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I need a clean break, Connie. I'm sure you know what I mean. | 0:00:02 | 0:00:05 | |
There's nothing I can do to make you change your mind? | 0:00:05 | 0:00:07 | |
This is our new Band 5 nurse, David Hide. | 0:00:09 | 0:00:13 | |
Odd fish. | 0:00:13 | 0:00:14 | |
Connor's mum's in a... critical condition. | 0:00:16 | 0:00:19 | |
I know... | 0:00:19 | 0:00:21 | |
cos I put her in it. | 0:00:21 | 0:00:23 | |
I'm pregnant. | 0:00:23 | 0:00:24 | |
PHONE MESSAGE: 'Isn't fair - | 0:00:24 | 0:00:25 | |
'I just want to talk to you, and I can't talk to you. | 0:00:25 | 0:00:27 | |
'I want to kiss you, and I can't kiss you...' | 0:00:27 | 0:00:30 | |
SHE PANTS | 0:01:07 | 0:01:09 | |
My day started so much better than this. | 0:01:11 | 0:01:13 | |
MAN GAGS | 0:01:13 | 0:01:15 | |
HE GROANS | 0:01:17 | 0:01:18 | |
HE CHOKES AND SPLUTTERS | 0:01:25 | 0:01:27 | |
So much better. | 0:01:32 | 0:01:33 | |
MUSIC: No-one Knows by Queens of the Stone Age | 0:01:35 | 0:01:37 | |
-It's easy. -No, it isn't. | 0:01:37 | 0:01:39 | |
Anyone could do it. This is what I see, right? | 0:01:39 | 0:01:41 | |
"Can I get some Cs and Us. | 0:01:41 | 0:01:42 | |
"I'll put my hand on my forehead so I look pensive." | 0:01:42 | 0:01:45 | |
-What?! -"Can someone fetch Robin? | 0:01:45 | 0:01:46 | |
"She hasn't bagged a patient for at least ten minutes." | 0:01:46 | 0:01:49 | |
-That is not me. -"OK, now I'm going to say 'OK', | 0:01:49 | 0:01:51 | |
"cos that's how I start off every sentence." | 0:01:51 | 0:01:53 | |
"I'm going to need masses of gases. | 0:01:53 | 0:01:54 | |
"Now, I'm going to tuck my hair behind my ears | 0:01:54 | 0:01:56 | |
"for no apparent reason. Maybe it's to distract people from the wildly | 0:01:56 | 0:01:59 | |
"inappropriate footwear I've got on | 0:01:59 | 0:02:01 | |
"during this life and death situation." | 0:02:01 | 0:02:04 | |
I can't kiss you when I'm laughing. | 0:02:04 | 0:02:05 | |
Yes, you can. Open your mouth, say, "Ah..." | 0:02:05 | 0:02:07 | |
MAN GAGS | 0:02:14 | 0:02:16 | |
Hi. New doc, first day. | 0:02:18 | 0:02:21 | |
Old doc, last day. | 0:02:21 | 0:02:22 | |
-How's he doing? -Jaw's broken, | 0:02:22 | 0:02:25 | |
his teeth are probably lodged in the back of his throat, | 0:02:25 | 0:02:27 | |
and I cannot get this arm to stop bleeding. | 0:02:27 | 0:02:29 | |
Aside from that, he's as right as rain(!) | 0:02:29 | 0:02:33 | |
-Do you want to end up like him? -Do you? | 0:02:33 | 0:02:35 | |
You know he could die down here? | 0:02:37 | 0:02:39 | |
Oh, so what? | 0:02:39 | 0:02:40 | |
Accidents happen. | 0:02:41 | 0:02:43 | |
She seriously needs her head examined. | 0:02:43 | 0:02:45 | |
Yeah, take a closer look... | 0:02:45 | 0:02:47 | |
and you'll see everybody does. | 0:02:47 | 0:02:49 | |
I handed my notice in a month ago. | 0:03:01 | 0:03:03 | |
Yeah, wondering why the flat was so empty. | 0:03:05 | 0:03:08 | |
A job came up, I took it. | 0:03:08 | 0:03:11 | |
Michigan? | 0:03:15 | 0:03:16 | |
Today? | 0:03:18 | 0:03:19 | |
Today. | 0:03:19 | 0:03:21 | |
I couldn't say no. | 0:03:23 | 0:03:25 | |
What young...ish, | 0:03:25 | 0:03:28 | |
free, single person would? | 0:03:28 | 0:03:31 | |
So I should definitely go, then, yeah? | 0:03:34 | 0:03:37 | |
What's that song...? | 0:03:37 | 0:03:39 | |
"It's early morn, the taxi's blowing its horn..." | 0:03:39 | 0:03:41 | |
"Take me home, country road?" | 0:03:42 | 0:03:44 | |
I'm pretty sure it's something else, but... | 0:03:47 | 0:03:50 | |
(it'll come to me.) | 0:03:50 | 0:03:52 | |
He's losing a lot of blood. | 0:03:56 | 0:03:58 | |
What's that for? | 0:04:02 | 0:04:03 | |
He's calling a cab(!) | 0:04:03 | 0:04:05 | |
Your friend is really bugging me. | 0:04:06 | 0:04:07 | |
Friend? I've only just met her. | 0:04:07 | 0:04:09 | |
Either way, I'll cut her tongue out. | 0:04:09 | 0:04:11 | |
Listen to me, Shelle, he needs to get to hospital - | 0:04:13 | 0:04:16 | |
it's just across the road. | 0:04:16 | 0:04:17 | |
You don't want to go down for murder. | 0:04:17 | 0:04:19 | |
I aren't going down for anything. | 0:04:19 | 0:04:21 | |
Just need to work this out. | 0:04:22 | 0:04:24 | |
-Just need some time to think. -Answers on a postcard(!) | 0:04:24 | 0:04:26 | |
One dead, two dead... | 0:04:28 | 0:04:30 | |
(..makes no difference to me.) | 0:04:31 | 0:04:33 | |
MAN PANTS | 0:04:34 | 0:04:35 | |
Welcome to Holby(!) | 0:04:40 | 0:04:42 | |
Glad you came? | 0:04:42 | 0:04:43 | |
MAN PANTS | 0:04:43 | 0:04:45 | |
ALARM CLOCK BEEPS | 0:04:47 | 0:04:49 | |
Guys, it's tomorrow. | 0:04:50 | 0:04:52 | |
Right. | 0:04:54 | 0:04:55 | |
INDISTINCT SPEECH ON RADIO | 0:04:59 | 0:05:01 | |
SHE GRUNTS | 0:05:04 | 0:05:06 | |
MUFFLED MUSIC PLAYS | 0:05:10 | 0:05:12 | |
SHE GROANS | 0:05:13 | 0:05:15 | |
DISH CLATTERS | 0:05:17 | 0:05:18 | |
Guys! | 0:05:23 | 0:05:25 | |
Move your butts! | 0:05:25 | 0:05:27 | |
ALARM CONTINUES TO BEEP | 0:05:32 | 0:05:34 | |
CACOPHONY OF NOISE BUILDS | 0:05:34 | 0:05:35 | |
NOISE STOPS | 0:05:38 | 0:05:39 | |
SHE EXHALES | 0:05:39 | 0:05:41 | |
KEYS RATTLE | 0:05:43 | 0:05:44 | |
# I was cryin' | 0:05:47 | 0:05:49 | |
# When I met you | 0:05:49 | 0:05:50 | |
# Now I'm tryin' to forget you... # | 0:05:50 | 0:05:53 | |
SHE EXHALES | 0:05:53 | 0:05:55 | |
# Love is sweet misery... # | 0:05:55 | 0:05:58 | |
ENGINE STARTS | 0:05:58 | 0:06:00 | |
# I was cryin' just to get you... # | 0:06:00 | 0:06:02 | |
ENGINE STOPS | 0:06:02 | 0:06:03 | |
# Now I'm dyin' cos I let you... # | 0:06:03 | 0:06:07 | |
-I can't believe you want to come in. -I've got to clear my desk, | 0:06:10 | 0:06:13 | |
do a bit of admin, | 0:06:13 | 0:06:14 | |
say a few goodbyes. | 0:06:14 | 0:06:15 | |
Who else knows you're leaving? | 0:06:17 | 0:06:19 | |
Connie, the board - they had to find my replacement - | 0:06:19 | 0:06:21 | |
but no-one else. Not yet. | 0:06:21 | 0:06:23 | |
Not Charlie or Dylan? | 0:06:23 | 0:06:26 | |
Mm. Still working on that. | 0:06:26 | 0:06:28 | |
