Browse content similar to Dark Clouds. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
EVOCATIVE MUSIC PLAYS | 0:00:26 | 0:00:29 | |
Hairy! Come on! | 0:01:14 | 0:01:16 | |
Hands on your head! | 0:01:16 | 0:01:19 | |
Must have been to the CA! Hands on your head! | 0:01:19 | 0:01:22 | |
MUSIC: Take Me Home by AB Original feat. Gurrumul | 0:01:26 | 0:01:31 | |
-Hey, hey, hey. -What happened?! -It's OK, it's OK, it's OK, you're fine. | 0:02:38 | 0:02:41 | |
-What...? -You're fine. The baby's fine. | 0:02:41 | 0:02:43 | |
-Have you run any tests? -Nobody's run anything. | 0:02:47 | 0:02:50 | |
I checked your vitals and hid you away in here. | 0:02:50 | 0:02:53 | |
Kept everybody else at arm's length. | 0:02:53 | 0:02:55 | |
Including your husband. | 0:02:56 | 0:02:58 | |
I can't go home. | 0:03:02 | 0:03:04 | |
Well, there's no rush. | 0:03:04 | 0:03:05 | |
No, I mean, I can't go home. | 0:03:07 | 0:03:10 | |
It's not safe. | 0:03:10 | 0:03:12 | |
MOBILE PHONE VIBRATES | 0:03:12 | 0:03:15 | |
Charlotte, can we talk? | 0:03:15 | 0:03:17 | |
Give me a chance to apologise. | 0:03:17 | 0:03:20 | |
I hate arguing with you. | 0:03:20 | 0:03:21 | |
Are we ready to go if we need to? | 0:03:27 | 0:03:29 | |
We're prepped for foetal extraction. | 0:03:29 | 0:03:31 | |
This group is being set up to mimic a subhuman womb. | 0:03:31 | 0:03:35 | |
The foetus will continue to develop normally? | 0:03:35 | 0:03:38 | |
Exactly as if it were in a healthy mother. | 0:03:38 | 0:03:42 | |
No danger to the mother with this procedure? | 0:03:42 | 0:03:44 | |
Any surgical intervention carries a certain risk. | 0:03:45 | 0:03:49 | |
But the risk is not significantly greater here. | 0:03:50 | 0:03:52 | |
Excellent. | 0:03:54 | 0:03:55 | |
EERIE DRONING | 0:04:00 | 0:04:03 | |
KOEN GROANS | 0:04:06 | 0:04:09 | |
Ah, you hear that, boy? | 0:04:09 | 0:04:11 | |
-It's killing me. -Means the past is reaching out to you. | 0:04:12 | 0:04:16 | |
Trying to show you something. | 0:04:16 | 0:04:18 | |
It's tied to this land, boy. | 0:04:20 | 0:04:22 | |
And connecting to it will make you stronger. | 0:04:22 | 0:04:25 | |
Could you tell the past to be a little bit quieter? | 0:04:25 | 0:04:28 | |
It'll stop when you're strong enough to go home, boy. | 0:04:28 | 0:04:31 | |
Drink? | 0:05:04 | 0:05:05 | |
Now, drink this. | 0:05:07 | 0:05:09 | |
You'll get a warm tingly feeling in your mouth, but it'll go away soon. | 0:05:09 | 0:05:12 | |
OK. | 0:05:17 | 0:05:18 | |
Very good. | 0:05:29 | 0:05:30 | |
-Hello, Aunty. You don't mind if we film, eh? -Of course, dear. | 0:05:36 | 0:05:40 | |
So just you today, or is your family here? | 0:05:50 | 0:05:52 | |
Just me. | 0:05:52 | 0:05:54 | |
You from around here? | 0:05:54 | 0:05:55 | |
My people have always lived on this land. | 0:05:57 | 0:05:59 | |
Moved out West when the boats came. | 0:05:59 | 0:06:02 | |
Your mob stayed out there? | 0:06:02 | 0:06:04 | |
Most of them. | 0:06:04 | 0:06:05 | |
Can't be jumping around, hiding all the time. | 0:06:07 | 0:06:09 | |
