:44 | |
-Is there anything we're missing? -No. Course not. | 0:25:44 | 0:25:46 | |
What about the estate? | 0:25:46 | 0:25:47 | |
Maybe she's got some friends you don't know about. | 0:25:47 | 0:25:49 | |
-Or a new boyfriend perhaps. -No way. Gemma hates that place. | 0:25:49 | 0:25:52 | |
Why? Why does she hate that place? | 0:25:52 | 0:25:55 | |
There was a guy there I used to go see sometimes. | 0:25:55 | 0:25:58 | |
-I'd bring Gemma. -What guy? | 0:25:58 | 0:25:59 | |
You want to make me out to be a terrible mum, go ahead. | 0:25:59 | 0:26:01 | |
-But I was young. Didn't know any better. -Tara. | 0:26:01 | 0:26:04 | |
And it's all behind me now. I'm with Simon. Sorting myself out, you know. | 0:26:04 | 0:26:07 | |
Tara. Listen to me. What guy? | 0:26:07 | 0:26:09 | |
-Let me guess, she's a awake. -Wide awake. | 0:26:10 | 0:26:13 | |
-Been complaining of nausea? -Yes. Plus she's... | 0:26:13 | 0:26:15 | |
...mildly hypothermic. Hi, Gemma. | 0:26:15 | 0:26:17 | |
I'm Tom. Can you tell me how you're feeling? | 0:26:17 | 0:26:20 | |
My head hurts. | 0:26:20 | 0:26:21 | |
So, have you worked out what's wrong yet? | 0:26:21 | 0:26:23 | |
I can ask him to leave if you want. | 0:26:23 | 0:26:25 | |
-Why would she want that? -Gemma? | 0:26:25 | 0:26:27 | |
I think Gemma has taken GHB. | 0:26:27 | 0:26:30 | |
-That's a drug, isn't it? -Yes, it is. | 0:26:30 | 0:26:33 | |
A tricky one to detect as it doesn't show up on our general tests. | 0:26:33 | 0:26:36 | |
Start pushing more fluids. Are those bloods back yet? | 0:26:36 | 0:26:39 | |
Yeah, just in. Check the system. | 0:26:39 | 0:26:41 | |
-What was she doing taking that stuff? -I don't know. | 0:26:41 | 0:26:44 | |
Gemma. Gemma, where did you get it? | 0:26:44 | 0:26:46 | |
Simon! | 0:26:55 | 0:26:56 | |
You want to tell me how you picked up on all this? | 0:26:58 | 0:26:59 | |
-Crystal ball or something? -Just Tara. | 0:26:59 | 0:27:02 | |
Right. So much for telling us everything. | 0:27:02 | 0:27:04 | |
She didn't think, that's all. Can you get me a bedside ultrasound? | 0:27:04 | 0:27:07 | |
-What? Why do we need that? -Cos Gemma here is pregnant. | 0:27:07 | 0:27:11 | |
Just get here as soon as you can, all right? | 0:27:13 | 0:27:15 | |
OK. | 0:27:20 | 0:27:21 | |
So they're on their way. | 0:27:21 | 0:27:23 | |
So all you have to do is you have to sit and wait. Yeah? | 0:27:23 | 0:27:26 | |
Aren't you staying? | 0:27:26 | 0:27:28 | |
If they catch me here I'm going to go to jail. | 0:27:28 | 0:27:30 | |
Please. Don't leave me. | 0:27:30 | 0:27:33 | |
So, what was it, then? | 0:27:44 | 0:27:46 | |
The uniform or the flashing lights? | 0:27:47 | 0:27:50 | |
What do you mean? | 0:27:50 | 0:27:51 | |
Pretending to be a paramedic. | 0:27:51 | 0:27:54 | |
You don't do that just cos you're bored. | 0:27:54 | 0:27:57 | |
It's kind of a long story. | 0:27:57 | 0:27:59 | |
Always is with men. | 0:27:59 | 0:28:01 | |
So, does your girlfriend know about this? | 0:28:02 | 0:28:05 | |
I don't have a girlfriend. | 0:28:06 | 0:28:08 | |
OK. | 0:28:08 | 0:28:09 | |
Well, if you did have a girlfriend | 0:28:09 | 0:28:12 | |
would you tell her what you were up to? | 0:28:12 | 0:28:14 | |
-Probably not, no. -Why not? | 0:28:14 | 0:28:17 | |
I doubt she'd understand. | 0:28:18 | 0:28:20 | |
How do you know until you tell her? | 0:28:20 | 0:28:22 | |
I mean, maybe she would. | 0:28:24 | 0:28:27 | |
