Browse content similar to Schoolboy Crush. Check below for episodes and series from the same categories and more!
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I was just thinking about Ollie. | 0:00:03 | 0:00:04 | |
It's a shame you can't just pick up the phone to him. | 0:00:04 | 0:00:06 | |
I know I'm her type. 20 says you're not. | 0:00:06 | 0:00:08 | |
A fool and his money are easily parted. | 0:00:08 | 0:00:11 | |
How are you feeling? | 0:00:11 | 0:00:12 | |
A bit more human, thanks to you. Yeah. | 0:00:12 | 0:00:16 | |
SHE GRUNTS | 0:00:19 | 0:00:21 | |
SHE VOMITS Oh, no, gosh. | 0:00:21 | 0:00:23 | |
It's me. Your dad. | 0:00:23 | 0:00:26 | |
JEZ CHUCKLES | 0:01:06 | 0:01:09 | |
Argh! What are you doing? | 0:01:09 | 0:01:12 | |
Er, what are YOU doing? | 0:01:12 | 0:01:15 | |
How's Alicia? | 0:01:18 | 0:01:19 | |
Explain. | 0:01:26 | 0:01:27 | |
I'm avoiding Ethan. | 0:01:28 | 0:01:29 | |
Why, because you look so rough? | 0:01:29 | 0:01:31 | |
No, but thanks for that. | 0:01:31 | 0:01:33 | |
Basically, he came back to mine last night, right? | 0:01:34 | 0:01:36 | |
And we were about to kiss, and I puked on his shoes. | 0:01:36 | 0:01:41 | |
How drunk were you? I was nervous! Right. | 0:01:41 | 0:01:44 | |
So, I snuck out, I left him on the sofa, and now | 0:01:44 | 0:01:46 | |
well, I can't face him, can I? DAVID SINGS SOFTLY | 0:01:46 | 0:01:48 | |
Definitely not, because now you're the girl whose puke wound up | 0:01:48 | 0:01:51 | |
between his toes, forever more. Are you kidding me? | 0:01:51 | 0:01:54 | |
DAVID CHUCKLES Not a fan of my singing, eh? | 0:01:54 | 0:01:57 | |
Don't give up your day job. | 0:01:57 | 0:01:59 | |
Or do, and then I won't have to listen to you. | 0:01:59 | 0:02:02 | |
I've been meaning to ask you, actually, what's with the bum bag? | 0:02:02 | 0:02:05 | |
Very '80s. | 0:02:05 | 0:02:07 | |
This? It's where I keep my gun. | 0:02:07 | 0:02:10 | |
You are very strange. | 0:02:12 | 0:02:14 | |
SINGING RESUMES | 0:02:16 | 0:02:18 | |
Ethan's coming! ALICIA GASPS | 0:02:19 | 0:02:21 | |
Ugh! You are the worst! DAVID CHUCKLES, CONTINUES SINGING | 0:02:21 | 0:02:27 | |
What's this? | 0:02:38 | 0:02:40 | |
Mum, give it back. | 0:02:40 | 0:02:42 | |
You've been texting your dad? | 0:02:42 | 0:02:43 | |
Give it back! | 0:02:43 | 0:02:45 | |
No. You can't be trusted with it. | 0:02:45 | 0:02:47 | |
You're a cow. | 0:02:47 | 0:02:49 | |
OK. | 0:02:50 | 0:02:52 | |
No, you can't do that. I hate you! | 0:02:53 | 0:02:56 | |
MUM! | 0:03:01 | 0:03:04 | |
MUSIC PLAYS ON RADIO | 0:03:06 | 0:03:11 | |
Is it still OK that we knock off early? | 0:03:29 | 0:03:31 | |
Er... Of course it is. | 0:03:31 | 0:03:33 | |
I'll try not to burn the place down. | 0:03:33 | 0:03:36 | |
Well, that would be good. Although... | 0:03:36 | 0:03:39 | |
Alicia, we need a word. All these gentlemen callers. | 0:03:43 | 0:03:47 | |
Dipping your pen in the company ink, eh? | 0:03:47 | 0:03:49 | |
Yeah, as if. He slept on the sofa. | 0:03:49 | 0:03:51 | |
Right, better crack on. | 0:03:55 | 0:03:57 | |
Oliver, I said dinner. | 0:04:07 | 0:04:08 | |
WHISPERS: I'm going to kill him. | 0:04:12 | 0:04:14 | |
Oliver? | 0:04:15 | 0:04:17 | |
What have you done? | 0:04:24 | 0:04:25 | |
You in the business of abducting old women, are you? | 0:04:37 | 0:04:40 | |
You interfering plonks. | 0:04:40 | 0:04:41 | |
Hello there, I'm Dr Hardy. | 0:04:41 | 0:04:43 | |
"Hello there", you speccy berk. | 0:04:43 | 0:04:45 | |
This is Ms Sheila Bobbins, we think about eighty years old? | 0:04:45 | 0:04:49 | |
Never you mind how old I am! | 0:04:49 | 0:04:51 | |
She took a fall in the supermarket, possible fractured right wrist, her | 0:04:51 | 0:04:55 | |
eye also appears to be infected, but she refused to let me take any obs. | 0:04:55 | 0:04:59 | |
Me eyes went blurry, and I tripped, that's it. Capiche? | 0:04:59 | 0:05:02 | |
But while I'm here, you may as well give Little Sheila an MOT. | 0:05:03 | 0:05:07 | |
She's been out of sorts for weeks. | 0:05:07 | 0:05:09 | |
LITTLE Sheila? | 0:05:09 | 0:05:10 | |
Yeah, you deaf? | 0:05:10 | 0:05:12 | |
I'll see you later, Alicia, OK? | 0:05:12 | 0:05:14 | |
Ooh, that's a cat that's also called Sheila? | 0:05:17 | 0:05:23 | |
Yeah, and? | 0:05:23 | 0:05:24 | |
No, no, I'm not sure we can have a cat in here. | 0:05:24 | 0:05:27 | |
She's got just as much right to be here as you have. | 0:05:27 | 0:05:29 | |
I'm sorry, Ms Bobbins, we can't risk fleas in a hospital. | 0:05:29 | 0:05:33 | |
Why don't we tie her up outside? | 0:05:33 | 0:05:34 | |
I can have a look at you and then I'll put you in touch with a vet. | 0:05:34 | 0:05:37 | |
Does that sound OK? | 0:05:37 | 0:05:39 | |
Fine, but you ain't taking her nowhere, I'll take her. | 0:05:39 | 0:05:44 | |
PHONE RINGS Sorry. | 0:05:45 | 0:05:48 | |
Rosa? | 0:05:51 | 0:05:53 | |
You pay them no mind. | 0:05:53 | 0:05:56 | |
Sit. Good girl. | 0:06:02 | 0:06:04 | |
Rosa, it's OK. Calm down. I'll find him, I promise. | 0:06:11 | 0:06:14 | |
Hey, look where you're going! You could have killed me! | 0:06:17 | 0:06:20 | |
Hey, Dad. | 0:06:23 | 0:06:24 | |
Ollie! | 0:06:25 | 0:06:27 | |
It was a lunch-time thing, anyway. | 0:06:39 | 0:06:41 | |
