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-Dad! What happened? -He had a bit of an accident. | 0:00:02 | 0:00:04 | |
-We're taking him to Holby City. -I'm coming. It'll be all right, Dad. | 0:00:04 | 0:00:07 | |
-I just want to know why this happened. -You want me to tell you? | 0:00:07 | 0:00:10 | |
-Yes! -Clive... | 0:00:10 | 0:00:12 | |
No, no, OK. I'll tell you. | 0:00:12 | 0:00:13 | |
-We borrowed the money so we could have you. -So you could have me? | 0:00:13 | 0:00:17 | |
IVF. | 0:00:17 | 0:00:19 | |
Where do they come from - your parents? | 0:00:19 | 0:00:22 | |
My biological dad is from Jamaica but I never knew him. | 0:00:22 | 0:00:25 | |
Jamaica? Not Africa, then? | 0:00:25 | 0:00:28 | |
No, Jamaica. | 0:00:28 | 0:00:29 | |
Oh! Well, sometimes that's how it is, huh? | 0:00:31 | 0:00:36 | |
Yeah. | 0:00:36 | 0:00:38 | |
-You know it's Lenny's last day. -His what? | 0:00:38 | 0:00:41 | |
Did you not hear a word I said? I don't want anything. | 0:00:41 | 0:00:43 | |
But everyone says that. | 0:00:43 | 0:00:45 | |
No party, no drinks. Not even a farewell cup of tea, Linda. | 0:00:45 | 0:00:48 | |
I knew you weren't 19. | 0:00:51 | 0:00:52 | |
I knew you weren't 18. | 0:00:52 | 0:00:54 | |
Here, Britney! | 0:00:54 | 0:00:57 | |
Oi! | 0:00:59 | 0:01:00 | |
MUSIC PLAYS ON RADIO | 0:01:49 | 0:01:51 | |
Linda. Britney just got in a car. | 0:01:57 | 0:02:00 | |
-What car? -I don't know. | 0:02:01 | 0:02:03 | |
Does she have any friends with an estate car? | 0:02:03 | 0:02:05 | |
Course not - she's not old enough to drive. | 0:02:05 | 0:02:08 | |
Look at this, then. Do you know anyone called Jason? | 0:02:08 | 0:02:11 | |
Jason? No. | 0:02:11 | 0:02:12 | |
-Who are you ringing? -My brother. | 0:02:20 | 0:02:22 | |
-Why? -To let him know where I am. | 0:02:24 | 0:02:27 | |
-Problem? -Yeah. I dropped it. It won't dial out. | 0:02:30 | 0:02:33 | |
Good thing I got you a new one, then. | 0:02:33 | 0:02:35 | |
PHONE RINGS | 0:02:41 | 0:02:44 | |
'Hello? Hello? | 0:02:44 | 0:02:47 | |
'Only messing. Leave me a message. Bye!' | 0:02:48 | 0:02:50 | |
Britney, will you give me a call as soon as you get this message? | 0:02:50 | 0:02:54 | |
I'm going to kill her. She's not answering. | 0:02:54 | 0:02:56 | |
So what do you want to do? | 0:02:56 | 0:02:57 | |
What I DON'T want to do is contact the police. | 0:02:57 | 0:02:59 | |
Her social worker already knows she's been suspended from school. | 0:02:59 | 0:03:02 | |
-If they think she's running wild... -You're scared they'll take her back into care? | 0:03:02 | 0:03:06 | |
Yeah. | 0:03:06 | 0:03:07 | |
Did she look frightened at all? | 0:03:09 | 0:03:10 | |
No. Look, this is the thing, Linda. It all LOOKED perfectly friendly. | 0:03:10 | 0:03:14 | |
Right, I'll just have to find her. | 0:03:14 | 0:03:16 | |
-Oh, we're ready for the catch-up. -If you just give us a minute. | 0:03:18 | 0:03:21 | |
Hiya. | 0:03:25 | 0:03:26 | |
Hi. | 0:03:26 | 0:03:27 | |
I wish we could have stayed longer at the party. | 0:03:27 | 0:03:30 | |
They knew we had to get to work. | 0:03:30 | 0:03:31 | |
Anyway, I'm sure Sheila can really let her hair down | 0:03:31 | 0:03:34 | |
-now you're not looking over her shoulder. -I'm not like that. | 0:03:34 | 0:03:37 | |
You're telling me you're not the kind of brother | 0:03:37 | 0:03:39 | |
-who vets every guy his sister looks at? -Not at all. | 0:03:39 | 0:03:42 | |
If you hadn't had been so quick to get out of there, you'd have seen. | 0:03:42 | 0:03:45 | |
-I just didn't want us to be late. -Really? | 0:03:45 | 0:03:47 | |
-What's that supposed to mean? -You had nothing to eat. | 0:03:47 | 0:03:50 | |
-I wasn't hungry. -You don't think you were a bit rude? | 0:03:50 | 0:03:53 | |
-A bit rude? No. -You were stand-offish. -Stand-offish? | 0:03:53 | 0:03:56 | |
-Yeah. -Maybe I just didn't want to answer a load of stupid questions. | 0:03:56 | 0:03:59 | |
-Like? -Where do you do your hair? Where are your parents from? | 0:03:59 | 0:04:02 | |
-Which church do you go to? -They were trying to be friendly. | 0:04:02 | 0:04:05 | |
I know what they meant, so do you. You just don't want to admit it. | 0:04:05 | 0:04:08 | |
LOUD MUSIC PLAYS | 0:04:10 | 0:04:12 | |
Oh, what? Shut your mouth, man. | 0:04:18 | 0:04:20 | |
This better not take too long. My gig's at nine and I have to warm up. | 0:04:23 | 0:04:26 | |
It won't take two minutes. | 0:04:26 | 0:04:28 | |
What won't? Look, Talia, I'm here now, just tell me what's going on. | 0:04:28 | 0:04:31 | |
You just got to stop him. Tell him not to be so bad mind. | 0:04:31 | 0:04:35 | |
What? He won't listen to me! | 0:04:35 | 0:04:36 | |
There he is. George. | 0:04:36 | 0:04:39 | |
George! George! Ah, there's Lewis. | 0:04:39 | 0:04:42 | |
-What's this about? -It's my fault. | 0:04:42 | 0:04:44 | |
-George! -Heard you been calling my girl a sket. -Leave from me, man. | 0:04:44 | 0:04:48 | |
Just keep her name off them lips, yeah. | 0:04:48 | 0:04:50 | |
This guy's a joker! You get me? | 0:04:52 | 0:04:53 | |
Come on. George, It's just a waste, man. | 0:04:53 | 0:04:57 | |
-Matt, tell him. -George, she's right. Leave it out, man, it's not worth it. | 0:04:57 | 0:05:00 | |
-Come on, man. -Yeah, move. -George. | 0:05:00 | 0:05:02 | |
Come and see me play. Come on. | 0:05:02 | 0:05:05 | |
You for real, yeah? I stopped linking her. You know why? | 0:05:05 | 0:05:08 | |
Dumb sket was putting it around with anyone who had a couple of quid. | 0:05:08 | 0:05:12 | |
George! | 0:05:12 | 0:05:13 | |
Do you think you're bad, man? | 0:05:15 | 0:05:17 | |
Matt, do something! | 0:05:17 | 0:05:19 | |
Pull back, man, pull back. | 0:05:23 | 0:05:25 | |
-You all right? -Get off me! | 0:05:26 | 0:05:29 | |
You all right, George? | 0:05:29 | 0:05:30 | |
Matt! Get off him! | 0:05:31 | 0:05:34 | |
-Matt! -Get off me, Get off me! You too, tough man! | 0:05:34 | 0:05:37 | |
-Matt, you all right? -Are you all right? | 0:05:39 | 0:05:43 | |
-Yeah, I'm all... -Matt? | 0:05:43 | 0:05:45 | |
-Matt! Matt! -Matt! | 0:05:45 | 0:05:47 | |
Call an ambulance, then. | 0:05:47 | 0:05:49 | |
Matt. Matt! | 0:05:49 | 0:05:51 | |
Hello? I need an ambulance. I need an ambulance! | 0:05:51 | 0:05:55 | |
There she is. | 0:05:55 | 0:05:57 | |
That doesn't tell us anything. | 0:05:59 | 0:06:02 | |
-Wind it back a bit. -Yeah. | 0:06:02 | 0:06:03 | |
