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-You do know how I love you, right? -Cal thought I was an easy lay again. | 0:00:02 | 0:00:04 | |
He was making fun of me in front of our colleagues! | 0:00:04 | 0:00:07 | |
How can he do that? | 0:00:07 | 0:00:08 | |
You're meant to be our clinical lead! | 0:00:08 | 0:00:10 | |
Yeah, I'm doing my best. | 0:00:10 | 0:00:11 | |
Do it better! | 0:00:11 | 0:00:13 | |
If you know it's over... | 0:00:13 | 0:00:15 | |
You mean with that agency nurse? | 0:00:15 | 0:00:17 | |
I bet he hasn't given her a second thought. | 0:00:17 | 0:00:20 | |
Ah! | 0:00:20 | 0:00:22 | |
I'm stepping down as clinical lead as of now. | 0:00:22 | 0:00:24 | |
Give it to someone who wants it. You want it, don't you? | 0:00:24 | 0:00:28 | |
Yes. | 0:00:28 | 0:00:29 | |
Charging. | 0:01:03 | 0:01:04 | |
All clear. | 0:01:07 | 0:01:10 | |
Still in VF. Let's intubate, Lily. | 0:01:10 | 0:01:12 | |
One milligram of adrenaline, please. Tess... Tess? | 0:01:12 | 0:01:16 | |
-Um... OK. -The throat's really swollen. I can't... | 0:01:16 | 0:01:18 | |
-No, it's a hornet sting. It's anaphylactic shock. -I can't get access with the ET tube. | 0:01:18 | 0:01:22 | |
OK. Try a smaller tube. | 0:01:22 | 0:01:23 | |
-OK. -Come on. I need him intubated before we shock again. | 0:01:26 | 0:01:29 | |
-Let's shift your angle. -OK. | 0:01:29 | 0:01:31 | |
More acute. | 0:01:34 | 0:01:35 | |
All right, let me give it a go. | 0:01:35 | 0:01:39 | |
Nah. This is tight. | 0:01:39 | 0:01:40 | |
All right. How tight is tight? | 0:01:40 | 0:01:42 | |
-It's... It's tight. -OK. Let's push a litre of warmed Hartman's, please. | 0:01:42 | 0:01:46 | |
Oh, yeah, you're right. Plan B. | 0:01:46 | 0:01:48 | |
Right, we're going for a tracheostomy. | 0:01:48 | 0:01:51 | |
Thanks. | 0:01:51 | 0:01:53 | |
OK, we're in. OK. Ready! | 0:01:56 | 0:01:58 | |
Three, two, one. Clear. | 0:01:58 | 0:02:01 | |
All clear. | 0:02:01 | 0:02:02 | |
Yeah, we've got him back! Well done! | 0:02:06 | 0:02:09 | |
OK, very slick. | 0:02:09 | 0:02:11 | |
You been fighting? | 0:02:11 | 0:02:12 | |
Ah... Cage-fighting. At the weekends. | 0:02:14 | 0:02:17 | |
You try living on a locum's wage. | 0:02:17 | 0:02:20 | |
Right. Am I OK to leave you two here? | 0:02:21 | 0:02:23 | |
-Yeah. -We need a 12 lead ECG. Blood gases and contact ITU. | 0:02:23 | 0:02:29 | |
Let me know if anything untoward occurs. | 0:02:29 | 0:02:32 | |
'39, Over. Bicycle accident on the corner of Portpool Road. | 0:02:32 | 0:02:35 | |
'Track-side markers 140 to 148. | 0:02:35 | 0:02:37 | |
'All rail traffic suspended until 03.00 hours. | 0:02:37 | 0:02:40 | |
'Repeat, all rail traffic suspended until 03.00 hours.' | 0:02:40 | 0:02:43 | |
All right? | 0:02:49 | 0:02:50 | |
-You having a laugh, aren't you? -Put it on. | 0:02:53 | 0:02:56 | |
They'll see me coming a mile away. | 0:02:56 | 0:02:57 | |
Whole point. | 0:02:57 | 0:02:59 | |
Nah, bruv. Not how I operate. | 0:02:59 | 0:03:02 | |
You want to work - put it on. | 0:03:02 | 0:03:04 | |
I'm an urban fox, me, mate. | 0:03:04 | 0:03:06 | |
Sly. I slope in, I slope out. | 0:03:06 | 0:03:10 | |
-No-one ever sees me coming. -Pick it up. Today they do. | 0:03:10 | 0:03:14 | |
Hide in plain sight. It's what we do. What Mum says. | 0:03:14 | 0:03:17 | |
Are you sure about this? Mum's in charge? | 0:03:17 | 0:03:21 | |
Your own brother's a div. | 0:03:21 | 0:03:24 | |
He's not a div. | 0:03:24 | 0:03:25 | |
-Not a div. -I tell you what. | 0:03:25 | 0:03:28 | |
How about you say that in front of Peggy. | 0:03:28 | 0:03:30 | |
She'll rip your lungs out. | 0:03:30 | 0:03:32 | |
Seriously! You threatening me with your mum? | 0:03:32 | 0:03:36 | |
Have you been fighting, too? | 0:03:36 | 0:03:37 | |
No. Just a graze from the gym. | 0:03:37 | 0:03:39 | |
All right, discharge him. | 0:03:39 | 0:03:41 | |
Where is Zoe? | 0:03:42 | 0:03:43 | |
Erm, she has collated her leave. | 0:03:44 | 0:03:47 | |
Right. | 0:03:47 | 0:03:48 | |
OK. | 0:03:48 | 0:03:50 | |
I don't need to tell you that the NHS is a train crash waiting | 0:03:50 | 0:03:53 | |
to happen - I think we can all see that. | 0:03:53 | 0:03:55 | |
It's about where the impact hits first. | 0:03:55 | 0:03:58 | |
-Ah, that would be emergency departments. -Yeah. | 0:03:58 | 0:04:00 | |
-Always the EDs. -Well, not on my watch. | 0:04:00 | 0:04:03 | |
I will make it my job to ensure you get to do what you do best. | 0:04:03 | 0:04:07 | |
Would you assemble your various teams? | 0:04:07 | 0:04:09 | |
I'd like to talk to them at ten o'clock tonight. Thank you. | 0:04:09 | 0:04:13 | |
What do you know about scrap metal, Jasper? | 0:04:13 | 0:04:17 | |
If I steal enough of it one day I'm going to be rich. | 0:04:17 | 0:04:20 | |
-£3,850 a tonne. -Sh, Greggy. | 0:04:20 | 0:04:22 | |
What do you know about copper cabling? | 0:04:24 | 0:04:28 | |
Everything I need to know. | 0:04:30 | 0:04:32 | |
Now...get a move on! | 0:04:36 | 0:04:39 | |
Oi! What's this? I'm a thief. | 0:04:39 | 0:04:43 | |
-Not a child-minder. -Peggy's rules. | 0:04:43 | 0:04:45 | |
No-one gets caught, no-one gets hurt. | 0:04:45 | 0:04:48 | |
Oh, yeah! Now that's hilarious. | 0:04:55 | 0:04:58 | |
Listen, if you want my advice - humble pie. | 0:04:59 | 0:05:02 | |
Breakfast, lunch and dinner. They always come back for seconds. | 0:05:02 | 0:05:05 | |
What, and you don't think I'm owed an apology? | 0:05:05 | 0:05:08 | |
Are you joking? | 0:05:08 | 0:05:09 | |
She talking to you? | 0:05:11 | 0:05:12 | |
What does it look like, eh? | 0:05:14 | 0:05:16 | |
Frosty, very frosty. | 0:05:16 | 0:05:18 | |
Ha-haarr! | 0:05:19 | 0:05:21 | |
Ah! This is Iris. She's 24, fell off her bike. | 0:05:21 | 0:05:23 | |
-Ah, excuse me. The manhole cover was missing! -OK, that's true. | 0:05:23 | 0:05:26 | |
Some bright spark moved the man-hole covers along the Portpool Road. | 0:05:26 | 0:05:29 | |
That's a bit low. How much money is a man-hole cover, anyway? | 0:05:29 | 0:05:32 | |
My sentiments exactly! And there are some proper scrotes out there. | 0:05:32 | 0:05:35 | |
She's got some lacerations to her head and right forearm. | 0:05:35 | 0:05:39 | |
Wasn't KOd, GCS has been 15 throughout. | 0:05:39 | 0:05:41 | |
