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I do not want your job! I am telling you, as your friend... | 0:00:03 | 0:00:05 | |
..go back to Grace. | 0:00:07 | 0:00:08 | |
Do you fancy some post-wedding drinks? | 0:00:12 | 0:00:15 | |
Yes, er... | 0:00:15 | 0:00:17 | |
Cool. | 0:00:17 | 0:00:18 | |
Tell you what, I'll see you there too, OK? | 0:00:18 | 0:00:21 | |
I'd wait to be invited, if I was you. | 0:00:21 | 0:00:23 | |
You're having a baby, Robyn. | 0:00:23 | 0:00:25 | |
She's going to be a widow in a few months. | 0:00:25 | 0:00:28 | |
I'm not quite sure she's got her head around that. | 0:00:28 | 0:00:31 | |
I'm very sorry... | 0:00:31 | 0:00:33 | |
No... No... | 0:00:34 | 0:00:36 | |
LIGHTS BUZZING | 0:01:17 | 0:01:20 | |
SCREAMS HEAVY BREATHING | 0:01:20 | 0:01:24 | |
Hello? | 0:01:26 | 0:01:28 | |
PHONE RINGING Hello? | 0:01:29 | 0:01:31 | |
Max? | 0:01:36 | 0:01:37 | |
David? Are you still there? | 0:01:39 | 0:01:41 | |
'Can you hear me?' | 0:01:41 | 0:01:43 | |
Robyn? Robyn! Robyn! | 0:01:43 | 0:01:46 | |
Robyn? | 0:01:46 | 0:01:48 | |
For...sake! HORN BLARES | 0:01:48 | 0:01:50 | |
LIGHTS BUZZING | 0:01:59 | 0:02:03 | |
QUICK FOOTSTEPS | 0:02:03 | 0:02:06 | |
YELLS | 0:02:07 | 0:02:10 | |
SCREAMS Juno! | 0:02:13 | 0:02:15 | |
Kara, no... | 0:02:15 | 0:02:17 | |
What the...? | 0:02:34 | 0:02:35 | |
This way! | 0:02:37 | 0:02:38 | |
SNARLS | 0:02:47 | 0:02:49 | |
ROBYN: Max, David... Are you still there? | 0:02:59 | 0:03:01 | |
Can you hear me? | 0:03:05 | 0:03:07 | |
Hang on, here we go. There you are, it's ringing. | 0:03:12 | 0:03:15 | |
'Max?' | 0:03:15 | 0:03:16 | |
Robyn! Robyn! Yeah! Sorry, lost you there for a minute, bad signal! | 0:03:16 | 0:03:19 | |
Where are you now? | 0:03:19 | 0:03:20 | |
Erm... Erm... Er... | 0:03:20 | 0:03:22 | |
Max? | 0:03:23 | 0:03:25 | |
Whoa! | 0:03:25 | 0:03:26 | |
TYRES SCREECH HORN BLARES | 0:03:26 | 0:03:30 | |
HORNS BLARE | 0:03:30 | 0:03:32 | |
Juno? | 0:03:42 | 0:03:43 | |
Where are you? | 0:03:46 | 0:03:47 | |
Boo! Argh! | 0:03:49 | 0:03:52 | |
Ow, my nose! | 0:03:57 | 0:03:58 | |
Kara? What do you think you're doing? | 0:04:00 | 0:04:02 | |
At least say sorry. | 0:04:08 | 0:04:10 | |
Well, he's the one who jumped me. | 0:04:10 | 0:04:12 | |
Just say it, all right? | 0:04:12 | 0:04:13 | |
Sorry. | 0:04:15 | 0:04:17 | |
And? | 0:04:17 | 0:04:19 | |
You OK? | 0:04:19 | 0:04:20 | |
I'll live. | 0:04:21 | 0:04:22 | |
That's funny, for a dead man. | 0:04:22 | 0:04:24 | |
Suit yourself. | 0:04:28 | 0:04:30 | |
Oh, I'm done with this. There must be an exit somewhere. | 0:04:30 | 0:04:33 | |
You're not leaving? | 0:04:33 | 0:04:35 | |
This is me, placing one foot in front of the other, | 0:04:35 | 0:04:37 | |
as I wave goodbye. | 0:04:37 | 0:04:38 | |
That's your sister? | 0:04:39 | 0:04:41 | |
That's her. | 0:04:41 | 0:04:42 | |
I don't think I can do this. | 0:04:43 | 0:04:45 | |
You promised. | 0:04:45 | 0:04:47 | |
Maybe I don't want to any more. | 0:04:47 | 0:04:48 | |
You think I came here to play zombies? | 0:04:48 | 0:04:50 | |
Wait up. | 0:05:00 | 0:05:02 | |
Haven't you got people to bite? | 0:05:02 | 0:05:03 | |
Listen, I, uh... I'm done with this as well. | 0:05:03 | 0:05:04 | |
Listen, I, uh... I'm done with this as well. | 0:05:05 | 0:05:06 | |
Wait, wait... | 0:05:08 | 0:05:11 | |
I don't think we're supposed to... | 0:05:11 | 0:05:13 | |
You do everything you're told? | 0:05:13 | 0:05:15 | |
Look, I know a way out. | 0:05:15 | 0:05:17 | |
So do I now. | 0:05:18 | 0:05:20 | |
Maybe we could grab a coffee. | 0:05:24 | 0:05:27 | |
Dressed like this? | 0:05:27 | 0:05:28 | |
SCREAMING | 0:05:34 | 0:05:36 | |
PANTING | 0:05:38 | 0:05:40 | |
SCREAM CRASH | 0:05:48 | 0:05:50 | |
BEEPING | 0:05:55 | 0:05:57 | |
OK, Robyn? | 0:06:06 | 0:06:07 | |
Glen's phone has a tracker on it. | 0:06:07 | 0:06:09 | |
All right. | 0:06:10 | 0:06:11 | |
If nothing else, he needs to know that he's going to be a dad. | 0:06:11 | 0:06:15 | |
I'm going to go and get a scan, get a picture of the baby, | 0:06:15 | 0:06:18 | |
hear the heartbeat. | 0:06:18 | 0:06:20 | |
He needs to be here. | 0:06:20 | 0:06:21 | |
Is that him on the screen? Well, he's stopped moving. | 0:06:23 | 0:06:26 | |
Robyn? Robyn, here, sorry, sorry, I lost you there... | 0:06:26 | 0:06:28 | |
Who's on the other end of the phone? | 0:06:28 | 0:06:30 | |
David. | 0:06:33 | 0:06:34 | |
Er, David, it's Dylan. | 0:06:36 | 0:06:38 | |
Uh... Morning. | 0:06:38 | 0:06:40 | |
Where are you? Erm... | 0:06:40 | 0:06:43 | |
I... Oh... Ah, Hamilton Avenue. | 0:06:43 | 0:06:47 | |
All right, then. Glen's about 300 yards away from you. | 0:06:53 | 0:06:57 | |
Roger that. | 0:06:57 | 0:06:58 | |
Yeah, I'm not sure there's any need for the military vernacular. | 0:06:58 | 0:07:01 | |
You need to turn right, | 0:07:01 | 0:07:04 | |
and in about 100 yards you will have acquired your target. | 0:07:04 | 0:07:09 | |
It's actually quite good fun, isn't it? | 0:07:10 | 0:07:12 | |
Can I have a sit-rep? | 0:07:14 | 0:07:15 | |
Sit-rep? Tell him where we are. | 0:07:15 | 0:07:17 | |
Oh, yes, yes, yes, of course, of course, just a minute, erm... | 0:07:17 | 0:07:21 | |
We're at the top of Rosewater Street. | 0:07:25 | 0:07:28 | |
Er... | 0:07:29 | 0:07:30 | |
OK, so you need to turn left, on to Harley Road, and the target is | 0:07:30 | 0:07:36 | |
- sorry, that's Glen - is about 200 yards away. | 0:07:36 | 0:07:42 | |
I called the ambulance. They'll be here in a minute. | 0:07:43 | 0:07:46 | |
Kara! | 0:07:49 | 0:07:50 | |
Juno, get back! | 0:07:51 | 0:07:53 | |
You've got to move me. The rest of the ceiling's going to fall on us. | 0:07:56 | 0:07:59 | |
