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OK, they're here! | 0:00:39 | 0:00:41 | |
Nice one, Dix. | 0:00:42 | 0:00:44 | |
Jeff! | 0:00:44 | 0:00:45 | |
Slaughterhouse employee, boning knife went through his femoral artery. | 0:00:45 | 0:00:49 | |
He's lost five units at the scene and he's still bleeding out. | 0:00:49 | 0:00:51 | |
-Fletch can you set up a rapid infuser. -Yeah, yeah, yeah, I'm on it. | 0:00:51 | 0:00:54 | |
OK, off. Two of saline. Two of gelofusine. | 0:00:54 | 0:00:58 | |
I can't stop the bleeding. I can't get a BP. | 0:00:58 | 0:01:02 | |
and his GCS is dropping. | 0:01:02 | 0:01:04 | |
-OK, how long since you put the last bag up? -About three minutes. | 0:01:04 | 0:01:07 | |
OK, we're dealing with a class four haemorrhage. | 0:01:07 | 0:01:10 | |
If we can get him pushing bloods in less that a minute, | 0:01:10 | 0:01:12 | |
-I'll by you all a drink. -Right, mine's a pint. | 0:01:12 | 0:01:14 | |
One minute and counting. | 0:01:14 | 0:01:15 | |
-Folks, one, minute. -Tess, we got a femoral bleed. | 0:01:15 | 0:01:18 | |
Lloyd, you go with them. | 0:01:18 | 0:01:19 | |
Need a hand? | 0:01:19 | 0:01:20 | |
No, we are OK. Let me know when you get there, OK, Tom? | 0:01:20 | 0:01:23 | |
-Yeah, OK, OK. -Noel! I need Dylan in resus now. | 0:01:23 | 0:01:25 | |
Right, I'll find him. | 0:01:25 | 0:01:27 | |
-Have you seen Dylan? -He's in cubicles. | 0:01:29 | 0:01:32 | |
Right. Thanks. | 0:01:32 | 0:01:34 | |
Doctor Keogh, we've got a bleeder and you're needed in resus. | 0:01:35 | 0:01:39 | |
OK. | 0:01:39 | 0:01:41 | |
-TANNOY -'Could a Mr Alfred Jones please come to reception...' | 0:01:46 | 0:01:49 | |
-Doctor Keogh, can you sign this please? -Not now, thank you. | 0:01:49 | 0:01:51 | |
-Linda, with me, please. -OK. -Fletch, how we doing? | 0:01:55 | 0:01:57 | |
-Have we got a gown or anything? Thank you. -OK. | 0:01:57 | 0:02:00 | |
PHONE RINGS | 0:02:00 | 0:02:01 | |
Dylan, Dylan, can you get my phone? It's somewhere in there. | 0:02:01 | 0:02:04 | |
-Your phone? -Yes. | 0:02:04 | 0:02:06 | |
-Pulse 140, radials getting weaker. -Fletch? | 0:02:06 | 0:02:09 | |
-Yeah, nearly done. -OK. | 0:02:09 | 0:02:11 | |
OK, let's have... Thank you. | 0:02:13 | 0:02:14 | |
OK, can you clamp it off? | 0:02:14 | 0:02:17 | |
Hello? | 0:02:17 | 0:02:19 | |
Doc, sorry, Mr Hanssen wants a word. | 0:02:20 | 0:02:23 | |
Oh, erm... Mr Hanssen... | 0:02:23 | 0:02:26 | |
No, I can't speak right now. | 0:02:26 | 0:02:28 | |
In about half an hour? | 0:02:28 | 0:02:30 | |
OK, thank you. | 0:02:30 | 0:02:32 | |
-Hanssen, our lord and master? -Bloods in. | 0:02:32 | 0:02:34 | |
Great, let's get him cross-matched. | 0:02:34 | 0:02:36 | |
-Dylan? -Yes. | 0:02:36 | 0:02:38 | |
REGULAR BEEPS | 0:02:39 | 0:02:41 | |
I think I owe you all a pint. Well done. | 0:02:42 | 0:02:45 | |
HARD ROCK MUSIC | 0:02:45 | 0:02:50 | |
Get it all out. | 0:02:59 | 0:03:02 | |
I was... I was just listening... | 0:03:02 | 0:03:03 | |
You don't have to explain anything to me. | 0:03:03 | 0:03:05 | |
So, your mum let you come with me today, then? | 0:03:07 | 0:03:10 | |
-I'm my own man, these days. -Whatever! | 0:03:10 | 0:03:13 | |
I'll call her later. | 0:03:13 | 0:03:15 | |
Oi! Watch out! | 0:03:16 | 0:03:19 | |
Oh, look at you. My hero. | 0:03:19 | 0:03:22 | |
It's a good job I've only brought one tent. | 0:03:22 | 0:03:25 | |
You can keep me safe at night. | 0:03:25 | 0:03:26 | |
Come on, mate. Come on. Nearly there. | 0:03:46 | 0:03:49 | |
-How's his breathing? OK? -No. Faster please, Jeff! | 0:03:49 | 0:03:52 | |
Come on, Come on, Come on. | 0:03:52 | 0:03:54 | |
Come on, mate. | 0:03:54 | 0:03:56 | |
Get on with it. Blue lights. | 0:03:58 | 0:04:00 | |
Blue lights! | 0:04:04 | 0:04:07 | |
HARD ROCK MUSIC | 0:04:21 | 0:04:23 | |
I can't believe you got tickets! | 0:04:31 | 0:04:33 | |
Yeah, contacts! | 0:04:33 | 0:04:35 | |
Hey, watch out! | 0:04:46 | 0:04:49 | |
Laura, you OK? | 0:04:49 | 0:04:51 | |
Lads, get that girl out there. | 0:04:51 | 0:04:53 | |
Uh-oh, trouble. | 0:05:00 | 0:05:02 | |
-Linda, I need a word. -Sorry, Zoe, I'm really busy. | 0:05:05 | 0:05:08 | |
-You've got a bit of blood on your neck. -Have I? | 0:05:08 | 0:05:11 | |
Charlie! I've got some news. | 0:05:11 | 0:05:13 | |
Sorry. Incoming. Linda? | 0:05:13 | 0:05:15 | |
-You ready? -Er, yeah. -When? -Right now. | 0:05:15 | 0:05:17 | |
Oh. | 0:05:17 | 0:05:19 | |
Sorry, Zoe, what were you trying to say? | 0:05:20 | 0:05:23 | |
Hanssen's just asked me to be Clinical Lead. | 0:05:23 | 0:05:27 | |
Great! Good news all round. | 0:05:27 | 0:05:29 | |
-Right, this is Brian, his airway deteriorated on the way in. -OK, straight to resus. | 0:05:29 | 0:05:34 | |
Is that a temporary thing or...? | 0:05:34 | 0:05:35 | |
Well, Jordan's on indefinite leave, | 0:05:35 | 0:05:37 | |
so, they don't know when, or if, he'll be back. | 0:05:37 | 0:05:40 | |
Drinks are definitely on you at the end of the shift. | 0:05:40 | 0:05:42 | |
OK, let's get him over, ladies and gents, please. | 0:05:42 | 0:05:45 | |
On three. One, two, three. | 0:05:45 | 0:05:47 | |
Here we go. | 0:05:47 | 0:05:49 | |
Hello, Brian, I'm Doctor Hanna. | 0:05:49 | 0:05:51 | |
I know you're scared, but you're going to be OK. Do you understand? | 0:05:51 | 0:05:54 | |
There you go. | 0:05:54 | 0:05:56 | |
Le Fort III, I'd guess. | 0:05:58 | 0:05:59 | |
Sats down to 93. Pulse up to 115. | 0:05:59 | 0:06:03 | |
Let's prep for an RSI. Linda, can you set up the etomidate and sux, please? | 0:06:03 | 0:06:06 | |
