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Grace Beauchamp, ten years old, involved in a high-speed RTC, | 0:00:02 | 0:00:06 | |
transferred by an air ambulance, which crashed. | 0:00:06 | 0:00:09 | |
HIGH-PITCHED SQUEAL | 0:00:09 | 0:00:11 | |
Traumatic brain injury. | 0:00:11 | 0:00:12 | |
Chances? It's not looking good. | 0:00:12 | 0:00:15 | |
You're going to have to tell her that Grace might not be all right. | 0:00:15 | 0:00:19 | |
Two poxy years, that's all he's got. | 0:00:19 | 0:00:22 | |
730 whole days, Robyn. | 0:00:22 | 0:00:24 | |
Make it count. | 0:00:24 | 0:00:26 | |
You need to rest. | 0:00:26 | 0:00:27 | |
No, I'm fine. No, you're not fine. | 0:00:27 | 0:00:29 | |
There's a Band 7 spot that's opening up. | 0:00:29 | 0:00:32 | |
Oh, no, my days in the ED are long over. | 0:00:32 | 0:00:35 | |
We could really use you. | 0:00:35 | 0:00:36 | |
We're running out of time. | 0:01:17 | 0:01:18 | |
It's OK, I've got this. | 0:01:20 | 0:01:23 | |
She's so cold. | 0:01:32 | 0:01:34 | |
It's too late. | 0:01:41 | 0:01:42 | |
Just let me go. | 0:01:43 | 0:01:45 | |
Just let me go. | 0:01:46 | 0:01:48 | |
ECHOING: No! | 0:01:48 | 0:01:50 | |
No! | 0:01:50 | 0:01:51 | |
No! Connie? | 0:01:53 | 0:01:55 | |
Connie? | 0:01:55 | 0:01:56 | |
Are you OK? | 0:01:56 | 0:01:58 | |
D-Do you want me to get you a doctor? | 0:02:02 | 0:02:04 | |
Why, what's happened? | 0:02:04 | 0:02:05 | |
Nothing, it sounded like you were in pain. | 0:02:05 | 0:02:08 | |
You try sleeping on this. | 0:02:12 | 0:02:14 | |
SHE SIGHS | 0:02:16 | 0:02:17 | |
Guy ran an EEG yesterday? | 0:02:23 | 0:02:26 | |
Yeah, there was, uh... | 0:02:26 | 0:02:28 | |
..some runs of seizure activity, | 0:02:29 | 0:02:31 | |
but the EEG is becoming more normal. | 0:02:31 | 0:02:34 | |
So, her brain's functioning? | 0:02:35 | 0:02:38 | |
Well, we won't know until she wakes up, so... | 0:02:38 | 0:02:41 | |
But if her intracranial pressure's dropping, then that means they must | 0:02:41 | 0:02:44 | |
be thinking of reducing the anaesthetic - | 0:02:44 | 0:02:46 | |
bring her out of the coma? | 0:02:46 | 0:02:48 | |
It's been discussed, yeah. | 0:02:48 | 0:02:50 | |
I'm afraid they've run out of milk so black is the new...latte. | 0:02:52 | 0:02:57 | |
There we go. | 0:03:00 | 0:03:02 | |
Sorry, I didn't know what time you were arriving. | 0:03:02 | 0:03:04 | |
You'd better have this. Oh, it's good, I'm OK. | 0:03:04 | 0:03:07 | |
No, go on. | 0:03:07 | 0:03:08 | |
It's not pretty but it's strong. | 0:03:08 | 0:03:10 | |
I'm sure your brain is still five hours behind your body. | 0:03:10 | 0:03:14 | |
Right, I'd better get on. | 0:03:16 | 0:03:17 | |
You know where I am if you need me. | 0:03:25 | 0:03:26 | |
You know, you didn't have to walk me all the way to work. | 0:03:39 | 0:03:42 | |
It means I get to spend more time with you, doesn't it? | 0:03:42 | 0:03:46 | |
I'm sorry my shifts have been so crazy. | 0:03:46 | 0:03:48 | |
Don't worry about it. | 0:03:48 | 0:03:49 | |
Right then, I'll see you in T-minus 12 hours. | 0:03:49 | 0:03:53 | |
You're sure you don't mind? | 0:03:53 | 0:03:54 | |
If you're in your bed and I'm in mine, | 0:03:54 | 0:03:56 | |
then one of us is in the wrong place. Come here. | 0:03:56 | 0:03:59 | |
See you later. See you later. | 0:04:01 | 0:04:02 | |
Looks like there's a storm brewing. | 0:04:04 | 0:04:06 | |
Really? I hadn't noticed. | 0:04:06 | 0:04:08 | |
Uh-huh, because you definitely have your head in the clouds. | 0:04:08 | 0:04:11 | |
What time is it? | 0:04:25 | 0:04:28 | |
Seven. | 0:04:28 | 0:04:29 | |
What happened to, "Goodbye tension, hello pension"? | 0:04:30 | 0:04:35 | |
Today's the first day of the rest of our lives. | 0:04:36 | 0:04:40 | |
SHE GROANS | 0:04:43 | 0:04:45 | |
What have you done with my clothes? | 0:04:48 | 0:04:50 | |
Where we're going, we don't need clothes. | 0:04:50 | 0:04:53 | |
Jan! | 0:04:53 | 0:04:54 | |
There's a pile for charity in the spare room. | 0:04:55 | 0:04:58 | |
We'll go shopping this afternoon, | 0:05:02 | 0:05:04 | |
get you kitted out for the trip. | 0:05:04 | 0:05:06 | |
What do you think? | 0:05:21 | 0:05:22 | |
I'm calling it Capri Sun. | 0:05:23 | 0:05:26 | |
Isn't that a sort of juice? | 0:05:26 | 0:05:28 | |
I thought we could take one last dip, then it's out of the hot tub, | 0:05:28 | 0:05:32 | |
into the hot springs. | 0:05:32 | 0:05:33 | |
Have you looked out the window? | 0:05:33 | 0:05:35 | |
A bit of rain never hurt anyone. | 0:05:35 | 0:05:38 | |
Last one in is an old git. | 0:05:38 | 0:05:40 | |
Ah, tell me you haven't spent all night in ITU. | 0:05:44 | 0:05:48 | |
Tell me you haven't accepted a job here. | 0:05:48 | 0:05:50 | |
Is that this morning's crossword? | 0:05:51 | 0:05:54 | |
Curious to a fault, four letters. | 0:05:54 | 0:05:57 | |
Come on, Charlie, when did you last get a proper night's sleep? | 0:05:57 | 0:06:01 | |
Ah, sleep's overrated. | 0:06:01 | 0:06:03 | |
Any news? | 0:06:03 | 0:06:04 | |
Yeah, how's Mrs Beauchamp doing? | 0:06:04 | 0:06:06 | |
Sorry, not much to report at the moment. | 0:06:07 | 0:06:10 | |
But then they do say no news is good news, don't they? | 0:06:10 | 0:06:13 | |
THUNDER ROLLS | 0:06:17 | 0:06:19 | |
Ooh, hoo-hoo! | 0:06:19 | 0:06:22 | |
WATER FLUSHES | 0:06:27 | 0:06:28 | |
Jan! | 0:06:33 | 0:06:34 | |
Still waiting, Roy boy. THUNDER ROLLS | 0:06:34 | 0:06:36 | |
Come on in, the water's fine. | 0:06:36 | 0:06:39 | |
Bene dell'acqua. | 0:06:39 | 0:06:41 | |
Bubbles provided, | 0:06:42 | 0:06:44 | |
no need to contribute. | 0:06:44 | 0:06:45 | |
Come inside. | 0:06:45 | 0:06:47 | |
I don't want to, you can't make me, I'm retired. | 0:06:47 | 0:06:52 | |
For goodness' sake, Jan, the storm's very close. | 0:06:52 | 0:06:55 | |
Life isn't about waiting for the storm to pass, Roy. | 0:06:55 | 0:06:58 | |
AIR BUZZES | 0:06:58 | 0:07:00 | |
It's about dancing in the rain. | 0:07:00 | 0:07:03 | |
Get in here, you daft woman! | 0:07:03 | 0:07:06 | |
THUNDER CLAPS | 0:07:06 | 0:07:08 | |
That was incredible! | 0:07:08 | 0:07:09 | |
Did you see that, Roy? | 0:07:11 | 0:07:13 | |