I'm not going to do that. | 0:07:59 | 0:08:01 | |
You caused this, so you can get me out. | 0:08:01 | 0:08:03 | |
You're hurt, I could do even more damage. Don't you watch telly? | 0:08:03 | 0:08:06 | |
I said, didn't I? I said I knew an exit. | 0:08:06 | 0:08:09 | |
So sue me. | 0:08:09 | 0:08:10 | |
You always like this? | 0:08:24 | 0:08:26 | |
Like what? | 0:08:26 | 0:08:27 | |
Abrasive. And don't get even more abrasive because I just said that. | 0:08:27 | 0:08:30 | |
Do you want me to leave you here? Oh, that's nice(!) | 0:08:30 | 0:08:33 | |
Then stop insulting me. | 0:08:33 | 0:08:34 | |
I just don't want to get squished. | 0:08:34 | 0:08:36 | |
Take it. | 0:08:38 | 0:08:39 | |
What? | 0:08:41 | 0:08:43 | |
If you're scared, hold my hand. | 0:08:43 | 0:08:45 | |
I'm not scared. | 0:08:45 | 0:08:46 | |
OK, I'm a bit scared, but just a bit, though. | 0:08:47 | 0:08:50 | |
Hold my hand, then. It won't mean we're engaged or anything. | 0:08:50 | 0:08:54 | |
You'd be so lucky. | 0:08:54 | 0:08:55 | |
It's wet. You're all clammy. | 0:08:58 | 0:09:01 | |
You're definitely scared. | 0:09:01 | 0:09:02 | |
I'd take that over being abrasive any day. | 0:09:02 | 0:09:04 | |
Just for the record, this is insane. | 0:09:21 | 0:09:23 | |
Just for the record, it's all my fault. | 0:09:23 | 0:09:25 | |
What are you talking about? | 0:09:25 | 0:09:26 | |
Well, I told Glen that Robyn had fainted, that she... | 0:09:26 | 0:09:29 | |
That she was under huge stress. | 0:09:29 | 0:09:31 | |
He was going anyway. | 0:09:31 | 0:09:32 | |
Well, Robyn doesn't think so. | 0:09:32 | 0:09:34 | |
I wouldn't worry. She'll realise that when we bowl up and give him | 0:09:34 | 0:09:37 | |
a chance to bin her off all over again. | 0:09:37 | 0:09:39 | |
Shall we? Yeah. | 0:09:41 | 0:09:43 | |
If it was your baby, you'd want to see it, wouldn't you? | 0:09:44 | 0:09:47 | |
Well, he's not here. The tracker must be wrong. | 0:09:52 | 0:09:56 | |
You can call Robyn. Crush her hopes again. | 0:09:56 | 0:09:59 | |
PHONE RINGS | 0:10:14 | 0:10:17 | |
Excuse me! Excuse me! No... | 0:10:21 | 0:10:23 | |
Excuse me, sir! Sir! I'm sorry... I'm sorry. | 0:10:23 | 0:10:27 | |
Could you do me a favour, please? | 0:10:27 | 0:10:29 | |
Answer your phone. | 0:10:31 | 0:10:32 | |
What? | 0:10:34 | 0:10:35 | |
The phone. Answer it. | 0:10:35 | 0:10:38 | |
Because if you don't, then I will. | 0:10:38 | 0:10:41 | |
This is my phone, buddy. | 0:10:42 | 0:10:43 | |
Answer the phone! | 0:10:43 | 0:10:45 | |
Mate... | 0:10:45 | 0:10:46 | |
It's David. Listen, pal. | 0:10:46 | 0:10:48 | |
I know that's not your phone, so where did you get it? | 0:10:48 | 0:10:50 | |
OK... I have a debt to pay. Well? | 0:10:50 | 0:10:52 | |
I think you should listen to your pal, pal. | 0:10:52 | 0:10:55 | |
He probably stole it. So what? | 0:11:00 | 0:11:04 | |
We're not going to find Glen now anyway. | 0:11:04 | 0:11:06 | |
SHE SIGHS TRACKER BEEPS | 0:11:08 | 0:11:10 | |
Oh, Glen's on the move again. | 0:11:15 | 0:11:17 | |
They must be bringing him here. | 0:11:17 | 0:11:19 | |
How do I look? | 0:11:22 | 0:11:23 | |
Mmm. | 0:11:24 | 0:11:26 | |
You're a criminal, and I'm making a citizen's arrest! Come here! | 0:11:26 | 0:11:29 | |
Are you serious? Come here! | 0:11:29 | 0:11:30 | |
We can do this the easy way, or the hard way! | 0:11:30 | 0:11:32 | |
Give me the phone! | 0:11:32 | 0:11:33 | |
Come here. Come here! | 0:11:37 | 0:11:40 | |
Give me the bag! | 0:11:40 | 0:11:41 | |
Ugh! | 0:11:41 | 0:11:42 | |
Brilliant(!) | 0:11:44 | 0:11:45 | |
Listen. Listen. Don't move! | 0:11:45 | 0:11:48 | |
I'm a nurse, but please do not move, you'll make things ten times worse. | 0:11:48 | 0:11:52 | |
Yeah, I need an ambulance. | 0:11:52 | 0:11:54 | |
You'd, erm... You'd better call Robyn, too. | 0:11:56 | 0:11:59 | |
Tell her it's not Glen. | 0:12:01 | 0:12:02 | |
I hate zombies. They're not real. | 0:12:08 | 0:12:11 | |
If I ever come back as one, bullet in the head. | 0:12:11 | 0:12:13 | |
I'd be happy to oblige. | 0:12:13 | 0:12:15 | |
Boo! | 0:12:15 | 0:12:17 | |
Back off, will you? | 0:12:17 | 0:12:19 | |
Help my sister out. | 0:12:19 | 0:12:20 | |
All right, darling, we're on it, yeah? | 0:12:20 | 0:12:22 | |
Whoa! No need to apologise. I'll give you a hand. | 0:12:27 | 0:12:31 | |
PHONES BUZZ | 0:12:31 | 0:12:35 | |
Here you go. Hmm. | 0:12:45 | 0:12:46 | |
Either you stockpile get well cards, or you already knew about Grace. | 0:12:46 | 0:12:51 | |
Connie called me. I suggested a mass text, good news, why not? | 0:12:51 | 0:12:54 | |
Yeah, except I know that look, that look where you don't look. | 0:12:54 | 0:12:56 | |
Sign the card. Jacob, what have you done? | 0:12:56 | 0:12:58 | |
"Love, Elle." Tell me you woke up in your own bed, alone. Jacob! | 0:12:58 | 0:13:01 | |
Lou, got a second? | 0:13:01 | 0:13:03 | |
Busy, busy, busy. | 0:13:03 | 0:13:05 | |
Oh, yeah, typical Halloween, eh? | 0:13:05 | 0:13:07 | |
Or Trick or Treatment, as I like to call it. | 0:13:07 | 0:13:09 | |
I like it, very smart. Can I use it? | 0:13:09 | 0:13:11 | |
Yeah. Consider it yours. | 0:13:11 | 0:13:13 | |
Er... Oh. | 0:13:15 | 0:13:17 | |
Morning. Ethan? | 0:13:17 | 0:13:19 | |
Awards Night? | 0:13:20 | 0:13:21 | |
Yeah. PR exercise. The ED is up for Best Hospital Department. | 0:13:21 | 0:13:25 | |
I'm sure we're in with a chance with that. This is tonight. | 0:13:25 | 0:13:28 | |
That's a bit short notice. Yeah. | 0:13:28 | 0:13:29 | |
I had the invites in my bag for a week, I just forgot. | 0:13:29 | 0:13:32 | |
So, you around later? | 0:13:32 | 0:13:33 | |
Yeah, I'm always around. | 0:13:33 | 0:13:34 | |
Good. Then Cinders is off to the ball. | 0:13:34 | 0:13:37 | |
