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Control, this is Tango 354 on call 43. | 0:00:37 | 0:00:40 | |
I'm at the location given. Over. | 0:00:40 | 0:00:42 | |
SIREN WAILING | 0:00:42 | 0:00:43 | |
Is this him, the "drowning man"? | 0:00:52 | 0:00:55 | |
I take it I'm not needed then? | 0:00:56 | 0:00:58 | |
No, sorry mate. | 0:00:58 | 0:00:59 | |
Right now, we're 'ere to make the council wake up | 0:01:03 | 0:01:08 | |
and give the people who run Warley Point the funds they need. | 0:01:08 | 0:01:12 | |
-Yeah! Hear! Hear! -Now, I'm not talking about luxuries, | 0:01:12 | 0:01:15 | |
like colour tellies and fancy food... | 0:01:15 | 0:01:18 | |
-Are you absolutely sure you're up to this? -I'm fine, honestly. | 0:01:18 | 0:01:21 | |
-You've got your mobile? -Matt, stop fussing. | 0:01:21 | 0:01:24 | |
Well, decent turn-out. | 0:01:24 | 0:01:26 | |
Very decent. | 0:01:26 | 0:01:28 | |
You definitely haven't seen HIM? | 0:01:31 | 0:01:33 | |
Not for days. | 0:01:33 | 0:01:35 | |
-Right-ho, let's get started then, come on... -I'll leave you to it. | 0:01:35 | 0:01:39 | |
-Get some sleep. -..we're off! | 0:01:39 | 0:01:41 | |
THEY CHEER | 0:01:41 | 0:01:43 | |
# Bless them all | 0:01:45 | 0:01:47 | |
# Bless them all | 0:01:47 | 0:01:49 | |
# The long and the short and the tall... # | 0:01:49 | 0:01:52 | |
# It's a long way... # | 0:01:59 | 0:02:00 | |
Can we please get a move on! | 0:02:00 | 0:02:03 | |
# It's a long way to Tipperary | 0:02:03 | 0:02:06 | |
# To the sweetest girl I know... # | 0:02:06 | 0:02:10 | |
It's your fault! You told me it's... | 0:02:15 | 0:02:17 | |
I know it's cold outside, but you know this isn't a hostel. | 0:02:17 | 0:02:20 | |
-You know it's not a pub... -Bleurgh! | 0:02:20 | 0:02:23 | |
Ho-ho! You're getting slow, gramps! | 0:02:23 | 0:02:25 | |
You're going to love the night shift. It has a charm all it's own. | 0:02:25 | 0:02:29 | |
-About as charming as a rectal probe(!) -Getcher hands off... | 0:02:29 | 0:02:32 | |
I thought this was supposed to be a gentle stroll, | 0:02:34 | 0:02:37 | |
not a flamin' death march! | 0:02:37 | 0:02:40 | |
# Pack up your troubles in your old kit bag | 0:02:40 | 0:02:44 | |
# And smile, smile, sm... # | 0:02:44 | 0:02:46 | |
ARGH! | 0:02:46 | 0:02:48 | |
-What happened? -My back's gone. | 0:02:49 | 0:02:52 | |
-Listen to me, erm, er... -It's Stan. | 0:02:52 | 0:02:54 | |
-Stan. -Just get me on my feet. | 0:02:54 | 0:02:57 | |
Argh! Oh, oh, ooh... | 0:02:57 | 0:03:00 | |
Er, er... | 0:03:00 | 0:03:02 | |
I'll call... I'll call an ambulance. | 0:03:02 | 0:03:04 | |
Ooh, ah! | 0:03:04 | 0:03:06 | |
Oh, there's no signal! | 0:03:09 | 0:03:11 | |
Er, er... | 0:03:12 | 0:03:14 | |
Hey, ambulance. | 0:03:14 | 0:03:16 | |
I-I'm with someone, he's e-elderly and I-I... | 0:03:16 | 0:03:19 | |
He's fallen over and I-I-I think he might have broken his hip. | 0:03:19 | 0:03:22 | |
Er... | 0:03:22 | 0:03:24 | |
He can't...move. | 0:03:24 | 0:03:26 | |
KNOCK ON DOOR | 0:03:31 | 0:03:32 | |
Dr Hanna? | 0:03:32 | 0:03:34 | |
The ambulance has just gone out for a serious spinal injury. | 0:03:34 | 0:03:38 | |
PAGER BEEPS | 0:03:39 | 0:03:40 | |
-Oh, you have -got -to be kidding me! | 0:03:44 | 0:03:46 | |
-OK, people, let's make a bit of room. -Stay back please, thank you. | 0:03:57 | 0:04:01 | |
Thank you. | 0:04:01 | 0:04:03 | |
OK, hello, I'm Dr Hanna. Can you hear me? | 0:04:03 | 0:04:05 | |
Can you move your feet for me? | 0:04:05 | 0:04:08 | |
Pulse 80. BP over 90. | 0:04:08 | 0:04:11 | |
We're going to get you some pain relief and get you to hospital, OK. | 0:04:11 | 0:04:14 | |
I'll get the morphine. Collar and board him. | 0:04:14 | 0:04:17 | |
-Find out who's in charge. -What's his name again? | 0:04:17 | 0:04:19 | |
-Can someone tell me who's in charge please? -Ok, Stan... | 0:04:19 | 0:04:22 | |
See, this outfit's working for me. Very Spandau Ballet! | 0:04:24 | 0:04:28 | |
Bit before my time that. | 0:04:28 | 0:04:29 | |
-What are you doing here? -I'm on call. What are you doing here? | 0:04:29 | 0:04:33 | |
I'm a BASICS volunteer. | 0:04:33 | 0:04:34 | |
Ha! You're joking? | 0:04:34 | 0:04:37 | |
Interesting. | 0:04:37 | 0:04:38 | |
I had you down more as a, "what's in it for me?", kind of guy. | 0:04:38 | 0:04:41 | |
Somebody's got to do it. | 0:04:41 | 0:04:42 | |
People insist on getting into scrapes at unsociable hours. | 0:04:42 | 0:04:45 | |
What's with the glasses? | 0:04:45 | 0:04:47 | |
Before you make some joke, I didn't have time to put my lenses in. | 0:04:47 | 0:04:50 | |
-They're horrible. -I was going to say they're nice. -Really? | 0:04:50 | 0:04:53 | |
-No. -Why are you here? -What, is this it? | 0:04:53 | 0:04:56 | |
-Yes. -Chinese whispers. | 0:04:56 | 0:04:59 | |
Control gets half a dozen hysterical calls... | 0:04:59 | 0:05:01 | |
Oh! I could be at home in bed now. | 0:05:01 | 0:05:04 | |
Organiser's over there, walkers said she was pushing them too hard. | 0:05:04 | 0:05:08 | |
-What's her version? -Why don't you go find out? | 0:05:08 | 0:05:11 | |
Ha, good luck, she's a bit loopy to be honest. A bit hyped up. | 0:05:11 | 0:05:14 | |
SHE WHIMPERS | 0:05:46 | 0:05:48 | |
SHE WHIMPERS | 0:05:50 | 0:05:52 | |
SHE WHIMPERS | 0:05:54 | 0:05:55 | |
OK, OK, I'm a doctor, I'm a doctor, I'm here to help you! | 0:05:59 | 0:06:02 | |
Calm down, I'm here to help you. CALM DOWN! | 0:06:02 | 0:06:06 | |
OK? | 0:06:06 | 0:06:07 | |
OK? I'm a doctor? | 0:06:07 | 0:06:08 | |
Right, you've hurt your leg very badly. | 0:06:08 | 0:06:10 | |
I need you to keep still, or you're going to make it worse. | 0:06:10 | 0:06:13 | |
-(Where is he?) -OK? | 0:06:13 | 0:06:15 | |
Where's he gone? | 0:06:15 | 0:06:17 | |
Hello, this is Tango 354. | 0:06:17 | 0:06:20 | |
I have a female...about 40, she's had a fall of approximately 20 feet. | 0:06:20 | 0:06:25 | |
Keep still! | 0:06:26 | 0:06:28 | |
-We're just going to let him sleep it off. -Don't we need to work out what's wrong? | 0:06:28 | 0:06:32 | |
-He's drunk, that's what's wrong. -Doesn't he need IV fluids? | 0:06:32 | 0:06:35 | |
Plus, we should take blood for LFT's and what about a chest x-ray? | 0:06:35 | 0:06:39 | |