BP is 120 over 60 and pulse is 75. | 0:05:41 | 0:05:44 | |
Straight ahead, please. | 0:05:44 | 0:05:45 | |
-Right. I love your hat. -Oh, thanks! | 0:05:45 | 0:05:48 | |
You weren't wearing a cycle safety helmet? | 0:05:48 | 0:05:50 | |
In this hat? You think? | 0:05:50 | 0:05:52 | |
If you choose fashion over safety... | 0:05:52 | 0:05:53 | |
At least you get to look good. | 0:05:53 | 0:05:55 | |
Not if you fracture your skull and suffer brain damage. | 0:05:55 | 0:05:58 | |
Ah... Always that lovely joie-de-vivre. | 0:05:58 | 0:06:00 | |
You're probably going to end up with a nasty black eye, I'm afraid. | 0:06:00 | 0:06:03 | |
-Not as nasty as the one your brother's sporting. Another jealous husband, was it? -OK. Enough. | 0:06:03 | 0:06:08 | |
Thank you. We'll take it from here. | 0:06:08 | 0:06:09 | |
-Am I missing something? -Yes, Jeffrey. Brain cells. | 0:06:11 | 0:06:14 | |
-Yeah, but we share them, don't we? -That's true! | 0:06:14 | 0:06:16 | |
You know what? You pair are like Morecambe and Wise. | 0:06:18 | 0:06:20 | |
Yeah, but we both know who the funny one is! | 0:06:20 | 0:06:23 | |
-She's the one with the short fat hairy legs! -Shut it! | 0:06:23 | 0:06:25 | |
-You haven't forgotten she's engaged, have you? -Ah, nah. | 0:06:27 | 0:06:30 | |
Oh, whose bike is this, by the way? | 0:06:32 | 0:06:34 | |
Oh. Mary Poppins. | 0:06:34 | 0:06:36 | |
Mmm. Straight away, Mary Poppins. | 0:06:36 | 0:06:39 | |
Hold of the reins, then? | 0:06:40 | 0:06:41 | |
-Oh, small steps. -Didn't take long. | 0:06:41 | 0:06:44 | |
Well, if you want something badly enough, why pussy-foot? | 0:06:44 | 0:06:48 | |
You've always had quite a reputation down here. | 0:06:48 | 0:06:51 | |
People exaggerate. | 0:06:51 | 0:06:53 | |
And the last thing you probably want is advice. | 0:06:53 | 0:06:56 | |
Well, they're a good team. | 0:06:56 | 0:06:58 | |
Try and get them on-side before you make any big decisions. | 0:06:58 | 0:07:01 | |
You're right. The last thing I want is advice. | 0:07:01 | 0:07:05 | |
I'm not here to make friends, Ash. | 0:07:05 | 0:07:07 | |
I'm not here to be a charismatic leader. | 0:07:07 | 0:07:09 | |
I'm here to make the ED work. Properly. | 0:07:09 | 0:07:11 | |
If it's all stainless, I'll take it. | 0:07:13 | 0:07:15 | |
But only if you can get it here in the hour. After that I'm busy. | 0:07:15 | 0:07:18 | |
OK. Bring it round the back. | 0:07:18 | 0:07:20 | |
-Mum, why have you got him on here today? -You know why. | 0:07:20 | 0:07:25 | |
We're a man short cos your maggot-brained father... | 0:07:25 | 0:07:27 | |
Got himself caught. | 0:07:27 | 0:07:29 | |
Yeah. If he was here we'd not need the likes of cousin Jasper... | 0:07:29 | 0:07:32 | |
Or his attitude. | 0:07:32 | 0:07:34 | |
Are you sure Greggy's all right for this? | 0:07:34 | 0:07:36 | |
I mean, we can always wait until... | 0:07:36 | 0:07:37 | |
Works Schedule says track's off till 0300 hours. | 0:07:37 | 0:07:41 | |
Radio-chatter says B Gang is busy on the up-line section. So... | 0:07:41 | 0:07:44 | |
No trains? | 0:07:46 | 0:07:47 | |
No trains. | 0:07:47 | 0:07:48 | |
But, they've already delivered all the copper cabling for tomorrow. | 0:07:48 | 0:07:51 | |
Right. But... | 0:07:51 | 0:07:52 | |
Today is our only possible pay-day... | 0:07:52 | 0:07:54 | |
By tomorrow, all that cable will be laid and live. | 0:07:54 | 0:07:58 | |
Oi, numbnuts. | 0:08:06 | 0:08:08 | |
You keep shtoom about them... | 0:08:10 | 0:08:11 | |
All right? I've already been out earning this morning. | 0:08:11 | 0:08:14 | |
Don't need them stuck in my van. | 0:08:14 | 0:08:15 | |
Be a bit obvious. | 0:08:15 | 0:08:17 | |
Greggy not allowed to touch. | 0:08:17 | 0:08:19 | |
They're man-hole covers. Not nuclear war heads. | 0:08:19 | 0:08:22 | |
-If Mum sees, she'll be... -Shut up! | 0:08:22 | 0:08:23 | |
Well, she's not going to see. | 0:08:24 | 0:08:26 | |
And she's not going to know cos | 0:08:26 | 0:08:28 | |
you're going to help me keep a secret... Aren't you? | 0:08:28 | 0:08:31 | |
Yeah? Check this out... | 0:08:32 | 0:08:36 | |
Yeah? Snagging hook. | 0:08:36 | 0:08:37 | |
That is lovely. | 0:08:37 | 0:08:39 | |
Have it. | 0:08:42 | 0:08:43 | |
You help me keep the man-hole covers a secret. | 0:08:43 | 0:08:46 | |
Oi! Come on you two, we've got to go now! | 0:08:46 | 0:08:49 | |
Apart from your face and arm, does it hurt anywhere else? | 0:08:55 | 0:08:57 | |
My pride. | 0:08:57 | 0:08:59 | |
Yes, well, that I can sympathise with. | 0:08:59 | 0:09:01 | |
What is it they say about pride and falls? | 0:09:05 | 0:09:08 | |
Any dizziness or nausea...? | 0:09:10 | 0:09:12 | |
Do you get to choose the colour of these surgical scrubs you wear? | 0:09:12 | 0:09:15 | |
-I'm sorry? -Or is it just, like, everyone is "portaloo" green? | 0:09:15 | 0:09:19 | |
I've never actually asked what colours there are, so... | 0:09:20 | 0:09:23 | |
You mean you could choose and you don't even know? | 0:09:23 | 0:09:25 | |
This is my work uniform. Why would I even... | 0:09:25 | 0:09:27 | |
How are you just not bothered? | 0:09:27 | 0:09:28 | |
Erm... Dr Hardy? | 0:09:31 | 0:09:32 | |
Have you experienced any headaches since the accident? | 0:09:33 | 0:09:36 | |
No. | 0:09:36 | 0:09:37 | |
-Ouch! -What? | 0:09:38 | 0:09:40 | |
-OK... Don't touch. Don't... -What? -..touch. | 0:09:40 | 0:09:42 | |
-Oh, my God! Is that...? -OK, don't pull, please. | 0:09:42 | 0:09:45 | |
Hat-pin embedded in the scalp? | 0:09:47 | 0:09:49 | |
Affirmative. | 0:09:49 | 0:09:51 | |
Oh, actually in my head?! | 0:09:51 | 0:09:53 | |
I think it's just through the flesh. | 0:09:53 | 0:09:56 | |
Judging from the angle, it might have grazed the skull. | 0:09:56 | 0:09:59 | |
It's just an interview. | 0:10:02 | 0:10:03 | |
I won't get offered it. | 0:10:03 | 0:10:05 | |
Of course you'll get offered it. You know you'll get offered it. | 0:10:05 | 0:10:07 | |
And even if I did, I don't know if I'd take it. | 0:10:07 | 0:10:10 | |
So, why are you going? | 0:10:10 | 0:10:11 | |
I just need to test the water. | 0:10:14 | 0:10:17 | |
What "water" exactly? | 0:10:17 | 0:10:19 | |
It's what the agency woman said. I'm just going to see. | 0:10:19 | 0:10:23 | |
You mean, you signed on with a head-hunting agency? | 0:10:23 | 0:10:25 | |