So, most of them will be gone by now. | 0:06:41 | 0:06:44 | |
Or they'll be drunk. It'll be grand. | 0:06:44 | 0:06:46 | |
Me, you, some good tunes, what else do we need? | 0:06:46 | 0:06:48 | |
Yeah, come on. | 0:06:48 | 0:06:50 | |
White wine? | 0:06:54 | 0:06:55 | |
Thank you. | 0:06:59 | 0:07:00 | |
Sorry, do you know if he's here? | 0:07:03 | 0:07:06 | |
Allan Francis? Oh, yes. Come on, it's my song! | 0:07:06 | 0:07:09 | |
Do you know what? It's just hit me - we're all old. | 0:07:11 | 0:07:17 | |
Speak for yourself. Although my name's going to change | 0:07:17 | 0:07:20 | |
to Granny soon. Or Nana, maybe. Yeah! Peter's just broken the news. | 0:07:20 | 0:07:25 | |
Oh, check out the hair dos! | 0:07:26 | 0:07:29 | |
So, come on, then, who were the movers and the shakers? | 0:07:29 | 0:07:31 | |
Who was hot, who was not. | 0:07:31 | 0:07:33 | |
Well, I certainly wasn't a shaker, I can tell you that. | 0:07:33 | 0:07:35 | |
I was starting to think you weren't coming. | 0:07:35 | 0:07:38 | |
Gloria. | 0:07:40 | 0:07:41 | |
How are you? | 0:07:44 | 0:07:45 | |
Ignore him. He very was popular. | 0:07:45 | 0:07:48 | |
Er, no, that was you. | 0:07:48 | 0:07:49 | |
Well, you were very popular with me. | 0:07:50 | 0:07:52 | |
Sorry, Gloria. Duffy, this is Gloria. | 0:07:54 | 0:07:58 | |
Hello. Hi. | 0:07:58 | 0:08:00 | |
So, how have you been? | 0:08:00 | 0:08:01 | |
If you can condense 50 years in five minutes. | 0:08:02 | 0:08:05 | |
Great, on the whole. | 0:08:05 | 0:08:06 | |
I work in property, have my own business, which is stressful, | 0:08:06 | 0:08:10 | |
rewarding, you know. And you? | 0:08:10 | 0:08:14 | |
A nurse. Of course. | 0:08:14 | 0:08:16 | |
A very good one, in fact. | 0:08:16 | 0:08:18 | |
Of course. Are you two..? | 0:08:18 | 0:08:22 | |
Friends. Are you here with anyone? | 0:08:22 | 0:08:25 | |
Actually, there was one oaf from school I was expecting to see. | 0:08:26 | 0:08:29 | |
He used to bully me like crazy. It's a relief. | 0:08:29 | 0:08:32 | |
All right, Florence? My missus chewing your ear off, is she? | 0:08:36 | 0:08:40 | |
Hello, Allan. | 0:08:43 | 0:08:44 | |
Dream on, will you? Alicia, I got you a coffee. | 0:08:46 | 0:08:50 | |
Two sugars, yeah? | 0:08:50 | 0:08:52 | |
Why are you being so nice? | 0:08:52 | 0:08:53 | |
I was just buying a coffee and you were on my mind. | 0:08:53 | 0:08:57 | |
Thanks. | 0:08:57 | 0:08:58 | |
You've taken on the master. | 0:09:00 | 0:09:02 | |
I think Alicia's a little clever for you. | 0:09:02 | 0:09:04 | |
Hey, what was that about Alicia, you two? | 0:09:04 | 0:09:07 | |
Oh, come on! | 0:09:07 | 0:09:10 | |
Is this a uni house, or a hospital? Sort it out! | 0:09:10 | 0:09:13 | |
Come on, you! | 0:09:14 | 0:09:15 | |
Well, you know what they say - those who can become a doctor, | 0:09:18 | 0:09:23 | |
and those who can't become a nurse. | 0:09:23 | 0:09:26 | |
HE LAUGHS | 0:09:26 | 0:09:29 | |
Ah, come on, Florence. I'm only messing. | 0:09:29 | 0:09:32 | |
Remember when I got you drunk? It's a good one, this. | 0:09:33 | 0:09:39 | |
I made him do shots of Cinzano out my dad's cupboard. | 0:09:41 | 0:09:45 | |
Him clueless, because I'm drinking water. | 0:09:46 | 0:09:50 | |
Puked his guts up. | 0:09:51 | 0:09:53 | |
You had alcoholic poisoning! | 0:09:54 | 0:09:56 | |
Oh, we had a laugh. CHUCKLES | 0:10:01 | 0:10:02 | |
Well, we'd better mingle. | 0:10:10 | 0:10:12 | |
It's been really great catching up. | 0:10:15 | 0:10:17 | |
Really. | 0:10:19 | 0:10:20 | |
Nice to meet you. | 0:10:22 | 0:10:24 | |
See you in a bit. Ta-ra. | 0:10:24 | 0:10:26 | |
What is she doing with that idiot? | 0:10:33 | 0:10:36 | |
Obviously, she loves him. | 0:10:36 | 0:10:37 | |
So, how long have you had Little Sheila? | 0:10:42 | 0:10:44 | |
How long you had that face? | 0:10:44 | 0:10:47 | |
All me life, as it goes. | 0:10:47 | 0:10:48 | |
You will need a sling on that. Don't you manhandle me! | 0:10:50 | 0:10:53 | |
Are those cat scratches? They look infected. | 0:10:56 | 0:10:58 | |
Yeah. They must be very sore. | 0:11:00 | 0:11:02 | |
Ms Bobbins, I've been looking over your file here. | 0:11:05 | 0:11:08 | |
You've missed a few appointments at the falls clinic, | 0:11:08 | 0:11:11 | |
and there's also been some referrals to social care. | 0:11:11 | 0:11:14 | |
How are you getting on at home? | 0:11:14 | 0:11:16 | |
If you're asking, "Can I still wipe meself?" then yes, I can, | 0:11:16 | 0:11:20 | |
thank you very much. | 0:11:20 | 0:11:22 | |
Do you know what toxoplasmosis is? | 0:11:22 | 0:11:24 | |
What do you think? | 0:11:24 | 0:11:26 | |
It's an infection that can be caused by ingesting cat faeces. | 0:11:26 | 0:11:29 | |
Are you tapped in the head, son? | 0:11:31 | 0:11:32 | |
You asking if I eat Little Sheila's muck? | 0:11:32 | 0:11:36 | |
Oh, no. No, of course not. | 0:11:36 | 0:11:38 | |
But, if Little Sheila scratched you and there were traces of | 0:11:38 | 0:11:43 | |
faeces on her claws, that actually would be enough. | 0:11:43 | 0:11:46 | |
Are you sure you're OK at home? | 0:11:48 | 0:11:51 | |
I said so, didn't I? | 0:11:51 | 0:11:53 | |
There are options for help, you know. | 0:11:53 | 0:11:55 | |