At least we haven't got to buy you a leaving present. | 0:06:29 | 0:06:32 | |
That's win-win. | 0:06:32 | 0:06:33 | |
You see, that's me - kind to the end. | 0:06:33 | 0:06:35 | |
I... | 0:06:38 | 0:06:39 | |
..can't let you show up naked. | 0:06:41 | 0:06:42 | |
-That would be wrong. -That would be very wrong. | 0:06:42 | 0:06:45 | |
Come on. I'll lug this for you. | 0:06:45 | 0:06:48 | |
So... | 0:06:49 | 0:06:50 | |
I'm just thinking out loud here, but let's say | 0:06:50 | 0:06:52 | |
-you did show up naked... -Which I wouldn't. | 0:06:52 | 0:06:54 | |
But let's say you did. | 0:06:54 | 0:06:55 | |
That would be QUITE a leaving present, from you to us, I mean. | 0:06:55 | 0:06:58 | |
Imagine Big Mac. | 0:06:58 | 0:06:59 | |
-He'd erect... -Max. -..a massive plaque. | 0:06:59 | 0:07:02 | |
-What is wrong with you? -Nothing's wrong with me. | 0:07:02 | 0:07:04 | |
I'm not going to get naked. | 0:07:04 | 0:07:05 | |
What you doing now? | 0:07:10 | 0:07:12 | |
Call it a leaving present. | 0:07:12 | 0:07:14 | |
I'm going to help you with the plan, Shelle. | 0:07:15 | 0:07:18 | |
The first thing you need is for Vince to stay alive. | 0:07:18 | 0:07:21 | |
-SHELLE: -What, using a bra? -He needs a tourniquet. | 0:07:21 | 0:07:24 | |
That's French for something tight. | 0:07:24 | 0:07:26 | |
You should see what you we can do with our knickers. | 0:07:26 | 0:07:28 | |
Second thing...run. | 0:07:28 | 0:07:31 | |
Take off. I don't care about you. | 0:07:31 | 0:07:32 | |
Get this far away from here as you can. | 0:07:32 | 0:07:34 | |
Just shut up! | 0:07:34 | 0:07:36 | |
HE GASPS | 0:07:38 | 0:07:40 | |
MOBILE PHONE RINGS | 0:07:40 | 0:07:42 | |
Hello, babe. | 0:07:49 | 0:07:50 | |
'Vince. Vince.' | 0:07:50 | 0:07:52 | |
Mercedes, calm down. | 0:07:52 | 0:07:54 | |
'Shelle just called.' | 0:07:54 | 0:07:55 | |
She's coming. | 0:07:55 | 0:07:56 | |
She's coming here. | 0:07:56 | 0:07:58 | |
No, listen to me, look... | 0:07:58 | 0:07:59 | |
Hello? Hello? | 0:07:59 | 0:08:01 | |
Vince? | 0:08:01 | 0:08:03 | |
SHE MOANS | 0:08:03 | 0:08:04 | |
No, no, no, no, no. | 0:08:11 | 0:08:13 | |
MUSIC: All My Life by Foo Fighters | 0:08:13 | 0:08:15 | |
HORN BLARES | 0:08:18 | 0:08:20 | |
Oh, come on, mate, while we're still young, yeah? | 0:08:23 | 0:08:25 | |
# All my life I've been searching for something | 0:08:25 | 0:08:27 | |
# Something never comes Never leads to nothing | 0:08:27 | 0:08:30 | |
# Nothing satisfies but I'm getting close | 0:08:30 | 0:08:33 | |
# Closer to the prize at the end of the rope... # | 0:08:33 | 0:08:35 | |
REVERSE ALERT BEEPS | 0:08:35 | 0:08:37 | |
# I dream of the day | 0:08:37 | 0:08:39 | |
# When it comes around then it's taken away... # | 0:08:39 | 0:08:41 | |
I haven't sinned in 20 years. | 0:08:42 | 0:08:45 | |
I've got to be owed one. | 0:08:46 | 0:08:47 | |
# Come down Don't you resist... # | 0:08:59 | 0:09:01 | |
# And if I give it a twist... # | 0:09:04 | 0:09:07 | |
SHE WHIMPERS | 0:09:09 | 0:09:11 | |
-VINCE: -(Oh, God.) -Oh, I'm so sorry. | 0:09:11 | 0:09:13 | |
-I'm so sorry. Are you all right? -Yeah. | 0:09:13 | 0:09:15 | |
Yeah. God. | 0:09:15 | 0:09:17 | |
SHE TUTS | 0:09:23 | 0:09:24 | |
Your new girl's late. | 0:09:25 | 0:09:28 | |
First-day nerves, I suppose. You must remember them. | 0:09:28 | 0:09:30 | |
And "girl" is possibly at least a decade out. | 0:09:30 | 0:09:33 | |
Well, on my first day I was there at the precise second | 0:09:33 | 0:09:35 | |
I was asked to be. | 0:09:35 | 0:09:37 | |
I'm not impressed. | 0:09:37 | 0:09:39 | |
Well, think positively, Mrs Beauchamp. | 0:09:39 | 0:09:41 | |
Things can only improve from this point forward. | 0:09:41 | 0:09:43 | |
Really? Want to put money on that? | 0:09:43 | 0:09:46 | |
How much? | 0:09:46 | 0:09:47 | |
You don't gamble. | 0:09:49 | 0:09:51 | |
£2 says she's here within the next 12 minutes. | 0:09:51 | 0:09:54 | |
You're on. | 0:09:55 | 0:09:56 | |
Well, I do allow myself some fun occasionally. | 0:09:56 | 0:09:58 | |
Sometimes as much as a whole minute a day(!) | 0:09:58 | 0:10:01 | |
So the Englishman says, "I thought we were all friends." | 0:10:02 | 0:10:05 | |
Oh! Sorry. | 0:10:09 | 0:10:11 | |
Well, no, sorry would be stopping to help me pick them up, wouldn't it? | 0:10:12 | 0:10:15 | |
She's sorry. | 0:10:15 | 0:10:16 | |
An overrated word that is - "sorry". | 0:10:16 | 0:10:20 | |
"I'm sorry I just ran your aunt over with a tractor." | 0:10:20 | 0:10:23 | |
You're priceless, Dylan. | 0:10:24 | 0:10:25 | |
No, it should be followed by a deed, shouldn't it? By a good deed? | 0:10:25 | 0:10:28 | |
What? Have I got something in my teeth? | 0:10:30 | 0:10:31 | |
-No. No. -What then? | 0:10:31 | 0:10:33 | |
-It's nothing. I just... -Mm? | 0:10:33 | 0:10:35 | |
Let's do lunch, you and me. My treat. | 0:10:35 | 0:10:37 | |
-Well, then I WILL get something in my teeth. -No, you won't. | 0:10:38 | 0:10:41 | |
I'll bring a mirror so you can check. | 0:10:41 | 0:10:44 | |
-Um... -Say "yes". | 0:10:44 | 0:10:46 | |
-Say "yes". -Yes, yes, yes. OK, yeah. | 0:10:46 | 0:10:49 | |
Hi, guys. | 0:10:54 | 0:10:56 | |
Hiya. | 0:10:56 | 0:10:58 | |
All right, mate? | 0:11:00 | 0:11:02 | |
I'm Iain. What's your name? | 0:11:02 | 0:11:04 | |
Yeah, Vince. Look, I'm fine. Just help me up, mate. | 0:11:04 | 0:11:07 | |
Listen, just stay still for us. | 0:11:07 | 0:11:08 | |
I want to check you over, OK? | 0:11:08 | 0:11:10 | |
He came out of nowhere - just ran, smack, into the car. | 0:11:10 | 0:11:12 | |
You were driving in the park? | 0:11:12 | 0:11:14 | |
I was taking a short-cut, I'm late for work. | 0:11:14 | 0:11:16 | |
No-one's ever early these days, are they? | 0:11:16 | 0:11:19 | |
I've done the primary survey - | 0:11:19 | 0:11:20 | |
I think he has some cracked ribs and a nasty head laceration. | 0:11:20 | 0:11:24 | |
Ooh, someone's been watching Grey's Anatomy. | 0:11:24 | 0:11:26 | |
Just ignore him. | 0:11:26 | 0:11:27 | |
Carry-chair, please. | 0:11:27 | 0:11:28 | |