Maybe if you sat her down and talked to her. | 0:28:27 | 0:28:34 | |
You know? Showed her a little respect. | 0:28:34 | 0:28:37 | |
Told her how you were feeling | 0:28:38 | 0:28:40 | |
instead of making her look like an idiot. | 0:28:40 | 0:28:44 | |
-I'm not making anyone look like... -I mean, how do you think she feels? | 0:28:44 | 0:28:49 | |
Her going on about home reports, bathroom tiles | 0:28:49 | 0:28:55 | |
and all the while you're keeping this big secret. | 0:28:55 | 0:28:59 | |
OK, you just need to control your breathing. | 0:28:59 | 0:29:03 | |
Six years. | 0:29:03 | 0:29:04 | |
Been together six years and you can't tell her you're gay. | 0:29:07 | 0:29:11 | |
So you're a straight drag queen? | 0:29:14 | 0:29:16 | |
Yeah. Well, more of an actor. | 0:29:16 | 0:29:18 | |
When I'm not selling kitchens on the phone. | 0:29:18 | 0:29:21 | |
Actually, that makes it sound better than it is. | 0:29:21 | 0:29:23 | |
I only make appointments for other people to sell kitchens. | 0:29:23 | 0:29:27 | |
-I used to have a job like that. -Well done for escaping. | 0:29:27 | 0:29:30 | |
I've been stuck in mine for the last ten years. | 0:29:30 | 0:29:33 | |
That's what tonight was all about. | 0:29:33 | 0:29:35 | |
One last chance to escape the rut. | 0:29:35 | 0:29:37 | |
But you didn't tell your girlfriend? | 0:29:37 | 0:29:39 | |
I wanted to. | 0:29:40 | 0:29:42 | |
It's just, there's a lot going on at the moment and... | 0:29:42 | 0:29:45 | |
Couldn't find the right time, eh? | 0:29:45 | 0:29:47 | |
-Lenny. Can I have a word? -Sure. | 0:29:49 | 0:29:51 | |
He's a nice bloke, isn't he? | 0:29:54 | 0:29:57 | |
-Did you know you were pregnant? -Had a feeling, I suppose. | 0:29:57 | 0:30:01 | |
Then why risk it with the drugs? | 0:30:01 | 0:30:04 | |
GHB has been known to cause miscarriage. | 0:30:04 | 0:30:07 | |
But it's very rare. | 0:30:07 | 0:30:08 | |
I didn't know what to do. | 0:30:10 | 0:30:12 | |
-You couldn't speak to your mum? -She wouldn't understand. | 0:30:12 | 0:30:16 | |
She's not good when it comes to things like this. | 0:30:17 | 0:30:19 | |
She's asking to see you. | 0:30:21 | 0:30:22 | |
What, now? | 0:30:22 | 0:30:24 | |
I can tell her if you want to be left alone. | 0:30:24 | 0:30:26 | |
-No. I'll see her. -Lloyd. -OK. | 0:30:28 | 0:30:32 | |
Don't tell her about the baby. | 0:30:37 | 0:30:39 | |
I don't want her to know yet. | 0:30:39 | 0:30:41 | |
What the hell's she playing at? | 0:30:44 | 0:30:46 | |
It's a one-off. Gemma's not into drugs. | 0:30:46 | 0:30:48 | |
Oh, come on, Tara. She went half way across town to get them. | 0:30:48 | 0:30:51 | |
-She's obviously been there before. -Gemma's ready to see you now. | 0:30:51 | 0:30:54 | |
Just wait. Look, I'll speak to her. Make sure it doesn't happen again. | 0:30:54 | 0:30:59 | |
-Yeah, and what if that doesn't work? -Tara. Gemma's waiting. | 0:30:59 | 0:31:02 | |
OK, I'm coming in a minute. Just, let's get a coffee, yeah? | 0:31:02 | 0:31:08 | |
We can work out how we'll handle this. | 0:31:08 | 0:31:10 | |
Why don't you just go and see your daughter. | 0:31:10 | 0:31:13 | |
Sorry? What did you just say? | 0:31:13 | 0:31:15 | |
Just a suggestion. | 0:31:16 | 0:31:17 | |
Is everything all right out here? | 0:31:22 | 0:31:23 | |
I'm freezing. | 0:31:25 | 0:31:26 | |
They shouldn't be long. | 0:31:28 | 0:31:30 | |