There are some great residential homes. | 0:11:55 | 0:11:58 | |
We could get one of our discharge team to chat with you. | 0:11:58 | 0:12:00 | |
Homes don't take cats, it's a no. | 0:12:00 | 0:12:02 | |
And I don't like repeating meself. | 0:12:02 | 0:12:05 | |
OK, that's no problem. I'm going to go and see about these X-rays. | 0:12:05 | 0:12:09 | |
Doctor Munroe, you OK to chase up bloods? | 0:12:09 | 0:12:11 | |
Sure. Won't be long. | 0:12:11 | 0:12:13 | |
Hey there. Are you OK? | 0:12:25 | 0:12:27 | |
Jacob! Jacob, this is my son. Oliver. | 0:12:27 | 0:12:29 | |
Hey, no way! How you doing, old man? You all right? | 0:12:29 | 0:12:34 | |
Oliver. Come on, we're going home. No, I'm staying with dad. | 0:12:34 | 0:12:38 | |
I don't want to hear it. Get up! Oliver, get up. | 0:12:38 | 0:12:40 | |
Hold on, maybe we take this in the Relatives' Room? I hate her! | 0:12:40 | 0:12:42 | |
Don't say that. Just stay away from him. | 0:12:42 | 0:12:44 | |
Please, can we just keep this down? Get up. | 0:12:44 | 0:12:46 | |
I want to live with you. Please, can I? | 0:12:46 | 0:12:48 | |
No, you can't. | 0:12:48 | 0:12:50 | |
Because, in case you've forgotten, your father kidnapped you, | 0:12:50 | 0:12:53 | |
and ran off to Acapulco with a grubby little stripper, | 0:12:53 | 0:12:55 | |
remember that? Rosa! | 0:12:55 | 0:12:57 | |
Dad, please. | 0:12:57 | 0:12:58 | |
He's no dad. He's not even right in the head! | 0:12:58 | 0:13:01 | |
Stop talking. | 0:13:01 | 0:13:03 | |
This is my job. | 0:13:07 | 0:13:09 | |
Oliver. | 0:13:19 | 0:13:20 | |
Ols, you can't live with me. | 0:13:23 | 0:13:26 | |
Please, just do as your mother says. | 0:13:30 | 0:13:34 | |
Rosa, we need to talk. | 0:13:37 | 0:13:38 | |
I'll wait in the car. | 0:13:40 | 0:13:41 | |
Please? Just give me two minutes. | 0:13:52 | 0:13:56 | |
Is she for real? He kidnapped his own son? | 0:14:06 | 0:14:09 | |
I'm still in a state of shock. A granny? | 0:14:12 | 0:14:15 | |
Charlie, I'm so sorry. He thinks he's being funny, but.... | 0:14:17 | 0:14:20 | |
Yeah, comedy is not his forte, is it? | 0:14:20 | 0:14:23 | |
Here. Let's all take that table. Come on. | 0:14:23 | 0:14:27 | |
Sit down. Thanks. | 0:14:27 | 0:14:30 | |
I was just thinking about when you used to run the tuck shop. | 0:14:32 | 0:14:36 | |
Yes, and I used to give you free... | 0:14:36 | 0:14:39 | |
BOTH: Cola cubes. | 0:14:39 | 0:14:40 | |
What's this, VIP table? | 0:14:40 | 0:14:44 | |
Well, I'll be back in a minute. | 0:14:44 | 0:14:46 | |
You after my missus? | 0:14:46 | 0:14:48 | |
Oh, come on. Don't you think you've had enough? | 0:14:48 | 0:14:50 | |
Oh, that's coming from a drip like you, is it? | 0:14:50 | 0:14:52 | |
OK, that's enough. Come along, Allan. | 0:14:52 | 0:14:55 | |
Oi, watch it. | 0:14:55 | 0:14:56 | |
Allan, come on. Shut up. | 0:14:56 | 0:14:58 | |
Cha...! Come on. | 0:15:01 | 0:15:04 | |
Get lost! Come on, hit me again. | 0:15:04 | 0:15:07 | |
No, no, no, that's enough. Try it! That's enough from both of you. | 0:15:07 | 0:15:09 | |
Come on! Hit me! No! | 0:15:09 | 0:15:14 | |
All right, stand back, everyone, please. Just give him a bit of room. | 0:15:14 | 0:15:17 | |
OK, I'm going to call this in. | 0:15:17 | 0:15:19 | |
Just keep an eye on him. | 0:15:19 | 0:15:21 | |
All right, all right. There's an ambulance on the way. | 0:15:21 | 0:15:24 | |
Looks like you may have dislocated your shoulder. | 0:15:24 | 0:15:27 | |
Let me take a look. | 0:15:27 | 0:15:29 | |
Get lost. OK, yeah, ambulance. | 0:15:29 | 0:15:30 | |
A dislocated shoulder can be agony. | 0:15:30 | 0:15:33 | |
But, I can put it right for you, right now. | 0:15:33 | 0:15:36 | |
Let him help you, Allan. | 0:15:36 | 0:15:37 | |
On three. ALLAN YELLS IN PAIN | 0:15:41 | 0:15:44 | |
Well done, well done. All done. | 0:15:44 | 0:15:47 | |
Good girl. | 0:16:52 | 0:16:54 | |
That's it. Come here. Those brutes, prodding and poking. | 0:16:55 | 0:17:02 | |
ROCK MUSIC ON RADIO | 0:17:02 | 0:17:06 | |
Right, let's hit the bricks. | 0:17:10 | 0:17:13 | |
How long has he been like that? | 0:17:20 | 0:17:22 | |
Like what? | 0:17:23 | 0:17:25 | |
Like that. He's different. | 0:17:25 | 0:17:27 | |
You don't know him any more. | 0:17:30 | 0:17:32 | |
I don't know, a year? | 0:17:35 | 0:17:38 | |
Can I help? | 0:17:40 | 0:17:41 | |
No. | 0:17:48 | 0:17:49 | |
I need to go. | 0:17:54 | 0:17:55 | |
Don't ever do that again. | 0:17:58 | 0:18:00 | |
Don't go behind my back. | 0:18:02 | 0:18:04 | |
Can I just...? | 0:18:08 | 0:18:10 | |
Can I just say goodbye to him, please? | 0:18:15 | 0:18:17 | |
Yeah, sure. | 0:18:23 | 0:18:24 | |
ROCK MUSIC ON RADIO | 0:18:34 | 0:18:40 | |
OLLIE COUGHS | 0:18:40 | 0:18:42 | |
Oh, no. | 0:18:43 | 0:18:45 | |
Flip! There's a fire. | 0:18:48 | 0:18:51 | |
OLLIE COUGHS | 0:18:51 | 0:18:53 | |
There's a fire! | 0:18:53 | 0:18:55 | |
Oh, I can't undo it. | 0:18:56 | 0:19:01 | |
Oh, oh, help, help! | 0:19:01 | 0:19:04 | |
Help! | 0:19:04 | 0:19:05 | |
Help! Let me out! | 0:19:06 | 0:19:09 | |
I need a hug. It's a long story. | 0:19:09 | 0:19:10 | |
I'm missing a patient, the cat lady. | 0:19:10 | 0:19:13 | |
Max! Max, there's a fire. | 0:19:15 | 0:19:17 | |
