Browse content similar to The Good Life. Check below for episodes and series from the same categories and more!
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No. No, I can't do this, Jess. | 0:00:02 | 0:00:05 | |
-The Holby Pulse? -That leaves two of you. | 0:00:05 | 0:00:07 | |
-Please! I never do anything fun! -Always wanted to do a photo shoot. | 0:00:07 | 0:00:10 | |
We can't save everyone, Ethan. | 0:00:10 | 0:00:12 | |
But I am... | 0:00:12 | 0:00:13 | |
so fed up | 0:00:13 | 0:00:15 | |
with a system that doesn't even give us a chance. | 0:00:15 | 0:00:17 | |
What's that? | 0:00:17 | 0:00:18 | |
I quit. | 0:00:19 | 0:00:20 | |
I don't know anything. | 0:00:20 | 0:00:21 | |
You should tell her the truth. Please. | 0:00:21 | 0:00:23 | |
GROANING | 0:00:23 | 0:00:24 | |
Maniac probably would've killed me if you hadn't fought him off. | 0:00:25 | 0:00:28 | |
Yeah, you dropped the complaint, | 0:00:28 | 0:00:30 | |
but they're still going on with the investigation. | 0:00:30 | 0:00:32 | |
RADIO PLAYS POP MUSIC | 0:01:08 | 0:01:10 | |
PHONE BUZZES AND RINGS | 0:01:36 | 0:01:38 | |
What do you reckon? | 0:01:43 | 0:01:44 | |
Shall I open Pandora's box? | 0:01:46 | 0:01:48 | |
Or shall I let sleeping dogs lie? | 0:01:49 | 0:01:51 | |
RINGING STOPS | 0:01:54 | 0:01:56 | |
Sleeping dogs it is. | 0:01:56 | 0:01:57 | |
PHONE RINGS | 0:02:13 | 0:02:14 | |
Dad? It's Anthony. | 0:02:21 | 0:02:23 | |
Are you there? | 0:02:23 | 0:02:24 | |
Pick up! | 0:02:26 | 0:02:27 | |
Mum, if Dad's still working, tell him it's happening today. | 0:02:31 | 0:02:34 | |
One way or the other. | 0:02:34 | 0:02:35 | |
ANSWER PHONE BEEPS | 0:02:35 | 0:02:36 | |
EMPTY PAN FIZZES | 0:02:37 | 0:02:38 | |
PHONE RINGS | 0:02:38 | 0:02:40 | |
Oh! | 0:02:40 | 0:02:41 | |
ANSWERPHONE BEEPS Hi, Big Mac, it's Rita. | 0:02:43 | 0:02:46 | |
Just a quickie to say we're looking forward to having you | 0:02:46 | 0:02:48 | |
back work today. Any problems, just let me know. | 0:02:48 | 0:02:51 | |
Oi! Steady! | 0:03:05 | 0:03:07 | |
I spent literally minutes putting that thing up. | 0:03:07 | 0:03:09 | |
Why? | 0:03:11 | 0:03:12 | |
A bit of good luck for your disciplinary. | 0:03:13 | 0:03:15 | |
What are you doing? | 0:03:16 | 0:03:18 | |
My job? | 0:03:20 | 0:03:21 | |
Aren't you supposed to be preparing? | 0:03:21 | 0:03:23 | |
It's a disciplinary, | 0:03:23 | 0:03:25 | |
it's not a maths test. | 0:03:25 | 0:03:26 | |
Fail a maths test and you get extra homework, | 0:03:29 | 0:03:32 | |
fail this and you might get another suspension. | 0:03:32 | 0:03:34 | |
Or worse. | 0:03:34 | 0:03:36 | |
Isn't going to happen. | 0:03:36 | 0:03:37 | |
How can you tell that? | 0:03:37 | 0:03:39 | |
I did nothing wrong! | 0:03:39 | 0:03:40 | |
A child was at risk. | 0:03:40 | 0:03:41 | |
I took action. I did my job. | 0:03:41 | 0:03:43 | |
This isn't my fault! | 0:03:43 | 0:03:44 | |
No. It's not. It's mine. | 0:03:44 | 0:03:47 | |
And I intend on telling them that. | 0:03:47 | 0:03:49 | |
All right, Iain? | 0:03:50 | 0:03:51 | |
All right. | 0:03:51 | 0:03:52 | |
I've requested to speak on your behalf to the disciplinary. | 0:03:54 | 0:03:57 | |
Well, thanks... | 0:03:57 | 0:03:58 | |
..but I don't need anyone fighting my battles for me. | 0:03:59 | 0:04:01 | |
Didn't stop you, did it? | 0:04:01 | 0:04:03 | |
She's got a point. | 0:04:03 | 0:04:04 | |
I'm just saying. | 0:04:05 | 0:04:06 | |
Well, the disciplinary is not until this afternoon. | 0:04:09 | 0:04:11 | |
I know, I needed to see you first. | 0:04:11 | 0:04:13 | |
-Can't it wait until after? -No. It can't. | 0:04:13 | 0:04:15 | |
Well, I'm at work. And I'm in enough trouble as it is. | 0:04:15 | 0:04:17 | |
There is not going be an after, Dix. | 0:04:17 | 0:04:20 | |
I'm leaving. Me and Olivia. | 0:04:20 | 0:04:22 | |
We're moving away. | 0:04:22 | 0:04:23 | |
Tonight. | 0:04:23 | 0:04:25 | |
What are you doing, Dad? | 0:04:45 | 0:04:47 | |
Keeping a promise. | 0:04:47 | 0:04:49 | |
Finishing what I started. | 0:04:49 | 0:04:51 | |
Something you wouldn't understand. | 0:04:51 | 0:04:52 | |
I never made any promises. | 0:04:54 | 0:04:55 | |
This was always your life, not mine. | 0:04:56 | 0:04:58 | |
I didn't mean it like that. | 0:05:02 | 0:05:03 | |
Yes, you did. You always have. | 0:05:04 | 0:05:06 | |
Mum around? | 0:05:09 | 0:05:10 | |
It'll be after nine. She'll be at Bridge Club. | 0:05:13 | 0:05:15 | |
We don't need her for this anyway. | 0:05:15 | 0:05:17 | |
Del Santos have come up with a very reasonable offer. | 0:05:19 | 0:05:22 | |
Their final offer. | 0:05:22 | 0:05:23 | |
They'll take on all the farm's debts. And yours. | 0:05:24 | 0:05:26 | |
But you have to sign. Today. | 0:05:26 | 0:05:28 | |
Look, Dad, I know how much this... | 0:05:30 | 0:05:32 | |
SAW WHIRS | 0:05:32 | 0:05:34 | |
-DROWNED OUT: -You can't just ignore this, Dad. | 0:05:34 | 0:05:36 | |
It won't go away, not this time. | 0:05:36 | 0:05:37 | |
You can't pretend it's not going to happen. | 0:05:39 | 0:05:41 | |
PINGS AND GRUNTS | 0:05:41 | 0:05:42 | |
HE GROANS | 0:05:44 | 0:05:45 | |
THEY GRUNT | 0:05:47 | 0:05:48 | |
Argh! | 0:05:50 | 0:05:51 | |
-You could have had my eye out! -Agh! | 0:05:54 | 0:05:56 | |
Better call 999. | 0:05:58 | 0:06:00 | |
It's not that bad. | 0:06:00 | 0:06:02 | |
Not for you. | 0:06:02 | 0:06:03 | |
So where are you going? | 0:06:06 | 0:06:07 | |
Cornwall. | 0:06:08 | 0:06:09 | |
Cornwall? | 0:06:10 | 0:06:11 | |
What's in Cornwall? | 0:06:13 | 0:06:15 | |
No particular order: Sun. Surf. My mum. | 0:06:15 | 0:06:19 | |
Land's End. The Eden Project. Bees. | 0:06:19 | 0:06:21 | |
Bees? | 0:06:22 | 0:06:24 | |
Yeah, quite fancy making honey. | 0:06:24 | 0:06:25 | |
Like The Good Life? | 0:06:25 | 0:06:26 | |
Think of me as Barbara. | 0:06:28 | 0:06:29 | |
What about your career? | 0:06:30 | 0:06:32 | |
Packed it in. | 0:06:32 | 0:06:33 | |
-Just like that? -Just like that. | 0:06:33 | 0:06:36 | |
But it's the job. | 0:06:36 | 0:06:37 | |