OK. First, he's had all the tests done already. | 0:06:39 | 0:06:42 | |
He's here every couple of months with the same thing. | 0:06:42 | 0:06:44 | |
In winter he lives here, how's the leg? | 0:06:44 | 0:06:47 | |
-Er, it's itchy... -Yeah, but his condition could have worsened. | 0:06:47 | 0:06:50 | |
-What colour is he? -What's his colour got to do with anything? | 0:06:50 | 0:06:53 | |
I mean, is he yellow? Is he jaundiced? | 0:06:53 | 0:06:56 | |
Er, he's not blue as well, so his airway's fine and his BM's normal. | 0:06:56 | 0:07:00 | |
Roll him on his side and let him sleep it off. Thank you... | 0:07:00 | 0:07:03 | |
I take it the, er, the mentoring lark is wearing a bit thin? | 0:07:03 | 0:07:07 | |
This guy just needs to be brought down a peg or two, seriously. | 0:07:07 | 0:07:10 | |
It's itchy...itchy... | 0:07:10 | 0:07:13 | |
Lovely singing voice, Stan, give us another one! | 0:07:13 | 0:07:16 | |
Please, take him to cubicles. | 0:07:16 | 0:07:19 | |
All right. | 0:07:19 | 0:07:20 | |
-Sorry, are we keeping you up? -Oh, I'll have you know I'm flat out, Zoe. | 0:07:20 | 0:07:24 | |
Yeah, so I can see. | 0:07:24 | 0:07:25 | |
-Oh, my grandma used to have specs like those. -Oh, very funny! | 0:07:25 | 0:07:29 | |
Sexy glasses! | 0:07:29 | 0:07:30 | |
And suddenly everyone's a comedian. | 0:07:30 | 0:07:32 | |
I wish I'd stayed in bed. | 0:07:32 | 0:07:34 | |
Actually buddy, there is something you can do for him. Come here. | 0:07:34 | 0:07:38 | |
Lay on a... | 0:07:38 | 0:07:41 | |
cleaning trolley, plenty of large surgipads and take the air freshener in with you. | 0:07:41 | 0:07:45 | |
-That leg's going to need cleaning up. It's down to us. -Us? -You. | 0:07:45 | 0:07:49 | |
STAN MUMBLES | 0:07:52 | 0:07:54 | |
Go and get yourself cleaned up. | 0:08:19 | 0:08:22 | |
-Then come into my office and tell me what's been going on. -OK. | 0:08:22 | 0:08:26 | |
-He shouldn't have left Lloyd to deal with Ivan on his own. -He's playing games. | 0:08:27 | 0:08:31 | |
I'll give him games. | 0:08:31 | 0:08:34 | |
Right then, Ivan, let's have a look at that leg of yours. | 0:08:34 | 0:08:38 | |
-Staff Nurse Faldren! -Yeah! | 0:08:40 | 0:08:42 | |
OK, let's have a look. | 0:08:42 | 0:08:44 | |
-Ruth! -Erm, what do we do? -Just get the door, yeah? | 0:08:44 | 0:08:48 | |
-Come on, this way. -OK, let's get you through to resus. | 0:08:48 | 0:08:51 | |
I've got ya'. | 0:08:51 | 0:08:52 | |
-What's happening to me? -You're in safe hands, Rachel. | 0:08:52 | 0:08:55 | |
-You! -I'm new. | 0:08:55 | 0:08:57 | |
Never mind that. | 0:08:57 | 0:08:58 | |
He's having problems breathing. | 0:09:01 | 0:09:03 | |
Yep, absent breath sounds on the left. | 0:09:05 | 0:09:08 | |
It's a pneumothorax. You have a collapsed lung. | 0:09:08 | 0:09:12 | |
OK, let's have a look at this. Arm's pierced right through. | 0:09:12 | 0:09:16 | |
-Bone's been shattered. -OK, sit him forward. | 0:09:16 | 0:09:18 | |
Right, I want 6 units cross matched immediately. And a FAST scan to exclude any pericardial trauma. | 0:09:18 | 0:09:24 | |
It's a pity neither of your mentees are here to watch. | 0:09:24 | 0:09:29 | |
OK, back. | 0:09:29 | 0:09:31 | |
She has a bi-malleolar fracture of the ankle and the calcaneum's been smashed. | 0:09:34 | 0:09:41 | |
GCS was 15 throughout. | 0:09:41 | 0:09:43 | |
I have given her 5 mgs of morphine and an anti-emetic. | 0:09:43 | 0:09:45 | |
But, er, no sign of head trauma. | 0:09:45 | 0:09:47 | |
Thank you, doctor. | 0:09:49 | 0:09:50 | |
Sorry, Rachel, I know this is a bit uncomfortable, but we have to clean the wounds as a first step. | 0:09:58 | 0:10:04 | |
And that's about it. Well done, Scarlett. | 0:10:04 | 0:10:06 | |
We've increased your pain relief to make you feel more comfortable. | 0:10:06 | 0:10:10 | |
And we've contacted your husband. | 0:10:10 | 0:10:12 | |
When you fell, you landed in an upright position and crushed your ankle, you understand? | 0:10:12 | 0:10:18 | |
She was being followed, by a man. | 0:10:18 | 0:10:19 | |
You're safe now. | 0:10:19 | 0:10:21 | |
And you sustained serious lower leg injuries, we're going to need to get you soon to emergency surgery. | 0:10:21 | 0:10:27 | |
But, I'll be all right, though? | 0:10:27 | 0:10:28 | |
-Eventually. Hopefully. Have you eaten recently? -Indian. It was, er... | 0:10:28 | 0:10:34 | |
-Tonight? -I really wouldn't know. She'll have to wait till morning for the operation. | 0:10:34 | 0:10:39 | |
In the meantime let's get a back slab on that leg. | 0:10:39 | 0:10:42 | |
And get her up to CDU, thank you. | 0:10:42 | 0:10:44 | |
Thank you, Doctor. | 0:10:44 | 0:10:46 | |
Thank you, Doctor. | 0:10:46 | 0:10:50 | |
Thanks. | 0:10:50 | 0:10:52 | |
Breathing a little better? | 0:10:53 | 0:10:55 | |
Well, enough to tell us your name? | 0:10:55 | 0:10:58 | |
L-Luke...Mason. I need to call the police. | 0:10:58 | 0:11:01 | |
They've been contacted. Someone will be here soon. | 0:11:01 | 0:11:04 | |
Can you tell us what happened? | 0:11:04 | 0:11:06 | |
I was attacked by the university, they tried to rob me. | 0:11:06 | 0:11:08 | |
-I should have just given them the cash. -That's what I'd have done. | 0:11:08 | 0:11:12 | |
But I just snapped. | 0:11:12 | 0:11:14 | |
I thought, no, you'll have to fight me. | 0:11:14 | 0:11:16 | |
Then I heard this bang, and, and I look down and there's this hole in my arm. | 0:11:16 | 0:11:20 | |
I grabbed one guy but the other one got away. | 0:11:20 | 0:11:22 | |
I was so fired up, you know, I didn't feel any pain. | 0:11:22 | 0:11:26 | |
And the next thing I just couldn't breathe and, er, that's it really. | 0:11:26 | 0:11:30 | |
-Who brought you to hospital? -Me. I- I walked it. | 0:11:30 | 0:11:33 | |
Huh! It's a hell of a long walk, man! | 0:11:33 | 0:11:36 | |
How serious is it? | 0:11:36 | 0:11:38 | |
Very, Luke. | 0:11:38 | 0:11:39 | |
You have a large nail embedded in your chest. | 0:11:39 | 0:11:43 | |
-A nail? -It's passed through your lung and it's lying close to your heart. | 0:11:43 | 0:11:47 | |
They attacked me with a nail gun? | 0:11:47 | 0:11:48 | |
I'd say so, yes. | 0:11:48 | 0:11:50 | |
Am I going to die? | 0:11:50 | 0:11:52 | |