Please. Right, there you go. | 0:06:03 | 0:06:06 | |
Can you read that number plate? | 0:06:06 | 0:06:08 | |
Nah, it's too dirty. You can get fined for that, y'know. | 0:06:09 | 0:06:12 | |
That's very interesting. I'll be sure to tell him when I find him. | 0:06:12 | 0:06:15 | |
What about that sticker? | 0:06:15 | 0:06:17 | |
That's a...that's a parking permit. | 0:06:17 | 0:06:21 | |
Yeah, but for where? | 0:06:21 | 0:06:23 | |
That's for the Nearmead Estate. | 0:06:23 | 0:06:25 | |
-I used to have one when I lived there. -Yeah? | 0:06:25 | 0:06:28 | |
-Right, cheers, mate. -Thanks, Noel. | 0:06:28 | 0:06:31 | |
What are we doing here? | 0:06:33 | 0:06:34 | |
Getting your phone. | 0:06:34 | 0:06:36 | |
-This isn't a shop. -I know. I bought the phone last week | 0:06:36 | 0:06:39 | |
when you first told me yours wasn't working. It's in my flat. | 0:06:39 | 0:06:43 | |
-Come on, I got you some things. -What is it? | 0:06:43 | 0:06:45 | |
Wait and see. | 0:06:45 | 0:06:47 | |
If this turns out to be some drunk kid in a pool hall, | 0:06:57 | 0:07:00 | |
we're going to have that rematch. | 0:07:00 | 0:07:01 | |
A chance to win my 50 quid back, Paul Newman. | 0:07:01 | 0:07:04 | |
You're on. Make it 100 if you're feeling lucky, punk. | 0:07:04 | 0:07:07 | |
Don't we know him? | 0:07:08 | 0:07:09 | |
Yeah, his dad's Chilcot, Clive Chilcot. | 0:07:10 | 0:07:12 | |
-We picked him up this morning. Been beaten up. -He's over here. | 0:07:12 | 0:07:15 | |
-We know you. -Yeah. | 0:07:15 | 0:07:17 | |
This is becoming a bit of a habit, ain't it? | 0:07:17 | 0:07:19 | |
OK, has he got a name? | 0:07:19 | 0:07:20 | |
Matthew, Matthew Chilcot. He's my brother. | 0:07:20 | 0:07:23 | |
-So what happened? -He collapsed. -They were fighting. | 0:07:23 | 0:07:26 | |
OK, which was it? | 0:07:26 | 0:07:28 | |
He collapsed when fighting. | 0:07:28 | 0:07:30 | |
With Lewis Johnson - some idiot. He's been chatting bad about me. | 0:07:30 | 0:07:33 | |
Matthew, have you any pain, love? | 0:07:33 | 0:07:35 | |
Yeah... | 0:07:35 | 0:07:37 | |
It's in my side, but I'm all right... | 0:07:37 | 0:07:39 | |
It's just when I fell... | 0:07:39 | 0:07:41 | |
Are you normally fit and well, yeah? | 0:07:41 | 0:07:45 | |
-Yeah. -Right, looks like you may have a cracked rib or two there, mate. | 0:07:45 | 0:07:50 | |
OK, I'm going to need to have a look at your hand, aren't I? | 0:07:50 | 0:07:53 | |
Can I have you on this pool table, mate, please? | 0:07:53 | 0:07:56 | |
Thanks for coming, bruv. | 0:07:58 | 0:07:59 | |
It's cool. | 0:07:59 | 0:08:01 | |
Any questions before we start tonight's fun and games? | 0:08:07 | 0:08:10 | |
No. I have to say thank-you, though. | 0:08:10 | 0:08:12 | |
-What for? -For the cancellation of Lenny's leaving party. | 0:08:12 | 0:08:14 | |
Bless whoever it was who saw fit to curtail my misery. | 0:08:14 | 0:08:17 | |
-It was Lenny. He didn't want it. -He's probably had enough of everyone. | 0:08:17 | 0:08:21 | |
-In that case, I know exactly how he feels. -OK, let's get to it. | 0:08:21 | 0:08:24 | |
Beverley Smith... | 0:08:25 | 0:08:27 | |
Scarlett, have you got a minute? | 0:08:27 | 0:08:29 | |
-I'm a little busy. -Please! | 0:08:29 | 0:08:32 | |
About earlier, can we just... | 0:08:32 | 0:08:34 | |
Lloyd, I wasn't rude to your family. | 0:08:34 | 0:08:36 | |
OK, you weren't rude, but you weren't exactly polite. | 0:08:36 | 0:08:39 | |
Look, what's your problem? | 0:08:39 | 0:08:41 | |
-You really don't know? -No. | 0:08:41 | 0:08:43 | |
-When I turned up to your house, they were disappointed. -No, they weren't. | 0:08:43 | 0:08:46 | |
They were expecting a nice African girl, preferably from Nigeria. | 0:08:46 | 0:08:50 | |
-Did they say anything about you not coming from Africa? -Yeah. -No. | 0:08:50 | 0:08:53 | |
-Yes... -Scarlett, Mrs Smith has been... -One minute, Tess! | 0:08:53 | 0:08:56 | |
Excuse me? | 0:08:56 | 0:08:57 | |
Sorry, Tess. | 0:08:59 | 0:09:01 | |
Can we just have 30 seconds? | 0:09:01 | 0:09:03 | |
-30 seconds. -Thank you. | 0:09:03 | 0:09:05 | |
I'm not what your family want. | 0:09:10 | 0:09:11 | |
-They made that clear. -I'm sorry you think that. | 0:09:11 | 0:09:14 | |
-Is that all you're saying? -What do you want me to say? | 0:09:14 | 0:09:16 | |
If you don't know, I'm not going to tell you. | 0:09:16 | 0:09:19 | |
SIREN WAILS | 0:09:24 | 0:09:26 | |
When you fell, do you know if you banged your head? | 0:09:29 | 0:09:32 | |
No...I don't think so. | 0:09:32 | 0:09:34 | |
I was watching. He didn't. | 0:09:34 | 0:09:37 | |
Have you collapsed before? | 0:09:37 | 0:09:40 | |
No. | 0:09:40 | 0:09:41 | |
-If you have, it's important you let me know. -I haven't. | 0:09:45 | 0:09:48 | |
OK. | 0:09:48 | 0:09:50 | |
OK. | 0:09:50 | 0:09:51 | |
I'm think we're on a wild goose chase here, Linda. | 0:09:55 | 0:09:57 | |
We can't give up yet. There's a blue estate car. | 0:09:57 | 0:10:00 | |
Right. | 0:10:00 | 0:10:02 | |
It's got a wing mirror missing. | 0:10:05 | 0:10:07 | |
And there's the parking sticker. This is the one. | 0:10:07 | 0:10:09 | |
-Then she's got to be in this block. -So what do you want to do, then? | 0:10:09 | 0:10:12 | |
-We ask. -OK, yep. | 0:10:12 | 0:10:15 | |
Wait in reception. I'll get someone to take a look at you. | 0:10:19 | 0:10:22 | |
-Try and stay out of trouble, yeah? -You know me, bro. | 0:10:22 | 0:10:25 | |
OK, Dix, what do we have here? | 0:10:25 | 0:10:26 | |
Right, this is Matthew Chilcot, 18, | 0:10:26 | 0:10:28 | |
collapsed after being involved in a fight, query fractured rib. | 0:10:28 | 0:10:32 | |
He claims otherwise to be fit and healthy, despite being breathless. | 0:10:32 | 0:10:36 | |
His sats are now 97, his pulse 80 and I've given him five of morphine. | 0:10:36 | 0:10:41 | |
-Matthew, I need you to wiggle your bum over there, please. -OK, mate. | 0:10:41 | 0:10:45 | |
All right, there you go. Thanks, Dix. | 0:10:45 | 0:10:48 | |
OK, Matthew can you open your eyes for me? Thank you. | 0:10:48 | 0:10:51 | |
I'm just going to take a listen to your chest. | 0:10:51 | 0:10:54 | |
Not a lot of air travelling through. | 0:10:56 | 0:11:00 | |
-Matthew, are you having trouble breathing? -A little. | 0:11:00 | 0:11:02 | |
We should do a chest X-ray, a full blood count, Us and Es, | 0:11:02 | 0:11:06 | |