No. It's just a job. | 0:06:37 | 0:06:38 | |
I don't understand. | 0:06:41 | 0:06:42 | |
Fresh start? | 0:06:47 | 0:06:48 | |
Fresh start. | 0:06:48 | 0:06:50 | |
Well, thanks for letting me know, I guess. | 0:06:52 | 0:06:55 | |
Thing is, | 0:06:57 | 0:06:59 | |
me and Olivia, we think it might be nice if you... | 0:06:59 | 0:07:03 | |
join us. | 0:07:03 | 0:07:04 | |
Like a visit? | 0:07:04 | 0:07:05 | |
Or, maybe, something more. | 0:07:06 | 0:07:08 | |
Come with us? | 0:07:09 | 0:07:10 | |
Just leave? | 0:07:12 | 0:07:13 | |
It's not as hard as you think. | 0:07:13 | 0:07:15 | |
Dix? | 0:07:16 | 0:07:18 | |
What do you want me to say? | 0:07:20 | 0:07:21 | |
Yes? | 0:07:22 | 0:07:23 | |
Holby Control to 3006. | 0:07:25 | 0:07:27 | |
Emergency call to Riddlemere Farm. | 0:07:27 | 0:07:29 | |
Male patient, 65, severe laceration to upper arm caused by circular saw. | 0:07:29 | 0:07:34 | |
Patient is conscious and breathing normally. | 0:07:34 | 0:07:36 | |
3006 to Control, message received, over. | 0:07:37 | 0:07:39 | |
-Right, I know Riddlemere Farm. -All right, let's go. | 0:07:41 | 0:07:44 | |
Right. | 0:07:45 | 0:07:46 | |
Duty calls. | 0:07:47 | 0:07:49 | |
Course. I'll see you at the disciplinary? | 0:07:50 | 0:07:53 | |
And... | 0:07:54 | 0:07:55 | |
Olivia asked me to give you this. | 0:07:55 | 0:07:57 | |
What is it? | 0:07:58 | 0:07:59 | |
She didn't say. | 0:07:59 | 0:08:01 | |
-No. I don't want to discuss it. -Good. | 0:08:11 | 0:08:14 | |
SIRENS WAIL | 0:08:14 | 0:08:15 | |
SHOUTING | 0:08:25 | 0:08:27 | |
Watch out, old man! | 0:08:30 | 0:08:31 | |
It's beautiful, isn't it? | 0:08:35 | 0:08:37 | |
It's lovely. | 0:08:37 | 0:08:38 | |
It's really nice. | 0:08:38 | 0:08:39 | |
It's airbrushed. | 0:08:39 | 0:08:41 | |
Mac. | 0:08:41 | 0:08:42 | |
Welcome back, mate! | 0:08:42 | 0:08:43 | |
Bruce Willis is in the building! | 0:08:43 | 0:08:45 | |
Leave him alone. | 0:08:45 | 0:08:46 | |
Ah! | 0:08:47 | 0:08:48 | |
-Robyn, it's... it's you. -Most certainly is! | 0:08:48 | 0:08:51 | |
Minus a few unsightly moles. | 0:08:51 | 0:08:53 | |
Copies for everyone. | 0:08:53 | 0:08:55 | |
After all, I didn't raise the money for the infuser all by myself. | 0:08:55 | 0:08:59 | |
I do mention that in paragraph seven of the interview. | 0:08:59 | 0:09:01 | |
I couldn't possibly take your last one. | 0:09:02 | 0:09:04 | |
Oh, no, it's fine, there's plenty more where that came from. | 0:09:04 | 0:09:07 | |
-Isn't there, Max? -Yeah. She made them to do another print. | 0:09:07 | 0:09:09 | |
What have we created? | 0:09:14 | 0:09:15 | |
I do not believe it's going to end well. | 0:09:15 | 0:09:17 | |
What I don't believe is that you haven't been to see Noel yet. | 0:09:17 | 0:09:20 | |
Yeah. Well... | 0:09:22 | 0:09:24 | |
-I've been busy. -Doing what? | 0:09:24 | 0:09:25 | |
Recuperating. | 0:09:26 | 0:09:27 | |
He's not the only one that got injured, you know! | 0:09:29 | 0:09:31 | |
He's only just walked in the door. | 0:09:32 | 0:09:34 | |
After a long night single-handedly fighting crime, no doubt. | 0:09:34 | 0:09:37 | |
Mr Trappatoni in cubicles needs a PR doing for a possible rectal mass. | 0:09:48 | 0:09:52 | |
And you're telling me this because? | 0:09:52 | 0:09:54 | |
He'd prefer a digital rectal exam be performed by a male doctor. | 0:09:54 | 0:09:58 | |
You are still that, right? | 0:09:59 | 0:10:01 | |
A doctor, I mean. | 0:10:01 | 0:10:03 | |
I presume you're not going to give up on being male? | 0:10:03 | 0:10:05 | |
How did Cal take it? | 0:10:09 | 0:10:10 | |
It hasn't come up. | 0:10:15 | 0:10:16 | |
He's been distracted recently, so I've been giving him some space. | 0:10:17 | 0:10:21 | |
Mrs Beauchamp. | 0:10:39 | 0:10:40 | |
You can't accept Dr Hardy's resignation. | 0:10:42 | 0:10:45 | |
I can't? Why? | 0:10:45 | 0:10:46 | |
I... | 0:10:46 | 0:10:47 | |
He's too good a doctor. | 0:10:48 | 0:10:49 | |
We can't afford to lose someone of his calibre. | 0:10:49 | 0:10:51 | |
Well, as a general principle, I don't want anyone working here | 0:10:51 | 0:10:55 | |
whose heart's not in the job, so... | 0:10:55 | 0:10:56 | |
You can't believe that. It's Ethan. | 0:10:56 | 0:10:59 | |
People burn out, Dr Chao. | 0:10:59 | 0:11:00 | |
You should know that more than most, after Alicia. | 0:11:00 | 0:11:02 | |
It's a daily challenge here. Perhaps he's given up. | 0:11:05 | 0:11:08 | |
Maybe. | 0:11:09 | 0:11:11 | |
Doesn't mean we should give up on him. | 0:11:11 | 0:11:12 | |
She can't be serious. | 0:11:23 | 0:11:25 | |
I mean, does she really think I am going to drop everything, | 0:11:25 | 0:11:28 | |
leave my job, my friends, my entire life? | 0:11:28 | 0:11:31 | |
To be fair, after your disciplinary you might not have a job. | 0:11:31 | 0:11:34 | |
Course she's not serious, it's ridiculous. | 0:11:36 | 0:11:38 | |
DOG BARKING | 0:11:41 | 0:11:42 | |
Quickly, please. He's bleeding to death. | 0:11:43 | 0:11:46 | |
Looks like you've taken some collateral yourself, mate. | 0:11:46 | 0:11:48 | |
Let's have a look at that for you. | 0:11:48 | 0:11:50 | |
All right, Gerald. | 0:11:54 | 0:11:55 | |
You been in the wars? | 0:11:56 | 0:11:57 | |
Trying to keep pressure on it, but it... | 0:11:59 | 0:12:01 | |
it keeps bleeding. | 0:12:01 | 0:12:03 | |
Don't you worry. | 0:12:03 | 0:12:04 | |
We've got something for that. | 0:12:05 | 0:12:07 | |
Dixie, isn't it? | 0:12:09 | 0:12:11 | |
Yeah. | 0:12:11 | 0:12:12 | |
You looked after my wife a couple of times. | 0:12:12 | 0:12:14 | |
Yeah, yeah. That's right. | 0:12:14 | 0:12:16 | |
How is Nancy? | 0:12:18 | 0:12:19 | |
Ohh. | 0:12:19 | 0:12:20 | |
Two years cancer free. | 0:12:20 | 0:12:23 | |
HE GROANS | 0:12:23 | 0:12:24 | |
Just move your arm for me, mate. | 0:12:24 | 0:12:25 | |
HE GRUNTS Good man. | 0:12:25 | 0:12:27 | |
OK. | 0:12:29 | 0:12:31 | |
Right, I'm going to apply some pressure to this, all right, love? | 0:12:32 | 0:12:36 | |
Mm-hm. | 0:12:36 | 0:12:37 | |
