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-Please, just don't talk about my daughter like that. -What's wrong? | 0:00:02 | 0:00:04 | |
Grace at the moment... she needs to be my priority. | 0:00:04 | 0:00:07 | |
So what are you saying? | 0:00:07 | 0:00:09 | |
I'm saying it's not going to work out between you and me. | 0:00:09 | 0:00:11 | |
Can we just forget it ever happened? | 0:00:11 | 0:00:14 | |
The kiss? I've not stopped thinking about that kiss. | 0:00:14 | 0:00:18 | |
Yeah! | 0:00:18 | 0:00:19 | |
Sleeping with you last night was a mistake. | 0:00:21 | 0:00:24 | |
OK, I don't want to be in a relationship with you, | 0:00:24 | 0:00:26 | |
and I'm really sorry, | 0:00:26 | 0:00:28 | |
but I never will. | 0:00:28 | 0:00:29 | |
SIREN WAILS | 0:01:16 | 0:01:18 | |
Ow! | 0:01:18 | 0:01:19 | |
There's an empty Entonox cylinder in here. | 0:01:23 | 0:01:25 | |
I'll need to go to the store again. | 0:01:25 | 0:01:28 | |
I hope you're ready to do battle, cos it's going to be a blood bath. | 0:01:28 | 0:01:32 | |
What are you talking about? | 0:01:32 | 0:01:34 | |
A very tiny one. I'm talking about chess. | 0:01:34 | 0:01:36 | |
I made a great move last night - took your final pawn, | 0:01:36 | 0:01:39 | |
made him beg for mercy. | 0:01:39 | 0:01:40 | |
Yeah, I know. I anticipated it, actually. | 0:01:40 | 0:01:43 | |
I took your bishop and there aren't any words for what I did to him. | 0:01:43 | 0:01:46 | |
Yeah, if we're going to do this, that's the kind of thing you need to work on. | 0:01:46 | 0:01:50 | |
So things are still a bit weird between you and Rita? | 0:01:50 | 0:01:52 | |
Weird I can handle, but she won't let me near her. | 0:01:52 | 0:01:54 | |
That's what you wanted, isn't it? | 0:01:54 | 0:01:56 | |
Oi! | 0:01:56 | 0:01:58 | |
-I'll get the trolley. -Can you tell me your name? | 0:01:58 | 0:02:00 | |
Oxygen, Jez! | 0:02:00 | 0:02:01 | |
Have you taken anything? Can you tell us your name? | 0:02:01 | 0:02:05 | |
My dad. I need my dad. | 0:02:05 | 0:02:08 | |
All right, I've got her legs. | 0:02:08 | 0:02:10 | |
All right, sweetheart. | 0:02:10 | 0:02:11 | |
She's not breathing. | 0:02:11 | 0:02:13 | |
OK, let's get her up on three. One, two, three. | 0:02:13 | 0:02:16 | |
Go, go, go, go, go! | 0:02:19 | 0:02:23 | |
Out the way, please, coming through! | 0:02:25 | 0:02:28 | |
Hey, what have we got? | 0:02:30 | 0:02:32 | |
Pupils are constricted. I think it's a heroin overdose. | 0:02:32 | 0:02:35 | |
She got dumped outside. The car drove off. | 0:02:35 | 0:02:38 | |
She said a few words and then she started fitting. | 0:02:38 | 0:02:40 | |
First bed on the right. Straight through, please. | 0:02:40 | 0:02:43 | |
Come on! Come on! Breathe. | 0:02:43 | 0:02:44 | |
Move her across as soon as possible, please. | 0:02:44 | 0:02:46 | |
Quick as we can. On three - one, two, three. | 0:02:46 | 0:02:50 | |
Let's prep for intubation. | 0:02:55 | 0:02:56 | |
We're going to give her 1 milligram of adrenaline, | 0:02:56 | 0:02:58 | |
and 400 micrograms of naloxone, please. | 0:02:58 | 0:03:00 | |
-We're not going to get a line in here. -OK, IO needle then, please. | 0:03:00 | 0:03:03 | |
You said she was talking? What did she say? | 0:03:03 | 0:03:05 | |
She asked for her dad. | 0:03:06 | 0:03:08 | |
And her singing was amazing, I'm telling you! Well, hello, Dolly! | 0:03:08 | 0:03:12 | |
I told you, stop calling me that, man. | 0:03:12 | 0:03:14 | |
Go on! Sing it for us. | 0:03:14 | 0:03:16 | |
No, no, no! Must we do this every time? | 0:03:16 | 0:03:18 | |
Oh, go on, we'll set you off. | 0:03:18 | 0:03:21 | |
# Jolene, Jolene, Jolene, Jolene! | 0:03:21 | 0:03:25 | |
# I'm begging of you Please don't take my man. # | 0:03:25 | 0:03:28 | |
What's all that about? | 0:03:28 | 0:03:30 | |
I think it's a song that she was singing in the pub the other night. | 0:03:30 | 0:03:33 | |
Karaoke or something. | 0:03:33 | 0:03:35 | |
Really? Is that all it takes? Some karaoke? | 0:03:35 | 0:03:38 | |
She was buying drinks right, left and centre as well, apparently. | 0:03:38 | 0:03:42 | |
Rita? Your eye! What's happened? | 0:03:58 | 0:04:01 | |
-I'm fine. -No, you're not fine. | 0:04:01 | 0:04:03 | |
-Look, I've got to get back to work. -Not until you tell me what's happened. | 0:04:03 | 0:04:07 | |
I don't want anyone to know. | 0:04:07 | 0:04:09 | |
Rita, you can talk to me. | 0:04:09 | 0:04:11 | |
Iain didn't do this? | 0:04:15 | 0:04:17 | |
No. Not that he'd do anything about it. | 0:04:17 | 0:04:20 | |
Then who? | 0:04:20 | 0:04:22 | |
It was my ex, | 0:04:22 | 0:04:25 | |
Mark. | 0:04:25 | 0:04:26 | |
Right, if he hit you, you've got to call the police. | 0:04:26 | 0:04:29 | |
No! No, it won't happen again. | 0:04:29 | 0:04:32 | |
How can you be so sure? | 0:04:32 | 0:04:33 | |
Because I dealt with it. I just wish I hadn't been on my own. | 0:04:33 | 0:04:35 | |
I can't believe... Iain knew this was going on? | 0:04:35 | 0:04:38 | |
Wait, isn't it your big presentation today? | 0:04:42 | 0:04:45 | |
Yeah, yeah, it's at four o'clock, I'm just getting some stuff. | 0:04:45 | 0:04:47 | |
Anyway, it's not a big presentation. | 0:04:47 | 0:04:49 | |
I knew it. You're bricking it, aren't you? | 0:04:49 | 0:04:51 | |
What? Are you joking? | 0:04:51 | 0:04:53 | |
Come on. Look at me. Yep! Your eye's twitching. | 0:04:53 | 0:04:58 | |
That only happens when you're really nervous. | 0:04:58 | 0:05:00 | |