And maybe some morphine? | 0:11:30 | 0:11:32 | |
D'you want to drive the ambulance, as well, or what?(!) | 0:11:32 | 0:11:35 | |
Are you a doc, then? | 0:11:36 | 0:11:38 | |
Yes, Elle Gardner. | 0:11:38 | 0:11:40 | |
I was due at Holby what feels like four years ago. | 0:11:40 | 0:11:43 | |
Look, my car is conked out, so I'm going to come in with you, OK? | 0:11:43 | 0:11:48 | |
Well, the police aren't going to like that - | 0:11:48 | 0:11:50 | |
leaving the scene of an accident. | 0:11:50 | 0:11:52 | |
True. I-I'll... | 0:11:52 | 0:11:54 | |
I'll leave them a note. | 0:11:54 | 0:11:55 | |
I'll explain what happened, | 0:11:55 | 0:11:57 | |
and that I was concerned for the patient. | 0:11:57 | 0:12:00 | |
I'll underline the word "emergency", | 0:12:00 | 0:12:03 | |
if you'll back me up, that is. | 0:12:03 | 0:12:05 | |
Yeah. Yeah, fine. I'm Iain, by the way. | 0:12:05 | 0:12:08 | |
Thanks, Iain. | 0:12:08 | 0:12:09 | |
Any more orders?(!) | 0:12:09 | 0:12:11 | |
And this is Jez. | 0:12:11 | 0:12:13 | |
Sweet baby Jez. | 0:12:13 | 0:12:15 | |
Your nurse's name is Robyn, | 0:12:17 | 0:12:19 | |
and she'll be with you for the rest of the flight. | 0:12:19 | 0:12:21 | |
Thanks, take a seat, I'll be two seconds. | 0:12:21 | 0:12:24 | |
Where were you last night? | 0:12:24 | 0:12:26 | |
I... Doesn't matter. | 0:12:26 | 0:12:28 | |
Max, don't be a prat. She's only going to hurt you all over again. | 0:12:28 | 0:12:31 | |
-We were saying goodbye. -I so wish. | 0:12:31 | 0:12:33 | |
Zoe's leaving... | 0:12:33 | 0:12:36 | |
for a job... | 0:12:36 | 0:12:38 | |
in America. | 0:12:38 | 0:12:40 | |
-Then why aren't you in a puddle of tears? -Why WOULD I be? | 0:12:40 | 0:12:42 | |
Right, we're going to discuss this tonight. | 0:12:43 | 0:12:46 | |
-The...football's on telly. -We're going for a pint. | 0:12:46 | 0:12:48 | |
-It's a big game. -No arguing. | 0:12:48 | 0:12:50 | |
It's a really big... | 0:12:50 | 0:12:51 | |
Ah, ah, ahhh. | 0:12:53 | 0:12:55 | |
-MAN AND WOMAN: -Ahhh. Ahhh. | 0:12:55 | 0:12:57 | |
-Ah. -Ahhh. | 0:12:59 | 0:13:01 | |
A... Ah? | 0:13:01 | 0:13:03 | |
What are you doing? | 0:13:03 | 0:13:05 | |
This is Mrs Cave, she's had a sore throat for four days. | 0:13:05 | 0:13:09 | |
That's a category four patient. | 0:13:09 | 0:13:11 | |
No, it's category three. | 0:13:11 | 0:13:13 | |
No, your woman there arrived, what, 20 minutes ago? | 0:13:13 | 0:13:15 | |
There's a man in HDC 2 with a broken leg | 0:13:15 | 0:13:17 | |
who's been there 90 minutes. | 0:13:17 | 0:13:20 | |
Now, guess which category Mrs Cave is. | 0:13:20 | 0:13:22 | |
Anyway... | 0:13:24 | 0:13:25 | |
you're sorted now. | 0:13:25 | 0:13:26 | |
Thanks. | 0:13:26 | 0:13:27 | |
Well, that's an hour late now - that's a new low. | 0:13:29 | 0:13:31 | |
Do you have change? | 0:13:31 | 0:13:33 | |
TRAY CLATTERS | 0:13:33 | 0:13:34 | |
Can we have some help up here? | 0:13:35 | 0:13:37 | |
-Please? -New lows as far as the eye can see. | 0:13:37 | 0:13:40 | |
SHE SIGHS | 0:13:52 | 0:13:53 | |
-Hey. -Hey. | 0:13:57 | 0:13:59 | |
I couldn't let you go without a leaving present. | 0:13:59 | 0:14:01 | |
Oh, Max, you shouldn't have... | 0:14:01 | 0:14:03 | |
spent so much money on me(!) | 0:14:03 | 0:14:05 | |
I'm flush. I sold a kidney. | 0:14:05 | 0:14:07 | |
Which might mean I'm not flush, medically speaking. | 0:14:07 | 0:14:10 | |
-One last time on the bench? -I thought you'd never ask. | 0:14:11 | 0:14:14 | |
-11 o'clock? -On the dot. -On the dot. | 0:14:14 | 0:14:17 | |
-Max? -Save it for the bench. | 0:14:17 | 0:14:19 | |
HE GASPS | 0:14:26 | 0:14:28 | |
I want a cigarette. You? | 0:14:28 | 0:14:30 | |
I gave up years ago, but thanks. | 0:14:30 | 0:14:31 | |
Right. What I'm going to do is, I'm going to lock you in, | 0:14:31 | 0:14:34 | |
and as soon as I get far enough away, I'm going to call for help. | 0:14:34 | 0:14:37 | |
No, lock us in here and that makes you a murderer. | 0:14:37 | 0:14:40 | |
Help us and you'll get, what, six months? A year, tops? | 0:14:40 | 0:14:43 | |
-Look, I've told you, I will call it in. -No, you won't. | 0:14:43 | 0:14:45 | |
-I'm game, if you are. -Yeah. | 0:14:47 | 0:14:49 | |
Stupid. Stupider. | 0:14:49 | 0:14:52 | |
VINCE GASPS | 0:14:52 | 0:14:53 | |
His airway's compromised. | 0:14:54 | 0:14:56 | |
The teeth must be stuck at the back of his throat. | 0:14:56 | 0:14:58 | |
OK, you hold his mouth, cos he's going to gag. | 0:14:58 | 0:15:01 | |
OK, Vince. It's going to be OK. | 0:15:01 | 0:15:03 | |
-Agh! -Oh! Hey, hey, Vince. | 0:15:03 | 0:15:04 | |
I'm sorry, but you need to let us do this, please. | 0:15:04 | 0:15:07 | |
VINCE GAGS Yeah, yeah, I got them. | 0:15:07 | 0:15:10 | |
Airway is secure. | 0:15:12 | 0:15:13 | |
VINCE WHIMPERS | 0:15:13 | 0:15:15 | |
-Are you OK? -Best day of my life(!) | 0:15:15 | 0:15:18 | |
Don't you dare! | 0:15:18 | 0:15:20 | |
CLOCK TICKING | 0:15:22 | 0:15:25 | |
-Hey up. -Need a hand? | 0:15:32 | 0:15:34 | |
Yeah, why not? | 0:15:34 | 0:15:35 | |
Vince... | 0:15:38 | 0:15:40 | |
I'm fine, I'm fine. | 0:15:40 | 0:15:41 | |
Hang on, what's going on? | 0:15:43 | 0:15:46 | |
-Vince, Vince...come back. -Hey! Come back, mate. -Shelle? | 0:15:46 | 0:15:49 | |
-Vince! -Hang on, hang on... | 0:15:49 | 0:15:50 | |
Help! Please, help. | 0:15:50 | 0:15:52 | |
-What happened? -I don't know - he was fine, and then... | 0:15:52 | 0:15:54 | |
-Can you hear me, mate? -Yeah, yeah. | 0:15:54 | 0:15:56 | |
I think he's had a stroke. | 0:15:56 | 0:15:58 | |
-Shelle... -Here! | 0:15:58 | 0:15:59 | |
How long has he been like that? | 0:15:59 | 0:16:01 | |
-I don't know. Please... -Vince! | 0:16:01 | 0:16:02 | |
Reception say there's a hysterical woman. | 0:16:02 | 0:16:05 | |
Is this them? Zoe... | 0:16:05 | 0:16:06 | |
-Dylan, can you take over, here? -Yeah, of course. | 0:16:06 | 0:16:09 | |
Vince! | 0:16:09 | 0:16:11 | |
I have got nothing because of you two. | 0:16:11 | 0:16:14 | |
Look, it's over, Shelle. | 0:16:14 | 0:16:16 | |