Quick, call 999! | 0:19:17 | 0:19:18 | |
Quick, call 999! | 0:19:18 | 0:19:19 | |
- Oliver. Oliver! | 0:19:19 | 0:19:21 | |
David, he's in there! | 0:19:21 | 0:19:23 | |
Ollie! David, stay back! | 0:19:23 | 0:19:25 | |
Ollie! | 0:19:25 | 0:19:26 | |
Get back! | 0:19:28 | 0:19:29 | |
Daddy's coming, Ollie! | 0:19:29 | 0:19:30 | |
Ollie! Ollie get over! Get over! | 0:19:34 | 0:19:38 | |
I'm coming. | 0:19:44 | 0:19:46 | |
Ollie, that's it, come on. | 0:19:51 | 0:19:55 | |
Come on, he's all right. Is he OK? | 0:19:58 | 0:20:00 | |
He's all right, he's breathing. | 0:20:00 | 0:20:02 | |
Are you all right? Yeah, I'm OK. I'm OK. | 0:20:02 | 0:20:06 | |
Everybody, get back. | 0:20:06 | 0:20:07 | |
Get back. Everybody, back! | 0:20:07 | 0:20:09 | |
Hi, he's over here. Allan Francis, 65. | 0:20:18 | 0:20:21 | |
Took a tumble before landing on glass. He's dislocated his shoulder. | 0:20:21 | 0:20:25 | |
This the OAPs' disco, is it? | 0:20:25 | 0:20:27 | |
Oi! Watch it, or you'll go over my knee. | 0:20:27 | 0:20:30 | |
All right, Allan? I'm Jez. How you doing? | 0:20:30 | 0:20:33 | |
Hiya, Jez, what do you think of this? This is my old school. | 0:20:33 | 0:20:37 | |
Had a few drinks, have you, mate? | 0:20:37 | 0:20:38 | |
Yes, this mob. They're terrible. I've reduced the shoulder. | 0:20:38 | 0:20:42 | |
He could do with pain relief, | 0:20:42 | 0:20:44 | |
and we'll be coming with you at his wife's request. | 0:20:44 | 0:20:46 | |
Can we get out of here, now? | 0:20:46 | 0:20:48 | |
MUSIC: You Really Got Me by The Kinks | 0:20:48 | 0:20:49 | |
OK, then, mate, if you just get up with me very slowly. OK. | 0:20:49 | 0:20:53 | |
We'll meet you there. | 0:20:54 | 0:20:56 | |
OK, I'll see you soon. | 0:20:56 | 0:20:58 | |
# Girl, you really got me now, you really got me going | 0:20:58 | 0:21:02 | |
# you got me so I don't know what I'm doing... # | 0:21:02 | 0:21:04 | |
Will you come on? # Oh, yeah! Oh, yeah! # | 0:21:04 | 0:21:09 | |
This is Sheila Bobbins, one of my patients. About 80 years old. | 0:21:09 | 0:21:12 | |
She came in earlier with a fractured wrist. | 0:21:12 | 0:21:14 | |
Let's get her boarded and into Resus, please. | 0:21:14 | 0:21:16 | |
Hello, Sheila. I'm David. You're in good hands, all right? | 0:21:16 | 0:21:19 | |
We need to stem that bleed. Yeah, I'm on it. | 0:21:19 | 0:21:21 | |
Can somebody grab this cat, please? | 0:21:21 | 0:21:23 | |
David, where do you need me? My son. | 0:21:23 | 0:21:25 | |
OK, I've got him, don't worry. You don't say anything. | 0:21:25 | 0:21:28 | |
Have you seen outside? Difficult to miss. What have we got? | 0:21:33 | 0:21:36 | |
This is Allan Francis, 65 years old. | 0:21:36 | 0:21:38 | |
He was involved in a brawl at a party with Charlie Fairhead. | 0:21:38 | 0:21:44 | |
No loss of consciousness, but he's a little ethanolic. | 0:21:44 | 0:21:47 | |
GCS 15, BP 150/85, pulse 85, resps 18. | 0:21:47 | 0:21:53 | |
Oh, and a dislocated shoulder which was reduced by | 0:21:53 | 0:21:56 | |
the one and only Charlie Fairhead. | 0:21:56 | 0:21:58 | |
He was brilliant. Our hero, eh? | 0:21:58 | 0:22:00 | |
OK, we need two times IV access. | 0:22:02 | 0:22:04 | |
Let's send bloods and cross-match four units, please? | 0:22:04 | 0:22:07 | |
OK, on my count, please, nice and gently. One, two, three. | 0:22:07 | 0:22:11 | |
Can we get some analgesia in quickly, please? | 0:22:14 | 0:22:17 | |
It's all right, Sheila. | 0:22:17 | 0:22:19 | |
Can I get an X-ray over here? | 0:22:19 | 0:22:20 | |
Some deep and partial thickness burns. | 0:22:20 | 0:22:21 | |
Can we get those charted, please? | 0:22:21 | 0:22:23 | |
She's tachycardic. | 0:22:23 | 0:22:25 | |
All right, er... She's losing too much blood. | 0:22:25 | 0:22:27 | |
There's no time to wait for the cross-match. | 0:22:27 | 0:22:29 | |
Let's get some O-neg in now, please. | 0:22:29 | 0:22:31 | |
Don't do that, woman! It hurts! | 0:22:31 | 0:22:33 | |
Sir, if it's too painful to take it off, why don't we just cut it off? | 0:22:33 | 0:22:36 | |
Duffy? No, you won't, this cost a fortune. | 0:22:36 | 0:22:38 | |
Just let them help you, Al. | 0:22:38 | 0:22:39 | |
Get out if you don't like it. | 0:22:39 | 0:22:41 | |
Do you want to come...? | 0:22:41 | 0:22:43 | |
Are you all right? | 0:22:44 | 0:22:46 | |
I don't know. | 0:22:46 | 0:22:48 | |
It's never too late to make a change. You're not stuck. | 0:22:48 | 0:22:52 | |
SHEILA MOANS IN PAIN | 0:22:56 | 0:22:58 | |
OK, can I get the other side of the binder, please? | 0:22:58 | 0:23:02 | |
How's the scalp lac? | 0:23:02 | 0:23:04 | |
I'm trying. | 0:23:04 | 0:23:05 | |
OK, well done, Sheila, you're doing really well. | 0:23:06 | 0:23:09 | |
Please, make it stop. | 0:23:09 | 0:23:12 | |
We will, I promise. | 0:23:12 | 0:23:13 | |
David? Got it. | 0:23:15 | 0:23:16 | |
David? Got it. | 0:23:17 | 0:23:17 | |
Heart rate slowing. | 0:23:19 | 0:23:21 | |
We've got her. OK, good. | 0:23:21 | 0:23:23 | |
Let's get her down to CT as soon as poss, please. | 0:23:23 | 0:23:25 | |
David, go and be with your son. | 0:23:25 | 0:23:27 | |
Did you hear? He kidnapped his son. | 0:23:33 | 0:23:35 | |
OK, X-ray shows nothing's broken, | 0:23:38 | 0:23:41 | |
