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-This is my son, Oliver. -Hey, no way! | 0:00:02 | 0:00:03 | |
It's a bit early for us, Doctor Chao - but as it's nearly Christmas. | 0:00:03 | 0:00:06 | |
It's not for you, it's for Mr Grayling. | 0:00:06 | 0:00:07 | |
Bit pricey, innit? | 0:00:07 | 0:00:08 | |
Charlie, my daughter may never walk again. | 0:00:08 | 0:00:10 | |
You're looking for someone to blame. | 0:00:10 | 0:00:11 | |
The South African research project? Three months? | 0:00:11 | 0:00:14 | |
I assume you are applying. | 0:00:14 | 0:00:15 | |
Er...yeah. | 0:00:15 | 0:00:17 | |
-Has something happened? -Cal, he's stolen my proposal. | 0:00:17 | 0:00:19 | |
What I said at Christmas, I meant it. | 0:00:19 | 0:00:22 | |
I love you. | 0:00:22 | 0:00:23 | |
You tried to kiss me! | 0:00:23 | 0:00:24 | |
And then you threatened to fail me if I didn't! | 0:00:24 | 0:00:27 | |
Your father was absolutely right about you. | 0:00:27 | 0:00:28 | |
You are a pathetic, spineless coward. | 0:00:28 | 0:00:31 | |
Dylan, go home! Please! | 0:00:31 | 0:00:32 | |
PHONE BUZZES | 0:00:36 | 0:00:38 | |
Morning. | 0:01:44 | 0:01:45 | |
Hello. | 0:01:46 | 0:01:47 | |
KNOCK AT DOOR | 0:01:51 | 0:01:52 | |
Alicia, can I borrow some moisturiser, please? | 0:01:52 | 0:01:54 | |
Mine's run out. | 0:01:54 | 0:01:56 | |
Hide! Hide! | 0:01:56 | 0:01:58 | |
My skin is as dry a moulting lizard. | 0:01:58 | 0:02:00 | |
Do you reckon that's normal? | 0:02:00 | 0:02:01 | |
Out the window. | 0:02:01 | 0:02:02 | |
Out of the window? | 0:02:03 | 0:02:04 | |
So much for pregnancy glow, eh? | 0:02:04 | 0:02:07 | |
Argh! | 0:02:07 | 0:02:08 | |
Lish? Are you OK? | 0:02:10 | 0:02:12 | |
Hang on a second. | 0:02:12 | 0:02:13 | |
Under the bed! Get under the bed! | 0:02:13 | 0:02:16 | |
Hi. | 0:02:20 | 0:02:22 | |
Sorry. Couldn't find it anywhere. | 0:02:22 | 0:02:24 | |
Thanks. | 0:02:24 | 0:02:25 | |
Sorry. Did I hurt you? | 0:02:30 | 0:02:32 | |
I haven't been shoved that hard since I stole Cal's Nerf gun. | 0:02:32 | 0:02:35 | |
He's back today, isn't he? | 0:02:37 | 0:02:39 | |
Why are you dragging me out this early, man? | 0:02:42 | 0:02:44 | |
Now, are you sure he didn't do it? | 0:02:44 | 0:02:46 | |
Yeah, I'm sure. He's not even gay! | 0:02:46 | 0:02:47 | |
And it should be us that helps him. | 0:02:47 | 0:02:49 | |
You took the money shot, not me. | 0:02:49 | 0:02:51 | |
Either way, he's got a lot to lose. | 0:02:51 | 0:02:54 | |
Look, Dylan puts his case to management | 0:02:54 | 0:02:56 | |
and then Seb looks stupid and everybody forgets about it. It's... | 0:02:56 | 0:03:00 | |
It's sorted. | 0:03:00 | 0:03:02 | |
Sebastian! | 0:03:09 | 0:03:11 | |
That disgraced Keogh. | 0:03:11 | 0:03:14 | |
I knew there was something. | 0:03:14 | 0:03:16 | |
You should have told me sooner. | 0:03:16 | 0:03:17 | |
I was...ashamed, I guess. | 0:03:18 | 0:03:21 | |
You didn't...encourage him in any way? | 0:03:21 | 0:03:24 | |
-Dad! -No, no, no. Of course not. | 0:03:24 | 0:03:25 | |
Well, he won't get away with this. | 0:03:25 | 0:03:27 | |
KNOCKING AT DOOR | 0:03:32 | 0:03:34 | |
Dylan! | 0:03:34 | 0:03:36 | |
Dylan? | 0:03:36 | 0:03:38 | |
Dylan! | 0:03:38 | 0:03:40 | |
BOTH: One, two, three. | 0:03:41 | 0:03:43 | |
What the dickens!? | 0:03:45 | 0:03:47 | |
Hell of a party! Whoa! | 0:03:47 | 0:03:49 | |
What have you done to my door? | 0:03:49 | 0:03:50 | |
We were...worried about you. | 0:03:50 | 0:03:53 | |
Can't think why. | 0:03:53 | 0:03:54 | |
OK, fine. Come on. | 0:03:54 | 0:03:55 | |
You can't just give up, you could lose your job. | 0:03:55 | 0:03:57 | |
Let me give you a piece of advice. | 0:03:57 | 0:03:59 | |
What you need to do is you need to come into work | 0:03:59 | 0:04:01 | |
and you need to fight. | 0:04:01 | 0:04:03 | |
OK, well, thanks for that. All right. | 0:04:03 | 0:04:06 | |
-DOG WHIMPERS -Dylan, come on! -It's all right, darling. -It's OK, it's OK. | 0:04:06 | 0:04:09 | |
Don't send us away. We're here to help. | 0:04:09 | 0:04:11 | |
Yeah, Dylan. Come on, man. | 0:04:11 | 0:04:13 | |
We're just trying to help you. | 0:04:13 | 0:04:14 | |
Hello. | 0:04:26 | 0:04:27 | |
I'm looking for Neil. | 0:04:27 | 0:04:29 | |
Neil Ogden? | 0:04:29 | 0:04:31 | |
That's me. | 0:04:31 | 0:04:32 | |
Are you Sheldon? | 0:04:34 | 0:04:36 | |
I mean, you got to be kidding. | 0:04:39 | 0:04:41 | |
Hey, wait. | 0:04:41 | 0:04:43 | |
I brought this for you. | 0:04:43 | 0:04:45 | |
If he doesn't come in, there'll be trouble. | 0:04:45 | 0:04:48 | |
-Oi! -If only there was someone who could talk to Seb. | 0:04:49 | 0:04:51 | |
Use their charm to get him to admit that he...made it all up. | 0:04:51 | 0:04:56 | |
RECORDING: ..made it all up. | 0:04:59 | 0:05:01 | |
Whoa, Max, mate, where you going with this? | 0:05:04 | 0:05:06 | |
It's crazy, really. You never know what goes on behind closed doors. | 0:05:06 | 0:05:10 | |
What lurks in the hearts of men, eh? | 0:05:10 | 0:05:12 | |
Hard to believe of Doctor Keogh, though. | 0:05:12 | 0:05:14 | |
Did you see the way he kicked off yesterday? | 0:05:14 | 0:05:16 | |
Hey, guys. | 0:05:18 | 0:05:20 | |
New dawn, new day. | 0:05:24 | 0:05:27 | |
How are we feeling? | 0:05:28 | 0:05:30 | |
Great. | 0:05:32 | 0:05:33 | |
I got something to show you! | 0:05:37 | 0:05:38 | |
Look, when you answered my message, | 0:05:40 | 0:05:43 | |
just why you didn't say you were... | 0:05:43 | 0:05:45 | |
What? | 0:05:45 | 0:05:46 | |
GLASS SHATTERS | 0:05:50 | 0:05:51 | |
HE GROANS | 0:05:58 | 0:05:59 | |
Are you all right? | 0:06:07 | 0:06:08 | |
HE GROANS | 0:06:08 | 0:06:10 | |
HE SHRIEKS | 0:06:18 | 0:06:20 | |
-KNOCKING ON DOOR -Come in. | 0:06:28 | 0:06:30 | |
Doctor Gardner? | 0:06:32 | 0:06:33 | |
Mr Griffin. | 0:06:33 | 0:06:35 | |
The hearing this morning. | 0:06:35 | 0:06:38 | |
No unpleasant surprises, I hope? | 0:06:38 | 0:06:41 | |
From Doctor Keogh? | 0:06:41 | 0:06:42 | |
What's your view - off the record, of course? | 0:06:44 | 0:06:47 | |
We're still investigating. | 0:06:48 | 0:06:50 | |
May I? | 0:06:53 | 0:06:54 | |
Ah. | 0:07:00 | 0:07:02 | |
The reputation of this hospital | 0:07:04 | 0:07:06 | |
would be at stake... | 0:07:06 | 0:07:08 | |
..if this were to be leaked. | 0:07:09 | 0:07:11 | |
We have it contained within the department. | 0:07:15 | 0:07:17 | |
You're new in this role, of course, Doctor Gardner. | 0:07:17 | 0:07:20 | |