I want to go to sleep. | 0:31:32 | 0:31:34 | |
No, no. No, you don't do that. You're going to stay awake. | 0:31:35 | 0:31:40 | |
OK, listen to me, listen. | 0:31:40 | 0:31:42 | |
I'm going to take you to the ED, yeah? | 0:31:42 | 0:31:45 | |
-OK, just got to sit tight. -No, you can't. | 0:31:45 | 0:31:48 | |
Ali, listen, your pulse is going up and you're tachycardic. | 0:31:48 | 0:31:54 | |
You need help. | 0:31:54 | 0:31:56 | |
What about jail? | 0:31:56 | 0:31:58 | |
Let's worry about you first, yeah. | 0:31:58 | 0:32:01 | |
Thank you. | 0:32:04 | 0:32:05 | |
You see, there's this thing called patient confidentiality. | 0:32:06 | 0:32:09 | |
I didn't break Gemma's confidentiality. | 0:32:09 | 0:32:11 | |
I never told them about the pregnancy. | 0:32:11 | 0:32:13 | |
-No. You just blew Tara's secret. -Not me who promised to keep it. | 0:32:13 | 0:32:17 | |
I needed Tara to trust us. | 0:32:18 | 0:32:20 | |
I needed to get the information to treat Gemma. | 0:32:20 | 0:32:22 | |
We shouldn't have to get the information. | 0:32:22 | 0:32:24 | |
She should be telling us. | 0:32:24 | 0:32:25 | |
-What kind of mum is she anyway? -See. That's your problem right there. | 0:32:25 | 0:32:29 | |
What? That I think Gemma deserves better? | 0:32:29 | 0:32:31 | |
This wasn't about Gemma. | 0:32:31 | 0:32:32 | |
You just don't approve of Tara or the way she lives. | 0:32:32 | 0:32:35 | |
-And you do, I suppose? -I don't care! That's my point. | 0:32:35 | 0:32:39 | |
All I care about is what is best for my patients. | 0:32:39 | 0:32:41 | |
Well, we obviously have different views on what that means. | 0:32:41 | 0:32:44 | |
You're right, we do. | 0:32:44 | 0:32:45 | |
Which is why I don't want you anywhere near this case. | 0:32:45 | 0:32:48 | |
No, no, no, hang on, hang on. | 0:32:48 | 0:32:50 | |
You should probably get into Resus. | 0:32:53 | 0:32:56 | |
Everything OK? | 0:33:00 | 0:33:01 | |
What the hell were you playing at? | 0:33:07 | 0:33:09 | |
-Didn't think, that's all. -Oh, you thought, all right. | 0:33:11 | 0:33:14 | |
You thought you'd ruin this for me and Simon. | 0:33:14 | 0:33:16 | |
Tara, that's not fair. She didn't plan to fall from a bridge. | 0:33:16 | 0:33:20 | |
No, but she knew what she was doing when she took the drugs, eh? | 0:33:20 | 0:33:22 | |
You know Simon's ready to walk | 0:33:22 | 0:33:24 | |
-because of this little stunt tonight. -So, let him walk. | 0:33:24 | 0:33:27 | |
-That's the man I love. -Oh, yeah. | 0:33:27 | 0:33:29 | |
Simon's a stand-up bloke. A real prince is Simon. | 0:33:29 | 0:33:32 | |
Always dropping round the flat when you're out at work. | 0:33:32 | 0:33:35 | |
Telling me how much I remind him of you. | 0:33:35 | 0:33:37 | |
-And how it's driving him crazy. -What are you talking about? | 0:33:37 | 0:33:40 | |
Course, I could have told him why that was. | 0:33:40 | 0:33:44 | |
But why should I? That was your job. | 0:33:44 | 0:33:47 | |
-What did you do? -What did we do, you mean? | 0:33:47 | 0:33:50 | |
You scheming little cow. You're only 16. | 0:33:53 | 0:33:56 | |
Older than you were. | 0:33:56 | 0:33:57 | |
Right, I think somebody owes me an explanation. | 0:33:57 | 0:34:00 | |
Tara. | 0:34:02 | 0:34:03 | |
You dirty, sleazy...! | 0:34:03 | 0:34:05 | |
-Tara, take it easy. -Dr Kent. -Calm down. -Dr Kent! | 0:34:05 | 0:34:08 | |
What the hell is that? | 0:34:11 | 0:34:12 | |