I've got no house, I've got no plants, | 0:16:16 | 0:16:18 | |
and I need cash, and you are going to cough up, | 0:16:18 | 0:16:20 | |
or I'm going after Mercedes. | 0:16:20 | 0:16:21 | |
That porter, he's going to grass you up. | 0:16:21 | 0:16:24 | |
-SHE LAUGHS -Then I'll go look for him | 0:16:24 | 0:16:26 | |
after Mercedes. | 0:16:26 | 0:16:27 | |
How long have you been there? | 0:16:30 | 0:16:31 | |
Long enough. | 0:16:31 | 0:16:33 | |
Shelle, like I said, just give it up, OK? | 0:16:33 | 0:16:37 | |
-Argh! -Agh! -No! | 0:16:39 | 0:16:40 | |
FRUIT MACHINE JINGLES, HE YELLS | 0:16:40 | 0:16:42 | |
-Argh! -Back off! Do you want some as well? | 0:16:42 | 0:16:45 | |
Get in there. Get in there, get in! | 0:16:47 | 0:16:48 | |
-VINCE GROANS IN PAIN -Get him up, now. | 0:16:48 | 0:16:50 | |
Get him up and get in there, now. | 0:16:50 | 0:16:52 | |
All right. | 0:16:52 | 0:16:54 | |
-Argh...! -Move! | 0:16:54 | 0:16:56 | |
As hard as you can from me. | 0:16:57 | 0:16:58 | |
I've seen the advert, the "Think FAST", the face... | 0:16:58 | 0:17:01 | |
Yeah, that's great, you know the acronym. Terrific. | 0:17:01 | 0:17:03 | |
There's a marked right-sided weakness. | 0:17:03 | 0:17:05 | |
You can let go, thank you very much. Um... OK, do we have a name, yet? | 0:17:05 | 0:17:09 | |
It's Hunter, Greg Hunter. | 0:17:09 | 0:17:10 | |
OK, Greg, can you talk to me, please? | 0:17:10 | 0:17:12 | |
-Speech, S, for speech. -That's right. Yup. | 0:17:12 | 0:17:14 | |
What's happening? | 0:17:14 | 0:17:16 | |
There's a slight slur. What's his blood pressure? | 0:17:16 | 0:17:18 | |
Looks normal to me. | 0:17:18 | 0:17:19 | |
Time - the face, arms, speech, time... | 0:17:19 | 0:17:22 | |
OK, thanks for the refresher course. | 0:17:22 | 0:17:24 | |
Give us a little bit of room, please. | 0:17:24 | 0:17:25 | |
We'll need U&Es, FBC, | 0:17:25 | 0:17:27 | |
we'll do blood clotting and, um...then we'll do an ECG, I think. | 0:17:27 | 0:17:32 | |
-What's happening? -You're in Holby A&E. | 0:17:32 | 0:17:34 | |
You had a stroke. | 0:17:34 | 0:17:35 | |
Well, no, OK - that's a little bit presumptuous. | 0:17:35 | 0:17:38 | |
We'll give him a full assessment then send him for a CT, | 0:17:38 | 0:17:41 | |
so if you want to grab a coffee... | 0:17:41 | 0:17:42 | |
-I don't like coffee. -It doesn't have to be coffee, | 0:17:42 | 0:17:45 | |
any hot drink will do. | 0:17:45 | 0:17:46 | |
-I'll show you where to wait. -Jo... | 0:17:46 | 0:17:48 | |
What were we thinking? | 0:17:49 | 0:17:51 | |
PHONE CHIMES | 0:17:52 | 0:17:54 | |
PHONE CHIMES AGAIN | 0:17:58 | 0:18:00 | |
You going to answer those? | 0:18:01 | 0:18:03 | |
It's just Rita. | 0:18:03 | 0:18:05 | |
I'll call her back when I'm less busy. | 0:18:05 | 0:18:07 | |
-Oi! That is private. -Hey! Aww, that's so sweet! | 0:18:07 | 0:18:13 | |
She wants to go to a garden centre this weekend to get some flowers. | 0:18:13 | 0:18:18 | |
Maybe you can have some soup with the OAPs in the cafe afterwards. | 0:18:18 | 0:18:21 | |
-Ha-ha-ha. It's quite fun actually. -Kill yourself now. | 0:18:21 | 0:18:24 | |
-Seriously. -Get off. | 0:18:26 | 0:18:28 | |
Hey! I was looking for you. Your husband's gone for a CT. | 0:18:34 | 0:18:37 | |
Do you believe in gremlins? | 0:18:39 | 0:18:40 | |
Oh - can't say I've given it much thought. | 0:18:40 | 0:18:43 | |
Me neither. Until now. But... | 0:18:43 | 0:18:46 | |
When I was going to the hotel, I hit every red light, | 0:18:46 | 0:18:49 | |
I got a puncture, then there was a closed road. | 0:18:49 | 0:18:53 | |
I had to go the long way round. I was two hours late. | 0:18:53 | 0:18:57 | |
You think that was gremlins? | 0:18:57 | 0:18:58 | |
Then the minute I arrive at the hotel | 0:18:58 | 0:19:00 | |
and Greg and I start, you know... | 0:19:00 | 0:19:03 | |
..he goes and has a stroke. | 0:19:05 | 0:19:07 | |
You were in a hotel? | 0:19:08 | 0:19:09 | |
Max! | 0:19:11 | 0:19:13 | |
What are you doing down here? | 0:19:13 | 0:19:14 | |
I told Vince to come here. | 0:19:14 | 0:19:16 | |
OK, well, if he shows up, I'm calling the police. | 0:19:16 | 0:19:19 | |
Agh! Max... | 0:19:19 | 0:19:20 | |
Shelle called me, she said she was coming here, so I called Vince. | 0:19:20 | 0:19:25 | |
But he's just not shown up. | 0:19:25 | 0:19:27 | |
I'm shocked cos he is usually so reliable(!) | 0:19:27 | 0:19:29 | |
Oh...! | 0:19:29 | 0:19:30 | |
I think Shelle wants him to come here. | 0:19:30 | 0:19:33 | |
What if she's hurt him or something? | 0:19:34 | 0:19:35 | |
If you're that worried, call the police. | 0:19:35 | 0:19:37 | |
Wha...? Max? | 0:19:37 | 0:19:39 | |
I'm sorry, all right? But what can I do? | 0:19:39 | 0:19:41 | |
HEARTBEATS | 0:19:47 | 0:19:50 | |
Right, you see, this is how it's going to play out. | 0:19:50 | 0:19:53 | |
One of you is going to get knifed and the other one - | 0:19:53 | 0:19:57 | |
being the little do-gooder that she is - | 0:19:57 | 0:19:59 | |
can carry on saving lives. | 0:19:59 | 0:20:01 | |
Do you know what? I'm really getting sick of you. | 0:20:01 | 0:20:04 | |
So am I. | 0:20:04 | 0:20:06 | |
Ah...! | 0:20:07 | 0:20:09 | |
CLOCK TICKING | 0:20:09 | 0:20:11 | |
DYLAN MAKES SUCKING SOUNDS | 0:20:21 | 0:20:24 | |
That's really loud, you know. | 0:20:24 | 0:20:26 | |
Oh, is it? Sorry. | 0:20:26 | 0:20:28 | |
-You OK in there? -Yeah. Um, where's...where's Jo? | 0:20:28 | 0:20:32 | |
She's just waiting. | 0:20:32 | 0:20:34 | |
Listen, don't...phone anyone, OK? Not yet. | 0:20:34 | 0:20:38 | |
OK, just try and relax in there. Let the machine do its thing, OK? | 0:20:38 | 0:20:42 | |
I think they're having an affair. | 0:20:44 | 0:20:47 | |
Not sure that is pertinent, Robyn. | 0:20:47 | 0:20:49 | |
No. But still, it's... | 0:20:49 | 0:20:51 | |
What? | 0:20:51 | 0:20:52 | |
That doesn't look good. OK, let's get him out of there, please. | 0:20:54 | 0:20:57 | |
I think he's had a stroke, yeah, OK. | 0:20:58 | 0:21:01 | |
Can you hear me, Greg? | 0:21:01 | 0:21:02 | |