No, no, no. What you see here is a tower of confidence, all right? | 0:05:00 | 0:05:03 | |
And my eye doesn't twitch. | 0:05:03 | 0:05:05 | |
Well, as I recall, it did when you gave that speech | 0:05:05 | 0:05:08 | |
to the school assembly on the last day of term. | 0:05:08 | 0:05:10 | |
How did that go? "My name is Jacob | 0:05:10 | 0:05:13 | |
"and I'm really scared." | 0:05:13 | 0:05:15 | |
Yeah, yeah. That was a long time ago! Anyway, you can't talk. | 0:05:15 | 0:05:20 | |
Don't make me re-enact your break-dance that you were doing. | 0:05:20 | 0:05:22 | |
Yeah, all right, all right. | 0:05:22 | 0:05:24 | |
It was the '80s. If you say you're fine with it, I believe you. | 0:05:24 | 0:05:28 | |
I'm fine. | 0:05:28 | 0:05:30 | |
This is Patsy Brown, 24, been involved in an RTC. | 0:05:34 | 0:05:38 | |
OK, there's some midline bony tenderness. | 0:05:38 | 0:05:41 | |
We'll send you for an X-ray, I think, to eliminate a fracture. | 0:05:41 | 0:05:46 | |
OK, well, we're going to keep your neck strapped up for now. | 0:05:46 | 0:05:51 | |
It's Patsy, isn't it? | 0:05:51 | 0:05:53 | |
Just don't move your head for the time being, | 0:05:55 | 0:05:57 | |
it might make things worse. | 0:05:57 | 0:05:58 | |
-Send her for the X-ray, please. -OK. | 0:05:58 | 0:06:01 | |
Your eye looks pretty gnarly. | 0:06:01 | 0:06:03 | |
Yeah? You look pretty gnarly too. I like your clothes. | 0:06:03 | 0:06:07 | |
What are you? Goth? | 0:06:07 | 0:06:09 | |
Steam punk. My friend Donna and I make all our own designs. | 0:06:09 | 0:06:14 | |
Or at least, we did. | 0:06:14 | 0:06:15 | |
How do you mean? | 0:06:15 | 0:06:17 | |
We had a row and I moved all my stuff out. | 0:06:17 | 0:06:19 | |
I couldn't see out the back window and a stupid van drove into me. | 0:06:19 | 0:06:22 | |
You're lucky you weren't killed. | 0:06:22 | 0:06:25 | |
Actually, that is so true. | 0:06:25 | 0:06:28 | |
I'm just going to make a quick call. | 0:06:28 | 0:06:30 | |
-OK. Keep your head still, though, all right? -Yeah. | 0:06:30 | 0:06:33 | |
RINGING | 0:06:35 | 0:06:38 | |
This best be an apolo... | 0:06:39 | 0:06:43 | |
Pats, what's happened? | 0:06:43 | 0:06:45 | |
I'm in Holby City Hospital. | 0:06:45 | 0:06:46 | |
-What?! -I've been in a car accident. I nearly died. | 0:06:46 | 0:06:50 | |
Stay where you are! Obviously. I'm coming, OK? | 0:06:52 | 0:06:56 | |
Well, I could have. | 0:07:00 | 0:07:02 | |
No, OK. | 0:07:11 | 0:07:12 | |
She's been asystolic for 30 minutes, so I think we should call it. | 0:07:12 | 0:07:15 | |
No, no. Not yet. | 0:07:15 | 0:07:17 | |
David, we've corrected all the reversible causes. | 0:07:21 | 0:07:25 | |
Just a bit longer. | 0:07:25 | 0:07:26 | |
David. Let him call it. | 0:07:28 | 0:07:31 | |
Thank you. Time of death, please? | 0:07:33 | 0:07:35 | |
11.33. | 0:07:35 | 0:07:37 | |
I'll inform the police... and the coroner. | 0:07:37 | 0:07:40 | |
Can we see if there's any ID on her as well, please? | 0:07:40 | 0:07:42 | |
Try and find the next of kin. | 0:07:42 | 0:07:44 | |
Um... | 0:07:44 | 0:07:45 | |
..let me do that. | 0:07:47 | 0:07:49 | |
MACHINERY WHIRS, MUSIC BLARES | 0:07:59 | 0:08:01 | |
HE SIGHS | 0:08:26 | 0:08:28 | |
All right, people, I'm off! | 0:08:46 | 0:08:48 | |
Try not to miss me too much. | 0:08:48 | 0:08:49 | |
Somehow we'll cope. | 0:08:49 | 0:08:51 | |
You do know he's terrified, don't you? | 0:08:54 | 0:08:56 | |
Of what? | 0:08:56 | 0:08:58 | |
Public speaking. | 0:08:58 | 0:08:59 | |
Jacob's not afraid of anything. | 0:08:59 | 0:09:01 | |
Spiders, party poppers, umbrellas that just spring open. | 0:09:01 | 0:09:05 | |
And your point is? | 0:09:05 | 0:09:06 | |
My point is you should go with him. | 0:09:06 | 0:09:09 | |
Well, apart from having endless paperwork to do today, | 0:09:09 | 0:09:12 | |
it's an overnight stay. | 0:09:12 | 0:09:13 | |
So...get a room. | 0:09:13 | 0:09:16 | |
Trust me - he needs a friend to get him through this. | 0:09:16 | 0:09:19 | |
Well, then, you should go. | 0:09:19 | 0:09:21 | |
I'd just make fun of him, I can't help myself. | 0:09:21 | 0:09:23 | |
Whereas you would steady his nerves without wounding his pride. | 0:09:23 | 0:09:26 | |
Besides, the reputation of the department is at stake. | 0:09:26 | 0:09:29 | |
Did you manage to ID the girl? | 0:09:34 | 0:09:36 | |
Yes. Her name is Annie Meyer, and she'd just turned 19. | 0:09:36 | 0:09:42 | |
Any next of kin listed? | 0:09:44 | 0:09:46 | |
Yes, her father, Peter. | 0:09:46 | 0:09:49 | |
Do you want me to call him? | 0:09:49 | 0:09:51 | |
No. I mean, thank you, but I'll...I'll do it. | 0:09:51 | 0:09:55 | |
Good man. | 0:09:55 | 0:09:56 | |
RINGING | 0:09:59 | 0:10:00 | |
Peter Meyer speaking. | 0:10:04 | 0:10:06 | |
Hello, this is Staff Nurse David Hide. | 0:10:06 | 0:10:09 | |
I'm calling from Holby City Emergency Department. | 0:10:09 | 0:10:12 | |
Mr Meyer, I'm calling about your daughter, Annie. | 0:10:12 | 0:10:15 | |
If you could possibly... | 0:10:15 | 0:10:17 | |
Hel... | 0:10:17 | 0:10:18 | |
Hello? | 0:10:25 | 0:10:26 | |
He's hung up. | 0:10:28 | 0:10:30 | |
Oh, sorry. | 0:11:10 | 0:11:11 | |
Right, well, it looks like I'm coming with you. | 0:11:13 | 0:11:16 | |
What for? | 0:11:16 | 0:11:18 | |
It's important to the hospital that this presentation goes well, so... | 0:11:18 | 0:11:22 | |
And it will. I don't need a baby-sitter. | 0:11:22 | 0:11:25 | |
Fine. Like it or not, I need to make sure you're fully prepared, so... | 0:11:27 | 0:11:32 | |