Well, we can treat it but you're going to have to have an operation. | 0:11:52 | 0:11:55 | |
What kind of sicko attacks someone with a nail gun? | 0:11:57 | 0:12:00 | |
Hi, can you fast-bleep cardio-thorasics to resus, yep. | 0:12:02 | 0:12:06 | |
Oh, Jay, a word of advice, this is an ED, not a playground. | 0:12:06 | 0:12:09 | |
-It's not the right place for settling scores. -What are you talking about? | 0:12:09 | 0:12:13 | |
-That stunt earlier with Nurse Asike? -Oh, yeah, that was funny though. | 0:12:13 | 0:12:17 | |
You were being immature. | 0:12:17 | 0:12:18 | |
-Me, immature? -Hello? | 0:12:18 | 0:12:21 | |
-He started it. -Yeah, it's Dr Winters. | 0:12:21 | 0:12:23 | |
So this man who's been following you... | 0:12:23 | 0:12:25 | |
He wants to hurt me. | 0:12:25 | 0:12:28 | |
He's been in my house, in my bedroom. | 0:12:28 | 0:12:30 | |
-Everywhere I go, he's there. -Have you spoken to the police? | 0:12:30 | 0:12:33 | |
Not interested. | 0:12:33 | 0:12:35 | |
-Sorry, sorry. -Ah, Dr Lyons. | 0:12:37 | 0:12:40 | |
Yes? Oh, for me, right. What we got? Too much Barley Wine? | 0:12:40 | 0:12:44 | |
No, not exactly. The night staff at her nursing home found her having a haematemesis. | 0:12:44 | 0:12:49 | |
-OK. -And suffering severe abdominal pain. So they called us. | 0:12:49 | 0:12:52 | |
Looks like they did the right thing then. | 0:12:52 | 0:12:55 | |
It's not as simple as that exactly. | 0:12:55 | 0:12:57 | |
-She's made a living will. -So we need to respect her wishes. | 0:12:57 | 0:13:00 | |
Oh, no, no no. | 0:13:00 | 0:13:02 | |
-Right. -I shouldn't be here... | 0:13:02 | 0:13:05 | |
No... | 0:13:05 | 0:13:06 | |
OK, Luke, the X-ray and ultrasound confirmed the position of the nail. | 0:13:07 | 0:13:11 | |
It's gone into the heart, but it's not a problem. | 0:13:11 | 0:13:13 | |
Now we need some idea of your medical history so we can pass in on to the surgical team. | 0:13:13 | 0:13:18 | |
-Any allergies? -Not that I know of. -OK, are you on any medication? -No. | 0:13:18 | 0:13:21 | |
-What about this? It looks recent. -It was my appendix. | 0:13:21 | 0:13:24 | |
Were there complications? | 0:13:24 | 0:13:26 | |
Yeah. It was pretty serious. | 0:13:26 | 0:13:27 | |
OK. Was that done here? | 0:13:27 | 0:13:29 | |
No, Saint Lawrence's in Truro, that's where I'm from. | 0:13:29 | 0:13:32 | |
I love it there! Is there anyone you want us to call? | 0:13:32 | 0:13:35 | |
Sandy, the wife, she's pregnant, expecting twins. | 0:13:35 | 0:13:37 | |
Twins, eh? You are going to be busy. | 0:13:37 | 0:13:40 | |
She's been having a rough time of it recently. | 0:13:40 | 0:13:42 | |
I don't want to upset her or frighten her. I work nights. | 0:13:42 | 0:13:45 | |
-So I'll call her in the morning. -Cool. | 0:13:45 | 0:13:48 | |
-Nurse Faldren, can I have a word? Can you spare him? -Yeah. | 0:13:48 | 0:13:51 | |
Lloyd, I'd like you to assist Dr Winters. | 0:13:51 | 0:13:53 | |
It should be a good learning experience. | 0:13:53 | 0:13:55 | |
I thought you'd like to know I've cleaned up Ivan's leg and changed his dressing. | 0:14:01 | 0:14:06 | |
You shouldn't have left Lloyd to deal with that on his own. | 0:14:06 | 0:14:09 | |
I thought he was ready! | 0:14:09 | 0:14:11 | |
-Oh, come on, I know you weren't keen on mentoring Lloyd and Scarlett. -That's not true. | 0:14:11 | 0:14:16 | |
Perhaps you'd prefer it if I found someone more responsible? | 0:14:16 | 0:14:20 | |
Look, it's not that I don't want to do it, it's just... | 0:14:20 | 0:14:25 | |
Is that it? | 0:14:25 | 0:14:27 | |
Look, I don't know what he told you but he does not respect me. | 0:14:27 | 0:14:30 | |
And do you blame him? | 0:14:30 | 0:14:32 | |
Get back to work. | 0:14:34 | 0:14:36 | |
Right, Shirley, I know what you've written, but we're going to need to treat you. | 0:14:39 | 0:14:44 | |
Can you make the cancer go away? | 0:14:44 | 0:14:47 | |
Then I don't want any treatment. | 0:14:49 | 0:14:51 | |
This is a medical emergency, you're really not well. | 0:14:51 | 0:14:54 | |
No treatment. | 0:14:58 | 0:15:02 | |
No resuscitation. | 0:15:02 | 0:15:03 | |
Fine, I'll set you up with some pain medication that you can control yourself, OK? | 0:15:03 | 0:15:09 | |
-Where are you from? -Scotland. | 0:15:11 | 0:15:14 | |
-I know that, ya bampot. -Sorry, erm, I was born in Glasgow. | 0:15:14 | 0:15:20 | |
I'm from the Gorbals. | 0:15:20 | 0:15:22 | |
Yeah, so what brings you all the way down to Holby? | 0:15:22 | 0:15:25 | |
-Train? -Aye, me too. | 0:15:25 | 0:15:30 | |
Right, OK. | 0:15:31 | 0:15:33 | |
We'll get you moved as soon as possible. | 0:15:33 | 0:15:36 | |
Are you sure this is what you want? | 0:15:36 | 0:15:39 | |
What I want is to be in my own bed with my own things. | 0:15:39 | 0:15:44 | |
I had it all planned, even the music. | 0:15:44 | 0:15:48 | |
Can I ring your family for you? | 0:15:49 | 0:15:51 | |
I'm 90. Everyone I care about's already gone. | 0:15:51 | 0:15:56 | |
I've outlived my own children. | 0:15:56 | 0:16:00 | |
I know what's happening to me and I'm ready for it. | 0:16:00 | 0:16:05 | |
I'm not scared. | 0:16:05 | 0:16:06 | |
Right, Shirley, we're got you a place on a ward. | 0:16:06 | 0:16:09 | |
Be a bit quieter and a bit more comfortable for you there. | 0:16:09 | 0:16:13 | |
I want to stay here. Listen to the folk. | 0:16:13 | 0:16:16 | |
Well, at least let me get you another pillow | 0:16:18 | 0:16:21 | |
and something more comfy to lie on than this trolley. OK? | 0:16:21 | 0:16:25 | |
-Your patient. Erm, Stan? -Yeah? | 0:16:30 | 0:16:32 | |
Mrs Greer would like to know how he's doing? | 0:16:32 | 0:16:35 | |
He's got severe contusions to his lower back. | 0:16:35 | 0:16:37 | |
Hello, Mrs Greer, I'm Dr Hanna. Stan's got some bruising. | 0:16:37 | 0:16:42 | |
-It looks a sight but he's fine really. No broken bones. -Thanks. | 0:16:42 | 0:16:46 | |
If you need anything, we'll just be outside. | 0:16:46 | 0:16:49 | |
What are you still doing here anyway? | 0:16:57 | 0:17:02 | |
I thought you'd be tucked up in bed? | 0:17:02 | 0:17:04 | |
Sleep's overrated. | 0:17:04 | 0:17:06 | |
-You wouldn't lend me a pound, would you? -No. | 0:17:31 | 0:17:34 | |