What? Er, there's two tickets. | 0:13:37 | 0:13:39 | |
I'm sure you can think of someone to invite. | 0:13:39 | 0:13:41 | |
Yeah. Inviting is the easy bit. | 0:13:41 | 0:13:43 | |
It's getting them to say yes... Not my forte. | 0:13:43 | 0:13:45 | |
What, you writing a book, Alicia? | 0:13:45 | 0:13:47 | |
Then make it your forte. | 0:13:49 | 0:13:50 | |
Where are you going? | 0:13:58 | 0:14:00 | |
The experts are here. Took your time, stop off for a coffee? | 0:14:00 | 0:14:04 | |
Yeah, and a bun(!) | 0:14:04 | 0:14:06 | |
All right, mate? My name's Iain, I'm a paramedic. | 0:14:06 | 0:14:10 | |
Have you tried to move or get up at all? | 0:14:12 | 0:14:14 | |
Would that have been bad? | 0:14:14 | 0:14:15 | |
Well, it's inadvisable, yeah. | 0:14:15 | 0:14:17 | |
I stayed put. | 0:14:18 | 0:14:20 | |
All right, good lad. | 0:14:20 | 0:14:22 | |
All right, let's start with your name and what's happened, yeah? | 0:14:22 | 0:14:24 | |
Ryan. Dolarhyde. | 0:14:24 | 0:14:25 | |
Kara Lounds. The floor gave way. Landed pretty hard. | 0:14:25 | 0:14:28 | |
Can I have a look at your arm, please? | 0:14:28 | 0:14:30 | |
Which one? Take a wild guess(!) | 0:14:30 | 0:14:33 | |
My ribs hurt and my stomach aches. | 0:14:33 | 0:14:35 | |
OK. Anything else? Head? Neck? | 0:14:35 | 0:14:37 | |
My lower back, but it's not that bad. | 0:14:37 | 0:14:39 | |
OK. Right, I'm going to need to immobilise Ryan's neck. | 0:14:39 | 0:14:43 | |
Can you get the collar and board, please? | 0:14:43 | 0:14:45 | |
And I need IV access. | 0:14:45 | 0:14:46 | |
Just hold it by there for me, please. | 0:14:48 | 0:14:50 | |
All right. So, what's all this about? | 0:14:50 | 0:14:53 | |
Just your average zombie outbreak. | 0:14:53 | 0:14:55 | |
People screaming, running for their lives. | 0:14:55 | 0:14:58 | |
Hear that, Jez? | 0:14:58 | 0:14:59 | |
It's happening. | 0:15:00 | 0:15:01 | |
IAIN CHUCKLES | 0:15:02 | 0:15:04 | |
I'm back. Did you miss me? | 0:15:06 | 0:15:08 | |
SIREN BLARES | 0:15:12 | 0:15:14 | |
I do... I do apologise. | 0:15:16 | 0:15:18 | |
But I have to ask... | 0:15:19 | 0:15:21 | |
Do you know Glen? | 0:15:21 | 0:15:23 | |
Look, I really need to know. | 0:15:25 | 0:15:27 | |
He left his bride-to-be at the altar. | 0:15:27 | 0:15:30 | |
I've never heard of any Glen. | 0:15:30 | 0:15:32 | |
This is Ryan Dolarhyde. He's 19 years old. | 0:15:38 | 0:15:41 | |
At 11:30, he's fallen four metres through a ceiling | 0:15:41 | 0:15:44 | |
and landed on his back. | 0:15:44 | 0:15:46 | |
He's been complaining of tenderness in his abdomen, chest wall and back. | 0:15:46 | 0:15:50 | |
He wasn't KO'd, GCS 15, pulse 105, BP 120 over 80, sats 97%. | 0:15:50 | 0:15:54 | |
Resps of 17. I've given him 10 of morphine. | 0:15:54 | 0:15:57 | |
Someone's been in the wars. | 0:15:57 | 0:15:58 | |
Oh, yeah, don't worry about that. That's make-up. He's a zombie. | 0:15:58 | 0:16:01 | |
Right. Hm! Straight through to Resus, please. | 0:16:01 | 0:16:04 | |
Er, this is Kara Lounds. She's 18. She fell in the same incident. | 0:16:04 | 0:16:08 | |
We cleared her neck at the scene, but query fractured right wrist. | 0:16:08 | 0:16:11 | |
All obs are normal, we gave her entonox en route. | 0:16:11 | 0:16:13 | |
All right. Let's get Kara through to cubicles, please. | 0:16:13 | 0:16:15 | |
I don't think so. I'm going to stay with him. | 0:16:15 | 0:16:17 | |
Ah... OK. We'll get her arm checked first. | 0:16:17 | 0:16:19 | |
Is the doofus going to be all right? | 0:16:19 | 0:16:21 | |
Doofus? | 0:16:21 | 0:16:22 | |
Pet name. But he'll be all right, won't he? | 0:16:22 | 0:16:24 | |
Yeah. | 0:16:24 | 0:16:26 | |
Straight into small Resus, please. Robyn, with me. | 0:16:45 | 0:16:50 | |
Robyn. Robyn. | 0:16:50 | 0:16:51 | |
I'm really sorry, I'll think of something else, I promise. | 0:16:51 | 0:16:53 | |
You've done enough. | 0:16:53 | 0:16:54 | |
Did he say why he had Glen's phone? | 0:16:58 | 0:17:00 | |
No. Doesn't appear to know him. | 0:17:00 | 0:17:02 | |
Well, then... | 0:17:03 | 0:17:05 | |
It's just obviously not meant to be. | 0:17:05 | 0:17:07 | |
Let's dress the cuts and I'll need clippers for the wires. | 0:17:15 | 0:17:19 | |
I want to write up some analgesia, once he's been booked in, | 0:17:19 | 0:17:22 | |
but for now, let's get IV access and bloods - FBC, Us, group and save, | 0:17:22 | 0:17:25 | |
clotting and fibrinogen, please, Robyn. | 0:17:25 | 0:17:27 | |
You're Robyn? | 0:17:31 | 0:17:33 | |
You know of me? | 0:17:33 | 0:17:34 | |
So, where's Batman? | 0:17:39 | 0:17:41 | |
Try not to move or talk, please. | 0:17:43 | 0:17:45 | |
Where did you get that phone? | 0:17:51 | 0:17:55 | |
I'm trying to find someone. | 0:17:55 | 0:17:56 | |
The wire's under tension, so stay perfectly still for me, please. | 0:18:04 | 0:18:09 | |
And what's your name? | 0:18:09 | 0:18:10 | |
Doctor Chao. | 0:18:10 | 0:18:12 | |
Chao, as in "Ciao, Bella"? | 0:18:12 | 0:18:15 | |
Ha. Suits you. | 0:18:15 | 0:18:17 | |
I need to cut this wire. | 0:18:18 | 0:18:20 | |
It's a delicate procedure | 0:18:20 | 0:18:21 | |
and I don't want to damage any veins or arteries, | 0:18:21 | 0:18:23 | |
so no more talking. Stillness and silence, please. OK? | 0:18:23 | 0:18:27 | |
Be ready with pressure pads and gauze. | 0:18:30 | 0:18:32 | |
Arm still, please. | 0:18:37 | 0:18:39 | |
Take this away, please. That's good. | 0:19:00 | 0:19:04 | |
You've been very fortunate. There's no deep tears. | 0:19:05 | 0:19:09 | |
I want a closer look before we get them sutured and dressed. | 0:19:10 | 0:19:13 | |
Let's get a chest X-ray, please. | 0:19:13 | 0:19:14 | |
All right, Paolo, let's get you into a gown. | 0:19:15 | 0:19:18 | |
I don't do gowns. | 0:19:19 | 0:19:20 | |