Fine, if you want to waste your time. | 0:11:33 | 0:11:36 | |
Cab will be here in a minute. | 0:11:36 | 0:11:39 | |
We're not taking the train. | 0:11:39 | 0:11:41 | |
And I'm driving. | 0:11:41 | 0:11:43 | |
I need to go home and pick up some essentials first. | 0:11:43 | 0:11:46 | |
Yeah, he's been making her life hell. | 0:11:46 | 0:11:48 | |
What, and Iain just left her to it? | 0:11:48 | 0:11:50 | |
I know. I thought he was one of the good guys. | 0:11:50 | 0:11:53 | |
Rita. Have you seen Robyn? | 0:11:53 | 0:11:56 | |
Um, yeah. | 0:11:56 | 0:11:58 | |
I've got a delivery for you. | 0:12:00 | 0:12:03 | |
-Seriously? They're for me? -Mm-hm. | 0:12:03 | 0:12:06 | |
"To my darling Robyn, may these brighten up your day the way | 0:12:08 | 0:12:11 | |
"you brighten up my life, all my love, Glen." | 0:12:11 | 0:12:14 | |
Isn't that the most romantic thing you've ever heard? | 0:12:14 | 0:12:17 | |
He's so thoughtful like that. | 0:12:17 | 0:12:18 | |
Yeah, you said. | 0:12:18 | 0:12:20 | |
And did I tell you he texts me every morning and last thing at night? | 0:12:20 | 0:12:23 | |
Yeah, you did. | 0:12:23 | 0:12:24 | |
They smell amazing. Smell them! | 0:12:26 | 0:12:28 | |
I'd thank you not to do that. | 0:12:28 | 0:12:30 | |
Rita? | 0:12:34 | 0:12:35 | |
Can I help you? | 0:12:36 | 0:12:38 | |
No, I just need to talk to Rita. | 0:12:38 | 0:12:40 | |
Well, obviously she's not talking to you. | 0:12:40 | 0:12:42 | |
What happened to her eye? | 0:12:42 | 0:12:44 | |
Oh, so NOW you're interested? | 0:12:44 | 0:12:46 | |
All right, listen, you two - I know we broke up, | 0:12:46 | 0:12:48 | |
but I still care about her. | 0:12:48 | 0:12:49 | |
Whatever keeps you sleeping at night. | 0:12:49 | 0:12:51 | |
You know it was Mark. | 0:12:51 | 0:12:52 | |
Excuse me? I'm looking for my friend, Patsy Brown? | 0:13:00 | 0:13:03 | |
She's been in a car accident. | 0:13:03 | 0:13:04 | |
You must be Donna. OK, she's over here. | 0:13:04 | 0:13:06 | |
Pats! You scared the life out of me. | 0:13:10 | 0:13:12 | |
Well, hello to you, too. | 0:13:12 | 0:13:14 | |
I thought you were at death's door. | 0:13:15 | 0:13:17 | |
I WAS. | 0:13:17 | 0:13:18 | |
Nearly. It was so harsh, Donna, honestly, I was like, traumatised. | 0:13:18 | 0:13:22 | |
My whole life just... flashed before my eyes. | 0:13:22 | 0:13:25 | |
-Does that actually happen? -Mm-hm. -Wait, was I in it? | 0:13:25 | 0:13:28 | |
In, like, flashback form? | 0:13:28 | 0:13:30 | |
Totally. | 0:13:30 | 0:13:31 | |
How long have you two known each other? | 0:13:31 | 0:13:34 | |
Can I just test? Give my hands a squeeze. | 0:13:34 | 0:13:36 | |
Since, like, birth, practically. | 0:13:36 | 0:13:39 | |
Yep. That's definitely going in the ugly album. | 0:13:39 | 0:13:42 | |
You know, I could do with some sympathy. | 0:13:42 | 0:13:44 | |
You don't deserve sympathy. | 0:13:44 | 0:13:45 | |
-You've been acting like a total diva recently. -Excuse me! | 0:13:45 | 0:13:48 | |
I'm not the one who moved my idiot boyfriend into our flat. | 0:13:48 | 0:13:51 | |
Yeah, well, I'm not the one who threw a massive tantrum about it and crashed the car. | 0:13:51 | 0:13:54 | |
OK, it's really important we stay calm, because Patsy does need to stay still, OK? | 0:13:54 | 0:13:57 | |
Pity she doesn't need to stay quiet, too. I'm Theo. | 0:13:57 | 0:14:01 | |
The idiot boyfriend. | 0:14:01 | 0:14:03 | |
Have you forgotten something? | 0:14:35 | 0:14:37 | |
What do you want? Is it Annie? | 0:14:40 | 0:14:43 | |
Has something happened? | 0:14:43 | 0:14:45 | |
Come here! | 0:14:53 | 0:14:55 | |
You're going to pay for what you did! | 0:14:57 | 0:15:01 | |
Don't run away from me! | 0:15:02 | 0:15:03 | |
That'll only make it worse! | 0:15:07 | 0:15:09 | |
You're going to get what's coming. | 0:15:11 | 0:15:14 | |
Come here! | 0:15:14 | 0:15:15 | |
Come here! | 0:15:17 | 0:15:19 | |
I understand this is last-minute, | 0:15:26 | 0:15:28 | |
but they're very difficult to predict, so... | 0:15:28 | 0:15:31 | |
I'm very grateful, Nadia. Thank you very much. | 0:15:31 | 0:15:33 | |
POP MUSIC PLAYS | 0:15:33 | 0:15:35 | |
-Grace? -Carmel, Carmel, do this! | 0:15:35 | 0:15:37 | |
Grace, sweetheart? I need to speak to you. | 0:15:37 | 0:15:39 | |
Grace, stop dancing, darling. | 0:15:39 | 0:15:41 | |
I need to speak to you. Can you turn that down? | 0:15:41 | 0:15:44 | |
OK. I've asked Nadia to look after you tonight. I need go away. OK? | 0:15:46 | 0:15:50 | |
It's for work and I know I promised I wouldn't do this, | 0:15:50 | 0:15:53 | |
-but it's very important. All right, sweetheart? -OK. | 0:15:53 | 0:15:57 | |
You know, if you have to stay in the brace, | 0:16:02 | 0:16:04 | |
you should totally accessorise, | 0:16:04 | 0:16:06 | |
do some kind of Queen Elizabeth neck ruff thing. | 0:16:06 | 0:16:09 | |
With like, lace and everything? I am SO doing that. | 0:16:09 | 0:16:13 | |
What are we waiting for, exactly? | 0:16:13 | 0:16:15 | |
Oh, I don't know, maybe to find out if I'm like, paralysed? | 0:16:15 | 0:16:19 | |
-Please, you drove yourself here. -Erm, because I was in shock. | 0:16:19 | 0:16:23 | |
If you must know, the pain's getting worse. | 0:16:24 | 0:16:27 | |
Really? Then you should tell someone. | 0:16:27 | 0:16:30 | |
Excuse me. | 0:16:30 | 0:16:31 | |
Everything all right? | 0:16:31 | 0:16:33 | |
Erm... It's hurting a bit more. | 0:16:33 | 0:16:36 | |
Really? Where? | 0:16:36 | 0:16:38 | |