-clotting, glucose, group and save. -OK. | 0:11:06 | 0:11:08 | |
Tom, can I have a word, mate? | 0:11:08 | 0:11:11 | |
-I've got a paramedic's hunch. -Can't see it through the uniform. | 0:11:11 | 0:11:14 | |
That kid's hiding something. | 0:11:15 | 0:11:18 | |
OK. | 0:11:18 | 0:11:19 | |
Matthew, are you in pain? Apart from your ribs? | 0:11:22 | 0:11:25 | |
No. No, I'm not. | 0:11:25 | 0:11:28 | |
-You should tell me if you're in pain, mate. -I will. | 0:11:28 | 0:11:31 | |
Here. | 0:11:45 | 0:11:47 | |
It's my nan's. She died. | 0:11:58 | 0:12:00 | |
-I live here now. -Her stuff's awful. | 0:12:00 | 0:12:03 | |
And it stinks. | 0:12:03 | 0:12:05 | |
I bought you some clothes. Why don't you try them on? | 0:12:07 | 0:12:11 | |
-No. -Why not? I spent ages choosing them. | 0:12:11 | 0:12:14 | |
-I want to see if they fit. -I just want the phone you promised me. | 0:12:14 | 0:12:17 | |
Well, try on the clothes, then I'll give you the phone. | 0:12:17 | 0:12:20 | |
You can get changed through there. | 0:12:20 | 0:12:22 | |
What's occurring, Tom? | 0:12:40 | 0:12:42 | |
He's got a couple of fractured ribs. Otherwise he appears to be OK. | 0:12:42 | 0:12:45 | |
We're monitoring until we find the cause of the collapse. | 0:12:45 | 0:12:47 | |
This just in - teenage boy appears to be OK. | 0:12:47 | 0:12:49 | |
The adrenalin rush of emergency medicine never ceases to amaze me. | 0:12:49 | 0:12:53 | |
You all right? | 0:12:56 | 0:12:57 | |
Yeah, it's only an itch. | 0:12:57 | 0:13:00 | |
Do you know the time? | 0:13:00 | 0:13:02 | |
It's 20 to 8. | 0:13:02 | 0:13:03 | |
-I've got a gig in just over an hour. -A gig? | 0:13:03 | 0:13:06 | |
Yeah, I play trumpet in a six-piece | 0:13:06 | 0:13:09 | |
and I'm pretty sure they're going to miss me if I'm not there. | 0:13:09 | 0:13:12 | |
-Do you want me to ask the doctor, see what he thinks? -Yeah, please. | 0:13:12 | 0:13:15 | |
All right, then. | 0:13:15 | 0:13:16 | |
Our patient's wanting to know if he can go. | 0:13:18 | 0:13:21 | |
OK. Matthew, | 0:13:21 | 0:13:23 | |
-how are you feeling? -I'm good. | 0:13:23 | 0:13:25 | |
Listen, mate, you've got a couple of fractured ribs. | 0:13:25 | 0:13:29 | |
We need to keep an eye on your analgesia to make sure we're managing the pain. | 0:13:29 | 0:13:32 | |
Come on, how are you going to play the trumpet with fractured ribs? | 0:13:32 | 0:13:36 | |
You should see me play. | 0:13:36 | 0:13:38 | |
BEEPING, MATTHEW GASPS | 0:13:42 | 0:13:43 | |
-Matthew? -I can't keep my arm up. -Problem? | 0:13:43 | 0:13:45 | |
Sudden severe muscle weakness. | 0:13:45 | 0:13:47 | |
OK, let's get an urgent MRI, please, Lloyd. | 0:13:47 | 0:13:49 | |
-What's going on? -Try not to talk. | 0:13:49 | 0:13:51 | |
You were saying something about emergency medicine? | 0:13:51 | 0:13:54 | |
If you just bear with me, | 0:13:54 | 0:13:56 | |
I'll just get a second opinion from Sister Bateman. | 0:13:56 | 0:13:58 | |
George, you all right? | 0:13:58 | 0:14:01 | |
Yeah, I'm cool, man. How's Matt? | 0:14:01 | 0:14:04 | |
-The doctors are with him. We haven't seen him yet. -Come here. | 0:14:04 | 0:14:08 | |
-How is he? -It looks like his index - excuse me - | 0:14:08 | 0:14:11 | |
middle and ring fingers were all fractured, but they're not displaced. | 0:14:11 | 0:14:14 | |
-So it's not that bad. -It could have been worse. | 0:14:14 | 0:14:17 | |
Scarlett will strap them up for him | 0:14:17 | 0:14:19 | |
-and he'll have an orthopaedic review in a week. -Thank you. | 0:14:19 | 0:14:23 | |
-What happened? -There was just an argument. | 0:14:23 | 0:14:25 | |
-You mean you got into a fight and dragged your brother in. -Clive. | 0:14:25 | 0:14:29 | |
No, Mum, he's right. Sorry. | 0:14:29 | 0:14:31 | |
Why were you fighting? | 0:14:31 | 0:14:33 | |
-It was my fault, Clive. -I should have known, and don't call me Clive. | 0:14:33 | 0:14:36 | |
Sorry, Mr Chilcot. | 0:14:36 | 0:14:38 | |
I was looking after my girl. What, is that wrong? | 0:14:38 | 0:14:41 | |
-You got your brother in hospital. How can that be right? -But I didn't! | 0:14:41 | 0:14:45 | |
It wasn't his fault, Mr Chilcot. Matt just collapsed. | 0:14:45 | 0:14:48 | |
I should have handled it differently. | 0:14:53 | 0:14:55 | |
What would you have done, beaten her with a stethoscope? | 0:14:55 | 0:14:57 | |
I might just do that when I find her. | 0:14:57 | 0:14:59 | |
-Right, I'll search this floor. Do you want to take another? -Aye, OK. | 0:14:59 | 0:15:03 | |
SHE RINGS DOORBELL, KNOCKS | 0:15:08 | 0:15:11 | |
Job for Dylan. | 0:15:17 | 0:15:19 | |
-So he's had a TIA. -Yeah, but he says he's fit and well. | 0:15:23 | 0:15:27 | |
Is that Lloyd? | 0:15:28 | 0:15:30 | |
-Yeah, Lloyd. -Lloyd. | 0:15:30 | 0:15:31 | |
Has he said anything to you? | 0:15:34 | 0:15:35 | |
No, but he's clearly in more pain than he's letting on, | 0:15:35 | 0:15:39 | |
and he has been scratching his leg quite a bit. | 0:15:39 | 0:15:41 | |
His eyes were a bit jaundiced. | 0:15:42 | 0:15:45 | |
How are you feeling now, Matthew? | 0:15:45 | 0:15:48 | |
Yeah, yeah, I'm feeling much better, thanks, | 0:15:48 | 0:15:50 | |
and there's still time for me to go and play. | 0:15:50 | 0:15:53 | |
Can we have a look at your leg, please? | 0:15:55 | 0:15:56 | |
My legs? Why? | 0:15:58 | 0:16:00 | |
Leg - singular, preferably the one you've been scratching. | 0:16:00 | 0:16:04 | |
-Is it this one? -OK. | 0:16:04 | 0:16:05 | |
Right. Um, how long have you had this? | 0:16:11 | 0:16:13 | |
What? | 0:16:13 | 0:16:15 | |
This ulcer. | 0:16:15 | 0:16:16 | |
Can you bend your leg for me, please? | 0:16:18 | 0:16:21 | |
-That's quite painful, isn't it? -Not really. | 0:16:21 | 0:16:24 | |
-I think you're a little bit of a fibber, aren't you, Matthew? -No. | 0:16:24 | 0:16:28 | |
Jaundiced eyes, ulcerated leg, sore joints, breathlessness. | 0:16:28 | 0:16:31 | |
Are you going to tell me you have sickle cell or wait for me to guess? | 0:16:31 | 0:16:34 | |
You look great. Do you like that? | 0:16:46 | 0:16:47 | |
Yeah. | 0:16:48 | 0:16:50 | |
You look so lovely. Really special. | 0:16:50 | 0:16:53 | |
I need to remember this. | 0:16:55 | 0:16:56 | |
We can go shopping again tomorrow, if you want? | 0:17:02 | 0:17:05 | |
Get you some new clothes, | 0:17:05 | 0:17:07 | |
some new underwear. How would you like that? | 0:17:07 | 0:17:12 | |