But I'll follow your lead. | 0:07:22 | 0:07:24 | |
Hey, Seb. | 0:07:38 | 0:07:40 | |
How you doing? You OK? | 0:07:40 | 0:07:41 | |
-Who'd have thought Dylan would do that? -Yeah. | 0:07:43 | 0:07:46 | |
Feel bad for him in a way, but... | 0:07:47 | 0:07:50 | |
Come on now, you had to speak out, right? | 0:07:50 | 0:07:52 | |
What choice did I have? | 0:07:54 | 0:07:56 | |
I'm here if you ever want to talk, OK? | 0:07:59 | 0:08:02 | |
I've come to put an end to this nonsense. | 0:08:09 | 0:08:11 | |
-There's my written statement. OK? -Ah, good. | 0:08:11 | 0:08:13 | |
-Now, remember, we're meeting HR and Ric Griffin later, OK? -OK. | 0:08:13 | 0:08:17 | |
-Dylan, 11:30. Yes? -Yeah. | 0:08:17 | 0:08:20 | |
-Now, did you arrange the BMA rep, as I suggested? -No. | 0:08:20 | 0:08:23 | |
I just want to put a stop to the nonsense and get back to work. | 0:08:23 | 0:08:26 | |
Except that you're off clinical duties. | 0:08:26 | 0:08:28 | |
By rights I should be suspending you. | 0:08:28 | 0:08:30 | |
Yeah. Yadda, yadda, yadda. | 0:08:30 | 0:08:32 | |
Problem? | 0:08:36 | 0:08:38 | |
He's just unhappy about being taken off clinical duties. | 0:08:39 | 0:08:42 | |
Are you surprised? | 0:08:43 | 0:08:44 | |
No, of course not. | 0:08:44 | 0:08:46 | |
-But it was the least worst option while we investigate. -Oh. | 0:08:46 | 0:08:49 | |
Guilty until proven innocent. | 0:08:49 | 0:08:51 | |
Interesting strategy. | 0:08:51 | 0:08:52 | |
I think it's fine. There's barely a mark. | 0:08:56 | 0:08:58 | |
Unless... Further examination is required? | 0:08:59 | 0:09:02 | |
SHE SIGHS It's Cal. | 0:09:08 | 0:09:10 | |
What have I done? | 0:09:12 | 0:09:14 | |
Alicia, Cal... | 0:09:14 | 0:09:15 | |
He likes you, I know he does, but he's like some kite on the wind. | 0:09:18 | 0:09:22 | |
I'm tired of always holding onto his strings, | 0:09:22 | 0:09:24 | |
in case he... | 0:09:24 | 0:09:26 | |
..gets tangled in a tree. | 0:09:27 | 0:09:28 | |
Am I the tree in this? | 0:09:30 | 0:09:31 | |
No. You're the reason I feel like I can let go. | 0:09:31 | 0:09:34 | |
What, let go of Cal? | 0:09:36 | 0:09:37 | |
Yeah. | 0:09:39 | 0:09:41 | |
Obviously I hope we can come back from this. | 0:09:41 | 0:09:43 | |
I want us to be together, Alicia. | 0:09:45 | 0:09:48 | |
Oh! Sorry. | 0:09:48 | 0:09:51 | |
-Are you all right? -Yes! | 0:09:51 | 0:09:54 | |
I bashed my knee, doing a... A kick boxing class. | 0:09:54 | 0:09:58 | |
-Alicia was... -Yeah I'm... I'm just going to... | 0:10:00 | 0:10:03 | |
I'll sort the X-ray. | 0:10:03 | 0:10:05 | |
Thank you. | 0:10:05 | 0:10:06 | |
Kick boxing, eh? | 0:10:07 | 0:10:08 | |
-Hey, mate. -Quite chilly. | 0:10:12 | 0:10:14 | |
Apparently there's been some sort of struggle up there with another lad, | 0:10:14 | 0:10:18 | |
according to the women. | 0:10:18 | 0:10:20 | |
-All right, his name's Neil. -OK. | 0:10:20 | 0:10:22 | |
-The boy. -What boy is that, pal? | 0:10:22 | 0:10:25 | |
Came to the cafe. | 0:10:25 | 0:10:26 | |
What, he went that way? | 0:10:26 | 0:10:27 | |
What are you looking for? This? This yours? | 0:10:28 | 0:10:31 | |
All right, I'll keep that safe for you, all right Neil? | 0:10:31 | 0:10:33 | |
Kerry. Want Kerry. | 0:10:33 | 0:10:35 | |
All right mate, we'll call Kerry for you. | 0:10:35 | 0:10:37 | |
You just stay nice and still, all right? | 0:10:37 | 0:10:39 | |
-Neck clear? -Neck's clear. -OK. | 0:10:39 | 0:10:41 | |
I need to get some support on this before we move him, all right? | 0:10:43 | 0:10:46 | |
You can see if you can see this other lad. | 0:10:46 | 0:10:48 | |
Yeah, you save those old legs, mate. HE LAUGHS | 0:10:48 | 0:10:50 | |
CAN RATTLES | 0:10:59 | 0:11:00 | |
Hey, mate? | 0:11:04 | 0:11:05 | |
Whoa, whoa, whoa, whoa! No, no! | 0:11:05 | 0:11:06 | |
-Easy now. -Look, I haven't done anything. | 0:11:06 | 0:11:09 | |
Did you fall down those steps, too? | 0:11:09 | 0:11:10 | |
No. What steps? | 0:11:10 | 0:11:12 | |
All right, mate. What's your name? | 0:11:12 | 0:11:14 | |
Look you've got some really nasty cuts there, all right? | 0:11:14 | 0:11:16 | |
So just come back with me and we'll get them looked over at the ED, OK? | 0:11:16 | 0:11:19 | |
No, I don't need no hospital, man. I just tripped. | 0:11:19 | 0:11:21 | |
Look, just come back with me. | 0:11:21 | 0:11:23 | |
HE GRUNTS | 0:11:23 | 0:11:24 | |
Right, so you've got pain in your arm and your chest? | 0:11:24 | 0:11:26 | |
OK. | 0:11:26 | 0:11:28 | |
3-0-0-6 to control. We need another unit, OK? | 0:11:28 | 0:11:32 | |
SHE COUGHS | 0:11:32 | 0:11:34 | |
MUSIC: Carry Me Home by Take That | 0:11:34 | 0:11:37 | |
SHE SIGHS | 0:11:47 | 0:11:49 | |
Oh, you stupid... | 0:11:49 | 0:11:51 | |
16? | 0:12:04 | 0:12:05 | |
Right. OK. | 0:12:05 | 0:12:07 | |
SHE COUGHS DEEPLY | 0:12:09 | 0:12:10 | |
Hiya, Femi? Hi. Hiya, love. Hi. | 0:12:12 | 0:12:14 | |
Hi, love. It's Lina. | 0:12:14 | 0:12:16 | |
Um, right, so I'm guessing you're still on your shift. | 0:12:16 | 0:12:19 | |
Now, look, um... | 0:12:19 | 0:12:21 | |
I... | 0:12:21 | 0:12:23 | |
You might find a couple of messages when you finish. | 0:12:23 | 0:12:26 | |
Now, I was a bit, er... | 0:12:26 | 0:12:28 | |
You know, um... | 0:12:28 | 0:12:29 | |
I don't remember exactly what I said but, um... | 0:12:29 | 0:12:33 | |
Could you please just delete them? | 0:12:33 | 0:12:35 | |
Please? | 0:12:35 | 0:12:37 | |
MUSIC STOPS AND PHONE RINGS | 0:12:46 | 0:12:47 | |
ANOTHER PHONE RINGS | 0:12:52 | 0:12:54 | |
HE MIMICS AN AEROPLANE | 0:13:06 | 0:13:09 | |
Noel, the notes I requested? | 0:13:11 | 0:13:13 | |
Yeah, the secretary won't release them. | 0:13:13 | 0:13:15 | |
Well, insist that she does. | 0:13:15 | 0:13:17 | |
Yeah. Lucky I got all this time, eh? | 0:13:17 | 0:13:19 | |
So if you could help with the stair fall. | 0:13:24 | 0:13:26 | |
I'll be overseeing Doctor Grayling. | 0:13:26 | 0:13:29 | |
Right. | 0:13:29 | 0:13:30 | |
This is Neil Ogden, 41. | 0:13:30 | 0:13:32 | |
At 8:45 he's fallen 15 feet down some steps | 0:13:32 | 0:13:35 | |
onto concrete and broken glass. | 0:13:35 | 0:13:37 | |
He's got a glass wound below his left axilla, | 0:13:37 | 0:13:39 | |
which is still in situ. | 0:13:39 | 0:13:40 | |
-Right. Resus, bay four. -OK. | 0:13:40 | 0:13:42 | |
I've given him 10 of morphine and half a bag of saline. | 0:13:42 | 0:13:44 | |
Hi Neil, I'm Doctor Gardner. | 0:13:44 | 0:13:46 | |