Try and manage the bleed. | 0:12:37 | 0:12:39 | |
And then we'll get an IV line in you... | 0:12:39 | 0:12:41 | |
..and get you into hospital, OK? HE HALFSQUEALS IN PAIN | 0:12:42 | 0:12:44 | |
-Is Nancy at the house? -Mm. | 0:12:46 | 0:12:48 | |
Do you want me to go and get her for you? | 0:12:48 | 0:12:50 | |
She's at Bridge Club, apparently. I'll call her from the hospital. | 0:12:50 | 0:12:53 | |
-And you are? -Her son. | 0:12:53 | 0:12:54 | |
What happened to your other partner? | 0:12:56 | 0:12:58 | |
Erm... | 0:12:58 | 0:13:00 | |
Jeff? | 0:13:00 | 0:13:01 | |
He passed away. | 0:13:02 | 0:13:03 | |
18 months ago now. | 0:13:05 | 0:13:06 | |
Oh! I'm sorry. | 0:13:07 | 0:13:08 | |
Yeah. | 0:13:09 | 0:13:10 | |
Me too. | 0:13:11 | 0:13:13 | |
Morning! | 0:13:27 | 0:13:28 | |
Where were you last night? I thought you were coming round? | 0:13:31 | 0:13:33 | |
Oh, yeah. Sorry about that. | 0:13:33 | 0:13:35 | |
-Oh. Is that it? -A couple of mates dragged me out to the local. -Oh. | 0:13:35 | 0:13:39 | |
Stood up for a couple of pints? | 0:13:39 | 0:13:41 | |
-I wouldn't exactly call it "stood up". -Really? | 0:13:41 | 0:13:43 | |
Well, you were coming round, you didn't, so... | 0:13:43 | 0:13:45 | |
If it was that important, you could have always come over to mine. | 0:13:45 | 0:13:48 | |
Oh, I see. Some sort of punishment. | 0:13:48 | 0:13:50 | |
Punishment? | 0:13:50 | 0:13:51 | |
For not spending more time at yours. | 0:13:51 | 0:13:53 | |
-No. -No? | 0:13:53 | 0:13:54 | |
All right. | 0:13:56 | 0:13:58 | |
It was my birthday. | 0:13:58 | 0:13:59 | |
Some of my old friends dropped by unexpectedly | 0:14:00 | 0:14:02 | |
and took me out for a drink to celebrate. | 0:14:02 | 0:14:04 | |
That's all. OK? | 0:14:04 | 0:14:05 | |
PHONE RINGS | 0:14:05 | 0:14:06 | |
Sorry, I've got to take that. | 0:14:06 | 0:14:08 | |
Hello? | 0:14:11 | 0:14:12 | |
Mm-hm... | 0:14:14 | 0:14:15 | |
-Sorry. Mrs Beauchamp, you asked to see me? -Yes. | 0:14:24 | 0:14:26 | |
About your resignation. | 0:14:28 | 0:14:29 | |
I've been looking for your replacement, so... | 0:14:29 | 0:14:31 | |
-OK. If it's about my notice period, I'm... -And I've found someone. | 0:14:31 | 0:14:35 | |
-You have? -Mm. | 0:14:35 | 0:14:37 | |
Oh. Who is it? | 0:14:37 | 0:14:39 | |
Dr Shales. Paul Shales, from Edinburgh. | 0:14:39 | 0:14:41 | |
He can start immediately. | 0:14:41 | 0:14:42 | |
-How immediately? -Next week. | 0:14:42 | 0:14:44 | |
Right. | 0:14:46 | 0:14:47 | |
-That would mean... -Today's your last shift, yes. | 0:14:48 | 0:14:50 | |
I see. | 0:14:51 | 0:14:53 | |
Mm. | 0:14:53 | 0:14:55 | |
-Do you have a problem? -No, no, I suppose not. | 0:14:55 | 0:14:58 | |
It's a bit sudden. | 0:15:00 | 0:15:01 | |
Why don't you take some time to think about it, OK? | 0:15:04 | 0:15:06 | |
Wouldn't want to rush into anything. | 0:15:06 | 0:15:08 | |
Um, how much time? | 0:15:09 | 0:15:11 | |
End of today. | 0:15:12 | 0:15:13 | |
Ooh. OK. | 0:15:15 | 0:15:16 | |
Dr Chao seems to think your resigning is a mistake. | 0:15:19 | 0:15:22 | |
Does she? | 0:15:22 | 0:15:23 | |
We all have bad days now and then. | 0:15:24 | 0:15:26 | |
It's how we respond that matters. | 0:15:27 | 0:15:29 | |
End of today. | 0:15:30 | 0:15:31 | |
HE LAUGHS | 0:15:41 | 0:15:42 | |
I still haven't got used to this. | 0:15:42 | 0:15:44 | |
Being on this side. | 0:15:44 | 0:15:46 | |
I can't wait to get home. | 0:15:47 | 0:15:48 | |
Mostly importantly, my own bed. | 0:15:48 | 0:15:50 | |
You see him? | 0:15:56 | 0:15:57 | |
-Sorry? -Noel. | 0:15:57 | 0:15:58 | |
Oh, no, he's...sleeping. | 0:15:58 | 0:16:01 | |
-Yeah. Milking it for all he's worth, is he? -Yeah. | 0:16:01 | 0:16:04 | |
Have you heard from the police yet? | 0:16:04 | 0:16:06 | |
No. Should I? | 0:16:07 | 0:16:08 | |
I would have thought so. I mean... | 0:16:08 | 0:16:10 | |
with all the CCTV and everything | 0:16:10 | 0:16:12 | |
there is only a matter of time before they ID the guy that did it. | 0:16:12 | 0:16:15 | |
Aye. | 0:16:15 | 0:16:16 | |
You'll get your day in court. | 0:16:16 | 0:16:18 | |
How are you feeling, Gerald? | 0:16:20 | 0:16:21 | |
So what were you working on back there? | 0:16:24 | 0:16:26 | |
Summer house. | 0:16:26 | 0:16:27 | |
For Nancy. | 0:16:27 | 0:16:28 | |
Promised to build it for years. | 0:16:30 | 0:16:32 | |
Never seemed to find the right time though. | 0:16:33 | 0:16:35 | |
Now it's too late. | 0:16:35 | 0:16:36 | |
Anthony wants me to sell up. | 0:16:39 | 0:16:41 | |
I want you to face reality. | 0:16:41 | 0:16:43 | |
Leave the farm. | 0:16:43 | 0:16:44 | |
Leave our home. | 0:16:46 | 0:16:47 | |
-Move into care. -You're going to lose the farm one way or the other. | 0:16:48 | 0:16:52 | |
If you don't sell, it will be repossessed. | 0:16:52 | 0:16:54 | |
I've got to think about what's best for Mum, | 0:16:54 | 0:16:56 | |
even if you won't. | 0:16:56 | 0:16:57 | |
I didn't know Nancy had children. | 0:16:59 | 0:17:01 | |
Why would you have? | 0:17:01 | 0:17:02 | |
Got to know her a bit while she was fighting her bowel cancer. | 0:17:02 | 0:17:05 | |
It was complicated. | 0:17:07 | 0:17:09 | |
I'm sure it was. | 0:17:10 | 0:17:11 | |
They look better than I ever imagined! | 0:17:13 | 0:17:16 | |
-Erm, can I get some help, please? -Of course! | 0:17:17 | 0:17:20 | |
Oh guys, remember. Big Hearts? | 0:17:20 | 0:17:23 | |
DOURLY: Better hospitals. | 0:17:23 | 0:17:25 | |
Think I'm going to have to kill her. | 0:17:27 | 0:17:29 | |
Think someone should have a quiet word. | 0:17:29 | 0:17:30 | |
-Sounds like a Band Six responsibility to me. -Seconded. | 0:17:30 | 0:17:33 | |
Just remember her life and my freedom are in your hands, Lofty. | 0:17:33 | 0:17:36 | |
Drinks after work tonight? | 0:17:40 | 0:17:42 | |
Yeah, wouldn't miss it for the world. | 0:17:42 | 0:17:44 | |
But a trip to Australia? You'd miss it for that? | 0:17:44 | 0:17:46 | |
Australia? You're going on holiday? | 0:17:46 | 0:17:48 | |
You haven't told anyone? | 0:17:50 | 0:17:52 | |