KNOCK AT THE DOOR | 0:17:09 | 0:17:12 | |
-Shh. Don't move. -KNOCKING | 0:17:13 | 0:17:16 | |
DOORBELL | 0:17:18 | 0:17:20 | |
I think there's someone in there. | 0:17:20 | 0:17:23 | |
Probably some old couple that's too scared to come to the door, Linda. | 0:17:23 | 0:17:27 | |
Come on. | 0:17:36 | 0:17:38 | |
It's OK. | 0:17:47 | 0:17:48 | |
There's no need to be frightened. | 0:17:48 | 0:17:51 | |
Stand over there. I'll take some photographs. | 0:17:51 | 0:17:54 | |
Go on! | 0:17:54 | 0:17:56 | |
He's just through here. | 0:18:00 | 0:18:02 | |
It's the sickle cell, isn't it? | 0:18:05 | 0:18:07 | |
Matthew has had a TIA. It's a mini stroke. | 0:18:07 | 0:18:11 | |
It's my opinion that Matthew's sickle cell was responsible | 0:18:12 | 0:18:16 | |
for a vaso-occlusive crisis earlier and this TIA just now. | 0:18:16 | 0:18:19 | |
But he hasn't had an attack since he was a baby. | 0:18:19 | 0:18:22 | |
-Given what we know, I think that's unlikely. -Matthew? | 0:18:22 | 0:18:25 | |
OK...I've had a couple. | 0:18:28 | 0:18:31 | |
-George helped me. -How could you be so stupid? | 0:18:31 | 0:18:33 | |
You know how bad I want to study jazz. | 0:18:33 | 0:18:36 | |
-Have you heard of Berklee? -No. | 0:18:38 | 0:18:41 | |
Well, it's the best music college in the world. | 0:18:41 | 0:18:43 | |
-I wasn't about to let this sickle cell stand in my way. -Oh, Matthew... | 0:18:43 | 0:18:47 | |
What happens now? | 0:18:47 | 0:18:49 | |
Well, that will be down to the haematologists. | 0:18:49 | 0:18:52 | |
They have various ways of dealing with this. | 0:18:52 | 0:18:54 | |
As far as I know, a replacement blood transfusion... | 0:18:54 | 0:18:58 | |
Transfusion doesn't get rid of it, though. | 0:18:58 | 0:19:00 | |
To the best of my limited knowledge, | 0:19:00 | 0:19:02 | |
the only way to get rid of sickle cell is a bone marrow transplant. | 0:19:02 | 0:19:05 | |
Then, I'll have one. | 0:19:05 | 0:19:07 | |
Sign me up. | 0:19:07 | 0:19:09 | |
-Unfortunately, it's not so simple. -I don't care. | 0:19:09 | 0:19:12 | |
We'll need to test your brother and any other close relatives, | 0:19:12 | 0:19:14 | |
-to see if they match, and could be a donor. -We know all about donors. | 0:19:14 | 0:19:18 | |
You've looked into this before? | 0:19:18 | 0:19:19 | |
When they were little. | 0:19:19 | 0:19:21 | |
His brother's a match. | 0:19:21 | 0:19:23 | |
Oh, Dylan. You wouldn't get an MUA form for me, please? | 0:19:32 | 0:19:35 | |
I'm just manipulating this finger. | 0:19:35 | 0:19:37 | |
You seem to be confused. Me doctor, not PA. | 0:19:37 | 0:19:39 | |
I think you're confused. Me boss - you, do as you're told. | 0:19:39 | 0:19:43 | |
About your patient Matthew. | 0:19:45 | 0:19:48 | |
I spoke to Dr Davis on the haematology ward | 0:19:48 | 0:19:51 | |
about an exchange transfusion. He's happy for us to do it here. | 0:19:51 | 0:19:54 | |
-Apparently, he's too busy in clinic. -Great. Not only do I get | 0:19:54 | 0:19:57 | |
an odds-busting patient, I get to do a transfusion. Perfect. | 0:19:57 | 0:20:00 | |
No, I said no. It's not in our remit. | 0:20:00 | 0:20:02 | |
-If anything went wrong, we'd be responsible. -But he needs this. He's already had a TIA. | 0:20:02 | 0:20:06 | |
A fully blown stroke could be imminent. I've done it before, | 0:20:06 | 0:20:09 | |
more than once. I'm a doctor, you know, a very good one. | 0:20:09 | 0:20:11 | |
Yes, I know, you do tell us often enough. | 0:20:11 | 0:20:14 | |
-And I will continue to until I get my medal. -I said no. | 0:20:14 | 0:20:17 | |
HE YELLS IN PAINS | 0:20:17 | 0:20:18 | |
My thoughts exactly. | 0:20:18 | 0:20:20 | |
There you go, sorted. I'll get a nurse in to strap that up. | 0:20:20 | 0:20:23 | |
Kojo, would you? What do you mean by odds-busting patient? | 0:20:23 | 0:20:27 | |
Well, if Matthew has sickle cell, then the chances are | 0:20:27 | 0:20:29 | |
both his parents have the trait - | 0:20:29 | 0:20:31 | |
-or at least they carry a variant haemoglobin gene. -OK. | 0:20:31 | 0:20:35 | |
So what are the chances | 0:20:35 | 0:20:36 | |
that his brother's completely sickle-cell free? | 0:20:36 | 0:20:38 | |
One in four. | 0:20:38 | 0:20:40 | |
I am a doctor, too. | 0:20:40 | 0:20:41 | |
You hide it so well. | 0:20:41 | 0:20:43 | |
Not exactly odds-busting, though, is it? | 0:20:43 | 0:20:46 | |
He's also a bone marrow match. | 0:20:46 | 0:20:48 | |
That IS pretty lucky. Embryo selection? | 0:20:49 | 0:20:51 | |
Can't be. He's 15. | 0:20:51 | 0:20:53 | |
Come on, let's do the transfusion. Come on! | 0:20:54 | 0:20:57 | |
All right, but I want Dr Davis down here as soon as he's free. | 0:20:57 | 0:21:01 | |
As long as he doesn't get in my way. | 0:21:01 | 0:21:03 | |
"Thank you"? | 0:21:03 | 0:21:06 | |
Nothing? | 0:21:10 | 0:21:11 | |
No, nothing. This could take ages. | 0:21:11 | 0:21:14 | |
-So how long do we give it? -Before we phone the police? -Yeah. | 0:21:14 | 0:21:17 | |
However long you want, Linda. I'm there for you. | 0:21:18 | 0:21:21 | |
-Thank you, Lenny. -OK. | 0:21:21 | 0:21:24 | |
-Man, I feel fine. -Just because you feel fine doesn't mean you are fine. | 0:21:26 | 0:21:29 | |
Five minutes, then I take you back to Resus. | 0:21:29 | 0:21:31 | |
-Matt. -That's you done. | 0:21:31 | 0:21:33 | |
-What happened, bruv? I heard you had a stroke. -I'm all right. | 0:21:33 | 0:21:36 | |
We know you've hidden Matt's attacks. It's all right. | 0:21:36 | 0:21:40 | |
-I know why you did it. -You do? | 0:21:40 | 0:21:42 | |
You two looking out for each other. It's what we always wanted. | 0:21:42 | 0:21:45 | |
George, we've got some great news. | 0:21:45 | 0:21:48 | |
-Can I tell him? -You know, I feel like a coffee. | 0:21:48 | 0:21:51 | |
I can take you guys to the coffee shop, if you want? | 0:21:51 | 0:21:54 | |
OK. | 0:21:54 | 0:21:55 | |
What? | 0:21:58 | 0:22:00 | |
Well, the doctors say it all goes away with a bone marrow transplant. | 0:22:00 | 0:22:04 | |
All I have to do is find a match. | 0:22:04 | 0:22:05 | |
-I'll get tested. -You don't need to. | 0:22:05 | 0:22:08 | |
-No, but I want to. -Honestly, bruv, you don't need to. | 0:22:08 | 0:22:11 | |
CAMERA CLICKS | 0:22:14 | 0:22:16 | |
That looks amazing. | 0:22:16 | 0:22:18 | |
-CAMERA CLICKS -Do you like the new clothes I got you? | 0:22:18 | 0:22:21 | |