You do today. | 0:19:21 | 0:19:23 | |
You know Glen. You must do. | 0:19:27 | 0:19:31 | |
Right, we'll take an X-ray and then move you to cubicles. | 0:19:37 | 0:19:40 | |
I'll stay put. | 0:19:40 | 0:19:42 | |
He wouldn't be lying there if I'd listened to him. | 0:19:42 | 0:19:44 | |
Tell you what, I'll keep you posted. | 0:19:44 | 0:19:47 | |
Yeah? Oh, and, you see that doctor over there? That's my brother. | 0:19:47 | 0:19:51 | |
And he's, erm... | 0:19:51 | 0:19:53 | |
Well, he's brilliant at his job. | 0:19:53 | 0:19:55 | |
All right? | 0:19:56 | 0:19:58 | |
Ryan? Yeah? | 0:19:58 | 0:20:01 | |
I'm getting moved out, so don't go getting scared and wetting yourself. | 0:20:01 | 0:20:05 | |
Loving the compassion(!) | 0:20:05 | 0:20:08 | |
Just take care, right? | 0:20:08 | 0:20:09 | |
I've got the chest X-rays. | 0:20:14 | 0:20:16 | |
Let's see what we've got. | 0:20:16 | 0:20:17 | |
OK, it's negative for sternal fracture. | 0:20:19 | 0:20:23 | |
You have fractured ribs, five and six, on the left-hand side. | 0:20:23 | 0:20:27 | |
Right. Let's keep a close eye on cardiac monitoring, please. | 0:20:27 | 0:20:30 | |
Cardiac. That's my heart, right? | 0:20:30 | 0:20:32 | |
It is. It's purely precautionary, don't worry. | 0:20:32 | 0:20:35 | |
You definitely didn't hit your head? | 0:20:35 | 0:20:37 | |
No, I landed on my back. The girl... | 0:20:37 | 0:20:42 | |
Kara. | 0:20:42 | 0:20:43 | |
I felt better when she... | 0:20:44 | 0:20:46 | |
When she...? | 0:20:48 | 0:20:50 | |
When she held my hand. | 0:20:51 | 0:20:54 | |
Would you...? | 0:20:56 | 0:20:57 | |
Oh, you want... | 0:21:00 | 0:21:01 | |
Yes... Yeah, sure, I... | 0:21:03 | 0:21:05 | |
Right... Er... | 0:21:17 | 0:21:19 | |
He could probably do with some more analgesia, please. | 0:21:19 | 0:21:22 | |
And then, can we get rid of this make-up? | 0:21:22 | 0:21:23 | |
And we'll keep him under neuro obs for a couple of hours. | 0:21:23 | 0:21:25 | |
OK. Your zombie days are over, my friend. | 0:21:25 | 0:21:28 | |
Ethan, what on Earth are you doing? | 0:21:31 | 0:21:33 | |
Yeah, I... And what are you doing? Ah. | 0:21:33 | 0:21:37 | |
Yep. Someone told me you were given these. Yes. | 0:21:38 | 0:21:42 | |
What, you want to go? | 0:21:44 | 0:21:45 | |
Yeah, of course I want to go. | 0:21:45 | 0:21:46 | |
Actually, that would be great. | 0:21:47 | 0:21:49 | |
Yeah, just...not with you. | 0:21:50 | 0:21:53 | |
Cheers(!) | 0:21:55 | 0:21:56 | |
Brother. Come on. Hero. Saviour. You name it, you're it. | 0:21:56 | 0:21:58 | |
Just... You know what this means. | 0:21:58 | 0:22:01 | |
No, but I'd hazard a guess I'm about to find out. | 0:22:01 | 0:22:04 | |
I can take Alicia. | 0:22:04 | 0:22:05 | |
Right. I was under the impression that you weren't that bothered. | 0:22:07 | 0:22:10 | |
Ha, she... You know, she gave me a six. Out of ten. | 0:22:10 | 0:22:14 | |
And that's been hanging over me like the sword of Damascus. | 0:22:14 | 0:22:17 | |
Damocles. | 0:22:17 | 0:22:18 | |
Whatever, look, I need to be an eight, at least an eight... | 0:22:18 | 0:22:21 | |
He knows it. | 0:22:21 | 0:22:22 | |
..before I can breathe again. | 0:22:24 | 0:22:26 | |
No. I'm sorry, Caleb. You're perfectly welcome to come with me, | 0:22:26 | 0:22:29 | |
but you're not having both of them. | 0:22:29 | 0:22:31 | |
Yeah, a six doesn't even go with a four. | 0:22:31 | 0:22:33 | |
Thanks for trying that. It's just not the same. | 0:22:36 | 0:22:39 | |
Right. Sure. | 0:22:40 | 0:22:42 | |
This needs to come off, as well, | 0:22:47 | 0:22:48 | |
so I can take a proper look at all your injuries. | 0:22:48 | 0:22:51 | |
Tell you what, | 0:22:51 | 0:22:52 | |
why don't you leave the gown here and then both take a coffee break? | 0:22:52 | 0:22:54 | |
There is a screen. | 0:22:54 | 0:22:56 | |
I'm not getting undressed. | 0:22:56 | 0:22:57 | |
We really need to check you over. | 0:22:57 | 0:22:58 | |
I'm good, thanks. | 0:22:58 | 0:22:59 | |
Paolo... | 0:23:01 | 0:23:02 | |
No means no! Now, how do I go about getting myself discharged? | 0:23:03 | 0:23:09 | |
I hurt my arm, not my legs. | 0:23:13 | 0:23:15 | |
Not my rules. Sorry. | 0:23:15 | 0:23:16 | |
I feel stupid. | 0:23:16 | 0:23:18 | |
Kara? What's wrong? | 0:23:18 | 0:23:20 | |
I'm fine. Just a busted arm. | 0:23:20 | 0:23:22 | |
And some cuts that need suturing. | 0:23:22 | 0:23:24 | |
What happened to...? The guy, the bloke? | 0:23:24 | 0:23:27 | |
He's still in the... What's it called? | 0:23:27 | 0:23:29 | |
Resus. | 0:23:29 | 0:23:30 | |
What were you thinking? I saw you force that door open. | 0:23:30 | 0:23:33 | |
And you wonder why you're single. | 0:23:36 | 0:23:38 | |
Here we go. Lecture number 638. | 0:23:38 | 0:23:40 | |
I'm just saying, he seems like a nice guy. | 0:23:40 | 0:23:43 | |
You met him for five seconds. | 0:23:43 | 0:23:45 | |
'Really?' | 0:23:46 | 0:23:48 | |
A proper Awards night? | 0:23:48 | 0:23:49 | |
Yeah, I'm not sure if it's your sort of thing, | 0:23:49 | 0:23:51 | |
but there's a spare ticket going, apparently. | 0:23:51 | 0:23:53 | |
Free booze and food? It's got me written all over it. | 0:23:53 | 0:23:56 | |
So, who's got the other ticket? Er... Ethan, I think. | 0:23:56 | 0:24:00 | |
I'd better put me best smile on, then. | 0:24:00 | 0:24:01 | |
Yeah. I'm sure that'll work. | 0:24:01 | 0:24:03 | |
I insist you get back on the bed. | 0:24:05 | 0:24:06 | |
You have multiple lacerations, and who knows what else. | 0:24:06 | 0:24:09 | |
You may even require surgery. | 0:24:09 | 0:24:10 | |
Lily, what's going on? | 0:24:10 | 0:24:11 | |
I'm fine, nothing a couple of drinks won't fix. | 0:24:11 | 0:24:13 | |
Now, where's the exit? Paolo, this is stupid. | 0:24:13 | 0:24:16 | |