Too old for that these days. | 0:06:11 | 0:06:13 | |
21's not that old. SHE LAUGHS | 0:06:13 | 0:06:16 | |
Smooth talker, aren't you? | 0:06:16 | 0:06:19 | |
Are you comfortable with the procedure? | 0:06:19 | 0:06:21 | |
Yes. | 0:06:21 | 0:06:24 | |
They said the blue stuff goes in, and the green comes out. | 0:06:24 | 0:06:28 | |
-Sounds simple enough. -Simpler than what's going on out there. | 0:06:28 | 0:06:32 | |
You must've seen a lot in your time. | 0:06:32 | 0:06:35 | |
The thing I remember the most was this little human girl. | 0:06:35 | 0:06:40 | |
My family told me never to make contact with the humans. | 0:06:42 | 0:06:46 | |
But I used to watch them, whenever I got the chance. | 0:06:47 | 0:06:50 | |
She had long curly hair, she was wearing the most beautiful dress. | 0:06:52 | 0:06:58 | |
That dress was the whitest thing you've ever seen. | 0:07:00 | 0:07:03 | |
And it had a blue ribbon wrapped around her, like a belt. | 0:07:04 | 0:07:08 | |
Well, you don't see much of those dresses any more, Aunty. | 0:07:08 | 0:07:11 | |
TRANSLATION: | 0:07:23 | 0:07:25 | |
HE GROWLS | 0:09:02 | 0:09:05 | |
MAN SPEAKS IN OWN LANGUAGE | 0:09:21 | 0:09:23 | |
MAN'S VOICE ECHOES | 0:09:30 | 0:09:32 | |
MAN SHOUTS AGGRESSIVELY | 0:09:59 | 0:10:01 | |
KOEN GRUNTS | 0:10:24 | 0:10:26 | |
HUSHED VOICES | 0:10:29 | 0:10:32 | |
Can I...? | 0:10:53 | 0:10:54 | |
SHE POURS WATER | 0:11:02 | 0:11:06 | |
-Hey, what do you think you're doing? -I'm thirsty. | 0:11:06 | 0:11:10 | |
-What? -I'm thirsty! | 0:11:10 | 0:11:12 | |
Hey! | 0:11:12 | 0:11:13 | |
She's already had water today. | 0:11:15 | 0:11:17 | |
Well, she'll learn the rules. | 0:11:17 | 0:11:19 | |
Just because Koen wants her here, | 0:11:20 | 0:11:22 | |
doesn't mean she gets special privileges. | 0:11:22 | 0:11:24 | |
Watch yourself. My boy's just looking after people. | 0:11:24 | 0:11:27 | |
Come on, girl, come with me. | 0:11:30 | 0:11:32 | |
Are you happy? | 0:11:43 | 0:11:45 | |
Crashing with these mob? | 0:11:45 | 0:11:47 | |
Yeah. | 0:11:47 | 0:11:48 | |
I saw your son. | 0:11:51 | 0:11:54 | |
At the warehouse. | 0:11:54 | 0:11:55 | |
The blue light thing coming from his chest, | 0:11:57 | 0:12:00 | |
smashing through steel like it was nothing. | 0:12:00 | 0:12:02 | |
Can you do it, too? | 0:12:04 | 0:12:05 | |
You can lie here if you want. | 0:12:11 | 0:12:12 | |
What are you looking at? | 0:12:21 | 0:12:22 | |
-Something's happened. -Yeah, no kidding. | 0:12:23 | 0:12:26 | |
Everything's gone to shit. | 0:12:26 | 0:12:29 | |
Genocide is what's happening, and my husband's in the middle of it. | 0:12:29 | 0:12:32 | |
Maybe he doesn't have a choice. | 0:12:32 | 0:12:34 | |
There's always a choice. | 0:12:35 | 0:12:37 | |
Why are you helping us? | 0:12:40 | 0:12:42 | |
Because you're decent people. | 0:12:42 | 0:12:43 | |
-And Latani? -She's just like anybody else, as far as I can see. | 0:12:43 | 0:12:48 | |
Very few people see Hairies that way. | 0:12:48 | 0:12:50 | |