You look really, really special in them. | 0:22:21 | 0:22:25 | |
Why don't you, uh... | 0:22:28 | 0:22:31 | |
undo your buttons on your top a bit? | 0:22:31 | 0:22:33 | |
Give it a more relaxed look. | 0:22:33 | 0:22:35 | |
That's great. | 0:22:43 | 0:22:45 | |
I'm thirsty. | 0:22:49 | 0:22:52 | |
Some lemonade? | 0:22:55 | 0:22:56 | |
Yeah, thanks. | 0:22:56 | 0:22:59 | |
Sure. | 0:22:59 | 0:23:00 | |
Then we take some more photos. Maybe do something a bit different. | 0:23:05 | 0:23:07 | |
You going to be all right with this case, yeah? | 0:23:26 | 0:23:29 | |
-Yes, absolutely fine with it. -We are going to go ahead | 0:23:29 | 0:23:31 | |
with the exchange transfusion. Dr Keogh here will oversee it. | 0:23:31 | 0:23:35 | |
Will I still need a bone marrow transplant? | 0:23:35 | 0:23:37 | |
Well, it's not a cure. | 0:23:37 | 0:23:39 | |
No, that's George. | 0:23:39 | 0:23:41 | |
Are you sure, though? | 0:23:41 | 0:23:44 | |
-I know you're a pussy cat when it comes to pain. -Yeah, right. | 0:23:44 | 0:23:47 | |
You don't know how lucky you are. | 0:23:47 | 0:23:50 | |
Having what they call a saviour sibling can cost a fortune. | 0:23:50 | 0:23:54 | |
Yeah, but they had me using IVF. | 0:24:36 | 0:24:38 | |
And it cost a load. That's why our dad's in the state he is. | 0:24:38 | 0:24:41 | |
You couldn't have been created as a saviour sibling | 0:24:41 | 0:24:43 | |
because embryo selection wasn't available back then. | 0:24:43 | 0:24:46 | |
-What about somewhere else? -Do you mean abroad? | 0:24:46 | 0:24:48 | |
Yes, could they not have done it abroad? | 0:24:48 | 0:24:51 | |
I'm really not the right person to ask about this. | 0:24:51 | 0:24:54 | |
-You should talk to your parents. -(Preferably when I'm not around.) | 0:24:54 | 0:24:57 | |
-Oh, terrific. -Mum, Dad, | 0:24:57 | 0:25:00 | |
-what was the name of the hospital you had IVF? -Whoa... | 0:25:00 | 0:25:03 | |
-Why? -I just want to know. -It was a private clinic. | 0:25:03 | 0:25:06 | |
And what was it called? | 0:25:06 | 0:25:09 | |
-The First Life Fertility Clinic. -What's this about? | 0:25:09 | 0:25:12 | |
Dylan? Scarlett? | 0:25:14 | 0:25:17 | |
-George thinks he was created as a saviour sibling. -I explained to him | 0:25:19 | 0:25:22 | |
-it wasn't available in the UK when he was born. -What are you doing? | 0:25:22 | 0:25:25 | |
I'm checking the clinic online. I want to see if it's in this country. | 0:25:25 | 0:25:28 | |
-George, wait. -Don't, love. -What's it say, babe? | 0:25:28 | 0:25:32 | |
George? | 0:25:34 | 0:25:35 | |
Georgie. | 0:25:36 | 0:25:38 | |
No. | 0:25:45 | 0:25:47 | |
-We've still got one more block. -Yeah. -She's got to be there. | 0:25:47 | 0:25:50 | |
-Let's hope so, eh? -What? | 0:25:50 | 0:25:53 | |
We're running out of options. | 0:25:53 | 0:25:55 | |
-You think something's happened to her? -No. | 0:25:55 | 0:25:57 | |
What if she didn't know this guy and he's... | 0:25:57 | 0:25:59 | |
This is Britney we're talking about. | 0:25:59 | 0:26:01 | |
She's tougher than half the neds in Glasgow. It's just, time's ticking. | 0:26:01 | 0:26:05 | |
Let's check this last block, but if not, we've got to call the police. | 0:26:05 | 0:26:08 | |
-Yeah? -Yeah. | 0:26:08 | 0:26:10 | |
Hey, Red, where you going? | 0:26:13 | 0:26:16 | |
I'm trying to find George. Someone needs to tell him | 0:26:16 | 0:26:18 | |
to listen to his mum and dad. He can't just walk out on his family. | 0:26:18 | 0:26:21 | |
Not many people can. | 0:26:21 | 0:26:22 | |
I wasn't suggesting you should walk out on yours. | 0:26:23 | 0:26:26 | |
It felt like that for a moment. | 0:26:26 | 0:26:28 | |
It's just... I didn't fit in, and you didn't really see that. | 0:26:28 | 0:26:32 | |
Look, tomorrow, when we're finished, | 0:26:32 | 0:26:35 | |
do you want to grab a coffee? | 0:26:35 | 0:26:37 | |
OK. | 0:26:38 | 0:26:39 | |
There's a little place called Coffee Love just off the Market Place. | 0:26:39 | 0:26:44 | |
Sounds lovely. | 0:26:44 | 0:26:46 | |
-All right. -All right. | 0:26:46 | 0:26:47 | |
MUSIC POUNDS, MEN CHEER | 0:26:50 | 0:26:53 | |
Look, Linda, they might have parked the car and gone somewhere else. | 0:26:57 | 0:27:00 | |
Yeah, but where? | 0:27:00 | 0:27:02 | |
I don't know, I don't know. | 0:27:03 | 0:27:05 | |
I'll see if they've seen anything. | 0:27:05 | 0:27:07 | |
TYRES SCREECH | 0:27:07 | 0:27:09 | |
You all right in there? | 0:27:32 | 0:27:34 | |
KETTLE WHISTLES | 0:27:35 | 0:27:37 | |
-Yeah. -Won't be a minute. | 0:27:37 | 0:27:40 | |
Just making a cup of tea. | 0:27:40 | 0:27:42 | |
I don't know how you sleep at night. | 0:27:48 | 0:27:50 | |
You stole an interesting case from under my nose. Matthew, | 0:27:50 | 0:27:53 | |
you were mine first, mate. | 0:27:53 | 0:27:55 | |
I didn't steal your patient. He was gifted to me | 0:27:55 | 0:27:57 | |
due to my superior skills as a doctor and human being. | 0:27:57 | 0:27:59 | |
I bow down to you. | 0:27:59 | 0:28:01 | |
One day I hope I too could be a god amongst men. | 0:28:01 | 0:28:04 | |
-No, don't go after him! -Why not? | 0:28:04 | 0:28:06 | |
Because it's not the right time. He's angry. | 0:28:06 | 0:28:10 | |
He could easily say he won't give Matthew the bone marrow. | 0:28:11 | 0:28:14 | |
-Marsha! Our son thinks his whole life has been a sham. -Still... | 0:28:14 | 0:28:19 | |
let's let him calm down first. | 0:28:19 | 0:28:21 | |
Well, I want to make sure he's all right. | 0:28:21 | 0:28:24 | |
-I'm sorry, would you mind taking this outside. -I'm sorry, sorry. | 0:28:24 | 0:28:28 | |
-I do understand this is difficult. -I never wanted him to find out. | 0:28:28 | 0:28:30 | |
You must have known this day would come sooner or later. | 0:28:30 | 0:28:33 | |
-Not like this. -We should have told him. | 0:28:33 | 0:28:35 | |
We did what we thought was right at the time. | 0:28:35 | 0:28:38 | |
Why should he believe anything we say now? | 0:28:38 | 0:28:40 | |
You have to understand, things have changed. | 0:28:40 | 0:28:42 | |
While the illness was dormant, you didn't have a problem. Now you do. | 0:28:42 | 0:28:46 | |
We now have a son who needs a bone marrow transplant. | 0:28:46 | 0:28:49 | |
We can't just use George. He's also our son. | 0:28:49 | 0:28:51 | |
A son I wanted. I wanted a second child. | 0:28:51 | 0:28:53 | |
You also wanted the IVF. YOU wanted to go to America | 0:28:53 | 0:28:57 | |