Lovely meeting you both. | 0:24:16 | 0:24:18 | |
Under different circumstances, | 0:24:18 | 0:24:19 | |
I'd have a difficult time choosing which one to date. | 0:24:19 | 0:24:22 | |
I tried to stop him. | 0:24:22 | 0:24:23 | |
I promise I won't ask about Glen again. Please, just come back. | 0:24:23 | 0:24:27 | |
If you don't know him, then that's fine, | 0:24:29 | 0:24:31 | |
but at least let me look at his phone. | 0:24:31 | 0:24:33 | |
There'll be names, numbers. | 0:24:33 | 0:24:35 | |
I'm not leaving because of you. | 0:24:35 | 0:24:37 | |
I have to find him. | 0:24:37 | 0:24:38 | |
And I'm sorry, but I can't help you. I really, really can't. | 0:24:40 | 0:24:44 | |
Your car's out of juice. | 0:24:47 | 0:24:49 | |
I'm never going to see him again, am I? | 0:24:50 | 0:24:53 | |
We should have word on Ryan soon. | 0:25:03 | 0:25:05 | |
Don't start grinning. | 0:25:06 | 0:25:08 | |
You're worried about him. No-one worries about a doofus. | 0:25:08 | 0:25:11 | |
You like him. I think not. | 0:25:11 | 0:25:14 | |
I don't believe it. Finally! | 0:25:14 | 0:25:16 | |
Sorry, I got held up. How are we doing? | 0:25:17 | 0:25:21 | |
She's fallen in love. | 0:25:21 | 0:25:22 | |
Cut that out. Anyway, all I did was ask how he was. | 0:25:22 | 0:25:26 | |
It's how you asked. | 0:25:26 | 0:25:27 | |
Look, boys are bad. | 0:25:27 | 0:25:30 | |
They get into your head, then your heart, | 0:25:30 | 0:25:32 | |
next thing you know, you're behaving like an idiot. | 0:25:32 | 0:25:34 | |
You don't even know who you are any more. | 0:25:34 | 0:25:36 | |
But that's not going to be me. | 0:25:36 | 0:25:38 | |
Of course it's not. | 0:25:38 | 0:25:39 | |
What's eating you? | 0:25:40 | 0:25:41 | |
Could I have a black tea? | 0:25:48 | 0:25:50 | |
Thank you. Cheers. | 0:25:52 | 0:25:55 | |
All right, Robyn? | 0:26:02 | 0:26:03 | |
You tried, you know, that's the main thing. | 0:26:06 | 0:26:10 | |
And obviously, it didn't work out, but you tried. | 0:26:10 | 0:26:13 | |
What happens now? Where does that leave me? | 0:26:14 | 0:26:17 | |
Well, I don't know if I'm the best person to answer that question. | 0:26:19 | 0:26:22 | |
I think you should talk to Max and have a good familial discussion. | 0:26:22 | 0:26:27 | |
He's... He's going to be a great uncle. | 0:26:27 | 0:26:29 | |
Given that we all mature at different rates. Eventually, we do. | 0:26:32 | 0:26:38 | |
I need you to pull some strings for me. | 0:26:38 | 0:26:40 | |
Yeah. Absolutely. Absolutely. Erm... | 0:26:40 | 0:26:42 | |
Which particular strings did you have in mind? | 0:26:45 | 0:26:47 | |
I want to see someone in Family Planning. Today. Now, if possible. | 0:26:47 | 0:26:52 | |
OK, now, hold that thought, | 0:26:52 | 0:26:54 | |
because that's obviously the hormones talking. | 0:26:54 | 0:26:57 | |
That's not you. | 0:26:57 | 0:26:59 | |
We'll just pretend that you didn't say that. | 0:27:01 | 0:27:03 | |
I can't bring a baby into this world, and tell it, | 0:27:05 | 0:27:09 | |
"Your father didn't want me OR you". | 0:27:09 | 0:27:11 | |
I just can't do that, Dylan. | 0:27:13 | 0:27:15 | |
Alicia. I want to ask you something. | 0:27:28 | 0:27:30 | |
Please feel free to say no. Mm-hm? | 0:27:30 | 0:27:32 | |
I've been asked... | 0:27:33 | 0:27:35 | |
Well, I... I... I've been given... | 0:27:36 | 0:27:38 | |
You've got tickets for the awards do. | 0:27:38 | 0:27:40 | |
Yes. And I'm free. | 0:27:40 | 0:27:42 | |
It's a no-brainer. | 0:27:42 | 0:27:44 | |
Really? | 0:27:44 | 0:27:45 | |
Yeah. Although, there might be dancing. | 0:27:45 | 0:27:48 | |
Oh, that's not my speciality. | 0:27:48 | 0:27:51 | |
Take my hand. Sorry? | 0:27:53 | 0:27:55 | |
No, Alicia... | 0:27:57 | 0:27:58 | |
Come on. Dance with me! | 0:27:58 | 0:28:00 | |
Oh, I really should be working. | 0:28:00 | 0:28:01 | |
Oh, let yourself go, Ethan. | 0:28:01 | 0:28:03 | |
Oh. I'm really not light on my feet. | 0:28:03 | 0:28:05 | |
It's fine, just go with me. | 0:28:05 | 0:28:08 | |
ALICIA CHUCKLES | 0:28:08 | 0:28:09 | |
You can probably tell I've had lessons. | 0:28:13 | 0:28:15 | |
Have you? I have, actually. | 0:28:15 | 0:28:17 | |
Love it! | 0:28:20 | 0:28:22 | |
Oh, really nice. I'm enjoying this more than I thought I would. | 0:28:22 | 0:28:25 | |
Bit of side step. Yes! | 0:28:26 | 0:28:29 | |
Mmm... See, you're getting it! Now the spin, ready? | 0:28:29 | 0:28:32 | |
OK. | 0:28:32 | 0:28:33 | |
See? All over it. You're nailing it! Yep. | 0:28:33 | 0:28:36 | |
Thank you. | 0:28:38 | 0:28:40 | |
I don't... I don't want to state the obvious, but you did always know | 0:28:44 | 0:28:48 | |
that Glen wasn't going to be there for the baby. | 0:28:48 | 0:28:50 | |
So, what is the difference now? | 0:28:52 | 0:28:55 | |
If you don't want to be here, then... | 0:28:57 | 0:28:59 | |
I'm not saying that. | 0:28:59 | 0:29:00 | |
I don't know what the difference is. I'm not even sure if it's definable. | 0:29:02 | 0:29:07 | |
All I know is that I'm sat here with you, waiting for an appointment, | 0:29:09 | 0:29:14 | |
and when that... | 0:29:14 | 0:29:15 | |
When that door opens, we go inside. | 0:29:20 | 0:29:22 | |
What can I get if I smile nicely? | 0:29:37 | 0:29:39 | |
If you decide to proceed with the termination, | 0:29:51 | 0:29:53 | |
we can make an appointment for you. | 0:29:53 | 0:29:56 | |
You can also have someone, your partner, | 0:29:56 | 0:29:58 | |
with you at the relevant time. | 0:29:58 | 0:30:00 | |
I'm not the partner. I'm just... I'm here as a friend. | 0:30:00 | 0:30:03 | |
We will offer you an early medical abortion, | 0:30:03 | 0:30:06 | |
which would involve taking a tablet. | 0:30:06 | 0:30:09 | |