# Ding dong, the witch is dead Which old witch? The wicked witch | 0:06:06 | 0:06:09 | |
# Ding dong, the wicked witch is dead... # | 0:06:09 | 0:06:11 | |
What's with her? Every time I see her today, she's singing that song. | 0:06:11 | 0:06:14 | |
I know, it drives you mad, doesn't it? I'm getting one of my migraines. | 0:06:14 | 0:06:17 | |
You know Louise? The little bird from despatch? | 0:06:17 | 0:06:20 | |
-Yeah. -She's left. -Why? What happened? | 0:06:20 | 0:06:22 | |
-Who cares? -Aw, we liked her at St James. -Yeah, I like her. | 0:06:22 | 0:06:26 | |
# Let's open up and sing And ring the bells out... # | 0:06:26 | 0:06:30 | |
We've got a few more coming in from the festival. | 0:06:31 | 0:06:33 | |
You didn't fancy joining Sam and Tom with the great unwashed, then? | 0:06:33 | 0:06:36 | |
Wellies? Mud? Me? | 0:06:36 | 0:06:39 | |
I don't like this. | 0:06:43 | 0:06:44 | |
I've never been good with crowds. | 0:06:44 | 0:06:47 | |
Stop worrying. Just relax and watch the show. | 0:06:48 | 0:06:51 | |
You'll forget about it, I promise. | 0:06:51 | 0:06:53 | |
HOLLERS | 0:06:54 | 0:06:56 | |
I want out! | 0:06:56 | 0:06:58 | |
This way. Come on. | 0:07:03 | 0:07:05 | |
Excuse me. | 0:07:08 | 0:07:10 | |
Hey, we need to get this kid out. | 0:07:17 | 0:07:19 | |
Come here. Come forward! | 0:07:20 | 0:07:22 | |
Hey, here. Give me his hand. Give me his hand. | 0:07:22 | 0:07:24 | |
He's having a panic attack! | 0:07:24 | 0:07:26 | |
Come on, I've got you. | 0:07:26 | 0:07:29 | |
-Can you grab it? Come here. Give me his hand. -Isn't that that guy you...? | 0:07:37 | 0:07:42 | |
Come here. | 0:07:42 | 0:07:44 | |
Danny, come on. | 0:07:44 | 0:07:45 | |
Hey! Hey! Come back! | 0:07:48 | 0:07:50 | |
Leave it, Leave it. | 0:07:50 | 0:07:51 | |
What was that about? | 0:07:53 | 0:07:57 | |
Nothing. Move. Move now. | 0:07:57 | 0:08:00 | |
Problem? | 0:08:01 | 0:08:04 | |
There's too many people. I've never seen it this packed before. | 0:08:04 | 0:08:07 | |
Maybe they shouldn't sell so many tickets. | 0:08:07 | 0:08:09 | |
It's not tickets. There's something wrong. | 0:08:09 | 0:08:11 | |
These are going to have to cut it short. | 0:08:11 | 0:08:13 | |
I'm going to need time to clear the back before the headliners are on. | 0:08:13 | 0:08:16 | |
He's the loser you pulled at the club last week. | 0:08:16 | 0:08:19 | |
I didn't sleep with him! | 0:08:19 | 0:08:21 | |
-I went back to his house and that was it. -What happened? | 0:08:21 | 0:08:24 | |
I realised that I didn't want to be with him, | 0:08:26 | 0:08:28 | |
Everybody off now. Pull the plug. | 0:08:31 | 0:08:33 | |
BOOS | 0:08:35 | 0:08:38 | |
SCREAMS | 0:08:53 | 0:08:56 | |
She was climbing the festival fencing. Fell off. Broke her arm. | 0:09:15 | 0:09:18 | |
GCS has been 15 throughout. | 0:09:18 | 0:09:20 | |
Take her to triage, we'll get a doctor to see to that. | 0:09:20 | 0:09:23 | |
OK, this way, sweetheart. | 0:09:23 | 0:09:24 | |
Can you do me a favour? Could you just jump up on that bed for me | 0:09:24 | 0:09:27 | |
and we can have a little look at you. | 0:09:27 | 0:09:29 | |
Can I borrow Dix? Thanks. | 0:09:29 | 0:09:30 | |
-Tamsin. -Come on, kid. I've got a surprise for you. | 0:09:30 | 0:09:33 | |
Surprise, I love surprises. | 0:09:33 | 0:09:37 | |
But it better not be any doughnuts, | 0:09:37 | 0:09:39 | |
because I am definately on a no doughnuts diet. | 0:09:39 | 0:09:44 | |
Louise. | 0:09:45 | 0:09:47 | |
Lovely to see you again. Really. | 0:09:47 | 0:09:49 | |
Nobody told me you was pregnant. | 0:09:50 | 0:09:53 | |
It's her first day on reception. | 0:09:53 | 0:09:54 | |
So, we are going to try and make it | 0:09:54 | 0:09:56 | |
as nice as possible for her, and stuff. | 0:09:56 | 0:09:58 | |
-Noel is dead. -What is the matter with her? Oh! | 0:10:01 | 0:10:06 | |
Move back, move back. Move away from the flames. | 0:10:08 | 0:10:11 | |
Move away from the flames. | 0:10:11 | 0:10:13 | |
Stand back. | 0:10:13 | 0:10:14 | |
-Is anyone hurt? -Not by the flames. | 0:10:15 | 0:10:18 | |
There's just too many people. | 0:10:18 | 0:10:20 | |
Through there. | 0:10:22 | 0:10:24 | |
PHONE RINGS Holby ED. | 0:10:29 | 0:10:32 | |
We need to clamp down on time wasters. | 0:10:32 | 0:10:34 | |
Time wasters? | 0:10:34 | 0:10:36 | |
Imagine how much smoother this place would run if we rooted them out. | 0:10:36 | 0:10:40 | |
You do realise we're not actually doctors, don't you? | 0:10:40 | 0:10:43 | |
It's about people. | 0:10:43 | 0:10:45 | |
-You lot do know how to read people, don't you? -Yeah. | 0:10:45 | 0:10:48 | |
Look at that old geezer. | 0:10:48 | 0:10:51 | |
Toothache? I mean, if I had toothache, I'd go to the dentist. | 0:10:52 | 0:10:55 | |
Wouldn't you? | 0:10:55 | 0:10:57 | |
Yeah, probably. | 0:10:57 | 0:10:58 | |
What's she doing? | 0:11:07 | 0:11:08 | |
I have no idea. | 0:11:08 | 0:11:11 | |
What's she doing in there? | 0:11:11 | 0:11:13 | |
I mean, if it's a karma thing, | 0:11:13 | 0:11:15 | |
I'd like to know what I've done to deserve that! | 0:11:15 | 0:11:17 | |
You've only got to work with her, haven't you? You don't have to like her. | 0:11:17 | 0:11:20 | |
I mean, you don't even have to like me. | 0:11:20 | 0:11:23 | |
Yeah, well, I'm liking you less and less. | 0:11:23 | 0:11:26 | |
That's married life for you. | 0:11:26 | 0:11:28 | |
Keep a hold of my hand, OK? | 0:11:30 | 0:11:32 | |
Move. | 0:11:38 | 0:11:39 | |
Just keep pushing! We need to get out of this place! | 0:11:39 | 0:11:42 | |
I don't feel well, Laura. | 0:11:42 | 0:11:44 | |
DESPERATE SHOUTING | 0:11:44 | 0:11:45 | |
I really don't feel well. Laura! | 0:11:47 | 0:11:51 | |
Laura! | 0:11:51 | 0:11:52 | |