Is this about you and Fletch? | 0:10:26 | 0:10:28 | |
No, no. Not at all. | 0:10:29 | 0:10:30 | |
No. | 0:10:32 | 0:10:34 | |
Silly sods, the pair of you. | 0:10:34 | 0:10:35 | |
It's not about Fletch. | 0:10:35 | 0:10:37 | |
Can you just help me with this? | 0:10:39 | 0:10:41 | |
RADIO DINGS | 0:10:43 | 0:10:45 | |
'All gangs alert. Train services resumed by 21:15. | 0:10:45 | 0:10:49 | |
-Oh, shoot... -'All maintenance work | 0:10:49 | 0:10:50 | |
'from track side marker 140 is cancelled. | 0:10:50 | 0:10:52 | |
'That's all maintenance work from track side marker 140, cancelled.' | 0:10:52 | 0:10:55 | |
Oh, they said within the hour. | 0:10:55 | 0:10:57 | |
I'll just get the key for out the back! Ow! | 0:11:00 | 0:11:03 | |
Oh, your Natalie rang about ten minutes ago. | 0:11:08 | 0:11:10 | |
Said she couldn't get through on your phone. | 0:11:10 | 0:11:13 | |
And she's coming in cos she needs the car. | 0:11:13 | 0:11:15 | |
Present. | 0:11:15 | 0:11:17 | |
Oh, off somewhere nice? | 0:11:17 | 0:11:19 | |
Birmingham. | 0:11:19 | 0:11:20 | |
Oh, well, bring us back a balti, or a fit bloke, or...both. | 0:11:20 | 0:11:23 | |
Where are you going looking so swish? | 0:11:23 | 0:11:25 | |
Just my sister's. I haven't seen my nephews in ages. | 0:11:25 | 0:11:28 | |
That's exactly the way I'd like to keep it. | 0:11:28 | 0:11:30 | |
Bye. | 0:11:30 | 0:11:32 | |
Job interview. | 0:11:32 | 0:11:33 | |
No. She's off to her sister's... | 0:11:33 | 0:11:35 | |
Blow-dried hair. Manicure. And no presents. | 0:11:35 | 0:11:38 | |
Nephew-visiting requires cheap, bulky presents, | 0:11:38 | 0:11:41 | |
the kind that don't fit in a smart carry case. | 0:11:41 | 0:11:44 | |
I would say dirty weekend, but Tess, she ain't the type. | 0:11:44 | 0:11:47 | |
Mac says I'm too familiar with you. | 0:11:55 | 0:11:57 | |
-Yeah, but he's just jealous, isn't he? -Yeah? | 0:11:57 | 0:11:59 | |
Wants you all to himself. | 0:11:59 | 0:12:00 | |
Well, you can't blame him, can you? | 0:12:00 | 0:12:03 | |
He's only human. | 0:12:03 | 0:12:04 | |
All right, sweetheart, ambulance service. | 0:12:08 | 0:12:10 | |
HE YELLS | 0:12:20 | 0:12:21 | |
Oh, yeah! This is nice. Nice. Very nice, boys! | 0:12:24 | 0:12:29 | |
-Shut up! -How do you know where to find this lot? | 0:12:29 | 0:12:31 | |
It's called planning. Mum knows people. | 0:12:31 | 0:12:34 | |
Sweet. Now let's do some of what I call "robbing." | 0:12:34 | 0:12:38 | |
We need to make sure the line's clear. | 0:12:38 | 0:12:40 | |
We don't want to be bumping into any real maintenance gangs. | 0:12:40 | 0:12:44 | |
No-one gets caught. No-one gets hurt. | 0:12:44 | 0:12:46 | |
No-one gets rich. | 0:12:46 | 0:12:47 | |
Oi! No-one gets caught, no-one gets hurt. | 0:12:47 | 0:12:51 | |
Yeah, nice one, Greggy, well said, mate. | 0:12:51 | 0:12:53 | |
Right, let's get to it. | 0:12:53 | 0:12:55 | |
And you, just behave! | 0:12:55 | 0:12:57 | |
MOBILE PHONE BUZZES | 0:13:21 | 0:13:23 | |
-Would you like that? -No idea. | 0:13:27 | 0:13:28 | |
Would you like that, pretty boy? | 0:13:28 | 0:13:30 | |
They'll pay you a visit and sort you out. | 0:13:30 | 0:13:32 | |
Peggy, what have you done to your foot? | 0:13:32 | 0:13:33 | |
-They'll wipe the weaselly grin off your face! -Feisty one. | 0:13:33 | 0:13:36 | |
Yeah, called him every name under the sun and been going on about trains. | 0:13:36 | 0:13:39 | |
-The trains, I need... -Yup, she has. | 0:13:39 | 0:13:41 | |
Even accused me of nicking her mobile phone. | 0:13:41 | 0:13:42 | |
It's probably still at your yard. | 0:13:42 | 0:13:44 | |
-OK, please calm down, cos we're only trying to help you... -Bog off! | 0:13:44 | 0:13:47 | |
Tell him to go get me phone. | 0:13:47 | 0:13:48 | |
I don't know where your phone is, Peggy! | 0:13:48 | 0:13:50 | |
Peggy, I want to know what you've done to your foot? | 0:13:50 | 0:13:53 | |
Know what I want to do with it, Nursey? | 0:13:53 | 0:13:54 | |
What I want to do with it, is stick it right up your... | 0:13:54 | 0:13:57 | |
Right, let's get ready to slide her, shall we? One. Two. Three... | 0:13:57 | 0:13:59 | |
Get me my phone! Oh! Oh! | 0:13:59 | 0:14:01 | |
OK, let's start with ten milligrams of morphine, | 0:14:01 | 0:14:03 | |
and Peggy, I'm afraid we do not know where your phone is. | 0:14:03 | 0:14:06 | |
Yeah, I need my phone, I need to contact Mikey. | 0:14:06 | 0:14:08 | |
You've had a head injury | 0:14:08 | 0:14:09 | |
and sometimes that can be very disorienting. All right? | 0:14:09 | 0:14:11 | |
I need to tell him they've switched the track schedule. | 0:14:11 | 0:14:14 | |
I need to tell him! | 0:14:14 | 0:14:15 | |
Well, if you give me his number, I'll contact him for you. | 0:14:15 | 0:14:17 | |
His number's stored in me pigging phone, you stupid cow. | 0:14:17 | 0:14:21 | |
-All right, what have we got? -Ow! | 0:14:21 | 0:14:22 | |
Well, we have got Peggy Raeburn. | 0:14:22 | 0:14:24 | |
Erm, head injuries and right foot pierced | 0:14:24 | 0:14:26 | |
by what looks like a massive fishing hook. | 0:14:26 | 0:14:28 | |
It's snagging hook. | 0:14:28 | 0:14:29 | |
All right. Do you know where you are, Peggy? | 0:14:29 | 0:14:31 | |
Who the hell are you? | 0:14:31 | 0:14:32 | |
Do you know where you are, Peggy? | 0:14:32 | 0:14:34 | |
Yeah, I'm in some hospital surrounded by dozy cretins | 0:14:34 | 0:14:37 | |
who keep asking me the same dumb questions, | 0:14:37 | 0:14:40 | |
when all I need is me phone! Ah! | 0:14:40 | 0:14:42 | |
Like I said, who the hell are you? | 0:14:44 | 0:14:46 | |
I'm the, uh, lead consultant of this emergency department | 0:14:46 | 0:14:49 | |
and if you continue to address me or my staff like that, | 0:14:49 | 0:14:52 | |
I will instruct them not to treat you. | 0:14:52 | 0:14:54 | |
Yeah, well, you can shove your attitude... | 0:14:54 | 0:14:56 | |
Do I make myself absolutely clear? | 0:14:56 | 0:14:58 | |
I don't give a monkeys what you... | 0:14:58 | 0:14:59 | |
One more word from you and the snagging hook stays in. | 0:14:59 | 0:15:03 | |
Do you understand? | 0:15:03 | 0:15:04 | |
Whatever. | 0:15:07 | 0:15:09 | |
Right, let's have a look at this foot. | 0:15:12 | 0:15:13 | |
MOBILE PHONE RINGS | 0:15:13 | 0:15:16 | |
Mum, you need to give me a call. | 0:15:19 | 0:15:20 | |