And another drug will be offered either at the same time | 0:30:09 | 0:30:12 | |
or you can come back up to 72 hours later. | 0:30:12 | 0:30:15 | |
So, it's not instant? | 0:30:16 | 0:30:17 | |
If that is a concern, surgical abortion is an option. | 0:30:18 | 0:30:23 | |
Today? | 0:30:28 | 0:30:29 | |
Or would you prefer to make a later appointment for the assessment? | 0:30:29 | 0:30:32 | |
Ow. | 0:30:36 | 0:30:38 | |
That hurt? You hit your head? | 0:30:38 | 0:30:41 | |
Don't remember it. | 0:30:42 | 0:30:44 | |
Call Dr Hardy. | 0:30:45 | 0:30:46 | |
Kara, Ryan's perfect for you. He's laid-back, he's kind, funny, honest. | 0:30:56 | 0:31:04 | |
What more could you want? | 0:31:04 | 0:31:05 | |
Honest, you said? | 0:31:07 | 0:31:08 | |
That's kind of weird. How would you know all that? | 0:31:10 | 0:31:13 | |
Talking of honesty. | 0:31:13 | 0:31:14 | |
Educated guess. | 0:31:16 | 0:31:17 | |
Or you set this up! You thought, | 0:31:18 | 0:31:21 | |
"Here's my unlovable sister, who's far too feisty for her own good". | 0:31:21 | 0:31:25 | |
And it worked. | 0:31:25 | 0:31:26 | |
But it didn't, did it? Because I don't like him. | 0:31:26 | 0:31:29 | |
Don't get like that. | 0:31:29 | 0:31:31 | |
Did you hear all that, Ryan? | 0:31:31 | 0:31:32 | |
I don't like you, so you can forget... | 0:31:35 | 0:31:37 | |
Hold my hand... | 0:31:37 | 0:31:38 | |
Sorry, but you need to leave. We're still treating Ryan. | 0:31:38 | 0:31:41 | |
ECHOING: Ryan? | 0:31:41 | 0:31:42 | |
OK, we need to get this bleeding under control. | 0:31:45 | 0:31:47 | |
Let's get him scanned, please. | 0:31:47 | 0:31:49 | |
Ryan? Can you hear me? | 0:31:50 | 0:31:52 | |
I thought you saw him fall. | 0:31:52 | 0:31:54 | |
You didn't think to tell us that he hit his head? | 0:31:54 | 0:31:56 | |
You say he just fell? | 0:32:03 | 0:32:04 | |
All right, do you want to grab the trolley, Jez? | 0:32:09 | 0:32:11 | |
I'll do the obs. | 0:32:11 | 0:32:13 | |
Don't worry, buddy, you're in luck - we ain't got that far to go. | 0:32:14 | 0:32:19 | |
He's dropped his GCS. | 0:32:19 | 0:32:21 | |
OK. Can we chase CT? He needs to go now. | 0:32:21 | 0:32:23 | |
You should have told us everything, Ryan. | 0:32:23 | 0:32:24 | |
We need all the clues we can get. | 0:32:24 | 0:32:26 | |
OK, he's fitting! | 0:32:26 | 0:32:27 | |
Juno! | 0:32:27 | 0:32:29 | |
OK. All right, Ryan. | 0:32:29 | 0:32:30 | |
All right, Ryan, OK, OK, right. | 0:32:37 | 0:32:39 | |
Right, I need Thiopentone and Rocuronium for an RSI, please. OK. | 0:32:42 | 0:32:45 | |
How did we miss this? There was no sign. | 0:32:47 | 0:32:50 | |
I can feel a boggy indentation, | 0:32:50 | 0:32:52 | |
so it could be a fracture or intracranial bleed. | 0:32:52 | 0:32:54 | |
I definitely need to intubate. You OK in here? | 0:32:54 | 0:32:56 | |
Hey. Yeah, another pair of hands wouldn't go amiss. | 0:32:56 | 0:33:00 | |
I'm sorry, ladies, but you need to leave. | 0:33:00 | 0:33:02 | |
Done. | 0:33:08 | 0:33:09 | |
How's his airway looking? Er... | 0:33:14 | 0:33:15 | |
I can't visualise the cords, there's too much vomit. | 0:33:16 | 0:33:19 | |
Can you suction, please? | 0:33:19 | 0:33:20 | |
Jacob, how are his sats doing? | 0:33:20 | 0:33:21 | |
96%, but dropping. | 0:33:21 | 0:33:23 | |
OK. I'm looking, just.. Just give me a second. | 0:33:23 | 0:33:26 | |
Er... I can't see the cords. | 0:33:31 | 0:33:33 | |
Go back to bagging? | 0:33:33 | 0:33:34 | |
Come on, guys, you're ageing me! | 0:33:34 | 0:33:36 | |
Yeah. And can I try a longer blade, please? | 0:33:36 | 0:33:38 | |
Oxygen at 92%. | 0:33:39 | 0:33:41 | |
I can't get a good view. Come on, come on, come on... | 0:33:52 | 0:33:54 | |
OK. Manoeuvre the neck, and I'll try a B-U-R-P. | 0:33:54 | 0:33:56 | |
Yeah, good plan. | 0:33:56 | 0:33:57 | |
OK. | 0:34:00 | 0:34:02 | |
OK, easy, easy, easy, let me help. | 0:34:04 | 0:34:06 | |
Can you see anything? | 0:34:06 | 0:34:07 | |
No. Just... just... Just keep going. | 0:34:07 | 0:34:09 | |
OK, OK, there. | 0:34:10 | 0:34:11 | |
Just hold it there. Tube. | 0:34:11 | 0:34:13 | |
Yeah. I'm in. | 0:34:19 | 0:34:20 | |
Inflate the cuff. | 0:34:24 | 0:34:25 | |
Done. | 0:34:27 | 0:34:28 | |
That was amazing. | 0:34:30 | 0:34:32 | |
Well done. | 0:34:32 | 0:34:33 | |
Well done, you. Hardly. | 0:34:33 | 0:34:35 | |
"Hardly" Hardy, the modest hero. JACOB CHUCKLES | 0:34:36 | 0:34:42 | |
Please don't... | 0:34:42 | 0:34:43 | |
Head up for me, please. | 0:34:46 | 0:34:48 | |
I'm assuming you've had a mastectomy. | 0:34:55 | 0:34:57 | |
I thought only wom... | 0:34:57 | 0:34:59 | |
Women have them? Go on, say it. | 0:34:59 | 0:35:02 | |
Not necessarily. | 0:35:02 | 0:35:03 | |
You can see why I ran, right? | 0:35:05 | 0:35:08 | |
You're going to need stitches. This laceration is particularly severe. | 0:35:08 | 0:35:11 | |
It may even leave a scar. | 0:35:11 | 0:35:13 | |
Another scar to have to hide away. Wonderful(!) | 0:35:13 | 0:35:16 | |
You think my corny chat-up lines are designed to work? | 0:35:17 | 0:35:20 | |
It's the complete... It's the complete opposite. | 0:35:20 | 0:35:23 | |
His obs, please? | 0:35:25 | 0:35:27 | |
Heart rate's irregular. Paolo? | 0:35:27 | 0:35:30 | |
I think he's developing acute AF. | 0:35:30 | 0:35:32 | |
Paolo, you're having palpitations. Have you had these before? | 0:35:32 | 0:35:35 | |
Listen to me... Heart rate still increasing. | 0:35:35 | 0:35:38 | |
Cap refill's delayed. | 0:35:38 | 0:35:39 | |
Do you have any chest pain? | 0:35:39 | 0:35:41 | |
Listen... | 0:35:41 | 0:35:42 | |
Glen erased everything on the phone. | 0:35:42 | 0:35:44 | |
Everything, apart from his pictures... | 0:35:44 | 0:35:46 | |
What? | 0:35:46 | 0:35:48 | |