but you've got some glass lodged in your back. | 0:23:41 | 0:23:44 | |
Will it scar? | 0:23:44 | 0:23:45 | |
Probably. Nothing major, though. | 0:23:45 | 0:23:47 | |
I'd be worrying less about the scars, | 0:23:47 | 0:23:49 | |
and more about type 2 diabetes. At your age... | 0:23:49 | 0:23:52 | |
You sound like her now. She's al... | 0:23:52 | 0:23:54 | |
Oh, my arm feels weird. | 0:23:56 | 0:23:57 | |
It might be the dislocation. | 0:23:57 | 0:24:00 | |
My leg! What's happening? | 0:24:00 | 0:24:02 | |
Allan, can you squeeze my hands? | 0:24:02 | 0:24:04 | |
Duffy? | 0:24:04 | 0:24:05 | |
Allan, squeeze my hands. | 0:24:05 | 0:24:07 | |
ALLAN MOANS INCOHERENTLY Elle. Elle, in here, | 0:24:10 | 0:24:12 | |
Looks like he's having a stroke. A stroke? Is he OK? | 0:24:12 | 0:24:16 | |
Allan, can you follow my finger for me? | 0:24:16 | 0:24:18 | |
Duffy... It's OK, Gloria. We've got this. | 0:24:18 | 0:24:20 | |
Can you wait outside? | 0:24:20 | 0:24:21 | |
Allan, smile for me. Really big smile. | 0:24:21 | 0:24:24 | |
OK, let's get a CT immediately. OK. | 0:24:25 | 0:24:27 | |
What's happened? Hang on, Charlie. Porter, please. | 0:24:29 | 0:24:31 | |
That was crazy, right? Did you see what started the fire? | 0:24:38 | 0:24:41 | |
I don't know. | 0:24:43 | 0:24:44 | |
We won't be driving that car home. That's for sure. | 0:24:44 | 0:24:48 | |
Well, he looks all good to me. | 0:24:48 | 0:24:50 | |
I'll just call one of the doctors, | 0:24:50 | 0:24:52 | |
see if he wants to take any bloods, but I'm not worried. | 0:24:52 | 0:24:54 | |
CT shows no haemorrhage. Thank you. Clinically, it's a stroke. | 0:24:54 | 0:24:59 | |
I think our best option is thrombolysis. | 0:25:00 | 0:25:03 | |
That's the injection I told you about, Allan. | 0:25:03 | 0:25:05 | |
It disperses blood clots. Thank you. | 0:25:05 | 0:25:08 | |
It can help minimise the lasting damage. | 0:25:10 | 0:25:13 | |
Let's do it. | 0:25:13 | 0:25:15 | |
Gloria, this is a big decision. | 0:25:15 | 0:25:17 | |
The success rate is only about one in seven. | 0:25:17 | 0:25:20 | |
Plus, there's a real risk of bleeding to the brain. | 0:25:20 | 0:25:22 | |
That does happen in about 7% of cases. | 0:25:22 | 0:25:25 | |
But, in other cases, it really helps. | 0:25:26 | 0:25:28 | |
Do it. | 0:25:34 | 0:25:35 | |
How is she? | 0:25:47 | 0:25:49 | |
She's gone down to CT. | 0:25:49 | 0:25:50 | |
Did you hear that? | 0:25:53 | 0:25:55 | |
You've hurt someone. Does that even register with you? | 0:25:55 | 0:25:58 | |
Well, hang on, we don't know how the fire started. | 0:25:58 | 0:26:00 | |
Don't we? | 0:26:00 | 0:26:01 | |
Oliver? | 0:26:03 | 0:26:05 | |
Yeah, so? | 0:26:05 | 0:26:06 | |
I didn't know the car was going to blow up, did I? | 0:26:06 | 0:26:09 | |
Where are you going? | 0:26:10 | 0:26:11 | |
I need the toilet! | 0:26:11 | 0:26:13 | |
Wait a minute - are you saying he did that on purpose? | 0:26:13 | 0:26:17 | |
He knew he was starting a fire. | 0:26:17 | 0:26:20 | |
Whether he knew he was going to hurt someone... | 0:26:20 | 0:26:22 | |
Honestly? I don't know. | 0:26:22 | 0:26:24 | |
Rosa, we have got to tell the police. No. | 0:26:24 | 0:26:26 | |
Trust me, it's worse if we lie. | 0:26:26 | 0:26:28 | |
We'll tell them he's just a little kid. | 0:26:28 | 0:26:29 | |
It's not the first fire. He's got a record. | 0:26:29 | 0:26:32 | |
He could get arson with intent. If that woman dies... | 0:26:32 | 0:26:36 | |
I've got PC Lewin here. | 0:26:36 | 0:26:37 | |
Hiya. Becky. Becky's fine. | 0:26:37 | 0:26:39 | |
These are Oliver's parents, Rosa and David. | 0:26:39 | 0:26:42 | |
Do they know what started the fire? | 0:26:45 | 0:26:47 | |
Ruptured fuel tank is their best bet. | 0:26:47 | 0:26:49 | |
Makes sense. I pranged it earlier, I thought it was fine. | 0:26:50 | 0:26:53 | |
God, I feel awful. | 0:26:54 | 0:26:56 | |
As to what ignited it, any ideas? | 0:26:56 | 0:26:58 | |
David? | 0:27:00 | 0:27:03 | |
A lot of people smoke out there. | 0:27:03 | 0:27:05 | |
Right. | 0:27:05 | 0:27:07 | |
Rosa, do you mind if I just take a quick statement? | 0:27:07 | 0:27:10 | |
The car was in your name, right? | 0:27:10 | 0:27:12 | |
Oh, yeah, sure. Will you wait for Ollie? | 0:27:12 | 0:27:15 | |
How you feeling, Allan? Thirsty. | 0:27:22 | 0:27:24 | |
Say that again? | 0:27:26 | 0:27:27 | |
I said, I'm thirsty. | 0:27:27 | 0:27:28 | |
What about your arms? Squeeze my fingers for me. | 0:27:30 | 0:27:33 | |
It's better. | 0:27:35 | 0:27:36 | |
Smile for me. | 0:27:36 | 0:27:38 | |
Why? Indulge me. | 0:27:38 | 0:27:40 | |
Your symptoms are clearing up. | 0:27:42 | 0:27:44 | |
The thrombolysis is working. | 0:27:44 | 0:27:46 | |
So he's all right? | 0:27:46 | 0:27:48 | |
He'll need to be admitted under the stroke team, | 0:27:48 | 0:27:50 | |
a repeat CT and a few more tests, but... | 0:27:50 | 0:27:53 | |
But I'm OK? | 0:27:53 | 0:27:54 | |
Hopefully. Call this a warning shot, though. | 0:27:54 | 0:27:57 | |
Hey! Paeds have given you the all clear. How are you feeling? | 0:28:03 | 0:28:08 | |
Why? What do you care? | 0:28:08 | 0:28:10 | |
Of course I care. | 0:28:11 | 0:28:12 | |
Why'd you do it, Ols? | 0:28:16 | 0:28:19 | |