Coming through. Excuse me. Try not to panic. | 0:11:55 | 0:11:57 | |
Move. Let me through. | 0:11:57 | 0:12:00 | |
Watch your backs, watch your backs. | 0:12:00 | 0:12:03 | |
We need more snatch squad. People are getting squashed in there. | 0:12:06 | 0:12:11 | |
We've got trouble at tunnel two. | 0:12:11 | 0:12:13 | |
-Everyone, stay calm. -I need all spare bodies. Move! | 0:12:13 | 0:12:15 | |
Holby Control to 3006, | 0:12:17 | 0:12:20 | |
request additional ambulances at Panacea Festival. | 0:12:20 | 0:12:22 | |
SIREN | 0:12:22 | 0:12:24 | |
I need help, here! Hey! | 0:12:29 | 0:12:31 | |
-Stop, everyone, stop panicking. -Move along. | 0:12:33 | 0:12:35 | |
Make room for him. Give him some space. Don't... | 0:12:35 | 0:12:38 | |
Give me your hand. | 0:12:38 | 0:12:40 | |
No. | 0:12:40 | 0:12:42 | |
Man down! | 0:12:43 | 0:12:45 | |
Tom! Tom! | 0:12:45 | 0:12:47 | |
Man down! | 0:12:47 | 0:12:49 | |
Tom. | 0:12:49 | 0:12:51 | |
We need some help. | 0:12:53 | 0:12:56 | |
Tom! | 0:12:56 | 0:12:57 | |
-Sam? -Over there. | 0:12:57 | 0:13:00 | |
Get back! | 0:13:03 | 0:13:04 | |
-You OK? -Yeah. | 0:13:07 | 0:13:09 | |
Excuse me, doctor coming through. Excuse me. | 0:13:11 | 0:13:14 | |
Doctor coming through. Come on, please, move. | 0:13:14 | 0:13:16 | |
She's over here! | 0:13:16 | 0:13:17 | |
Please, move. Move aside. Come on. Thanks. Thanks. | 0:13:17 | 0:13:20 | |
Hiya. It's all right. I'm a doctor. It's all right. Come on. Look at me. | 0:13:20 | 0:13:23 | |
-Look at me. Look at me. -Move back. | 0:13:23 | 0:13:26 | |
You two need treatment. | 0:13:32 | 0:13:34 | |
No, we're fine. | 0:13:34 | 0:13:35 | |
SCREAMS | 0:13:39 | 0:13:42 | |
Grab my hand. | 0:13:49 | 0:13:50 | |
Laura. | 0:13:52 | 0:13:53 | |
Laura. Laura. | 0:13:56 | 0:13:58 | |
Danny. | 0:13:58 | 0:14:00 | |
Down. | 0:14:00 | 0:14:01 | |
Laura, quick, up here, quick. | 0:14:03 | 0:14:05 | |
Get off her. Get off of her. | 0:14:18 | 0:14:21 | |
-Get off me. -Move, down move. | 0:14:21 | 0:14:25 | |
SCREAMS | 0:14:29 | 0:14:31 | |
And so we're expecting some respiratory and crush injuries. | 0:14:40 | 0:14:43 | |
Tess, will you keep some cubicles free for extra casualties? | 0:14:43 | 0:14:46 | |
Let's make sure we're all ready, OK. | 0:14:46 | 0:14:48 | |
Linda. | 0:14:48 | 0:14:51 | |
Congratulations. | 0:14:51 | 0:14:52 | |
I was going to tell you. I should've told you, | 0:14:52 | 0:14:55 | |
but, you know, it doesn't really change anything. | 0:14:55 | 0:14:58 | |
Except you're the boss now, mmm? | 0:14:58 | 0:15:00 | |
Tess, our Denise has a job interview to be a cleaner here. | 0:15:06 | 0:15:10 | |
Oh, good for her. | 0:15:10 | 0:15:11 | |
Could you put in a good word with the cleaning contractors? | 0:15:11 | 0:15:15 | |
-So what, because she was an addict, we just write her off? -No. | 0:15:17 | 0:15:21 | |
Tess, she's been through rehab. She's clean. | 0:15:24 | 0:15:27 | |
And you believe her? | 0:15:27 | 0:15:29 | |
Yeah, I do. | 0:15:29 | 0:15:30 | |
And you'd be happy with her working here? | 0:15:30 | 0:15:32 | |
Well, it's a big hospital. | 0:15:32 | 0:15:34 | |
OK, well, when I've got a moment, I'll call them. | 0:15:34 | 0:15:37 | |
Thank you. | 0:15:37 | 0:15:39 | |
Help me! | 0:15:39 | 0:15:41 | |
Keep still. Try and stay calm. | 0:15:46 | 0:15:48 | |
-Carl, Carl. -Help me! Dad help me. | 0:15:48 | 0:15:51 | |
-Carl. -Help! Help me! | 0:15:51 | 0:15:54 | |
Stop! What are you doing? What are you doing? | 0:15:54 | 0:15:57 | |
-He's trapped. He's my son. -Moving it might kill him. | 0:15:57 | 0:16:00 | |
He's my son. | 0:16:00 | 0:16:02 | |
Just stay back and let me do my job. We'll get him out. | 0:16:02 | 0:16:04 | |
Come on, mate. You heard the lady. | 0:16:07 | 0:16:09 | |
Give us a bit of room, please. | 0:16:09 | 0:16:11 | |
We'll treat you in a moment. | 0:16:11 | 0:16:12 | |
OK. | 0:16:12 | 0:16:14 | |
-I can't tell how much of the weight they're taking. -OK. | 0:16:16 | 0:16:20 | |
Please, get him off me! Please. | 0:16:21 | 0:16:22 | |
-Get him out! -Whoa! Keep back for me, please, we are doing are best, OK? | 0:16:22 | 0:16:26 | |
-Thanks. -OK, can you hear me? | 0:16:26 | 0:16:29 | |
Can you tell me what's your names are? | 0:16:29 | 0:16:32 | |
-Carl. -Laura. | 0:16:32 | 0:16:34 | |
OK, Laura, Carl, my name's Sam. | 0:16:34 | 0:16:37 | |
We're going to get you out, OK? | 0:16:37 | 0:16:39 | |
Any movement has to be very, very careful | 0:16:39 | 0:16:41 | |
-or we'll have a quadriplegic on our hands. Got it? -Got it. OK. | 0:16:41 | 0:16:45 | |
Keep squeezing my hand for me. That's it, good girl, good girl. | 0:16:47 | 0:16:51 | |
OK, raising. | 0:16:51 | 0:16:53 | |
OK. Thanks, guys. | 0:16:58 | 0:17:01 | |
OK, everyone quiet. | 0:17:09 | 0:17:11 | |
There's a third person down there. | 0:17:13 | 0:17:16 | |
If we take our time getting the wall off, they could die. | 0:17:16 | 0:17:19 | |
Yeah, but if we rush it, they're going to die. | 0:17:19 | 0:17:22 | |
We're going to need a decision. | 0:17:24 | 0:17:26 | |
We're going to have to risk it. | 0:17:27 | 0:17:30 | |
OK. Raising. | 0:17:34 | 0:17:36 | |
Keep nice and still for me, Laura. That's it. | 0:17:39 | 0:17:41 | |
Let us know when you're ready, will you? | 0:17:41 | 0:17:44 | |
OK. | 0:17:44 | 0:17:46 | |
Good, good, good. | 0:17:46 | 0:17:48 | |
One, two, three. | 0:17:48 | 0:17:50 | |
-WAILS -All right, my darling. | 0:17:50 | 0:17:52 | |
-You got her? -Yeah. On three. | 0:17:52 | 0:17:53 | |
BOTH: One, two, three. | 0:17:53 | 0:17:55 | |
OK, Dixie, this is Laura. | 0:17:57 | 0:17:59 | |
I want you to completely immobilize her, | 0:17:59 | 0:18:01 | |