Well, most have never met one, | 0:12:53 | 0:12:55 | |
at least that they knew was a Hairy. | 0:12:55 | 0:12:57 | |
I mean, that's why the government's been so successful in | 0:12:57 | 0:13:00 | |
stirring things up. | 0:13:00 | 0:13:01 | |
Nerida, | 0:13:02 | 0:13:05 | |
there are some decent people in this city, | 0:13:05 | 0:13:07 | |
-and there is hope in that. -We need way more than hope. | 0:13:07 | 0:13:10 | |
Well...you need the Piazza home run. | 0:13:10 | 0:13:14 | |
-What's that? -Mike Piazza? | 0:13:17 | 0:13:20 | |
New York Mets? Baseball player? | 0:13:20 | 0:13:22 | |
Ten days since 9/11, and the New York Mets are playing the Braves. | 0:13:26 | 0:13:30 | |
The Mets are down 2-1, heading into the bottom of the eighth. | 0:13:30 | 0:13:33 | |
Then Piazza steps up. | 0:13:33 | 0:13:35 | |
The people were screaming out for something to smile about. | 0:13:35 | 0:13:39 | |
He steps into the box, he watches the first pitch. | 0:13:39 | 0:13:43 | |
Strike. | 0:13:43 | 0:13:44 | |
He waits for the second pitch, bam! He smashes that ball. | 0:13:44 | 0:13:48 | |
It flies high, it's going... | 0:13:48 | 0:13:51 | |
-HE WHISTLES -Gone. Out of the ballpark. | 0:13:51 | 0:13:54 | |
Even the losing team couldn't help but smile. | 0:13:55 | 0:13:58 | |
And the crowd, it goes wild. | 0:13:58 | 0:13:59 | |
It's going to take more than a sports star to change this place. | 0:14:02 | 0:14:05 | |
Yeah. | 0:14:07 | 0:14:08 | |
But it only takes one person to show others there's something worth being | 0:14:10 | 0:14:13 | |
happy about. | 0:14:13 | 0:14:14 | |
From Mr West. | 0:15:18 | 0:15:20 | |
OK, no smiling for the photos. This is for your ID. | 0:15:23 | 0:15:26 | |
Come on, no smiling and we'll all be done. | 0:15:29 | 0:15:32 | |
OK, good. Hold it. | 0:15:35 | 0:15:37 | |
Congratulations. | 0:15:38 | 0:15:41 | |
Bye-bye, Yani, and hello to Gwen. | 0:15:41 | 0:15:43 | |
It's a beautiful name they've chosen for you. | 0:15:45 | 0:15:48 | |
My name is Gwen. | 0:15:48 | 0:15:50 | |
LIGHT APPLAUSE | 0:15:51 | 0:15:54 | |
SHE CHUCKLES | 0:15:54 | 0:15:56 | |
Trev, make sure you unpack that other truck. | 0:16:00 | 0:16:02 | |
And mop the floors when you're done. | 0:16:02 | 0:16:04 | |
-Put your back into it, Trev. -CHUCKLING | 0:16:07 | 0:16:11 | |
-Come on, Trev, today. -MUTTERING VOICES | 0:16:18 | 0:16:21 | |
Trevor, I want you to peel some carrots, inside. | 0:16:23 | 0:16:26 | |
Hurry up. | 0:16:26 | 0:16:27 | |
-COMPUTER: -Confirm ID. | 0:16:36 | 0:16:39 | |
-ID confirmed. -Palm print and hand recognition scanning. | 0:16:39 | 0:16:42 | |
This is Trevor. Would you mind having a couple of words with us? | 0:16:42 | 0:16:45 | |
We were hoping that you might be able to tell us how it's been, | 0:16:45 | 0:16:48 | |
settling into Bennelong House. | 0:16:48 | 0:16:51 | |
-Are you on your way home from work? -Excuse me. | 0:16:51 | 0:16:54 | |
So, before this city went to hell, what did you do for work? | 0:17:34 | 0:17:37 | |