Roy? | 0:07:13 | 0:07:14 | |
Roy! | 0:07:17 | 0:07:19 | |
SIRENS WAIL | 0:07:19 | 0:07:21 | |
THUNDER ROLLS | 0:07:21 | 0:07:23 | |
That'll be Charlie cracking the whip. | 0:07:23 | 0:07:25 | |
Can't miss breakfast. | 0:07:25 | 0:07:26 | |
Isn't it weird how Alicia labels her food? | 0:07:28 | 0:07:30 | |
Oh, mate. I think it makes it taste better. | 0:07:30 | 0:07:32 | |
Makes it taste beautiful. | 0:07:32 | 0:07:34 | |
Jez, can we get started, please? Yeah, yeah, yeah. | 0:07:34 | 0:07:37 | |
RADIO: '3-0-0-6 from Control, | 0:07:37 | 0:07:38 | |
'emergency call to assist in Sandham Hill, | 0:07:38 | 0:07:40 | |
'male with lightning strike injury. Patient is conscious, over.' | 0:07:40 | 0:07:44 | |
Ready to roll, boss? | 0:07:44 | 0:07:45 | |
Iain? | 0:07:46 | 0:07:47 | |
What? '3-0-0-6, have you received our last message? Over.' | 0:07:49 | 0:07:53 | |
Well, don't leave the man hanging, come on. | 0:07:53 | 0:07:55 | |
3-0-0-6 to Control. | 0:07:57 | 0:08:00 | |
Can you repeat that? Over. | 0:08:00 | 0:08:02 | |
Her lips are so dry. | 0:08:04 | 0:08:05 | |
Make sure she gets hourly mouth care. | 0:08:06 | 0:08:09 | |
Her sheets need changing. | 0:08:11 | 0:08:13 | |
Of course, Mrs Beauchamp. | 0:08:13 | 0:08:14 | |
I'll take that. | 0:08:16 | 0:08:17 | |
Haemoglobin's 11. | 0:08:23 | 0:08:25 | |
She's on fluids, together with daily blood tests. | 0:08:25 | 0:08:28 | |
12, 11.5, 11. | 0:08:29 | 0:08:33 | |
It's been consistently falling for a few days. | 0:08:33 | 0:08:35 | |
Which makes sense given haemodilution | 0:08:35 | 0:08:38 | |
and her other injuries, daily blood tests. No, get Guy in here. | 0:08:38 | 0:08:42 | |
Connie, this isn't your department. | 0:08:44 | 0:08:46 | |
It could be an occult bleed. | 0:08:46 | 0:08:48 | |
You're overreacting. | 0:08:48 | 0:08:49 | |
She needs a CT, chest, abdo and pelvis. Now! | 0:08:49 | 0:08:53 | |
THUNDER ROLLS | 0:08:56 | 0:08:59 | |
Help! Please, he's on the conservatory roof. | 0:09:08 | 0:09:10 | |
You've got to hurry. | 0:09:10 | 0:09:12 | |
Right, we need the fire crew, please, Jez. | 0:09:12 | 0:09:14 | |
He's confused - | 0:09:14 | 0:09:15 | |
he can't move his legs. | 0:09:15 | 0:09:16 | |
Where did he fall from? | 0:09:16 | 0:09:18 | |
And he was hit by lightning? | 0:09:18 | 0:09:20 | |
I think so, but he was inside. | 0:09:20 | 0:09:22 | |
Lightning travels through pipes, electric cables, | 0:09:22 | 0:09:25 | |
metal window frames. | 0:09:25 | 0:09:26 | |
Anything conductive is fair game, really. | 0:09:26 | 0:09:28 | |
The fire lads are on their way. Good. | 0:09:28 | 0:09:30 | |
Roy, don't move! | 0:09:30 | 0:09:32 | |
OK, we can't wait. Have you got any rope or anything? | 0:09:32 | 0:09:35 | |
I need to get him secured before that glass gives way. | 0:09:35 | 0:09:38 | |
Looks like a severe sprain but she is Ottawa positive | 0:09:38 | 0:09:42 | |
so let's do an X-ray to make sure it's not a fracture, all right? | 0:09:42 | 0:09:45 | |
Charlie. Yeah. | 0:09:45 | 0:09:46 | |
Bacon, extra brown sauce. I'll leave it in the office. | 0:09:46 | 0:09:49 | |
Keep it. | 0:09:49 | 0:09:50 | |
You've got a full house upstairs. | 0:09:50 | 0:09:52 | |
Sam's here? | 0:09:53 | 0:09:54 | |
Flight arrived this morning. | 0:09:54 | 0:09:56 | |
Any change in Grace? | 0:09:57 | 0:09:58 | |
How's Connie coping? | 0:10:00 | 0:10:02 | |
Your guess is as good as mine. | 0:10:02 | 0:10:04 | |
You sorted that X-ray yet, David? | 0:10:05 | 0:10:07 | |
Yes, yes, X-ray... | 0:10:07 | 0:10:08 | |
We're all hoping for good news. | 0:10:10 | 0:10:12 | |
Same time tomorrow? | 0:10:12 | 0:10:14 | |
You sure you're up to it? | 0:10:14 | 0:10:15 | |
Same time tomorrow. | 0:10:16 | 0:10:17 | |
Easy, Iain, easy. | 0:10:26 | 0:10:28 | |
Careful, mate. | 0:10:34 | 0:10:36 | |
GLASS CREAKS | 0:10:37 | 0:10:38 | |
Iain, are you OK? | 0:10:40 | 0:10:41 | |
Yeah. | 0:10:41 | 0:10:42 | |
Yeah, all good. | 0:10:42 | 0:10:44 | |
You shouldn't be here. | 0:10:46 | 0:10:48 | |
It's OK, Mr Hills. I'm a paramedic, all right? | 0:10:48 | 0:10:50 | |
I'm here to help you. What's happening? Is he all right? | 0:10:50 | 0:10:53 | |
Yeah, almost there, Mrs Hills. Just give me a minute. | 0:10:53 | 0:10:56 | |
I won't tell you again, Tom. | 0:10:56 | 0:10:58 | |
OK, I need you to stay nice and still for me, Mr Hills, OK? | 0:10:58 | 0:11:01 | |
Nice and still. I said get back! | 0:11:01 | 0:11:02 | |
GLASS CREAKS | 0:11:02 | 0:11:03 | |
No, no, no, no, no! | 0:11:03 | 0:11:04 | |
Oh, no! Roy! | 0:11:07 | 0:11:09 | |
Mr Hills, don't try to move, stay very still. | 0:11:13 | 0:11:17 | |
She needs surgery. I have a theatre slot this afternoon. | 0:11:17 | 0:11:21 | |
And you'd do the operation? | 0:11:21 | 0:11:23 | |
Is that a problem? | 0:11:23 | 0:11:24 | |
Her cerebral pressure is the problem. | 0:11:24 | 0:11:26 | |
Putting her on bypass is questionable at best. | 0:11:26 | 0:11:29 | |
Risk-managing my specialism again, Mr Self? | 0:11:29 | 0:11:32 | |
I thought after what happened last week... | 0:11:32 | 0:11:33 | |
That's hardly relevant. | 0:11:33 | 0:11:35 | |
Sorry, guys, but what's going on? | 0:11:35 | 0:11:37 | |
It seems Grace has a small tear on her aorta. | 0:11:37 | 0:11:40 | |
Are you all right, Mr Hills? | 0:11:44 | 0:11:45 | |
ROY: Careful, Tom, easy does it. | 0:11:45 | 0:11:47 | |
He mentioned Tom earlier. | 0:11:47 | 0:11:49 | |
Tom's our son. | 0:11:49 | 0:11:51 | |
He died ten years ago. | 0:11:51 | 0:11:53 | |
He never talks about him. | 0:11:53 | 0:11:55 | |
This confusion, is it just temporary from the shock? | 0:11:56 | 0:12:00 | |
Excuse me? This confusion, is it just temporary? | 0:12:01 | 0:12:04 | |
Iain! THUD | 0:12:04 | 0:12:06 | |
Mrs Hills, I'm so sorry. | 0:12:07 | 0:12:09 | |
It's my fault. Are you all right? | 0:12:09 | 0:12:11 | |
I'm fine, just...just look after Roy. | 0:12:11 | 0:12:14 | |
Are you sure? Please. | 0:12:14 | 0:12:16 | |
OK, eh, Jez, we need to switch - you drive. | 0:12:18 | 0:12:20 | |
What? Why? | 0:12:20 | 0:12:22 | |
It's a complicated case. | 0:12:22 | 0:12:24 | |
