Browse content similar to Nightvisiting. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:08 | |
-'Rachel's dead...' -'Mum was paralysed in an accident. | 0:00:08 | 0:00:10 | |
'Our teacher is the Quill's leading terrorist.' | 0:00:10 | 0:00:12 | |
Freedom fighter. We're just little arses of smart, | 0:00:12 | 0:00:15 | |
who don't even know what evil looks like. | 0:00:15 | 0:00:16 | |
We're so busy fighting amongst ourselves we never saw them coming. | 0:00:16 | 0:00:19 | |
Why are you trying to make me talk about it? | 0:00:19 | 0:00:21 | |
My dad died... | 0:00:21 | 0:00:22 | |
almost two years ago. | 0:00:22 | 0:00:24 | |
A stroke. | 0:00:25 | 0:00:26 | |
HE SHOUTS IN ANOTHER LANGUAGE | 0:00:26 | 0:00:28 | |
MUSIC: Nightvisiting | 0:00:30 | 0:00:31 | |
# I will put my ship in order | 0:00:31 | 0:00:36 | |
# And I will sail to the sea | 0:00:38 | 0:00:42 | |
# I will listen at the window | 0:00:45 | 0:00:48 | |
# To see if my true love | 0:00:50 | 0:00:53 | |
# Minds on me | 0:00:53 | 0:00:55 | |
# When I come into the harbour | 0:00:55 | 0:00:59 | |
# The burning Thames I have to cross | 0:01:01 | 0:01:05 | |
# I will listen at the window | 0:01:08 | 0:01:12 | |
# For my true love | 0:01:13 | 0:01:16 | |
# You alone | 0:01:16 | 0:01:17 | |
# Cos I'm here and I'm outside your window | 0:01:20 | 0:01:24 | |
# The rain is soaking to the skin | 0:01:27 | 0:01:30 | |
# The prison walls I'm scaling | 0:01:31 | 0:01:34 | |
# The chains that bind me down | 0:01:34 | 0:01:36 | |
# The clay will not contain me | 0:01:38 | 0:01:40 | |
# And keep me from your arms... # | 0:01:40 | 0:01:43 | |
MUSIC FADES OUT | 0:01:45 | 0:01:46 | |
# And so I sing | 0:01:58 | 0:02:01 | |
# Unto the morning | 0:02:01 | 0:02:04 | |
# Oh, Sun, don't rise | 0:02:07 | 0:02:11 | |
# Before the day | 0:02:11 | 0:02:14 | |
# Birds | 0:02:15 | 0:02:17 | |
# Hold your tunes a bit longer | 0:02:17 | 0:02:20 | |
# For dawn comes to steal | 0:02:22 | 0:02:24 | |
# My sweet one away. # | 0:02:24 | 0:02:26 | |
SLOW PIANO INSTRUMENTAL | 0:02:26 | 0:02:27 | |
PIANO INSTRUMENTAL QUICKENS | 0:02:38 | 0:02:40 | |
MUSIC ENDS | 0:02:59 | 0:03:01 | |
SHE SOBS | 0:03:02 | 0:03:03 | |
SHE SNIFFS | 0:03:09 | 0:03:10 | |
SHE SNIFFS | 0:03:17 | 0:03:19 | |
SHE SIGHS | 0:03:21 | 0:03:22 | |
TENSE MUSIC | 0:03:27 | 0:03:28 | |
CHILLING MUSIC | 0:03:33 | 0:03:34 | |
MUSIC BUILDS | 0:03:37 | 0:03:38 | |
Daddy? | 0:03:41 | 0:03:42 | |
MUSIC: Up All Night by Alex Clare | 0:03:45 | 0:03:47 | |
# What have I been waiting for? | 0:03:47 | 0:03:49 | |
# Been wasting all my time | 0:03:49 | 0:03:52 | |
# Watchin' my youth slip away | 0:03:52 | 0:03:54 | |
# Surely is a crime | 0:03:54 | 0:03:56 | |
# We go on and on and on and on | 0:03:56 | 0:03:59 | |
# Never knowing where, never knowing where | 0:03:59 | 0:04:01 | |
# We gonna, we gonna... | 0:04:01 | 0:04:02 | |
# We gonna end up in the morning | 0:04:02 | 0:04:06 | |
# We go on and on and on and on | 0:04:06 | 0:04:09 | |
# Never knowing where, never knowing where | 0:04:09 | 0:04:11 | |
# We gonna, we gonna... | 0:04:11 | 0:04:12 | |
# We gonna end up in the morning. # | 0:04:12 | 0:04:15 | |
It isn't you. | 0:04:18 | 0:04:20 | |
It is. | 0:04:20 | 0:04:21 | |
I've reached out to you across all time and space. | 0:04:23 | 0:04:25 | |
Because dead people are doing that | 0:04:25 | 0:04:27 | |
all the time. I mean, you hear about it constantly(!) | 0:04:27 | 0:04:30 | |
The stroke came so suddenly. | 0:04:32 | 0:04:33 | |
One moment I was here... | 0:04:35 | 0:04:36 | |
And the next, you were gone. | 0:04:36 | 0:04:38 | |
There's so much that I wanted to say to you. | 0:04:40 | 0:04:41 | |
You're not him. | 0:04:41 | 0:04:43 | |
I am. I'm a part of you, Puddle. | 0:04:43 | 0:04:45 | |
I'm out of here. | 0:04:45 | 0:04:46 | |
I'm your father - Jasper. | 0:04:46 | 0:04:49 | |
I married your mother, Vivian. | 0:04:49 | 0:04:51 | |
And then, two years later, we had your brothers. | 0:04:51 | 0:04:53 | |
You died two years ago today. | 0:04:53 | 0:04:56 | |
I was at your grave with Mum. | 0:04:56 | 0:04:57 | |
I know that, Puddle. | 0:04:57 | 0:04:59 | |
But I'm here now. | 0:04:59 | 0:05:01 | |
I know how much pain you're in. | 0:05:01 | 0:05:03 | |
I can help with that pain. | 0:05:03 | 0:05:05 | |
Why don't you take my hand? | 0:05:09 | 0:05:10 | |
I...I don't think I'm dealing with this very well. | 0:05:15 | 0:05:18 | |
DOOR OPENS | 0:05:18 | 0:05:20 | |
DOOR SHUTS | 0:05:20 | 0:05:21 | |
SHE PANTS | 0:05:23 | 0:05:24 | |
TENSE MUSIC | 0:05:27 | 0:05:29 | |
MUSIC BUILDS | 0:05:38 | 0:05:40 | |
MUSIC BUILDS | 0:05:50 | 0:05:53 | |
DOOR CLICKS | 0:05:53 | 0:05:54 | |
Alien invasion or teen angst? | 0:05:56 | 0:05:58 | |