Hey? Why fire? | 0:28:19 | 0:28:20 | |
Just like it. | 0:28:22 | 0:28:23 | |
You hungry? | 0:28:25 | 0:28:26 | |
How's school? | 0:28:28 | 0:28:29 | |
You getting on all right? Got any friends? | 0:28:31 | 0:28:35 | |
Yeah. Tommy. | 0:28:35 | 0:28:37 | |
Tommy? | 0:28:37 | 0:28:39 | |
Great. | 0:28:39 | 0:28:41 | |
And is Tommy... | 0:28:41 | 0:28:43 | |
..here now? | 0:28:45 | 0:28:46 | |
Er, no, he's at his mum's house. | 0:28:47 | 0:28:50 | |
If she dies, am I a...murderer? | 0:28:55 | 0:28:59 | |
How would that make you feel? | 0:29:01 | 0:29:03 | |
Sad. | 0:29:03 | 0:29:04 | |
Yeah. | 0:29:05 | 0:29:07 | |
Do you ever hear voices, Ols? | 0:29:10 | 0:29:12 | |
Do you know what I mean? | 0:29:12 | 0:29:14 | |
Maybe a voice telling you to start fires? | 0:29:14 | 0:29:17 | |
What are you doing? | 0:29:17 | 0:29:18 | |
Oh, er, nothing. Nothing, just chatting. | 0:29:18 | 0:29:23 | |
No, you're not. | 0:29:23 | 0:29:24 | |
You're giving him a psych test. | 0:29:24 | 0:29:26 | |
Why don't I take Ollie? | 0:29:26 | 0:29:27 | |
No, come on. What's the verdict? | 0:29:27 | 0:29:30 | |
Have you lumbered me with your mental son? | 0:29:30 | 0:29:32 | |
That's enough! | 0:29:32 | 0:29:34 | |
Ollie? Ollie, wait! | 0:29:34 | 0:29:36 | |
He's a little boy. | 0:29:39 | 0:29:40 | |
I heard the news. | 0:30:26 | 0:30:27 | |
What a relief. | 0:30:30 | 0:30:31 | |
I owe you an apology. | 0:30:33 | 0:30:35 | |
Nah, it was me. I shouldn't have started it. | 0:30:36 | 0:30:42 | |
No, I was way out of line. | 0:30:42 | 0:30:44 | |
If there's anything I can do, anything at all. | 0:30:48 | 0:30:50 | |
I'll leave you to it. | 0:30:54 | 0:30:56 | |
I'll make it up to you, Glor. I will. | 0:31:02 | 0:31:04 | |
I'll book us an holiday in the Maldives, eh? | 0:31:07 | 0:31:10 | |
No. | 0:31:11 | 0:31:13 | |
Well, wherever, it don't matter. | 0:31:14 | 0:31:17 | |
Not the holiday. Us. | 0:31:19 | 0:31:23 | |
What? | 0:31:25 | 0:31:26 | |
We...need a divorce, Al. | 0:31:27 | 0:31:32 | |
What? Cos of one fight? | 0:31:35 | 0:31:37 | |
No, it's us. We don't work, Al. | 0:31:37 | 0:31:42 | |
We...We don't. | 0:31:42 | 0:31:44 | |
We do. We do! | 0:31:45 | 0:31:47 | |
You're my girl. | 0:31:47 | 0:31:48 | |
Come on, Glor. | 0:31:51 | 0:31:52 | |
When they said you had a stroke, I was really scared. | 0:31:54 | 0:31:59 | |
Not for your sake, but scared at the thought... | 0:32:01 | 0:32:07 | |
..I'd be stuck...with you. | 0:32:08 | 0:32:12 | |
Isn't that awful? | 0:32:17 | 0:32:18 | |
That's not love. | 0:32:21 | 0:32:22 | |
You deserve more. | 0:32:25 | 0:32:27 | |
I'll go to my sister. | 0:32:33 | 0:32:37 | |
Oliver! | 0:32:45 | 0:32:47 | |
Ollie? What are you doing up here? | 0:32:49 | 0:32:51 | |
Please, please just keep away from the edge. You might fall. | 0:32:51 | 0:32:55 | |
Please! Ollie talk to me. Talk to Daddy. | 0:32:55 | 0:32:58 | |
Mum thinks I'm mental. | 0:32:58 | 0:33:00 | |
No, no, no, she didn't mean that. And anyway, you're not. | 0:33:00 | 0:33:04 | |
People just have troubles, that's life. | 0:33:04 | 0:33:08 | |
Your brain gets noisy, and it's very, very hard. | 0:33:09 | 0:33:15 | |
But that's normal, and it always gets better. | 0:33:16 | 0:33:19 | |
You just need a little bit of help, that's all. | 0:33:19 | 0:33:21 | |
And it's nothing to be ashamed of. | 0:33:21 | 0:33:23 | |
You're ashamed. You don't talk about it. | 0:33:23 | 0:33:25 | |
Ollie. Ollie, look at me. Look at me. | 0:33:29 | 0:33:31 | |
You are going to be fine. WE are going to be fine. | 0:33:33 | 0:33:38 | |
And I promise you, I promise you it'll get better. | 0:33:40 | 0:33:44 | |
No, it won't. Yes, it... | 0:33:44 | 0:33:45 | |
OK, OK. I'll tell people, OK? | 0:33:48 | 0:33:52 | |
Does that make it better? | 0:33:53 | 0:33:55 | |
I've got bi-polar, but you know that, right? | 0:33:57 | 0:34:00 | |
Yep. | 0:34:00 | 0:34:02 | |
I've come off my meds, I've had breakdowns, big ones, I... | 0:34:02 | 0:34:05 | |
I've been sectioned, but that's OK, isn't it? | 0:34:05 | 0:34:08 | |
Yeah, it's OK. Absolutely. | 0:34:08 | 0:34:09 | |
You see, Ols, you see? It's OK, it's OK. | 0:34:09 | 0:34:13 | |
I've got bi-polar. | 0:34:18 | 0:34:19 | |
SHOUTS: I've got bi-polar. | 0:34:24 | 0:34:27 | |
Come on. Let's say it together. | 0:34:31 | 0:34:33 | |
Ready? Shout. | 0:34:37 | 0:34:38 | |
I'VE GOT BI-POLAR! HE'S GOT BI-POLAR! | 0:34:39 | 0:34:42 | |
See? Life can be fun. | 0:34:47 | 0:34:50 | |
My boy, my baby boy. I'm sorry. | 0:34:52 | 0:34:56 | |
I'm so sorry. | 0:34:56 | 0:34:57 | |
Where's Little Sheila? | 0:34:59 | 0:35:01 | |
She got away? | 0:35:03 | 0:35:05 | |
Promise me you're not lying? | 0:35:05 | 0:35:07 | |
I promise. | 0:35:07 | 0:35:08 | |
She's in my car, spreading her fleas around as we speak. | 0:35:08 | 0:35:11 | |
Ms Bobbins, I'm afraid you have fractured your pelvis. | 0:35:13 | 0:35:17 | |
OK? It is quite a serious injury. | 0:35:17 | 0:35:19 | |
The X-ray also showed us some old fractures that have gone untreated. | 0:35:21 | 0:35:25 | |
What are you telling me? | 0:35:25 | 0:35:27 | |
We're going to admit you to a ward, all right? | 0:35:27 | 0:35:29 | |
Orthopaedics are going to operate on your pelvis. | 0:35:29 | 0:35:32 | |