Mate, I've got it covered. | 0:12:24 | 0:12:25 | |
I haven't got time to argue. | 0:12:25 | 0:12:27 | |
How was this missed? | 0:12:32 | 0:12:33 | |
There was nothing on Grace's initial films. | 0:12:33 | 0:12:35 | |
A pseudoaneurysm has formed around the tear | 0:12:35 | 0:12:37 | |
so any bleeding, thus far, has been minimal. | 0:12:37 | 0:12:39 | |
Guy's right, we wait. | 0:12:39 | 0:12:41 | |
The aneurysm could expand and rupture. | 0:12:41 | 0:12:43 | |
You of all people should know the implications. | 0:12:43 | 0:12:47 | |
The swelling on the brain is decreasing. | 0:12:47 | 0:12:48 | |
Well, exactly, so, if we can give her more time to heal... | 0:12:48 | 0:12:51 | |
Mr Self has a history of poor judgment | 0:12:51 | 0:12:53 | |
when it comes to cardiothoracics. | 0:12:53 | 0:12:55 | |
Given your recent track record in theatre, I... | 0:12:55 | 0:12:57 | |
Her aorta needs to be our priority. | 0:12:57 | 0:12:59 | |
What is the point of a functioning heart without a functioning brain? | 0:12:59 | 0:13:02 | |
Says the man who has neither. Right, stop! Stop! That's enough. | 0:13:02 | 0:13:04 | |
I'll book theatre. | 0:13:07 | 0:13:09 | |
I'll give you a few hours to decide either way. | 0:13:09 | 0:13:11 | |
Right, thank you. | 0:13:11 | 0:13:13 | |
I'm sure if we put our heads together... | 0:13:14 | 0:13:16 | |
No, this is my decision. | 0:13:16 | 0:13:18 | |
Connie, I'm her father. | 0:13:18 | 0:13:19 | |
You were a sperm donor, nothing more. | 0:13:19 | 0:13:21 | |
Connie. No, not now, Jacob. | 0:13:21 | 0:13:23 | |
SIRENS WAIL | 0:13:26 | 0:13:28 | |
What on earth? | 0:13:28 | 0:13:29 | |
They're called Lichtenberg figures, | 0:13:29 | 0:13:31 | |
they're ruptured capillaries from the electrical charge. | 0:13:31 | 0:13:33 | |
It's just superficial. | 0:13:33 | 0:13:35 | |
All right in the back? | 0:13:35 | 0:13:36 | |
HEART MONITOR BEEPS | 0:13:36 | 0:13:37 | |
He's in SVT. | 0:13:37 | 0:13:39 | |
What does that mean? | 0:13:39 | 0:13:40 | |
It means your husband's heart is beating very fast. | 0:13:40 | 0:13:43 | |
Right, I need to start carotid massage. | 0:13:43 | 0:13:45 | |
Can we get there ASAP, please, Jez? | 0:13:45 | 0:13:47 | |
DOOR CLOSES | 0:13:59 | 0:14:00 | |
I'm so sorry, Connie. | 0:14:03 | 0:14:04 | |
If there's anything I can do... | 0:14:06 | 0:14:08 | |
What are you researching? | 0:14:17 | 0:14:19 | |
Time. | 0:14:19 | 0:14:21 | |
Time? | 0:14:21 | 0:14:22 | |
Any more than 45 minutes on circulatory arrest could affect | 0:14:22 | 0:14:26 | |
Grace's neuropsychological function, and if they run out of time... | 0:14:26 | 0:14:30 | |
Why would they? | 0:14:30 | 0:14:31 | |
"Prolonged DHCA can trigger biochemical alterations and | 0:14:33 | 0:14:38 | |
"cau...cause n... | 0:14:38 | 0:14:41 | |
"neuronal degeneration, cell death, or both." | 0:14:41 | 0:14:44 | |
Jac's an experienced surgeon. | 0:14:44 | 0:14:46 | |
It's not an exact science. | 0:14:49 | 0:14:50 | |
You should prepare for all eventualities | 0:14:52 | 0:14:55 | |
but you need to focus on the most positive. | 0:14:55 | 0:14:57 | |
Look, I know this is difficult but that's the kind of advice we give, | 0:14:57 | 0:15:01 | |
day in, day out. | 0:15:01 | 0:15:02 | |
I need some air. I'll come with you. | 0:15:02 | 0:15:05 | |
No, no, please. | 0:15:05 | 0:15:06 | |
Look, I'll go to your place, | 0:15:08 | 0:15:10 | |
check your messages, | 0:15:10 | 0:15:11 | |
get you a change of clothes. | 0:15:11 | 0:15:13 | |
It could be a long night. | 0:15:13 | 0:15:14 | |
Right, this is Roy Hills, 70. | 0:15:27 | 0:15:30 | |
Contact injuries from a lightning strike, | 0:15:30 | 0:15:33 | |
followed by two falls, both of three metres. | 0:15:33 | 0:15:35 | |
His BP dropped to 80/40 during a run of SVT en-route, | 0:15:35 | 0:15:39 | |
we rectified that with some carotid sinus massage. | 0:15:39 | 0:15:42 | |
GCS 14, he's complaining of superficial cuts | 0:15:42 | 0:15:45 | |
plus weakness in his legs. | 0:15:45 | 0:15:47 | |
Dropped from what? | 0:15:47 | 0:15:49 | |
Pulse 116, his sats are 96%. Right, which bed, please? | 0:15:49 | 0:15:53 | |
Two. What was his initial BP? | 0:15:53 | 0:15:56 | |
Right, bed two. 140/85. | 0:15:56 | 0:15:58 | |
He'll need a full trauma survey, urgent repeat ECG, chest X-ray... | 0:15:58 | 0:16:02 | |
He's back in SVT. 6mg of adenosine, please. | 0:16:02 | 0:16:05 | |
PHONE CHIMES | 0:16:12 | 0:16:13 | |
Still in SVT despite 18mg of adenosine. | 0:16:37 | 0:16:40 | |
OK, we do need to cardiovert him. | 0:16:40 | 0:16:41 | |
Do you want sedation? Yep, 50mg of propofol. | 0:16:41 | 0:16:44 | |
Will somebody tell me what's happening? | 0:16:44 | 0:16:46 | |
OK, we're going to shock your husband's heart | 0:16:46 | 0:16:49 | |
so that it can go back into a normal rhythm. | 0:16:49 | 0:16:51 | |
Set the defib to synchronised shock, charge to 100. | 0:16:51 | 0:16:54 | |
Charging. DEFIBRILLATOR WHINES | 0:16:54 | 0:16:56 | |
Clear. | 0:16:56 | 0:16:58 | |
Shocking. | 0:16:58 | 0:16:59 | |
SHE GASPS | 0:16:59 | 0:17:00 | |
100 given, no change. | 0:17:01 | 0:17:03 | |
Charge to 120. | 0:17:03 | 0:17:05 | |
Charging. Clear. | 0:17:05 | 0:17:07 | |
Shocking. | 0:17:07 | 0:17:08 | |
Back in sinus. | 0:17:18 | 0:17:19 | |
Hey, Charlie. | 0:17:25 | 0:17:26 | |
Yeah? I just saw Mrs Beauchamp, she looks terrible. | 0:17:26 | 0:17:29 | |
In the department? | 0:17:31 | 0:17:32 | |
Yeah. | 0:17:32 | 0:17:33 | |
Do you think something's happened? | 0:17:33 | 0:17:35 | |
Well, let's not go jumping to conclusions, shall we? | 0:17:35 | 0:17:38 | |
Have you pulled up that X-ray for me? | 0:17:38 | 0:17:40 | |
Right, let's go have a word with Mrs Austin. | 0:17:40 | 0:17:43 | |
Hey, um, how's he doing? | 0:17:48 | 0:17:50 | |
Who? | 0:17:50 | 0:17:51 | |
Your patient, the lightning guy. | 0:17:51 | 0:17:53 | |
Oh, um, yeah, still early days yet. | 0:17:53 | 0:17:55 | |
Any interesting symptoms or side-effects? | 0:17:55 | 0:17:59 | |
Like what? Oh, I dunno, | 0:17:59 | 0:18:01 | |
can he generate and magnify external localised | 0:18:01 | 0:18:04 | |