Greg, can you hear me? | 0:21:04 | 0:21:05 | |
Right, let's get him to resus, please. | 0:21:05 | 0:21:07 | |
Thank you. OK, on my count, then, after one. One. | 0:21:07 | 0:21:11 | |
-Greg? Greg, can you hear me? -Is he coming around? | 0:21:13 | 0:21:16 | |
No, Greg, don't try and speak for me. | 0:21:16 | 0:21:18 | |
Just lie back, please. | 0:21:18 | 0:21:19 | |
Greg? | 0:21:22 | 0:21:23 | |
I am afraid the TIA's developed into a full-blown stroke | 0:21:23 | 0:21:26 | |
so we're going to have to deal with that. | 0:21:26 | 0:21:28 | |
We'll need to eliminate the blood clots. | 0:21:28 | 0:21:30 | |
Let's start with ten units of Reteplase, please, | 0:21:30 | 0:21:33 | |
when you get a moment. | 0:21:33 | 0:21:34 | |
But I did the FAST thing as fast as I could. | 0:21:34 | 0:21:36 | |
Let's...concentrate on the here and now. | 0:21:36 | 0:21:38 | |
Gremlins. | 0:21:38 | 0:21:40 | |
I beg your pardon? | 0:21:40 | 0:21:41 | |
They warned us. Just didn't heed the signs. | 0:21:41 | 0:21:44 | |
OK - Greg is going to be OK. | 0:21:44 | 0:21:48 | |
Obviously, we'll need to admit him to the stroke ward | 0:21:48 | 0:21:50 | |
and he'll need a significant amount of aftercare, but... | 0:21:50 | 0:21:53 | |
You'd... | 0:21:53 | 0:21:54 | |
You'd better call his wife, then. | 0:21:54 | 0:21:57 | |
We are getting really busy out there. | 0:22:02 | 0:22:05 | |
Blame Hanssen. It's his fault we're a consultant down. | 0:22:05 | 0:22:08 | |
And I can't find Zoe to cover for the new girl. | 0:22:08 | 0:22:10 | |
Woman. New woman. | 0:22:10 | 0:22:11 | |
No - Zoe's just probably a little bit preoccupied. | 0:22:11 | 0:22:15 | |
Is there something I don't know? | 0:22:15 | 0:22:17 | |
No. | 0:22:17 | 0:22:18 | |
That's actually a "yes". | 0:22:18 | 0:22:20 | |
Why are we getting a new consultant? | 0:22:23 | 0:22:25 | |
Because you can never have too many? | 0:22:25 | 0:22:28 | |
Is she late? | 0:22:38 | 0:22:39 | |
We had our first kiss here. | 0:22:39 | 0:22:41 | |
Max, last night... | 0:22:43 | 0:22:44 | |
It was the last night. | 0:22:44 | 0:22:45 | |
Yet here you are, holding one of those. | 0:22:47 | 0:22:49 | |
What can I say? I'm addicted. | 0:22:49 | 0:22:52 | |
-Forget her, Max. -Who? | 0:22:52 | 0:22:55 | |
She's a car crash and you're one of those test dummies | 0:22:55 | 0:22:57 | |
they keep showing in slow motion. | 0:22:57 | 0:22:59 | |
Mm - I've got loads more hair, so I'm not. | 0:22:59 | 0:23:01 | |
And you're wrong. I'm free, I'm moving on, I'm... | 0:23:01 | 0:23:04 | |
A blind idiot. | 0:23:04 | 0:23:05 | |
She'll have joined the mile-high club | 0:23:05 | 0:23:08 | |
before she's landed. | 0:23:08 | 0:23:09 | |
HEARTBEATS | 0:23:12 | 0:23:14 | |
SHUDDERING BREATHS | 0:23:15 | 0:23:18 | |
CLOCK TICKING | 0:23:27 | 0:23:29 | |
So it got a bit lonely on the bench, and now I can't find you anywhere. | 0:23:29 | 0:23:33 | |
No, I'm sorry - we don't actually buy organs. | 0:23:33 | 0:23:36 | |
You might be able to try a private hospital though. | 0:23:36 | 0:23:39 | |
OK, thanks. | 0:23:39 | 0:23:41 | |
-Have you seen Zoe? -Not recently. | 0:23:41 | 0:23:43 | |
Want me to bring up her patient list? | 0:23:43 | 0:23:44 | |
No, you're all right, she's doing admin today - thanks, though. | 0:23:44 | 0:23:48 | |
PHONE BUZZES | 0:23:48 | 0:23:51 | |
Wait, wait, wait, wait! | 0:23:55 | 0:23:57 | |
His wife should know, don't you think? | 0:23:58 | 0:24:00 | |
Obviously, but... | 0:24:00 | 0:24:01 | |
Well, she and I have been friends for years, so... | 0:24:03 | 0:24:06 | |
I can't be here. And...you can't tell her anything really. | 0:24:06 | 0:24:13 | |
PHONE BEEPS | 0:24:13 | 0:24:14 | |
Well, then can you tell me something? | 0:24:14 | 0:24:16 | |
I'll try. | 0:24:16 | 0:24:17 | |
Why? Why do it? | 0:24:17 | 0:24:19 | |
Honestly? | 0:24:19 | 0:24:21 | |
Because it's intoxicating. | 0:24:23 | 0:24:25 | |
We tried to say no to it, we tried our best, | 0:24:25 | 0:24:27 | |
but...when it takes hold, it really takes hold. | 0:24:27 | 0:24:31 | |
-You seen Zoe? -Uh... | 0:24:35 | 0:24:37 | |
Yes, yes. She had a patient, but he ran off on her. | 0:24:37 | 0:24:40 | |
-I would have let him. -Dylan. | 0:24:40 | 0:24:42 | |
Yeah - they went in the direction of the pub. | 0:24:42 | 0:24:44 | |
I don't think they'll be there now. | 0:24:44 | 0:24:47 | |
That's a great pleasure, Max. Don't mention it. | 0:24:47 | 0:24:50 | |
"Thank you" been expunged from the dictionary, has it? | 0:24:50 | 0:24:52 | |
SIREN WAILS | 0:24:52 | 0:24:55 | |
-SHELLE: -Right, you see, this is how it's going to play out. | 0:25:10 | 0:25:13 | |
One of you is going to get knifed and the other one - | 0:25:13 | 0:25:18 | |
being the little do-gooder that she is - | 0:25:18 | 0:25:19 | |
can carry on saving lives. | 0:25:19 | 0:25:21 | |
-Agh! -Max! | 0:25:23 | 0:25:25 | |
-Ugh! -Oh! | 0:25:25 | 0:25:27 | |
KNIFE SLICES Agh! Oh! | 0:25:28 | 0:25:30 | |
ZOE GASPS | 0:25:30 | 0:25:33 | |
MUFFLED HEART BEAT | 0:25:33 | 0:25:35 | |
You...! | 0:25:42 | 0:25:43 | |
You're OK. You're OK! You're OK! I've got you! | 0:25:43 | 0:25:46 | |
-Agh! -Oh, no, no, no, no, no. | 0:25:46 | 0:25:49 | |
You see, I have three big boys - you are never breaking this grip. | 0:25:49 | 0:25:52 | |
SHELLE GROANS | 0:25:54 | 0:25:56 | |
Is that your bra? | 0:25:56 | 0:25:58 | |
Right, pulse 104, SATS 94% and resps increased and shallow. | 0:26:01 | 0:26:06 | |
Airway's compromised, considerable blood loss. | 0:26:06 | 0:26:08 | |
We need to get him intubated. | 0:26:08 | 0:26:10 | |
You can't go through there like that. | 0:26:11 | 0:26:13 | |
Let me get you patched up. | 0:26:13 | 0:26:15 | |
By my favourite nurse. How could I resist? | 0:26:15 | 0:26:17 | |
Let me just get changed first. | 0:26:17 | 0:26:18 | |
-No, Zoe... -Charlie. | 0:26:18 | 0:26:19 | |
Zoe, you're shaking. | 0:26:19 | 0:26:21 | |
I'm fine. | 0:26:21 | 0:26:22 | |
Well, then promise me you'll let me buy you lunch later on? My treat. | 0:26:22 | 0:26:26 | |