Just, like, my whole neck and my hands have gone numb. | 0:16:38 | 0:16:43 | |
OK. When did this start? | 0:16:43 | 0:16:45 | |
Just now. | 0:16:45 | 0:16:47 | |
-Dr Keogh? -Yup. | 0:16:48 | 0:16:50 | |
Patsy's experiencing numbness in her hands. | 0:16:50 | 0:16:54 | |
-OK. Are you having shooting pains down your arms? -No. | 0:16:54 | 0:16:58 | |
Let me know if that changes. | 0:16:58 | 0:17:00 | |
Your X-ray was clear, but it's a bit of a concern. | 0:17:00 | 0:17:04 | |
We'll send you for an MRI and take it from there. | 0:17:04 | 0:17:07 | |
Donna, this is well scary. | 0:17:07 | 0:17:09 | |
If there's nothing on the X-ray, | 0:17:09 | 0:17:11 | |
then it's probably fine though, right? | 0:17:11 | 0:17:13 | |
Not necessarily. | 0:17:13 | 0:17:15 | |
All right. Thank you. | 0:17:17 | 0:17:19 | |
Have you got your whole wardrobe in there? | 0:17:24 | 0:17:27 | |
If you haven't noticed, it's raining. | 0:17:27 | 0:17:30 | |
Oh, so you packed a scuba suit, eh? | 0:17:30 | 0:17:32 | |
Can we go? | 0:17:34 | 0:17:35 | |
How'd it go with Grace? | 0:17:37 | 0:17:39 | |
Oh, you know, tears and tantrums, but, you know, she understands. | 0:17:39 | 0:17:42 | |
So... | 0:17:42 | 0:17:43 | |
Rita, can we talk? | 0:17:50 | 0:17:52 | |
We have nothing to say to each other. | 0:17:52 | 0:17:54 | |
Look, I know I messed up and I'm sorry. | 0:17:54 | 0:17:56 | |
-But we can still be friends, can't we? -We were never friends. | 0:17:56 | 0:17:59 | |
In fact, it's hard to say exactly what we were. | 0:17:59 | 0:18:02 | |
All right. What happened to your eye? I know it was Mark. | 0:18:03 | 0:18:06 | |
Why didn't you tell me he was still bothering you? | 0:18:06 | 0:18:09 | |
Well, I'm not your problem any more, am I? | 0:18:09 | 0:18:11 | |
Rita, just let me help you. | 0:18:11 | 0:18:13 | |
I don't need your help, Iain. | 0:18:13 | 0:18:15 | |
You were pretty much useless in every respect | 0:18:15 | 0:18:18 | |
while we were together. | 0:18:18 | 0:18:20 | |
You are even less use to me now. | 0:18:20 | 0:18:22 | |
Come here! | 0:18:30 | 0:18:33 | |
You're going to pay! | 0:18:33 | 0:18:35 | |
What are you going to do now? | 0:18:39 | 0:18:41 | |
It's Annie, isn't it? | 0:18:43 | 0:18:45 | |
She's dead, isn't she? | 0:18:47 | 0:18:49 | |
You're gonna pay, it's all your fault. | 0:18:49 | 0:18:51 | |
Please, please! | 0:18:51 | 0:18:53 | |
I'm sorry! | 0:18:53 | 0:18:55 | |
Please! I'm sorry! | 0:18:55 | 0:18:57 | |
I'm sorry! | 0:18:57 | 0:18:59 | |
Please don't hurt me! | 0:19:00 | 0:19:02 | |
-CRUNCHING -Ow! My arm! | 0:19:07 | 0:19:09 | |
Arrrghhhh! Help! | 0:19:11 | 0:19:13 | |
Help! Help me - please! | 0:19:13 | 0:19:15 | |
Please, don't leave me! | 0:19:15 | 0:19:17 | |
What are you, eight? | 0:19:31 | 0:19:33 | |
HE CHUCKLES | 0:19:33 | 0:19:35 | |
They're road trip sweets. | 0:19:35 | 0:19:38 | |
What? You ain't ever had...? | 0:19:38 | 0:19:40 | |
Never mind. | 0:19:41 | 0:19:42 | |
We may as well forget the whole thing anyway. | 0:19:44 | 0:19:46 | |
-What do you mean? -We've got road closures. Now this. | 0:19:46 | 0:19:48 | |
It's going to take at least an hour for us just to get out of Holby. We'll never make it. | 0:19:48 | 0:19:52 | |
You just focus on your, er... wonderful speech. | 0:19:52 | 0:19:56 | |
We've got plenty of time. | 0:19:58 | 0:20:00 | |
-Well, let's hear it, then. -Hm? -Let's hear it. | 0:20:03 | 0:20:06 | |
No, no. It's already in my head. | 0:20:06 | 0:20:08 | |
No, say it out loud. | 0:20:08 | 0:20:10 | |
-That's the whole point of me being here. -All right. | 0:20:10 | 0:20:13 | |
OK, erm... | 0:20:16 | 0:20:18 | |
Year on year, government statistics on gun crime go up, | 0:20:19 | 0:20:22 | |
they go down. | 0:20:22 | 0:20:24 | |
But does it reflect... | 0:20:24 | 0:20:27 | |
Does it reflect what? | 0:20:29 | 0:20:30 | |
Please help! There's a man in the storm drain down there. | 0:20:32 | 0:20:36 | |
-Show me. -All right, I'll call emergency services. | 0:20:36 | 0:20:38 | |
OK, Patsy, are you ready to go up? | 0:20:44 | 0:20:46 | |
You can't just abandon me. | 0:20:46 | 0:20:48 | |
-We're just going to get some lunch. -But what about my scan? | 0:20:48 | 0:20:51 | |
We can't come with you for that. | 0:20:51 | 0:20:52 | |
Look, we'll be here when you get back. OK? | 0:20:52 | 0:20:55 | |
Don't worry. I'm sure the scan will show there's nothing wrong with her. | 0:20:55 | 0:20:59 | |
You all right? | 0:21:01 | 0:21:03 | |
Erm... Actually, I need the toilet. | 0:21:03 | 0:21:06 | |
OK, I'll get you a bed pan. | 0:21:06 | 0:21:07 | |
Arghh! | 0:21:28 | 0:21:30 | |
Someone help me! | 0:21:30 | 0:21:32 | |
Patsy! What are you doing? | 0:21:32 | 0:21:34 | |
-I can't feel my arm! -You shouldn't be sitting up. | 0:21:34 | 0:21:37 | |
Can we get this collar back on, please? | 0:21:37 | 0:21:39 | |
I only stepped out for a second. I was going to help you. | 0:21:39 | 0:21:42 | |
-I just... I couldn't wait. -Easy, easy, easy. OK. | 0:21:42 | 0:21:45 | |
-Where is he? -He was there. I don't know... | 0:21:52 | 0:21:55 | |
-Help! -I'm coming to help you! | 0:21:56 | 0:21:59 | |
Hold on! I'm on my way. | 0:21:59 | 0:22:01 | |
-I'm coming. -Help me, please! | 0:22:03 | 0:22:05 | |
Hello? Are you there? | 0:22:07 | 0:22:09 | |
-Help! -Help's coming, all right? | 0:22:09 | 0:22:12 | |
-Somebody help me! -Hang on! | 0:22:12 | 0:22:14 | |
-I can't see you. Where are you? -Help me, please! | 0:22:15 | 0:22:19 | |