because there you could select the right embryo. All this, YOU wanted. | 0:28:57 | 0:29:01 | |
Matthew was my baby. | 0:29:02 | 0:29:05 | |
I wanted to protect him. | 0:29:05 | 0:29:07 | |
And George - don't you want to protect him too? | 0:29:07 | 0:29:09 | |
Yes, of course I do. | 0:29:11 | 0:29:14 | |
Then we have to fight to get him back. | 0:29:14 | 0:29:15 | |
We have to let him know we love him and he's not just here for Matthew. | 0:29:15 | 0:29:18 | |
I can manage. | 0:29:23 | 0:29:25 | |
I'm seriously worried about him. I've never seen him like that. | 0:29:30 | 0:29:33 | |
It's OK, we'll find him. | 0:29:33 | 0:29:35 | |
-You really like him, don't you? -Yeah, I do. | 0:29:35 | 0:29:37 | |
He's the only one who thinks I'm not just some sort of sket. | 0:29:37 | 0:29:40 | |
George! | 0:29:40 | 0:29:41 | |
-Are you OK? -Yeah, I'm fine. | 0:29:44 | 0:29:47 | |
-We need you to come back downstairs. -Why should he? | 0:29:47 | 0:29:49 | |
-He needs to hear them out. They're his mum and dad. -Are they? | 0:29:49 | 0:29:52 | |
-IVF, embryo selection - I could be anybody's. -You know that's not true. | 0:29:52 | 0:29:56 | |
They never wanted me. They paid to have me | 0:29:56 | 0:29:58 | |
so I could be used as spare parts for my brother. | 0:29:58 | 0:30:01 | |
-How would that make YOU feel? -Oh, come here. | 0:30:01 | 0:30:04 | |
Britney? | 0:30:10 | 0:30:11 | |
Britney? Where's my phone? | 0:30:14 | 0:30:17 | |
Britney? | 0:30:19 | 0:30:21 | |
Britney, stop messing around. This is not funny! | 0:30:21 | 0:30:24 | |
I'm sure it was as much a surprise to Matthew as it was to you. | 0:30:24 | 0:30:28 | |
You still don't owe him anything, George. | 0:30:28 | 0:30:30 | |
Being a bone marrow donor is painful. It really hurts, man. | 0:30:30 | 0:30:34 | |
Come on, let's go. | 0:30:35 | 0:30:36 | |
-George. Don't go. -No, you and Mum are bang out of order. | 0:30:42 | 0:30:46 | |
I ain't doing this transplant. | 0:30:46 | 0:30:48 | |
-He don't want to talk to you. -Why not listen to what he has to say? | 0:30:48 | 0:30:50 | |
-Cos they've lied to me for 15 years! -I'm not lying to you now. | 0:30:50 | 0:30:55 | |
-Your mum wanted to protect Matthew. -Tell me something I don't know. | 0:30:55 | 0:30:58 | |
Look, I don't know if I loved you the moment I saw you. | 0:30:58 | 0:31:00 | |
I don't know if I loved Matthew the moment I saw him... | 0:31:00 | 0:31:03 | |
-..but I grew to love you both. -Him more than me. | 0:31:05 | 0:31:08 | |
-No. -So why are you always shouting at him? | 0:31:08 | 0:31:10 | |
Because he's a pain in the neck. | 0:31:10 | 0:31:12 | |
-You're just trying to talk me into it. -I'm not. We can't make you | 0:31:13 | 0:31:17 | |
-and we wouldn't want to. -So it was a waste of time and money, yeah? | 0:31:17 | 0:31:20 | |
It's what's called an ill-conceived plan | 0:31:21 | 0:31:24 | |
and if I could turn back time... | 0:31:24 | 0:31:26 | |
..I wouldn't. | 0:31:27 | 0:31:29 | |
-You wouldn't get rid of all that debt? -No. | 0:31:32 | 0:31:35 | |
Because it would mean we wouldn't have had you. | 0:31:35 | 0:31:39 | |
Britney. | 0:31:47 | 0:31:49 | |
Britney. | 0:31:53 | 0:31:54 | |
Britney! | 0:32:09 | 0:32:10 | |
I just want to talk to you! | 0:32:12 | 0:32:14 | |
They can't remember seeing anything. They don't know who owns the car. | 0:32:26 | 0:32:29 | |
But I can get a shot around the car park if I want. I said no. | 0:32:29 | 0:32:33 | |
Right, that's it. I'm calling the police. | 0:32:33 | 0:32:35 | |
Help! Get away! | 0:32:36 | 0:32:38 | |
-Britney! -Get away! | 0:32:38 | 0:32:41 | |
Hello? Police, please. | 0:32:41 | 0:32:43 | |
-Get off me! -Give me the phone! | 0:32:45 | 0:32:47 | |
Give me the phone! | 0:32:47 | 0:32:48 | |
-Give me the phone! -Get off me! | 0:32:48 | 0:32:51 | |
-Britney! -Britney! | 0:32:51 | 0:32:53 | |
OK! You can have the phone! | 0:32:54 | 0:32:57 | |
Britney! | 0:33:03 | 0:33:04 | |
Let's get out of here! | 0:33:07 | 0:33:09 | |
Oh, God. | 0:33:12 | 0:33:13 | |
JAZZ MUSIC PLAYS SOFTLY, MACHINES BEEP QUIETLY | 0:33:18 | 0:33:21 | |
-Sorry about earlier. -I don't want to interfere with your personal life | 0:33:38 | 0:33:41 | |
-but when it starts affecting your work... -I get it. | 0:33:41 | 0:33:43 | |
-Scarlett and I were a little off today. -I'm not singling you out. | 0:33:43 | 0:33:46 | |
I'm going to talk to Scarlett too. | 0:33:46 | 0:33:48 | |
No, please don't. It was me that stopped her from working. | 0:33:48 | 0:33:51 | |
She didn't take to my family and I got a bit upset. | 0:33:51 | 0:33:54 | |
But I know when she sees them again, | 0:33:54 | 0:33:56 | |
it'll be cool, so I've organised a surprise get-together. | 0:33:56 | 0:33:59 | |
There are SOME surprises girls like | 0:34:01 | 0:34:03 | |
like chocolates, flowers, even a foot rub, | 0:34:03 | 0:34:06 | |
but "surprise - here's my family that made you feel uncomfortable" | 0:34:06 | 0:34:10 | |
definitely isn't one of them. | 0:34:10 | 0:34:12 | |
Look, this is nothing against you, bro. | 0:34:25 | 0:34:28 | |
Mum and Dad lied to me too. | 0:34:28 | 0:34:29 | |
I don't want your hand-me-down bone marrow. | 0:34:30 | 0:34:33 | |
It's what THEY want us to do. | 0:34:33 | 0:34:35 | |
-All right, as long as you're cool, yeah? -Yeah. | 0:34:37 | 0:34:40 | |
-Tally wants to get some air, but we'll be back in a bit. -All right. | 0:34:40 | 0:34:43 | |
I've given you some time to think. | 0:34:47 | 0:34:50 | |
Are you ready to admit that you stole my patient? | 0:34:50 | 0:34:54 | |
-Are you serious? You seriously thought about this? -Hmm. | 0:34:54 | 0:34:56 | |
Haven't you got patients to treat, or to charm? | 0:34:56 | 0:34:59 | |
You call it charm. I call it being polite. | 0:34:59 | 0:35:01 | |
I don't care what you call it, Tom. | 0:35:01 | 0:35:03 | |
It's not that difficult. I'll give you a few pointers if you like? | 0:35:03 | 0:35:06 | |
-I don't like. -"I don't like, thank you." | 0:35:06 | 0:35:09 | |
See? Call that lesson number one. | 0:35:09 | 0:35:11 | |
-BEEPING Dylan! -I feel... | 0:35:11 | 0:35:13 | |
-I feel... -Try and relax, Matthew. | 0:35:16 | 0:35:18 | |
I think this is developing into a full-blown stroke. | 0:35:18 | 0:35:20 | |
-We need to hurry up with this transfusion, please. -OK. | 0:35:20 | 0:35:23 | |