This is Doctor Grayling, and this is Charge Nu... This is Jacob. | 0:13:46 | 0:13:49 | |
Right, apparently, there's been some sort of scuffle | 0:13:50 | 0:13:53 | |
at the top of the steps. | 0:13:53 | 0:13:54 | |
Another lad we picked up at the scene swears it wasn't him, | 0:13:54 | 0:13:57 | |
but he's kicking off outside. Jez is trying to calm him down. | 0:13:57 | 0:14:00 | |
-Do you reckon Neil was pushed, then? -Dunno, he won't say. | 0:14:00 | 0:14:02 | |
Sebastian? | 0:14:02 | 0:14:03 | |
OK. C spine was cleared at scene, | 0:14:03 | 0:14:05 | |
so let's get urgent images of the FB position. | 0:14:05 | 0:14:07 | |
Titrate, another 10 of morphine and cross match a couple of units. | 0:14:07 | 0:14:10 | |
-Good. -Jacob! -Hmm? | 0:14:10 | 0:14:11 | |
Sorry, this is Kerry, Neil's wife. | 0:14:11 | 0:14:14 | |
Their key worker's on the way. | 0:14:14 | 0:14:16 | |
He looks bad! | 0:14:16 | 0:14:17 | |
He's getting looked after now, Kerry. All right? | 0:14:17 | 0:14:20 | |
Listen to me now.. | 0:14:27 | 0:14:28 | |
You need treatment. OK? | 0:14:28 | 0:14:30 | |
Just wait there a sec, I'm going to get you a patient form. | 0:14:30 | 0:14:32 | |
Hey! | 0:14:37 | 0:14:39 | |
-Argh! -OK. Stay where you are, stay where you are. Don't get up! | 0:14:39 | 0:14:41 | |
Is it the police you're worried about? | 0:14:41 | 0:14:43 | |
OK. My name's Doctor Keogh. Just stay where you are. | 0:14:43 | 0:14:47 | |
Everything under control, is it? | 0:14:47 | 0:14:48 | |
Is this one of the guys that fell down the stairs? | 0:14:48 | 0:14:50 | |
I didn't go on no steps. | 0:14:50 | 0:14:51 | |
I'd say he's about 17, 18, and he's got pain in his chest. | 0:14:51 | 0:14:54 | |
-My chest's all right. -Is that right? | 0:14:54 | 0:14:57 | |
Query fractured right arm, glass wound to the shin. | 0:14:57 | 0:14:59 | |
BP 110 over 70, pulse 90, sats 98. | 0:14:59 | 0:15:03 | |
All right, all right. | 0:15:03 | 0:15:04 | |
Now I'm only interested in treating you correctly, you understand me? | 0:15:04 | 0:15:08 | |
Yeah? Are you all right to stand up? | 0:15:08 | 0:15:10 | |
-Yeah. -Good. Let's get you inside. | 0:15:10 | 0:15:11 | |
I've got you. On three, OK? | 0:15:11 | 0:15:14 | |
One, two, three, up. Here you go. | 0:15:14 | 0:15:16 | |
-DOOR OPENS -Lina? | 0:15:19 | 0:15:21 | |
Uh, hiya, Femi! Hi! Is that you? | 0:15:21 | 0:15:23 | |
Um... | 0:15:23 | 0:15:25 | |
Oh, do you know, you must be absolutely knackered. | 0:15:25 | 0:15:27 | |
Erm... Tell you what, | 0:15:27 | 0:15:29 | |
Er, stay where you are and, er... | 0:15:30 | 0:15:34 | |
I'll make you a nice cup of tea. | 0:15:34 | 0:15:36 | |
Oh! | 0:15:36 | 0:15:37 | |
Ow! | 0:15:37 | 0:15:39 | |
Lina? What happened? | 0:15:39 | 0:15:41 | |
Oh, I'm stupid, I just slipped. | 0:15:41 | 0:15:44 | |
Ouch! | 0:15:44 | 0:15:45 | |
You had a small party in there? | 0:15:45 | 0:15:47 | |
Oh, no, I just I fell asleep on the sofa, sorry. | 0:15:47 | 0:15:50 | |
We need to get this looked at. | 0:15:52 | 0:15:54 | |
I've lost my phone. Have... | 0:15:56 | 0:15:57 | |
Have you seen it? | 0:15:57 | 0:15:59 | |
No, I haven't. | 0:15:59 | 0:16:01 | |
Let's get an X-ray for the arm, then, and the shin, please. | 0:16:04 | 0:16:07 | |
Did you fall on glass? | 0:16:07 | 0:16:09 | |
Um, no. | 0:16:09 | 0:16:10 | |
Well, there's glass in the wound. | 0:16:10 | 0:16:12 | |
I think you've got a broken rib as well. | 0:16:12 | 0:16:15 | |
-Dylan? -Mm-hmm? | 0:16:15 | 0:16:16 | |
Ah, would you excuse us for a moment? | 0:16:19 | 0:16:21 | |
If he went after Seb's patient, | 0:16:21 | 0:16:23 | |
if he attacked him, like people are saying... | 0:16:23 | 0:16:25 | |
There's no smoke without fire, is that the thrust of your argument? | 0:16:25 | 0:16:28 | |
Right, shall we get on with our jobs and let the police do theirs? | 0:16:28 | 0:16:30 | |
No effusion or haemarthrosis. | 0:16:32 | 0:16:34 | |
No fractures either. | 0:16:34 | 0:16:36 | |
Don't need to sue. | 0:16:36 | 0:16:37 | |
Ethan, look. SHE SIGHS | 0:16:40 | 0:16:42 | |
I can't be the person to come between you and Cal. | 0:16:42 | 0:16:45 | |
Yeah. | 0:16:47 | 0:16:49 | |
Silly really to think you'd consider us being together like that. | 0:16:49 | 0:16:52 | |
No, but I am considering it, Ethan. | 0:16:52 | 0:16:54 | |
I just, I just wish... | 0:16:54 | 0:16:55 | |
-What? -Yeah! | 0:16:55 | 0:16:57 | |
Who exactly are you consulting? | 0:16:57 | 0:16:59 | |
Ethan. And Cal. | 0:16:59 | 0:17:02 | |
Cal? I'm going to find myself twerking to Beyonce. | 0:17:02 | 0:17:05 | |
All right by me! | 0:17:05 | 0:17:06 | |
Rosa picked Love Me Tender for our first dance. | 0:17:11 | 0:17:14 | |
Classic. | 0:17:14 | 0:17:16 | |
DJ put on Suspicious Minds by mistake. | 0:17:16 | 0:17:19 | |
Say it didn't work out with us, right, just say that it didn't, | 0:17:26 | 0:17:29 | |
then you and Cal, you know, | 0:17:29 | 0:17:31 | |
it would be broken for nothing. | 0:17:31 | 0:17:33 | |
I'd take the risk. | 0:17:34 | 0:17:35 | |
Alicia? | 0:17:37 | 0:17:38 | |
Right, sorry. | 0:17:40 | 0:17:41 | |
This is Lina Collins. | 0:17:47 | 0:17:48 | |
She slipped and banged her head on a kitchen counter this morning. | 0:17:48 | 0:17:52 | |
Hi Lina, I'm Doctor Munroe. | 0:17:52 | 0:17:54 | |
And you are? | 0:17:54 | 0:17:55 | |
Femi - I'm a friend. | 0:17:55 | 0:17:57 | |
-BREATHLESSLY: -My fiance. | 0:17:57 | 0:17:59 | |
I meant fiance, of course. | 0:17:59 | 0:18:01 | |
OK, let's have a look at this. LINA BREATHES DEEPLY | 0:18:03 | 0:18:05 | |
This will need suturing. | 0:18:05 | 0:18:07 | |
How long have you been engaged? | 0:18:07 | 0:18:09 | |
-Two months. -About six months? | 0:18:09 | 0:18:11 | |
You're very short of breath, Lina. | 0:18:13 | 0:18:15 | |
Oh, no, no, no... It's just a bit of asthma. No. | 0:18:15 | 0:18:18 | |
Actually, can I just ask, | 0:18:18 | 0:18:19 | |
is this going to take long? | 0:18:19 | 0:18:21 | |
We have to get to the register at 12. | 0:18:21 | 0:18:23 | |
We've got a pre-wedding interview. | 0:18:23 | 0:18:26 | |
OK, let's check her peak flow before she's sutured. | 0:18:28 | 0:18:31 | |
We'll have you out of here as soon as we can. | 0:18:31 | 0:18:33 | |
When's the wedding? | 0:18:33 | 0:18:35 | |
Two weeks. | 0:18:37 | 0:18:38 | |
Whirlwind, that's exciting. | 0:18:38 | 0:18:40 | |
No way? Dylan's back in work? | 0:18:41 | 0:18:43 | |