Ali, pick up, will you? | 0:34:14 | 0:34:16 | |
Looks like we got the wrong end of the stick. | 0:34:16 | 0:34:18 | |
I need some help here, please! | 0:34:18 | 0:34:20 | |
I found her by the river. | 0:34:20 | 0:34:22 | |
-I think she's got some kind of back injury. -And you moved her? | 0:34:22 | 0:34:24 | |
-I didn't know what else to do. -Just hold your horses, can you? | 0:34:24 | 0:34:27 | |
Her name's Ali. She said she fell earlier. | 0:34:27 | 0:34:29 | |
-And history? -I don't know. -How long's she been down? | 0:34:29 | 0:34:31 | |
A while, I think. | 0:34:31 | 0:34:32 | |
-What have you given her? -What do you mean? | 0:34:32 | 0:34:34 | |
No offence but this has to be one of the worst handovers ever. | 0:34:34 | 0:34:37 | |
-Drugs? -I don't give out drugs. -What? | 0:34:37 | 0:34:40 | |
-Excuse me. Need to get her to Resus. -Ali. | 0:34:41 | 0:34:43 | |
-Ali, what happened to you? -Where's Brendan? | 0:34:43 | 0:34:45 | |
-He's here, worried about you. -Out of the way, please. | 0:34:45 | 0:34:48 | |
Right, let's get her into bay three. Let's get the monitoring on. | 0:34:48 | 0:34:51 | |
But let's be really careful, do you understand? | 0:34:51 | 0:34:53 | |
We don't know what we're dealing with here. Where's the paramedic? | 0:34:53 | 0:34:57 | |
Oh! Ali. Ali, can you hear me? | 0:34:57 | 0:35:00 | |
-I need to speak to my boyfriend. -OK, Ali, first things first. | 0:35:00 | 0:35:03 | |
I'm just going to pop these leads on your chest | 0:35:03 | 0:35:05 | |
so that we can attach you to the monitor, all right. | 0:35:05 | 0:35:08 | |
She'll need to the fast scanner. And can you alert the CT suite? | 0:35:08 | 0:35:11 | |
Call Obstetrics. Tell them she's 20 weeks, PV bleeding. | 0:35:11 | 0:35:15 | |
Is the baby OK? | 0:35:15 | 0:35:16 | |
We still have a foetal heartbeat. | 0:35:16 | 0:35:19 | |
Mum, please don't hate me. | 0:35:20 | 0:35:23 | |
It's his, isn't it? | 0:35:25 | 0:35:27 | |
I was just angry, that's all. | 0:35:27 | 0:35:30 | |
I can't handle this. | 0:35:31 | 0:35:32 | |
Mum. Please, don't go. | 0:35:33 | 0:35:36 | |
-She'll be back. -No, she won't. She hates me. | 0:35:36 | 0:35:39 | |
I've spoiled everything for her. | 0:35:39 | 0:35:42 | |
OK, first of all, whatever happens between your mum and Simon | 0:35:42 | 0:35:45 | |
is not your fault. Secondly, the GHB didn't cause the bleed. | 0:35:45 | 0:35:49 | |
It was the trauma. | 0:35:49 | 0:35:51 | |
Am I going to lose it? | 0:35:53 | 0:35:54 | |
I want my mum. | 0:35:59 | 0:36:01 | |
If the old bill aren't going to do anything it's down to us. | 0:36:01 | 0:36:04 | |
-There is no need to go vigilante. -Well, someone's got to do something. | 0:36:04 | 0:36:07 | |
-Can't have him running around the place. -Jeff. | 0:36:07 | 0:36:10 | |
You've got some nerve, ain't you? Showing up here. | 0:36:10 | 0:36:14 | |
I'm handing myself in, all right? | 0:36:14 | 0:36:17 | |
-I just had to do one last job. -You mean you're still at it? | 0:36:17 | 0:36:21 | |
I had no choice. The girl needed help. | 0:36:21 | 0:36:23 | |
Yeah? Well, then, leave it to the professionals. | 0:36:23 | 0:36:25 | |
I know. Like I said, it's over. | 0:36:25 | 0:36:29 | |
Too right it's over. | 0:36:29 | 0:36:30 | |
Do you realise the damage you could have done? | 0:36:30 | 0:36:33 | |
Have you any idea how hard idiots like you make our job? | 0:36:33 | 0:36:36 | |