You really can't relate to people can you? I mean this is not an act. | 0:17:35 | 0:17:39 | |
Lend me a pound! I need some chocolate. | 0:17:39 | 0:17:41 | |
You insult me with one hand and with the other you try and cadge money from me? | 0:17:41 | 0:17:44 | |
You are incredible. | 0:17:44 | 0:17:46 | |
So I'm repeatedly told. | 0:17:46 | 0:17:48 | |
It was not a compliment. | 0:17:48 | 0:17:49 | |
Oh, come on. | 0:17:49 | 0:17:51 | |
I want the change! | 0:17:57 | 0:17:58 | |
Thank you. | 0:17:58 | 0:18:00 | |
SHE SCREAMS | 0:18:16 | 0:18:20 | |
OK! What's wrong? It's OK, it's OK, there's no-one there. | 0:18:24 | 0:18:27 | |
-He was here! -Calm down, calm down. | 0:18:27 | 0:18:29 | |
What's going on? | 0:18:29 | 0:18:30 | |
Have you seen anybody? | 0:18:30 | 0:18:32 | |
-No, who? -Who was here? Who's here? | 0:18:32 | 0:18:36 | |
He was here. | 0:18:36 | 0:18:38 | |
Lie back down for me, lie back down for me. | 0:18:38 | 0:18:40 | |
It's OK, there's nobody here. | 0:18:40 | 0:18:42 | |
-Will you stay with her. I'll call security. -Sure. | 0:18:42 | 0:18:45 | |
It's OK, Mrs Greer, I'm going to give you something relax you. OK? | 0:18:45 | 0:18:49 | |
Your bag? | 0:18:52 | 0:18:53 | |
Chlorpromazine. Is this on prescription? | 0:18:59 | 0:19:02 | |
Hey, Jay. The kid with the nail in him. What's that all about? | 0:19:02 | 0:19:06 | |
Get this, right. Attacked by some kids in the park with a nail gun. | 0:19:06 | 0:19:10 | |
Puts up a fight and bang! | 0:19:10 | 0:19:12 | |
-Hey, Charlie? -Yeah? | 0:19:12 | 0:19:14 | |
Did you organise a bed for Shirley? | 0:19:14 | 0:19:16 | |
She's refused it. | 0:19:16 | 0:19:19 | |
What, so she just gets to die there? That's...nice. | 0:19:19 | 0:19:22 | |
She doesn't want us to treat her. | 0:19:22 | 0:19:24 | |
All that's left is for us to care for her. | 0:19:24 | 0:19:27 | |
And if that's what she wants. | 0:19:27 | 0:19:29 | |
Hey, Charlie, is the number for Shirley's care home in her file? | 0:19:29 | 0:19:33 | |
Yes. Ah, Scarlett. | 0:19:33 | 0:19:34 | |
Let's get a couple more ticks on your competency form. | 0:19:34 | 0:19:37 | |
I've got a nasty rash and a pre-tibial laceration with skin loss for steri strips. | 0:19:37 | 0:19:44 | |
Sounds terrifying. | 0:19:44 | 0:19:46 | |
You'll be fine. | 0:19:46 | 0:19:47 | |
And you didn't get a good look at them? | 0:19:47 | 0:19:50 | |
Like I said, it all happened so fast. | 0:19:50 | 0:19:52 | |
-What about the guy who whacked you? -Yeah, him. He was, er white. | 0:19:52 | 0:19:55 | |
Um-hm. Anything else? | 0:19:55 | 0:19:57 | |
It's all a bit hazy. | 0:19:57 | 0:19:58 | |
Well, you've been very helpful. | 0:19:58 | 0:20:00 | |
I think he needs to rest now. I'll see you out, OK? | 0:20:04 | 0:20:07 | |
I'll get somebody over to where it happened, maybe I can find some witnesses. | 0:20:07 | 0:20:12 | |
-Can I help you? -Er, I'm here to see Rachel Greer. | 0:20:16 | 0:20:20 | |
Who let you through here? | 0:20:20 | 0:20:22 | |
Look, I'm just here to see my wife. | 0:20:22 | 0:20:24 | |
I've had a message that she's been in an accident. | 0:20:24 | 0:20:26 | |
You're her husband? Can I see some ID, please? | 0:20:26 | 0:20:29 | |
Er, yes. | 0:20:29 | 0:20:31 | |
Um, Matthew Greer, Matt Greer... | 0:20:31 | 0:20:35 | |
Right, OK, thank you. | 0:20:35 | 0:20:37 | |
Your wife has had a very serious fall. | 0:20:40 | 0:20:44 | |
It seems she was being followed, we think the man may still be here in the hospital. | 0:20:44 | 0:20:48 | |
-Look, there is no man. -What? | 0:20:48 | 0:20:51 | |
-He doesn't exist. -She's making this up? | 0:20:51 | 0:20:53 | |
No. Not in the way that you mean. | 0:20:53 | 0:20:56 | |
Look, I mean there is a man, for Rachel he's real...absolutely, completely, 100% real. | 0:20:56 | 0:21:04 | |
All I know is he only exists in her head. | 0:21:04 | 0:21:07 | |
Nowhere else. Er, can I see her? | 0:21:07 | 0:21:09 | |
Yeah, yeah, go ahead. | 0:21:09 | 0:21:11 | |
She's on Chlorpromazine. | 0:21:11 | 0:21:13 | |
He came back. | 0:21:21 | 0:21:24 | |
No, Rachel, you told me you hadn't seen him. | 0:21:24 | 0:21:29 | |
He was chasing me. | 0:21:29 | 0:21:31 | |
No, he wasn't. | 0:21:31 | 0:21:33 | |
I want you to go now please. | 0:21:36 | 0:21:38 | |
I'm not going anywhere. Could we have some privacy? | 0:21:38 | 0:21:42 | |
I want you to go now! | 0:21:42 | 0:21:45 | |
I think we should leave Rachel alone to rest now. | 0:21:45 | 0:21:50 | |
How is she? | 0:22:05 | 0:22:07 | |
She's not looking good. | 0:22:07 | 0:22:09 | |
I'm dying, I'm not deaf! | 0:22:09 | 0:22:11 | |
Ear trouble. It's rude to eavesdrop. | 0:22:11 | 0:22:14 | |
Can you make sure she's had enough morphine? | 0:22:14 | 0:22:16 | |
That's fine. Could you just call me back with whatever you have on Mr Mason. Thank you. | 0:22:16 | 0:22:22 | |
Cheer up, it might never happen. | 0:22:24 | 0:22:26 | |
It will though, won't it? | 0:22:26 | 0:22:29 | |
Oh, was it something I said? | 0:22:29 | 0:22:31 | |
Usually, yes. Strangely, this time, no. | 0:22:31 | 0:22:34 | |
I must be losing my touch. | 0:22:34 | 0:22:37 | |
You want to hear them out there. | 0:22:46 | 0:22:47 | |
-Who? -Everyone. All the staff. Going on about what a hero you are. | 0:22:47 | 0:22:51 | |
What are you doing, man? You're not doing that right. | 0:22:51 | 0:22:54 | |
Excuse me. | 0:22:54 | 0:22:56 | |
-What are they saying? -About you standing up to those guys with a six inch nail in your chest. | 0:22:58 | 0:23:03 | |
Do you want to concentrate, yeah? | 0:23:03 | 0:23:05 | |
Less blabbing. Up to you. | 0:23:05 | 0:23:08 | |
I had enough, you know? | 0:23:08 | 0:23:09 | |
Sometimes you just got to fight back. | 0:23:09 | 0:23:12 | |
Sorry to disturb you. Jay, is it all right? | 0:23:12 | 0:23:14 | |
-Yep. -The reason I popped in, er, me and the others well, | 0:23:14 | 0:23:19 | |
we were talking outside and, er, we just wanted to wish you luck for your operation. | 0:23:19 | 0:23:25 | |
And to...shake your hand. | 0:23:25 | 0:23:27 | |
The good one, obviously. | 0:23:27 | 0:23:29 | |
OK, the cardio-thorasic surgeons have had a look at your X-ray and... | 0:23:29 | 0:23:35 | |
-Do you want something? -Er, no. No, no, no, no. | 0:23:35 | 0:23:38 | |