Yeah, I know, you'd have thought he'd have been suspended. | 0:18:43 | 0:18:46 | |
The boy, why did he hurt you? | 0:18:46 | 0:18:48 | |
Didn't. | 0:18:48 | 0:18:50 | |
Stop! | 0:18:50 | 0:18:52 | |
Is that him? | 0:18:52 | 0:18:53 | |
Came to the cafe. | 0:18:53 | 0:18:55 | |
Sheldon. | 0:18:55 | 0:18:56 | |
Right, guys, can we get him through to CT? | 0:18:59 | 0:19:02 | |
-Look, it's just asthma, honestly, that's all it is. -Lina! | 0:19:06 | 0:19:09 | |
Please. I really need to go. | 0:19:09 | 0:19:11 | |
Can we have some space, please, Femi? | 0:19:11 | 0:19:13 | |
We'll call you when we're done. | 0:19:13 | 0:19:15 | |
-I lost my phone, I... -We'll come and find you. | 0:19:15 | 0:19:18 | |
Can't you reschedule the registrar, Lina? | 0:19:23 | 0:19:26 | |
No, I can't, I can't! | 0:19:26 | 0:19:27 | |
It'll be too late for Femi's... | 0:19:27 | 0:19:29 | |
For Femi's what? | 0:19:30 | 0:19:32 | |
Look, this wedding. Is there a reason that it's happening so quick? | 0:19:33 | 0:19:37 | |
Lina, we won't tell Femi anything you don't want us to. | 0:19:37 | 0:19:40 | |
He, um... | 0:19:41 | 0:19:43 | |
He needs his visa. | 0:19:44 | 0:19:46 | |
You won't say anything, will you? | 0:19:47 | 0:19:49 | |
Please? | 0:19:49 | 0:19:50 | |
Let's get you in a gown. | 0:19:51 | 0:19:53 | |
Well, you'll be pleased to know that your shin is now clear of glass, | 0:19:56 | 0:19:59 | |
-but you do have an un-displaced fracture to your ulna. -Cool. | 0:19:59 | 0:20:02 | |
So there'll be a nurse in fairly shortly to plaster that for you. | 0:20:02 | 0:20:05 | |
All right, and then can I go, all right? | 0:20:05 | 0:20:07 | |
Well, no, obviously the police are going to want to talk to you, | 0:20:07 | 0:20:09 | |
aren't they, because you were in the vicinity of the steps. | 0:20:09 | 0:20:12 | |
HE SIGHS I just always get the blame. | 0:20:13 | 0:20:16 | |
Unless you give your own version of events, | 0:20:16 | 0:20:18 | |
people are always going to assume all sorts of things. | 0:20:18 | 0:20:22 | |
-Are you Sheldon? -I'm sorry? | 0:20:22 | 0:20:24 | |
-Who are you? -Come on, Kerry. | 0:20:24 | 0:20:26 | |
You attacked Neil cos he wasn't what you wanted? | 0:20:26 | 0:20:29 | |
Stop, Kerry! | 0:20:29 | 0:20:31 | |
Because he's slow. | 0:20:31 | 0:20:34 | |
Because of his Down's Syndrome? | 0:20:34 | 0:20:36 | |
-Tell her I didn't! -You want me to get the police? | 0:20:36 | 0:20:38 | |
No! Don't. | 0:20:38 | 0:20:40 | |
Why not, Neil? | 0:20:40 | 0:20:41 | |
It's Sheldon. | 0:20:41 | 0:20:43 | |
It's his son. | 0:20:43 | 0:20:44 | |
Do you reckon he's pressurising her? | 0:20:48 | 0:20:50 | |
She was so stressed about that registrar thing. | 0:20:50 | 0:20:53 | |
She's worried about something, certainly. | 0:20:53 | 0:20:55 | |
Well, if the wedding is a sham, | 0:20:55 | 0:20:57 | |
-she's going to get herself in a whole world of trouble. -Yeah. | 0:20:57 | 0:21:00 | |
But if it's her own choice, then... | 0:21:00 | 0:21:02 | |
Maybe she's on self-destruct as well. | 0:21:02 | 0:21:05 | |
As well? | 0:21:05 | 0:21:07 | |
Right, I've got this...friend, | 0:21:10 | 0:21:13 | |
and she's in a bit of a mess. | 0:21:13 | 0:21:15 | |
You've got this friend who fancies her boyfriend's brother. | 0:21:15 | 0:21:18 | |
Is that what you're going to tell me? | 0:21:18 | 0:21:20 | |
Slept with her boyfriend's brother? | 0:21:24 | 0:21:27 | |
Well that would make her sound like a... | 0:21:27 | 0:21:29 | |
Terrible person, wouldn't it? | 0:21:29 | 0:21:31 | |
Oh, maybe she is. | 0:21:31 | 0:21:33 | |
Or maybe she's just confused. | 0:21:33 | 0:21:35 | |
I have messed up big time here. | 0:21:35 | 0:21:37 | |
No, hang on. | 0:21:37 | 0:21:39 | |
Do you like Ethan? | 0:21:39 | 0:21:40 | |
Yes. Yes, I do. | 0:21:40 | 0:21:42 | |
Help me. What do I do? | 0:21:44 | 0:21:45 | |
Think very hard about your next move. | 0:21:45 | 0:21:48 | |
Who do you want to be with? | 0:21:49 | 0:21:51 | |
Because you've got to be sure, | 0:21:52 | 0:21:54 | |
if you're going to cause a rift between those boys. | 0:21:54 | 0:21:58 | |
Hey, Seb! | 0:21:58 | 0:22:00 | |
How's it going, you all right? | 0:22:00 | 0:22:03 | |
Novelty, being the ED gossip. | 0:22:03 | 0:22:05 | |
-They're not giving you a hard time because Dylan was out of order, are they? -Yeah. | 0:22:05 | 0:22:09 | |
Even if Dylan does blame me. | 0:22:09 | 0:22:10 | |
Why would he blame you? | 0:22:10 | 0:22:12 | |
Look, I've got patients, Jez. | 0:22:12 | 0:22:14 | |
Listen! Let's... | 0:22:14 | 0:22:16 | |
Let's go for some lunch, yeah? | 0:22:16 | 0:22:18 | |
-Yeah? -Yeah. | 0:22:21 | 0:22:22 | |
All right, yeah. That'd be nice. | 0:22:22 | 0:22:25 | |
Cool. | 0:22:25 | 0:22:26 | |
I got it. | 0:22:29 | 0:22:31 | |
-You're recording me? -No. | 0:22:36 | 0:22:38 | |
Yeah, maybe not, mate. | 0:22:40 | 0:22:42 | |
That was bad! | 0:22:42 | 0:22:44 | |
And whose bright idea was that, eh? | 0:22:44 | 0:22:45 | |
The idea was fine, the execution left a little to be desired. | 0:22:45 | 0:22:47 | |
What's the face for? | 0:22:49 | 0:22:51 | |
They boot you out of majors already? | 0:22:51 | 0:22:53 | |
Even after what he did, they're on Dylan's side. | 0:22:53 | 0:22:55 | |
Ah, back to the nursery, are we? | 0:22:55 | 0:22:57 | |
They're plotting against me, Dad. | 0:22:57 | 0:22:59 | |
Then grow some, for heaven's sake. | 0:22:59 | 0:23:02 | |
Unless you want to have your head flushed down the toilet | 0:23:02 | 0:23:04 | |
for the rest of your life. | 0:23:04 | 0:23:05 | |
-Mr Grayling. -Doctor Gardner. | 0:23:08 | 0:23:11 | |
Seb, I need to prepare for a meeting, | 0:23:11 | 0:23:13 | |
so Doctor Knight will be overseeing you in the meantime. | 0:23:13 | 0:23:15 | |
I thought that Doctor Keogh was off clinical duties. | 0:23:22 | 0:23:24 | |
You know I can't discuss that. | 0:23:24 | 0:23:26 | |
Just I was surprised to see him on minors, that's all. | 0:23:26 | 0:23:29 | |
I mean, don't HR mind? | 0:23:29 | 0:23:30 | |
Yeah, and I guess they'd take a pretty dim view of his friends | 0:23:30 | 0:23:33 | |
trying to frame me, as well. | 0:23:33 | 0:23:34 | |
My office, please. | 0:23:36 | 0:23:37 | |
OK, Lina, your test results are indicating emphysema and COPD. | 0:23:39 | 0:23:43 | |
Do you smoke at all? | 0:23:43 | 0:23:44 | |
No. | 0:23:44 | 0:23:45 | |
Hardly ever. Oh, s-sometimes. | 0:23:45 | 0:23:48 | |