This will be followed by some physiotherapy. I'm sorry. | 0:35:32 | 0:35:36 | |
It's going to be a while before you can care for yourself. | 0:35:36 | 0:35:39 | |
I'm not being cooped up. I've got Little Sheila. | 0:35:39 | 0:35:44 | |
She got her routines, her habits. | 0:35:45 | 0:35:48 | |
Have you got any family that could take her? | 0:35:48 | 0:35:50 | |
Or we could call a shelter for you. | 0:35:50 | 0:35:52 | |
You will not. You let me up. | 0:35:52 | 0:35:56 | |
Be careful, Sheila. You don't want to hurt yourself. | 0:35:56 | 0:35:59 | |
You get off me! You get off me! | 0:35:59 | 0:36:02 | |
OK, OK, just calm. | 0:36:02 | 0:36:05 | |
I'm so sorry, Ms Bobbins. | 0:36:06 | 0:36:09 | |
We didn't meet earlier, I'm Becky Lewin. | 0:36:11 | 0:36:14 | |
Take a seat. | 0:36:14 | 0:36:15 | |
It's about the fire, isn't it, Ols? | 0:36:24 | 0:36:27 | |
Yeah. I started it. | 0:36:27 | 0:36:29 | |
I was mad at my dad so I burnt his photo. | 0:36:30 | 0:36:32 | |
I didn't know about the petrol and stuff. | 0:36:32 | 0:36:34 | |
The car was damaged because Ollie drove it earlier. | 0:36:34 | 0:36:39 | |
We wanted to tell you because he wanted to be honest. | 0:36:41 | 0:36:43 | |
He's only ten. He's just a little boy. | 0:36:45 | 0:36:47 | |
I know you're only young, Ollie, but this is... This is serious. | 0:36:49 | 0:36:54 | |
You could be in a lot of trouble. | 0:36:54 | 0:36:56 | |
KNOCK AT DOOR DOOR OPENS | 0:36:56 | 0:36:59 | |
Sorry to interrupt. | 0:36:59 | 0:37:00 | |
Ms Bobbins has given me permission to let you know that | 0:37:00 | 0:37:03 | |
she's now stable, and we're going to take her up to a ward shortly. | 0:37:03 | 0:37:07 | |
Thank you very much, Dr Hardy. | 0:37:07 | 0:37:09 | |
If you start a fire and someone is hurt as badly as Ms Bobbins, | 0:37:14 | 0:37:18 | |
that can be a very serious criminal offence. | 0:37:18 | 0:37:21 | |
I believe you didn't mean to hurt anyone, | 0:37:24 | 0:37:27 | |
but you also took your mother's car. | 0:37:27 | 0:37:29 | |
You could have caused a major accident. | 0:37:29 | 0:37:32 | |
So, my hands are tied there. | 0:37:32 | 0:37:34 | |
I'll have to refer this to a Youth Panel. | 0:37:34 | 0:37:36 | |
They'll make a decision about what happens next. Do you understand? | 0:37:36 | 0:37:41 | |
Yes. | 0:37:42 | 0:37:43 | |
I'm also going to have to speak to Social Services. | 0:37:48 | 0:37:51 | |
They'll be in touch. | 0:37:51 | 0:37:53 | |
Hey, it's good you came forward. | 0:38:03 | 0:38:06 | |
Am I allowed to see her? | 0:38:06 | 0:38:08 | |
Yeah. | 0:38:08 | 0:38:10 | |
Thanks. | 0:38:10 | 0:38:11 | |
It's all right. | 0:38:11 | 0:38:13 | |
It's suspicious, though, isn't it? | 0:38:13 | 0:38:14 | |
Why would you have a laundry bag on a wheelchair? | 0:38:14 | 0:38:16 | |
You'd have it in a laundry trolley. I think the fact that the laundry | 0:38:16 | 0:38:19 | |
bag is wriggling is the most suspicious thing. | 0:38:19 | 0:38:21 | |
Ethan, you know before? I just didn't want the boys gossiping. | 0:38:27 | 0:38:30 | |
Hi, guys. Oh, hello. | 0:38:30 | 0:38:32 | |
Oh, Ethan, have you discharged Ms Watson from bay five? | 0:38:32 | 0:38:35 | |
Yes. MEOW | 0:38:35 | 0:38:37 | |
I'm just going to go and check. | 0:38:39 | 0:38:40 | |
Great. Make sure there are some air holes, for that cat. | 0:38:40 | 0:38:45 | |
Made us look a bit stupid, didn't it? | 0:38:48 | 0:38:50 | |
So, you're Freddie Fire-starter, are you? | 0:38:55 | 0:38:58 | |
I'm really sorry. | 0:39:00 | 0:39:02 | |
That's me and my mum's address. | 0:39:09 | 0:39:11 | |
If you want to come round when you're better, | 0:39:12 | 0:39:16 | |
you can have your tea with us, or watch telly, or whatever. | 0:39:16 | 0:39:20 | |
You make it sound so appealing(!) | 0:39:20 | 0:39:22 | |
I'll tell you what - when I'm better, I'll come around and we'll | 0:39:25 | 0:39:28 | |
have a nice bit of cake. I'll bring me cat and all. You like cats? | 0:39:28 | 0:39:33 | |
Good. Cos a man who don't like cats is a shifty snifter. | 0:39:34 | 0:39:40 | |
You remember that. | 0:39:40 | 0:39:41 | |
Go on, then, clear off. | 0:39:44 | 0:39:47 | |
I'll come knocking for that cake soon. | 0:39:51 | 0:39:53 | |
Thank you. | 0:39:56 | 0:39:57 | |
KNOCK AT DOOR Come in. | 0:40:01 | 0:40:03 | |
Sorry, Duffy told me you were here. I hope you don't mind? | 0:40:03 | 0:40:08 | |
No, not at all. | 0:40:08 | 0:40:10 | |
Is he OK? | 0:40:11 | 0:40:13 | |
Yes. Yes, he's all right. | 0:40:14 | 0:40:17 | |
You're shaking. Sit down. | 0:40:19 | 0:40:21 | |
I, erm... I left him. | 0:40:26 | 0:40:30 | |
Oh. Is that what you want? | 0:40:32 | 0:40:37 | |
Yes. Yes, it's right. | 0:40:39 | 0:40:42 | |
Good for you. It takes courage to decide when to walk away. | 0:40:43 | 0:40:51 | |
I always had a crush on you at school. Did you know? | 0:40:58 | 0:41:04 | |
No. Really? | 0:41:08 | 0:41:12 | |
Sliding doors, eh? | 0:41:16 | 0:41:18 | |
Yeah. | 0:41:19 | 0:41:21 | |
Um, I need some time, | 0:41:23 | 0:41:26 | |
but, in a few months, if you want to call me? | 0:41:26 | 0:41:32 | |
Bye, Charlie Fairhead. | 0:41:39 | 0:41:43 | |
Sheila? Somebody wants to say goodbye. | 0:41:49 | 0:41:54 | |