Paolo we're going to have to sedate you. 75 fentanyl, please! | 0:35:48 | 0:35:51 | |
Wait! This cannot wait. | 0:35:51 | 0:35:53 | |
You know him? | 0:35:53 | 0:35:54 | |
I'm scared, Robyn. | 0:35:55 | 0:35:57 | |
Don't be. We'll look after you. | 0:35:57 | 0:35:58 | |
Promise? | 0:35:58 | 0:36:00 | |
I promise. | 0:36:01 | 0:36:02 | |
Pulse, please? | 0:36:02 | 0:36:04 | |
Still climbing. | 0:36:04 | 0:36:05 | |
He shouldn't have this AF. | 0:36:05 | 0:36:07 | |
We need to get his heart back in rhythm. | 0:36:07 | 0:36:09 | |
Paolo, we're going to have to shock you, OK? | 0:36:09 | 0:36:11 | |
Setting to 100 joules synchronised shock. Charging. | 0:36:17 | 0:36:20 | |
Stand clear, please. | 0:36:22 | 0:36:23 | |
Clear. Shocking. | 0:36:25 | 0:36:27 | |
153. 150 joules. | 0:36:29 | 0:36:34 | |
Charging. Clear. | 0:36:34 | 0:36:36 | |
Shocking. | 0:36:38 | 0:36:39 | |
He's cardioverted. We're back in sinus rhythm. Good. | 0:36:42 | 0:36:46 | |
Did you hear what he said? | 0:36:48 | 0:36:50 | |
Robyn, concentrate. He's not out of the woods yet. | 0:36:50 | 0:36:53 | |
If this is a pre-existing condition, it could happen again. | 0:36:53 | 0:36:56 | |
You were right. Your brother is good. | 0:36:56 | 0:36:59 | |
Yeah, he's amazing. | 0:36:59 | 0:37:01 | |
Give it a bit of time, and you can probably look in on Ryan. | 0:37:03 | 0:37:06 | |
After what I did to him? | 0:37:06 | 0:37:07 | |
Oh, you two will laugh about it one day, trust me. | 0:37:07 | 0:37:10 | |
I don't think there'll be a "one day". | 0:37:10 | 0:37:13 | |
Cos, when you think about it, Juno had to set me up with someone. | 0:37:13 | 0:37:16 | |
She went out of her way for me. | 0:37:16 | 0:37:18 | |
And you got a result - the guy likes you. | 0:37:18 | 0:37:20 | |
Maybe I'm not cut out for romance. | 0:37:21 | 0:37:23 | |
Maybe that's what this is telling me. | 0:37:23 | 0:37:26 | |
Even when they do like me, I almost go and kill them. | 0:37:26 | 0:37:29 | |
Yep. I think we're done here, yeah? | 0:37:30 | 0:37:32 | |
Robyn? | 0:37:38 | 0:37:39 | |
I got his old notes from St James'. | 0:37:41 | 0:37:44 | |
He's got a past history of heart problems. | 0:37:44 | 0:37:46 | |
He also knows Glen. | 0:37:46 | 0:37:47 | |
What? He knows him, David. | 0:37:47 | 0:37:50 | |
I did something right, then? | 0:37:50 | 0:37:52 | |
You did more than that. | 0:37:52 | 0:37:54 | |
So, am I forgiven? | 0:37:55 | 0:37:57 | |
I shouldn't have lashed out at you in the first place. | 0:37:57 | 0:37:59 | |
I'm sorry. Hm. | 0:37:59 | 0:38:01 | |
This is my fault, all of it. | 0:38:08 | 0:38:11 | |
But sometimes, just sometimes... | 0:38:13 | 0:38:17 | |
I, erm... I'm not saying you should do this, but if I was Ryan, | 0:38:21 | 0:38:26 | |
I wouldn't want to wake up and not have anyone sitting there. | 0:38:26 | 0:38:29 | |
You don't know the full picture. | 0:38:29 | 0:38:31 | |
No, but we tried his parents, and they're at least a few hours away. | 0:38:33 | 0:38:37 | |
We only met today. | 0:38:37 | 0:38:39 | |
I think you do like him, though. | 0:38:41 | 0:38:42 | |
Doc, you're not seeing all the angles. | 0:38:42 | 0:38:44 | |
Juno's lovely, boys love her, and why not? | 0:38:45 | 0:38:50 | |
But they also love her enough to do whatever she asks. | 0:38:51 | 0:38:54 | |
Even dating her undatable sister. | 0:38:54 | 0:38:56 | |
I know who I am. | 0:38:58 | 0:39:00 | |
I know how my story goes. I don't get the boy. | 0:39:00 | 0:39:03 | |
The End. | 0:39:05 | 0:39:06 | |
You... You kept your promise. | 0:39:17 | 0:39:19 | |
I know what you're going through. | 0:39:23 | 0:39:26 | |
You have no idea. | 0:39:26 | 0:39:28 | |
I met Glen during chemo. | 0:39:29 | 0:39:31 | |
We'd sit together, and he always smiled at me, always chatted. | 0:39:33 | 0:39:38 | |
When I heard your name today, I... I just couldn't believe it. | 0:39:40 | 0:39:44 | |
He told you about me, then? | 0:39:46 | 0:39:48 | |
I didn't know about the wedding. | 0:39:49 | 0:39:51 | |
He just called and said to come meet him. | 0:39:52 | 0:39:55 | |
I was going to thank him for getting me through this, but... | 0:39:56 | 0:39:59 | |
I just couldn't do it face-to-face. | 0:39:59 | 0:40:01 | |
That's blokes for you. | 0:40:02 | 0:40:05 | |
And now he's gone. | 0:40:05 | 0:40:07 | |
Ended up at the bus station. He gave me a bag, | 0:40:07 | 0:40:11 | |
his phone and stuff, and said to throw it or sell it. | 0:40:11 | 0:40:14 | |
I just couldn't do it. | 0:40:14 | 0:40:15 | |
He gave ME a letter. | 0:40:16 | 0:40:18 | |
I know how he felt about you. | 0:40:19 | 0:40:21 | |
That's why I kept the phone. | 0:40:21 | 0:40:23 | |
As a lasting memory. | 0:40:23 | 0:40:25 | |
I need to get a message to him. | 0:40:28 | 0:40:30 | |
I don't know where he's gone. | 0:40:30 | 0:40:31 | |
He needs to know. | 0:40:31 | 0:40:33 | |
He's gone away for us. | 0:40:33 | 0:40:34 | |
He's trying to save us from having to watch him die. | 0:40:35 | 0:40:39 | |
You don't understand. | 0:40:39 | 0:40:41 | |
I'm pregnant. | 0:40:43 | 0:40:44 | |
That was my wedding gift to him. | 0:40:47 | 0:40:49 | |
So if there's any way that I can let him know... | 0:40:51 | 0:40:54 | |
You can't. | 0:40:54 | 0:40:55 | |
Why? | 0:40:55 | 0:40:56 | |
That would be torture. | 0:40:56 | 0:40:58 | |
What do you mean? | 0:40:58 | 0:40:59 | |
He wouldn't live long enough to see his kid. | 0:41:00 | 0:41:02 | |
They'll never meet. | 0:41:04 | 0:41:05 | |
It was hard enough leaving you. | 0:41:08 | 0:41:10 | |
It's his baby. | 0:41:11 | 0:41:13 | |
Well, then, you're lucky - you've still got something of his. | 0:41:14 | 0:41:18 | |
All I've got is a phone. | 0:41:19 | 0:41:21 | |
Paolo, I've been through your previous blood results, | 0:41:21 | 0:41:23 | |