-and drive her very slowly back to the ED. -OK. | 0:18:01 | 0:18:03 | |
Bringing out head end - on three. One, two, three. | 0:18:03 | 0:18:06 | |
Good girl. | 0:18:08 | 0:18:10 | |
All right one more on three. One, two, three. | 0:18:10 | 0:18:13 | |
Danny! Danny! Where is he? | 0:18:13 | 0:18:17 | |
Stay nice and calm, my love. | 0:18:17 | 0:18:19 | |
Flail chest. Paradoxical breathing. | 0:18:28 | 0:18:32 | |
Tom, Tom. | 0:18:32 | 0:18:35 | |
Go back with Carl, now. Go! | 0:18:35 | 0:18:38 | |
SIREN | 0:18:49 | 0:18:53 | |
Danny? Danny, if you can hear me, can you squeeze my hand? | 0:19:00 | 0:19:04 | |
Well done. Well done. | 0:19:05 | 0:19:07 | |
I'm not too worried about his breathing. | 0:19:07 | 0:19:09 | |
I think we can wait until we get to the ED to intubate him. | 0:19:09 | 0:19:12 | |
Can we get there a little faster, please? | 0:19:12 | 0:19:15 | |
Mind your backs. Thanks a lot. | 0:19:17 | 0:19:19 | |
His name's Carl. | 0:19:19 | 0:19:21 | |
Query fractured right femur, possible abdo injuries. | 0:19:21 | 0:19:24 | |
Pulse is 110, BP 90 over 70. | 0:19:24 | 0:19:26 | |
Radial pulse is palpable. | 0:19:26 | 0:19:29 | |
He's had 10mg of morphine on site and another ten in transit. | 0:19:29 | 0:19:32 | |
Everyone on me. Ready? One, two, three. | 0:19:32 | 0:19:34 | |
Full trauma series? | 0:19:34 | 0:19:36 | |
Yeah, yeah. | 0:19:36 | 0:19:37 | |
Tom, I'll take the fail segment. I'll need Charlie back though, yeah? | 0:19:37 | 0:19:40 | |
-Are you all right? -Yeah, don't worry about me. | 0:19:40 | 0:19:42 | |
-Linda keep an eye on him. -Yeah. | 0:19:42 | 0:19:45 | |
So, how are we feeling? | 0:19:45 | 0:19:46 | |
I'm going to be OK, right? Tell me I'm going to be OK. | 0:19:46 | 0:19:50 | |
Why was that girl so scared of you? | 0:19:50 | 0:19:52 | |
I don't know what you're talking about. | 0:19:52 | 0:19:55 | |
So far, so good. | 0:20:17 | 0:20:18 | |
Let's get some long bone films done. | 0:20:18 | 0:20:20 | |
Rob's his dad. | 0:20:20 | 0:20:22 | |
How's he doing? | 0:20:25 | 0:20:26 | |
Umm, I'm sending him up for X-rays on his leg, | 0:20:26 | 0:20:29 | |
then we'll get a better idea. | 0:20:29 | 0:20:32 | |
Hi, I'm Linda. Here's Carl's things. | 0:20:32 | 0:20:34 | |
Hey. | 0:20:39 | 0:20:41 | |
It hurts like hell. | 0:20:41 | 0:20:42 | |
Just... Just take it easy, son. | 0:20:42 | 0:20:45 | |
Why does he have to be here? | 0:20:47 | 0:20:49 | |
He's one of the good guys. He's saved a lot of lives today. | 0:20:49 | 0:20:54 | |
-He helped get you out. -I'm taking him for his X-Ray now. | 0:20:54 | 0:20:56 | |
Can I come with you? | 0:20:56 | 0:20:58 | |
No, take a seat in reception. I'll come and find you after. | 0:20:58 | 0:21:01 | |
Whoa! OK, guys. | 0:21:01 | 0:21:03 | |
Laura, we're worried you've done some damage to your neck. | 0:21:07 | 0:21:11 | |
Now, you've got sensation below your neck, which is fantastic. | 0:21:11 | 0:21:14 | |
But we need to keep you nice and still, | 0:21:14 | 0:21:18 | |
because any movement could make it worse, OK? | 0:21:18 | 0:21:21 | |
No, please stay where I can see you. | 0:21:24 | 0:21:26 | |
OK, all right, darling. | 0:21:26 | 0:21:28 | |
-So, who's that bloke you were with? Is he your fella? -Danny? | 0:21:32 | 0:21:36 | |
No. He's my best mate. | 0:21:38 | 0:21:40 | |
He's the only lad I know | 0:21:40 | 0:21:42 | |
who ain't trying to cop off with me all the time. | 0:21:42 | 0:21:44 | |
I know that sounds vain, but it's true. | 0:21:45 | 0:21:48 | |
I can believe it. | 0:21:48 | 0:21:50 | |
He's the only one that gives a damn about me. | 0:21:50 | 0:21:53 | |
He wants to do things with me and go places with me. | 0:21:55 | 0:21:59 | |
You sound very fond of him. | 0:21:59 | 0:22:01 | |
More than fond. | 0:22:03 | 0:22:05 | |
Everything all right? | 0:22:08 | 0:22:10 | |
Yeah, fine. | 0:22:10 | 0:22:11 | |
Right, this is Danny. GCS 12. Resps 33. | 0:22:16 | 0:22:19 | |
Sats 96. He's got a big flail segment | 0:22:19 | 0:22:22 | |
and a scalp haematoma. I've given him 5mg of morphine. | 0:22:22 | 0:22:25 | |
Nurse, where's Laura? | 0:22:25 | 0:22:27 | |
Try not to talk for me, OK? | 0:22:27 | 0:22:29 | |
Right, has everybody got a piece? OK, one, two, three. | 0:22:29 | 0:22:33 | |
-Had a fight with a wall, didn't you? -You should see the wall. -Try not to talk for me, Danny. | 0:22:35 | 0:22:40 | |
Let's get a full trauma series. | 0:22:40 | 0:22:42 | |
And a chest X-Ray now, please. | 0:22:42 | 0:22:43 | |
Just want to know. Laura's... | 0:22:43 | 0:22:46 | |
Danny, try not to talk for me. | 0:22:46 | 0:22:49 | |
OK, we are going to get some x-rays done, yeah? | 0:22:49 | 0:22:51 | |
OK. His resps are dropping. Sats 86. | 0:22:51 | 0:22:55 | |
He's going into respiratory arrest. Let's intubate. | 0:22:55 | 0:22:58 | |
Resps now zero. | 0:22:58 | 0:23:01 | |
-OK, Sam, are you going to be OK to anesthetise? -Yeah, on it. | 0:23:01 | 0:23:04 | |
-Dan! -OK. -That's my son! -Yeah, OK, that's fine. | 0:23:05 | 0:23:07 | |
Listen, we got our top dogs looking after him. | 0:23:07 | 0:23:09 | |
You got to let the team deal with him, all right? | 0:23:09 | 0:23:14 | |
Dixie? | 0:23:18 | 0:23:20 | |
It's all right, sweetheart. I'm here. | 0:23:20 | 0:23:22 | |
Are we there yet? | 0:23:22 | 0:23:25 | |
Nearly. | 0:23:26 | 0:23:28 | |
Am I going to walk again? | 0:23:34 | 0:23:36 | |
Course you will. | 0:23:36 | 0:23:37 | |
Good girl. | 0:23:39 | 0:23:40 | |
Were you at the festival? | 0:23:48 | 0:23:49 | |
Yeah. | 0:23:49 | 0:23:51 | |
D'you mind if I... | 0:23:51 | 0:23:54 | |
Rob? Sorry. | 0:23:54 | 0:23:56 | |