Whoa! Arghhhh! | 0:22:25 | 0:22:27 | |
-Where's Jacob? -Got swept into the storm drain with him. | 0:22:52 | 0:22:55 | |
-Where does it go?! -The river! | 0:22:55 | 0:22:58 | |
My arm! My arm! | 0:23:11 | 0:23:13 | |
I've got you, mate! Hang on. No! | 0:23:13 | 0:23:15 | |
Help! | 0:23:20 | 0:23:22 | |
Make for the bank, all right? | 0:23:26 | 0:23:28 | |
Make for the bank! | 0:23:28 | 0:23:30 | |
-Help! -I'm coming! | 0:23:30 | 0:23:32 | |
'Please leave a message after the tone.' | 0:23:34 | 0:23:37 | |
Peter Meyer. He's still not answering his phone | 0:23:45 | 0:23:48 | |
and the police went to the house, but there was no-one there. | 0:23:48 | 0:23:51 | |
So... | 0:23:51 | 0:23:53 | |
Well, what do I do? | 0:23:53 | 0:23:54 | |
Well, you've done about everything you can, really. | 0:23:56 | 0:23:59 | |
We'll move her down to the mortuary now. | 0:23:59 | 0:24:02 | |
-He could still turn up. -He has to! | 0:24:02 | 0:24:04 | |
Why? | 0:24:05 | 0:24:07 | |
I mean, why's it so important to you? | 0:24:07 | 0:24:10 | |
There's nothing worse than not being there for your...kids. | 0:24:10 | 0:24:13 | |
Have you got any? | 0:24:15 | 0:24:17 | |
Excuse me. | 0:24:19 | 0:24:21 | |
Jacob! | 0:24:21 | 0:24:23 | |
Oh, no. Can you see them? | 0:24:23 | 0:24:25 | |
This is hopeless! | 0:24:35 | 0:24:36 | |
There! | 0:24:38 | 0:24:40 | |
Jacob! Jacob, don't! | 0:24:43 | 0:24:45 | |
Jacob! Jacob! | 0:24:45 | 0:24:47 | |
No, don't you dare! | 0:24:57 | 0:24:58 | |
Hold on! | 0:25:06 | 0:25:07 | |
I'm coming to get you, mate. | 0:25:09 | 0:25:10 | |
I've got you. Hold on tight. | 0:25:15 | 0:25:17 | |
My arm! My arm! | 0:25:17 | 0:25:19 | |
Jacob! | 0:25:22 | 0:25:23 | |
Oh, no! | 0:25:26 | 0:25:27 | |
Where does this go? | 0:25:27 | 0:25:29 | |
Where does this river go? | 0:25:29 | 0:25:30 | |
They're heading for the waterfall! | 0:25:30 | 0:25:33 | |
Head for the bank! Over to the bank! | 0:25:37 | 0:25:40 | |
I don't understand how she could hurt her neck all over again. | 0:25:42 | 0:25:45 | |
I don't know. We shouldn't have left her. | 0:25:45 | 0:25:48 | |
I'm right here. You can stop gossiping about me. | 0:25:48 | 0:25:50 | |
I'm sorry. Are you all right? | 0:25:50 | 0:25:52 | |
No, I'm not all right. My neck's killing me. | 0:25:52 | 0:25:56 | |
I can get Dr Keogh to prescribe some morphine for you. | 0:25:56 | 0:25:59 | |
Can you still not move your arm? | 0:25:59 | 0:26:00 | |
Do you see me moving it? | 0:26:00 | 0:26:02 | |
-OK, Patsy. Give my hand a squeeze. -She's just trying to help. | 0:26:02 | 0:26:05 | |
-It's all right. We'll have the results of the MRI soon. -Good. | 0:26:05 | 0:26:08 | |
Then maybe Theo will finally believe | 0:26:08 | 0:26:09 | |
-there is actually something wrong with me. -Patsy, stop it. | 0:26:09 | 0:26:12 | |
He's been really worried. | 0:26:12 | 0:26:14 | |
About what, exactly? His watch? | 0:26:14 | 0:26:15 | |
Because that's all he's been looking at. | 0:26:15 | 0:26:18 | |
Look, me being here is obviously making things worse, | 0:26:18 | 0:26:20 | |
so I'm just going to go. | 0:26:20 | 0:26:22 | |
-Theo... -No, it's OK. I hope you feel better, Patsy. | 0:26:22 | 0:26:25 | |
-I'm sorry. -I'll see you at home. | 0:26:25 | 0:26:27 | |
Nice you've actually got one! | 0:26:27 | 0:26:29 | |
Please, look, try to stay calm. | 0:26:29 | 0:26:31 | |
We never asked you to move out. | 0:26:31 | 0:26:32 | |
Maybe you should move in with your mum. You're starting to behave exactly like her. | 0:26:32 | 0:26:36 | |
He kissed me! | 0:26:37 | 0:26:39 | |
What? | 0:26:40 | 0:26:41 | |
Or he tried to, anyway. | 0:26:41 | 0:26:44 | |
I wouldn't let him because... Eurgh, | 0:26:44 | 0:26:47 | |
and also...I could never do that to you. | 0:26:47 | 0:26:50 | |
No. No, he wouldn't. | 0:26:54 | 0:26:56 | |
Donna, | 0:26:56 | 0:26:58 | |
this is me. | 0:26:58 | 0:26:59 | |
I wouldn't lie to you about something like this. | 0:26:59 | 0:27:02 | |
When? | 0:27:02 | 0:27:05 | |
The other night. We'd all had a bit to drink. | 0:27:05 | 0:27:08 | |
You'd fallen asleep on the sofa. | 0:27:08 | 0:27:10 | |
Why didn't you say something? | 0:27:13 | 0:27:15 | |
Because I didn't want you to hate me. | 0:27:15 | 0:27:17 | |
Patsy, I could never hate you. | 0:27:21 | 0:27:24 | |
I'm so sorry. | 0:27:24 | 0:27:26 | |
No. No, I'm sorry. | 0:27:27 | 0:27:28 | |
Jacob! | 0:28:09 | 0:28:12 | |
Can you see them? Can you see them? | 0:28:12 | 0:28:14 | |
Did they go over? | 0:28:14 | 0:28:16 | |
Jacob! Jacob! | 0:28:26 | 0:28:29 | |
Jacob! | 0:28:30 | 0:28:32 | |
Don't you ever do that again! | 0:28:45 | 0:28:48 | |
What did you think you were doing?! | 0:28:48 | 0:28:50 | |
It's OK. I'm a doctor. | 0:28:51 | 0:28:53 | |
His arm is broken. | 0:28:53 | 0:28:55 | |
Right. We can't treat him here. We need to move him. No, it's OK. | 0:28:55 | 0:29:00 | |
It's OK. I'm a doctor. | 0:29:00 | 0:29:02 | |
Let's get out of here. | 0:29:03 | 0:29:04 | |
He's totally going to deny it, though. I know he is. | 0:29:06 | 0:29:08 | |
I don't care what he says. It's so over. | 0:29:08 | 0:29:11 | |
Sorry to interrupt, but we've got the results of your MRI. | 0:29:13 | 0:29:18 | |
The previous X-rays were clear, | 0:29:18 | 0:29:21 | |
but this shows some bruising to the spinal cord. | 0:29:21 | 0:29:25 | |
We call it SCIWORA. | 0:29:25 | 0:29:26 | |
That's what's causing the loss of function in your arm. | 0:29:26 | 0:29:29 | |
Yeah, but bruises heal. I mean, it won't be permanent. | 0:29:29 | 0:29:31 | |