"Teen angst" is a pejorative phrase. | 0:05:58 | 0:06:01 | |
He's upstairs. | 0:06:01 | 0:06:02 | |
SLITHERING | 0:06:09 | 0:06:10 | |
What's wrong? | 0:06:16 | 0:06:17 | |
They've...thrown me out. | 0:06:17 | 0:06:20 | |
COMPUTER JINGLES, TAPPING | 0:06:20 | 0:06:22 | |
COMPUTER JINGLES | 0:06:25 | 0:06:26 | |
HE SIGHS | 0:06:26 | 0:06:27 | |
COMPUTER JINGLES | 0:06:30 | 0:06:31 | |
COMPUTER JINGLES | 0:06:34 | 0:06:36 | |
Oh, come on, Tanya! Where are you? | 0:06:36 | 0:06:37 | |
RAIN PATTERS | 0:06:37 | 0:06:39 | |
SLOW VIOLIN MUSIC PLAYS | 0:06:39 | 0:06:40 | |
VIOLIN PLAYS | 0:06:42 | 0:06:44 | |
MUSIC ENDS | 0:06:50 | 0:06:51 | |
COMPUTER JINGLES | 0:06:51 | 0:06:53 | |
SHE SIGHS | 0:06:54 | 0:06:55 | |
Hey. | 0:06:57 | 0:06:58 | |
-Have you seen Tanya? -No. | 0:06:58 | 0:07:00 | |
She's not been around today. | 0:07:00 | 0:07:01 | |
It is the anniversary of her dad's, erm... | 0:07:03 | 0:07:06 | |
I know that, she's more my friend than yours. | 0:07:06 | 0:07:08 | |
Why does it have to be a competition? | 0:07:08 | 0:07:10 | |
-Did you understand the physics homework? -What? | 0:07:10 | 0:07:13 | |
-Oh. -Don't "Oh" me. | 0:07:13 | 0:07:15 | |
Fine. Although I didn't understand all of it either. | 0:07:15 | 0:07:18 | |
Is that a keyboard? | 0:07:19 | 0:07:21 | |
Do you play that too? | 0:07:21 | 0:07:23 | |
-Yeah. -SHE CLEARS HER THROAT | 0:07:24 | 0:07:26 | |
I write sometimes. | 0:07:26 | 0:07:27 | |
You write songs? | 0:07:28 | 0:07:29 | |
No. | 0:07:30 | 0:07:31 | |
Nothing. Erm... | 0:07:31 | 0:07:33 | |
Let's get to physics. | 0:07:34 | 0:07:35 | |
-IN FOREIGN ACCENT: -Was argument. | 0:07:35 | 0:07:37 | |
One we had many times. | 0:07:37 | 0:07:39 | |
About boys. | 0:07:41 | 0:07:43 | |
Then it became about you. | 0:07:43 | 0:07:45 | |
It was almost OK I liked boys. | 0:07:45 | 0:07:47 | |
But my father... | 0:07:47 | 0:07:48 | |
If I don't have a boyfriend, he doesn't have to think about it. | 0:07:50 | 0:07:52 | |
But you... | 0:07:54 | 0:07:56 | |
you exist. You are a real person. | 0:07:56 | 0:07:59 | |
Did this really happen? | 0:08:03 | 0:08:05 | |
KNOCKING | 0:08:05 | 0:08:06 | |
KNOCKING | 0:08:10 | 0:08:12 | |
Because, of course, I'll get it. | 0:08:12 | 0:08:14 | |
I once led an army. | 0:08:17 | 0:08:18 | |
-KNOCKING -Yes, all right! | 0:08:20 | 0:08:23 | |
You know, you aren't supposed to just drop by in this country. | 0:08:23 | 0:08:25 | |
LOCKS CLICK | 0:08:25 | 0:08:26 | |
KNOCKING | 0:08:28 | 0:08:30 | |
She's the worst teacher I've ever had. | 0:08:33 | 0:08:35 | |
I don't know how nobody notices. | 0:08:35 | 0:08:37 | |
-She does barely anything. -I don't know. | 0:08:37 | 0:08:40 | |
So, what I did on question three was... | 0:08:41 | 0:08:45 | |
RUSTLING | 0:08:45 | 0:08:46 | |
KNOCKING | 0:08:46 | 0:08:47 | |
What was that? | 0:08:48 | 0:08:49 | |
Someone just knocked on my window. | 0:08:51 | 0:08:54 | |
And that's weird...? | 0:08:54 | 0:08:55 | |
I'm on the first floor. | 0:08:55 | 0:08:57 | |
Hello, Andrearth. | 0:09:02 | 0:09:04 | |
No-one knows that name. | 0:09:06 | 0:09:07 | |
No-one alive knows that name. | 0:09:09 | 0:09:12 | |
Therefore...? | 0:09:12 | 0:09:13 | |
Therefore, you're a dead woman. | 0:09:13 | 0:09:15 | |
Or you're going to be. | 0:09:15 | 0:09:16 | |
Come, come, Andrearth. A fight? | 0:09:16 | 0:09:18 | |
Then again, maybe that would be the best greeting. | 0:09:19 | 0:09:22 | |
Mum? | 0:09:28 | 0:09:29 | |
DOOR CREAKS | 0:09:29 | 0:09:30 | |
I'll see you in the morning. | 0:09:32 | 0:09:34 | |
I hope. | 0:09:37 | 0:09:38 | |
KNOCKING | 0:09:43 | 0:09:45 | |
Ram, you have to see what that is. | 0:09:45 | 0:09:47 | |
Oh, screw you! I don't HAVE to do anything. | 0:09:47 | 0:09:50 | |
I've done plenty already. | 0:09:50 | 0:09:51 | |
CRASHING | 0:09:51 | 0:09:53 | |
Ram? | 0:09:54 | 0:09:55 | |
-Oh, come on! -Ram? | 0:09:56 | 0:09:58 | |
What's happening? | 0:09:58 | 0:09:59 | |
It's just not fair! | 0:09:59 | 0:10:01 | |
Holy mother of Kanye! | 0:10:03 | 0:10:05 | |
Rachel! | 0:10:06 | 0:10:07 | |
-SCARY MUSIC -Agh! | 0:10:11 | 0:10:12 | |
SHE SIGHS HEAVILY | 0:10:21 | 0:10:23 | |
DOOR OPENS | 0:10:23 | 0:10:25 | |
DOOR SHUTS | 0:10:25 | 0:10:26 | |
Why me? Why not Mum or your sons? | 0:10:30 | 0:10:34 | |
We go to the strongest pull first - | 0:10:34 | 0:10:37 | |
the one who misses us the most. | 0:10:37 | 0:10:39 | |
You were like a siren song, when we stepped into this world. | 0:10:39 | 0:10:42 | |
But how can I possibly miss you more than Mum does? | 0:10:42 | 0:10:45 | |
Because she's already let me go. | 0:10:49 | 0:10:51 | |
It's the shape, I know. | 0:10:53 | 0:10:55 | |