Recheck the electrolytes. I want a BM stick and let's repeat the MRI. | 0:35:23 | 0:35:26 | |
Lloyd, Scarlett. Could you let both factions of the family know? | 0:35:26 | 0:35:29 | |
-All right. -Thank you. -Thank you. | 0:35:29 | 0:35:32 | |
What's happened? | 0:35:39 | 0:35:40 | |
It's a full-blown stroke. It happens when blood can't get to the brain. | 0:35:40 | 0:35:44 | |
-Is that cos of the sickle cell? -Yeah. | 0:35:44 | 0:35:46 | |
Do you think I'm wrong, not wanting to do the transplant? | 0:35:46 | 0:35:49 | |
No, I get it, but at the same time, | 0:35:49 | 0:35:51 | |
when you care about somebody, something's got to give, hasn't it? | 0:35:51 | 0:35:55 | |
How would you feel watching him get sicker, seeing crisis after crisis, | 0:35:55 | 0:35:59 | |
knowing that you could have done something to help? | 0:35:59 | 0:36:02 | |
I have to explain. | 0:36:08 | 0:36:10 | |
-At the time, I didn't think I had a choice. -You always had a choice. | 0:36:10 | 0:36:14 | |
Talia, let her talk. | 0:36:14 | 0:36:15 | |
You have a baby, a tiny little bundle in your arms | 0:36:18 | 0:36:21 | |
and they tell you he's ill | 0:36:21 | 0:36:23 | |
and that he might spend the rest of his life being ill | 0:36:23 | 0:36:26 | |
and there's nothing you can do about it. | 0:36:26 | 0:36:29 | |
Every day, you watch your baby in pain. | 0:36:30 | 0:36:34 | |
You have to live with it. | 0:36:34 | 0:36:36 | |
And then someone says there might be a way to stop it, | 0:36:36 | 0:36:39 | |
a way to stop him being ill. | 0:36:39 | 0:36:41 | |
Well, there was no choice. | 0:36:41 | 0:36:44 | |
If we could... | 0:36:44 | 0:36:46 | |
..we would. | 0:36:47 | 0:36:48 | |
We did. | 0:36:50 | 0:36:52 | |
OK. OK. | 0:36:54 | 0:36:55 | |
He's in an underground car park in...Albany House. | 0:36:58 | 0:37:03 | |
It's on the Nearmead estate. | 0:37:03 | 0:37:05 | |
Yeah, Lenny Lyons, 079... | 0:37:05 | 0:37:08 | |
-Don't let me die, please. -Yeah, that's the one. Thank you. | 0:37:08 | 0:37:10 | |
Right, you've got an ambulance on the way. | 0:37:11 | 0:37:14 | |
I swear I didn't touch her. | 0:37:14 | 0:37:17 | |
She's just a little girl, man. What are you playing at? | 0:37:17 | 0:37:20 | |
I'm sorry. | 0:37:20 | 0:37:22 | |
She... She... | 0:37:22 | 0:37:23 | |
HE CHOKES | 0:37:23 | 0:37:25 | |
Linda. | 0:37:25 | 0:37:27 | |
Linda! | 0:37:27 | 0:37:29 | |
-He's got an occluded airway. He's not getting any breath. -Is it an FB? | 0:37:30 | 0:37:33 | |
I don't know, I can't see anything | 0:37:33 | 0:37:35 | |
-but I don't think so. -There's bruising to the throat. | 0:37:35 | 0:37:38 | |
I think it's a tracheal oedema. He needs a surgical airway. | 0:37:38 | 0:37:40 | |
-The ambulance is on its way, yeah? -He won't last that long. | 0:37:40 | 0:37:43 | |
Then, we have to do something. | 0:37:43 | 0:37:46 | |
-With what equipment? We have nothing. -Well, we have to. | 0:37:46 | 0:37:48 | |
I'm going to need a knife, then. Something sharp. | 0:37:51 | 0:37:54 | |
-I've got nail scissors. -They'll do. | 0:37:54 | 0:37:56 | |
Linda, it ain't going to be pretty. | 0:38:00 | 0:38:02 | |
I need a straw as well. | 0:38:03 | 0:38:05 | |
-A straw? -Something for the tracheal tube. -This won't work, will it? | 0:38:05 | 0:38:08 | |
It better work, cos if we attempt it and it doesn't work, | 0:38:08 | 0:38:11 | |
someone will say we wanted him dead. | 0:38:11 | 0:38:12 | |
If you don't attempt, it's the same thing. I've got a pen. | 0:38:12 | 0:38:15 | |
That'll do. Take the ink out and give me the tube. | 0:38:15 | 0:38:17 | |
Come on! | 0:38:19 | 0:38:21 | |
I've seen sharper butter knives. | 0:38:22 | 0:38:24 | |
There we go. | 0:38:25 | 0:38:27 | |
-This isn't deep enough. -Just make it deeper. | 0:38:30 | 0:38:32 | |
Right, you got the tube? | 0:38:38 | 0:38:40 | |
Come on... | 0:38:41 | 0:38:43 | |
Right. | 0:38:44 | 0:38:46 | |
Nothing. | 0:38:51 | 0:38:53 | |
He's breathing. | 0:38:55 | 0:38:57 | |
HE GASPS, GURGLES | 0:38:57 | 0:38:59 | |
I don't know what the hold-up is. He's 18 and he's having a stroke. | 0:39:01 | 0:39:04 | |
Hey, bruv. | 0:39:04 | 0:39:06 | |
You need to stop doing that, bruv. | 0:39:09 | 0:39:11 | |
-You might think it's boom but it's not. -Right, up for MRI now. | 0:39:11 | 0:39:14 | |
-We need to inform the Stroke Unit ASAP. -I'll do that. | 0:39:14 | 0:39:17 | |
Look...I just want you to know, I'm here for you, bruv. | 0:39:18 | 0:39:22 | |
I'm down for whatever, you get me? | 0:39:22 | 0:39:25 | |
-If I've got it, take it. -No, no... | 0:39:25 | 0:39:28 | |
Yes. You're only saying no cos you think that's what I want, | 0:39:28 | 0:39:31 | |
but it ain't. | 0:39:31 | 0:39:34 | |
I love you, bruv. | 0:39:34 | 0:39:35 | |
OK, this is why the leaving do is cancelled, then, eh? | 0:39:44 | 0:39:48 | |
Yeah, we thought this would be more fun. | 0:39:48 | 0:39:51 | |
Wow, what happened here? | 0:39:51 | 0:39:53 | |
He was hit by a boy racer. We did a bit of a DIY job. | 0:39:53 | 0:39:56 | |
-I can see that. -Looks like you saved his life. | 0:39:58 | 0:40:01 | |
But if it's OK, we'll get him in the ambulance and straighten this out. | 0:40:01 | 0:40:04 | |
-Got a name? -He uses a website, goes by the name of Jason. | 0:40:04 | 0:40:07 | |
-That's all I know. -Jason. Jason! | 0:40:07 | 0:40:09 | |
Jason, can you hear me, mate? I'm a paramedic. | 0:40:09 | 0:40:12 | |
Going to get you to Holby ED as quickly as we can, OK? | 0:40:12 | 0:40:16 | |
-Dixie, could you do me a favour? -Yeah, course I can. | 0:40:16 | 0:40:18 | |
Will you take him to St James's? | 0:40:18 | 0:40:20 | |
-Yeah, but Holby's closer. -I know, | 0:40:20 | 0:40:23 | |
but I have to take Britney back to the ED with me. | 0:40:23 | 0:40:26 | |
-OK, fine. -Yeah, thanks. | 0:40:26 | 0:40:28 | |
-Where is she? -She's in the car. | 0:40:30 | 0:40:32 | |
She all right? | 0:40:32 | 0:40:34 | |
She's pretty shook up. | 0:40:34 | 0:40:35 | |
OK. | 0:40:35 | 0:40:37 | |
Ah, brilliant. I'll let the family know. Thank you. | 0:40:51 | 0:40:54 | |
Hey! Scarlett. | 0:41:00 | 0:41:02 | |
I think you should know that Sheila works at Coffee Love. | 0:41:02 | 0:41:06 | |
What?! | 0:41:06 | 0:41:07 | |
I just wanted you two to meet again. | 0:41:07 | 0:41:10 | |
Oh, so we find ourselves in the same room | 0:41:10 | 0:41:13 | |
and I say, "Oh my, what a coincidence! | 0:41:13 | 0:41:15 | |