Told...anyone...? Are you leaving?! | 0:17:52 | 0:17:54 | |
Sorry, didn't realise you hadn't told anyone. | 0:17:56 | 0:17:58 | |
Maybe because I wanted to tell people in my own time, | 0:17:58 | 0:18:00 | |
in my own way. | 0:18:00 | 0:18:01 | |
Or maybe you're not sure you've made the right choice. | 0:18:01 | 0:18:04 | |
I can't believe this. When are you going? | 0:18:05 | 0:18:06 | |
-Mrs Beauchamp asked to see me. -Why? | 0:18:08 | 0:18:10 | |
She's already found my replacement. | 0:18:10 | 0:18:12 | |
So this is my last shift. | 0:18:12 | 0:18:14 | |
What? | 0:18:16 | 0:18:17 | |
Patients? | 0:18:18 | 0:18:20 | |
Charlie, this is Anthony Palmer, 42. | 0:18:20 | 0:18:22 | |
Blunt trauma to the chest from a piece of flying wood. | 0:18:22 | 0:18:24 | |
He's also got splinters to his face and his chest. | 0:18:24 | 0:18:27 | |
Right, this is Gerald Palmer, 65, he's had a farmyard accident | 0:18:27 | 0:18:30 | |
with a circular saw. | 0:18:30 | 0:18:32 | |
He's got a deep cut to his upper arm with severe bleeding. | 0:18:32 | 0:18:35 | |
GCS is 15. Pulse is 110. | 0:18:35 | 0:18:38 | |
BP is 100, systolic. | 0:18:38 | 0:18:41 | |
I have given him ten of morphine, and 800 mils of saline. | 0:18:41 | 0:18:44 | |
First bay, please. | 0:18:44 | 0:18:45 | |
-Could be tricky, do you want me.... -No, thank you. | 0:18:45 | 0:18:47 | |
Right can we get a set of obs as soon as poss, please, Robyn? OK. | 0:18:51 | 0:18:54 | |
Gerald, we're going to need to take your clothes off | 0:18:54 | 0:18:56 | |
and pop a monitor on you. | 0:18:56 | 0:18:57 | |
OK, yeah, wound's still bleeding once pressure's off. | 0:19:00 | 0:19:03 | |
-Let's cross match him for four units, and can I get a suture kit, please? -OK. | 0:19:03 | 0:19:06 | |
Dix, got to go! | 0:19:06 | 0:19:07 | |
Gerald, | 0:19:09 | 0:19:10 | |
Nancy should know you're here. | 0:19:10 | 0:19:12 | |
Do you want me to call her for you? | 0:19:12 | 0:19:13 | |
She's... | 0:19:13 | 0:19:15 | |
She's... | 0:19:15 | 0:19:16 | |
She's...resting. | 0:19:18 | 0:19:19 | |
Migraines. | 0:19:21 | 0:19:22 | |
I thought you said she was at Bridge club? | 0:19:22 | 0:19:24 | |
Yes. | 0:19:24 | 0:19:26 | |
Bridge Club. | 0:19:26 | 0:19:27 | |
That's right. | 0:19:27 | 0:19:29 | |
I didn't want to worry her. | 0:19:29 | 0:19:30 | |
Well, it's going to worry her more | 0:19:30 | 0:19:32 | |
to know you've been taken to hospital and no-one said anything. | 0:19:32 | 0:19:34 | |
She's had enough hospitals for one lifetime. | 0:19:35 | 0:19:38 | |
Anyway, I'll be back before she knows I'm gone. | 0:19:39 | 0:19:42 | |
Right, Doctor? | 0:19:43 | 0:19:44 | |
Er, let's get this bleeding to stop first, yeah? | 0:19:47 | 0:19:49 | |
Great. When the blood's available, let's get him straight up, please? | 0:19:52 | 0:19:55 | |
Mrs Beauchamp said she didn't want anyone whose heart is not in it. | 0:19:55 | 0:19:58 | |
But it's not that Ethan's heart's not in it. | 0:19:59 | 0:20:01 | |
It's that he's lost faith. | 0:20:01 | 0:20:03 | |
Just can't believe she can't see that. | 0:20:03 | 0:20:05 | |
Maybe Connie's not the person you have to convince. | 0:20:05 | 0:20:08 | |
Ethan won't listen to me. | 0:20:08 | 0:20:09 | |
We're hardly on speaking terms right now. | 0:20:10 | 0:20:12 | |
Isn't that why it should come from you? | 0:20:12 | 0:20:15 | |
Right. | 0:20:15 | 0:20:16 | |
There's no indication of a fracture, Mr Palmer. | 0:20:16 | 0:20:18 | |
So we'll give you some pain relief. | 0:20:18 | 0:20:20 | |
Can I make a phone call, please? I'm trying to track down my mother. | 0:20:22 | 0:20:25 | |
Sure. We'll give you some privacy. | 0:20:26 | 0:20:28 | |
My father. | 0:20:30 | 0:20:32 | |
He'll be OK? | 0:20:32 | 0:20:33 | |
I'll check for you. | 0:20:33 | 0:20:34 | |
Thank you. | 0:20:34 | 0:20:35 | |
You've got that "about to go rogue" look on your face. | 0:20:37 | 0:20:40 | |
-I'm not about to go rogue. -Good. | 0:20:40 | 0:20:42 | |
-It's just... -Here we go. | 0:20:42 | 0:20:43 | |
Gerald said Nancy was resting with a migraine. | 0:20:43 | 0:20:46 | |
But he told the son she was at Bridge Club. | 0:20:46 | 0:20:47 | |
Yeah, maybe he just got confused? | 0:20:47 | 0:20:49 | |
Which is exactly why we should do something about it. | 0:20:49 | 0:20:51 | |
What's "rogue" about that? | 0:20:51 | 0:20:52 | |
It's just not clotting. | 0:21:01 | 0:21:03 | |
Haemophiliac? | 0:21:03 | 0:21:04 | |
Do you think I haven't asked? | 0:21:05 | 0:21:07 | |
Thrombocytopenia? | 0:21:07 | 0:21:08 | |
Platelet count on his initial FBC was normal. | 0:21:10 | 0:21:12 | |
I'm just going to test your INR, Mr Palmer, | 0:21:14 | 0:21:16 | |
just to see how your blood is clotting. | 0:21:16 | 0:21:18 | |
You're going to feel a little scratch. | 0:21:18 | 0:21:20 | |
You're thinking anti-coagulant? | 0:21:21 | 0:21:23 | |
He's not on any medication. | 0:21:26 | 0:21:28 | |
Hang on. | 0:21:29 | 0:21:31 | |
Gerald, you're a farmer, right? | 0:21:31 | 0:21:33 | |
Yeah. | 0:21:33 | 0:21:34 | |
You got rats, mice? | 0:21:35 | 0:21:37 | |
A plague of them. | 0:21:37 | 0:21:39 | |
So I'm betting you use a lot of rodenticide? | 0:21:39 | 0:21:41 | |
-Hmm. Superwarfarin exposure? -Mm. | 0:21:41 | 0:21:43 | |
How? Not through the skin? Not to cause this. | 0:21:44 | 0:21:46 | |
Does it matter? Look. | 0:21:46 | 0:21:48 | |
Wow. OK. | 0:21:48 | 0:21:50 | |
Well done, Robyn. INR is very high. | 0:21:50 | 0:21:52 | |
OK we will need a formal coag screen, some vitamin K, | 0:21:53 | 0:21:56 | |
and can we order some FFP, please? | 0:21:56 | 0:21:58 | |
Nice to be part of a team, right? | 0:21:58 | 0:21:59 | |
'Nancy?' | 0:22:01 | 0:22:02 | |
-We're here now. -We shouldn't be. | 0:22:06 | 0:22:08 | |
Why do you do this? Why do you always do this? | 0:22:08 | 0:22:10 | |
-That's my job. -No, it's not. | 0:22:10 | 0:22:12 | |
We did our job. We dropped him off at hospital. | 0:22:12 | 0:22:14 | |
This is you taking the job and turning it into something else. | 0:22:14 | 0:22:17 | |