I need to know everything is still on. | 0:15:20 | 0:15:22 | |
You don't rob unless you're giving Mummy a running commentary? | 0:15:25 | 0:15:28 | |
She keeps a tight grip. Is that all right with you? | 0:15:28 | 0:15:30 | |
Van nearly full. | 0:15:30 | 0:15:32 | |
We got to fit a whole other drum in there somehow. | 0:15:32 | 0:15:36 | |
-Ha-ha ha! This is so sweet. -Something's wrong. | 0:15:36 | 0:15:39 | |
Yeah, I tell you what... | 0:15:40 | 0:15:41 | |
Seeing as you two girls don't seem to be able to take | 0:15:41 | 0:15:43 | |
so much as a dump without Mummy... | 0:15:43 | 0:15:46 | |
Jasper will show you how to make a score. | 0:15:46 | 0:15:48 | |
Drive the van back to the yard. | 0:15:48 | 0:15:51 | |
Check she hasn't got her nips caught in the mangle, | 0:15:51 | 0:15:53 | |
and unload the first roll. | 0:15:53 | 0:15:55 | |
Me and Shrek, we'll do the real work. | 0:15:55 | 0:15:58 | |
Grr! Strong boy! | 0:15:58 | 0:16:01 | |
About the time you get back, we'll be good to go. | 0:16:01 | 0:16:03 | |
Grrr! Strong boy! Good to go. | 0:16:03 | 0:16:06 | |
Listen. Don't do anything daft, all right? | 0:16:06 | 0:16:09 | |
-Shall I? -Thank you very much. | 0:16:23 | 0:16:25 | |
Is that a fracture? | 0:16:27 | 0:16:30 | |
-Lacrosse accident. -Wow! Lacrosse? | 0:16:30 | 0:16:32 | |
Stupid knobby game. Boarding school... | 0:16:32 | 0:16:35 | |
Was that your dad seeing you off? | 0:16:36 | 0:16:38 | |
Yeah. | 0:16:38 | 0:16:39 | |
-And your... -Step-mum? Absolutely. | 0:16:39 | 0:16:43 | |
Very new. Like she was practically made yesterday. | 0:16:43 | 0:16:46 | |
You don't approve? | 0:16:46 | 0:16:48 | |
If she was my real mum... | 0:16:48 | 0:16:49 | |
Worked out, she would've had to have given birth...when she was nine! | 0:16:49 | 0:16:53 | |
Oh. | 0:16:53 | 0:16:55 | |
-My dad's got ski boots that are older. -Ha-ha-ha! | 0:16:55 | 0:16:58 | |
Yeah. It looks as if it's embedded in the scalp, | 0:16:58 | 0:17:00 | |
but I'm not convinced about where the end of it's lying. | 0:17:00 | 0:17:03 | |
Maybe we should have gone straight for a CT? | 0:17:03 | 0:17:05 | |
I'm not quite sure why you're being so icy with me. | 0:17:13 | 0:17:15 | |
I was the one trying to defend your honour. | 0:17:15 | 0:17:18 | |
You punched your brother. | 0:17:18 | 0:17:19 | |
Yes. He was bragging. | 0:17:19 | 0:17:21 | |
And now everyone knows my business. | 0:17:21 | 0:17:23 | |
I didn't mean to upset you. | 0:17:23 | 0:17:24 | |
Mum! Mum! | 0:17:33 | 0:17:35 | |
COMPUTER BEEPS | 0:17:40 | 0:17:44 | |
MOBILE PHONE RINGS | 0:17:53 | 0:17:56 | |
Hurry up, numbnuts. | 0:18:00 | 0:18:02 | |
You sure this is a good idea, Jasper? | 0:18:02 | 0:18:04 | |
-Ten minutes, our kid. -I don't know. | 0:18:04 | 0:18:07 | |
Like Ali Baba's cave of treasure! | 0:18:16 | 0:18:18 | |
Bad cable. | 0:18:18 | 0:18:19 | |
Whoa, whoa... Good cable! | 0:18:19 | 0:18:21 | |
Bad.... Already lying down. | 0:18:21 | 0:18:23 | |
-"Laid." Dumbo. -Got electric in it. | 0:18:23 | 0:18:26 | |
Not today it hasn't. You see any signals working? | 0:18:26 | 0:18:29 | |
You see any trains coming? | 0:18:30 | 0:18:32 | |
No. You. Don't. | 0:18:32 | 0:18:34 | |
No. | 0:18:34 | 0:18:35 | |
You know, when your big bruv comes back | 0:18:36 | 0:18:38 | |
and sees you've got a whole new run of cable... | 0:18:38 | 0:18:41 | |
Oh, he'll be pleased. | 0:18:41 | 0:18:43 | |
And your mum. She'll be proud, too, won't she? | 0:18:43 | 0:18:45 | |
Eh? | 0:18:47 | 0:18:49 | |
Sure, why not. | 0:18:49 | 0:18:50 | |
Seen one of these before? | 0:18:53 | 0:18:55 | |
Yes, I have. Florida Everglades. | 0:18:55 | 0:18:58 | |
-You ever been? -What do you think? | 0:18:59 | 0:19:01 | |
Cypress swamps full of alligators and giant garfish... | 0:19:01 | 0:19:04 | |
Is he going to take this thing out or just talk me to death? | 0:19:04 | 0:19:06 | |
You are one lucky lady, because I worked in Miami Dade Metro Hospital. | 0:19:09 | 0:19:13 | |
One gloriously hot, fashion model-filled summer... | 0:19:15 | 0:19:18 | |
So, I've taken out a few of these and the trick is | 0:19:20 | 0:19:23 | |
to push the barb up through the flesh, | 0:19:23 | 0:19:24 | |
snip it off, and then slide the hook back through the foot. | 0:19:24 | 0:19:29 | |
So first we push. | 0:19:33 | 0:19:34 | |
Ah...ah. | 0:19:35 | 0:19:37 | |
-Then we snip. -Ah! | 0:19:41 | 0:19:44 | |
And finally, we gently withdraw. | 0:19:47 | 0:19:51 | |
Gah! | 0:19:56 | 0:19:59 | |
Can I have a fag? | 0:20:03 | 0:20:04 | |
-Do you want some? -Oh, yes, please. | 0:20:08 | 0:20:10 | |
I'll stick the spike under the cable, then you whack it. | 0:20:20 | 0:20:23 | |
I'll whack it. | 0:20:23 | 0:20:24 | |
Go on, then. What are you going to do with all the dosh, numbo? | 0:20:30 | 0:20:33 | |
Greggy's got a bank. | 0:20:33 | 0:20:34 | |
Yeah! | 0:20:34 | 0:20:35 | |
Well, Jasper is going to light up the town. | 0:20:36 | 0:20:39 | |
Iker Casillas, probably Europe's finest goalkeeper | 0:20:43 | 0:20:47 | |
-is face-to-face with...? -I like that Ronaldo. | 0:20:47 | 0:20:50 | |
The crowd ripples with tension, and expectation, as... | 0:20:52 | 0:20:55 | |
Ahh! | 0:20:57 | 0:20:58 | |
HE WHIMPERS | 0:21:02 | 0:21:04 | |
HORN BLOWS | 0:21:07 | 0:21:09 | |
Number seven, Cristiano Ronaldo. | 0:21:09 | 0:21:11 | |
He lines up to take the penalty. | 0:21:11 | 0:21:14 | |
THEY SCREAM | 0:21:17 | 0:21:19 | |
Thank you, everyone, I appreciate you're busy | 0:21:55 | 0:21:58 | |
and this is your break time. | 0:21:58 | 0:22:00 | |
Um, I can hear Charlie Fairhead's teeth gnashing at the idea | 0:22:00 | 0:22:03 | |
of another new department head reinventing the wheel | 0:22:03 | 0:22:06 | |
-that he has so successfully turned for...? -42 years. | 0:22:06 | 0:22:09 | |
42 years! Erm... | 0:22:09 | 0:22:11 | |
Some of you don't know me, | 0:22:11 | 0:22:13 | |
but I came to this hospital ten years ago as Medical Director | 0:22:13 | 0:22:16 | |
and it is my... | 0:22:16 | 0:22:18 | |
RADIO INTERRUPTS | 0:22:18 | 0:22:20 | |
That it is my intention that this hospital... | 0:22:20 | 0:22:22 | |
PHONE RINGS | 0:22:22 | 0:22:24 | |
Holby ED, go ahead. | 0:22:24 | 0:22:26 | |
That was a lot slicker when you rehearsed that | 0:22:26 | 0:22:28 | |