Some morphic resonance thing I don't understand. | 0:10:55 | 0:10:58 | |
One has to make allowances for other planets. | 0:10:58 | 0:11:01 | |
Surely, though, even in this skin... | 0:11:01 | 0:11:03 | |
..that you yourself wear so well, Andrearth... | 0:11:04 | 0:11:07 | |
..surely you recognise your own sister? | 0:11:08 | 0:11:11 | |
How? How are you here? | 0:11:14 | 0:11:16 | |
That's a story and a half. | 0:11:16 | 0:11:17 | |
I ain't going nowhere. | 0:11:17 | 0:11:18 | |
You AREN'T going anywhere. | 0:11:18 | 0:11:20 | |
The correct words AREN'T always the right ones. | 0:11:20 | 0:11:23 | |
Well, that's true, isn't it? | 0:11:23 | 0:11:25 | |
That's what I always used to say to you. | 0:11:25 | 0:11:27 | |
That's what my dad used to tell me. | 0:11:27 | 0:11:28 | |
Fair enough. All right. | 0:11:28 | 0:11:30 | |
We are... | 0:11:31 | 0:11:32 | |
..the Lan Kin. | 0:11:34 | 0:11:35 | |
Aliens? | 0:11:35 | 0:11:37 | |
'So you're NOT him?' | 0:11:37 | 0:11:39 | |
-I am. -You just said you're... | 0:11:39 | 0:11:40 | |
The universe is so big! | 0:11:40 | 0:11:42 | |
So big you wouldn't believe it. | 0:11:43 | 0:11:45 | |
Yes, actually, I would. | 0:11:45 | 0:11:47 | |
So, who are "the Lan Kin"? | 0:11:49 | 0:11:51 | |
They gather souls, Puddle. | 0:11:51 | 0:11:54 | |
They gather our souls, or they can... | 0:11:54 | 0:11:57 | |
if we let them. | 0:11:57 | 0:11:58 | |
'Quill don't have souls.' | 0:11:58 | 0:12:01 | |
We do. | 0:12:01 | 0:12:03 | |
We just believe they die with us. | 0:12:03 | 0:12:05 | |
They're wrong about that. | 0:12:05 | 0:12:07 | |
The Lan Kin...look after them. | 0:12:07 | 0:12:09 | |
They shepherd them. | 0:12:10 | 0:12:12 | |
Aww! Where to? Heaven? | 0:12:12 | 0:12:14 | |
If heaven is being with the souls of everyone you've ever known... | 0:12:14 | 0:12:18 | |
then yes. | 0:12:18 | 0:12:20 | |
Sounds like hell. | 0:12:20 | 0:12:22 | |
That, too. | 0:12:22 | 0:12:23 | |
What do you get out of it? | 0:12:24 | 0:12:26 | |
'Souls give off energy,' | 0:12:26 | 0:12:30 | |
a perpetually renewing power source. | 0:12:30 | 0:12:34 | |
It is mutually beneficial. | 0:12:34 | 0:12:35 | |
The more souls that gather together, | 0:12:36 | 0:12:38 | |
the more energy the Lan Kin have. | 0:12:38 | 0:12:40 | |
So... | 0:12:41 | 0:12:42 | |
..why are you here? | 0:12:43 | 0:12:45 | |
If you take my hand, I can ease your pain. | 0:12:45 | 0:12:47 | |
Our souls will connect. | 0:12:47 | 0:12:50 | |
So that, when it comes to your time... | 0:12:50 | 0:12:52 | |
many years from now... | 0:12:52 | 0:12:53 | |
..you'll be able to find me. | 0:12:55 | 0:12:57 | |
Dad! I know we talked about the weird stuff... | 0:13:01 | 0:13:03 | |
Dad, call me as soon as you get this. | 0:13:04 | 0:13:06 | |
HE GRUNTS | 0:13:19 | 0:13:20 | |
HE GRUNTS | 0:13:20 | 0:13:21 | |
HISSING | 0:13:23 | 0:13:26 | |
-ECHOING: -Ram! -HE GASPS | 0:13:29 | 0:13:31 | |
HE PANTS | 0:13:32 | 0:13:34 | |
MUSIC BUILDS | 0:13:37 | 0:13:38 | |
'You can stay here as long as you need.' | 0:13:46 | 0:13:48 | |
What if that's forever? | 0:13:48 | 0:13:50 | |
Then it's forever. | 0:13:50 | 0:13:52 | |
You know... | 0:13:53 | 0:13:55 | |
these weeks...with you, | 0:13:55 | 0:13:57 | |
I know you were different, | 0:13:57 | 0:14:00 | |
but, now that I know why, it doesn't matter | 0:14:00 | 0:14:03 | |
because you are still you | 0:14:03 | 0:14:05 | |
with all your... | 0:14:05 | 0:14:07 | |
strangeness. | 0:14:07 | 0:14:09 | |
Same here. | 0:14:09 | 0:14:11 | |
Charlie... | 0:14:13 | 0:14:14 | |
I would like to say something, | 0:14:14 | 0:14:17 | |
but I don't want you to think it's because of this situation. | 0:14:17 | 0:14:21 | |
-OK. -Do not laugh at me. | 0:14:21 | 0:14:24 | |
-Is it funny? -No. | 0:14:24 | 0:14:26 | |
Because sometimes I miss the human sense of humour. | 0:14:26 | 0:14:28 | |
I mean, you've seen that show Take Me Out. | 0:14:28 | 0:14:30 | |
I love you. | 0:14:30 | 0:14:31 | |
Do you... | 0:14:32 | 0:14:34 | |
have love where you come from? | 0:14:34 | 0:14:35 | |
What about Miss Quill? | 0:14:42 | 0:14:43 | |
I told her never to intrude unless the world is actually ending. | 0:14:43 | 0:14:45 | |
LAUGHTER | 0:14:45 | 0:14:46 | |
We've never gathered the souls of this race. | 0:14:49 | 0:14:52 | |
Not until cracks in the universe started appearing here. | 0:14:52 | 0:14:57 | |
We found a few souls we could help | 0:14:57 | 0:14:59 | |
but we'd like to help more. | 0:14:59 | 0:15:02 | |
Right, so this is a sales pitch? | 0:15:02 | 0:15:04 | |
And you've chosen a human picture of my sister | 0:15:04 | 0:15:07 | |
to be your mouthpiece? | 0:15:07 | 0:15:09 | |
Tell me again why I shouldn't kick your arse right now. | 0:15:10 | 0:15:13 | |