I'm sorry. | 0:36:36 | 0:36:38 | |
Sorry's not going do it, mate. You put people's lives at risk. | 0:36:38 | 0:36:41 | |
And not only that, you used the name of good paramedic. | 0:36:41 | 0:36:44 | |
Jamie Ross was a real hero. | 0:36:44 | 0:36:45 | |
You don't have to tell me about Jamie Ross, OK? | 0:36:45 | 0:36:48 | |
He saved my life. | 0:36:50 | 0:36:52 | |
Look, obviously, if I'd known she was your daughter. | 0:36:53 | 0:36:58 | |
What? You wouldn't have cheated on me? Know what I don't get? | 0:36:58 | 0:37:03 | |
All the time I'm with you, you run her down. | 0:37:03 | 0:37:07 | |
Always making me see the worst in her. | 0:37:07 | 0:37:09 | |
You made me feel ashamed of her. | 0:37:11 | 0:37:14 | |
When you're ready. | 0:37:17 | 0:37:19 | |
-How is she? -She's asking to see you. | 0:37:29 | 0:37:32 | |
I can't. I mean, after all this. | 0:37:33 | 0:37:36 | |
I'm no use to her in there. | 0:37:39 | 0:37:41 | |
-You're her mum. -Look at me. | 0:37:45 | 0:37:49 | |
Some mum. | 0:37:49 | 0:37:51 | |
I lied about her. And why? | 0:37:53 | 0:37:56 | |
For some cheap bastard who then got her pregnant. | 0:37:56 | 0:38:00 | |
-That doesn't matter to her. -Well, it should. | 0:38:00 | 0:38:03 | |
Look, she needs someone else. | 0:38:06 | 0:38:08 | |
A proper adult. | 0:38:10 | 0:38:11 | |
You. You go in with her. | 0:38:14 | 0:38:17 | |
She doesn't want me. And, besides, I don't have your experience. | 0:38:17 | 0:38:21 | |
What experience? | 0:38:21 | 0:38:24 | |
30-year-old with a 16-year-old daughter. | 0:38:24 | 0:38:27 | |
You'd have been 14. | 0:38:28 | 0:38:30 | |
I was 15. | 0:38:31 | 0:38:32 | |
And you're still young enough to remember what that was like, I bet. | 0:38:32 | 0:38:37 | |
Right. So, you know how it feels to be so young, | 0:38:38 | 0:38:43 | |
so frightened, so worried. | 0:38:45 | 0:38:48 | |
That's what she's going through. | 0:38:52 | 0:38:56 | |
And the only person who knows what that feels like | 0:38:56 | 0:38:58 | |
in this whole hospital is you. | 0:38:58 | 0:39:01 | |
Think about that, OK? | 0:39:06 | 0:39:08 | |
I was in the front carriage when the train crashed. | 0:39:27 | 0:39:30 | |
It was just a noise and then it went black. | 0:39:32 | 0:39:36 | |
And I've never been so scared. | 0:39:39 | 0:39:41 | |
And when I came to... | 0:39:44 | 0:39:46 | |
my leg was bust and I couldn't move. | 0:39:47 | 0:39:51 | |
And then I started to smell smoke. | 0:39:52 | 0:39:54 | |
I started to panic. | 0:39:55 | 0:39:57 | |
And I remember thinking, "This is it." | 0:39:59 | 0:40:03 | |
And don't ask me how he did it but he got me out | 0:40:07 | 0:40:12 | |
and he dragged me onto the verge, and he laid me down. | 0:40:12 | 0:40:16 | |
And he spoke only five words. | 0:40:19 | 0:40:21 | |
"Name's Rossy. You'll be OK." | 0:40:23 | 0:40:27 | |
And then he ran back onto that train. | 0:40:31 | 0:40:33 | |
And that's where he died. | 0:40:36 | 0:40:38 | |
So, you repaid the guy who saved you by destroying his reputation? | 0:40:43 | 0:40:47 | |
That's the last thing I wanted to do. | 0:40:47 | 0:40:49 | |
You see, before the crash I was a waster. | 0:40:50 | 0:40:52 | |
I didn't do anything with my life. | 0:40:52 | 0:40:54 | |
And then, after Rossy, I couldn't live with myself. | 0:40:56 | 0:41:01 | |
Got yourself a conscience, did you? | 0:41:01 | 0:41:03 | |
Yeah. If you like. You see, he died saving strangers. | 0:41:03 | 0:41:07 | |