-What do you do? -I'm a security guard. | 0:17:47 | 0:17:50 | |
-Pretend policeman. -I was once. | 0:17:52 | 0:17:55 | |
-And that's it? -Now I do security. | 0:17:57 | 0:18:00 | |
So you left the police force because...? | 0:18:02 | 0:18:05 | |
Well, when all the new security measures were brought in by the | 0:18:05 | 0:18:08 | |
government, hundreds of police were redeployed, | 0:18:08 | 0:18:11 | |
whether we liked it or not. | 0:18:11 | 0:18:13 | |
If we objected, we lost all our entitlements and any other chance of | 0:18:14 | 0:18:17 | |
government work. | 0:18:17 | 0:18:19 | |
I got security. | 0:18:19 | 0:18:20 | |
Come on, then, I'm going to beat your Hairy arse. | 0:18:24 | 0:18:28 | |
-Is that your bishop? -Yeah. | 0:18:31 | 0:18:34 | |
I could've sworn it was your knight before. | 0:18:36 | 0:18:38 | |
You going to argue with an old lady? | 0:18:38 | 0:18:40 | |
HUSHED LAUGHTER | 0:18:42 | 0:18:44 | |
-REPORTER: -This is Trevor. | 0:18:52 | 0:18:53 | |
Would you mind having a few words with us, Trevor? | 0:18:53 | 0:18:56 | |
Can you tell us how it feels now to be...? | 0:18:56 | 0:18:58 | |
Trevor, can we have an interview, please? | 0:19:04 | 0:19:07 | |
So you are the first subhuman to be recruited... | 0:19:07 | 0:19:09 | |
..hopes, beliefs and loyalty, that are the very things that make us | 0:19:33 | 0:19:37 | |
human, that set us apart from the animals. | 0:19:37 | 0:19:40 | |
SOBBING | 0:19:44 | 0:19:47 | |
There's only two good things about the curfew. | 0:20:16 | 0:20:18 | |
What's that? | 0:20:18 | 0:20:19 | |
City's dead quiet. | 0:20:21 | 0:20:23 | |
No cars, no sirens, | 0:20:24 | 0:20:27 | |
nothing. | 0:20:27 | 0:20:29 | |
The second thing is, | 0:20:32 | 0:20:35 | |
all the city lights are out, | 0:20:35 | 0:20:37 | |
so you can finally see the stars. | 0:20:37 | 0:20:39 | |
Makes me feel like I'm back on country. | 0:20:44 | 0:20:46 | |
You see that big emu up there? | 0:20:54 | 0:20:57 | |
Just there, running full pelt. | 0:20:58 | 0:21:00 | |
All I see is the Milky Way and the Southern Cross. | 0:21:02 | 0:21:05 | |
You've got to look at the dark clouds, | 0:21:08 | 0:21:11 | |
not the stars. | 0:21:11 | 0:21:12 | |
All I see is stars. | 0:21:18 | 0:21:20 | |
You're powerful, boy. | 0:22:04 | 0:22:05 | |
Doesn't feel like it. | 0:22:07 | 0:22:08 | |
Don't have accuracy when I use the blue blast thing. | 0:22:10 | 0:22:13 | |
It's not a weapon. | 0:22:13 | 0:22:15 | |
It works like a weapon. | 0:22:15 | 0:22:17 | |
It's a power not to be messed with, boy. | 0:22:17 | 0:22:20 | |
Anyone who's caught in its blast, | 0:22:20 | 0:22:22 | |
can no longer move on from this life. | 0:22:22 | 0:22:25 | |
So, what, they become immortal? | 0:22:25 | 0:22:26 | |
Opposite. | 0:22:26 | 0:22:28 | |
They lose their essence. | 0:22:28 | 0:22:30 | |
HE SPEAKS ABORIGINAL PHRASE | 0:22:32 | 0:22:35 | |
Their soul? JIMMY REPEATS PHRASE | 0:22:35 | 0:22:38 | |
Once they die, that's it. | 0:22:38 | 0:22:41 | |
They can't join their ancestors, they don't move on, | 0:22:41 | 0:22:45 | |