The shadow kin attack happened so fast, sister. | 0:15:13 | 0:15:17 | |
No-one knew it was their last day. | 0:15:17 | 0:15:19 | |
I know we've rarely seen eye-to-eye... | 0:15:21 | 0:15:23 | |
You tried to kill me in the nest. | 0:15:23 | 0:15:24 | |
All Quill sisters do that. | 0:15:24 | 0:15:27 | |
It is how we know the survivors are strong. | 0:15:27 | 0:15:28 | |
We allow you to properly say goodbye, | 0:15:30 | 0:15:33 | |
and, thereby, ensure you'll find one another in the hereafter. | 0:15:33 | 0:15:37 | |
Oh, this is sounding suspiciously sentimental. | 0:15:37 | 0:15:39 | |
Exactly the sort of nonsense | 0:15:40 | 0:15:42 | |
that would lead one of these ridiculous humans into a trap. | 0:15:42 | 0:15:45 | |
It's symbiotic. | 0:15:45 | 0:15:47 | |
You give to me as I give to you. | 0:15:47 | 0:15:50 | |
Why does it have to be a bad thing? | 0:15:50 | 0:15:52 | |
I've had bad luck with aliens recently. | 0:15:52 | 0:15:54 | |
Well, we're not all evil. | 0:15:54 | 0:15:56 | |
And there is so much good in the universe. | 0:15:57 | 0:16:00 | |
So much good. | 0:16:00 | 0:16:02 | |
You're hesitating, you're wondering. | 0:16:03 | 0:16:06 | |
What if? | 0:16:06 | 0:16:07 | |
ENGINE RUNS | 0:16:11 | 0:16:13 | |
There's so much I wanted to tell you. | 0:16:25 | 0:16:28 | |
And so much I wanted to say. | 0:16:28 | 0:16:29 | |
I know, son. Take your mother's hand and tell her, mm? | 0:16:29 | 0:16:33 | |
-Mama? -Son! | 0:16:33 | 0:16:35 | |
GRUNTING, TENSE MUSIC | 0:16:35 | 0:16:36 | |
HE PANTS | 0:16:44 | 0:16:45 | |
HE SIGHS | 0:16:46 | 0:16:47 | |
What was that? | 0:16:47 | 0:16:48 | |
A soul saying goodbye. | 0:16:48 | 0:16:50 | |
HE GROANS | 0:16:51 | 0:16:53 | |
HE SIGHS | 0:16:55 | 0:16:57 | |
Not as clean as we'd have liked. | 0:16:57 | 0:16:59 | |
A lot of anger there. | 0:16:59 | 0:17:01 | |
We are kind of a messier species than the Lan Kin is used to. | 0:17:01 | 0:17:04 | |
So sad... | 0:17:05 | 0:17:06 | |
..when we can't let go properly. | 0:17:08 | 0:17:09 | |
'In my world, love is a practical term, | 0:17:11 | 0:17:13 | |
'it is almost a business one.' | 0:17:13 | 0:17:15 | |
It means to combine what you have with what someone else has. | 0:17:15 | 0:17:19 | |
It's the combination that means love, | 0:17:19 | 0:17:21 | |
not...the wish to do it. | 0:17:21 | 0:17:23 | |
The wish told you where love might be found... | 0:17:23 | 0:17:26 | |
it wasn't love itself. | 0:17:26 | 0:17:28 | |
What are you saying? | 0:17:28 | 0:17:30 | |
That my wish isn't love? | 0:17:30 | 0:17:32 | |
-No. -Because, if not, then I've given up very much for a pointless wish. | 0:17:32 | 0:17:36 | |
No, no, no. That's not what I'm saying. | 0:17:36 | 0:17:38 | |
Here, you have so much choice. | 0:17:38 | 0:17:40 | |
But if your family is wrong for you, you can choose a different one. | 0:17:40 | 0:17:42 | |
My family... | 0:17:44 | 0:17:45 | |
They never saw me as someone they needed to bother combining with. | 0:17:47 | 0:17:51 | |
I was a valuable piece of property | 0:17:53 | 0:17:55 | |
to be used for the good of the country. | 0:17:55 | 0:17:58 | |
The wish, my wish... | 0:17:58 | 0:17:59 | |
..had nothing to do with it. | 0:18:01 | 0:18:03 | |
I wish for you. | 0:18:03 | 0:18:04 | |
You wish to combine with me? | 0:18:06 | 0:18:07 | |
Yeah, isn't that what we just...? | 0:18:10 | 0:18:12 | |
Sometimes I think you play stupid! | 0:18:12 | 0:18:14 | |
How about that fight? | 0:18:19 | 0:18:21 | |
Matron's rules - no mercy. | 0:18:21 | 0:18:22 | |
That would get in the way. | 0:18:25 | 0:18:27 | |
It's our limitation. | 0:18:28 | 0:18:30 | |
We have to stay attached to the great trunk. | 0:18:31 | 0:18:34 | |
It's how the souls connect. | 0:18:35 | 0:18:37 | |
I could only come this far to you. | 0:18:37 | 0:18:39 | |
You have to come the rest of the way. | 0:18:39 | 0:18:41 | |
Why? | 0:18:42 | 0:18:44 | |
'Because souls can never be forced.' | 0:18:44 | 0:18:46 | |
They can only be persuaded. | 0:18:46 | 0:18:48 | |
What can I say to make you believe me? | 0:18:51 | 0:18:53 | |
Oh, Puddle. | 0:18:56 | 0:18:57 | |
-Won't you take your father's hand? -Take your sister's hand. | 0:18:59 | 0:19:03 | |
Tell me why you call me Puddle. | 0:19:16 | 0:19:18 | |
We were watching the regimental horses at Hyde Park. | 0:19:19 | 0:19:22 | |
One of them did an absolutely enormous wee | 0:19:22 | 0:19:24 | |
and you, not knowing what it was, jumped right into it. | 0:19:24 | 0:19:27 | |
"Puddle, puddle, puddle!", you said. | 0:19:27 | 0:19:30 | |
Horse wee everywhere. | 0:19:30 | 0:19:32 | |
That doesn't mean that... | 0:19:36 | 0:19:38 | |
That just means you can read my mind. | 0:19:39 | 0:19:42 | |