in the bathroom mirror this morning, wasn't it? | 0:22:28 | 0:22:30 | |
Oh, so much slicker. | 0:22:30 | 0:22:32 | |
Yeah, all received, thank you very much. Train derailment. | 0:22:32 | 0:22:34 | |
-We're on MCI stand-by. -All right, current situation? | 0:22:34 | 0:22:37 | |
No idea how many casualties at the moment but it looks nasty. | 0:22:37 | 0:22:40 | |
Can you inform the switchboard? | 0:22:40 | 0:22:42 | |
We need to set up triage for walking wounded and admissions protocol | 0:22:58 | 0:23:01 | |
if it becomes declared a major incident. | 0:23:01 | 0:23:03 | |
I need to walk through the department with the team leader | 0:23:03 | 0:23:05 | |
and clear as much resus and cubicles as possible. | 0:23:05 | 0:23:08 | |
OK, good. Do it. | 0:23:08 | 0:23:09 | |
Does that mean you're team leader, then, yes? | 0:23:09 | 0:23:11 | |
-It's your first day. Do you want me to... -No, that's fine. Yes, I am. | 0:23:11 | 0:23:14 | |
-Charlie, do you know what train Tess was on? -No, sorry. | 0:23:14 | 0:23:16 | |
Rita, Robyn, could you clear as much reception as possible please? | 0:23:16 | 0:23:19 | |
Listen, if they request a prehospital team I think I should go out. | 0:23:19 | 0:23:22 | |
No, I need you here. Can you set up resus? | 0:23:22 | 0:23:24 | |
Look, no, I really think I should go out with the team, Charlie. | 0:23:24 | 0:23:27 | |
You're a strong pair of hands, I need you here. | 0:23:27 | 0:23:29 | |
Right, Cal, clear resus one, get burns kits and drips ready. | 0:23:33 | 0:23:37 | |
You clear cubicles with Ethan, | 0:23:37 | 0:23:39 | |
I'll take resus one and tag with Ash, all right? | 0:23:39 | 0:23:42 | |
Any problems, shout. No heroics, OK? | 0:23:42 | 0:23:44 | |
-This is the bit I love. -Don't we all? | 0:23:44 | 0:23:47 | |
See who we can get up to wards. | 0:23:48 | 0:23:50 | |
Yeah, uh, what...what's going on? | 0:23:50 | 0:23:52 | |
I'm afraid we're preparing for a major incident. | 0:23:52 | 0:23:54 | |
-But what major incident? -We can't say. | 0:23:54 | 0:23:56 | |
Iris, the hat pin is embedded in your scalp | 0:23:57 | 0:23:59 | |
and it's not clear from the X-ray where the point is lying | 0:23:59 | 0:24:02 | |
so you'll need a CT scan. | 0:24:02 | 0:24:05 | |
OK, but will it take long? | 0:24:05 | 0:24:06 | |
I have a date. | 0:24:06 | 0:24:08 | |
Ah, we'll get you seen as soon as possible... | 0:24:08 | 0:24:10 | |
Oi! You, Doctor...Speccy. | 0:24:10 | 0:24:12 | |
Come back here. | 0:24:12 | 0:24:13 | |
Excuse me. Yes? | 0:24:13 | 0:24:15 | |
I said, what major incident? | 0:24:15 | 0:24:17 | |
Uh... There's been a crash on the railway. | 0:24:17 | 0:24:19 | |
And I said we can't say. | 0:24:19 | 0:24:21 | |
That information is pertinent to the emergency services only. | 0:24:21 | 0:24:24 | |
Are you going to be mad with me all the time? | 0:24:28 | 0:24:31 | |
You turned my private life into a personal crusade against Dr Knight. | 0:24:32 | 0:24:35 | |
No, I...I wanted to protect you. | 0:24:35 | 0:24:38 | |
And I didn't ask you to. | 0:24:38 | 0:24:40 | |
I know, but I didn't want you to become sullied | 0:24:40 | 0:24:43 | |
by my infant-minded brother. | 0:24:43 | 0:24:45 | |
-Sullied? -Sorry, sullied isn't... | 0:24:45 | 0:24:47 | |
No, what I mean is, he has a habit of spoiling, of corrupting. | 0:24:47 | 0:24:52 | |
Mrs Rayburn, you mustn't put any weight on that foot! | 0:24:52 | 0:24:55 | |
OK, right, you need to get back on the bed now! | 0:24:55 | 0:24:58 | |
Get out of my way. | 0:24:58 | 0:25:00 | |
Can I have some help in here, please? | 0:25:00 | 0:25:02 | |
Oh...oh! | 0:25:03 | 0:25:06 | |
Hey, hey. | 0:25:06 | 0:25:07 | |
Hey, Mr Casillas is here. | 0:25:07 | 0:25:09 | |
Come on, now. | 0:25:09 | 0:25:11 | |
Ah...speak to me, speak to me. | 0:25:11 | 0:25:13 | |
Hey, Casillas. Mr Casillas, come on, now! | 0:25:16 | 0:25:20 | |
You know, you never told me your name. | 0:25:22 | 0:25:25 | |
Rufus. | 0:25:25 | 0:25:27 | |
Oh, hello, Rufus. | 0:25:27 | 0:25:30 | |
My name is Tess. | 0:25:30 | 0:25:31 | |
I'm a nurse. | 0:25:33 | 0:25:34 | |
Rescue teams are going to be on their way. | 0:25:35 | 0:25:37 | |
Everything's going to be fine. | 0:25:37 | 0:25:40 | |
Oh...ah! | 0:25:42 | 0:25:43 | |
Bloody hell. | 0:26:10 | 0:26:11 | |
Over here! | 0:26:16 | 0:26:17 | |
There's someone on the tracks, Jeff, come on! | 0:26:17 | 0:26:19 | |
Jeff! | 0:26:19 | 0:26:21 | |
It's OK, we've got it. | 0:26:28 | 0:26:29 | |
See if you can help down there for me. | 0:26:29 | 0:26:30 | |
-And make sure the power's off, will you? -Hello, hello, can you hear me? | 0:26:30 | 0:26:33 | |
We're too late... He's gone. | 0:26:33 | 0:26:35 | |
Greggy! | 0:26:35 | 0:26:37 | |
Greggy?! | 0:26:37 | 0:26:39 | |
OK, can you go over there and triage for us, Tamz, please? | 0:26:39 | 0:26:42 | |
Nothing we can do here. What's up, mate? | 0:26:42 | 0:26:43 | |
Me brother... I need to find me brother! | 0:26:43 | 0:26:45 | |
There's a bunch of casualties down there, he could be among them. | 0:26:45 | 0:26:49 | |
Go on. I've got this, I've got this. | 0:26:49 | 0:26:50 | |
Can you follow the signs, please? Thank you very much. | 0:26:52 | 0:26:54 | |
Just through those double doors and follow the signs, thank you. | 0:26:54 | 0:26:57 | |
-What's happened? -Train crash. | 0:26:57 | 0:26:58 | |
And where's Fletch? | 0:26:58 | 0:27:00 | |
Charlie, where's Fletch? | 0:27:00 | 0:27:02 | |
Oh, erm...right... I think he's in, er... yeah, he's in resus. | 0:27:02 | 0:27:06 | |
-Charlie, have you got a minute? -Yeah. | 0:27:06 | 0:27:08 | |
I'll...I'll keep an eye out for him. | 0:27:11 | 0:27:13 | |
OK, mate, nice easy breaths for me. That's the way. | 0:27:16 | 0:27:19 | |
-Good man. -Jeff? -Yeah? | 0:27:19 | 0:27:21 | |
Can I have a hand? | 0:27:21 | 0:27:23 | |
Sammy, can you take over here, please? | 0:27:23 | 0:27:25 | |
Uh, head laceration, GCS 13, OK? I'll be right back. | 0:27:25 | 0:27:28 | |
What's up? | 0:27:28 | 0:27:30 | |
I need to get him away from here, into the ambo. | 0:27:30 | 0:27:32 | |
OK, mate. Slowly, slowly, slowly, slowly... | 0:27:32 | 0:27:35 | |
Get you away from that train. | 0:27:35 | 0:27:37 | |
That's it, OK, slowly... | 0:27:37 | 0:27:38 | |