electromagnetic phenomena by manipulating | 0:18:04 | 0:18:07 | |
intense bio-electric fields generated by his body, for example? | 0:18:07 | 0:18:12 | |
If you mean has he turned into Thor, then no. | 0:18:14 | 0:18:17 | |
Black Lightning actually - a true hero. | 0:18:17 | 0:18:19 | |
He restarted Superman's heart and he's Batman-trained in close combat. | 0:18:19 | 0:18:24 | |
Right, he's also fictional, yeah? | 0:18:25 | 0:18:28 | |
OK, Mr Hills, your heart is back in a stable rhythm. | 0:18:34 | 0:18:38 | |
But your BP is still a little low so no sudden movements, please. | 0:18:38 | 0:18:42 | |
He was very confused earlier. | 0:18:42 | 0:18:44 | |
Stop fussing, Jan. | 0:18:44 | 0:18:46 | |
There are some temporary symptoms associated with lightning strikes. | 0:18:46 | 0:18:49 | |
The current may have blown a couple of fuses. | 0:18:49 | 0:18:52 | |
You gave me such a shock. | 0:18:53 | 0:18:54 | |
No sense of irony, my wife. | 0:18:55 | 0:18:58 | |
OK, chest X-ray, echo and bloods look good. Urinalysis was NAD. | 0:18:58 | 0:19:03 | |
Robyn, make a start on Mr Hills' facial lacs | 0:19:03 | 0:19:06 | |
and I'll make arrangements with CCU. | 0:19:06 | 0:19:08 | |
I won't be long. | 0:19:08 | 0:19:09 | |
We're supposed to be flying to Italy tomorrow. | 0:19:11 | 0:19:13 | |
I'm guessing I'll need to contact the airline and reschedule. | 0:19:13 | 0:19:17 | |
Once we've found a bed for you upstairs | 0:19:17 | 0:19:19 | |
then you will be admitted, overnight at least. | 0:19:19 | 0:19:21 | |
You should just cancel it. | 0:19:21 | 0:19:23 | |
Why would I do that? | 0:19:23 | 0:19:24 | |
Can't you see this was a wake-up call? | 0:19:24 | 0:19:26 | |
A bolt from the blue? | 0:19:26 | 0:19:27 | |
You've been promising me this trip for over a decade. | 0:19:27 | 0:19:31 | |
As soon as you retired, you said. | 0:19:31 | 0:19:33 | |
The universe has shaken you to awaken you. | 0:19:33 | 0:19:37 | |
It's a dangerous world out there, Jan. | 0:19:37 | 0:19:40 | |
Work was just an excuse, wasn't it? | 0:19:40 | 0:19:42 | |
You never had any intention of going. | 0:19:43 | 0:19:45 | |
I don't want to, you can't make me, I'm retired. | 0:19:45 | 0:19:49 | |
I've had years of this. | 0:19:49 | 0:19:51 | |
He never wants to go anywhere, do anything. | 0:19:51 | 0:19:54 | |
What's Italy got that Holby hasn't? | 0:19:54 | 0:19:56 | |
Let's just keep this nice and calm, OK? | 0:19:56 | 0:20:00 | |
It's OK, I'll go. | 0:20:00 | 0:20:02 | |
Leave you in peace. | 0:20:03 | 0:20:04 | |
ANSWERING MACHINE: You have one new message. | 0:20:20 | 0:20:24 | |
Message one. | 0:20:24 | 0:20:26 | |
JACOB'S VOICE: We've got Steph in Resus and she's in a bad way. | 0:20:26 | 0:20:30 | |
You're not answering your phone, where are you? | 0:20:30 | 0:20:32 | |
You need to call me as soon as you get this. | 0:20:32 | 0:20:35 | |
I'm really worried about you. | 0:20:36 | 0:20:38 | |
SHE COUGHS LIGHTLY | 0:20:43 | 0:20:45 | |
Are you all right? | 0:20:52 | 0:20:53 | |
Have you got someone here? | 0:20:55 | 0:20:57 | |
My, um... My daughter, Grace, she's in ITU. | 0:21:00 | 0:21:04 | |
Oh, I'm sorry. | 0:21:04 | 0:21:05 | |
What's she like, Grace? | 0:21:12 | 0:21:14 | |
It's hard with all the... | 0:21:18 | 0:21:21 | |
tubes and the machines, | 0:21:21 | 0:21:23 | |
but who they are is just as important as how they are. | 0:21:23 | 0:21:28 | |
Doctors and nurses forget that sometimes. | 0:21:29 | 0:21:32 | |
She's very smart. | 0:21:37 | 0:21:38 | |
Mm. | 0:21:40 | 0:21:42 | |
Very funny. | 0:21:43 | 0:21:45 | |
SHE GASPS SLIGHTLY | 0:21:45 | 0:21:47 | |
And very pretty. | 0:21:47 | 0:21:49 | |
She plays the violin badly. | 0:21:49 | 0:21:51 | |
I think it's on purpose most of the time. | 0:21:51 | 0:21:54 | |
And now she wants a puppy, | 0:21:54 | 0:21:55 | |
of course, I've told her she can have a puppy. | 0:21:55 | 0:21:58 | |
Does she often get her own way? Oh, all the time. | 0:21:58 | 0:22:00 | |
So, she doesn't give up easy. | 0:22:01 | 0:22:03 | |
Is her father here? | 0:22:09 | 0:22:10 | |
It's complicated. | 0:22:13 | 0:22:14 | |
SHE COUGHS HALTINGLY | 0:22:15 | 0:22:17 | |
Don't do this on your own, not if you don't have to. | 0:22:18 | 0:22:22 | |
If two people can share one umbrella, | 0:22:24 | 0:22:28 | |
they can survive the storm together. | 0:22:28 | 0:22:31 | |
SHE COUGHS AND WHEEZES | 0:22:33 | 0:22:36 | |
Are you all right? | 0:22:36 | 0:22:38 | |
SHE WHEEZES LOUDLY | 0:22:38 | 0:22:41 | |
Let's get you inside. | 0:22:43 | 0:22:45 | |
It's OK, it's all right. | 0:22:45 | 0:22:46 | |
SHE STRUGGLES FOR BREATH | 0:22:46 | 0:22:49 | |
All right. | 0:22:49 | 0:22:50 | |
Can we get some help here, please? | 0:22:50 | 0:22:52 | |
Mrs B, what are you doing? | 0:22:52 | 0:22:54 | |
We need to get her into Resus. | 0:22:54 | 0:22:55 | |
What's happened? | 0:22:55 | 0:22:56 | |
She's tachypneic, tachycardic and heart rate's 120. All right. | 0:22:56 | 0:23:02 | |
Connie, we can handle this. | 0:23:02 | 0:23:04 | |
Connie? Let's just get her on to the bed. Jan! All right. | 0:23:04 | 0:23:07 | |
What's happened, is she all right? | 0:23:07 | 0:23:09 | |
Right, she's uh...she's going to need FBCs, U's and E's, LFTs, um... | 0:23:09 | 0:23:16 | |
chest X-ray, arterial blood gases. | 0:23:16 | 0:23:19 | |
Connie, we've got this. Connie, you're not on duty. | 0:23:19 | 0:23:22 | |
Um, no, I'm needed here. | 0:23:22 | 0:23:24 | |
I know you want to fix things, make things better. | 0:23:24 | 0:23:27 | |
Yeah, no, I can help her. | 0:23:27 | 0:23:29 | |
Decreased breath sounds on the right. | 0:23:29 | 0:23:31 | |
Looks like a tension pneumothorax. Cannula, please. | 0:23:31 | 0:23:33 | |
Do you want some local? No time. | 0:23:33 | 0:23:35 | |
You shouldn't be here. Let's get you back upstairs. | 0:23:35 | 0:23:38 | |
Come on, you know I'm right. | 0:23:38 | 0:23:40 | |
Come on. | 0:23:41 | 0:23:42 | |
WHEEZING CONTINUES | 0:23:42 | 0:23:44 | |
Small scratch, Mrs Hills. | 0:23:48 | 0:23:49 | |
- Chest drain, please. | 0:23:53 | 0:23:54 | |
I can't do it, Charlie. | 0:24:01 | 0:24:03 | |