Saving someone like me. And I kept thinking, | 0:41:09 | 0:41:12 | |
"The world's not right. | 0:41:16 | 0:41:17 | |
"If anybody should die it should be me." | 0:41:18 | 0:41:23 | |
And I figured the world couldn't afford to lose someone like him. | 0:41:23 | 0:41:29 | |
So, I decided to fill that hole. Do what Rossy did. | 0:41:31 | 0:41:36 | |
-Why not just do the training? -I was. | 0:41:36 | 0:41:39 | |
Until they found out about my epilepsy and they kicked me out. But I just... | 0:41:41 | 0:41:45 | |
..I still wanted to help. I wanted to be useful like him. | 0:41:47 | 0:41:53 | |
I suppose it was my way of thanking him. | 0:41:58 | 0:42:03 | |
-Ali? -Are you OK? -Sorry, you'll have to wait outside. | 0:42:11 | 0:42:14 | |
-I'm her boyfriend. What's wrong with her? -Please. | 0:42:14 | 0:42:16 | |
There's a small collection of blood in her abdomen, | 0:42:16 | 0:42:19 | |
-it could be a ruptured spleen. -The surgeon's are on their way down. | 0:42:19 | 0:42:22 | |
-They'll decide if she's got time for a scan or straight to theatre. -She's going to be OK? | 0:42:22 | 0:42:26 | |
-She should be fine. -I'm going to stay with her. | 0:42:26 | 0:42:28 | |
That's what you think. | 0:42:28 | 0:42:29 | |
I'm sorry. I should've told you what was happening. | 0:42:29 | 0:42:31 | |
Yeah, well, you didn't. | 0:42:31 | 0:42:33 | |
Instead I had to find out in a club full of strangers. | 0:42:33 | 0:42:36 | |
-It's not what you think it is, Ali. -Please, just get out. | 0:42:36 | 0:42:40 | |
-I think Ali's made her feelings very clear. -Sorry, I have to insist. | 0:42:40 | 0:42:44 | |
Mum, I'm so sorry. | 0:42:55 | 0:42:57 | |
Don't be, darling. | 0:42:57 | 0:42:59 | |
But I've ruined everything. | 0:43:01 | 0:43:03 | |
I did what you said I should never do and went and got myself pregnant. | 0:43:03 | 0:43:06 | |
That's all right, darling. | 0:43:06 | 0:43:09 | |
Wasn't all right for you, though, was it? | 0:43:09 | 0:43:11 | |
Sweetheart. | 0:43:11 | 0:43:12 | |
There's a lot I regret in life but I don't regret having you. | 0:43:14 | 0:43:18 | |
What we going to do? | 0:43:18 | 0:43:19 | |
What kind of question's that? We'll be great. | 0:43:19 | 0:43:23 | |
You, me and the baby. We'll be fine. | 0:43:24 | 0:43:30 | |
No, we won't. | 0:43:33 | 0:43:35 | |
Course we will. | 0:43:35 | 0:43:36 | |
No, we won't. | 0:43:38 | 0:43:39 | |
Help. I need help! | 0:43:46 | 0:43:47 | |
I don't know what to think about all this, you know. | 0:43:50 | 0:43:53 | |
There's nothing to think about. Police are on their way, | 0:43:53 | 0:43:56 | |
they'll deal with him. | 0:43:56 | 0:43:57 | |
Yeah. But he's not like the others, is he? | 0:43:57 | 0:43:59 | |
Glory hunters and the time wasters. | 0:43:59 | 0:44:03 | |
He was actually trying to do something good, you know? | 0:44:03 | 0:44:06 | |
Still broke the law. | 0:44:06 | 0:44:07 | |
Yeah, I guess. | 0:44:09 | 0:44:11 | |
-Could be PTSD, though, from the crash. -SIRENS | 0:44:11 | 0:44:15 | |
Well, if it is then he'll get all the help he needs, wont he? | 0:44:15 | 0:44:19 | |
Hang up another litre of Hartmanns and we'll need that blood. | 0:44:24 | 0:44:27 | |
-Where the hell's Obstetrics? -What's happening? | 0:44:27 | 0:44:29 | |
The trauma has caused the placenta to come away from the uterus wall. | 0:44:30 | 0:44:34 | |