SHE PANTS | 0:23:48 | 0:23:49 | |
OK, let's try her with another 5 of salbutamol | 0:23:49 | 0:23:51 | |
and add 2.5 of atrovent. | 0:23:51 | 0:23:52 | |
Easy does it. That's it. There you go. | 0:23:52 | 0:23:54 | |
PHONE RINGS | 0:23:54 | 0:23:57 | |
-Shall I get that? -No. | 0:23:57 | 0:23:58 | |
That's my phone! | 0:23:59 | 0:24:01 | |
Oh, all right, just take it. | 0:24:03 | 0:24:05 | |
Just take it, all right? But I was really drunk and I... | 0:24:05 | 0:24:08 | |
I didn't mean any of it. | 0:24:08 | 0:24:10 | |
19 missed calls. | 0:24:10 | 0:24:11 | |
Someone's been trying to reach you. | 0:24:11 | 0:24:13 | |
18 are from Lina. | 0:24:13 | 0:24:16 | |
OK, off we go. | 0:24:16 | 0:24:19 | |
LINA COUGHS | 0:24:19 | 0:24:20 | |
-Cal. How was your interview? -What's that? | 0:24:21 | 0:24:24 | |
The placement? South Africa? | 0:24:24 | 0:24:25 | |
Oh, yeah, fine. | 0:24:25 | 0:24:27 | |
But I think I'm in a little bit of trouble about that. | 0:24:27 | 0:24:29 | |
I'm sorry. Hi, there. | 0:24:29 | 0:24:32 | |
Hi, Lily. How are you? | 0:24:32 | 0:24:34 | |
I haven't seen you since the party. | 0:24:34 | 0:24:36 | |
And wasn't that a hoot. | 0:24:36 | 0:24:38 | |
Did you get my messages? | 0:24:38 | 0:24:40 | |
Afraid my phone's been playing up. | 0:24:40 | 0:24:42 | |
It would be nice to catch up properly, sometime. | 0:24:42 | 0:24:44 | |
That's a charming idea. I'll call you. | 0:24:44 | 0:24:46 | |
I'm free later this week. Or tonight. | 0:24:46 | 0:24:48 | |
I read this interesting article on neuron regeneration | 0:24:48 | 0:24:51 | |
in Alzheimer's patients. | 0:24:51 | 0:24:52 | |
Such enthusiasm, it's very gratifying. | 0:24:52 | 0:24:54 | |
-Well, after you said you wanted more doctors like me working for you... -Wait a minute. | 0:24:54 | 0:24:58 | |
I think you must have misunderstood. | 0:24:58 | 0:25:00 | |
Perhaps you should stick to ED medicine from now on, my dear. | 0:25:00 | 0:25:03 | |
All right, Chuckles? | 0:25:07 | 0:25:08 | |
Yeah. I'm just an idiot. | 0:25:08 | 0:25:09 | |
You know, Sheldon, it is extremely rare for somebody with | 0:25:12 | 0:25:15 | |
Down's Syndrome to even have children. | 0:25:15 | 0:25:16 | |
Oh, lucky me(!) | 0:25:16 | 0:25:18 | |
They said disability. | 0:25:18 | 0:25:19 | |
Something about my dad, but I just put the phone down, you know. | 0:25:19 | 0:25:22 | |
So, you weren't going through the proper channels? | 0:25:22 | 0:25:24 | |
Proper channels never got me anywhere good. | 0:25:24 | 0:25:26 | |
Well, it might have been advisable in this occasion. | 0:25:26 | 0:25:29 | |
-You should have said he was your dad. -He's not a dad! | 0:25:29 | 0:25:31 | |
Right, you've seen him. Look at him. How can I even be his? | 0:25:31 | 0:25:34 | |
I'm not like him! | 0:25:34 | 0:25:36 | |
Neil's actually doing pretty well. | 0:25:36 | 0:25:37 | |
He's got a job, a good place to live. | 0:25:37 | 0:25:39 | |
A lot of people in his position, | 0:25:39 | 0:25:40 | |
they don't have that level of independence. | 0:25:40 | 0:25:42 | |
You could have a relationship with him, if you wanted one. | 0:25:42 | 0:25:44 | |
Nah, do you know what? The only reason I went to see him, you know, | 0:25:44 | 0:25:47 | |
so I could tell him straight to his face, "You gave me away, yeah, | 0:25:47 | 0:25:50 | |
"and look at the crap I've had my whole life." | 0:25:50 | 0:25:52 | |
But I couldn't even say that. | 0:25:52 | 0:25:53 | |
I couldn't say nothing, | 0:25:53 | 0:25:56 | |
cos he wouldn't understand me. | 0:25:56 | 0:25:57 | |
So you were given up for adoption, then? | 0:25:57 | 0:25:59 | |
Yeah. Got me a, you know, proper family, | 0:25:59 | 0:26:02 | |
with piano lessons and everything, | 0:26:02 | 0:26:04 | |
but I never fitted. | 0:26:04 | 0:26:05 | |
Ah, sorry. Doctor Keogh, may I have a word? | 0:26:06 | 0:26:09 | |
Sheldon, my apologies. | 0:26:10 | 0:26:12 | |
This keeps happening, doesn't it? | 0:26:12 | 0:26:13 | |
I specifically said non-clinical. | 0:26:15 | 0:26:17 | |
Did you speak to Seb? | 0:26:17 | 0:26:18 | |
No. Well, not directly. | 0:26:19 | 0:26:21 | |
Did you ask anyone to intervene on your behalf? | 0:26:21 | 0:26:24 | |
Like who? | 0:26:24 | 0:26:26 | |
Has Max been meddling? | 0:26:26 | 0:26:27 | |
Dylan, just wait in your office, away from the patients. | 0:26:27 | 0:26:30 | |
If you speak to Seb again, it'll be out of my hands. | 0:26:30 | 0:26:32 | |
I will see you upstairs at 11:30. | 0:26:32 | 0:26:35 | |
Do you know what? | 0:26:37 | 0:26:39 | |
You're right. | 0:26:39 | 0:26:40 | |
Sorry? | 0:26:40 | 0:26:41 | |
There's one way to find out what happened when I was born. | 0:26:41 | 0:26:44 | |
Look, Sheldon, no, no, no. Hang on! Hang on! | 0:26:44 | 0:26:47 | |
PHONE RINGS | 0:26:49 | 0:26:52 | |
Rosa? | 0:26:56 | 0:26:57 | |
Very, very lucky. | 0:26:58 | 0:26:59 | |
Any further and it could have hit some major structures - | 0:26:59 | 0:27:02 | |
heart, lungs. | 0:27:02 | 0:27:03 | |
You said to find out. | 0:27:03 | 0:27:04 | |
No, that's not what I said. | 0:27:04 | 0:27:06 | |
Sheldon, this isn't the time. Come on! | 0:27:06 | 0:27:08 | |
Dr Keogh, please remove your patient. | 0:27:08 | 0:27:10 | |
Sheldon, will you please leave, immediately. | 0:27:13 | 0:27:15 | |
Let him stay. | 0:27:15 | 0:27:17 | |
OK, Seb, Dr Gardner said I'm overseeing you... | 0:27:17 | 0:27:20 | |
-What have I missed? -I had a baby boy. | 0:27:22 | 0:27:24 | |
You haven't a clue what this means, have you? | 0:27:24 | 0:27:26 | |
-MASTERS: -All right, all right, take it easy. -No, you don't. | 0:27:26 | 0:27:28 | |
He wrote every year. | 0:27:28 | 0:27:29 | |
-Yeah? Well I never got anything, did I? -Sheldon, Sheldon. | 0:27:29 | 0:27:31 | |
Let's go. Come on, come on. | 0:27:31 | 0:27:33 | |
Get off me, man! | 0:27:33 | 0:27:34 | |
Look, maybe you shouldn't be here? | 0:27:39 | 0:27:40 | |
Are you determined to ruin my career? | 0:27:45 | 0:27:47 | |
He went to live with a nice family, | 0:27:49 | 0:27:51 | |
who looked after him properly. | 0:27:51 | 0:27:53 | |
Look, the adoption didn't work. | 0:27:53 | 0:27:55 | |
All right? The nice family couldn't cope with me, | 0:27:55 | 0:27:57 | |
so they sent me back to care. | 0:27:57 | 0:27:58 | |
Kids homes, foster parents. | 0:28:00 | 0:28:02 | |
Young offenders after that. | 0:28:03 | 0:28:05 | |
No-one wanted me. | 0:28:05 | 0:28:06 | |
I do, Sheldon! | 0:28:06 | 0:28:07 | |