-What? -I don't know. | 0:22:17 | 0:22:18 | |
But I hope you figure it out soon. | 0:22:19 | 0:22:21 | |
Right. I'll look upstairs. | 0:22:21 | 0:22:22 | |
Nancy? | 0:22:30 | 0:22:32 | |
Dix! | 0:22:32 | 0:22:33 | |
She's gone, mate. | 0:22:39 | 0:22:40 | |
Going by the hypostasis, I'd say she's been dead a while. | 0:22:42 | 0:22:45 | |
The FFP and vitamin K are definitely helping with the clotting. | 0:22:46 | 0:22:51 | |
So we'll have you back on the farm in no time. | 0:22:51 | 0:22:53 | |
Thank you. | 0:22:53 | 0:22:54 | |
Just the job. | 0:22:57 | 0:22:58 | |
My wife was sick. | 0:22:59 | 0:23:01 | |
Spent a lot of time in places like this. | 0:23:01 | 0:23:03 | |
Being helped by people like you. | 0:23:04 | 0:23:06 | |
How long have you been a farmer? | 0:23:10 | 0:23:12 | |
Oof! All my life! | 0:23:12 | 0:23:13 | |
And you've never grown tired of it? | 0:23:15 | 0:23:17 | |
Oh... | 0:23:17 | 0:23:19 | |
One day, I suppose. | 0:23:19 | 0:23:20 | |
What happens then? | 0:23:20 | 0:23:22 | |
I'm building a summer house for my wife. | 0:23:23 | 0:23:25 | |
When she was ill, I promised that one day, all the work would be done. | 0:23:26 | 0:23:30 | |
And we'd just sit. | 0:23:30 | 0:23:31 | |
Watch the sun set. | 0:23:32 | 0:23:33 | |
Just be together. | 0:23:34 | 0:23:36 | |
So I guess that's what I'll do. | 0:23:38 | 0:23:40 | |
Why didn't you tell me it was your birthday? | 0:23:46 | 0:23:49 | |
I didn't think of it. I really don't celebrate birthdays. | 0:23:49 | 0:23:53 | |
-Well, you did last night. -No. | 0:23:53 | 0:23:55 | |
-No, I said -I -don't celebrate it. | 0:23:55 | 0:23:57 | |
Doesn't mean others don't want to. | 0:23:57 | 0:23:59 | |
-Look, if this is about me not coming round, I really did just forget. -No. | 0:24:00 | 0:24:03 | |
No, it's not that. | 0:24:03 | 0:24:05 | |
I didn't get you a present. | 0:24:06 | 0:24:07 | |
-You didn't know. -That's not the point. | 0:24:08 | 0:24:11 | |
-Babe, it's really not a big deal. -No, it is. -Why? | 0:24:11 | 0:24:14 | |
Well, because... | 0:24:14 | 0:24:15 | |
now I feel like the bad guy. | 0:24:15 | 0:24:17 | |
HE LAUGHS | 0:24:17 | 0:24:18 | |
You laughing at me? | 0:24:20 | 0:24:21 | |
It's a relationship, Connie. | 0:24:22 | 0:24:24 | |
There doesn't have to always be a "bad guy". | 0:24:24 | 0:24:26 | |
Mrs Beauchamp? Paramedics are asking for you outside. | 0:24:27 | 0:24:29 | |
There's a situation. | 0:24:30 | 0:24:32 | |
Fine. | 0:24:32 | 0:24:33 | |
Look at what someone's done! | 0:24:36 | 0:24:37 | |
You know, you try and make this world a better place | 0:24:39 | 0:24:41 | |
and that's what someone goes and does. | 0:24:41 | 0:24:43 | |
Tall poppy syndrome, isn't it? | 0:24:43 | 0:24:45 | |
My advice? | 0:24:45 | 0:24:46 | |
Just sit back on the whole "Nurse of the Year" application, | 0:24:46 | 0:24:48 | |
and let the accolades come to you. | 0:24:48 | 0:24:50 | |
Nurse of the Year? | 0:24:50 | 0:24:51 | |
You really think I could apply for Nurse of the Year? | 0:24:52 | 0:24:55 | |
I didn't say that. Well, you could, but... | 0:24:55 | 0:24:57 | |
Just go softly, softly, yeah? | 0:24:58 | 0:24:59 | |
Nurse of the Year. | 0:24:59 | 0:25:01 | |
She passed sometime yesterday. | 0:25:12 | 0:25:14 | |
Police said there's no evidence of foul play, | 0:25:15 | 0:25:17 | |
but they couldn't get the undertaker there for a few hours, | 0:25:17 | 0:25:20 | |
so they ask us to bring her here | 0:25:20 | 0:25:22 | |
to certify the death. | 0:25:22 | 0:25:24 | |
OK. Where are the next of kin? | 0:25:24 | 0:25:25 | |
Her husband's in ED, talking as if she's alive and well. | 0:25:26 | 0:25:30 | |
Denial is a very powerful thing. | 0:25:30 | 0:25:31 | |
Psyche assessment? | 0:25:31 | 0:25:33 | |
He's not mentally ill. | 0:25:33 | 0:25:35 | |
He's just distressed and grieving. | 0:25:35 | 0:25:37 | |
I'll talk to him. | 0:25:37 | 0:25:38 | |
-Haven't you got somewhere else to be? -They can wait. | 0:25:39 | 0:25:42 | |
I know Gerald. And I knew his wife. | 0:25:42 | 0:25:45 | |
He trusts me. | 0:25:45 | 0:25:46 | |
There's been some sort of mistake. | 0:25:47 | 0:25:49 | |
She was sleeping. | 0:25:49 | 0:25:51 | |
I asked you not to disturb her. | 0:25:51 | 0:25:53 | |
You also told us that Nancy was at Bridge Club. | 0:25:53 | 0:25:55 | |
But she wasn't. | 0:25:57 | 0:25:58 | |
You do know that, don't you, Gerald? | 0:25:59 | 0:26:01 | |
You didn't even notice, did you? | 0:26:01 | 0:26:03 | |
Just got up, made breakfast, went to work. | 0:26:03 | 0:26:05 | |
Well... | 0:26:05 | 0:26:07 | |
can't pretend it's not happening any more, | 0:26:07 | 0:26:08 | |
because it's happened, and now she's GONE! | 0:26:08 | 0:26:10 | |
Hey, hey, hey, hey, that's enough. | 0:26:10 | 0:26:12 | |
It's not helping. HE SOBS | 0:26:13 | 0:26:15 | |
She's gone. | 0:26:17 | 0:26:18 | |
HE SNIFFS | 0:26:18 | 0:26:20 | |
But you're both still here. You're going to need each other. | 0:26:20 | 0:26:22 | |
He's never needed me. He's never needed anyone. | 0:26:22 | 0:26:25 | |
They never told me that Mum was ill. | 0:26:28 | 0:26:30 | |
That's why I wasn't there. | 0:26:32 | 0:26:33 | |
I didn't even know my mum had cancer | 0:26:35 | 0:26:37 | |
until she was six months in remission. | 0:26:37 | 0:26:38 | |
Can you imagine how that felt? | 0:26:40 | 0:26:41 | |
I presume you'll be taking her to the mortuary? | 0:26:45 | 0:26:47 | |
Yeah. | 0:26:48 | 0:26:49 | |
I'll speak to the funeral director. | 0:26:49 | 0:26:51 | |
Gerald? | 0:26:56 | 0:26:57 | |
May I see my wife? | 0:26:57 | 0:26:58 | |
May I see my wife, please? | 0:27:03 | 0:27:06 | |
Want to explain why "Our Saint of Big Hearts" | 0:27:11 | 0:27:13 | |
has just asked how one applies for Nurse of The Year? | 0:27:13 | 0:27:16 | |
Er...I might have said something | 0:27:16 | 0:27:18 | |
that was then taken out of context. | 0:27:18 | 0:27:19 | |
Fine. | 0:27:19 | 0:27:21 | |
-Leave Robyn to me. -What are you going to do? | 0:27:21 | 0:27:22 | |