I can't do it. | 0:24:03 | 0:24:05 | |
It's the dream. | 0:24:05 | 0:24:06 | |
I can't go through this again. | 0:24:08 | 0:24:09 | |
I thought I'd lost her in the crash | 0:24:09 | 0:24:11 | |
and now she's going to die on the table. | 0:24:11 | 0:24:14 | |
I saw it, she... | 0:24:14 | 0:24:16 | |
Her heart, Jac, everything, | 0:24:16 | 0:24:18 | |
everything's the same, except I can't wake up. | 0:24:18 | 0:24:21 | |
Our dreams represent our deepest fears, | 0:24:22 | 0:24:26 | |
it doesn't mean anything. No, she's going to die. | 0:24:26 | 0:24:29 | |
As a doctor, what advice would you give yourself? | 0:24:31 | 0:24:34 | |
You know the answer, you need to act on it. | 0:24:36 | 0:24:38 | |
Chest drain is swinging nicely. | 0:24:43 | 0:24:45 | |
Securing it. | 0:24:45 | 0:24:46 | |
Yep, sats are improving and pulse is up to 100. | 0:24:46 | 0:24:49 | |
Nice work. | 0:24:49 | 0:24:51 | |
Well done, everyone. | 0:24:51 | 0:24:52 | |
Can I stay with her? | 0:24:52 | 0:24:54 | |
I want her to know I'm here. | 0:24:54 | 0:24:56 | |
Of course, I'll arrange something. | 0:24:56 | 0:24:58 | |
She'll need an X-ray, Robyn. | 0:24:59 | 0:25:01 | |
Yeah, I'm on it. | 0:25:01 | 0:25:02 | |
Oh. | 0:25:08 | 0:25:09 | |
You look terrible. | 0:25:09 | 0:25:11 | |
Thanks, I needed that. | 0:25:11 | 0:25:13 | |
You should take a break. | 0:25:13 | 0:25:15 | |
Nice biscuit, cup of tea. | 0:25:15 | 0:25:17 | |
Actually, I do have some admin to catch up on. | 0:25:18 | 0:25:20 | |
So, go, sit. | 0:25:20 | 0:25:23 | |
You're making me feel tired just looking at you. | 0:25:23 | 0:25:26 | |
I, um, think we should see how it goes, | 0:25:40 | 0:25:44 | |
but, yes, let's go ahead with the procedure, OK? Grace is... | 0:25:44 | 0:25:47 | |
Connie... ..not going to give up easily. | 0:25:47 | 0:25:50 | |
What is it, what's happened? | 0:25:50 | 0:25:52 | |
Her haemoglobin's down to 8. | 0:25:52 | 0:25:54 | |
They've run more tests. | 0:25:54 | 0:25:55 | |
Connie, wait. Let them do their jobs. | 0:25:57 | 0:25:59 | |
It's good that you're both here. | 0:26:00 | 0:26:02 | |
The chest X-ray is showing a small, right-sided pleural effusion. | 0:26:02 | 0:26:06 | |
With the decrease in haemoglobin and hematocrit, | 0:26:06 | 0:26:09 | |
it looks like the pseudoaneurysm has started leaking. | 0:26:09 | 0:26:12 | |
Which does complicate things. | 0:26:12 | 0:26:14 | |
Or clarifies them. | 0:26:14 | 0:26:16 | |
She needs the surgery, the sooner the better. | 0:26:16 | 0:26:18 | |
No, no, wait, um... | 0:26:18 | 0:26:19 | |
I thought you just said this was the way to go? | 0:26:19 | 0:26:21 | |
Not like this. | 0:26:21 | 0:26:23 | |
Mr Self and I are in agreement. | 0:26:23 | 0:26:25 | |
Yes, and that's saying something. | 0:26:25 | 0:26:27 | |
You know this really is the only course of action. | 0:26:27 | 0:26:30 | |
No, but... It's OK, Connie, I've got this. | 0:26:30 | 0:26:32 | |
What did you just say? | 0:26:35 | 0:26:36 | |
I've got this. | 0:26:37 | 0:26:38 | |
As soon as you've signed the consent forms, | 0:26:39 | 0:26:42 | |
they'll prep Grace for theatre. | 0:26:42 | 0:26:44 | |
The chest tube will help you breathe, Mrs Hills. | 0:26:47 | 0:26:50 | |
You fractured a rib and punctured your lung. | 0:26:50 | 0:26:52 | |
Have you had a fall recently? | 0:26:52 | 0:26:54 | |
I had a bit of a bump with the ambulance door. | 0:26:55 | 0:26:58 | |
What kind of a bump? | 0:26:58 | 0:27:00 | |
It was an accident, I don't think he could hear me. | 0:27:00 | 0:27:03 | |
Can I leave this with you, please? | 0:27:03 | 0:27:05 | |
Yeah, sure. | 0:27:05 | 0:27:06 | |
Why didn't you say something sooner? | 0:27:06 | 0:27:09 | |
I wanted to go to Italy. | 0:27:09 | 0:27:11 | |
At least this proves my point. | 0:27:12 | 0:27:14 | |
That it's a dangerous world out there? | 0:27:14 | 0:27:17 | |
Hardly. | 0:27:17 | 0:27:19 | |
Life's too short. | 0:27:19 | 0:27:20 | |
I can't keep living on hold. | 0:27:23 | 0:27:25 | |
What do you mean? | 0:27:26 | 0:27:27 | |
Bad things happen to people even when they are careful. | 0:27:27 | 0:27:31 | |
That's not true. | 0:27:31 | 0:27:33 | |
You got struck by lightning when you were inside, safe as houses. | 0:27:33 | 0:27:39 | |
And I got knocked over by a bloomin' ambulance. | 0:27:41 | 0:27:45 | |
What are you saying? | 0:27:45 | 0:27:46 | |
Dangerous things happen even when we are taking care. | 0:27:46 | 0:27:50 | |
That's daft. | 0:27:50 | 0:27:52 | |
Says who? | 0:27:52 | 0:27:54 | |
One cup of tea, shaken not... | 0:27:57 | 0:27:59 | |
HE SNORES LIGHTLY | 0:28:09 | 0:28:13 | |
You...you spoke about Tom earlier when you were confused. | 0:28:31 | 0:28:36 | |
You know what happened to him was an accident. | 0:28:38 | 0:28:41 | |
He should have been driving slower, been more careful. | 0:28:41 | 0:28:46 | |
I can't just forget what happened to him. | 0:28:46 | 0:28:49 | |
Why the heck not? | 0:28:49 | 0:28:51 | |
Tom was funny and silly and soft as butter. | 0:28:53 | 0:28:58 | |
He wouldn't want you remembering him | 0:28:58 | 0:29:01 | |
with tubes and machines and all that nonsense. | 0:29:01 | 0:29:04 | |
He was a "Prime time player with major league swig." | 0:29:06 | 0:29:11 | |
Swag. | 0:29:13 | 0:29:14 | |
That's the one. | 0:29:16 | 0:29:17 | |
If he was here right now, you know what he'd say to you? | 0:29:19 | 0:29:24 | |
What? | 0:29:24 | 0:29:25 | |
"Get a life, pops." | 0:29:27 | 0:29:29 | |
You found your comfort zone, | 0:29:31 | 0:29:34 | |
with your suits and your numbers and your responsible job. | 0:29:34 | 0:29:39 | |
But when was the last time you did something for the first time? | 0:29:41 | 0:29:46 | |
First time I ever got hit by lightning. | 0:29:48 | 0:29:50 | |
Your wake-up call, | 0:29:52 | 0:29:54 | |
your bolt from the blue. | 0:29:54 | 0:29:56 | |
Maybe Tom was trying to tell you something? | 0:29:57 | 0:30:01 | |
Go with a bang, not a whimper? | 0:30:03 | 0:30:05 | |
I'm game... | 0:30:07 | 0:30:09 | |
if you are. | 0:30:09 | 0:30:11 | |
Iain? | 0:30:18 | 0:30:20 | |
Iain! | 0:30:20 | 0:30:22 | |