Oh, my girl! My best girl. | 0:41:58 | 0:42:03 | |
I'm not leaving you cos I don't love you. Don't think that. | 0:42:08 | 0:42:11 | |
Homes are not good for girls like us. We need our freedom. | 0:42:13 | 0:42:18 | |
I'll take her. | 0:42:18 | 0:42:19 | |
Dream on, I'm not leaving her with no-hopers like you. | 0:42:22 | 0:42:26 | |
Go on. | 0:42:26 | 0:42:27 | |
I'm lonely, I need to grow up a bit. She'll do me good. | 0:42:28 | 0:42:34 | |
Go on, please? | 0:42:35 | 0:42:37 | |
Fine, but there's some ground rules. | 0:42:40 | 0:42:45 | |
Don't brush her, she don't like it, and no collars, | 0:42:47 | 0:42:51 | |
she don't like a noose round her neck. | 0:42:51 | 0:42:53 | |
She likes tuna, out your pocket. | 0:42:53 | 0:42:57 | |
OK, and I'll bring her to visit. | 0:42:59 | 0:43:02 | |
Promise? | 0:43:05 | 0:43:06 | |
Promise. | 0:43:06 | 0:43:08 | |
BOTH GIGGLING | 0:43:11 | 0:43:13 | |
Here we go. Ready? | 0:43:16 | 0:43:17 | |
Come on. One more time. | 0:43:19 | 0:43:21 | |
Hey, why don't you go and get some crisps? | 0:43:21 | 0:43:25 | |
Thanks, Mum. | 0:43:25 | 0:43:27 | |
Look, I know it was a breakdown, but you still betrayed me. | 0:43:31 | 0:43:36 | |
So it's going to be hard to trust you again. | 0:43:38 | 0:43:41 | |
But you get him, in a way that I don't. | 0:43:41 | 0:43:44 | |
Do you swear to me, never again? | 0:43:46 | 0:43:49 | |
You'll never come off your meds? | 0:43:49 | 0:43:50 | |
Never. That's what this is for. | 0:43:52 | 0:43:55 | |
OK. I think he needs you. | 0:43:56 | 0:43:59 | |
But this time, we do it properly. | 0:44:01 | 0:44:03 | |
Supervised visits, the lot, OK? | 0:44:03 | 0:44:06 | |
OK. | 0:44:08 | 0:44:10 | |
Oi. Got you something. | 0:44:13 | 0:44:15 | |
Oh, you didn't need to do that. | 0:44:16 | 0:44:18 | |
Anyone would have done the same. | 0:44:18 | 0:44:20 | |
Sorry, it's all they had in the gift shop. | 0:44:22 | 0:44:25 | |
But it's the thought that counts, isn't it? | 0:44:25 | 0:44:28 | |
In conclusion, she hugged me, I win. No surprise there. | 0:44:31 | 0:44:34 | |
Never send a paramedic to do a man's job. | 0:44:34 | 0:44:35 | |
You reckon, yeah? | 0:44:35 | 0:44:37 | |
Yeah. I'll tell you what - | 0:44:37 | 0:44:38 | |
I'll speak to my divisional officer, and tomorrow morning, | 0:44:38 | 0:44:41 | |
you come on the rig with me and let's see how long you last. | 0:44:41 | 0:44:44 | |
Easy. Done. Actually, I could go for a slice before the pub. | 0:44:44 | 0:44:48 | |
You wish. This to fuel my yearly budget review. | 0:44:48 | 0:44:53 | |
OK, Dumb and Dumber, pay attention to the note. | 0:44:53 | 0:44:58 | |
Whoa, that's some mob-level stuff right there. | 0:44:58 | 0:45:00 | |
Oh, and wash your hands after you pee. Life tips. | 0:45:00 | 0:45:03 | |
Hang on - who's Dumb and who's Dumber. He's Dumber, right? Yeah? | 0:45:03 | 0:45:07 | |
Oh, Alicia, what you doing now? Can I buy you a drink? | 0:45:08 | 0:45:11 | |
Why? You know, just... Just one of them days. | 0:45:11 | 0:45:15 | |
Just so much... suffering. | 0:45:17 | 0:45:21 | |
Go to the pub and leave her alone. | 0:45:23 | 0:45:25 | |
What is their deal? They've been creeping me out all day. | 0:45:28 | 0:45:30 | |
From what I can gather, which is quite a lot, cos they're idiots - | 0:45:30 | 0:45:34 | |
they have a bet, who can kiss you first. | 0:45:34 | 0:45:37 | |
You're kidding? No. | 0:45:37 | 0:45:40 | |
They're dead. | 0:45:40 | 0:45:41 | |
I let you down. | 0:46:00 | 0:46:02 | |
Yep. | 0:46:03 | 0:46:05 | |
I'm an idiot. | 0:46:05 | 0:46:06 | |
Yep. | 0:46:06 | 0:46:07 | |
I should never have hit him. No. | 0:46:07 | 0:46:10 | |
And, as a medical professional, I am required to offer you | 0:46:10 | 0:46:12 | |
an appointment with an Alcohol Health Worker. | 0:46:12 | 0:46:14 | |
Are you serious? | 0:46:18 | 0:46:19 | |
Ha-ha. Hilarious(!) | 0:46:21 | 0:46:23 | |
I've fallen from grace, haven't I? | 0:46:26 | 0:46:28 | |
No. | 0:46:30 | 0:46:32 | |
It would take more than a bar brawl to taint my opinion of you, | 0:46:32 | 0:46:36 | |
Charlie-boy. | 0:46:36 | 0:46:37 | |
Good. | 0:46:39 | 0:46:41 | |
I tell you what, though - | 0:46:41 | 0:46:43 | |
it was kind of cool when they all cheered for me, wasn't it? | 0:46:43 | 0:46:45 | |
Yeah, it was very cool. Must have been nice seeing Gloria again. | 0:46:45 | 0:46:50 | |
Old flame reignited? | 0:46:51 | 0:46:53 | |
No. Past is best left in the past. | 0:46:56 | 0:47:01 | |
All right? Yeah. | 0:47:06 | 0:47:08 | |
Right, come on. Come on. Up you get. | 0:47:42 | 0:47:46 | |
Let's put you to bed. | 0:47:46 | 0:47:48 | |
Come on, nearly there. Nearly there. | 0:47:51 | 0:47:54 | |
There you are. Right, sit down. | 0:47:58 | 0:48:02 | |
There you are. There you are. Cosy, cosy, cosy. | 0:48:04 | 0:48:10 | |
Sir Terry was the ultimate master at talking to his audience. | 0:49:04 | 0:49:07 | |
Thank you for being my friend. | 0:49:07 | 0:49:10 | |
He comes from a country where the national hobby is talking. | 0:49:10 | 0:49:12 | |
This show is totally unrehearsed! | 0:49:12 | 0:49:14 | |
Terry Wogan and BBC go together. | 0:49:14 | 0:49:16 | |
You either have it or you don't, and he had it like nobody else. | 0:49:16 | 0:49:19 |