I'll think of something. | 0:27:24 | 0:27:25 | |
You sure this is a good idea? | 0:27:26 | 0:27:28 | |
He needs to understand that she's gone. | 0:27:30 | 0:27:31 | |
He needs this to grieve. | 0:27:33 | 0:27:34 | |
Trust me. | 0:27:36 | 0:27:37 | |
I know. | 0:27:37 | 0:27:38 | |
PHONE RINGS | 0:27:54 | 0:27:55 | |
OK? | 0:28:27 | 0:28:28 | |
All right. | 0:28:31 | 0:28:32 | |
Dix? That was the office. | 0:28:35 | 0:28:38 | |
They're looking for you. | 0:28:38 | 0:28:39 | |
Your disciplinary. | 0:28:41 | 0:28:42 | |
They're ready to start. You're going to be late. | 0:28:43 | 0:28:46 | |
Shall we get you back? | 0:28:46 | 0:28:47 | |
A bit longer. Please. | 0:28:47 | 0:28:49 | |
Right. I'll stay with him till he's done. | 0:28:54 | 0:28:56 | |
Come on. Before I change my mind. | 0:28:58 | 0:28:59 | |
This afternoon, four o'clock. | 0:29:27 | 0:29:28 | |
All right. | 0:29:28 | 0:29:29 | |
Thank you, bye. | 0:29:29 | 0:29:31 | |
I've just made some calls, called in a few favours. | 0:29:34 | 0:29:37 | |
Two Michelin Star restaurant. | 0:29:38 | 0:29:40 | |
People are crawling over themselves to get a table. | 0:29:40 | 0:29:43 | |
Happy Birthday. | 0:29:43 | 0:29:44 | |
Consider us even. | 0:29:44 | 0:29:45 | |
Thanks. But I don't really like rich food. | 0:29:45 | 0:29:47 | |
I'm more of a takeaway guy myself. | 0:29:47 | 0:29:49 | |
Ah, I forgot to say. It's in Paris. | 0:29:49 | 0:29:52 | |
Overnight, First Class. | 0:29:52 | 0:29:54 | |
Please don't tell me you don't like the French. | 0:29:55 | 0:29:58 | |
You know, you really don't have to spend all this money to impress me. | 0:29:58 | 0:30:01 | |
I'm more about the simple pleasures. | 0:30:01 | 0:30:03 | |
It's your birthday, Jacob. | 0:30:03 | 0:30:04 | |
I'm getting you a gift. Like it or not. | 0:30:04 | 0:30:06 | |
Come back, Nance. | 0:30:09 | 0:30:11 | |
Please. | 0:30:13 | 0:30:14 | |
(Please.) | 0:30:16 | 0:30:17 | |
You all right, love? | 0:30:26 | 0:30:27 | |
Let's get you inside, come on. | 0:30:31 | 0:30:32 | |
Yeah! You may have seen my article on "Big Heart for a Better Hospital". | 0:30:42 | 0:30:45 | |
PING | 0:30:45 | 0:30:46 | |
Sorry. | 0:30:48 | 0:30:50 | |
Sorry, as I was saying: "Big Heart for a..." | 0:30:50 | 0:30:52 | |
PING | 0:30:52 | 0:30:53 | |
Sorry, do you mind if I call you back? Thanks. | 0:30:55 | 0:30:58 | |
You are an evil genius. | 0:31:04 | 0:31:07 | |
Brilliant. | 0:31:07 | 0:31:08 | |
Wait! | 0:31:09 | 0:31:10 | |
Stop! | 0:31:12 | 0:31:13 | |
What's your problem? | 0:31:13 | 0:31:14 | |
Oh, er... Sorry, mate. | 0:31:14 | 0:31:16 | |
Thought you were someone else. | 0:31:16 | 0:31:18 | |
You OK? You looked like you were about to hit that guy. | 0:31:20 | 0:31:22 | |
Yeah, I'm fine, just mistaken identity. | 0:31:22 | 0:31:25 | |
-You're shaking. -No, I'm fine! | 0:31:25 | 0:31:26 | |
I'm sorry. | 0:31:28 | 0:31:29 | |
Noel's going home today. Did you know? | 0:31:29 | 0:31:32 | |
I can't thank you enough for what you did for him. | 0:31:32 | 0:31:34 | |
You don't understand, OK, I didn't... | 0:31:35 | 0:31:37 | |
But whatever it is that's eating you, you need to figure it out, OK? | 0:31:37 | 0:31:41 | |
-Cos Noel needs you now more than ever. -Why? | 0:31:41 | 0:31:43 | |
You're his best friend. | 0:31:44 | 0:31:45 | |
-How'd it go? -Yeah, pretty well, I think. | 0:31:58 | 0:32:01 | |
Right. What did you say? | 0:32:01 | 0:32:02 | |
Well, the truth. That you were doing your job. | 0:32:04 | 0:32:07 | |
I was in denial. | 0:32:07 | 0:32:08 | |
I was scared. | 0:32:08 | 0:32:10 | |
And you protected my daughter when I couldn't. | 0:32:10 | 0:32:12 | |
Or wouldn't. | 0:32:12 | 0:32:13 | |
Jess, that's not fair. | 0:32:13 | 0:32:14 | |
It's the truth. It is, and sometimes truth hurts. | 0:32:14 | 0:32:16 | |
And if they can't see that, | 0:32:16 | 0:32:18 | |
then they don't deserve you. | 0:32:18 | 0:32:19 | |
Did you mean what you said earlier? | 0:32:21 | 0:32:23 | |
About coming with us? | 0:32:24 | 0:32:25 | |
Yeah. Every word. | 0:32:25 | 0:32:27 | |
You know it's not possible, right? | 0:32:27 | 0:32:28 | |
No. I don't. | 0:32:28 | 0:32:30 | |
-What, you want a list of reasons why coming me with you...? -OK, OK. | 0:32:32 | 0:32:35 | |
Your career, your home, | 0:32:35 | 0:32:37 | |
I've come out of an abusive relationship | 0:32:37 | 0:32:39 | |
and I can't be trusted emotionally, | 0:32:39 | 0:32:40 | |
Olivia needs and deserves stability, | 0:32:40 | 0:32:42 | |
and, after months of mutual attraction, | 0:32:42 | 0:32:45 | |
we've shared one measly kiss. | 0:32:45 | 0:32:47 | |
One tiny little moment. | 0:32:47 | 0:32:48 | |
Did I miss anything? | 0:32:48 | 0:32:49 | |
Little Abs? | 0:32:51 | 0:32:52 | |
There is enough room in Cornwall for a dog! | 0:32:52 | 0:32:55 | |
Yes, I've come out of a difficult situation. | 0:32:58 | 0:33:02 | |
I know all that, but it doesn't change how I feel about you. | 0:33:02 | 0:33:05 | |
Question is, do you feel the same about me? | 0:33:08 | 0:33:10 | |
We're ready for you now. | 0:33:13 | 0:33:14 | |
Lily. | 0:33:26 | 0:33:27 | |
Did you really ask Mrs Beauchamp to reject my resignation? | 0:33:28 | 0:33:31 | |
Yes, I did. | 0:33:34 | 0:33:35 | |
Why? | 0:33:36 | 0:33:37 | |
Because we can't afford to lose you. | 0:33:37 | 0:33:39 | |
Doctors come and go all the time. | 0:33:41 | 0:33:43 | |
I can't afford to lose you. | 0:33:45 | 0:33:46 | |
You're my friend. | 0:33:48 | 0:33:49 | |
My best friend. | 0:33:49 | 0:33:50 | |
My only friend. | 0:33:51 | 0:33:53 | |
Selfish, I know. | 0:33:53 | 0:33:55 | |
But there it is. | 0:33:55 | 0:33:56 | |
Mr Palmer's X-ray and INR notes. | 0:33:57 | 0:34:02 | |
But he's gone. | 0:34:02 | 0:34:04 | |
-He's gone? -He stole an ambulance. | 0:34:04 | 0:34:06 | |
We really need to find him. | 0:34:07 | 0:34:08 | |
No foreign bodies in the laceration. | 0:34:10 | 0:34:12 | |
No, no, it's not the laceration I'm concerned about. | 0:34:12 | 0:34:14 | |