You know, I'm already seeing Dylan. | 0:26:26 | 0:26:29 | |
Do you mind if I invite myself? | 0:26:29 | 0:26:30 | |
I'd like that. | 0:26:32 | 0:26:34 | |
I will find you. I promise. | 0:26:34 | 0:26:37 | |
-Zoe. -Where's Shelle? | 0:26:37 | 0:26:40 | |
The police turned up, looking for the new doctor. | 0:26:40 | 0:26:44 | |
Apparently she left the scene of an accident or something. | 0:26:44 | 0:26:47 | |
You want to keep your eye on that one. | 0:26:47 | 0:26:49 | |
Well, that's going to be difficult, cos once I've worked my notice, | 0:26:49 | 0:26:52 | |
I'm going to be in Michigan with a different doctor. | 0:26:52 | 0:26:55 | |
-Dr Gardner, I presume? -Sorry for the hold up. | 0:27:08 | 0:27:10 | |
Are you all right to proceed? | 0:27:12 | 0:27:13 | |
Don't worry about me, I'm spot-on. | 0:27:13 | 0:27:15 | |
And I'd like to see this one through. | 0:27:15 | 0:27:17 | |
All right, intubation might be difficult | 0:27:17 | 0:27:19 | |
with the injury to the jaw, so... | 0:27:19 | 0:27:21 | |
Tube, please. | 0:27:23 | 0:27:24 | |
When was the last time you did this? | 0:27:30 | 0:27:31 | |
-LAUGHING: -The Beatles were still together. | 0:27:31 | 0:27:34 | |
Joke. | 0:27:36 | 0:27:37 | |
Oh, come on. | 0:27:38 | 0:27:40 | |
ELLE GRUMBLES | 0:27:43 | 0:27:45 | |
I can take over. | 0:27:45 | 0:27:46 | |
Do that and you'll be taking over for evermore. Come on! | 0:27:46 | 0:27:49 | |
MONITOR ALARM SOUNDS | 0:27:49 | 0:27:52 | |
-Right, move aside. -I've got this. | 0:27:52 | 0:27:55 | |
-Dr Gardner... -I've got this. | 0:27:55 | 0:27:57 | |
Steth. | 0:28:00 | 0:28:01 | |
Talk to me. | 0:28:07 | 0:28:08 | |
MONITOR RESUMES STEADY BEEP | 0:28:10 | 0:28:12 | |
Position's good. Inflate the cuff. Cricoid off. Secure the tube. | 0:28:12 | 0:28:16 | |
OK, good work. | 0:28:16 | 0:28:17 | |
And welcome to Holby. | 0:28:19 | 0:28:20 | |
Thank you. Nice to finally be here. | 0:28:20 | 0:28:23 | |
Though I might take the bus tomorrow. | 0:28:23 | 0:28:24 | |
Oh, if they ask, it was an emergency. | 0:28:27 | 0:28:30 | |
Excuse me? | 0:28:30 | 0:28:32 | |
You can't jack everything in. Where does that leave me? | 0:28:34 | 0:28:37 | |
I've already lost Lofty - you'll be gone within the month? | 0:28:37 | 0:28:41 | |
-Think of the holidays. -You can't trust her. | 0:28:41 | 0:28:43 | |
-Leaving On A Jet Plane! -What? | 0:28:43 | 0:28:45 | |
I knew it wasn't Take Me Home Country Roads. | 0:28:45 | 0:28:47 | |
Max, it won't work out. Haven't you learned anything? | 0:28:47 | 0:28:50 | |
-Faith. -Listen to me! | 0:28:50 | 0:28:52 | |
George Michael. "You gotta to have faith." | 0:28:52 | 0:28:54 | |
You should be happy. My life's turning into a musical. | 0:28:54 | 0:28:57 | |
RADIO COMMUNICATION | 0:29:00 | 0:29:02 | |
Reading between the lines, I think I'm looking at community service. | 0:29:18 | 0:29:22 | |
Well, it can only get better from here on. | 0:29:24 | 0:29:26 | |
ELLE LAUGHS | 0:29:26 | 0:29:27 | |
It's taken me eight years to prise myself away from this place. | 0:29:27 | 0:29:32 | |
Good years, though? | 0:29:32 | 0:29:34 | |
The best. | 0:29:34 | 0:29:36 | |
And the worst. | 0:29:36 | 0:29:37 | |
But mainly the best. | 0:29:39 | 0:29:40 | |
What a baptism. | 0:29:44 | 0:29:46 | |
A doctor whose first patient is the bloke she ran over. | 0:29:46 | 0:29:50 | |
Running someone down, hostage situation, | 0:29:50 | 0:29:52 | |
community service... | 0:29:52 | 0:29:54 | |
Yeah, you're going to fit right in here. | 0:29:54 | 0:29:56 | |
THEY LAUGH | 0:29:56 | 0:29:57 | |
I've just spent the last however long | 0:29:57 | 0:30:00 | |
treating two patient... not even patients. | 0:30:00 | 0:30:03 | |
There was absolutely nothing wrong with them and there are genuine emergencies here. | 0:30:03 | 0:30:07 | |
Yes. Yes, you have. It's just... | 0:30:07 | 0:30:09 | |
Yeah? | 0:30:10 | 0:30:12 | |
Two years ago, the system was rather different. | 0:30:14 | 0:30:17 | |
Yes, it was, yeah, but...um... | 0:30:17 | 0:30:19 | |
Well, the way I would look at it, | 0:30:19 | 0:30:22 | |
the square root of medicine is always a prime number. | 0:30:22 | 0:30:27 | |
Genius. That's genius... | 0:30:27 | 0:30:31 | |
Is it? | 0:30:31 | 0:30:32 | |
I'm pretty sure you should take the rest of the day off, shouldn't you? | 0:30:32 | 0:30:35 | |
Well, I was only meant to be in for the morning. | 0:30:35 | 0:30:37 | |
-Now I've got to give a statement... -Do it from home. | 0:30:37 | 0:30:40 | |
Not before I say goodbye. | 0:30:42 | 0:30:43 | |
Why? Goodbye? | 0:30:45 | 0:30:46 | |
I'm leaving, Dylan. | 0:30:46 | 0:30:48 | |
Oh. | 0:30:50 | 0:30:51 | |
Yeah - got myself a fancy job in Michigan, | 0:30:51 | 0:30:55 | |
courtesy of our friend Nick Jordan. | 0:30:55 | 0:30:58 | |
I couldn't say no, it's once in a lifetime. | 0:30:58 | 0:31:01 | |
Well, that's a double "oh". | 0:31:04 | 0:31:06 | |
I suppose... Well, we'll get you a card, | 0:31:08 | 0:31:10 | |
and we'll throw a party. | 0:31:10 | 0:31:12 | |
Um...we'll get you a practical gift, | 0:31:12 | 0:31:15 | |
not something you're just... | 0:31:15 | 0:31:17 | |
I leave today. | 0:31:17 | 0:31:18 | |
Max is going to join me later on. | 0:31:21 | 0:31:23 | |
Doesn't give us much time to do all the things... | 0:31:25 | 0:31:29 | |
I've just...I've totally forgotten. | 0:31:29 | 0:31:31 | |
Visit me? | 0:31:31 | 0:31:33 | |
Assuming I can get on a plane. | 0:31:33 | 0:31:35 | |
Skype, text me, e-mail. | 0:31:35 | 0:31:37 | |
Yeah, there is that, yeah. | 0:31:37 | 0:31:40 | |
You're going to be all right, you know, without me. | 0:31:40 | 0:31:43 | |
-You will be fine. -What about you? | 0:31:43 | 0:31:45 | |
Me? | 0:31:45 | 0:31:47 | |
I'll still be me - how could I be anyone else? | 0:31:47 | 0:31:50 | |
HOARSELY: You see, this is why I wanted to keep it to myself. | 0:31:58 | 0:32:02 | |
-Hello? -Um...I'm his girlfriend. | 0:32:07 | 0:32:12 | |
Oh...come in, it's fine. | 0:32:12 | 0:32:16 | |
-Is he going to be all right? -Yes. I mean, he needs surgery. | 0:32:22 | 0:32:26 | |