-DR KEOGH: -Whoa, whoa, whoa! | 0:28:09 | 0:28:10 | |
Neil! | 0:28:10 | 0:28:11 | |
MASTERS: OK, pulse 120. | 0:28:14 | 0:28:15 | |
He had the glass under his left side. | 0:28:15 | 0:28:17 | |
Yep, he's fallen on it. | 0:28:19 | 0:28:20 | |
What's happening to him? | 0:28:20 | 0:28:21 | |
I can barely feel a pulse. He's going to arrest any minute. | 0:28:21 | 0:28:24 | |
Let's take him to CT? | 0:28:24 | 0:28:25 | |
Nope, no time. | 0:28:26 | 0:28:28 | |
I think we've got a cardiac tamponade here, | 0:28:28 | 0:28:30 | |
so we need a portable echo scan please! | 0:28:30 | 0:28:31 | |
OK, no pulse. Yeah, he's arrested. | 0:28:31 | 0:28:33 | |
He's in PEA. | 0:28:33 | 0:28:34 | |
It must be a tamponade. | 0:28:34 | 0:28:36 | |
OK, we need a thoracotomy tray. | 0:28:36 | 0:28:37 | |
Seb, start CPR. | 0:28:37 | 0:28:39 | |
Seb? | 0:28:39 | 0:28:40 | |
Seb, are you with us?! | 0:28:40 | 0:28:42 | |
Ah, go on! | 0:28:42 | 0:28:43 | |
No, hang on, Femi. | 0:28:49 | 0:28:50 | |
No, I didn't know, Lina. | 0:28:50 | 0:28:52 | |
"As Take That would say..." | 0:28:53 | 0:28:55 | |
Oh, no. | 0:28:55 | 0:28:56 | |
"You take me places that I have never seen, | 0:28:56 | 0:29:00 | |
"you make me more than I could ever be. | 0:29:00 | 0:29:02 | |
"Do you know, sometimes I sneak and I watch you sleep on my sofa, | 0:29:02 | 0:29:08 | |
and I think, 'Open your arms and let me fall right in.'" | 0:29:08 | 0:29:11 | |
Are you trying to humiliate me? | 0:29:11 | 0:29:12 | |
No. | 0:29:12 | 0:29:14 | |
"Oh, Femi." | 0:29:14 | 0:29:15 | |
But I can't marry you. | 0:29:15 | 0:29:16 | |
Well, pack your bags, then. | 0:29:16 | 0:29:17 | |
Look, she's not well enough for this. | 0:29:17 | 0:29:19 | |
No, please let me explain. | 0:29:19 | 0:29:21 | |
-No. -Lina, I... | 0:29:21 | 0:29:22 | |
"Oh, I haven't got the right words." | 0:29:22 | 0:29:25 | |
You weren't only doing this for Femi's visa, were you? | 0:29:27 | 0:29:30 | |
It's hard when you really fall for someone, isn't it? | 0:29:31 | 0:29:34 | |
Always the risk that you can get hurt. | 0:29:34 | 0:29:36 | |
26, 27, 28, 29 and 30. | 0:29:46 | 0:29:49 | |
Come on, Neil. Come on, son. | 0:29:49 | 0:29:51 | |
You'd better get a move on. | 0:29:54 | 0:29:56 | |
Someone needs to open up his chest. | 0:29:56 | 0:29:58 | |
Well, I'm a little bit busy right now. | 0:29:58 | 0:30:00 | |
All right, Seb, I need you focusing! | 0:30:00 | 0:30:02 | |
I need you to do two thoracostomy incisions right now. | 0:30:02 | 0:30:05 | |
I can't do it. You're going to have to get another doctor. | 0:30:05 | 0:30:07 | |
Seb! Come on! | 0:30:07 | 0:30:08 | |
Max, take this. | 0:30:12 | 0:30:13 | |
-Yeah, you don't need to... -Just take it. Take it and don't drink it. | 0:30:13 | 0:30:16 | |
What's going on? What's the problem? | 0:30:17 | 0:30:18 | |
Ah, Dylan. Cardiac tamponade. | 0:30:18 | 0:30:20 | |
We need to do a thoracostomy right now. | 0:30:20 | 0:30:22 | |
Can you take over from him? He's useless! | 0:30:22 | 0:30:24 | |
Doctor Grayling, take the scalpel. | 0:30:26 | 0:30:28 | |
Dylan? Dylan, what are doing? | 0:30:28 | 0:30:30 | |
-He's lost it. -Come on, Seb, you can do this. | 0:30:30 | 0:30:31 | |
You need to open his chest now. Come on. | 0:30:31 | 0:30:34 | |
Think of your trauma training. What do you do next? | 0:30:34 | 0:30:36 | |
Bi-lateral thoracostomy incisions, anterior to the midaxillary line | 0:30:39 | 0:30:42 | |
in the fifth intercostal space to exclude tension pneumothorax. | 0:30:42 | 0:30:46 | |
Right. | 0:30:46 | 0:30:47 | |
Crack on. | 0:30:47 | 0:30:48 | |
Check the wrist for me, please? | 0:30:52 | 0:30:53 | |
No release of a tension pneumothorax. | 0:31:10 | 0:31:12 | |
OK. Full thoracotomy then, please. | 0:31:12 | 0:31:13 | |
Remember to tell us what you're doing, Seb. | 0:31:22 | 0:31:23 | |
Cutting from both sides to the mid-line. | 0:31:25 | 0:31:27 | |
Cutting through the sternum. | 0:31:41 | 0:31:42 | |
Separate the ribs. | 0:31:55 | 0:31:56 | |
Separate the ribs. | 0:31:56 | 0:31:57 | |
Get the lab to crossmatch another eight units of blood, | 0:31:57 | 0:32:00 | |
and someone crash call cardiothoracics. | 0:32:00 | 0:32:02 | |
One, two, three, ah! Ha-ha! | 0:32:10 | 0:32:12 | |
Hey! I was just coming to find you. | 0:32:13 | 0:32:15 | |
He can't keep away from us, can he? | 0:32:15 | 0:32:17 | |
Gran's ill, so Mum's rushed to Spain, | 0:32:17 | 0:32:19 | |
so I'm staying with Dad till Mum gets back. | 0:32:19 | 0:32:22 | |
I'll be keeping hold of the car keys. | 0:32:22 | 0:32:24 | |
Dad! I don't do that any more. | 0:32:24 | 0:32:26 | |
Hey, you two are going to get on like a house... | 0:32:26 | 0:32:28 | |
Don't say like a house on fire! | 0:32:28 | 0:32:29 | |
Noel? | 0:32:29 | 0:32:30 | |
Excuse me, sorry. | 0:32:30 | 0:32:31 | |
Mrs B? | 0:32:32 | 0:32:34 | |
I managed to sweet talk the secretary. | 0:32:34 | 0:32:36 | |
About time. | 0:32:36 | 0:32:37 | |
I really don't think that you... | 0:32:37 | 0:32:38 | |
-Noel? -Yes? | 0:32:40 | 0:32:41 | |
Have you seen Dylan? | 0:32:41 | 0:32:42 | |
Resus, I think. | 0:32:42 | 0:32:44 | |
-Problem? -Nope. | 0:32:44 | 0:32:45 | |
Dylan, you missed the HR meeting! | 0:32:51 | 0:32:53 | |
This is not a game! | 0:32:53 | 0:32:54 | |
OK, OK. | 0:32:54 | 0:32:56 | |
Right, incise the pericardium then, please. | 0:32:56 | 0:32:58 | |
There's clotting. | 0:33:02 | 0:33:04 | |
Good, OK, so let's evacuate that, then. | 0:33:04 | 0:33:06 | |
Oh, yeah, well there's damage to the coronary artery, | 0:33:11 | 0:33:13 | |
but it looks as though the myocardium is intact. | 0:33:13 | 0:33:15 | |
Good, good, good, good, good. | 0:33:15 | 0:33:16 | |
I've got you, Neil. | 0:33:17 | 0:33:19 | |
Come on. | 0:33:19 | 0:33:20 | |
OK. | 0:33:31 | 0:33:33 | |
I've got a pulse. | 0:33:34 | 0:33:35 | |
I've got an output. | 0:33:35 | 0:33:37 | |
Dylan, once you're done here, | 0:33:39 | 0:33:41 | |
my office. | 0:33:41 | 0:33:42 | |
Yeah. | 0:33:43 | 0:33:44 | |
And the crowd goes wild! | 0:33:52 | 0:33:54 | |
So, what have we learned today then, Itchy and Scratchy? | 0:33:54 | 0:33:57 | |
If you hadn't dropped that phone, we'd be all right. | 0:33:57 | 0:33:59 | |
How's it my fault? | 0:33:59 | 0:34:00 | |
We got him into this mess. | 0:34:00 | 0:34:02 | |
Shut it! | 0:34:02 | 0:34:03 | |
You missed. | 0:34:05 | 0:34:06 | |
Is he alive? Is he breathing? | 0:34:06 | 0:34:08 | |