It's the wristbands. I checked a few of them in the tunnel. | 0:23:56 | 0:24:00 | |
They were mostly counterfeit. | 0:24:00 | 0:24:02 | |
Like that lad's. I knew there were too many people there. | 0:24:02 | 0:24:06 | |
If we can find out where the wristbands came from, | 0:24:06 | 0:24:09 | |
we can nail the animals who are responsible for this. | 0:24:09 | 0:24:11 | |
Mate, you're here as a parent. You can't go into cubicles quizzing people, OK? | 0:24:11 | 0:24:14 | |
I'm an ex-copper. I can't help it. | 0:24:14 | 0:24:17 | |
Look, take a seat and I'll let you know about his x-rays, OK? | 0:24:17 | 0:24:20 | |
Have you seen paradoxical breathing before? | 0:24:52 | 0:24:55 | |
No. That's the flail chest, is it? | 0:24:55 | 0:24:57 | |
Yeah. | 0:24:57 | 0:24:58 | |
Sam, I need you in cubicles. | 0:24:58 | 0:25:00 | |
-I can do more here. -We're covered here and I don't have time to argue. | 0:25:00 | 0:25:03 | |
Charlie, can you..? Thanks. | 0:25:03 | 0:25:06 | |
I need you to look after anyone else who's hurt out there. | 0:25:07 | 0:25:09 | |
Cubicles, please. | 0:25:09 | 0:25:10 | |
OK. | 0:25:10 | 0:25:12 | |
Right, Mrs Phelan? | 0:25:14 | 0:25:15 | |
I'm afraid Danny's injuries are life-threatening. | 0:25:15 | 0:25:19 | |
When the wall collapsed on him, | 0:25:19 | 0:25:21 | |
it fractured several of his ribs. | 0:25:21 | 0:25:25 | |
Yes, which left him with what we call a flail chest segment, | 0:25:25 | 0:25:28 | |
which is when the rib cage detaches itself from the chest wall, | 0:25:28 | 0:25:31 | |
and so it's floating in his chest. | 0:25:31 | 0:25:33 | |
Do you understand? | 0:25:33 | 0:25:34 | |
Will he get better? | 0:25:38 | 0:25:39 | |
We're controlling his breathing, so there is a chance of recovery. | 0:25:39 | 0:25:44 | |
You... You're the boss? | 0:25:46 | 0:25:48 | |
I'm the Clinical Lead, yes. | 0:25:48 | 0:25:51 | |
So, you're the best doctor here? | 0:25:51 | 0:25:54 | |
The top doctor? | 0:25:54 | 0:25:55 | |
Once we're satisfied that he's stable, | 0:25:57 | 0:25:59 | |
we're going to transfer him up to ITU. | 0:25:59 | 0:26:01 | |
They've got better ventilators, which are more suited to his injuries. | 0:26:01 | 0:26:05 | |
Promise you'll save him, please. | 0:26:07 | 0:26:10 | |
We'll do everything we can. | 0:26:10 | 0:26:12 | |
-Promise? -Yes. | 0:26:12 | 0:26:14 | |
-Promise? -Yes. | 0:26:14 | 0:26:15 | |
MOBILE PHONE BUZZES | 0:26:15 | 0:26:19 | |
It's his father. I have to answer it. | 0:26:19 | 0:26:22 | |
-Ow! -I thought you paramedics were meant to be hard? | 0:26:28 | 0:26:31 | |
You got lucky. It could've been a lot worse. | 0:26:31 | 0:26:34 | |
Yeah, it's a good job your mate was there to get me out. | 0:26:34 | 0:26:36 | |
Is he a permanent here? | 0:26:36 | 0:26:38 | |
-Tom? -Yeah, I mean, is he single? | 0:26:38 | 0:26:42 | |
What? If you don't ask you don't get. | 0:26:42 | 0:26:46 | |
No idea. | 0:26:48 | 0:26:51 | |
Ow. | 0:26:51 | 0:26:53 | |
OK, all done. | 0:26:55 | 0:26:58 | |
So, how are you feeling? | 0:26:58 | 0:27:00 | |
Yeah, better. | 0:27:00 | 0:27:02 | |
Less pain. | 0:27:04 | 0:27:06 | |
Pity. | 0:27:06 | 0:27:08 | |
I'll leave you both to it. | 0:27:12 | 0:27:14 | |
These were in your jacket. | 0:27:20 | 0:27:22 | |
I found them. | 0:27:22 | 0:27:24 | |
I was going to hand them in, but obviously... | 0:27:24 | 0:27:27 | |
Found them? Yeah, and that's what criminals do, isn't it? | 0:27:27 | 0:27:30 | |
Leave money and evidence lying around for you to find. | 0:27:30 | 0:27:34 | |
I could always tell when you were lying. | 0:27:34 | 0:27:37 | |
You kept pushing me, telling me to get a job, so I just thought... | 0:27:37 | 0:27:40 | |
Not like this - and you know it. | 0:27:40 | 0:27:42 | |
Was it just you? | 0:27:44 | 0:27:45 | |
Course it wasn't. | 0:27:47 | 0:27:50 | |
You couldn't organise something like this by yourself. | 0:27:50 | 0:27:53 | |
How many? | 0:27:53 | 0:27:56 | |
Couple of thousand. | 0:27:56 | 0:27:58 | |
We were selling them in clubs. | 0:27:58 | 0:28:00 | |
Told people to come to the campsite entrance. | 0:28:00 | 0:28:03 | |
There were a bloke that weren't checking too hard. | 0:28:03 | 0:28:07 | |
You going to grass me up? | 0:28:09 | 0:28:11 | |
I don't know. | 0:28:13 | 0:28:15 | |
Please, Dixie, | 0:28:27 | 0:28:28 | |
please, just please, just find out how Danny is for me? | 0:28:28 | 0:28:31 | |
He'll be getting the best care. | 0:28:31 | 0:28:32 | |
It's all my fault. | 0:28:34 | 0:28:36 | |
Sshh. Don't think like that. | 0:28:36 | 0:28:37 | |
How can I not think like that? | 0:28:37 | 0:28:39 | |
I was the one that got him the ticket. | 0:28:39 | 0:28:40 | |
OK, we'll be there in one minute, Dix. | 0:28:42 | 0:28:44 | |
He's blown a pupil. CT. Immediate scan. | 0:28:49 | 0:28:52 | |
Right, let's get him out of here. I need a glucose strip, please. | 0:28:52 | 0:28:55 | |
Hi, it's Charlie Fairhead in ED. | 0:28:55 | 0:28:58 | |
We've got a patient that needs an immediate scan. | 0:28:58 | 0:29:00 | |
That's great, we'll bring him straight through. | 0:29:00 | 0:29:04 | |
Confirm, it's cerebrospinal fluid, so it's either swelling of the brain | 0:29:04 | 0:29:07 | |
-or it's a fracture at the base of the skull. -Right. | 0:29:07 | 0:29:09 | |
Let's get him out of here, please. | 0:29:09 | 0:29:11 | |
Right, Laura, I'm just going to move you to another bed, love. | 0:29:17 | 0:29:20 | |
-Nice and gently, please, everyone. -One, two, three. | 0:29:20 | 0:29:23 | |
OK, can I get a full trauma screen, please, and let's get her scanned. | 0:29:23 | 0:29:27 | |