-You all right with this now? -Yeah, thank you. | 0:27:41 | 0:27:43 | |
All right, talk to the ambulance incident commander | 0:27:43 | 0:27:45 | |
and I'll catch you up. All right? | 0:27:45 | 0:27:46 | |
-How bad is it? -It's carnage, mate, but, do us a favour, will you? | 0:27:46 | 0:27:50 | |
-Just triage the walking for me? I'll be right back, OK? -Yeah. | 0:27:50 | 0:27:53 | |
Erm... You shouldn't be doing that. That's hospital property. | 0:28:16 | 0:28:19 | |
You know that's bleeding, don't you? | 0:28:19 | 0:28:21 | |
Yeah, I know you're stating the bleeding obvious. | 0:28:21 | 0:28:23 | |
Put the phone down. | 0:28:23 | 0:28:24 | |
Hold on! What're you doing? Excuse me, you're not allowed. | 0:28:24 | 0:28:27 | |
Fletch, I'm in reception, can you call me, please? | 0:28:27 | 0:28:29 | |
-What are you doing? You're not allowed to touch the... -Bog off! | 0:28:29 | 0:28:32 | |
That's...that's Fletch. | 0:28:32 | 0:28:34 | |
Fletch? | 0:28:36 | 0:28:38 | |
MOBILE PHONE BUZZES | 0:28:54 | 0:28:57 | |
Ah...ah... Ow! | 0:28:58 | 0:29:04 | |
SHE WHIMPERS | 0:29:10 | 0:29:12 | |
Tess? Tess, where are you? | 0:29:13 | 0:29:16 | |
Fletch... | 0:29:19 | 0:29:21 | |
'Are you still on the train?' | 0:29:21 | 0:29:23 | |
Fletch... Fletch... | 0:29:23 | 0:29:25 | |
I can't hear you, just tell me where you are! | 0:29:25 | 0:29:27 | |
All right, Fletch, the fire service are bringing out | 0:29:39 | 0:29:42 | |
-the last of the casualties now... -Tess is on the train. | 0:29:42 | 0:29:44 | |
-What? -I can hear her on the phone. She's on the train. | 0:29:44 | 0:29:47 | |
-What you talking about? -Look, I...I just know, all right?! | 0:29:47 | 0:29:49 | |
OK, OK... Listen, I'll liaise with the fire service. | 0:29:49 | 0:29:51 | |
Find out the best way forward. | 0:29:51 | 0:29:53 | |
We don't want to do anything silly. All right? We wait. | 0:29:53 | 0:29:55 | |
-Understand? -Yeah, I understand. I got you. -Yeah, OK. | 0:29:55 | 0:29:58 | |
-Jeff! -Yeah? | 0:30:11 | 0:30:13 | |
Look! | 0:30:13 | 0:30:14 | |
Fletch! Fletch! | 0:30:17 | 0:30:20 | |
Tess! | 0:30:20 | 0:30:21 | |
-Aw, you stupid, stupid kid. -Tess! | 0:30:21 | 0:30:23 | |
Like you wouldn't do the same? | 0:30:23 | 0:30:25 | |
Yeah, but...I know what I'm doing. | 0:30:25 | 0:30:27 | |
Right, come on, come on. | 0:30:27 | 0:30:29 | |
Tess? | 0:30:29 | 0:30:31 | |
Tess? | 0:30:33 | 0:30:35 | |
Tess? | 0:30:48 | 0:30:49 | |
Yes, I'm afraid I can't give you any information | 0:30:57 | 0:30:59 | |
about the casualties as yet. | 0:30:59 | 0:31:00 | |
Look, I've told her she shouldn't be there. | 0:31:00 | 0:31:02 | |
Oh, no, no, no. You should not be at the computer. | 0:31:02 | 0:31:05 | |
You should be in cubicles! Noel! | 0:31:05 | 0:31:06 | |
Oh...but...but my boys are there. On the track. | 0:31:06 | 0:31:09 | |
My...my babies. | 0:31:09 | 0:31:10 | |
How do you know? | 0:31:11 | 0:31:14 | |
I know. I do. Let me stay. Please. | 0:31:14 | 0:31:18 | |
All right, she can stay at the computer, | 0:31:18 | 0:31:21 | |
but doesn't touch anything. | 0:31:21 | 0:31:23 | |
Hello, Holby ED. Mm-hmm. | 0:31:23 | 0:31:25 | |
You all right there, mate? | 0:31:31 | 0:31:33 | |
-Yeah, but there's other people hurt. -Right. OK. | 0:31:33 | 0:31:36 | |
Go down there, keep them calm, tell them that help's on the way, | 0:31:36 | 0:31:39 | |
-someone's going to get you out, all right? -OK, thanks. | 0:31:39 | 0:31:41 | |
How you doing there, mate? You all right? | 0:31:43 | 0:31:46 | |
-Peachy. -All right, good boy. All right, be with you in a minute. | 0:31:46 | 0:31:50 | |
You all right down there, Tess? | 0:31:50 | 0:31:53 | |
What have you done to yourself? | 0:31:53 | 0:31:54 | |
Can't leave you alone for five minutes. | 0:31:54 | 0:31:58 | |
OK, right... | 0:31:58 | 0:31:59 | |
You going to have a cup of tea with all those biscuits, or what? | 0:31:59 | 0:32:02 | |
Idiot. | 0:32:02 | 0:32:04 | |
Yeah, you're right. Got me in one. | 0:32:04 | 0:32:06 | |
OK. I'm going to take that table off you, and have a look. | 0:32:06 | 0:32:10 | |
-All right? -Yeah. | 0:32:10 | 0:32:11 | |
Here we go. OK, it's off you. | 0:32:11 | 0:32:14 | |
All right, well, I definitely think you've ruined your suit. | 0:32:25 | 0:32:28 | |
Who's your mate? | 0:32:29 | 0:32:31 | |
His name is Rufus. | 0:32:31 | 0:32:33 | |
He was briefly KO'd on impact. | 0:32:34 | 0:32:37 | |
He's got an existing fracture to his right arm | 0:32:37 | 0:32:41 | |
and he's been complaining of pains to his legs and back. | 0:32:41 | 0:32:45 | |
All right. OK, you're going to be all right there, mate. | 0:32:45 | 0:32:48 | |
OK. | 0:32:48 | 0:32:50 | |
Let's get a line in and stabilise that leg. | 0:32:51 | 0:32:53 | |
No, see to Rufus first. | 0:32:53 | 0:32:55 | |
No. Let's get you sorted and then the team can take care of Rufus. | 0:32:55 | 0:32:57 | |
No. Fletch, I'm worried about his airway. He's not breathing well. | 0:32:57 | 0:33:00 | |
-This a private party, then? -Jeff! | 0:33:00 | 0:33:02 | |
Or can anyone join in? | 0:33:02 | 0:33:04 | |
No. It's a bring-a-bottle. Only Tess has eaten all the nuts. | 0:33:04 | 0:33:07 | |
Right, charming. I like what you've done with the place. | 0:33:07 | 0:33:10 | |
All right, what have we got here, mate? | 0:33:12 | 0:33:14 | |
We've got some more casualties at the other end of the train | 0:33:14 | 0:33:16 | |
but Rufus is your starting point. | 0:33:16 | 0:33:18 | |
All right, Rufus, I'm Jeff, I'm a paramedic. | 0:33:18 | 0:33:20 | |
The stand-by MCI status has been stood down. | 0:33:20 | 0:33:22 | |
There's not as many casualties as originally feared. | 0:33:22 | 0:33:25 | |
OK, thank you. | 0:33:25 | 0:33:26 | |
Don't get caught. Don't get hurt. | 0:33:26 | 0:33:28 | |
Earlier, you said they switched the track schedule. What did you mean? | 0:33:28 | 0:33:31 | |
Right. Where was she picked up? | 0:33:36 | 0:33:39 | |
Scrap metal yard on Toller industrial estate. | 0:33:39 | 0:33:42 | |
Jeff. | 0:33:45 | 0:33:47 | |
How is she doing, Fletch? | 0:33:51 | 0:33:52 | |
Well, she's lost a bit of blood | 0:33:52 | 0:33:54 | |
but I've given her ten of morphine, | 0:33:54 | 0:33:55 | |
but her pulse is getting fast and thready. | 0:33:55 | 0:33:57 | |
-I can hear, you know? -Yeah, all right. | 0:33:57 | 0:33:59 | |