-It's called an abruption. -And what does that mean? | 0:44:34 | 0:44:36 | |
It means she's haemorrhaging. | 0:44:36 | 0:44:38 | |
She may need an emergency blood transfusion. | 0:44:38 | 0:44:40 | |
What about the baby? | 0:44:40 | 0:44:43 | |
OK. Save Gemma. You hear me? | 0:44:43 | 0:44:46 | |
I want to take my daughter home. | 0:44:46 | 0:44:48 | |
Why wouldn't she let me explain? | 0:44:55 | 0:44:57 | |
Because you should've done it three months ago | 0:44:57 | 0:45:00 | |
instead of running around with Polly the Wooden Top. | 0:45:00 | 0:45:03 | |
I don't want to lose her. | 0:45:03 | 0:45:04 | |
Ali's a soft touch but there's only so much she'll take. | 0:45:04 | 0:45:07 | |
Ali? | 0:45:07 | 0:45:08 | |
Oh, for God's sake, Brendan. Go. Get in there after her. | 0:45:10 | 0:45:17 | |
And, for your information, I'm on chapter seven of my book. | 0:45:17 | 0:45:19 | |
All right? | 0:45:19 | 0:45:21 | |
Please. Just let me explain, OK? | 0:45:23 | 0:45:28 | |
First of all, I'm not gay, all right? Tonight was about me starting the acting again. | 0:45:28 | 0:45:34 | |
Something I've been wanting to do for a long while now. | 0:45:34 | 0:45:37 | |
And the reason I didn't tell you is, | 0:45:37 | 0:45:39 | |
well, you've been busy with the flat and stuff. | 0:45:39 | 0:45:43 | |
-Even I'm not buying that. -OK. | 0:45:43 | 0:45:46 | |
I didn't tell you because I wanted to keep it for myself. | 0:45:46 | 0:45:50 | |
Ali, the past six years have been great. | 0:45:51 | 0:45:54 | |
But I'm stuck in a dead-end job | 0:45:54 | 0:45:57 | |
and, now, with a mortgage, I'm going nowhere. | 0:45:57 | 0:46:01 | |
If you didn't want to buy the flat all you had to do was say. | 0:46:01 | 0:46:04 | |
I do want to buy it and I want to live with you | 0:46:04 | 0:46:06 | |
but I'm scared that this is it. | 0:46:06 | 0:46:08 | |
After this it's marriage, kids and I'm 60 before I've done anything. | 0:46:08 | 0:46:11 | |
I wanted to try it one last time. Wanted to see if I could do it on my own. | 0:46:11 | 0:46:14 | |
Any chance we could do this some other time? Maybe after surgery? | 0:46:14 | 0:46:18 | |
We'll talk about it when I get home. | 0:46:18 | 0:46:21 | |
That's about the best you're going to get, mate. Let's go. | 0:46:21 | 0:46:25 | |
What can you see? | 0:46:45 | 0:46:46 | |
There's nothing there, is there? | 0:46:52 | 0:46:54 | |
I'm sorry, Gemma. | 0:47:00 | 0:47:01 | |
I need to get Obstetrics down to explain to you what happens next. | 0:47:03 | 0:47:08 | |
I don't want to talk to anyone. | 0:47:11 | 0:47:13 | |
I'm afraid you're going to have to. | 0:47:13 | 0:47:15 | |
And then, we can sort that leg out. | 0:47:15 | 0:47:18 | |
I just want to stay here for a bit. | 0:47:19 | 0:47:21 | |
Tell them to give us five minutes. | 0:47:21 | 0:47:25 | |
They're pretty busy. | 0:47:25 | 0:47:26 | |
I don't care how bloody busy they are. | 0:47:26 | 0:47:29 | |
My daughter needs some time on her own. | 0:47:29 | 0:47:31 | |
OK. | 0:47:33 | 0:47:35 | |
Here, hold up. | 0:47:35 | 0:47:37 | |
Listen, for what it's worth, that was good work at the bridge | 0:47:38 | 0:47:42 | |
and I didn't know this Rossy bloke | 0:47:42 | 0:47:46 | |
but I reckon he'd have been really proud of you. | 0:47:46 | 0:47:50 | |
Thanks. | 0:47:50 | 0:47:52 | |
-We thought we'd send you off. -SIRENS | 0:47:54 | 0:47:57 | |
Subtitles by Red Bee Media Ltd | 0:48:18 | 0:48:22 |