Hello, Laura, my name is Doctor Keogh. Can you tell me how you are feeling? | 0:29:27 | 0:29:30 | |
-Where's Danny? -I'm sorry? | 0:29:30 | 0:29:32 | |
Danny? | 0:29:32 | 0:29:33 | |
Danny, I don't know a Danny. Can I suggest that we worry | 0:29:33 | 0:29:36 | |
rather less about him and rather more about you, OK? | 0:29:36 | 0:29:38 | |
How is he? Mrs Phelan, where is he? | 0:29:38 | 0:29:41 | |
I keep seeing Danny's face. | 0:29:43 | 0:29:46 | |
I could've...should've got him out. | 0:29:46 | 0:29:51 | |
Let it go. | 0:29:53 | 0:29:55 | |
Is that what you do? | 0:29:55 | 0:29:56 | |
We could've saved him | 0:29:56 | 0:29:59 | |
and you just let it go? | 0:29:59 | 0:30:01 | |
Yep. | 0:30:01 | 0:30:03 | |
How do you do that? | 0:30:03 | 0:30:04 | |
Cos I can't. | 0:30:04 | 0:30:06 | |
You know that paramedic's got the hots for you. | 0:30:11 | 0:30:15 | |
Expertly changed the subject. | 0:30:15 | 0:30:18 | |
Fluid technique. And final. | 0:30:18 | 0:30:21 | |
You don't do touchy-feely, right? | 0:30:21 | 0:30:24 | |
You should've known that. | 0:30:24 | 0:30:26 | |
Yeah, but I never had you pegged as a rock chick, either. | 0:30:26 | 0:30:29 | |
OK. | 0:30:33 | 0:30:35 | |
Am I done? | 0:30:35 | 0:30:36 | |
Yes, you're done. Now go. Leave me alone. | 0:30:36 | 0:30:39 | |
Is she in with a chance? | 0:30:40 | 0:30:42 | |
Never at work. | 0:30:42 | 0:30:44 | |
Well, it's the lesser-known eleventh commandment. | 0:30:46 | 0:30:49 | |
Tom. | 0:30:50 | 0:30:51 | |
It wasn't your fault. | 0:30:53 | 0:30:54 | |
We've had him scanned. | 0:31:02 | 0:31:04 | |
Sarah, when the wall fell on Danny, he sustained a trauma to his head, | 0:31:06 | 0:31:10 | |
which has developed into a cerebral oedema. | 0:31:10 | 0:31:12 | |
What's that? | 0:31:12 | 0:31:14 | |
It's swelling of the brain. | 0:31:14 | 0:31:15 | |
The substance coming out his nose | 0:31:15 | 0:31:17 | |
is the fluid that normally surrounds the brain. | 0:31:17 | 0:31:20 | |
So, we've put him on a drug called mannitol | 0:31:20 | 0:31:23 | |
and we're hoping that that will reduce the swelling. | 0:31:23 | 0:31:26 | |
Is he going to die? | 0:31:28 | 0:31:30 | |
You should prepare yourself, in case that happens. | 0:31:30 | 0:31:34 | |
But you promised you'd save him. | 0:31:34 | 0:31:36 | |
We're doing all that we can. | 0:31:36 | 0:31:40 | |
I'll get on to ITU and we'll keep on trying, Sarah. | 0:31:40 | 0:31:44 | |
The situation is that the neurosurgeons | 0:31:49 | 0:31:53 | |
have looked at the scans | 0:31:53 | 0:31:55 | |
and they feel that nothing can be achieved by surgery right now. | 0:31:55 | 0:31:58 | |
Is there anything we can get you or anyone we can contact for you? | 0:32:00 | 0:32:05 | |
Who made that decision? | 0:32:05 | 0:32:08 | |
Oh, he did, did he? | 0:32:08 | 0:32:11 | |
Dylan. Well, let's get that decision unmade. | 0:32:11 | 0:32:15 | |
ITU. They've got one bed left and they're refusing to take Danny, | 0:32:18 | 0:32:21 | |
because apparently, you nipped in while your patient was being scanned. | 0:32:21 | 0:32:24 | |
Yes. They've got one bed. We've got two patients that need it. | 0:32:24 | 0:32:27 | |
I made a rational decision. | 0:32:27 | 0:32:28 | |
No, you went behind my back. | 0:32:28 | 0:32:30 | |
You make decisions about your patient, | 0:32:30 | 0:32:32 | |
but if it affects other patients, | 0:32:32 | 0:32:33 | |
-I make the decision. -If you're happy to jeopardise my patient's recovery. | 0:32:33 | 0:32:37 | |
-No. I want the best for both patients. -The best? | 0:32:37 | 0:32:39 | |
Let me get this straight. Your patient has a flail chest, blown pupil. | 0:32:39 | 0:32:43 | |
And a cerebral oedema. Your point? | 0:32:43 | 0:32:45 | |
You know that his chances of survival are very low. | 0:32:45 | 0:32:48 | |
He's on a IV mannitol. And his second pupil hasn't blown. | 0:32:48 | 0:32:51 | |
-It's a matter of time. -Not your decision. | 0:32:51 | 0:32:53 | |
The less time my patient spends here and the more time in ITU, | 0:32:53 | 0:32:56 | |
-the greater her chance of recovery. Your patient doesn't have much... -But he has a chance. | 0:32:56 | 0:33:00 | |
-Yes, I have a chance of winning the X Factor. -Are we done? | 0:33:00 | 0:33:03 | |
You're not making a rational decision. ITU won't take him. | 0:33:03 | 0:33:05 | |
I'll make the case for Danny. Do not move your patient till I say so. | 0:33:05 | 0:33:08 | |
-You're wasting your time. -No, you're wasting MY time. -Can I get back to my patient? | 0:33:08 | 0:33:13 | |
Change of plan. | 0:33:17 | 0:33:18 | |
How is she? | 0:33:18 | 0:33:20 | |
Not as bad as I feared. | 0:33:20 | 0:33:21 | |
She's got a spinal cord contusion. HDU, please. | 0:33:21 | 0:33:23 | |
I'm confident with the right treatment, good physio, | 0:33:23 | 0:33:26 | |
she should make a full recovery. | 0:33:26 | 0:33:27 | |
Is it OK if I have a word? | 0:33:27 | 0:33:29 | |
Yes, be my guest. | 0:33:29 | 0:33:30 | |
Hey, you remember me? | 0:33:30 | 0:33:32 | |
I was helping Danny and you pulled him away. | 0:33:33 | 0:33:36 | |
The security guard. | 0:33:36 | 0:33:38 | |
You freaked when you saw him. Why? | 0:33:38 | 0:33:41 | |
Look, I'm not going to get you into trouble. | 0:33:41 | 0:33:43 | |
I just need to know what happened. | 0:33:43 | 0:33:45 | |
I met the guard. | 0:33:47 | 0:33:49 | |
I met him in a club a couple of weeks ago. | 0:33:49 | 0:33:52 | |
I went back to his place. | 0:33:52 | 0:33:54 | |
He was bigging himself up, saying he could get us into the festival, | 0:33:54 | 0:34:00 | |
cos he had all these fake wristbands that he was selling. | 0:34:00 | 0:34:04 | |
I was just sat there, | 0:34:04 | 0:34:07 | |