Well, once we've cleared Rufus, we'll take care of you and your leg, OK? | 0:33:59 | 0:34:02 | |
But we're going to need the fire crew to help cut her out. | 0:34:02 | 0:34:05 | |
-Can you get the boys down? -Right, Fletch? | 0:34:05 | 0:34:07 | |
Fire team are saying that we might have a fuel leak. | 0:34:07 | 0:34:09 | |
-So we really need to get a wiggle on now. -Get Rufus clear. | 0:34:09 | 0:34:12 | |
OK, when we're ready, let's get the boys down, we'll lift him out, yeah? | 0:34:12 | 0:34:15 | |
-Yeah. -OK, we're going to do this now, Rufus. | 0:34:15 | 0:34:17 | |
Oh, Lily, the... | 0:34:33 | 0:34:34 | |
Erm, hello? Where are you going? | 0:34:34 | 0:34:38 | |
Meeting by the statue of Eros outside the art gallery. | 0:34:38 | 0:34:40 | |
Which is either really romantic or tacky naff | 0:34:40 | 0:34:43 | |
depending on your point of view. | 0:34:43 | 0:34:45 | |
You should be in bed waiting for your CT scan. | 0:34:45 | 0:34:47 | |
I'm kind of prepared to go for romantic. For now. | 0:34:47 | 0:34:50 | |
You have a hat pin embedded in your head. | 0:34:50 | 0:34:52 | |
And I have this date. | 0:34:52 | 0:34:54 | |
Can we just leave it in? Doesn't hurt. | 0:34:54 | 0:34:57 | |
Keeps my hat on. | 0:34:57 | 0:34:58 | |
It could become infected or do more damage. | 0:34:58 | 0:35:00 | |
Staying here will definitely damage my love life. | 0:35:00 | 0:35:02 | |
It might be quicker if we send you straight to theatre. | 0:35:02 | 0:35:05 | |
You're busy. Bigger fish to fry. I get it. | 0:35:05 | 0:35:07 | |
Wha... Hang on a minute! | 0:35:07 | 0:35:09 | |
You're prepared to sacrifice your health | 0:35:09 | 0:35:11 | |
for the sake of some vague romantic possibility? | 0:35:11 | 0:35:15 | |
And you aren't? | 0:35:15 | 0:35:16 | |
Toodle-oo. | 0:35:18 | 0:35:19 | |
Mac, do us a favour, check that out for me, please, will you? | 0:35:29 | 0:35:31 | |
You all right, mate? | 0:35:31 | 0:35:33 | |
My hands hurt. | 0:35:33 | 0:35:34 | |
OK, let's have a look then, shall we? Oh, OK... | 0:35:34 | 0:35:36 | |
Greggy doesn't want to look. | 0:35:36 | 0:35:39 | |
-Right, no... OK, well, my name is Mac, all right? -Mac. | 0:35:39 | 0:35:41 | |
And I'm a medic and I'm going to look after you, all right? | 0:35:41 | 0:35:44 | |
-Greggy! -Don't tell my mum. -No, all right. | 0:35:44 | 0:35:47 | |
Greg...oh! Something's happened to his hands! | 0:35:47 | 0:35:50 | |
-OK, nice and calm. -No, no, he's my brother. | 0:35:50 | 0:35:52 | |
Yeah, no, that's fine. That's fine. | 0:35:52 | 0:35:54 | |
Jasper wanted the bad cable. Not Greggy. | 0:35:54 | 0:35:57 | |
I know, mate. | 0:35:57 | 0:35:58 | |
OK, son, if you'll come with me and we'll look after you, all right? | 0:35:58 | 0:36:01 | |
-Take it nice and easy. Up you come. There's a good boy. -He should go. | 0:36:01 | 0:36:04 | |
Yeah. I'll just grab a packet of biscuits and then wait | 0:36:04 | 0:36:07 | |
for the fire crew to tell me | 0:36:07 | 0:36:08 | |
when it's all right to come back in and get you. | 0:36:08 | 0:36:10 | |
No, Fletch, I think I can smell fuel. | 0:36:10 | 0:36:13 | |
That's not fuel. That's the new aftershave I'm trying. | 0:36:13 | 0:36:15 | |
Don't you like it? | 0:36:15 | 0:36:16 | |
Oi! Take a look at this! | 0:36:19 | 0:36:21 | |
What about your kids?! | 0:36:21 | 0:36:23 | |
Come on, leave me. | 0:36:23 | 0:36:24 | |
Look. No, look, I tried that once and I didn't like the way it turned out. | 0:36:24 | 0:36:28 | |
Will you please go? | 0:36:28 | 0:36:30 | |
Tess, in a word, "no." All right? | 0:36:30 | 0:36:32 | |
Everybody back! Everybody back! | 0:36:32 | 0:36:34 | |
Right, now. This is going to hurt. | 0:36:34 | 0:36:38 | |
One. I love you. Three. | 0:36:38 | 0:36:41 | |
SHE SCREAMS | 0:36:41 | 0:36:43 | |
Fletch... Fletch! | 0:36:49 | 0:36:50 | |
-Yeah, I know, I know. -Jeff, be careful! | 0:36:50 | 0:36:52 | |
OK, here! | 0:36:52 | 0:36:54 | |
It's Tess. | 0:37:06 | 0:37:07 | |
Yes, on the train. Yes, she's all right... | 0:37:08 | 0:37:11 | |
No... No... | 0:37:11 | 0:37:14 | |
It was Tess, wasn't it? | 0:37:14 | 0:37:15 | |
Kodjo, take that! | 0:37:44 | 0:37:46 | |
All right. | 0:37:46 | 0:37:48 | |
-Robyn, take this one. -Yup! | 0:37:48 | 0:37:49 | |
Quick as you can. | 0:37:51 | 0:37:52 | |
Walking wounded there! Kodjo, straight to resus! | 0:37:56 | 0:37:59 | |
Keep still, Rufus, we're trying to give you some pain relief. | 0:38:15 | 0:38:18 | |
OK? Rufus? | 0:38:18 | 0:38:19 | |
OK, Rufus, calm down, OK? Look into my eyes. | 0:38:19 | 0:38:22 | |
Look into my eyes. Good. | 0:38:22 | 0:38:23 | |
I sound a bit like Derren Brown, | 0:38:23 | 0:38:25 | |
but it is really important that you focus on me right now. | 0:38:25 | 0:38:28 | |
Good. Good. | 0:38:28 | 0:38:30 | |
Now, tell me where it hurts. | 0:38:30 | 0:38:32 | |
I can't.... Where's the lady? | 0:38:32 | 0:38:35 | |
The lady from the train? Tess? | 0:38:35 | 0:38:36 | |
-Yes. -She's over there. | 0:38:36 | 0:38:38 | |
I want my mum. | 0:38:41 | 0:38:43 | |
That's fine. We'll find her for you. | 0:38:43 | 0:38:44 | |
-My real mum. -OK. | 0:38:44 | 0:38:47 | |
Look, there wasn't time to wait for the cutting gear. | 0:38:48 | 0:38:51 | |
Fletch, you've got to get out of here. | 0:38:51 | 0:38:52 | |
She had 15 milligrams of morphine | 0:38:52 | 0:38:54 | |
and I set her up with a litre of saline. | 0:38:54 | 0:38:56 | |
Fletch. | 0:38:57 | 0:38:59 | |
Robyn, take him through to cubicles. | 0:39:03 | 0:39:06 | |
Yeah. Come on. | 0:39:06 | 0:39:07 | |
Come on, Fletch. | 0:39:08 | 0:39:10 | |
-Nat. -Get away from me. | 0:39:23 | 0:39:25 | |
Nat, please. | 0:39:25 | 0:39:27 | |
You made me look so stupid. I feel so stupid. | 0:39:27 | 0:39:30 | |
I confided in Tess. I mean, she practically delivered our Theo. | 0:39:30 | 0:39:34 | |
She was there at his birth. | 0:39:34 | 0:39:35 | |
She didn't want to, she didn't plan to. | 0:39:35 | 0:39:37 | |
-This isn't... -At my most vulnerable. | 0:39:37 | 0:39:38 | |
And she's helping me, looking me in the eye. | 0:39:38 | 0:39:42 | |
She was doing her job. | 0:39:42 | 0:39:43 | |
The woman was sleeping with my husband! | 0:39:43 | 0:39:46 | |
-I know. -I feel sick. Physically sick. | 0:39:47 | 0:39:50 | |