SHE WHISTLES | 0:30:22 | 0:30:23 | |
All right, Chuckles, didn't see you there. | 0:30:23 | 0:30:25 | |
Didn't see me, didn't hear me. | 0:30:25 | 0:30:26 | |
What are you doing? Which is louder? | 0:30:29 | 0:30:32 | |
Neither. | 0:30:32 | 0:30:33 | |
So, you can take your castanets and flamen-go. | 0:30:33 | 0:30:36 | |
I hear there was a bump with an ambulance door. | 0:30:38 | 0:30:41 | |
Oh, gossip at an all-time low, is it? | 0:30:41 | 0:30:42 | |
Let me examine your ears. Lily, I haven't got time for this. | 0:30:42 | 0:30:45 | |
Yes, you do. | 0:30:45 | 0:30:47 | |
I was the one who examined you after the crash, | 0:30:47 | 0:30:49 | |
I don't want to be held responsible for missing anything. | 0:30:49 | 0:30:51 | |
I'm fine. The same cannot be said of Jan Hills, who suffered | 0:30:51 | 0:30:54 | |
a broken rib and needed emergency treatment for a pneumothorax. | 0:30:54 | 0:30:58 | |
Right. | 0:30:58 | 0:30:59 | |
Is she OK? | 0:30:59 | 0:31:00 | |
No thanks to you. | 0:31:00 | 0:31:01 | |
Look, Lily, it's all sorted, Jez has taken over the driving. | 0:31:02 | 0:31:05 | |
So, you acknowledge you're not fit to work? | 0:31:05 | 0:31:07 | |
It was an accident. Not if it happens again. | 0:31:07 | 0:31:10 | |
It won't. Then let me examine you. | 0:31:10 | 0:31:12 | |
Do I have a choice? | 0:31:14 | 0:31:15 | |
Jac. | 0:31:18 | 0:31:19 | |
We're taking Grace to theatre. | 0:31:19 | 0:31:21 | |
See you soon, sweetheart. | 0:31:21 | 0:31:22 | |
It's OK, Connie. | 0:31:26 | 0:31:28 | |
I'll update you as soon as I can. | 0:31:28 | 0:31:30 | |
For when she wakes up. | 0:31:34 | 0:31:35 | |
It's her favourite, isn't it? | 0:31:37 | 0:31:39 | |
(Just let me go.) | 0:31:42 | 0:31:43 | |
Stop, stop, wait! | 0:31:43 | 0:31:44 | |
I'm coming with you. | 0:31:46 | 0:31:48 | |
You're not serious? | 0:31:48 | 0:31:49 | |
Get rid of it. | 0:31:49 | 0:31:51 | |
What? | 0:31:51 | 0:31:52 | |
You really think this is a good idea? | 0:31:53 | 0:31:55 | |
You don't mind, do you, Jac? | 0:31:55 | 0:31:57 | |
I can always rely on you to keep me on my toes. | 0:31:57 | 0:32:00 | |
I think you're making a mistake. | 0:32:00 | 0:32:02 | |
My family, my decision. | 0:32:02 | 0:32:04 | |
The eardrum is definitely perforated | 0:32:07 | 0:32:09 | |
but it looks like the tear's already healing. | 0:32:09 | 0:32:12 | |
There are signs of infection in the middle ear | 0:32:12 | 0:32:15 | |
so you'll need to start on a course of antibiotics. | 0:32:15 | 0:32:18 | |
And that's it? | 0:32:18 | 0:32:19 | |
You sound disappointed. | 0:32:19 | 0:32:21 | |
Course not. | 0:32:22 | 0:32:23 | |
I'll sign you off work for a while. | 0:32:23 | 0:32:25 | |
There's no need for that. | 0:32:25 | 0:32:26 | |
Otitis media can affect your balance, | 0:32:26 | 0:32:28 | |
you could have a more serious accident. | 0:32:28 | 0:32:31 | |
You need to take better care of yourself. | 0:32:31 | 0:32:33 | |
Yeah, well, what if I don't want to? | 0:32:33 | 0:32:35 | |
Lily, there's three of the HEMS team | 0:32:35 | 0:32:36 | |
plus five others in the morgue, two of them are paramedics. | 0:32:36 | 0:32:40 | |
Connie's little one is up in ITU and I'm off the booze for a week?! | 0:32:40 | 0:32:43 | |
You can't change what happened. | 0:32:43 | 0:32:46 | |
I know that. | 0:32:46 | 0:32:47 | |
You need to turn this into something positive. | 0:32:48 | 0:32:51 | |
Positive? | 0:32:52 | 0:32:53 | |
If I lose a patient, I make sure it pushes me to improve, | 0:32:54 | 0:32:59 | |
to become a better doctor. | 0:32:59 | 0:33:00 | |
It's a way of honouring them, of moving forward. | 0:33:00 | 0:33:03 | |
You can't change what happened but you can redefine it. | 0:33:03 | 0:33:07 | |
Is Charlie in his office? | 0:33:11 | 0:33:12 | |
Yeah, but he's working on an urgent report. | 0:33:12 | 0:33:14 | |
Ah, now is not a good time, David. Oh, it'll only take a second. | 0:33:14 | 0:33:17 | |
Is Charlie all right? | 0:33:17 | 0:33:18 | |
Yeah, he's absolutely fine but he's really busy. | 0:33:18 | 0:33:20 | |
PHONE CHIMES | 0:33:20 | 0:33:21 | |
Look, this really is urgent. | 0:33:50 | 0:33:51 | |
Robyn, now is not a good time. | 0:33:51 | 0:33:53 | |
But the universe has shaken me to awaken me. | 0:33:53 | 0:33:56 | |
Charlie! Any news on Grace? | 0:33:58 | 0:34:00 | |
Yes, I've actually just had a text from Connie. | 0:34:00 | 0:34:03 | |
Well, perhaps you could give us all an update, Charlie. | 0:34:03 | 0:34:06 | |
Then it's back to work, OK? | 0:34:06 | 0:34:07 | |
JAC: Grace's music, please. | 0:34:16 | 0:34:17 | |
MUSIC PLAYS | 0:34:20 | 0:34:22 | |
I'm afraid Grace has to go back into theatre. | 0:34:29 | 0:34:31 | |
What? Why? | 0:34:31 | 0:34:33 | |
They discovered a small tear on her aortic arch, | 0:34:34 | 0:34:38 | |
the bleed from which was being contained within a pseudoaneurysm, | 0:34:38 | 0:34:43 | |
which they hoped would buy Grace more time for recovery, | 0:34:43 | 0:34:48 | |
but, unfortunately, it started leaking | 0:34:48 | 0:34:51 | |
so they're going to have to take her back into theatre. | 0:34:51 | 0:34:55 | |
DAVID: Well, is she strong enough for that? | 0:34:55 | 0:34:58 | |
Well, they're worried that the operation | 0:34:58 | 0:35:02 | |
might increase the swelling to the brain. | 0:35:02 | 0:35:05 | |
That sounds bad, Charlie. | 0:35:05 | 0:35:07 | |
So, Grace is on bypass. | 0:35:07 | 0:35:09 | |
There's no blood flowing to her heart | 0:35:09 | 0:35:12 | |
and they've cooled her body to keep her brain protected. | 0:35:12 | 0:35:16 | |
How's Mrs Beauchamp? | 0:35:16 | 0:35:18 | |
She's...she's with Grace. She's being very strong for her | 0:35:18 | 0:35:22 | |
and her dad is here as well. | 0:35:22 | 0:35:25 | |
For families, I think the waiting is about the worst part. | 0:35:25 | 0:35:30 | |
And all we can do, really, is send our best hopes and thoughts to | 0:35:30 | 0:35:34 | |
Grace and her family. | 0:35:34 | 0:35:37 | |
And let's not forget the surgeons, | 0:35:37 | 0:35:39 | |
who literally have her heart in their hands. | 0:35:39 | 0:35:42 | |