It doesn't mean that you're actually you. | 0:19:42 | 0:19:45 | |
I suppose that's true, yeah, but... | 0:19:45 | 0:19:47 | |
..there's no way to convince you. | 0:19:49 | 0:19:50 | |
You just HAVE to believe me. | 0:19:52 | 0:19:55 | |
I really want to. | 0:19:58 | 0:20:00 | |
I want you to. | 0:20:00 | 0:20:02 | |
I've missed you so much. | 0:20:02 | 0:20:04 | |
Dad? | 0:20:06 | 0:20:07 | |
HE PANTS | 0:20:11 | 0:20:12 | |
HE PANTS | 0:20:16 | 0:20:17 | |
HISSING | 0:20:37 | 0:20:38 | |
April? | 0:20:38 | 0:20:39 | |
I think the world's ending. | 0:20:39 | 0:20:42 | |
How do I know that you're not just some chameleon? | 0:20:44 | 0:20:48 | |
Chameleon? | 0:20:48 | 0:20:49 | |
An animal they have here. It changes its skin to match its background. | 0:20:49 | 0:20:53 | |
Useful for camouflage. | 0:20:54 | 0:20:56 | |
Have you made contact with their leaders? | 0:20:56 | 0:20:59 | |
Chameleons hide themselves. | 0:20:59 | 0:21:00 | |
So what I am wondering is... | 0:21:00 | 0:21:03 | |
what is it you are hiding? | 0:21:03 | 0:21:05 | |
Maybe you should ask yourself, | 0:21:05 | 0:21:07 | |
what am I offering? | 0:21:07 | 0:21:09 | |
THEY PANT | 0:21:10 | 0:21:11 | |
SLITHERING | 0:21:29 | 0:21:31 | |
-What are they? -I don't know, but it was connected to Rachel. | 0:21:31 | 0:21:33 | |
Yeah, I saw. | 0:21:33 | 0:21:35 | |
But that's just not on! | 0:21:35 | 0:21:37 | |
SHE GASPS | 0:21:37 | 0:21:38 | |
That's not even the third weirdest thing I have seen this month. | 0:21:41 | 0:21:44 | |
I'm shaking. | 0:21:44 | 0:21:45 | |
Well, the world's ending. | 0:21:45 | 0:21:46 | |
The dead have come back for us. | 0:21:46 | 0:21:49 | |
Maybe. | 0:21:49 | 0:21:50 | |
Maybe there's another explanation. | 0:21:50 | 0:21:53 | |
Do you always have to be so goddamn sensible? | 0:21:53 | 0:21:55 | |
-Yes. -What? | 0:21:55 | 0:21:57 | |
Yes! I DO always have to be so goddamn sensible. | 0:21:57 | 0:22:00 | |
Why? Why do you say that? | 0:22:00 | 0:22:02 | |
Because the world isn't sensible, haven't you noticed? | 0:22:02 | 0:22:06 | |
Yeah, I've noticed. | 0:22:06 | 0:22:08 | |
I decided a long time ago that I could either | 0:22:08 | 0:22:10 | |
let that break me into pieces, | 0:22:10 | 0:22:12 | |
or make sure that it never got the chance. | 0:22:12 | 0:22:14 | |
You just think I'm nice or sensible | 0:22:16 | 0:22:19 | |
but, really, it's war. | 0:22:19 | 0:22:20 | |
I'm always at war. | 0:22:23 | 0:22:24 | |
Can we please get out of here before we become one of those? | 0:22:26 | 0:22:30 | |
SLITHERING | 0:22:32 | 0:22:34 | |
'What are you offering?' | 0:22:41 | 0:22:44 | |
Do you remember what you said to me the last time you saw me? | 0:22:44 | 0:22:46 | |
That if I ever saw you again, | 0:22:46 | 0:22:48 | |
I'd rip your heart out with my bare hands and make you watch. | 0:22:48 | 0:22:51 | |
Good times. | 0:22:51 | 0:22:52 | |
Well... | 0:22:52 | 0:22:53 | |
..I'd like to see you try. | 0:22:55 | 0:22:56 | |
That's interesting. | 0:23:04 | 0:23:06 | |
THEY RUN AND PANT | 0:23:06 | 0:23:08 | |
Wait a minute. | 0:23:10 | 0:23:11 | |
SHE PANTS | 0:23:11 | 0:23:13 | |
I need to breathe. | 0:23:13 | 0:23:14 | |
Did you mean that? | 0:23:14 | 0:23:16 | |
SHE PANTS | 0:23:16 | 0:23:17 | |
Mean what? | 0:23:17 | 0:23:18 | |
Being at war all the time. | 0:23:18 | 0:23:20 | |
My dad... | 0:23:26 | 0:23:28 | |
He was a folk singer. | 0:23:29 | 0:23:31 | |
He played the fiddle. | 0:23:31 | 0:23:33 | |
And made people cry with it. | 0:23:35 | 0:23:36 | |
OK, he make me cry. | 0:23:38 | 0:23:39 | |
He was always away on tour, so we didn't see him very much, | 0:23:41 | 0:23:44 | |
but it was nice when we did. | 0:23:44 | 0:23:46 | |
And then it got less nice. | 0:23:47 | 0:23:49 | |
He drank. | 0:23:50 | 0:23:52 | |
A lot. | 0:23:52 | 0:23:53 | |
And then he drank more. | 0:23:53 | 0:23:55 | |
When I was eight years old, he purposely drove off the motorway | 0:23:58 | 0:24:01 | |
with me and my mum in the car. | 0:24:01 | 0:24:03 | |
My mum was in the passenger seat and that is why she's paralysed. | 0:24:05 | 0:24:08 | |
I was sitting in the back, but I didn't get hurt. | 0:24:12 | 0:24:15 | |
He said it was a suicide attempt, that he wasn't thinking straight, | 0:24:17 | 0:24:20 | |
but he still went to prison for it. | 0:24:20 | 0:24:23 | |
I got lots of therapy. | 0:24:25 | 0:24:27 | |
Loads of it. | 0:24:28 | 0:24:29 | |
People were really nice. | 0:24:32 | 0:24:34 | |
So nice, but also careful. | 0:24:34 | 0:24:36 | |
Like, me and my mum were just glass figurines. | 0:24:37 | 0:24:40 | |
I'm not made of glass. | 0:24:41 | 0:24:43 | |
What he did, it's important, | 0:24:44 | 0:24:47 | |
but if it's the thing that rules, | 0:24:47 | 0:24:50 | |