He must have suffered some form of blunt chest trauma. | 0:34:14 | 0:34:17 | |
It's a pneumothorax? | 0:34:17 | 0:34:18 | |
Yeah. | 0:34:18 | 0:34:19 | |
Tiny, but... | 0:34:19 | 0:34:21 | |
I missed it. | 0:34:21 | 0:34:22 | |
What happened? | 0:34:26 | 0:34:27 | |
Written warning. | 0:34:29 | 0:34:30 | |
-Oh, that's not fair. I'll tell them. -No. It's fine. | 0:34:30 | 0:34:32 | |
No, it's not. It wasn't your fault. | 0:34:32 | 0:34:34 | |
Jess. It's fine. It's a written warning. | 0:34:34 | 0:34:36 | |
Then they tapped me up for a promotion. | 0:34:37 | 0:34:39 | |
They want me to apply. | 0:34:39 | 0:34:41 | |
-You want to run this place? -It's all I've ever wanted. | 0:34:41 | 0:34:43 | |
Right. | 0:34:46 | 0:34:47 | |
Well... | 0:34:48 | 0:34:50 | |
Wow. Congratulations, I guess. | 0:34:50 | 0:34:53 | |
I'm going to go, I need to collect Olivia. | 0:34:57 | 0:35:00 | |
What is it you're so scared of? | 0:35:02 | 0:35:04 | |
What part of love terrifies you? | 0:35:04 | 0:35:07 | |
It doesn't. | 0:35:07 | 0:35:08 | |
Don't lie. | 0:35:08 | 0:35:09 | |
Don't. | 0:35:09 | 0:35:10 | |
I know what affection feels like. | 0:35:12 | 0:35:15 | |
Warmth and connection. | 0:35:17 | 0:35:19 | |
We have that... | 0:35:20 | 0:35:21 | |
..and you know it. | 0:35:23 | 0:35:24 | |
But as soon as it gets real, you run. Why? | 0:35:26 | 0:35:28 | |
-Is it me? -No. | 0:35:30 | 0:35:31 | |
Well, then what is it? | 0:35:31 | 0:35:32 | |
I love my job. | 0:35:33 | 0:35:34 | |
It's my life. It always has been. I'm needed here. | 0:35:35 | 0:35:39 | |
I'd always be worried there's not enough left over for you | 0:35:39 | 0:35:41 | |
and Olivia, and you deserve so much more than that. | 0:35:41 | 0:35:44 | |
Oh, Dixie. | 0:35:44 | 0:35:46 | |
Don't you see? | 0:35:48 | 0:35:50 | |
You deserve more too. | 0:35:50 | 0:35:51 | |
Bye, Dixie. | 0:36:09 | 0:36:10 | |
-What now? -Your farmer. | 0:36:18 | 0:36:20 | |
He's only gone and nicked the ambo. | 0:36:20 | 0:36:22 | |
-What?! -Police have been informed. They're tracking it now. | 0:36:22 | 0:36:25 | |
There's no need. | 0:36:26 | 0:36:28 | |
I know where he's gone. | 0:36:28 | 0:36:29 | |
HE WHEEZES | 0:36:35 | 0:36:36 | |
WOOD CLATTERING | 0:36:44 | 0:36:45 | |
HORN HELD DOWN | 0:36:47 | 0:36:49 | |
HORN BLARES | 0:36:49 | 0:36:50 | |
DOG BARKS | 0:36:50 | 0:36:51 | |
You going home? | 0:37:01 | 0:37:02 | |
No, I'm going to collect Noel. He's getting discharged. | 0:37:02 | 0:37:05 | |
Come too. | 0:37:05 | 0:37:06 | |
Louise. | 0:37:12 | 0:37:13 | |
People keep calling me a hero. | 0:37:14 | 0:37:16 | |
I don't feel like one. | 0:37:18 | 0:37:20 | |
Noel doesn't need you to be a hero, Mac. | 0:37:20 | 0:37:22 | |
He just needs you. | 0:37:23 | 0:37:24 | |
Come on. | 0:37:26 | 0:37:28 | |
Why do you always get us into these situations? | 0:37:29 | 0:37:32 | |
Pot. Kettle. | 0:37:32 | 0:37:34 | |
Yada-yada-yada. | 0:37:34 | 0:37:35 | |
At least when I do it, its fun. | 0:37:35 | 0:37:37 | |
-RADIO: -3009 to Control. Dr Ethan Hardy advises patient Gerald Palmer has an untreated pneumothorax. | 0:37:37 | 0:37:42 | |
OK. | 0:37:43 | 0:37:44 | |
Right, call it in! | 0:37:44 | 0:37:45 | |
Gerald?! | 0:37:48 | 0:37:49 | |
3009 to Control. 3006 has collided with a building at Riddlemere Farm. | 0:37:52 | 0:37:57 | |
Injuries at present unknown. | 0:37:57 | 0:37:59 | |
Over. | 0:37:59 | 0:38:00 | |
Gerald? | 0:38:06 | 0:38:07 | |
She won't come back, Dixie. | 0:38:08 | 0:38:10 | |
I'm coming in. | 0:38:14 | 0:38:16 | |
You need to let me help you, Gerald. | 0:38:27 | 0:38:28 | |
You can't. | 0:38:30 | 0:38:31 | |
I can! | 0:38:31 | 0:38:32 | |
It's what I do! | 0:38:32 | 0:38:33 | |
Let me look at that arm. | 0:38:34 | 0:38:36 | |
Just go! | 0:38:38 | 0:38:39 | |
You've got a collapsed lung, | 0:38:40 | 0:38:42 | |
a pneumothorax. | 0:38:42 | 0:38:44 | |
If I don't help you, you'll die. | 0:38:45 | 0:38:46 | |
Don't you understand? | 0:38:48 | 0:38:50 | |
I don't care. | 0:38:51 | 0:38:53 | |
I do. | 0:38:53 | 0:38:54 | |
-Why? -It's my job. | 0:38:54 | 0:38:55 | |
Now let Nancy go, and come with me. | 0:38:57 | 0:38:59 | |
I'm not leaving her. | 0:38:59 | 0:39:02 | |
She's already left you, Gerald. | 0:39:02 | 0:39:03 | |
-TEARFULLY, BROKEN: -I can't! | 0:39:08 | 0:39:10 | |
50 years. | 0:39:12 | 0:39:13 | |
I can't leave her now. | 0:39:16 | 0:39:17 | |
You don't understand. | 0:39:20 | 0:39:22 | |
I do. | 0:39:22 | 0:39:23 | |
I understand perfectly. | 0:39:23 | 0:39:25 | |
My husband, Jeff, my best mate. | 0:39:26 | 0:39:29 | |
He was blown to bits. | 0:39:29 | 0:39:30 | |
My protege, beautiful Polly, | 0:39:31 | 0:39:33 | |
she bled to death in front of me. | 0:39:33 | 0:39:35 | |
My girlfriend, Carol. | 0:39:35 | 0:39:36 | |
So many people I love. | 0:39:36 | 0:39:38 | |
Death surrounds me. | 0:39:40 | 0:39:42 | |
And it terrifies me so much that I can barely breathe | 0:39:44 | 0:39:47 | |
when I think of letting myself love someone. | 0:39:47 | 0:39:49 | |
I know grief. | 0:39:52 | 0:39:53 | |
And I know it hurts. | 0:39:54 | 0:39:56 | |
And I know Nancy was a beautiful woman | 0:39:59 | 0:40:02 | |
who loved you very much. | 0:40:02 | 0:40:04 | |
But I also know she's dead. | 0:40:07 | 0:40:09 | |
So you take my hand. | 0:40:11 | 0:40:13 | |
Let her go. | 0:40:15 | 0:40:16 | |
SIRENS APPROACHING | 0:40:16 | 0:40:18 | |
All right. | 0:40:26 | 0:40:27 | |
There we go. | 0:40:31 | 0:40:32 | |
Where have you been? | 0:40:40 | 0:40:42 | |
Oh, you know... | 0:40:43 | 0:40:44 | |
Fighting crime single-handed, | 0:40:45 | 0:40:47 | |
keeping the streets safe for the likes of you! | 0:40:47 | 0:40:49 | |
Thank you, my friend. | 0:41:00 | 0:41:01 | |
Thank you. | 0:41:03 | 0:41:04 | |
Some day, eh? | 0:41:14 | 0:41:15 | |
It's been interesting. | 0:41:17 | 0:41:18 | |
So come on, then. | 0:41:19 | 0:41:20 | |
-Is it true you've been tapped up for a promotion? -Yeah. | 0:41:20 | 0:41:23 | |
-And you said yeah? -Mm-hm. | 0:41:23 | 0:41:26 | |