He probably won't be able to talk much for a while. | 0:32:26 | 0:32:29 | |
That's all right. He don't make much sense anyway. | 0:32:29 | 0:32:33 | |
Oh, Vince. | 0:32:36 | 0:32:38 | |
Vince, you've got to get better. | 0:32:40 | 0:32:42 | |
Connor's going to have a little sister. | 0:32:53 | 0:32:55 | |
Or maybe a brother. | 0:32:57 | 0:32:59 | |
They do good news here as well? | 0:33:03 | 0:33:05 | |
Result. | 0:33:06 | 0:33:08 | |
The people will be with you from the stroke unit soon, OK? | 0:33:11 | 0:33:15 | |
Where's Jo? | 0:33:15 | 0:33:16 | |
Right here. | 0:33:18 | 0:33:19 | |
-Greg, your wife... -Don't say it. | 0:33:27 | 0:33:30 | |
She's coming in, so...I need to not be here. | 0:33:30 | 0:33:34 | |
-We didn't even get to... -Listen to me. | 0:33:35 | 0:33:39 | |
You've got to get better now, that's all that matters. | 0:33:39 | 0:33:42 | |
And where will you be? | 0:33:42 | 0:33:44 | |
Stuck at the traffic lights, probably. | 0:33:46 | 0:33:49 | |
All of them red. | 0:33:49 | 0:33:50 | |
I'm so sorry. | 0:33:52 | 0:33:53 | |
Me too. | 0:33:55 | 0:33:56 | |
Look, I just wanted something...different, | 0:34:09 | 0:34:12 | |
which was selfish and thoughtless and stupid. | 0:34:12 | 0:34:15 | |
But...well, sometimes, you need to be like that. | 0:34:15 | 0:34:19 | |
I don't know why, but you do. | 0:34:19 | 0:34:20 | |
-ELEVATOR: -'Doors opening.' | 0:34:20 | 0:34:22 | |
Excuse me. | 0:34:22 | 0:34:24 | |
'Doors closing...' | 0:34:28 | 0:34:30 | |
-Robyn. -Max says he's going with you. | 0:34:30 | 0:34:33 | |
Look, I didn't ask him, he made up his own mind. | 0:34:33 | 0:34:35 | |
-Then I need to know something. -What? | 0:34:35 | 0:34:38 | |
Can you change? From what you are, what you always have been. | 0:34:39 | 0:34:43 | |
I've got a new job in America, | 0:34:43 | 0:34:44 | |
I can't afford to be anything but a grown-up. | 0:34:44 | 0:34:47 | |
You really think I want to screw that up? | 0:34:47 | 0:34:49 | |
I'm talking about the job. I'm talking about Max. | 0:34:49 | 0:34:51 | |
I know what you're talking about | 0:34:51 | 0:34:52 | |
and I haven't spent my whole life learning nothing. | 0:34:52 | 0:34:55 | |
So you're not going to hurt him again? | 0:34:56 | 0:34:58 | |
Never. | 0:34:58 | 0:35:00 | |
I need you to promise me. | 0:35:00 | 0:35:02 | |
I don't just want you to say it - I need you to mean it. | 0:35:02 | 0:35:05 | |
I promise. | 0:35:05 | 0:35:07 | |
Heart and soul, I promise. | 0:35:07 | 0:35:10 | |
At least he believes you. | 0:35:13 | 0:35:15 | |
That's all you really need. | 0:35:15 | 0:35:17 | |
'Doors closing.' | 0:35:19 | 0:35:20 | |
I have no idea what the square root of medicine is. | 0:35:23 | 0:35:26 | |
But that doctor said, Dylan... | 0:35:26 | 0:35:28 | |
Dylan is not like the rest of us. Look, let me find you someone | 0:35:28 | 0:35:31 | |
who can talk you through the system here. | 0:35:31 | 0:35:33 | |
-Ah. Nail-on-the-head time. -Meaning? | 0:35:33 | 0:35:35 | |
-Talking. I...I get a bit shy around people. -You're a nurse. | 0:35:35 | 0:35:39 | |
-Patients are fine. But the rest... -You mean us? -Mm. | 0:35:39 | 0:35:42 | |
-Right. You need Robyn. -Robyn? | 0:35:42 | 0:35:44 | |
She's warm, she's cuddly, she'll be anyone's friend. | 0:35:44 | 0:35:47 | |
Start with her and then warm to us. | 0:35:47 | 0:35:49 | |
Just one question? | 0:35:49 | 0:35:50 | |
She's the chirpy one with curly red hair. | 0:35:50 | 0:35:53 | |
Chirpy one, curly red hair... | 0:35:53 | 0:35:54 | |
I bet there'll be a Noel on Reception there, | 0:35:57 | 0:35:59 | |
but he'll be called Brad or Chad or something. | 0:35:59 | 0:36:02 | |
Well, if I knew what you were talking about, | 0:36:02 | 0:36:04 | |
I might be able to respond. | 0:36:04 | 0:36:06 | |
-Oi! Get off. -C'mon, one more on the lips. No tongues. | 0:36:06 | 0:36:08 | |
-Get off! -Give up. | 0:36:08 | 0:36:09 | |
Plenty more where that came from over the next month. | 0:36:09 | 0:36:12 | |
Oi! What's got into you? | 0:36:12 | 0:36:13 | |
All right, doctor. You need a nurse. | 0:36:18 | 0:36:20 | |
Come on. No argument - come on. | 0:36:20 | 0:36:23 | |
You are an artist, Charlie Fairhead. | 0:36:25 | 0:36:27 | |
I put that down to a lifetime's experience. | 0:36:27 | 0:36:29 | |
There's no-one quite like you. | 0:36:31 | 0:36:32 | |
Me? | 0:36:32 | 0:36:34 | |
Ten a penny. | 0:36:35 | 0:36:37 | |
Not you. You're special. | 0:36:37 | 0:36:39 | |
-Listen, about that lunch? -Yeah. | 0:36:42 | 0:36:47 | |
I don't really think I could eat. | 0:36:47 | 0:36:49 | |
But I'll always appreciate the invite. | 0:36:51 | 0:36:53 | |
Always. | 0:36:56 | 0:36:57 | |
Actually, I've been doing a bit of digging. | 0:37:02 | 0:37:04 | |
Well, I thought, you know, one new consultant in | 0:37:04 | 0:37:11 | |
might mean one old consultant out? | 0:37:11 | 0:37:15 | |
So I gave Hanssen a ring. | 0:37:15 | 0:37:18 | |
And what did he say? | 0:37:18 | 0:37:20 | |
It was a terrible connection. I couldn't make out a word. | 0:37:20 | 0:37:23 | |
Tell me I'm doing the right thing, Charlie. | 0:37:26 | 0:37:29 | |
It's a bit late for that. | 0:37:30 | 0:37:32 | |
Do you want me to go? | 0:37:32 | 0:37:34 | |
I want you to do what you want. | 0:37:34 | 0:37:37 | |
You accepted that job because you wanted to go. | 0:37:39 | 0:37:42 | |
Start again. | 0:37:42 | 0:37:43 | |
Max is coming. | 0:37:46 | 0:37:48 | |
I love him, Charlie. | 0:37:50 | 0:37:52 | |
I know. | 0:37:54 | 0:37:55 | |
You hesitated. | 0:37:56 | 0:37:57 | |
No. | 0:37:58 | 0:37:59 | |
You don't think it's going to work, do you? | 0:38:02 | 0:38:04 | |
You and Max know what's right. | 0:38:05 | 0:38:07 | |
It'll work if you want it to. | 0:38:09 | 0:38:11 | |
Are you all right? | 0:38:15 | 0:38:17 | |
-The stitches just sting. -Sorry. | 0:38:17 | 0:38:19 | |
It's fine. | 0:38:19 | 0:38:22 | |
I like that they do. | 0:38:22 | 0:38:24 | |
Did you tell her anything? | 0:38:32 | 0:38:35 | |