then he gets to keep doing that to us every day forever | 0:24:50 | 0:24:52 | |
and I won't have that. | 0:24:52 | 0:24:54 | |
I play folk music because I love it. | 0:24:57 | 0:24:59 | |
I won't let him take that from me. | 0:25:01 | 0:25:03 | |
And that's why I'm so goddamn sensible. | 0:25:06 | 0:25:08 | |
You're still shaking. | 0:25:12 | 0:25:14 | |
Did...D-Did you see that? | 0:25:46 | 0:25:48 | |
It looked like my... | 0:25:51 | 0:25:53 | |
parents. | 0:25:53 | 0:25:54 | |
Do you often see your parents after sex? | 0:25:56 | 0:25:58 | |
What's wrong with the sky? | 0:25:59 | 0:26:01 | |
Why is no-one answering their phones? | 0:26:01 | 0:26:03 | |
It is like olden times or something. | 0:26:03 | 0:26:04 | |
Probably cos they are all already dead. | 0:26:04 | 0:26:06 | |
A little optimism wouldn't kill you, Ram. | 0:26:06 | 0:26:07 | |
No, alien shadows will kill me. | 0:26:07 | 0:26:10 | |
Alien tattoos will kill me. | 0:26:10 | 0:26:12 | |
-Eh? -It's coming from the tear. | 0:26:12 | 0:26:14 | |
Why is there only one? | 0:26:16 | 0:26:18 | |
I'm not sure, but that's the way to Tanya's flat. | 0:26:18 | 0:26:20 | |
There's something that you need to know. | 0:26:46 | 0:26:49 | |
Something I didn't tell you. | 0:26:49 | 0:26:50 | |
My dad was a policeman. | 0:26:52 | 0:26:53 | |
I know that, Puddle. | 0:26:53 | 0:26:55 | |
My mum used to worry every night. | 0:26:55 | 0:26:57 | |
Worry when he'd work shifts... | 0:26:59 | 0:27:01 | |
..that he wouldn't come home. | 0:27:03 | 0:27:05 | |
It's not America, I'd say. | 0:27:06 | 0:27:07 | |
And every night, he'd go out... | 0:27:07 | 0:27:12 | |
and every night he'd come home and | 0:27:12 | 0:27:17 | |
even if it was really late, like, | 0:27:17 | 0:27:21 | |
even if it was like three o'clock in the morning... | 0:27:21 | 0:27:23 | |
I'd look in on you. | 0:27:23 | 0:27:25 | |
..he'd look in on me. | 0:27:26 | 0:27:28 | |
And I would always wake up. | 0:27:31 | 0:27:33 | |
Do you know why I did that? | 0:27:33 | 0:27:35 | |
Because I used to do it to you when I was little. | 0:27:35 | 0:27:38 | |
Like, little, little. | 0:27:38 | 0:27:40 | |
I'd, erm, get out of bed and come to your door | 0:27:40 | 0:27:45 | |
and look inside... | 0:27:45 | 0:27:48 | |
And I'd ask, "What are you doing, Puddle? | 0:27:48 | 0:27:51 | |
And I wouldn't say anything... | 0:27:52 | 0:27:55 | |
..but you knew. | 0:27:57 | 0:27:59 | |
You knew. | 0:28:00 | 0:28:01 | |
You were making sure we hadn't gone anywhere in the night. | 0:28:02 | 0:28:05 | |
Because how could something so good ever last? | 0:28:06 | 0:28:11 | |
And it didn't. | 0:28:15 | 0:28:16 | |
I hated you for leaving. | 0:28:17 | 0:28:19 | |
Everything was perfect and we were all so happy, | 0:28:19 | 0:28:22 | |
and then you just left. | 0:28:22 | 0:28:23 | |
I'm sorry. | 0:28:25 | 0:28:27 | |
I'm sorry, Daddy, I just... | 0:28:27 | 0:28:29 | |
Please... | 0:28:30 | 0:28:32 | |
Puddle. | 0:28:32 | 0:28:33 | |
Come to your daddy. | 0:28:37 | 0:28:39 | |
Let him listen to your pain. | 0:28:39 | 0:28:42 | |
Let him tell you how he'll still watch over you. | 0:28:45 | 0:28:49 | |
You want it? | 0:28:55 | 0:28:56 | |
Come and take it. | 0:28:58 | 0:29:00 | |
It has to be your choice. | 0:29:00 | 0:29:01 | |
My choice. | 0:29:03 | 0:29:05 | |
That's how the Lan Kin works. | 0:29:06 | 0:29:07 | |
I can only reach out. | 0:29:09 | 0:29:11 | |
You have to reach back. | 0:29:14 | 0:29:16 | |
I thought you were just giving me time to say goodbye. | 0:29:26 | 0:29:29 | |
And this is how you'll do it. | 0:29:31 | 0:29:34 | |
Hey, have you seen the sk...? Hi, who's this? | 0:29:34 | 0:29:36 | |
Oh, finally. | 0:29:36 | 0:29:38 | |
Finally what? | 0:29:38 | 0:29:39 | |
Finally, you've come down from your little love nest | 0:29:39 | 0:29:42 | |
and are therefore implicitly under threat. | 0:29:42 | 0:29:44 | |
Which means I can finally find out who this infuriating wolverine | 0:29:44 | 0:29:48 | |
actually is. | 0:29:48 | 0:29:50 | |
What? | 0:29:50 | 0:29:51 | |
Agh! | 0:29:54 | 0:29:55 | |
Get a very big knife. | 0:29:57 | 0:29:58 | |
No, wait. | 0:29:59 | 0:30:00 | |
Get two. | 0:30:01 | 0:30:02 | |
Why her? | 0:30:09 | 0:30:11 | |
She never hurt anybody. | 0:30:11 | 0:30:13 | |
-Night visiting. -What? | 0:30:13 | 0:30:15 | |
Night visiting, it's a genre of folk song. | 0:30:15 | 0:30:17 | |
Oh, my God, I've heard more about folk music in the last half an hour | 0:30:17 | 0:30:19 | |
than my entire previous life. | 0:30:19 | 0:30:21 | |
There's been songs for centuries | 0:30:21 | 0:30:22 | |
about people coming to your window at night. | 0:30:22 | 0:30:24 | |
Usually ghosts of people you've lost. | 0:30:25 | 0:30:28 | |