and they suggest a high level of testosterone. | 0:41:23 | 0:41:27 | |
Sorry. I need to get on. | 0:41:27 | 0:41:28 | |
Let's not be strangers, eh? | 0:41:28 | 0:41:31 | |
Of course. | 0:41:31 | 0:41:32 | |
The bruises on your legs I saw earlier | 0:41:36 | 0:41:38 | |
suggest you've been self-injecting. | 0:41:38 | 0:41:40 | |
I need to ask - are you taking steroids? | 0:41:40 | 0:41:43 | |
I work out. So yeah, I take them. | 0:41:43 | 0:41:45 | |
I'm not hanging around. It's not me. It's the bus. It's late. | 0:41:53 | 0:41:57 | |
You know, Ryan held my hand. | 0:42:02 | 0:42:04 | |
But he said it wasn't the same as holding yours. | 0:42:07 | 0:42:10 | |
Such a drama queen. | 0:42:10 | 0:42:11 | |
What would you give him out of ten? | 0:42:18 | 0:42:21 | |
I don't play silly games. | 0:42:21 | 0:42:23 | |
Come on. A six? | 0:42:23 | 0:42:24 | |
A seven? | 0:42:25 | 0:42:26 | |
Probably...a nine. | 0:42:27 | 0:42:31 | |
Nine? Wow! Then you really need to go and sit with him. | 0:42:31 | 0:42:34 | |
Doctor's orders. | 0:42:36 | 0:42:37 | |
What would you give me? Out of ten? | 0:42:40 | 0:42:42 | |
I don't play silly games. | 0:42:43 | 0:42:45 | |
I know what I am. I'm a seven, maybe an eight on a good day. | 0:42:47 | 0:42:52 | |
But I date like a two. | 0:42:53 | 0:42:54 | |
You're not me, but you're close. | 0:42:58 | 0:43:01 | |
That's what you think, is it? | 0:43:02 | 0:43:05 | |
Got to know our place, right? | 0:43:05 | 0:43:06 | |
Even so, I really think you should... | 0:43:11 | 0:43:14 | |
All right, all right, here I go. | 0:43:14 | 0:43:16 | |
Look at me, one foot in front of the other. | 0:43:16 | 0:43:18 | |
Wait, where is he, anyway? | 0:43:19 | 0:43:21 | |
I could show you. | 0:43:23 | 0:43:25 | |
BREATHING HEAVILY | 0:43:44 | 0:43:50 | |
ROBYN GRUNTS | 0:43:56 | 0:43:58 | |
Robyn? What is it? What is it? | 0:44:02 | 0:44:04 | |
Talk to me! | 0:44:04 | 0:44:06 | |
I'm... Can you get Dylan please? | 0:44:06 | 0:44:08 | |
Yes. | 0:44:08 | 0:44:09 | |
I think I'm having a miscarriage. | 0:44:09 | 0:44:11 | |
Oh, don't.... Sit down, sit down, come on. | 0:44:11 | 0:44:13 | |
That's it, that's it. Just sit, sit there, whoa, there you go, | 0:44:13 | 0:44:16 | |
Wait there. | 0:44:16 | 0:44:18 | |
The steroids you've been taking are anabolic. Correct? | 0:44:24 | 0:44:26 | |
Correct. At least, that's what they said. | 0:44:26 | 0:44:29 | |
Well, I have to warn you, if you keep on taking those, | 0:44:29 | 0:44:32 | |
the chances are you'll have more heart problems, | 0:44:32 | 0:44:34 | |
and possibly develop prostate cancer, | 0:44:34 | 0:44:36 | |
but I'm sure you know that already, after what you've been through. | 0:44:36 | 0:44:41 | |
Are you always this warm(?) | 0:44:41 | 0:44:43 | |
And, just so you know, | 0:44:43 | 0:44:45 | |
it's not your scar or your missing nipple that's holding you back. | 0:44:45 | 0:44:47 | |
It's your personality. | 0:44:47 | 0:44:49 | |
Wow. That is cold, that's... That's below zero. | 0:44:49 | 0:44:53 | |
And your dreadful chat-up lines. | 0:44:53 | 0:44:55 | |
OK. I'm in enough pain, thank you. | 0:44:55 | 0:44:57 | |
I mean, "Dr Chao Bella"? Seriously? | 0:44:57 | 0:45:00 | |
If I promise to stop taking steroids, will you stop talking? | 0:45:00 | 0:45:03 | |
You know, last time somebody spoke to me like that, | 0:45:05 | 0:45:08 | |
it was my best friend. | 0:45:08 | 0:45:10 | |
I think we're going to become friends. | 0:45:10 | 0:45:13 | |
Excuse me! Sorry! Sorry! Coming through. Coming through! | 0:45:13 | 0:45:17 | |
Sorry! Oh! Hello. | 0:45:17 | 0:45:19 | |
Thank you. | 0:45:20 | 0:45:22 | |
Shhh, OK. It's OK... It... It's on. | 0:45:22 | 0:45:25 | |
I can't emphasise enough how inappropriate this is. OK? | 0:45:25 | 0:45:29 | |
You didn't tell anyone, did you? | 0:45:29 | 0:45:32 | |
No. My lips are sealed. | 0:45:32 | 0:45:34 | |
Please, can you just keep watch, yeah? | 0:45:34 | 0:45:37 | |
Right, now, let's all relax, this is probably just a normal bleed. | 0:45:38 | 0:45:42 | |
Now, in theory, if the baby's still there, we should hear a heartbeat. | 0:45:44 | 0:45:49 | |
OK? Just do it. | 0:45:49 | 0:45:51 | |
Before we do, are you clear about what you want to hear? | 0:45:54 | 0:45:58 | |
Silence or a heartbeat? | 0:45:59 | 0:46:00 | |
Let me hear my baby. | 0:46:01 | 0:46:03 | |
Wow! The good doctor is not going to believe his eyes. | 0:46:12 | 0:46:18 | |
Good. That's the plan. | 0:46:18 | 0:46:19 | |
Bring home that trophy. Of course. | 0:46:19 | 0:46:21 | |
Madame, your carriage awaits. | 0:46:21 | 0:46:23 | |
Hey. Erm... So, Ethan cried off at the last minute. | 0:46:26 | 0:46:30 | |
Are you kidding me? What, he binned me off? | 0:46:33 | 0:46:36 | |
Some mate he is(!) | 0:46:36 | 0:46:38 | |
Well, good thing is, I'm the kind of mate who brings a bottle. | 0:46:38 | 0:46:41 | |
Ah! Get that open! Shall we? | 0:46:41 | 0:46:43 | |
Party girl's in town. Whoop, whoop! | 0:46:43 | 0:46:45 | |
I don't get it. | 0:46:53 | 0:46:54 | |
Got to know your place. | 0:46:57 | 0:46:58 | |
Oh, Robyn, I'm sorry. | 0:47:14 | 0:47:15 | |
There's nothing there. | 0:47:22 | 0:47:24 | |
Wait. | 0:47:28 | 0:47:30 | |
Volume. | 0:47:33 | 0:47:34 | |
Uh... Huh... Right. Let's try again, shall we? | 0:47:37 | 0:47:43 | |
HEART BEATING Hear that? | 0:47:50 | 0:47:55 | |
Yeah. I can hear it. | 0:47:55 | 0:47:57 | |
And? | 0:47:57 | 0:47:59 | |
It's beautiful. | 0:48:00 | 0:48:01 | |
I'm investigating a worldwide illegal ivory trade that | 0:48:43 | 0:48:46 | |
continues despite a ban imposed over 25 years ago. | 0:48:46 | 0:48:50 | |
This scene's being played out all over Africa. | 0:48:50 | 0:48:53 |