-They'll be down to see you shortly. -Reclaim those streets. | 0:23:38 | 0:23:42 | |
All we can do is monitor her and make sure that her pain relief's working. | 0:23:45 | 0:23:49 | |
-If there's any change. -Yes, I'll let you know. | 0:23:49 | 0:23:51 | |
-Straightaway, please? -OK. | 0:23:51 | 0:23:54 | |
< I'll sort you... I'll sort you all out! | 0:23:54 | 0:23:57 | |
I don't know how you manage to keep smiling. | 0:23:57 | 0:24:01 | |
Years of practice, mate. Watch. | 0:24:01 | 0:24:03 | |
How's it going? | 0:24:03 | 0:24:06 | |
We've been to the location where Mr Mason reported the attack. | 0:24:06 | 0:24:10 | |
Nobody saw anything. | 0:24:10 | 0:24:12 | |
This is strange because it's a very busy part of town. | 0:24:12 | 0:24:16 | |
-I've been thinking about that. -Go on. | 0:24:16 | 0:24:18 | |
His injuries are so severe, I don't think he could have walked that far. | 0:24:18 | 0:24:22 | |
In fact, I'm sure he couldn't. | 0:24:22 | 0:24:23 | |
It must have happened closer to here. | 0:24:23 | 0:24:25 | |
I mean, he's in shock, you know. | 0:24:25 | 0:24:27 | |
It's not unusual for people to confuse distances, times, | 0:24:27 | 0:24:30 | |
-that sort of thing. -Any chance I can have a word with him? | 0:24:30 | 0:24:33 | |
I'll see if he's up to it. | 0:24:33 | 0:24:34 | |
OK. I'll give you a bit of time. | 0:24:34 | 0:24:37 | |
Er, Dr Winters. | 0:24:37 | 0:24:40 | |
Er, St Lawrence's. | 0:24:40 | 0:24:41 | |
Oh, yeah. | 0:24:41 | 0:24:43 | |
Er, hi. Yeah? | 0:24:44 | 0:24:45 | |
Sorry, er, could you repeat that? | 0:24:50 | 0:24:52 | |
No, you've been very helpful. Thank you. | 0:24:54 | 0:24:57 | |
Everything all right? | 0:24:57 | 0:25:00 | |
You seem a bit, er, bemused. | 0:25:01 | 0:25:04 | |
Is there not something you could be doing? | 0:25:04 | 0:25:07 | |
Well, I... | 0:25:07 | 0:25:09 | |
Mr Greer, I don't know your wife's history, | 0:25:34 | 0:25:37 | |
but these hallucinations are having a detrimental effect. | 0:25:37 | 0:25:41 | |
Is there something you want to tell me? | 0:25:41 | 0:25:43 | |
Well, I first knew something was wrong | 0:25:43 | 0:25:45 | |
when she started to have these night terrors. | 0:25:45 | 0:25:47 | |
They came out of nowhere and they were really, really bad. | 0:25:47 | 0:25:52 | |
-Her eyes would roll and... -REM. | 0:25:52 | 0:25:55 | |
And then things just spiralled. | 0:25:55 | 0:25:57 | |
She has this strange thing where she thinks the place that she's in | 0:25:57 | 0:26:02 | |
is also somewhere else. | 0:26:02 | 0:26:04 | |
So, like, our house here, would also be in Manchester. | 0:26:04 | 0:26:07 | |
Has she had any tests? Brain scans? | 0:26:07 | 0:26:09 | |
They didn't find anything so she ended up seeing a psychiatrist. | 0:26:09 | 0:26:12 | |
And the chap that she sees - the hallucination. | 0:26:12 | 0:26:15 | |
Are there any others? | 0:26:15 | 0:26:17 | |
Yeah, first it was children. | 0:26:17 | 0:26:19 | |
She'd hear them playing upstairs. | 0:26:19 | 0:26:21 | |
And then there was a cat that she'd hear | 0:26:21 | 0:26:24 | |
scratching and crying in our wardrobe. | 0:26:24 | 0:26:28 | |
But we don't have a cat. Or children. I'm allergic to them. | 0:26:28 | 0:26:31 | |
Children or cats? | 0:26:31 | 0:26:33 | |
And the psychiatrist chap, what did he diagnose? | 0:26:36 | 0:26:39 | |
Anxiety and depression. | 0:26:39 | 0:26:41 | |
-And the chlorpromazine? -That's new. | 0:26:41 | 0:26:43 | |
It's just supposed to help with the episodes. | 0:26:43 | 0:26:46 | |
Right, can't stand here chatting. | 0:26:46 | 0:26:48 | |
You're not real. | 0:27:00 | 0:27:02 | |
Can I get some help in here? | 0:27:22 | 0:27:24 | |
-Get off! -Legs down. | 0:27:24 | 0:27:26 | |
Get off! | 0:27:26 | 0:27:28 | |
Get him out of here! | 0:27:29 | 0:27:31 | |
Get him off me! | 0:27:32 | 0:27:34 | |
OK. OK, OK. | 0:27:34 | 0:27:36 | |
(I want to go home.) | 0:27:41 | 0:27:43 | |
It's time for bed. | 0:27:45 | 0:27:47 | |
This is a much more violent episode. Let's get her back on the bed. | 0:27:49 | 0:27:52 | |
Yeah, I'll call for some help. | 0:27:52 | 0:27:54 | |
Maybe Charlie can spare us somebody. | 0:27:54 | 0:27:57 | |
We can't leave her alone like this again. | 0:27:57 | 0:27:59 | |
Er, OK, ask for the new nurse, I don't know her name. | 0:27:59 | 0:28:03 | |
She looked kind of gormless. | 0:28:03 | 0:28:04 | |
She seemed to be comfortable with her. | 0:28:04 | 0:28:07 | |
Right. I'll ask for the gormless one, then, yeah? | 0:28:07 | 0:28:10 | |
You know what it's like out there. | 0:28:10 | 0:28:12 | |
-You've just got to be able to look after yourself. -Believe me, I know. | 0:28:12 | 0:28:16 | |
There's some bad people just looking for the next victim. | 0:28:16 | 0:28:19 | |
Less yakking. You might actually learn something. | 0:28:19 | 0:28:22 | |
Listen, Dr Winters, I just wanted to thank you | 0:28:22 | 0:28:26 | |
for, well, everything, really. | 0:28:26 | 0:28:28 | |
Er, Nurse Asike. | 0:28:28 | 0:28:30 | |
There's a policeman in reception. | 0:28:32 | 0:28:35 | |
Can you find him and make sure he doesn't leave? | 0:28:35 | 0:28:37 | |
Tell him I need a word. | 0:28:37 | 0:28:39 | |
-It's worse than you thought, isn't it? -No. | 0:28:40 | 0:28:43 | |
-Er, I gave St Lawrence's a call. -Are you checking up on me? | 0:28:43 | 0:28:47 | |
We needed your medical history. | 0:28:47 | 0:28:49 | |
-It's not what it looks like. -What does it look like? | 0:28:51 | 0:28:55 | |
Ruth? What's going on? | 0:28:55 | 0:28:57 | |
You're about to undergo a major operation, Luke. | 0:29:03 | 0:29:06 | |
Is there anything else I need to know? | 0:29:06 | 0:29:08 | |
It's a coincidence. | 0:29:08 | 0:29:10 | |
Hang on. You did this to yourself? What, the nail? Your face? | 0:29:10 | 0:29:14 | |
You don't understand. I can explain. | 0:29:14 | 0:29:16 | |
Please don't tell the police. | 0:29:16 | 0:29:18 | |
I've done a stupid thing. | 0:29:18 | 0:29:21 | |
OK, if anything, | 0:29:25 | 0:29:27 | |
anything at all changes, you call me, OK? | 0:29:27 | 0:29:30 | |
She's in safe hands. Page me if she wakes up. | 0:29:30 | 0:29:32 | |
I was thinking, REM Sleep Behaviour Disorder. You know... | 0:29:32 | 0:29:36 | |