I knew you wouldn't leave me. | 0:41:26 | 0:41:27 | |
Leave this. You could never leave this. | 0:41:27 | 0:41:29 | |
-See you in the pub. -All right. | 0:41:31 | 0:41:32 | |
I thought he didn't tell me about Mum's cancer | 0:41:38 | 0:41:40 | |
because of how I'd deal with it. | 0:41:40 | 0:41:42 | |
But it was because he couldn't deal with it. | 0:41:43 | 0:41:44 | |
Couldn't face losing her. | 0:41:44 | 0:41:46 | |
Couldn't be alone. | 0:41:46 | 0:41:47 | |
Er, he's... | 0:41:51 | 0:41:52 | |
he's groggy, but he's fine. | 0:41:52 | 0:41:54 | |
You can see him, if you like, before we transfer him. | 0:41:55 | 0:41:57 | |
-I don't know how to thank you both. -You don't have to. | 0:41:57 | 0:42:00 | |
It's the job. | 0:42:01 | 0:42:02 | |
I heard a rumour... that you're leaving. | 0:42:07 | 0:42:11 | |
You coming for drinks after work? | 0:42:14 | 0:42:16 | |
How could you leave this? | 0:42:16 | 0:42:18 | |
I'm not sure I know any more. | 0:42:23 | 0:42:24 | |
Excuse me. | 0:42:27 | 0:42:28 | |
Dr Hardy. | 0:42:51 | 0:42:53 | |
Have you made your decision? | 0:42:53 | 0:42:54 | |
I have. | 0:42:55 | 0:42:56 | |
Leave today, or in a month? | 0:42:58 | 0:42:59 | |
Is there a third option? | 0:43:00 | 0:43:01 | |
Depends on the option. | 0:43:01 | 0:43:02 | |
I stay. | 0:43:04 | 0:43:05 | |
I'm very glad to hear it. | 0:43:08 | 0:43:09 | |
Thanks. | 0:43:11 | 0:43:13 | |
You dropped... | 0:43:15 | 0:43:16 | |
Paul Shales. | 0:43:22 | 0:43:23 | |
Yup. | 0:43:23 | 0:43:24 | |
You'll give Dr Paul Shales the bad news? | 0:43:24 | 0:43:27 | |
I'll let him down gently. | 0:43:27 | 0:43:28 | |
MUSIC PLAYING | 0:43:43 | 0:43:45 | |
CHATTERING AND LAUGHTER | 0:43:45 | 0:43:47 | |
Ooh! | 0:43:49 | 0:43:50 | |
Hey, he's treating me. For once. | 0:43:50 | 0:43:52 | |
So you went in expecting a slapped wrist and come out promoted? | 0:43:56 | 0:43:59 | |
That's not a bad day's work, is it? | 0:43:59 | 0:44:00 | |
Nah, guess not. | 0:44:00 | 0:44:01 | |
It's great, Dix. You deserve it. You've worked hard. | 0:44:01 | 0:44:04 | |
Oh, before I forget... | 0:44:06 | 0:44:08 | |
I found this in your jacket | 0:44:08 | 0:44:10 | |
in the back of the ambulance that the farmer crashed. | 0:44:10 | 0:44:12 | |
What's wrong? | 0:44:24 | 0:44:25 | |
She was right. | 0:44:30 | 0:44:31 | |
Jess was right. | 0:44:33 | 0:44:34 | |
-I've got to go. -Hang on. | 0:44:42 | 0:44:43 | |
-Whatever you're thinking, don't... -I'm going rogue one last time. | 0:44:43 | 0:44:45 | |
No, you can't... | 0:44:45 | 0:44:47 | |
I have to. | 0:44:47 | 0:44:49 | |
Now, you told me to figure it out. | 0:44:49 | 0:44:50 | |
This is me figuring it out. | 0:44:52 | 0:44:53 | |
Thanks, buddy. | 0:44:58 | 0:44:59 | |
Oh, there he is! | 0:45:06 | 0:45:08 | |
-APPLAUSE -Man of the hour. | 0:45:08 | 0:45:09 | |
Leaving to sunny Australia. | 0:45:09 | 0:45:11 | |
Um, actually, I'm not. | 0:45:13 | 0:45:14 | |
-I'm not going. -To Australia? | 0:45:16 | 0:45:18 | |
-AUSSIE ACCENT: -Not to anywhere, mate. | 0:45:18 | 0:45:20 | |
I've rescinded my resignation. | 0:45:20 | 0:45:21 | |
What happened? What made you change your mind? | 0:45:23 | 0:45:25 | |
A friend. | 0:45:25 | 0:45:26 | |
A good friend convinced me that I was needed here. | 0:45:26 | 0:45:30 | |
Lily. | 0:45:35 | 0:45:36 | |
Listen, I don't know if you've seen this month's regional newsletter? | 0:45:39 | 0:45:43 | |
-It's, er... -PING | 0:45:43 | 0:45:44 | |
What is that?! | 0:45:45 | 0:45:47 | |
Right, anyway, as I was saying, the regional newsletter... | 0:45:48 | 0:45:50 | |
PING | 0:45:50 | 0:45:51 | |
GIGGLING | 0:45:51 | 0:45:52 | |
Sorry! | 0:45:52 | 0:45:54 | |
Have been going on about this a bit too much? | 0:45:57 | 0:45:59 | |
LAUGHTER | 0:45:59 | 0:46:00 | |
Toothbrush, moisturiser, conditioner. | 0:46:17 | 0:46:20 | |
Mm. | 0:46:20 | 0:46:21 | |
What, trying to tell me something about my personal grooming? | 0:46:21 | 0:46:24 | |
It's not for you, it's for me. | 0:46:24 | 0:46:25 | |
Everything a girl needs for a sleepover. | 0:46:26 | 0:46:28 | |
So... | 0:46:33 | 0:46:34 | |
..if this isn't my present? Then... | 0:46:35 | 0:46:37 | |
Happy Birthday. | 0:46:39 | 0:46:40 | |
Want to take me home and unwrap me? | 0:46:42 | 0:46:43 | |
Dixie! | 0:46:57 | 0:46:58 | |
I quit my job. | 0:47:05 | 0:47:07 | |
Just like that? | 0:47:07 | 0:47:08 | |
Just like that. | 0:47:08 | 0:47:09 | |
That's a big leap for a career girl. | 0:47:11 | 0:47:13 | |
What made you do it? | 0:47:13 | 0:47:15 | |
I got a letter! | 0:47:20 | 0:47:21 | |
THEY GIGGLE | 0:47:24 | 0:47:25 | |
'Dear Dixie, | 0:47:25 | 0:47:26 | |
'I'm writing you this letter because we're moving away... | 0:47:26 | 0:47:30 | |
'..and I didn't know how to say goodbye. | 0:47:31 | 0:47:33 | |
'Mum says it's not really goodbye... | 0:47:35 | 0:47:37 | |
'..cos you'll always be there, in our memories... | 0:47:38 | 0:47:41 | |
'..in our hearts... | 0:47:42 | 0:47:44 | |
'..how you helped us when we needed it. | 0:47:45 | 0:47:48 | |
'So I'm not afraid of saying goodbye. | 0:47:49 | 0:47:52 | |
'You made me feel loved. | 0:47:52 | 0:47:54 | |
'You made me feel protected...' | 0:47:54 | 0:47:56 | |
Look after yourself, all right? | 0:47:57 | 0:47:59 | |
'..cos sometimes you have to.' | 0:47:59 | 0:48:01 | |
-Ooh! -Going to miss you! | 0:48:02 | 0:48:03 | |
'Even though it's sad...' | 0:48:05 | 0:48:06 | |
Bye! | 0:48:06 | 0:48:07 | |
'..it's not forever.' | 0:48:07 | 0:48:09 | |
Shall we get going? | 0:48:09 | 0:48:10 | |
COME ON, THEN! | 0:48:10 | 0:48:11 | |
LAUGHTER | 0:48:11 | 0:48:13 | |
'..cos I know I'll see you again... | 0:48:13 | 0:48:16 | |
'to keep me safe... | 0:48:16 | 0:48:17 | |
'..to make me feel loved...' | 0:48:18 | 0:48:20 | |
SHE LAUGHS | 0:48:20 | 0:48:21 | |
-Ta-ra, sweethearts. -Look after yourself. Be good. | 0:48:21 | 0:48:24 | |
'..to be a family. You see? | 0:48:24 | 0:48:26 | |
'I made a wish. | 0:48:28 | 0:48:29 | |
'And wishes come true.' | 0:48:30 | 0:48:33 |