Yes, he is, but he needs urgent treatment upstairs. | 0:34:08 | 0:34:10 | |
Nice job, guys. | 0:34:13 | 0:34:14 | |
Dylan, I... | 0:34:19 | 0:34:21 | |
Hey! You just need to calm down! | 0:34:21 | 0:34:23 | |
I'll call security! | 0:34:23 | 0:34:24 | |
Well, call them then, man! | 0:34:24 | 0:34:25 | |
Noel, it's OK, it's OK. | 0:34:25 | 0:34:26 | |
I wreck everything, like. | 0:34:26 | 0:34:28 | |
It's the same with the adoption. | 0:34:28 | 0:34:30 | |
What? Piano lessons? What's the use of piano lessons, man? | 0:34:30 | 0:34:32 | |
I'll smash the piano up. | 0:34:32 | 0:34:34 | |
Yeah, I don't think it's piano lessons you needed. | 0:34:34 | 0:34:36 | |
Look, Neil has been taken up to theatre. | 0:34:37 | 0:34:40 | |
OK? | 0:34:40 | 0:34:41 | |
We got your dad back. | 0:34:41 | 0:34:42 | |
He's critically ill... | 0:34:42 | 0:34:44 | |
Yeah, but if I hadn't gone in there. | 0:34:44 | 0:34:45 | |
You didn't mean him any harm, did you? | 0:34:47 | 0:34:48 | |
It's just...it's just this crappy life. | 0:34:48 | 0:34:50 | |
I just wanted him to see. | 0:34:50 | 0:34:51 | |
Yeah. You didn't know what was going to happen. | 0:34:51 | 0:34:54 | |
Quiet morning? | 0:34:54 | 0:34:56 | |
Your patient, Neil Ogden's. | 0:34:56 | 0:34:57 | |
It has your name on it. | 0:35:02 | 0:35:03 | |
Maybe he didn't give up on you after all? | 0:35:22 | 0:35:24 | |
This was precisely the situation that I wanted to avoid. | 0:35:49 | 0:35:52 | |
Once this is escalated, then we have... | 0:35:52 | 0:35:54 | |
-KNOCK -Yes? | 0:35:54 | 0:35:56 | |
Dr Grayling, what do you want? | 0:35:58 | 0:35:59 | |
I... | 0:36:00 | 0:36:01 | |
I said it, and then I couldn't stop it. | 0:36:08 | 0:36:11 | |
Do you think doves are a cliche? | 0:36:16 | 0:36:18 | |
Hmm, what's that film? | 0:36:18 | 0:36:19 | |
The Birds. | 0:36:19 | 0:36:20 | |
I don't know why you don't just go to Vegas. | 0:36:24 | 0:36:26 | |
Oh, you could get an Elvis impersonator to release | 0:36:26 | 0:36:28 | |
the crows or... | 0:36:28 | 0:36:30 | |
Doves. They're doves. | 0:36:30 | 0:36:32 | |
You're scaring me now, Charlie Fairhead. | 0:36:32 | 0:36:34 | |
Go and practice your twerking! | 0:36:35 | 0:36:36 | |
-Sorry. -Sorry. | 0:36:42 | 0:36:44 | |
Hey. | 0:36:44 | 0:36:45 | |
Hey. | 0:36:45 | 0:36:46 | |
Ethan! | 0:36:49 | 0:36:50 | |
You're not trying to avoid me, are you? | 0:36:50 | 0:36:53 | |
No. I'm not. | 0:36:53 | 0:36:54 | |
Nibbles, I know you too well. | 0:36:54 | 0:36:56 | |
I know you're mad and, look, | 0:36:57 | 0:36:59 | |
I'm sorry about the proposal. | 0:36:59 | 0:37:01 | |
OK? I just needed to show Alicia I wasn't bothered. | 0:37:01 | 0:37:04 | |
I dunno... | 0:37:06 | 0:37:07 | |
Say you don't hate me. | 0:37:08 | 0:37:10 | |
-Cal... -Say it! | 0:37:10 | 0:37:11 | |
-Cal, stop it. -Come on! | 0:37:11 | 0:37:13 | |
Stop it! Please! | 0:37:13 | 0:37:14 | |
I... | 0:37:16 | 0:37:18 | |
I don't hate you, OK? | 0:37:18 | 0:37:19 | |
Ah, I need to get on. | 0:37:22 | 0:37:23 | |
Sure. | 0:37:24 | 0:37:25 | |
I thought you'd gone. | 0:37:37 | 0:37:39 | |
Even if you were drunk, | 0:37:41 | 0:37:43 | |
even if you didn't mean it, | 0:37:43 | 0:37:46 | |
let me just say this, Lina. | 0:37:46 | 0:37:47 | |
I can't marry you, because... | 0:37:49 | 0:37:51 | |
I know, because you feel sorry for me. | 0:37:51 | 0:37:52 | |
No, no! | 0:37:52 | 0:37:54 | |
Because... | 0:37:56 | 0:37:58 | |
Because of the way your face crumples when you laugh. | 0:38:00 | 0:38:02 | |
Because of the crazy way you make pasta sauce. | 0:38:04 | 0:38:08 | |
The way you move to Take That, even though I dislike their voices. | 0:38:09 | 0:38:14 | |
I can't give you a false marriage. | 0:38:15 | 0:38:17 | |
You deserve more. | 0:38:19 | 0:38:20 | |
I love you, Lina. | 0:38:23 | 0:38:24 | |
That's the most romantic un-proposal I've ever heard. | 0:38:26 | 0:38:29 | |
While I appeal the leave to remain, they'll be watching us. | 0:38:29 | 0:38:32 | |
So, maybe I'll be sent back after all? | 0:38:34 | 0:38:36 | |
Maybe my lungs will pack up for good? | 0:38:38 | 0:38:41 | |
Shouldn't you grab some happiness while you can, then? | 0:38:41 | 0:38:43 | |
What if I promise not to walk you down the aisle to Take That? | 0:38:46 | 0:38:48 | |
Oh! | 0:38:50 | 0:38:51 | |
Excuse me. | 0:38:57 | 0:38:58 | |
Where are we going? | 0:39:05 | 0:39:07 | |
I don't really know how to say it, | 0:39:12 | 0:39:14 | |
so, as Take That would say... | 0:39:14 | 0:39:17 | |
Take That? | 0:39:17 | 0:39:18 | |
This feels like a pivotal moment, and you're quoting Take That. | 0:39:19 | 0:39:22 | |
Would you still want me, if I was? | 0:39:24 | 0:39:25 | |
Yes, I would still want you. | 0:39:27 | 0:39:28 | |
Well, then, we'll have to tell Cal. | 0:39:30 | 0:39:32 | |
I know I shouldn't have gone in to Resus. | 0:39:51 | 0:39:53 | |
No, you shouldn't. | 0:39:53 | 0:39:54 | |
But, well, I knew I could get through to him and... | 0:39:56 | 0:39:59 | |
Dylan... | 0:39:59 | 0:40:00 | |
Sebastian has admitted to making a malicious allegation, so, | 0:40:03 | 0:40:08 | |
it's still a mess, still needs clearing up, but for you, it's over. | 0:40:08 | 0:40:12 | |
What happens to Sebastian now? | 0:40:19 | 0:40:20 | |
Uh, don't know, but it's no longer your problem. | 0:40:20 | 0:40:24 | |
OK. | 0:40:28 | 0:40:29 | |
Hey! | 0:40:31 | 0:40:32 | |
Hi. | 0:40:33 | 0:40:35 | |
Oh, you're back. | 0:40:35 | 0:40:36 | |
So, you're not packing your bags for South Africa, then? | 0:40:37 | 0:40:41 | |
No. | 0:40:41 | 0:40:42 | |
Did Ethan mention anything to you about the stealing-his-proposal thing? | 0:40:44 | 0:40:48 | |
No. Not about that. | 0:40:49 | 0:40:51 | |
-Cos I thought he'd be... -Cal... | 0:40:51 | 0:40:53 | |
..properly mad, but... | 0:40:53 | 0:40:56 | |
..he just seemed weird. | 0:40:56 | 0:40:58 | |
Like, sort of shut off. | 0:40:58 | 0:41:01 | |
I mean, I can't put my finger on it, but, | 0:41:02 | 0:41:05 | |
I don't know, this time... | 0:41:05 | 0:41:07 | |
This time he's different. | 0:41:07 | 0:41:09 | |
You and Ethan are always falling out. Maybe, you know, | 0:41:09 | 0:41:12 | |
a clean break wouldn't hurt? | 0:41:12 | 0:41:13 | |
Nah, I know I always joke about Ethan, | 0:41:15 | 0:41:16 | |
but seriously, without him, | 0:41:16 | 0:41:19 | |
I don't know what I'd do. | 0:41:19 | 0:41:21 | |