We're going to keep Patsy immobilised | 0:29:31 | 0:29:33 | |
while we speak to the neurosurgeons. | 0:29:33 | 0:29:35 | |
I will get better though, won't I? | 0:29:35 | 0:29:37 | |
Most do. It is difficult to predict though, I'm afraid. | 0:29:37 | 0:29:41 | |
Look, he said most people recover. | 0:29:49 | 0:29:51 | |
You'll be all right. I know you will. | 0:29:51 | 0:29:53 | |
And whatever happens, you've got me, right? | 0:29:53 | 0:29:55 | |
Right. | 0:29:57 | 0:29:58 | |
I'm just going to go to the loo, OK? | 0:30:02 | 0:30:04 | |
Pulse is low, but that's probably due to the cold. And, er... | 0:30:10 | 0:30:14 | |
I thought the fracture was best being manipulated by you. | 0:30:14 | 0:30:17 | |
-OK? -OK, Mrs Beauchamp. I've got this, all right? | 0:30:17 | 0:30:20 | |
Thanks, Iain. | 0:30:20 | 0:30:21 | |
All right, Leo, mate, I'm going to have to put a splint on this. | 0:30:21 | 0:30:24 | |
-It's going to hurt. I'll get you some pain relief. -No... | 0:30:24 | 0:30:26 | |
No opiates. | 0:30:26 | 0:30:28 | |
I was an addict. | 0:30:28 | 0:30:30 | |
OK. All right, I'll get you some Entonox, all right? | 0:30:30 | 0:30:32 | |
Sir, can you tell me your name? | 0:30:32 | 0:30:35 | |
You seem short of breath. | 0:30:35 | 0:30:36 | |
My chest hurts. I have angina. | 0:30:36 | 0:30:38 | |
OK, OK - we can help you with that. | 0:30:38 | 0:30:40 | |
If you just step up with me... | 0:30:40 | 0:30:42 | |
We may as well follow them back to the ED. | 0:30:42 | 0:30:44 | |
What? No, we can still make it. | 0:30:44 | 0:30:45 | |
There's no point. | 0:30:47 | 0:30:49 | |
My notes. | 0:30:49 | 0:30:50 | |
I thought you had it memorised. | 0:30:52 | 0:30:54 | |
I may have lied a little bit. | 0:30:54 | 0:30:56 | |
Get in. | 0:30:56 | 0:30:57 | |
We'll follow the ambulance. | 0:30:57 | 0:30:59 | |
But, er...get changed. | 0:30:59 | 0:31:01 | |
I don't want you ruining my upholstery. | 0:31:01 | 0:31:03 | |
Keep your eyes to yourself, Mrs Beauchamp. | 0:31:10 | 0:31:13 | |
Don't flatter yourself, Mr Masters. | 0:31:13 | 0:31:16 | |
SIREN WAILS | 0:31:17 | 0:31:20 | |
The ambulance went the other way. | 0:31:21 | 0:31:23 | |
I may have lied a little bit. | 0:31:23 | 0:31:25 | |
You fancy a pint later? | 0:31:25 | 0:31:27 | |
I think a few of us are going. | 0:31:27 | 0:31:28 | |
Nah. Just going to go home. | 0:31:28 | 0:31:31 | |
Come on, cheer up! | 0:31:31 | 0:31:33 | |
I know what happened to her was horrible, | 0:31:33 | 0:31:35 | |
but she told you herself, she's not your problem any more. | 0:31:35 | 0:31:38 | |
She is, though, isn't she? | 0:31:38 | 0:31:40 | |
As far as everybody else is concerned. And you. | 0:31:40 | 0:31:42 | |
What? No! | 0:31:42 | 0:31:43 | |
Look... | 0:31:43 | 0:31:44 | |
you never wanted a relationship with her. | 0:31:44 | 0:31:47 | |
All right, that's fair enough. | 0:31:47 | 0:31:48 | |
I let her down, Jez. | 0:31:48 | 0:31:50 | |
I didn't stop her ex from hurting her before, and now I can't. | 0:31:50 | 0:31:52 | |
Why not? | 0:31:52 | 0:31:54 | |
She doesn't want me to. | 0:31:54 | 0:31:56 | |
Then why'd she tell you? | 0:31:56 | 0:31:57 | |
Hey, welcome back. | 0:32:04 | 0:32:06 | |
We manipulated your arm and restored circulation. | 0:32:07 | 0:32:11 | |
The orthopaedics team will be able to take you up to theatre | 0:32:12 | 0:32:15 | |
a bit later on this evening, all right? | 0:32:15 | 0:32:17 | |
Looks like you hit those rocks pretty hard, Leo. | 0:32:17 | 0:32:19 | |
I'm going to get you a GTN spray to tide you over. | 0:32:19 | 0:32:22 | |
It... It would help us if you could tell us your name. | 0:32:22 | 0:32:24 | |
Peter Meyer. | 0:32:25 | 0:32:26 | |
I'm... | 0:32:29 | 0:32:30 | |
I'm Staff Nurse David Hide. | 0:32:31 | 0:32:33 | |
We talked earlier this morning about your daughter, Annie. | 0:32:33 | 0:32:36 | |
She's dead. | 0:32:36 | 0:32:37 | |
LEO SOBS | 0:32:38 | 0:32:39 | |
What was it? | 0:32:41 | 0:32:42 | |
Overdose? | 0:32:42 | 0:32:43 | |
Er...I'm afraid so, yes. | 0:32:45 | 0:32:46 | |
LEO SOBS Her heart stopped soon after she arrived. | 0:32:46 | 0:32:49 | |
We tried to resuscitate, but... | 0:32:49 | 0:32:50 | |
SOBBING | 0:32:50 | 0:32:53 | |
Are you all right? | 0:32:53 | 0:32:54 | |
MACHINE BLEEPS | 0:32:54 | 0:32:56 | |
He's throwing off ventricular ectopics. | 0:32:56 | 0:32:58 | |
Irregular rhythm. | 0:32:58 | 0:33:00 | |
BP has dropped. | 0:33:00 | 0:33:01 | |
OK, let's get a 12-lead ECG. | 0:33:01 | 0:33:04 | |
Leo? | 0:33:04 | 0:33:05 | |
Mr Meyer, the coroner will need somebody | 0:33:05 | 0:33:07 | |
to formally identify your daughter. | 0:33:07 | 0:33:09 | |
I can take you to her. | 0:33:11 | 0:33:12 | |
No. | 0:33:12 | 0:33:13 | |
I don't want to see her. | 0:33:13 | 0:33:15 | |
Patsy, I have to ask. Erm... | 0:33:19 | 0:33:21 | |
Before you went for your MRI... | 0:33:22 | 0:33:25 | |
..did you mean... | 0:33:28 | 0:33:29 | |
..to make your injury worse? | 0:33:31 | 0:33:33 | |
What? | 0:33:33 | 0:33:35 | |
Of course not. | 0:33:35 | 0:33:36 | |
Cos that would be really foolish. | 0:33:36 | 0:33:39 | |
I know. | 0:33:42 | 0:33:43 | |
I didn't think it would be serious. | 0:33:46 | 0:33:48 | |
Why risk hurting yourself at all? | 0:33:49 | 0:33:51 | |
Because I just wanted things to stay the way they were. | 0:33:51 | 0:33:54 | |
Just for a little while longer. | 0:33:54 | 0:33:56 | |