No. But it doesn't mean I'm exactly impressed | 0:38:35 | 0:38:38 | |
with what you two are doing. | 0:38:38 | 0:38:40 | |
You say that, but you don't know where this might lead. | 0:38:40 | 0:38:43 | |
It could be the love of our lives. | 0:38:43 | 0:38:45 | |
We could end up as the two happiest people on the planet. | 0:38:45 | 0:38:47 | |
Which means his wife gets hurt, and who knows who else. | 0:38:47 | 0:38:50 | |
That's our worry. It's not yours. | 0:38:50 | 0:38:52 | |
I know you're a nurse and you do your best to help people, | 0:38:52 | 0:38:55 | |
but you can't fix everything. | 0:38:55 | 0:38:56 | |
I'm going to miss you. | 0:39:02 | 0:39:05 | |
Not you - but definitely you. | 0:39:05 | 0:39:08 | |
Are you for the airport? | 0:39:22 | 0:39:23 | |
PHONE RINGS | 0:39:45 | 0:39:48 | |
Zoe. I found the jar. | 0:39:49 | 0:39:52 | |
When did you do that? | 0:39:53 | 0:39:55 | |
Wait, say that again? | 0:39:57 | 0:39:58 | |
What do you mean? | 0:40:00 | 0:40:02 | |
What are you talking about? | 0:40:02 | 0:40:04 | |
-Can we go? -ENGINE STARTS | 0:40:07 | 0:40:09 | |
Sorry, I completely forgot. | 0:40:27 | 0:40:29 | |
Zoe asked me to give you this. | 0:40:31 | 0:40:33 | |
Good Lord. | 0:40:44 | 0:40:45 | |
You know, I don't think this place | 0:40:46 | 0:40:48 | |
is ever going to be the same without her. | 0:40:48 | 0:40:49 | |
-I think we can safely say that. -Do you want a sandwich, by the way? | 0:40:49 | 0:40:53 | |
OK. Thank you. | 0:40:53 | 0:40:55 | |
-Look out, America, eh? -Mmm. | 0:40:58 | 0:41:01 | |
Hope somebody's warned them. | 0:41:01 | 0:41:03 | |
CAR HORN HONKS | 0:41:12 | 0:41:13 | |
-Get in. -What is that? | 0:41:24 | 0:41:27 | |
Up to you, Max. Everything is up to you. | 0:41:28 | 0:41:32 | |
Wait, wait... | 0:41:34 | 0:41:36 | |
-Ow. Is there a belt? -Yep. | 0:41:38 | 0:41:42 | |
Go, go, go! | 0:41:42 | 0:41:44 | |
MOBILE PHONE RINGS | 0:41:58 | 0:42:01 | |
PLANE ENGINE WHOOSHES | 0:42:01 | 0:42:03 | |
SHE SIGHS | 0:42:09 | 0:42:11 | |
Zoe, it's me. | 0:42:51 | 0:42:53 | |
Ignore Robyn, ignore everything she said, she is an idiot. | 0:42:53 | 0:42:58 | |
A stupid, interfering, big... | 0:42:58 | 0:43:01 | |
Whatever, she drives a ridiculous car, that says it all really. | 0:43:01 | 0:43:04 | |
HE HANGS UP | 0:43:04 | 0:43:05 | |
ROBYN HONKS HORN | 0:43:05 | 0:43:07 | |
That won't make them change, Robyn. | 0:43:07 | 0:43:09 | |
Watch this, I am down with the gremlins. | 0:43:09 | 0:43:11 | |
SHE GIGGLES | 0:43:17 | 0:43:19 | |
Appalling habit. You don't want to turn into a patient, do you? | 0:43:39 | 0:43:44 | |
Arrest me. | 0:43:44 | 0:43:45 | |
Actually, speaking of which, how are you fixed for putting up bail? | 0:43:45 | 0:43:50 | |
Zoe! | 0:43:54 | 0:43:57 | |
-That's close enough. -If it goes wrong, it goes wrong. | 0:43:57 | 0:44:00 | |
But we've got to try, haven't we? | 0:44:00 | 0:44:02 | |
-I know what I am, Max. -Yeah, and I know what we are. | 0:44:02 | 0:44:04 | |
We fall in love, we fall apart, we fall in love again, | 0:44:07 | 0:44:10 | |
I almost expect it now. | 0:44:10 | 0:44:11 | |
So I'm ready. I can take it. Meatloaf, Hawaiian shirts... | 0:44:13 | 0:44:20 | |
-don't make me do the impression again. -Don't try to make me laugh. | 0:44:20 | 0:44:22 | |
Anyone got a suture kit? I've got a hole in my skirt. | 0:44:22 | 0:44:25 | |
I'm not laughing. Max... | 0:44:25 | 0:44:27 | |
You know I have to do this. | 0:44:28 | 0:44:29 | |
I'm a train wreck, and you're going to get hit by the debris. | 0:44:31 | 0:44:35 | |
You... Wonderful, amazing you who I ask way too much of. | 0:44:35 | 0:44:40 | |
Let me let you go. | 0:44:44 | 0:44:47 | |
Do you know what I'm doing now? | 0:44:47 | 0:44:49 | |
You're thinking of a song. | 0:44:49 | 0:44:51 | |
-I don't know why I'm doing that. -I've got one for you. | 0:44:52 | 0:44:58 | |
(Famous Last Words.) | 0:44:59 | 0:45:01 | |
-If this is goodbye... -Not "if". | 0:45:06 | 0:45:08 | |
It hurts me when I hurt you. | 0:45:11 | 0:45:13 | |
It hurts way too much. | 0:45:15 | 0:45:17 | |
Please understand. | 0:45:20 | 0:45:23 | |
For you? | 0:45:23 | 0:45:25 | |
Anything. | 0:45:27 | 0:45:29 | |
-OVER PA SYSTEM: -'Will all passengers on flight GT6811...' | 0:45:29 | 0:45:32 | |
-Not quite the taxi horn. -No. | 0:45:32 | 0:45:33 | |
'..your flight is ready for boarding.' | 0:45:35 | 0:45:37 | |
I must warn you that mornings like you've just had | 0:46:00 | 0:46:02 | |
in the ED are becoming far too frequent. | 0:46:02 | 0:46:05 | |
I want this to work, Mr H. | 0:46:06 | 0:46:08 | |
It's Mr Hanssen these days. | 0:46:10 | 0:46:12 | |
-It's only six more letters. -Aye-aye. | 0:46:12 | 0:46:15 | |
You don't have to worry about me, you know. | 0:46:17 | 0:46:19 | |
It's the department that worries me. | 0:46:21 | 0:46:23 | |
I'd like to think you would let me know if things don't feel right. | 0:46:24 | 0:46:28 | |
-I'll bear that in mind. -Very good. | 0:46:30 | 0:46:34 | |
SIREN WAILS | 0:46:36 | 0:46:39 | |
SCANNER BLEEPS | 0:46:53 | 0:46:55 | |
I won't be needing that any more. | 0:46:58 | 0:47:01 | |
Mary Roberts? Would you like to come with me? | 0:47:22 | 0:47:25 | |
-Oi. -Yeah? | 0:47:32 | 0:47:35 | |
What was with the Brad and Chad stuff earlier? | 0:47:35 | 0:47:38 | |
Eh, Big Mac put me up to it, he bet I couldn't get a kiss off you. | 0:47:38 | 0:47:41 | |
-Big Mac's gone weird, you know. -When was he not? | 0:47:41 | 0:47:44 | |
Max, cubicles, please. | 0:47:44 | 0:47:46 | |
Your porter's name is Max and I will be with you | 0:47:46 | 0:47:49 | |
for the rest of the flight. | 0:47:49 | 0:47:51 | |
THROUGH HEADPHONES: # My famous last words... | 0:47:53 | 0:47:56 | |
# Could never tell the story | 0:48:00 | 0:48:04 | |
# Spinning unheard | 0:48:05 | 0:48:08 | |
# In the dark of the sky | 0:48:10 | 0:48:13 | |
# But I love you | 0:48:16 | 0:48:20 | |
# And this is our glory | 0:48:22 | 0:48:26 | |
# If this is goodbye | 0:48:28 | 0:48:30 | |
# If this is goodbye... # | 0:48:32 | 0:48:35 |