on his bed, | 0:34:07 | 0:34:08 | |
and I was thinking to myself, | 0:34:08 | 0:34:10 | |
"Why am I here? I don't want to be here." | 0:34:10 | 0:34:14 | |
And I just wanted to be with Danny. | 0:34:14 | 0:34:16 | |
And he knew that, because all I spoke about was Danny. | 0:34:16 | 0:34:19 | |
But I ended up stealing a couple of the wristbands. | 0:34:19 | 0:34:24 | |
I thought I could get in the festival, | 0:34:24 | 0:34:26 | |
but he recognised me, | 0:34:26 | 0:34:28 | |
and I just... I just thought... | 0:34:28 | 0:34:30 | |
-Tom? -Thank you. | 0:34:33 | 0:34:37 | |
I stopped you, didn't I? | 0:34:37 | 0:34:39 | |
I stopped you getting him out. | 0:34:39 | 0:34:42 | |
Counterfeit wristbands. | 0:34:54 | 0:34:57 | |
-I don't know what you're talking about. -Out there, you were frantic with worry. | 0:34:57 | 0:35:00 | |
But in here, you turned on him. I know it was Carl who was selling the wristbands. | 0:35:00 | 0:35:04 | |
You know, do you? | 0:35:04 | 0:35:05 | |
You're not even trying to hide it. | 0:35:06 | 0:35:09 | |
You were absolutely sure the festival was overcrowded. | 0:35:11 | 0:35:13 | |
-That's why there were so many people in that tunnel. -He's a good kid. | 0:35:13 | 0:35:17 | |
Are you going to report this to the police or am I? | 0:35:17 | 0:35:20 | |
Come on, Danny. | 0:35:20 | 0:35:22 | |
Hang on, please. | 0:35:24 | 0:35:26 | |
He's always been a fighter. I know that... | 0:35:30 | 0:35:33 | |
..that if anybody can pull through this, Danny can. | 0:35:35 | 0:35:38 | |
You just keep talking to him. | 0:35:38 | 0:35:40 | |
Heart rate's down to 40. | 0:35:40 | 0:35:42 | |
BP is 96 over 66. | 0:35:42 | 0:35:43 | |
-How's his other pupil? -Reactive. | 0:35:43 | 0:35:47 | |
-That's something, right? -Yeah. | 0:35:47 | 0:35:49 | |
Which bed's he in? | 0:35:49 | 0:35:51 | |
Just over there. | 0:35:51 | 0:35:53 | |
Charlie. | 0:35:54 | 0:35:56 | |
-Vincent. -Dr Hanna's making a case for me to change my mind | 0:35:56 | 0:36:00 | |
and take HER patient to ITU. | 0:36:00 | 0:36:02 | |
What do you think? Is he going to make it? | 0:36:02 | 0:36:04 | |
Well, I wouldn't want to prejudice your judgement. | 0:36:04 | 0:36:07 | |
But Doctor Hanna has my full support. | 0:36:07 | 0:36:11 | |
-The lad's mother? -Yeah. | 0:36:13 | 0:36:15 | |
I'd be happier if she wasn't looking over my shoulder. | 0:36:16 | 0:36:19 | |
All right, I'll sort it. | 0:36:19 | 0:36:21 | |
I know his prognosis is grim, | 0:36:23 | 0:36:24 | |
but if there's even the slightest chance, | 0:36:24 | 0:36:27 | |
I think he should be in ITU. | 0:36:27 | 0:36:28 | |
Just pop outside for a moment. | 0:36:28 | 0:36:30 | |
I'm extending you this courtesy because of the patient's age | 0:36:30 | 0:36:33 | |
and because this is your first day. | 0:36:33 | 0:36:34 | |
And congratulations. | 0:36:34 | 0:36:36 | |
But I'm not going to make a habit of it, Dr Hanna. | 0:36:36 | 0:36:39 | |
I have to see something extraordinary if I'm going to change my mind. | 0:36:39 | 0:36:43 | |
I don't want to leave him. | 0:36:47 | 0:36:49 | |
-I think you should wait outside, Sarah. -Please. | 0:36:49 | 0:36:54 | |
I love you. | 0:36:56 | 0:36:59 | |
What? | 0:37:27 | 0:37:30 | |
Dylan. I was wondering how you'd handle him. | 0:37:30 | 0:37:33 | |
I'm in charge now, I get it. I get it. | 0:37:33 | 0:37:37 | |
Do you? | 0:37:37 | 0:37:38 | |
What, you think I'm being emotional, as well? | 0:37:40 | 0:37:42 | |
Tell you what I think. | 0:37:42 | 0:37:44 | |
Nobody wants you to stop being you, | 0:37:44 | 0:37:46 | |
but sometimes, now, you are going to have to take a step back. | 0:37:46 | 0:37:52 | |
Why did he just do that, Charlie? | 0:37:52 | 0:37:54 | |
Because he's right. | 0:37:54 | 0:37:57 | |
Something else. | 0:38:04 | 0:38:05 | |
All this nipping out for a fag, that's going to have to stop. | 0:38:05 | 0:38:11 | |
Don't you start. | 0:38:11 | 0:38:14 | |
Can I go back into Danny? | 0:38:30 | 0:38:32 | |
He'll be finished in a second. | 0:38:32 | 0:38:34 | |
What's happened to Laura? | 0:38:38 | 0:38:40 | |
I can't discuss another patient. | 0:38:40 | 0:38:42 | |
Sorry. | 0:38:42 | 0:38:44 | |
She came round last week, | 0:38:46 | 0:38:48 | |
said she'd got some tickets from a fella in a club. | 0:38:48 | 0:38:51 | |
Danny was so excited. | 0:38:52 | 0:38:55 | |
I think he thought this was his big chance. | 0:38:55 | 0:38:58 | |
Not that he'd say that to me, but... | 0:38:58 | 0:39:01 | |
..he would have done anything for her. | 0:39:04 | 0:39:07 | |
Yeah... Excuse me. | 0:39:12 | 0:39:15 | |
You, um, you can't blame the girl. | 0:39:17 | 0:39:23 | |
What happened...was not her fault. | 0:39:25 | 0:39:29 | |
It... | 0:39:30 | 0:39:31 | |
The spinal cord contusion, it's just, um, | 0:39:34 | 0:39:38 | |
it's bruising around the spine. | 0:39:38 | 0:39:40 | |
There's nothing's severed, so there's no permanent damage. | 0:39:40 | 0:39:43 | |
That's good news, hmm? | 0:39:45 | 0:39:47 | |
You should make a full recovery. | 0:39:47 | 0:39:50 | |
Can you excuse me for one second? | 0:39:50 | 0:39:53 | |
How is she? | 0:39:54 | 0:39:56 | |
Well, she's not doing cartwheels - | 0:39:56 | 0:39:58 | |
probably a good thing, given her condition. | 0:39:58 | 0:40:02 | |
OK, boss, yes, this is the moment where I get my dressing down. | 0:40:02 | 0:40:05 | |
You tell me where I stand in the great scheme of things. | 0:40:05 | 0:40:11 | |
I was wrong. Your patient should have the ITU bed. | 0:40:11 | 0:40:14 | |
I've made my decision. | 0:40:25 | 0:40:27 | |
Yes, so have I. Doctor Keogh's patient gets the bed. | 0:40:27 | 0:40:30 | |