-What can I say? -Nothing. Nothing. | 0:39:52 | 0:39:55 | |
Look... | 0:39:55 | 0:39:58 | |
I'm sorry that I hurt you. | 0:39:58 | 0:39:59 | |
Do you love her? | 0:40:01 | 0:40:02 | |
Do you? | 0:40:05 | 0:40:06 | |
I can't lie to you. | 0:40:07 | 0:40:09 | |
What I've done to you and the kids... | 0:40:11 | 0:40:14 | |
-I hate myself for it. -Yeah. So you should. | 0:40:16 | 0:40:19 | |
I deserve better. | 0:40:19 | 0:40:21 | |
I know you do. | 0:40:21 | 0:40:23 | |
All right, let's take a look at this leg. | 0:40:35 | 0:40:37 | |
Out, Fletch. | 0:40:45 | 0:40:46 | |
She knows. Natalie knows about us. | 0:40:46 | 0:40:50 | |
What?! | 0:40:50 | 0:40:51 | |
I didn't want that. | 0:40:53 | 0:40:55 | |
It's too late. | 0:40:57 | 0:40:59 | |
I mean it. Out. | 0:40:59 | 0:41:01 | |
I want to talk to him. | 0:41:01 | 0:41:03 | |
Please. | 0:41:03 | 0:41:05 | |
Please. | 0:41:05 | 0:41:06 | |
Two minutes. Come on. | 0:41:06 | 0:41:09 | |
You carried me through flames. | 0:41:21 | 0:41:24 | |
I thought it was the least I could do. | 0:41:25 | 0:41:27 | |
You're a good man. | 0:41:27 | 0:41:29 | |
Not everyone agrees. | 0:41:30 | 0:41:32 | |
Make it right with her. | 0:41:34 | 0:41:36 | |
I think we're past that point. | 0:41:36 | 0:41:37 | |
Please. | 0:41:37 | 0:41:38 | |
I want to make it right with you. | 0:41:40 | 0:41:41 | |
It can't happen. | 0:41:41 | 0:41:43 | |
So you don't love me? Is that what you're saying? | 0:41:43 | 0:41:46 | |
What, you were just going to quit Holby | 0:41:48 | 0:41:50 | |
and get a job in some other hospital? | 0:41:50 | 0:41:52 | |
I can't come in here every morning and see you. | 0:41:52 | 0:41:56 | |
It hurts too much. | 0:41:56 | 0:41:58 | |
So you do love me, then? | 0:41:58 | 0:41:59 | |
Well, then let's try and make something of this and be together. | 0:42:03 | 0:42:05 | |
-No. -Yes. -You have a wife and four children. | 0:42:05 | 0:42:08 | |
I'm not going to be that woman. | 0:42:08 | 0:42:10 | |
Loving you made me hate me. | 0:42:12 | 0:42:15 | |
But together, we can make this right. | 0:42:15 | 0:42:18 | |
What we did to Natalie was wrong. | 0:42:19 | 0:42:22 | |
But in time... | 0:42:22 | 0:42:24 | |
we'll put this behind us. | 0:42:24 | 0:42:26 | |
You'll forget. | 0:42:26 | 0:42:27 | |
Please. Let me go. | 0:42:29 | 0:42:32 | |
OK. | 0:42:41 | 0:42:43 | |
I'll let you go. | 0:42:43 | 0:42:45 | |
But you have to stay. | 0:42:46 | 0:42:48 | |
-No. -Yeah. | 0:42:48 | 0:42:49 | |
If anyone goes, it's me. | 0:42:51 | 0:42:53 | |
Besides... | 0:42:56 | 0:42:58 | |
Charlie would have ginger kittens if you went. | 0:42:58 | 0:43:00 | |
-Aluminium? -£660 a tonne. | 0:43:29 | 0:43:33 | |
-Lead? -£915 a tonne. | 0:43:33 | 0:43:35 | |
Mild steel? | 0:43:35 | 0:43:36 | |
-£110 a tonne. -Good lad. | 0:43:36 | 0:43:39 | |
Listen, you can keep your eyes shut if you prefer. | 0:43:39 | 0:43:42 | |
-But you might want to look. -Greggy don't want to see. | 0:43:42 | 0:43:44 | |
At some point you're going to have to look. | 0:43:44 | 0:43:47 | |
Lily, he doesn't have to look. | 0:43:47 | 0:43:49 | |
-I've hurt my hands. -I know. | 0:43:49 | 0:43:50 | |
You don't get caught. You don't get hurt. | 0:43:50 | 0:43:53 | |
It wasn't your fault, mate. | 0:43:53 | 0:43:55 | |
You shouldn't have even been out there. | 0:43:55 | 0:43:56 | |
What exactly were you doing on the railway track? | 0:43:56 | 0:43:59 | |
Copper wire cabling. | 0:43:59 | 0:44:00 | |
-£3,8... -I want to see my son! -Mum? | 0:44:00 | 0:44:03 | |
-You stupid boy! You stupid... -That's enough! -Stupid. Bad boy! | 0:44:03 | 0:44:06 | |
Leave him alone! | 0:44:06 | 0:44:07 | |
-What did you...? -Leave him alone! -Mum, it was Jasper! | 0:44:07 | 0:44:10 | |
-You don't get caught. You don't get hurt. -Stop it! | 0:44:10 | 0:44:12 | |
-He's my son. I can hit him if I want to. -Really? | 0:44:14 | 0:44:16 | |
No, you can't! | 0:44:16 | 0:44:18 | |
This is all your fault. | 0:44:18 | 0:44:21 | |
We shouldn't have been there. It wasn't safe! | 0:44:21 | 0:44:23 | |
-They changed the schedule! -Jasper is dead. | 0:44:23 | 0:44:26 | |
It's all about you and your greed again. | 0:44:26 | 0:44:29 | |
Like it was for Dad. | 0:44:29 | 0:44:31 | |
You think we don't know how he got caught? | 0:44:31 | 0:44:33 | |
Oh, Greggy... | 0:44:35 | 0:44:37 | |
I'm sorry that I dropped you in it. | 0:44:49 | 0:44:50 | |
We survived. | 0:44:50 | 0:44:52 | |
You need to write me up. What I did was totally out of order. | 0:44:52 | 0:44:55 | |
Yes. It was. | 0:44:55 | 0:44:56 | |
I'm going to leave. | 0:44:59 | 0:45:00 | |
You'll still give me a reference, then? | 0:45:04 | 0:45:06 | |
Glowing. | 0:45:08 | 0:45:09 | |
Charlie, I... | 0:45:14 | 0:45:16 | |
Come here. | 0:45:24 | 0:45:25 | |
You're a top bloke. | 0:45:28 | 0:45:29 | |
You're an inspiration, mate. | 0:45:31 | 0:45:32 | |
I've put some money behind the bar. | 0:46:09 | 0:46:10 | |
Right. Nice one, thanks Charlie. | 0:46:10 | 0:46:12 | |
A pint please, | 0:46:12 | 0:46:13 | |
and one of those expensive dry white wines for the lady. | 0:46:13 | 0:46:16 | |
So, do you think Fletch will turn up? | 0:46:19 | 0:46:20 | |
Well, if Charlie is buying, he's bound to, isn't he? | 0:46:20 | 0:46:23 | |
Familiar. | 0:46:25 | 0:46:27 | |
That's what Big Mac said. | 0:46:27 | 0:46:28 | |
Ah, yes, Big Mac. | 0:46:28 | 0:46:30 | |
He's your emotional guru now, isn't he? | 0:46:30 | 0:46:32 | |
Yeah, I know, but, you know, there is this shorthand between us. | 0:46:32 | 0:46:37 | |
Yeah. | 0:46:39 | 0:46:41 | |
We connect, don't we? | 0:46:41 | 0:46:42 | |
We're on the same wavelength. | 0:46:43 | 0:46:45 | |
Yeah, but, you know, I'm sort of... | 0:46:45 | 0:46:48 | |
married. | 0:46:48 | 0:46:49 | |
-And you're about to be... -I'm engaged to be married, yes. | 0:46:49 | 0:46:52 | |
Is that your point or his? | 0:46:54 | 0:46:57 | |
Good point. | 0:46:57 | 0:46:58 | |
I think. | 0:46:58 | 0:47:00 | |
-Cheers. -Cheers. | 0:47:00 | 0:47:02 | |
Here we go, boys. | 0:48:06 | 0:48:07 | |
It's Fletch. | 0:48:16 | 0:48:18 | |
Fletch. Are you really going? | 0:48:18 | 0:48:22 | |
Always leave them wanting more, darling. | 0:48:22 | 0:48:24 | |
I'm really going to miss you. | 0:48:27 | 0:48:28 | |
ALL: To Fletch. | 0:48:37 | 0:48:40 |