Yeah, when people act out dreams, often violently. | 0:29:36 | 0:29:39 | |
-She hasn't got that because her hallucinations are happening when she's awake. -Correct. | 0:29:39 | 0:29:43 | |
-Are you going to listen to me? -Yeah! | 0:29:44 | 0:29:48 | |
First, I thought it was early-onset Alzheimer's. | 0:29:48 | 0:29:50 | |
-It's rare in someone so young. -But not unknown. | 0:29:50 | 0:29:53 | |
People in their early 30's get it. | 0:29:53 | 0:29:55 | |
What got me thinking was the night terrors. | 0:29:55 | 0:29:58 | |
That got me on to REM. | 0:29:58 | 0:29:59 | |
-It's not a typical symptom of Alzheimer's, Dylan. -Exactly. | 0:29:59 | 0:30:02 | |
And neither is what happened to her when she was given the anti-psychotic drugs which is what led me to... | 0:30:02 | 0:30:08 | |
Lewy Body Dementia? Huh? | 0:30:08 | 0:30:11 | |
Erm, Inspector, can I have a word? | 0:30:16 | 0:30:18 | |
How's she doing? | 0:30:23 | 0:30:24 | |
Fading. | 0:30:25 | 0:30:26 | |
You all right, Shirley? | 0:30:28 | 0:30:29 | |
You were meant to call me if she deteriorated. | 0:30:35 | 0:30:37 | |
-Did you even come and check on her? -Of course I did. | 0:30:37 | 0:30:40 | |
-I'm sorry I didn't call you. -All right, you two. | 0:30:40 | 0:30:43 | |
Look, I know it's been a long and difficult shift | 0:30:51 | 0:30:54 | |
-but can the two of you please cool it? -Linda? | 0:30:54 | 0:30:57 | |
The last thing she needs to hear is us all arguing, isn't it? | 0:30:58 | 0:31:02 | |
Why don't you take a break? | 0:31:02 | 0:31:04 | |
From Shirley's care home. | 0:31:04 | 0:31:06 | |
Sorry, Charlie. It's just, I... | 0:31:09 | 0:31:12 | |
It's not me you need to apologise to, is it? | 0:31:12 | 0:31:15 | |
-I've never heard of it. -You wouldn't have. | 0:31:21 | 0:31:23 | |
It's incredibly unusual in one so young. | 0:31:23 | 0:31:25 | |
It's plausible that nobody but me has picked it up. | 0:31:25 | 0:31:28 | |
-What makes you think that you're right and everybody else is wrong? -Matt. | 0:31:28 | 0:31:32 | |
You said Rachel thought the house was in two places at once? | 0:31:32 | 0:31:35 | |
That's called reduplicative paramnesia. | 0:31:35 | 0:31:37 | |
If you take it with the other symptoms - | 0:31:37 | 0:31:39 | |
the night terrors, reaction to the chlorpromazine. | 0:31:39 | 0:31:42 | |
-I know what I'm talking about. -Yes, but you don't know. | 0:31:42 | 0:31:45 | |
We can't be 100 per cent sure until she's dead and we cut open her brain. | 0:31:45 | 0:31:49 | |
Dr Keogh, can I have a word, please? | 0:31:49 | 0:31:51 | |
Excuse me. Nurse? | 0:31:51 | 0:31:53 | |
Could you get a cup of tea for Mr Greer, please? | 0:31:53 | 0:31:56 | |
Thank you. | 0:31:56 | 0:31:58 | |
-You're being brutal. -Brutally honest. | 0:31:58 | 0:32:00 | |
No, just brutal. Go a bit easier on them. | 0:32:00 | 0:32:03 | |
Stop being so pleased with your own brilliance. | 0:32:03 | 0:32:05 | |
And if you can't do that, well, | 0:32:05 | 0:32:07 | |
just give me a sign and I'll take over. | 0:32:07 | 0:32:09 | |
Yeah, it's unbelievable, isn't it? | 0:32:12 | 0:32:14 | |
Bloke's going about his business, | 0:32:14 | 0:32:16 | |
next thing you know, he's being attacked with a nail gun. Nice. | 0:32:16 | 0:32:20 | |
-If I was in charge... -Thankfully you're not, are you, Jeffrey? | 0:32:20 | 0:32:24 | |
-Yeah, but if I was. -Yes, but you're not. -But if I was... | 0:32:24 | 0:32:27 | |
Uh-oh, I can feel a "flogging's too good for them" coming. | 0:32:27 | 0:32:30 | |
You'll learn to spot the signals. | 0:32:30 | 0:32:32 | |
Right, come on, Butch. Duty calls! | 0:32:32 | 0:32:35 | |
It's broken Britain, mate. I'm just saying. | 0:32:35 | 0:32:37 | |
What happens if these nutters with a nail gun don't get caught? | 0:32:37 | 0:32:40 | |
They won't be. | 0:32:40 | 0:32:41 | |
-The guy's a con man. -Jay. | 0:32:41 | 0:32:44 | |
The guy's a man who nearly got killed standing up to scumbags. | 0:32:44 | 0:32:48 | |
Oh, you think so? Well, have a good look, man! | 0:32:48 | 0:32:52 | |
Cos he's taken everyone for a ride. | 0:32:52 | 0:32:54 | |
So, there's no treatment? | 0:32:59 | 0:33:01 | |
Well, there's treatment, but there's no cure. Dr Hanna. | 0:33:01 | 0:33:04 | |
There are a lot of ways you can handle this. | 0:33:04 | 0:33:07 | |
There are drugs available for the sleep disorder, dementia. | 0:33:07 | 0:33:10 | |
-Even the hallucinations. -I work with old people, I know about dementia. | 0:33:10 | 0:33:14 | |
She's not going to die? | 0:33:14 | 0:33:15 | |
-We'll all die. -We're talking years, not months. | 0:33:15 | 0:33:18 | |
-It's a progressive condition. -How many years? | 0:33:18 | 0:33:20 | |
The average is five to eight, | 0:33:20 | 0:33:23 | |
but that's not to say it can't be 20. | 0:33:23 | 0:33:25 | |
-And the drugs... -Well, sometimes, | 0:33:25 | 0:33:27 | |
the problem is that the side effects are worse than the hallucinations. | 0:33:27 | 0:33:31 | |
Is he here, now? The man? | 0:33:32 | 0:33:35 | |
Talk to him. | 0:33:35 | 0:33:36 | |
-Come on, he's your hallucination. Take control. -Can I? | 0:33:37 | 0:33:41 | |
I can explain, you know. | 0:33:49 | 0:33:52 | |
So can I - the whole thing's a compensation scam. | 0:33:52 | 0:33:56 | |
You're a criminal, Luke, and you know what? | 0:33:56 | 0:33:59 | |
You've been found out. You deserve everything they throw at you. | 0:33:59 | 0:34:03 | |
That sound about right? | 0:34:03 | 0:34:04 | |
Oh, no, you don't. | 0:34:09 | 0:34:11 | |
It wasn't about the money. You don't understand. | 0:34:11 | 0:34:13 | |
You're going to kill yourself. | 0:34:13 | 0:34:15 | |
-So what? No-one cares! -What the hell's going on? | 0:34:15 | 0:34:18 | |
Luke? What you doing, mate? | 0:34:20 | 0:34:23 | |
Just let him go and we can sort this out. | 0:34:23 | 0:34:26 | |
Luke? Talk to me. | 0:34:26 | 0:34:30 | |
-I'm so sorry to cause so much trouble. -It doesn't matter. | 0:34:30 | 0:34:33 | |
-Yes, it does. -What I said... | 0:34:34 | 0:34:37 | |
Lloyd. Tell him everything's going to be all right. | 0:34:37 | 0:34:40 | |
-Just... -Luke. | 0:34:40 | 0:34:42 | |
-I'm not going to lie to you. What you did was wrong... -Lloyd! | 0:34:45 | 0:34:48 | |
Everyone's going to hate me. | 0:34:51 | 0:34:53 | |