I'm sorry to be the bearer of bad news. | 0:35:44 | 0:35:47 | |
It's always difficult when it's one of our own. | 0:35:47 | 0:35:50 | |
I'm sorry. | 0:35:50 | 0:35:51 | |
Thanks, Charlie. | 0:35:53 | 0:35:55 | |
Mmm, she's back for seconds. | 0:36:02 | 0:36:04 | |
You could at least try and play hard to get. | 0:36:04 | 0:36:06 | |
Your self-certificate and these - three a day for a week. | 0:36:06 | 0:36:10 | |
Well, you've got to support your local dealer, eh? | 0:36:10 | 0:36:13 | |
Grace is back in theatre, an aortic arch pseudoaneurysm. | 0:36:13 | 0:36:17 | |
I thought you'd want to know. Poor kid, man. | 0:36:17 | 0:36:19 | |
Don't get mad, get better, OK? | 0:36:21 | 0:36:24 | |
What's up with you, sick note? | 0:36:27 | 0:36:29 | |
Perforated eardrum. | 0:36:29 | 0:36:31 | |
My balance and my hearing are shot. | 0:36:31 | 0:36:33 | |
OK, so that's why you've been ignoring me. | 0:36:33 | 0:36:37 | |
It has its advantages. | 0:36:37 | 0:36:40 | |
So, I'm going to take a few sick days and then some leave. | 0:36:40 | 0:36:43 | |
What? | 0:36:44 | 0:36:46 | |
You're not seriously going to leave me here on my own, are you? | 0:36:46 | 0:36:48 | |
Aww, see this? | 0:36:48 | 0:36:51 | |
It's the world's smallest violin. | 0:36:51 | 0:36:53 | |
You going to miss me? Yeah, like an idiot misses the point. | 0:36:53 | 0:36:56 | |
What? Exactly. | 0:36:56 | 0:36:57 | |
Time to become a man, Running Wolf. | 0:36:57 | 0:36:59 | |
How are you feeling? | 0:37:02 | 0:37:04 | |
Bit more human, thanks to you. | 0:37:05 | 0:37:08 | |
"Let him sleep, for when he wakes, he shall move mountains." | 0:37:09 | 0:37:12 | |
Or make rousing speeches. | 0:37:12 | 0:37:14 | |
Not long till home time. | 0:37:15 | 0:37:17 | |
I trust you'll be going back to yours for some shut-eye. | 0:37:17 | 0:37:20 | |
No, I couldn't. | 0:37:21 | 0:37:23 | |
Not till I know. | 0:37:23 | 0:37:24 | |
Hope and Anchor, is it? | 0:37:24 | 0:37:26 | |
Well, I suppose it will just have to be. | 0:37:26 | 0:37:29 | |
I don't know how you do it. | 0:37:29 | 0:37:32 | |
Um, I'll let you get on. | 0:37:32 | 0:37:33 | |
Nasopharyngeal temp is 12. | 0:37:40 | 0:37:42 | |
She's had methylprednisolone, thiopental and cardioplegia. | 0:37:42 | 0:37:45 | |
She's in hypothermic circulatory arrest. | 0:37:45 | 0:37:47 | |
Let's stop the pump, start the clock, we have 45 minutes. | 0:37:47 | 0:37:50 | |
Cross clamps, please. | 0:37:50 | 0:37:52 | |
MUSIC: A Song About Love by Jake Bugg | 0:37:57 | 0:37:59 | |
# Songs about love | 0:37:59 | 0:38:04 | |
# Is that what you hoped you would find | 0:38:04 | 0:38:07 | |
# When it's burning inside | 0:38:07 | 0:38:09 | |
# But a song about love's not enough | 0:38:09 | 0:38:13 | |
# So what do you want for? | 0:38:13 | 0:38:18 | |
# What are you needing... # | 0:38:18 | 0:38:23 | |
How much time have you reserved for the graft? | 0:38:25 | 0:38:29 | |
Including the time I spend talking to you? | 0:38:29 | 0:38:31 | |
No interruptions, please. | 0:38:31 | 0:38:33 | |
Another large brandy, neat. | 0:38:42 | 0:38:44 | |
You'd better make that a black coffee. | 0:38:44 | 0:38:47 | |
What are you doing here, Charlie? | 0:38:47 | 0:38:49 | |
I was going to ask you the same question. | 0:38:49 | 0:38:51 | |
Grace is in surgery. | 0:38:51 | 0:38:53 | |
You know Connie's in there with her, right? | 0:38:53 | 0:38:56 | |
I know. So? | 0:38:56 | 0:38:58 | |
So, I'm taking a step back. | 0:38:58 | 0:39:02 | |
It's what she wants. | 0:39:02 | 0:39:04 | |
Jacob... Look, she...she made it pretty clear. | 0:39:04 | 0:39:07 | |
Twice. | 0:39:08 | 0:39:09 | |
That may be true, | 0:39:10 | 0:39:13 | |
but the fact is this operation is complicated and risky. | 0:39:13 | 0:39:18 | |
If Grace... | 0:39:18 | 0:39:19 | |
If Grace doesn't make it and you're not there, | 0:39:26 | 0:39:28 | |
how are you going to feel? | 0:39:28 | 0:39:29 | |
We're running out of time. | 0:39:45 | 0:39:46 | |
Just finishing up now. | 0:39:46 | 0:39:48 | |
JAC TUTS | 0:39:52 | 0:39:54 | |
SHE SIGHS | 0:39:54 | 0:39:56 | |
What just happened? | 0:39:56 | 0:39:57 | |
Fresh suture, please. | 0:39:57 | 0:39:59 | |
Jac? Jac, can you sa...? Can you salvage the graft? | 0:39:59 | 0:40:03 | |
The graft is fine. 3-0 prolene, please. | 0:40:03 | 0:40:06 | |
Can someone assist Mrs Beauchamp? | 0:40:11 | 0:40:14 | |
Focus, please, we can't lose any more time. Music off. | 0:40:14 | 0:40:19 | |
MUSIC STOPS | 0:40:19 | 0:40:20 | |
Hey, pudding. | 0:40:36 | 0:40:38 | |
Where's Charlie? | 0:40:38 | 0:40:39 | |
He's over there, back room. Thank you. | 0:40:39 | 0:40:41 | |
Hiya. | 0:40:43 | 0:40:45 | |
Where's Iain? | 0:40:45 | 0:40:46 | |
Home, mate. Doctor's orders. | 0:40:46 | 0:40:48 | |
I told him I'd text him as soon as we heard anything. | 0:40:48 | 0:40:51 | |
I'll get these. What are you drinking? | 0:40:51 | 0:40:53 | |
Um, lime and lemonade. | 0:40:53 | 0:40:54 | |
One lime and lemonade coming up. | 0:40:54 | 0:40:56 | |
White wine. | 0:40:56 | 0:40:57 | |
We thought it might be a long night | 0:40:57 | 0:40:59 | |
and Noel wanted to play Holby Monopoly. | 0:40:59 | 0:41:02 | |
Did you do this? | 0:41:02 | 0:41:03 | |
I might've mentioned we'd be stopping by. | 0:41:03 | 0:41:06 | |
They asked. | 0:41:06 | 0:41:07 | |
They're all worried about Grace and they wanted to come and be | 0:41:07 | 0:41:10 | |
a rock for their rock or something equally soppy. | 0:41:10 | 0:41:14 | |
Hey, I am too reigning champion. | 0:41:16 | 0:41:18 | |
You remember, Charlie, I got two hotels on Farmead? | 0:41:18 | 0:41:20 | |
How much can you charge for that? | 0:41:20 | 0:41:22 | |
You'd have to pay me to stay on Farmead. | 0:41:22 | 0:41:24 | |
THEY LAUGH | 0:41:24 | 0:41:25 | |
Deal me in. | 0:41:25 | 0:41:27 | |
Connie, wh... | 0:41:39 | 0:41:41 | |
What's...? | 0:41:41 | 0:41:43 | |
What's happened? | 0:41:43 | 0:41:44 | |
The suture snapped. Wha...? | 0:41:45 | 0:41:47 | |
What suture? | 0:41:49 | 0:41:50 | |
It's my fault. | 0:41:51 | 0:41:52 | |
Is she OK? | 0:41:52 | 0:41:53 | |
It's my fault. | 0:41:53 | 0:41:55 | |
I let this happen. | 0:41:55 | 0:41:57 | |