You know, before you came back to Holby, some, um, | 0:41:23 | 0:41:27 | |
some stuff happened between us. | 0:41:27 | 0:41:30 | |
Pretty bad stuff, | 0:41:30 | 0:41:32 | |
and I thought it would finish us off. | 0:41:32 | 0:41:35 | |
But you two got through it? | 0:41:37 | 0:41:39 | |
Yeah, well, blood's thicker, right? | 0:41:39 | 0:41:41 | |
See you in a bit. | 0:41:43 | 0:41:44 | |
I'll only mess it up again. | 0:41:52 | 0:41:54 | |
No, come on. It's not often we get a second chance. | 0:41:54 | 0:41:57 | |
They gave me his letters. | 0:42:02 | 0:42:04 | |
It helped him, writing. | 0:42:08 | 0:42:10 | |
Even if he couldn't send them. | 0:42:10 | 0:42:11 | |
I didn't mean to hurt you. | 0:42:15 | 0:42:16 | |
Just wanted a dad to be proud of me, you know? | 0:42:17 | 0:42:20 | |
I'm nothing to be proud of, am I? | 0:42:21 | 0:42:23 | |
Hey, there you are. | 0:42:35 | 0:42:36 | |
OK, look, there's something I've gotta say. | 0:42:36 | 0:42:39 | |
Yeah. Me as well. | 0:42:39 | 0:42:40 | |
Go on, best of three. | 0:42:43 | 0:42:44 | |
OK. | 0:42:45 | 0:42:47 | |
One, two, three... | 0:42:47 | 0:42:49 | |
One, two, three... | 0:42:50 | 0:42:51 | |
OK. Look. I've blown out the placement. | 0:42:53 | 0:42:55 | |
I am an idiot and I'm sorry. | 0:42:55 | 0:42:57 | |
To make it up to you, how about a weekend on the South Bank? | 0:42:57 | 0:43:00 | |
We can do the Stephen Hawkins lectures, um, | 0:43:00 | 0:43:04 | |
we can do the Kuro, double bill, whatsit... | 0:43:04 | 0:43:06 | |
-Kurosawa. -Yeah. I'll even sit through the six hours | 0:43:06 | 0:43:08 | |
in Japanese with you. What do you say? | 0:43:08 | 0:43:10 | |
OK. | 0:43:18 | 0:43:19 | |
Cal, this is the most difficult thing... | 0:43:22 | 0:43:24 | |
Cal, I wasn't straight with you before. | 0:43:24 | 0:43:26 | |
Ethan did tell me about you stealing his proposal and how | 0:43:27 | 0:43:33 | |
maybe you two couldn't come back from this. | 0:43:33 | 0:43:35 | |
But then he said the same as you. | 0:43:36 | 0:43:38 | |
That he doesn't know what he'd do without you, in the end, so... | 0:43:39 | 0:43:41 | |
Come here, you soppy git. | 0:43:46 | 0:43:47 | |
You had me worried there for a minute. | 0:43:49 | 0:43:51 | |
Come on. | 0:43:51 | 0:43:52 | |
I understand Dylan missed the hearing? | 0:44:00 | 0:44:02 | |
Yes, he did. | 0:44:05 | 0:44:06 | |
Well, it's a difficult situation. | 0:44:06 | 0:44:08 | |
It's quite natural to feel out of one's depth. | 0:44:08 | 0:44:10 | |
Actually, the allegation's been withdrawn. Dylan's in the clear. | 0:44:10 | 0:44:13 | |
Didn't you know? | 0:44:13 | 0:44:14 | |
Oh! Well, congratulations, Dr Gardner. | 0:44:14 | 0:44:17 | |
I'm sure it's great relief. | 0:44:17 | 0:44:18 | |
Yes, it is. Thank you. | 0:44:19 | 0:44:21 | |
Can I just ask you a question? | 0:44:22 | 0:44:24 | |
Yes? | 0:44:24 | 0:44:25 | |
It's about a trauma patient. | 0:44:26 | 0:44:28 | |
If they came in with a suspected brain injury, | 0:44:30 | 0:44:34 | |
wouldn't protocol be to intubate prior to a scan? | 0:44:34 | 0:44:37 | |
Yes, it would. | 0:44:40 | 0:44:41 | |
Yes, it would. | 0:44:41 | 0:44:42 | |
Then why did you not afford my daughter the same treatment? | 0:44:43 | 0:44:47 | |
Connie, I made a judgment call, as we do! | 0:44:47 | 0:44:49 | |
Judgment? | 0:44:49 | 0:44:50 | |
That judgment call may have exacerbated my daughter's | 0:44:50 | 0:44:53 | |
brain injury. | 0:44:53 | 0:44:55 | |
I know it's difficult. You're looking for... | 0:44:55 | 0:44:57 | |
You made a catastrophic, clinical error. | 0:44:57 | 0:45:00 | |
I have no option but to report you to the Trust. | 0:45:01 | 0:45:03 | |
I have to admit, I didn't know what to think, | 0:45:11 | 0:45:12 | |
what with the photo and all. | 0:45:12 | 0:45:14 | |
Dylan? | 0:45:14 | 0:45:15 | |
-Yeah? -I can't believe Seb made it all up. | 0:45:15 | 0:45:17 | |
Well, they say closure is a good thing, don't they, | 0:45:18 | 0:45:20 | |
so shall we just move on? | 0:45:20 | 0:45:22 | |
Lily. | 0:45:26 | 0:45:27 | |
Pub quiz. Largest desert in the world? I'm thinking Sahara? | 0:45:27 | 0:45:30 | |
Antarctica. Deserts can be hot or cold. | 0:45:30 | 0:45:32 | |
You see? Come on, I need your brain in there. | 0:45:32 | 0:45:35 | |
Seb? | 0:45:39 | 0:45:40 | |
I don't know what to say. | 0:45:47 | 0:45:49 | |
I won't be able to stay on. It's probably for the best. | 0:45:52 | 0:45:55 | |
Dylan, I'm really sorry. | 0:45:58 | 0:46:01 | |
I found it very helpful to put some distance between myself | 0:46:01 | 0:46:04 | |
and the belittling. | 0:46:04 | 0:46:05 | |
I'm talking about my father - he was an expert. | 0:46:05 | 0:46:07 | |
So, I've recommended you for a placement at St James's. | 0:46:10 | 0:46:12 | |
Why? | 0:46:13 | 0:46:14 | |
I wanted you to be the best doctor that you could be. | 0:46:14 | 0:46:17 | |
Don't let me down. | 0:46:18 | 0:46:19 | |
No, Dylan, I'm leaving medicine. | 0:46:19 | 0:46:21 | |
I'm really not cut out for it. | 0:46:21 | 0:46:22 | |
No, I'd dispute that. | 0:46:22 | 0:46:24 | |
I think away from your father, you could fly. | 0:46:24 | 0:46:27 | |
You know your clinical practice is probably finished. | 0:46:27 | 0:46:30 | |
I knew you'd ruin his career, one way or the other. | 0:46:31 | 0:46:34 | |
You never thought I had it in me, did you? | 0:46:34 | 0:46:35 | |
Did you? | 0:46:36 | 0:46:38 | |
I lied because I thought I was going to fail. | 0:46:38 | 0:46:41 | |
You want to ask yourself why your son is so scared of failure. | 0:46:42 | 0:46:44 | |
Do not come crying to me. | 0:46:44 | 0:46:47 | |
Thank you. | 0:46:55 | 0:46:56 | |
I won't let you down. | 0:46:57 | 0:46:59 | |
Good. | 0:47:00 | 0:47:01 | |
We should celebrate. | 0:47:03 | 0:47:05 | |
Pizza? | 0:47:05 | 0:47:06 | |
No? Fair enough. | 0:47:06 | 0:47:07 | |
Max? | 0:47:10 | 0:47:11 | |
What's up? | 0:47:20 | 0:47:21 | |
Nothing. | 0:47:22 | 0:47:24 | |
I thought we were going to have an early night. | 0:47:27 | 0:47:30 | |
Sorry, I'll be back in a sec. | 0:47:31 | 0:47:33 | |
You know it was Jez that broke the door? | 0:47:44 | 0:47:46 | |
Er, what were the rules? | 0:47:46 | 0:47:47 | |
No talking, no bright ideas of any kind, eat when the work's done. | 0:47:47 | 0:47:51 | |
That's right. | 0:47:51 | 0:47:52 | |
Food looks good. | 0:47:54 | 0:47:55 | |
Dervla's hungry. | 0:47:55 | 0:47:56 | |
OK. | 0:47:58 | 0:48:00 | |
Alicia? | 0:48:10 | 0:48:11 |