Not us, mate. | 0:34:53 | 0:34:55 | |
We're not here to judge you, OK? | 0:34:56 | 0:34:58 | |
I can't talk to the police. | 0:34:59 | 0:35:01 | |
FRANTIC BEEPING | 0:35:01 | 0:35:03 | |
Please don't make me. | 0:35:03 | 0:35:04 | |
OK, OK. | 0:35:04 | 0:35:07 | |
It's all right. | 0:35:09 | 0:35:11 | |
Right, he's going! | 0:35:17 | 0:35:18 | |
Page Dr Hanna and fast bleep cardiothoracics. | 0:35:18 | 0:35:21 | |
He's really not here? | 0:35:29 | 0:35:31 | |
No, he's really not here. | 0:35:31 | 0:35:34 | |
Excuse me. Sorry, Dr Hanna, they need you in Resus. | 0:35:34 | 0:35:36 | |
OK, I'll be back. | 0:35:36 | 0:35:38 | |
Can you stay with us, please? We need to keep her talking. | 0:35:38 | 0:35:41 | |
Come on, just talk to him. | 0:35:41 | 0:35:43 | |
-I can't. -Just say anything. | 0:35:44 | 0:35:46 | |
I'd like you to stop this, please. | 0:35:46 | 0:35:48 | |
He's not going to hurt you, I promise. | 0:35:48 | 0:35:50 | |
Tell him how you feel. | 0:35:50 | 0:35:52 | |
What do you want? | 0:35:56 | 0:35:57 | |
Swabs and suction. | 0:36:10 | 0:36:12 | |
Yeah, there it is. A slow ooze by the nail. | 0:36:12 | 0:36:16 | |
A purse-string suture should sort this out. Suture, please, Tess. | 0:36:16 | 0:36:19 | |
Ruth, can you check behind the heart, please? | 0:36:19 | 0:36:22 | |
-No, no posterior penetration. -Excellent. | 0:36:25 | 0:36:28 | |
Now, Lloyd, | 0:36:29 | 0:36:32 | |
this is what we call a purse-string suture. | 0:36:32 | 0:36:36 | |
The idea being that when Dr Winters removes the nail, | 0:36:36 | 0:36:41 | |
I will tighten the suture and close the hole. | 0:36:41 | 0:36:46 | |
OK? | 0:36:47 | 0:36:49 | |
Ruth, grab a set of Spencer Wells, please. | 0:36:49 | 0:36:53 | |
Grab hold of the end of the nail | 0:36:53 | 0:36:56 | |
and very slowly, I need you to pull the nail out. | 0:36:56 | 0:37:00 | |
Not just yet! Suction, please. | 0:37:00 | 0:37:03 | |
I'll tell you when. | 0:37:03 | 0:37:05 | |
OK, slowly start pulling now. | 0:37:05 | 0:37:09 | |
Like so. | 0:37:12 | 0:37:16 | |
Can you call the surgical team down here, please, Tess? | 0:37:16 | 0:37:20 | |
So they can close up | 0:37:20 | 0:37:21 | |
and to congratulate us, frankly, on our brilliant work. | 0:37:21 | 0:37:24 | |
Well done, everyone. | 0:37:24 | 0:37:26 | |
This is ridiculous. I want this to stop, right now. | 0:37:26 | 0:37:30 | |
We'll get through this together. I'll stand by you. | 0:37:30 | 0:37:33 | |
Just say what you're feeling. | 0:37:33 | 0:37:36 | |
I don't want you here. | 0:37:41 | 0:37:43 | |
Come on, you can do better than that. | 0:37:44 | 0:37:47 | |
I want you to leave, disappear. | 0:37:49 | 0:37:52 | |
Is he gone? | 0:37:52 | 0:37:53 | |
I don't want to look at you. You're disgusting. | 0:37:57 | 0:38:00 | |
Turn around. | 0:38:07 | 0:38:09 | |
Say something else. | 0:38:09 | 0:38:10 | |
Touch your nose. | 0:38:14 | 0:38:16 | |
Yeah? | 0:38:19 | 0:38:20 | |
I'm sorry about earlier. | 0:38:38 | 0:38:40 | |
It's OK. | 0:38:40 | 0:38:41 | |
Have you got an MP3 player? | 0:38:43 | 0:38:44 | |
Yeah. Batteries are dead, though. | 0:38:46 | 0:38:48 | |
Take a look. | 0:38:52 | 0:38:53 | |
Hey. You got some kind of a death wish? | 0:39:03 | 0:39:05 | |
A guy puts a pair of scissors to your neck, | 0:39:05 | 0:39:07 | |
tell him what he wants to hear. | 0:39:07 | 0:39:09 | |
-I don't lie. -You're quick enough to pass judgement, though. | 0:39:09 | 0:39:12 | |
-And you didn't judge him? -You think you're a superior being? | 0:39:12 | 0:39:15 | |
Cos, let me tell you. You are not. | 0:39:15 | 0:39:17 | |
-Excuse me. -Lloyd! Lloyd, hang on. | 0:39:17 | 0:39:20 | |
You've had a shock, OK? | 0:39:22 | 0:39:24 | |
-If you need someone to talk to... -It's fine. It's fine. | 0:39:24 | 0:39:28 | |
OK, maybe I shouldn't have banged on about him being a con man like I did, winding everyone up. | 0:39:28 | 0:39:33 | |
It wasn't very professional. | 0:39:33 | 0:39:35 | |
And all the stuff with Ivan... | 0:39:35 | 0:39:39 | |
I'm sorry if I... Lloyd, man. | 0:39:39 | 0:39:43 | |
What I'm trying to say is, you're no good to any of us if you're dead. | 0:39:43 | 0:39:47 | |
Look, no offence, yeah? But I just need to be on my own right now. | 0:39:47 | 0:39:51 | |
Try and get my head round all this. | 0:39:51 | 0:39:53 | |
-Big Mac, have you got an MP3? -Of course. | 0:39:57 | 0:40:00 | |
-So, you know how to download songs? -I do. | 0:40:00 | 0:40:03 | |
But I probably already got what you're after - | 0:40:03 | 0:40:07 | |
I collect classic tunes. | 0:40:07 | 0:40:08 | |
I've got every Eurovision winner and runner-up | 0:40:08 | 0:40:11 | |
pretty much from the beginning of the show. | 0:40:11 | 0:40:14 | |
Dana International - my particular favourite. | 0:40:14 | 0:40:16 | |
Really? Amazing. Can I borrow it? | 0:40:16 | 0:40:18 | |
Er, it's at home. I could fetch it for you. | 0:40:18 | 0:40:21 | |
# Here's a nice piece of advice I got from an old fishmonger | 0:40:21 | 0:40:25 | |
# When the food is scarce and you see the hearse | 0:40:25 | 0:40:29 | |
# You know you've died of hunger. # | 0:40:29 | 0:40:31 | |
She's sleeping, now. | 0:40:36 | 0:40:38 | |
This is that number I was talking to you about. | 0:40:38 | 0:40:41 | |
I really hope it works out for the two of you. | 0:40:41 | 0:40:43 | |
I don't think there is a two of us, now. | 0:40:43 | 0:40:46 | |
I was going to leave her, you know, before all of this started. | 0:40:48 | 0:40:52 | |
I think I was just too scared to leave. | 0:40:52 | 0:40:56 | |
Or maybe I stayed out of pity. | 0:40:56 | 0:40:58 | |
Or guilt. | 0:41:00 | 0:41:02 | |
But you didn't leave and you're here now - that's what matters. | 0:41:02 | 0:41:05 | |
I'll let you get on. | 0:41:08 | 0:41:10 | |
Stan, this is Shirley. Shirley, Stan. | 0:41:24 | 0:41:28 | |
Thank you for this, mate. | 0:41:28 | 0:41:29 | |
# Oh, Danny boy The pipes, the pipes are calling | 0:41:31 | 0:41:36 | |
# From glen to glen and down the mountain side | 0:41:36 | 0:41:41 | |
# The summer's gone and all the flowers are dying | 0:41:41 | 0:41:47 | |
# 'Tis you, 'tis you must go and I must bide. # | 0:41:47 | 0:41:52 | |
I don't know any more. | 0:41:54 | 0:41:56 | |