PANICKED BREATHING | 0:41:57 | 0:42:00 | |
I think we should go somewhere tomorrow. | 0:42:07 | 0:42:09 | |
You're working, aren't you? | 0:42:09 | 0:42:11 | |
Nope. | 0:42:11 | 0:42:12 | |
Since when? | 0:42:12 | 0:42:14 | |
Since I spoke to Charlie, and got a few weeks off. | 0:42:14 | 0:42:17 | |
Seriously? | 0:42:17 | 0:42:18 | |
Life's too short. | 0:42:19 | 0:42:20 | |
Yeah, I got that memo. | 0:42:20 | 0:42:22 | |
You go out with this rabble much? | 0:42:24 | 0:42:26 | |
No, no, I don't drink, really. | 0:42:26 | 0:42:29 | |
Do you know, drinking soft drinks in the pub | 0:42:29 | 0:42:32 | |
can be as expensive as drinking alcohol? | 0:42:32 | 0:42:34 | |
It costs only 20 pence for the syrup, | 0:42:34 | 0:42:36 | |
and then they charge you ten times that. | 0:42:36 | 0:42:38 | |
What a racket. | 0:42:38 | 0:42:39 | |
Grace is going to be OK, isn't she? | 0:42:44 | 0:42:45 | |
It's hard when you don't know whether or not | 0:42:47 | 0:42:50 | |
they're going to be OK. | 0:42:50 | 0:42:52 | |
Have you got kids? | 0:42:52 | 0:42:53 | |
A son. | 0:42:58 | 0:42:59 | |
But we don't speak much. | 0:43:01 | 0:43:02 | |
It's been two years now. | 0:43:05 | 0:43:06 | |
Two years?! | 0:43:06 | 0:43:07 | |
It was a tricky break-up. | 0:43:11 | 0:43:13 | |
Yeah, still, shouldn't stop you seeing him or talking to him, | 0:43:13 | 0:43:15 | |
if that's what you want? | 0:43:15 | 0:43:17 | |
HE CLEARS HIS THROAT | 0:43:21 | 0:43:22 | |
How much longer? | 0:43:25 | 0:43:27 | |
They've got to put her back on the pump, warm her up. | 0:43:28 | 0:43:31 | |
She's dead, I know she's dead. | 0:43:31 | 0:43:32 | |
Please stop saying that. | 0:43:32 | 0:43:34 | |
Her heart pinked up nicely, they're warming her up now. | 0:43:44 | 0:43:47 | |
You salvaged the graft? | 0:43:47 | 0:43:49 | |
Yes, I put some extra sutures in. | 0:43:49 | 0:43:52 | |
She's going to be OK? | 0:43:52 | 0:43:54 | |
She's stable, she's doing well. | 0:43:54 | 0:43:56 | |
Can we see her? | 0:43:58 | 0:44:00 | |
As soon as she's back in recovery, she's all yours. | 0:44:00 | 0:44:03 | |
Thank you so much. | 0:44:03 | 0:44:04 | |
Yes. | 0:44:22 | 0:44:23 | |
This feels just like waiting the other week. | 0:44:23 | 0:44:25 | |
And they say lightning never strikes twice. | 0:44:25 | 0:44:27 | |
That's a myth, actually. | 0:44:27 | 0:44:28 | |
Lightning strikes the earth around 6,000 times a minute. | 0:44:28 | 0:44:31 | |
So, it could be ten minutes or longer than a million years, | 0:44:31 | 0:44:33 | |
but eventually... | 0:44:33 | 0:44:35 | |
Y... | 0:44:35 | 0:44:36 | |
Sorry, I'm a bit of a storm-chaser. | 0:44:38 | 0:44:42 | |
PHONE RINGS | 0:44:42 | 0:44:44 | |
Hello, Jac. | 0:44:46 | 0:44:47 | |
Who's Jac? | 0:44:48 | 0:44:50 | |
Jac Naylor, she's a heart surgeon. | 0:44:50 | 0:44:52 | |
OK, right. | 0:44:52 | 0:44:54 | |
Yeah, you too. | 0:44:54 | 0:44:57 | |
It went well. | 0:44:57 | 0:44:58 | |
A long way to go, but she's back in ITU and she's stable. | 0:45:00 | 0:45:03 | |
Right, time you lot headed off home. | 0:45:05 | 0:45:09 | |
Most of you have got to be back in here very soon. | 0:45:09 | 0:45:11 | |
Goodnight, Charlie. Goodnight. | 0:45:11 | 0:45:13 | |
Goodnight. | 0:45:13 | 0:45:15 | |
Goodnight, Charlie. | 0:45:15 | 0:45:16 | |
Night-night, David. Night. | 0:45:21 | 0:45:24 | |
Night, Dave. | 0:45:24 | 0:45:26 | |
Hi, Rosa... | 0:45:29 | 0:45:31 | |
it's me... | 0:45:31 | 0:45:33 | |
David. | 0:45:33 | 0:45:34 | |
Your ex, David. | 0:45:34 | 0:45:36 | |
Could you call me back, please? | 0:45:37 | 0:45:40 | |
Thanks. | 0:45:41 | 0:45:43 | |
Come on then, old man, time for you to hit the hay. | 0:45:43 | 0:45:46 | |
No, pointless me going home, I won't sleep. | 0:45:46 | 0:45:49 | |
Oh, you're not seriously going to pull another all-nighter? | 0:45:49 | 0:45:53 | |
Yeah, it looks that way. | 0:45:53 | 0:45:54 | |
OK. | 0:45:54 | 0:45:56 | |
Come on then, I always wanted a couple of houses on Edwalton. | 0:45:56 | 0:45:59 | |
You serious? Yeah, absolutely. | 0:45:59 | 0:46:02 | |
Have you got stuff you've always wanted to do? | 0:46:05 | 0:46:08 | |
What do you mean? Like a bucket list? | 0:46:08 | 0:46:10 | |
Yeah, I guess. | 0:46:10 | 0:46:11 | |
I hadn't thought about it. | 0:46:12 | 0:46:14 | |
Really? | 0:46:14 | 0:46:15 | |
I've had a vision board since I was a kid with pictures | 0:46:15 | 0:46:18 | |
of places I wanted to go and things I wanted to do. | 0:46:18 | 0:46:22 | |
Well, show me, then. | 0:46:22 | 0:46:24 | |
Maybe we can tick a few things off together. | 0:46:24 | 0:46:26 | |
Like Euro Disney? | 0:46:26 | 0:46:28 | |
I've always wanted to go to Euro Disney. | 0:46:29 | 0:46:32 | |
Is your name Ariel? | 0:46:32 | 0:46:34 | |
Because we mermaid for each other. | 0:46:34 | 0:46:36 | |
That's terrible. | 0:46:36 | 0:46:39 | |
Do you really think you'd be up for it? | 0:46:39 | 0:46:41 | |
Are you kidding? Let's go pack now. | 0:46:41 | 0:46:43 | |
THEY SQUEAL EXCITEDLY | 0:46:43 | 0:46:45 | |
You've got to fight now, Grace, OK? | 0:46:50 | 0:46:53 | |
You've got to fight as hard as you can, | 0:46:53 | 0:46:57 | |
because we're all here, waiting for you - | 0:46:57 | 0:47:01 | |
me, Daddy, Jacob and um... | 0:47:01 | 0:47:05 | |
..this little guy, look. | 0:47:09 | 0:47:10 | |
I've called him Sid. | 0:47:13 | 0:47:15 | |
You know I'm not very good at names, | 0:47:15 | 0:47:18 | |
but he's going to need a lot of love... | 0:47:18 | 0:47:22 | |
so you've got to get better. | 0:47:22 | 0:47:24 | |
You've got to get better and come home. | 0:47:28 | 0:47:30 | |
BEEPING | 0:48:16 | 0:48:17 | |
What exactly happened? No idea. | 0:48:17 | 0:48:19 | |
How are we supposed to treat him when we don't know what's wrong? | 0:48:19 | 0:48:23 | |
If something happens to me... I'd love it if you took the kids. | 0:48:23 | 0:48:25 | |
BEEPING Dad...! Anyone! | 0:48:25 | 0:48:27 | |
His throat's swelling. Fletch, you've got to help me... | 0:48:27 | 0:48:30 | |
Don't miss Holby City, | 0:48:30 | 0:48:32 | |
next Tuesday at 8:00 on BBC One. | 0:48:32 | 0:48:35 |