Like Rachel. | 0:30:28 | 0:30:29 | |
What do they want? | 0:30:31 | 0:30:32 | |
Sometimes it is a warning. | 0:30:32 | 0:30:33 | |
Sometimes? | 0:30:35 | 0:30:36 | |
Sometimes they want to drag you down with them. | 0:30:38 | 0:30:39 | |
You have no idea of what you're giving up. | 0:30:42 | 0:30:45 | |
Oh, do shut up, sis. | 0:30:45 | 0:30:46 | |
Sis? | 0:30:46 | 0:30:48 | |
Oh, I got a screwdriver and some secateurs. | 0:30:49 | 0:30:51 | |
I specifically asked for knives. | 0:30:51 | 0:30:53 | |
I don't like knives. | 0:30:53 | 0:30:55 | |
I can't use weapons, remember? | 0:30:57 | 0:31:00 | |
Right, stab that in its hand. | 0:31:00 | 0:31:03 | |
Oh. | 0:31:03 | 0:31:04 | |
Go on, you take your time. | 0:31:05 | 0:31:07 | |
Come on! What do you think this is? | 0:31:10 | 0:31:12 | |
Really bad phlegm? | 0:31:12 | 0:31:13 | |
Agh! | 0:31:16 | 0:31:18 | |
Good. Move. | 0:31:18 | 0:31:20 | |
Now, let's have a little chat. | 0:31:20 | 0:31:21 | |
I have, like, 100 missed calls from April. | 0:31:23 | 0:31:25 | |
We're at Tanya's. What's going on? | 0:31:32 | 0:31:35 | |
I think we're about to find out. | 0:31:35 | 0:31:36 | |
Is Tanya in danger? | 0:31:36 | 0:31:37 | |
Well? | 0:31:39 | 0:31:40 | |
We came to offer you release. | 0:31:40 | 0:31:43 | |
-Yeah. -Go get her. | 0:31:44 | 0:31:45 | |
We'll be there as fast as we can. | 0:31:45 | 0:31:47 | |
It's bad. | 0:31:50 | 0:31:53 | |
Then we're going to save her. | 0:31:53 | 0:31:54 | |
No, Ram! | 0:31:56 | 0:31:57 | |
You made one mistake. | 0:31:58 | 0:32:00 | |
That's not how the Lan Kin works. | 0:32:03 | 0:32:05 | |
The Lan Kin aren't a people. | 0:32:08 | 0:32:11 | |
You're a person. | 0:32:11 | 0:32:13 | |
You are a chameleon, I'll give you that. Taking these shapes. | 0:32:13 | 0:32:17 | |
You see, the other thing about chameleons, | 0:32:18 | 0:32:21 | |
really long tongues which shoot out to catch their prey. | 0:32:21 | 0:32:25 | |
You're just the tip of the tongue. | 0:32:25 | 0:32:27 | |
Such a succulent species. | 0:32:27 | 0:32:29 | |
Your grief's so large, it will not matter what you do to this limb. | 0:32:31 | 0:32:35 | |
I've found a grief that will make me stronger | 0:32:36 | 0:32:39 | |
than you little worms can imagine. | 0:32:39 | 0:32:41 | |
What a drama queen. | 0:32:46 | 0:32:47 | |
She must have meant Tanya. | 0:32:47 | 0:32:48 | |
April says the main strand of it goes into her flat. | 0:32:48 | 0:32:50 | |
Let's kill it. | 0:32:50 | 0:32:52 | |
You're with us? | 0:32:52 | 0:32:53 | |
No-one disgraces the memory of my sister by making her nice. | 0:32:53 | 0:32:56 | |
-By the way, Matteusz lives with us now. -Whatever. | 0:32:56 | 0:32:59 | |
I've missed you so much. | 0:32:59 | 0:33:00 | |
I've missed you. | 0:33:00 | 0:33:02 | |
Take it. | 0:33:03 | 0:33:04 | |
That's how it works. | 0:33:06 | 0:33:08 | |
Two streets up. Then left. | 0:33:12 | 0:33:13 | |
They reform as soon as you cut them. | 0:33:19 | 0:33:21 | |
Aargh! | 0:33:22 | 0:33:23 | |
What's it doing? | 0:33:23 | 0:33:25 | |
My guess is it's gathering strength. | 0:33:25 | 0:33:27 | |
To do what? | 0:33:27 | 0:33:29 | |
Like the veins of a heart. | 0:33:29 | 0:33:31 | |
It all leads to one branch. | 0:33:31 | 0:33:32 | |
Where's the rest of her family? | 0:34:01 | 0:34:03 | |
What happens when I take your hand? | 0:34:07 | 0:34:09 | |
You become free. | 0:34:09 | 0:34:11 | |
Free from pain. | 0:34:12 | 0:34:14 | |
Free from worry. | 0:34:14 | 0:34:16 | |
Free from this grief that haunts you. | 0:34:17 | 0:34:20 | |
Like, how? | 0:34:22 | 0:34:23 | |
Will you please just listen to your father for once, young lady? | 0:34:23 | 0:34:27 | |
HE BREATHES HEAVILY | 0:34:29 | 0:34:30 | |
Urgh! | 0:34:30 | 0:34:31 | |
Tanya! | 0:34:33 | 0:34:34 | |
Don't go to them. | 0:34:34 | 0:34:36 | |
Why didn't Mum open the door for them? | 0:34:37 | 0:34:39 | |
I feed on your release. | 0:34:42 | 0:34:44 | |
Where are my brothers? | 0:34:44 | 0:34:46 | |
I've never felt a species so in love with closure. | 0:34:46 | 0:34:50 | |
The sweetness of the taste. | 0:34:51 | 0:34:53 | |
-Hi. -Hi. | 0:35:05 | 0:35:07 | |
What the...? | 0:35:07 | 0:35:08 | |
You are my heart in this world, Puddle. | 0:35:08 | 0:35:12 | |
I'm not letting you go. | 0:35:13 | 0:35:16 | |
-Puddle? -And once my heart is rooted, | 0:35:18 | 0:35:21 | |
oh, how I shall feed. | 0:35:21 | 0:35:24 | |
You'll have to go through us first. | 0:35:24 | 0:35:26 | |
Very well. | 0:35:28 | 0:35:29 | |
-MATTEUSZ: -This will not be enough. | 0:35:36 | 0:35:38 | |
Give me your hand, | 0:35:48 | 0:35:50 | |
or I will kill your family. | 0:35:50 | 0:35:52 | |
Will you let my friends go? | 0:36:00 | 0:36:02 | |