He already knows. | 0:40:30 | 0:40:33 | |
I agree. I'll leave you to it, then. Good luck. | 0:40:33 | 0:40:37 | |
Pulse is down to 30, BP's 200 over 30. | 0:40:41 | 0:40:44 | |
His second pupil's blown. | 0:40:55 | 0:40:58 | |
The mannitol hasn't worked, Sarah. | 0:40:59 | 0:41:02 | |
I'm afraid we've done everything that we can. | 0:41:02 | 0:41:04 | |
There must be something you can do? | 0:41:06 | 0:41:08 | |
-Look at him, he's breathing. -He looks... | 0:41:08 | 0:41:10 | |
MONITOR BEEPS | 0:41:10 | 0:41:13 | |
-He looks... -I'm sorry. MONITOR BEEPS | 0:41:13 | 0:41:16 | |
Right, Zoe. | 0:41:16 | 0:41:18 | |
FLATLINE TONE | 0:41:21 | 0:41:23 | |
Tell you what, maybe you should wait outside. | 0:41:26 | 0:41:28 | |
I'm not leaving him. | 0:41:28 | 0:41:30 | |
It's up to you. You stay if you wish. | 0:41:30 | 0:41:33 | |
I'd like Laura to see him. | 0:41:34 | 0:41:37 | |
Are you sure about that? | 0:41:38 | 0:41:40 | |
Yes. | 0:41:42 | 0:41:43 | |
Dad? | 0:41:55 | 0:41:56 | |
Rob? Are you OK? | 0:41:58 | 0:42:02 | |
Do you want a few minutes alone? | 0:42:03 | 0:42:06 | |
No. You need to hear this, too. | 0:42:06 | 0:42:09 | |
The other families, they have a right to know what happened. | 0:42:13 | 0:42:17 | |
They've got a right to know who to blame. | 0:42:19 | 0:42:22 | |
Don't do this...please. | 0:42:22 | 0:42:27 | |
We need to speak to a police officer. | 0:42:27 | 0:42:31 | |
Well, let's get Carl settled upstairs first | 0:42:33 | 0:42:35 | |
and then I'll arrange for someone to come and talk to you both. | 0:42:35 | 0:42:37 | |
Dad...please. | 0:42:37 | 0:42:41 | |
If you're sick of being nothing, son, | 0:42:41 | 0:42:44 | |
now's the time to stand up. | 0:42:44 | 0:42:46 | |
Tell the truth. | 0:42:48 | 0:42:50 | |
Oh, great. Danny's mum wants her to see him. | 0:42:59 | 0:43:01 | |
Please take me! | 0:43:01 | 0:43:03 | |
But she's supposed to be going to ITU. | 0:43:03 | 0:43:05 | |
No, I really need to see Danny, please. | 0:43:05 | 0:43:07 | |
-Fine. -Right, great. | 0:43:08 | 0:43:12 | |
Stand by with adrenalin. | 0:43:15 | 0:43:17 | |
Please, stop. | 0:43:22 | 0:43:24 | |
Stop it. | 0:43:26 | 0:43:28 | |
He's gone, hasn't he? | 0:43:41 | 0:43:43 | |
Even if he survives this... I'm not getting HIM back. | 0:43:43 | 0:43:49 | |
I want his last moments to be peaceful. | 0:43:51 | 0:43:55 | |
-Danny? -And I want her to see what she's done. | 0:43:55 | 0:44:01 | |
I don't think this is such a good idea. | 0:44:01 | 0:44:03 | |
Please, please. Just let me hold his hand. | 0:44:03 | 0:44:08 | |
-Just let me touch him. Anything, please. -Please, can you leave us alone with him? | 0:44:08 | 0:44:15 | |
Sarah... | 0:44:20 | 0:44:22 | |
..these are his last moments. | 0:44:26 | 0:44:29 | |
Peaceful, yeah? | 0:44:30 | 0:44:32 | |
Everything else can wait. | 0:44:32 | 0:44:34 | |
OK, we'll be just outside. | 0:44:56 | 0:45:00 | |
Danny? | 0:45:04 | 0:45:05 | |
When you took him from me this morning, | 0:45:07 | 0:45:09 | |
he was healthy, | 0:45:09 | 0:45:12 | |
he was beautiful, | 0:45:12 | 0:45:15 | |
he was happy. | 0:45:15 | 0:45:17 | |
I love him. | 0:45:17 | 0:45:20 | |
And I really wanted to tell him at the festival, | 0:45:22 | 0:45:25 | |
but I never... | 0:45:25 | 0:45:29 | |
It's all my fault. | 0:45:31 | 0:45:33 | |
LAURA WEEPS | 0:45:33 | 0:45:36 | |
I'm so sorry. | 0:46:00 | 0:46:02 | |
I really am so sorry. | 0:46:02 | 0:46:05 | |
You did good, today. | 0:46:38 | 0:46:40 | |
I don't think I treated anyone that wasn't ten years younger than me. | 0:46:42 | 0:46:46 | |
Ah, well. You'll feel differently once you get that first pint down your neck. | 0:46:46 | 0:46:50 | |
You said the magic words. | 0:46:50 | 0:46:52 | |
But got to go home and tuck the kids in first. | 0:46:52 | 0:46:54 | |
-Aw. -I thought you'd want to know, your sister's got the job. | 0:46:54 | 0:46:56 | |
-She starts here tomorrow. -Here! | 0:46:56 | 0:46:59 | |
Don't worry, you'll feel differently once you get that first pint down your neck. | 0:47:01 | 0:47:04 | |
Don't. | 0:47:04 | 0:47:06 | |
What happened? | 0:47:14 | 0:47:16 | |
We got a shout. Bloke feels sick at a bus stop. | 0:47:16 | 0:47:19 | |
We give him an ECG. | 0:47:19 | 0:47:23 | |
He's got acute angina. | 0:47:23 | 0:47:25 | |
Now, it turns out he came here this afternoon and you told him | 0:47:25 | 0:47:28 | |
to go to the dentist. | 0:47:28 | 0:47:30 | |
So, do you think that Nick would have handled any of that differently? | 0:47:40 | 0:47:45 | |
I think it's about time you stopped worrying about Nick. | 0:47:45 | 0:47:48 | |
You've been in charge before. | 0:47:48 | 0:47:49 | |
Yeah, I know, but before I had a safety net. | 0:47:49 | 0:47:51 | |
Now, I don't. | 0:47:51 | 0:47:53 | |
I think you're wrong. | 0:47:56 | 0:47:58 | |
Zoe. Pubs are not really my thing. | 0:48:01 | 0:48:06 | |
I wanted to get you a drink. This is what you drink, isn't it? | 0:48:06 | 0:48:09 | |
I'll force it down. | 0:48:09 | 0:48:10 | |
An apology. A celebration and an apology. | 0:48:10 | 0:48:13 | |
-Stay. -No, no. I'll go. -Thanks. | 0:48:13 | 0:48:17 | |
Oh, here she is. | 0:48:19 | 0:48:21 | |
ALL: Here she is. | 0:48:21 | 0:48:22 | |
Your round, then, boss? | 0:48:22 | 0:48:24 | |
The next person who calls me boss will wake up in resus. | 0:48:24 | 0:48:27 | |
ALL: Ooh! | 0:48:27 | 0:48:30 | |
So, what's everyone drinking? | 0:48:33 | 0:48:34 | |
Gin and Tonic, double. | 0:48:34 | 0:48:36 | |
-Double. -Double | 0:48:36 | 0:48:38 | |
OK, all right! | 0:48:38 | 0:48:41 | |
Subtitles by Red Bee Media Ltd | 0:48:48 | 0:48:52 |