Sing it again, then. | 0:41:58 | 0:42:00 | |
# Oh, Danny boy The pipes, the pipes are calling | 0:42:00 | 0:42:06 | |
# From glen to glen and down the mountain side. # | 0:42:06 | 0:42:10 | |
She's gone. | 0:42:11 | 0:42:13 | |
Do you think she heard it? | 0:42:16 | 0:42:17 | |
Hope so. | 0:42:19 | 0:42:20 | |
-Yes? -Hey, do you have a moment? | 0:42:29 | 0:42:32 | |
OK. | 0:42:33 | 0:42:35 | |
I've been thinking about what happened earlier - | 0:42:37 | 0:42:40 | |
the trick I played on Lloyd. | 0:42:40 | 0:42:41 | |
-OK. -I don't blame him for dropping me in it with you. | 0:42:41 | 0:42:45 | |
The thing is, though, I'd like to give it another go. | 0:42:45 | 0:42:47 | |
You know, mentoring him and Scarlett. | 0:42:47 | 0:42:50 | |
-Give me one good reason why I should reconsider. -He's a good nurse. | 0:42:50 | 0:42:53 | |
They both are, or they will be. | 0:42:53 | 0:42:56 | |
I'd like to be part of the process. | 0:42:56 | 0:42:58 | |
And to be honest with you, I think I've got a lot to offer! | 0:42:58 | 0:43:04 | |
You need to pull your socks up, Jay. | 0:43:04 | 0:43:06 | |
I know. | 0:43:06 | 0:43:07 | |
-Do you? -Yes, I do. Really. | 0:43:07 | 0:43:11 | |
I'll give you one more chance. One more chance. | 0:43:14 | 0:43:16 | |
Mentoring is like a two-way street. | 0:43:16 | 0:43:18 | |
I know it can feel like a burden but it teaches you about yourself. | 0:43:18 | 0:43:22 | |
-Your strengths and your limits. -OK. | 0:43:22 | 0:43:24 | |
-And for the record, Lloyd didn't drop you in it. -What? | 0:43:24 | 0:43:28 | |
What? Didn't take a genius to work that one out. | 0:43:28 | 0:43:32 | |
It's morning. | 0:43:35 | 0:43:37 | |
-If I ever end up like that, will you do me a favour? -Shoot you? | 0:43:42 | 0:43:45 | |
-Both barrels. -With great pleasure. -Want some? | 0:43:45 | 0:43:48 | |
-When you back on shift? -Ooh, that's unpleasant. | 0:43:50 | 0:43:54 | |
-Erm, 45 minutes. -Fancy grabbing a drink? | 0:43:54 | 0:43:57 | |
I'm not asking you out on a date, Dylan. | 0:43:58 | 0:44:01 | |
-You know, when you asked earlier on why I was a BASICS volunteer? -Did I? | 0:44:03 | 0:44:08 | |
Yes, I think so. | 0:44:08 | 0:44:10 | |
And you asked why I was here | 0:44:10 | 0:44:13 | |
rather than at home tucked up in bed. | 0:44:13 | 0:44:15 | |
Oh, well, if I did, which I didn't, I was only being polite. | 0:44:15 | 0:44:19 | |
-I know that's an alien concept to you. -Well, you definitely did. | 0:44:19 | 0:44:22 | |
The reason is, when I'm on call, when I'm here, | 0:44:22 | 0:44:26 | |
I can't have a drink, I have to stay sober. | 0:44:26 | 0:44:30 | |
Don't we all? Crap, I know. | 0:44:30 | 0:44:33 | |
How are you doing? | 0:44:38 | 0:44:39 | |
-Outstanding. -I didn't realise you... | 0:44:39 | 0:44:43 | |
Wow! Twelve Steps and all that? | 0:44:43 | 0:44:46 | |
No, no, no. I'm not an alcoholic. | 0:44:46 | 0:44:48 | |
I just... Well, people say, when I've had a drink, I get a bit arsey. | 0:44:48 | 0:44:51 | |
I know, it's tough to believe. | 0:44:51 | 0:44:54 | |
Well, I only meant a coffee. | 0:44:57 | 0:44:59 | |
Oh, by the way, you owe me £9. | 0:45:03 | 0:45:06 | |
Technically, it's ten, but I'll let you off the one. | 0:45:06 | 0:45:10 | |
I won't stay long. Is that...? Thank you. | 0:45:17 | 0:45:21 | |
Hi. | 0:45:22 | 0:45:24 | |
We thought you might want to keep this. | 0:45:25 | 0:45:28 | |
As a souvenir. | 0:45:30 | 0:45:31 | |
So, we contacted your wife. Took a bit of finding. | 0:45:34 | 0:45:37 | |
When did she leave? | 0:45:37 | 0:45:39 | |
About a year ago. | 0:45:39 | 0:45:41 | |
A year ago yesterday. | 0:45:42 | 0:45:44 | |
-It's not all lies, you know. -You don't need to explain. | 0:45:46 | 0:45:49 | |
The first attack, in Truro, that was real. | 0:45:49 | 0:45:52 | |
I didn't know I'd get compensation. | 0:45:52 | 0:45:54 | |
It changed my life. | 0:45:56 | 0:45:58 | |
Everyone patting me on the back, telling me what a hero I was. | 0:45:59 | 0:46:03 | |
So, what went wrong? | 0:46:03 | 0:46:05 | |
Just got confused, you know. Up in the head and... | 0:46:05 | 0:46:08 | |
That's when I had the brilliant idea of, | 0:46:08 | 0:46:10 | |
you know, what if it happened again? | 0:46:10 | 0:46:12 | |
Not like the first time. Nothing dangerous, you know? | 0:46:12 | 0:46:16 | |
Just through the arm. | 0:46:16 | 0:46:18 | |
I just really wanted to get that good feeling back, you know? | 0:46:20 | 0:46:25 | |
-What happens now? -I don't know. | 0:46:28 | 0:46:30 | |
I expect the police will want to talk to you. | 0:46:30 | 0:46:33 | |
But I think, whatever happens, Luke... | 0:46:34 | 0:46:38 | |
..you need help. Psychiatric help. | 0:46:39 | 0:46:43 | |
Believe me, I know what I'm talking about. | 0:46:45 | 0:46:48 | |
Thank you. | 0:46:48 | 0:46:49 | |
I'm out of here, she's all yours! | 0:46:50 | 0:46:52 | |
-Right, who's for the full English? -Oh, go on, then. | 0:46:54 | 0:46:56 | |
-Perfect way to unwind. -I'm off for a run. 16 miles. | 0:46:56 | 0:47:00 | |
-Oh, here we go. -That's the way to unwind. | 0:47:00 | 0:47:02 | |
-I prefer to unwind horizontally. -Oi! Oi! | 0:47:02 | 0:47:05 | |
-Sleeping! -Right, who's with me? | 0:47:05 | 0:47:08 | |
Come on, Omar. Get running! | 0:47:08 | 0:47:10 | |
Do you know what? I don't know if I want this. Who's coming along? | 0:47:10 | 0:47:14 | |
So, that's the night shift. | 0:47:16 | 0:47:18 | |
I heard about what happened. Are you all right? | 0:47:18 | 0:47:21 | |
I'm absolutely exhausted. | 0:47:21 | 0:47:23 | |
-What about you? -My feet are killing me. -Guys. | 0:47:23 | 0:47:26 | |
You two up for breakfast? Yeah? | 0:47:26 | 0:47:29 | |
Lloyd? | 0:47:29 | 0:47:31 | |
Maybe some other time. | 0:47:31 | 0:47:33 | |
Come on. | 0:47:34 | 0:47:37 | |
I'm going to give the black pudding a miss, guys. | 0:47:43 | 0:47:46 | |
Oh, come on, man! Black pudding's the food of the Gods. | 0:47:46 | 0:47:49 | |
And which Gods would they be? | 0:47:49 | 0:47:50 | |
The Gods of blocked arteries. | 0:47:50 | 0:47:52 | |
Athero and his good friend Sclerosis. | 0:47:52 | 0:47:55 | |
Subtitles by Red Bee Media Ltd | 0:48:17 | 0:48:20 | |
E-mail [email protected] | 0:48:20 | 0:48:23 |