Tanya, don't. | 0:36:02 | 0:36:03 | |
Can't you see? | 0:36:04 | 0:36:06 | |
Then your mum would have lost you without saying goodbye. | 0:36:07 | 0:36:09 | |
And it gets to feed again. | 0:36:10 | 0:36:13 | |
On her. | 0:36:13 | 0:36:14 | |
It's a cycle. | 0:36:14 | 0:36:15 | |
I will let them go. | 0:36:15 | 0:36:17 | |
There's only so much even I can consume. | 0:36:18 | 0:36:21 | |
You'll take away my pain forever? | 0:36:21 | 0:36:23 | |
Forever. | 0:36:25 | 0:36:26 | |
No! | 0:36:34 | 0:36:35 | |
Tanya, no! | 0:36:38 | 0:36:39 | |
Something's happening! | 0:36:46 | 0:36:48 | |
Oh, release. | 0:36:49 | 0:36:51 | |
Tanya! | 0:36:52 | 0:36:53 | |
GROANING | 0:36:53 | 0:36:56 | |
What are you doing to me? | 0:37:07 | 0:37:09 | |
Unclean! | 0:37:11 | 0:37:13 | |
You are not my father! | 0:37:13 | 0:37:17 | |
What have you done to me? | 0:37:23 | 0:37:25 | |
You know, us humans ARE a messy species. | 0:37:25 | 0:37:27 | |
I told you I hated my father for leaving. | 0:37:27 | 0:37:30 | |
My grief may be strong, but my anger is stronger. | 0:37:30 | 0:37:33 | |
And that's what I gave you. | 0:37:33 | 0:37:35 | |
You poisoned me! | 0:37:35 | 0:37:36 | |
You don't get to have my closure. | 0:37:40 | 0:37:42 | |
-So how does that taste? -Bitter. | 0:37:43 | 0:37:46 | |
You have weakened me. | 0:37:47 | 0:37:49 | |
HE GASPS AND COUGHS | 0:37:49 | 0:37:52 | |
Ha-ha-ha-ha-ha! | 0:37:54 | 0:37:56 | |
But not enough. | 0:37:59 | 0:38:01 | |
She didn't! | 0:38:03 | 0:38:05 | |
BUS HORN HONKS | 0:38:12 | 0:38:13 | |
-Where did she get that? -She's resourceful. | 0:38:15 | 0:38:17 | |
No, no! | 0:38:20 | 0:38:21 | |
Nooooo! | 0:38:21 | 0:38:23 | |
Aaaargh! | 0:38:25 | 0:38:27 | |
SQUELCHING | 0:38:31 | 0:38:33 | |
SLITHERING | 0:38:42 | 0:38:43 | |
I'm so glad that worked. | 0:38:59 | 0:39:00 | |
My mum! | 0:39:03 | 0:39:04 | |
What on earth is this mess? | 0:39:06 | 0:39:08 | |
What's going on? | 0:39:09 | 0:39:10 | |
I've spoken to a few, none of them seem to remember anything, | 0:39:25 | 0:39:27 | |
which seems really convenient. | 0:39:27 | 0:39:30 | |
The Lan Kin probably does it so it can come back and feed again. | 0:39:30 | 0:39:33 | |
It'll think twice before coming back here. | 0:39:33 | 0:39:36 | |
Hey! | 0:39:37 | 0:39:38 | |
Are you all right? | 0:39:38 | 0:39:39 | |
How did you know to come here? | 0:39:40 | 0:39:42 | |
My mum doesn't remember anything. | 0:39:43 | 0:39:45 | |
-Yeah, I just said that. -Did you guys see anyone? | 0:39:45 | 0:39:47 | |
-RAM: -I saw Rachel. Tell me about it. | 0:39:47 | 0:39:49 | |
My dad's the wrong kind of lost. | 0:39:49 | 0:39:51 | |
I saw my parents, but only briefly. | 0:39:51 | 0:39:53 | |
Our bond was not strong. I've got different ones that are stronger. | 0:39:53 | 0:39:56 | |
We all do. We'll beat it together. | 0:39:56 | 0:39:58 | |
Finally, we did something as a team. | 0:39:58 | 0:40:00 | |
My God, I'm going to vomit. | 0:40:00 | 0:40:02 | |
Where did you get a bus from? | 0:40:05 | 0:40:07 | |
I should really be walking you home. | 0:40:16 | 0:40:17 | |
Ram, don't you listen? | 0:40:17 | 0:40:19 | |
I'm not glass. | 0:40:19 | 0:40:21 | |
April... | 0:40:23 | 0:40:24 | |
..any time you want to come night visiting... | 0:40:26 | 0:40:28 | |
That's not how I meant it. | 0:40:30 | 0:40:31 | |
I will see you at school, Ram. | 0:40:33 | 0:40:35 | |
Because of the folk music. | 0:40:37 | 0:40:39 | |
That's all I meant. | 0:40:39 | 0:40:40 | |
Hey. | 0:40:46 | 0:40:48 | |
As long as you need. I mean it. | 0:40:48 | 0:40:49 | |
We'll make it work. | 0:40:51 | 0:40:52 | |
Thank you. | 0:40:52 | 0:40:53 | |
Er...thank you. | 0:40:53 | 0:40:55 | |
I am a warrior of the Quill race. | 0:41:15 | 0:41:18 | |
And a warrior needs a gun. | 0:41:29 | 0:41:31 | |
The water was so cold. | 0:41:35 | 0:41:38 | |
He knew it too. | 0:41:38 | 0:41:40 | |
Made a fool of himself just to get my attention. | 0:41:40 | 0:41:43 | |
-He was quite handsome. -Oh, he was very handsome. | 0:41:43 | 0:41:46 | |
That smile. | 0:41:46 | 0:41:47 | |
That's how I wanted to remember him. | 0:41:48 | 0:41:50 | |
Me too. | 0:41:52 | 0:41:53 | |
# And so I sing | 0:41:59 | 0:42:02 | |
# Unto the morning | 0:42:02 | 0:42:05 | |
# Oh, sun, don't rise before the day | 0:42:08 | 0:42:15 | |
# Birds hold your tunes a bit longer... # | 0:42:16 | 0:42:22 | |
Goodbye, Dad. | 0:42:24 | 0:42:26 | |
Dorothea Ames, new headteacher. | 0:42:43 | 0:42:45 | |
PHONE RINGS | 0:42:45 | 0:42:47 | |
SIZZLING | 0:42:52 | 0:42:53 | |
Oh, my! | 0:42:53 | 0:42:55 | |
Somewhere there, this heart beats. | 0:42:55 | 0:43:00 | |
-Aargh! -April! | 0:43:02 | 0:43:03 | |
April's in trouble. | 0:43:08 | 0:43:09 |