And, er... And this morning, the numbness - was that real? | 0:33:58 | 0:34:02 | |
I looked it up online. | 0:34:03 | 0:34:05 | |
SHE SIGHS | 0:34:06 | 0:34:08 | |
I suppose you think I deserve this. | 0:34:08 | 0:34:10 | |
(No.) | 0:34:10 | 0:34:11 | |
No. | 0:34:11 | 0:34:12 | |
SHE SIGHS | 0:34:14 | 0:34:15 | |
But, erm... But Donna - she doesn't deserve to be lied to. | 0:34:15 | 0:34:18 | |
Well, I'm not lying any more. | 0:34:18 | 0:34:21 | |
Really? | 0:34:21 | 0:34:22 | |
What you said... | 0:34:23 | 0:34:24 | |
about Theo? | 0:34:24 | 0:34:25 | |
SHE SIGHS | 0:34:28 | 0:34:29 | |
Oh, Patsy. | 0:34:29 | 0:34:30 | |
I know you want to hold on to your friend... | 0:34:32 | 0:34:35 | |
..but this isn't the way. | 0:34:37 | 0:34:38 | |
And it's not too late to tell her the truth. | 0:34:41 | 0:34:43 | |
Looks like left bundle branch block. | 0:35:15 | 0:35:17 | |
I'm worried about a contusion. | 0:35:17 | 0:35:18 | |
We'll give him a bolus of 250ml normal saline. | 0:35:18 | 0:35:21 | |
You know what? Let's do the echo now. | 0:35:21 | 0:35:22 | |
Are you sure you won't change your mind, Mr Meyer? | 0:35:22 | 0:35:25 | |
You said you'd give me another GTN spray. | 0:35:25 | 0:35:27 | |
Ventricle's impaired. | 0:35:31 | 0:35:33 | |
Global hypokinesis. | 0:35:33 | 0:35:34 | |
I tried to get her off it! | 0:35:34 | 0:35:36 | |
Lots of times. | 0:35:44 | 0:35:45 | |
She just couldn't stop. | 0:35:46 | 0:35:48 | |
Leo, now's not the time. | 0:35:48 | 0:35:50 | |
I had to get away while I still could. | 0:35:50 | 0:35:52 | |
So she was the one holding you back, is that it? You've moved on? | 0:35:53 | 0:35:56 | |
Mr Meyer. Mr Meyer, please. | 0:35:56 | 0:35:58 | |
-You were the one that got her hooked! -I'm so sorry. | 0:35:58 | 0:36:00 | |
CHARLIE: BP's dropped. | 0:36:00 | 0:36:02 | |
Must be a myocardial contusion. | 0:36:02 | 0:36:04 | |
He's had a run of VT. | 0:36:04 | 0:36:06 | |
BLEEPING | 0:36:06 | 0:36:08 | |
-What's happening? -He's in VF. | 0:36:10 | 0:36:13 | |
Charging. | 0:36:16 | 0:36:17 | |
Everybody stand clear. | 0:36:17 | 0:36:20 | |
BLEEPING Clear. | 0:36:20 | 0:36:22 | |
DEFIBRILLATOR SHOCK | 0:36:22 | 0:36:23 | |
LONG BLEEP | 0:36:23 | 0:36:25 | |
I'm totally going to stay with you for the whole time you're here. | 0:36:25 | 0:36:29 | |
And listen, don't worry - | 0:36:29 | 0:36:31 | |
Theo's going to be long gone by the time you get home. | 0:36:31 | 0:36:34 | |
-Donna... -From now on, it is just going to be us. | 0:36:34 | 0:36:37 | |
You know, sisters before misters. | 0:36:37 | 0:36:39 | |
Donna, I'm so sorry. | 0:36:39 | 0:36:41 | |
For what? | 0:36:42 | 0:36:43 | |
Theo never made a move on me. | 0:36:44 | 0:36:47 | |
I made it up... | 0:36:47 | 0:36:48 | |
..so that you'd break up with him. | 0:36:49 | 0:36:52 | |
I could see how much you loved him, | 0:36:53 | 0:36:55 | |
and I didn't want you pulling away from me. | 0:36:55 | 0:36:57 | |
I've been so stupid, Donna, and now I'm scared I've really hurt myself. | 0:36:59 | 0:37:03 | |
Did you do this on purpose? | 0:37:04 | 0:37:05 | |
SHE SIGHS | 0:37:08 | 0:37:09 | |
Donna... | 0:37:09 | 0:37:11 | |
-Donna... -No. -Please! | 0:37:11 | 0:37:12 | |
No. Do you know what? You've made your bed, Patsy. You lie in it. | 0:37:12 | 0:37:15 | |
SHE SOBS GENTLY | 0:37:19 | 0:37:23 | |
MACHINES BLEEP | 0:37:23 | 0:37:25 | |
HE SIGHS Nothing. | 0:37:35 | 0:37:36 | |
He's still in VF. | 0:37:36 | 0:37:38 | |
Charging. | 0:37:38 | 0:37:39 | |
-Clear. BLEEPING -Shocking. | 0:37:40 | 0:37:42 | |
FAINT BLEEPING | 0:37:47 | 0:37:50 | |
Ah, we have an output. | 0:37:50 | 0:37:52 | |
Mr Meyer, no, don't. Please don't go! | 0:37:54 | 0:37:56 | |
-Just leave me alone. -No, I can't. Not until... | 0:37:56 | 0:37:58 | |
When last did you see her? | 0:37:58 | 0:38:00 | |
-What the hell has that got to do with you? -Nothing. I just think... | 0:38:00 | 0:38:02 | |
-If that were my child... -Then what? | 0:38:02 | 0:38:05 | |
You'd have done something? Is that it? | 0:38:05 | 0:38:07 | |
No. | 0:38:07 | 0:38:08 | |
No, that... That's not... | 0:38:08 | 0:38:10 | |
I'm... I'm sorry. | 0:38:11 | 0:38:13 | |
I kicked her out. | 0:38:14 | 0:38:15 | |
She was my only child, and I gave her up when I should've... | 0:38:19 | 0:38:23 | |
I don't deserve to be anywhere near her. | 0:38:28 | 0:38:30 | |
She asked for you. | 0:38:34 | 0:38:35 | |
It was the last thing she ever said. | 0:38:42 | 0:38:44 | |
She's still waiting for you. | 0:38:55 | 0:38:57 | |
MEYER SOBS | 0:39:02 | 0:39:03 | |
APPLAUSE | 0:39:03 | 0:39:05 | |
Ladies and gentlemen, please welcome our guest speaker, | 0:39:10 | 0:39:13 | |
Staff Nurse Jacob Masters. | 0:39:13 | 0:39:15 | |
APPLAUSE | 0:39:15 | 0:39:16 | |
Go on. You can do it. | 0:39:18 | 0:39:19 | |
CLEARS HIS THROAT | 0:39:29 | 0:39:30 | |
Erm... | 0:39:35 | 0:39:36 | |
-WHISPERS: -My name is, er... Jacob Masters. | 0:39:39 | 0:39:41 | |
I'm a staff nurse... | 0:39:41 | 0:39:43 | |
-LOUDLY: -I'm here today... -SPEAKER FEEDBACK | 0:39:45 | 0:39:47 | |
I'm here... | 0:39:50 | 0:39:52 | |
to talk about gun crime. | 0:39:52 | 0:39:53 | |
SHE MOUTHS | 0:40:05 | 0:40:07 | |
Right, erm... | 0:40:08 | 0:40:09 | |
Year on year... | 0:40:09 | 0:40:11 | |
..government statistics on gun crime go up, and they go down. | 0:40:12 | 0:40:18 | |
But does it really reflect what's on the ground? | 0:40:19 | 0:40:22 | |
Well, the truth is... | 0:40:24 | 0:40:25 | |
SHE MOUTHS | 0:40:28 | 0:40:29 | |