"While I'm here, I should apologise for my rude behaviour"? | 0:41:15 | 0:41:18 | |
-I don't want you to apologise. -What DO you want? | 0:41:18 | 0:41:20 | |
For you to give my family a proper go, before rejecting them. | 0:41:20 | 0:41:23 | |
-So your whole family's going to be there to ambush me? -No, just Sheila. | 0:41:23 | 0:41:26 | |
She's like the soft option, where my family's concerned. | 0:41:26 | 0:41:29 | |
Look, I'd like you to like them. | 0:41:29 | 0:41:30 | |
If it doesn't work, then fine. But I'd like to try. | 0:41:30 | 0:41:33 | |
-See that? -LINDA LAUGHS | 0:41:39 | 0:41:41 | |
Where's Britney? | 0:41:43 | 0:41:45 | |
-She's in Tess's office with the police. -You not staying with her? | 0:41:45 | 0:41:49 | |
She didn't want me to. | 0:41:49 | 0:41:51 | |
Kids and the internet, eh? Dangerous world. | 0:41:51 | 0:41:54 | |
Yeah, I know. | 0:41:54 | 0:41:56 | |
-You know I'm always on the end of the phone. -I know. | 0:41:57 | 0:42:01 | |
You did a good job today. | 0:42:01 | 0:42:03 | |
We did what we had to do, eh? | 0:42:05 | 0:42:07 | |
KNOCK AT DOOR | 0:42:10 | 0:42:12 | |
Come in here. | 0:42:13 | 0:42:15 | |
-You all right? Yeah? -Yeah. | 0:42:19 | 0:42:22 | |
I'll give you a minute. | 0:42:23 | 0:42:25 | |
Come on. Sit down. | 0:42:25 | 0:42:28 | |
What an idiot! | 0:42:28 | 0:42:30 | |
It's all over now. | 0:42:30 | 0:42:32 | |
What did you tell the police? | 0:42:33 | 0:42:35 | |
The truth. | 0:42:36 | 0:42:37 | |
And what did they say? | 0:42:37 | 0:42:39 | |
That I was brave. | 0:42:39 | 0:42:41 | |
But I wasn't brave. | 0:42:41 | 0:42:43 | |
I'm sorry I hit you. | 0:42:45 | 0:42:46 | |
So am I. | 0:42:46 | 0:42:48 | |
I won't do it again | 0:42:48 | 0:42:49 | |
and I won't do anything as stupid as this again, I promise. | 0:42:49 | 0:42:53 | |
How about I don't hold my breath? | 0:42:53 | 0:42:55 | |
-This time it's different. -Why? | 0:42:55 | 0:42:58 | |
Why's it different? | 0:42:58 | 0:42:59 | |
-You came after me. -You didn't think I would? | 0:42:59 | 0:43:02 | |
I didn't know, but now I do. | 0:43:02 | 0:43:04 | |
You and Joe mean more than anything to me. | 0:43:06 | 0:43:09 | |
But this is all new to me, I've not done it before. | 0:43:09 | 0:43:12 | |
-So you have to help me, not fight me, OK? -I will, I promise. | 0:43:12 | 0:43:16 | |
Hi. Hi. Um, | 0:43:24 | 0:43:26 | |
just so you know, the neurosurgeons have seen Matthew's scan and they have a bed for him. | 0:43:26 | 0:43:30 | |
Thank you. | 0:43:30 | 0:43:32 | |
Where are you going? | 0:43:38 | 0:43:39 | |
-I'm going to stay with Talia. -Look, Georgie... -Mum, please. | 0:43:39 | 0:43:43 | |
-I need some time to think. Sort my head out. -Georgie... | 0:43:43 | 0:43:47 | |
Don't punish us like this. | 0:43:48 | 0:43:51 | |
I'm not punishing you, Mum. | 0:43:51 | 0:43:53 | |
I'm just giving us all some space. That's all. | 0:43:53 | 0:43:56 | |
What's up? Is it Britney? | 0:44:10 | 0:44:13 | |
No. She's in the on-call room, all tucked up in bed, safe and sound. | 0:44:13 | 0:44:17 | |
I'd kind of like to be tucked up in my own bed, safe and sound, Linda. | 0:44:17 | 0:44:21 | |
-What's so important? -You know today when we found Britney? -Yeah? | 0:44:21 | 0:44:24 | |
-How did that feel? -It was good. Why? | 0:44:24 | 0:44:27 | |
-Because you care about her. -Yeah... | 0:44:27 | 0:44:30 | |
And you'd like other people to have that feeling too? | 0:44:30 | 0:44:33 | |
Yeah, of course. | 0:44:33 | 0:44:35 | |
Well, here's your chance. | 0:44:35 | 0:44:37 | |
-ALL: -Surprise! | 0:44:37 | 0:44:39 | |
They weren't going to let you go quietly. | 0:44:39 | 0:44:43 | |
Those not working, champagne, those working, orange juice. | 0:44:43 | 0:44:46 | |
Me and you - definitely champagne. | 0:44:46 | 0:44:48 | |
There you go. | 0:44:48 | 0:44:49 | |
Linda... | 0:44:49 | 0:44:52 | |
So I think it would be nice to see Sheila, | 0:44:56 | 0:45:00 | |
but not because I was tricked. | 0:45:00 | 0:45:02 | |
That's cool, no pressure. | 0:45:02 | 0:45:05 | |
-Just let me know when. -Good. | 0:45:05 | 0:45:07 | |
Sorry. | 0:45:08 | 0:45:10 | |
Me too. | 0:45:10 | 0:45:11 | |
OK, toast, I think. | 0:45:11 | 0:45:13 | |
Doctors come and doctors go. Some doctors you're very happy to see the back of. | 0:45:13 | 0:45:18 | |
Mentioning no names. Others you're happy to bump into further down the road, | 0:45:18 | 0:45:23 | |
and then there is this man, | 0:45:23 | 0:45:25 | |
a doctor who... | 0:45:25 | 0:45:26 | |
who will be sorely missed. | 0:45:26 | 0:45:28 | |
And pathology's gain is our loss. | 0:45:29 | 0:45:32 | |
And remember, don't take any backchat off those dead bodies. | 0:45:32 | 0:45:35 | |
LAUGHTER | 0:45:35 | 0:45:38 | |
Lenny Lyons. | 0:45:38 | 0:45:39 | |
CHEERING | 0:45:39 | 0:45:41 | |
-Go on, Lenny. Speech. -Yeah, speech! | 0:45:43 | 0:45:45 | |
-Come on, man! -Speech! | 0:45:45 | 0:45:48 | |
-Speech! -Speech! -Speech! | 0:45:48 | 0:45:49 | |
Aye, all right, all right! | 0:45:51 | 0:45:53 | |
Right, well, um, firstly, | 0:45:53 | 0:45:55 | |
how the hell does someone get to this age without realising | 0:45:55 | 0:45:58 | |
that surprises, they're pretty cool! | 0:45:58 | 0:46:02 | |
More importantly, | 0:46:05 | 0:46:07 | |
guys, thank you. You've been colleagues, you've been friends. | 0:46:07 | 0:46:11 | |
You've been family, which some of you will know is something | 0:46:11 | 0:46:14 | |
that I've not exactly had a lot of in the past | 0:46:14 | 0:46:17 | |
and, uh... | 0:46:17 | 0:46:19 | |
I'm kind of scared to let go of. | 0:46:19 | 0:46:21 | |
But...anyway, thank you. Um... | 0:46:21 | 0:46:24 | |
Yeah, thank you. | 0:46:26 | 0:46:28 | |
-To you guys. To the ED. -To you, Lenny! | 0:46:28 | 0:46:31 | |
-Cheers, Lenny! -Cheers! | 0:46:31 | 0:46:33 | |
CHEERING, APPLAUSE | 0:46:33 | 0:46:34 | |
To the future. | 0:46:34 | 0:46:36 | |
Thank you. | 0:46:36 | 0:46:38 | |
CHAT CONTINUES INSIDE | 0:46:41 | 0:46:42 | |
MUSIC PLAYS: "Palaces of Montezuma" by Grinderman | 0:46:42 | 0:46:45 | |
# Come on, baby, let's get out of the cold | 0:47:04 | 0:47:08 | |
# And give me, give me, give me your precious love for me to hold | 0:47:11 | 0:47:17 | |
# Come on, baby, come out of the cold... # | 0:47:22 | 0:47:26 | |
SIREN WAILS | 0:47:26 | 0:47:29 | |
Subtitles by Red Bee Media Ltd | 0:47:50 | 0:47:56 |