..there are thousands of... | 0:40:31 | 0:40:33 | |
..recorded incidents... | 0:40:35 | 0:40:36 | |
..and... | 0:40:37 | 0:40:38 | |
countless more that go unreported. | 0:40:38 | 0:40:41 | |
How... How do we deal with it? | 0:40:41 | 0:40:43 | |
MEYER GASPS | 0:40:47 | 0:40:49 | |
Take as long as you like. | 0:40:54 | 0:40:56 | |
MEYER SIGHS | 0:40:57 | 0:40:58 | |
MEYER SIGHS | 0:41:05 | 0:41:06 | |
Oh... | 0:41:09 | 0:41:10 | |
MEYER SOBS | 0:41:12 | 0:41:13 | |
Oh... | 0:41:18 | 0:41:19 | |
MEYER SOBS | 0:41:27 | 0:41:28 | |
I mean, all things considered, | 0:41:37 | 0:41:38 | |
I'm amazed I could read any of your waterlogged notes. | 0:41:38 | 0:41:42 | |
I was bad, wasn't I? | 0:41:42 | 0:41:43 | |
No. | 0:41:44 | 0:41:45 | |
No, it was, er... You were quite... | 0:41:45 | 0:41:49 | |
Yeah. | 0:41:49 | 0:41:50 | |
Yeah, it was bad. | 0:41:50 | 0:41:52 | |
Hello, there. Will you be staying with us this evening? | 0:41:53 | 0:41:56 | |
Hi, I'm Jacob Masters. I have a room booked for tonight. | 0:41:56 | 0:41:58 | |
And I'd like to book a room, please. | 0:41:58 | 0:42:00 | |
Oh, I am sorry, madam, | 0:42:00 | 0:42:02 | |
but I'm afraid we're fully booked - because of the conference. | 0:42:02 | 0:42:05 | |
Well, I'm part of the conference. I'm sure you can find something. | 0:42:05 | 0:42:08 | |
I'll have a look, but I... | 0:42:08 | 0:42:11 | |
-You could take my room. -Hm? | 0:42:12 | 0:42:14 | |
I'll drive back tonight. | 0:42:14 | 0:42:15 | |
What, and leave me stranded? No thanks. | 0:42:15 | 0:42:17 | |
Unless... | 0:42:17 | 0:42:19 | |
The room Mr Masters is booked in is adjoining to an en-suite. | 0:42:19 | 0:42:23 | |
We usually save these for families, | 0:42:23 | 0:42:25 | |
but as we're busy, it's first-come, first-served. | 0:42:25 | 0:42:27 | |
-A shared room? -No. | 0:42:27 | 0:42:29 | |
Just a shared door. | 0:42:29 | 0:42:30 | |
I thought you'd gone home. | 0:42:58 | 0:42:59 | |
I wanted to, but... | 0:43:00 | 0:43:02 | |
Has, erm... Has Patsy been transferred? | 0:43:03 | 0:43:06 | |
Yeah, upstairs - neurosurgical ward. | 0:43:06 | 0:43:07 | |
I said I could never hate her, and I don't, but... | 0:43:10 | 0:43:12 | |
..things really need to change. | 0:43:13 | 0:43:15 | |
I think she knows that. | 0:43:15 | 0:43:17 | |
She took it too far today... | 0:43:18 | 0:43:21 | |
..and she's paying for it. | 0:43:22 | 0:43:24 | |
DONNA SIGHS | 0:43:26 | 0:43:28 | |
Neurosurgery ward? | 0:43:28 | 0:43:29 | |
Keller. Third floor. | 0:43:29 | 0:43:31 | |
Jez, have you seen Iain? I need to speak to him. | 0:43:38 | 0:43:41 | |
You're too late. You just missed him. | 0:43:41 | 0:43:43 | |
Too late for what? | 0:43:43 | 0:43:45 | |
Er... | 0:43:45 | 0:43:47 | |
Jez? | 0:43:47 | 0:43:48 | |
I'm not supposed to say. | 0:43:48 | 0:43:49 | |
-What?! -He's, erm... | 0:43:49 | 0:43:51 | |
He's gone after that ex of yours. | 0:43:51 | 0:43:53 | |
No. Oh, no, no, no, no, no! | 0:43:53 | 0:43:55 | |
No! | 0:43:55 | 0:43:56 | |
-No! -What? | 0:43:57 | 0:43:59 | |
Oh, no... | 0:43:59 | 0:44:00 | |
We have got to stop him! | 0:44:01 | 0:44:03 | |
Why? | 0:44:03 | 0:44:04 | |
Well, this is me. | 0:44:11 | 0:44:12 | |
We could maybe grab some dinner later? | 0:44:14 | 0:44:16 | |
I've got loads of paperwork to catch up on, so I'll, er... | 0:44:16 | 0:44:20 | |
probably get some room service. | 0:44:20 | 0:44:21 | |
-Cool. -OK. | 0:44:21 | 0:44:23 | |
-See you tomorrow. -OK. | 0:44:23 | 0:44:24 | |
KEYCARDS BLEEP | 0:44:25 | 0:44:27 | |
Where's Rita? We were supposed to be cheering her up. | 0:45:43 | 0:45:45 | |
I know what'll do it - another karaoke night. | 0:45:47 | 0:45:49 | |
Yeah, I don't sing, though. | 0:45:51 | 0:45:53 | |
I never sing. | 0:45:53 | 0:45:54 | |
Iain! No! Stop! Please! | 0:45:55 | 0:45:58 | |
Stop! | 0:45:58 | 0:45:59 | |
-What are you doing? -I can't let you go after Mark. | 0:46:00 | 0:46:03 | |
Rita, he's not going to get away with it. Not any more. | 0:46:03 | 0:46:05 | |
-He didn't do anything. He didn't touch me. -He gave you a black eye! | 0:46:05 | 0:46:09 | |
I bumped into a wing mirror. | 0:46:09 | 0:46:10 | |
That isn't what you said. | 0:46:10 | 0:46:12 | |
I let you think that. | 0:46:12 | 0:46:14 | |
It was wrong. I'm sorry. | 0:46:15 | 0:46:17 | |
Hang on a minute. | 0:46:18 | 0:46:20 | |
What about all the phone calls? | 0:46:20 | 0:46:22 | |
And him slashing your tyres? | 0:46:22 | 0:46:23 | |
Oh, so there's more lies? | 0:46:23 | 0:46:24 | |
Please, Iain, can we just go and talk somewhere else? | 0:46:24 | 0:46:27 | |
No! It's too late for that. | 0:46:27 | 0:46:29 | |
Did he slash your tyres or not? | 0:46:29 | 0:46:31 | |
No. | 0:46:33 | 0:46:34 | |
It was a patient. | 0:46:34 | 0:46:35 | |
I don't believe this. | 0:46:37 | 0:46:38 | |
You know I was going to knock seven bells out of him? | 0:46:40 | 0:46:43 | |
-I'm sorry. -Sorry?! | 0:46:43 | 0:46:45 | |
I could've lost my job. I could've gone to prison! | 0:46:46 | 0:46:48 | |
I never wanted you to go after him. | 0:46:48 | 0:46:50 | |
I just wanted you to feel bad for leaving me. | 0:46:54 | 0:46:57 | |
That's pathetic! | 0:47:02 | 0:47:03 | |
-Iain... -You're insane! | 0:47:03 | 0:47:05 | |
People around here need to know who they're working with. | 0:47:08 | 0:47:11 | |
No, no! Iain... | 0:47:11 | 0:47:12 | |
Just get some help! | 0:47:12 | 0:47:14 | |
Stay away from me. | 0:47:14 | 0:47:15 | |
ENGINE STARTS, HE DRIVES OFF | 0:47:16 | 0:47:19 |