they simply cease to exist. | 0:22:45 | 0:22:48 | |
So there's no trace of them left? | 0:22:48 | 0:22:49 | |
They've been obliterated. | 0:22:51 | 0:22:53 | |
-Slain. -Mm. | 0:22:55 | 0:22:57 | |
What's the point in having this gift | 0:22:59 | 0:23:01 | |
if you can't use it the way you need to? | 0:23:01 | 0:23:03 | |
Stop forcing things. | 0:23:03 | 0:23:05 | |
Allow the powers to come through. | 0:23:06 | 0:23:08 | |
You can't go out there. | 0:24:07 | 0:24:09 | |
I'm going to Bennelong House. | 0:24:09 | 0:24:11 | |
The place will be swarming with security. | 0:24:11 | 0:24:13 | |
-You won't get anywhere near your husband. -I'm going. | 0:24:13 | 0:24:17 | |
I know Waruu. | 0:24:17 | 0:24:18 | |
He knows your people. | 0:24:19 | 0:24:21 | |
He'll make it impossible. | 0:24:21 | 0:24:23 | |
How do you know that? | 0:24:23 | 0:24:24 | |
He's my son. | 0:24:27 | 0:24:29 | |
Koen and Waruu. | 0:24:29 | 0:24:30 | |
I'm sorry. | 0:24:32 | 0:24:33 | |
Does that make you feel better? | 0:24:36 | 0:24:38 | |
It doesn't help me at all. | 0:24:40 | 0:24:42 | |
I'm just letting you know what you're up against. | 0:24:42 | 0:24:44 | |
I know what I'm up against. | 0:24:44 | 0:24:46 | |
Ignorance, fear, hatred. | 0:24:46 | 0:24:49 | |
There's none of that here. | 0:24:49 | 0:24:51 | |
And you need to remember who you're talking to. | 0:24:51 | 0:24:54 | |
Yes, the mother who shaped those two sons. | 0:24:54 | 0:24:58 | |
I'm not proud. | 0:24:59 | 0:25:00 | |
You're human. | 0:25:03 | 0:25:04 | |
You can drive me to Bennelong House. | 0:25:06 | 0:25:08 | |
-I can't. -You owe me. | 0:25:08 | 0:25:11 | |
I am not my son. | 0:25:11 | 0:25:13 | |
Take me to Bennelong House! | 0:25:13 | 0:25:15 | |
I'll do it. | 0:25:15 | 0:25:16 | |
-Why should I trust you? -Because I'm the only one in this place who has | 0:25:22 | 0:25:25 | |
valid ID. | 0:25:25 | 0:25:27 | |
-I'm glad we could help. -It's very impressive. | 0:25:32 | 0:25:35 | |
I'm a fast learner, Minister. | 0:25:35 | 0:25:37 | |
Don't be so modest. | 0:25:37 | 0:25:38 | |
Ever since the announcement, we've had a large number of Hairies come | 0:25:38 | 0:25:42 | |
-forward for the initiative. -Well, you're making us both look good. | 0:25:42 | 0:25:45 | |
I'd call that a win-win, wouldn't you? | 0:25:45 | 0:25:46 | |
That's exactly what I'd call it. | 0:25:46 | 0:25:48 | |
Well, there's been some pushback, of course. | 0:25:48 | 0:25:51 | |
People worry that we're exacerbating the problem by making Hairies | 0:25:51 | 0:25:54 | |
-practically invisible. -We're making them practically human, | 0:25:54 | 0:25:57 | |
-negating the threat. -Subhumans were merely a myth a year ago. | 0:25:57 | 0:26:01 | |
What else is out there? | 0:26:05 | 0:26:06 | |
Hey! | 0:26:09 | 0:26:10 | |
Get away from him! | 0:26:10 | 0:26:11 | |
This is footage of an attack on some civilians a few days ago. | 0:26:15 | 0:26:18 | |
I need to know who or what that is. | 0:26:22 | 0:26:24 | |
Waruu? | 0:26:27 | 0:26:29 | |
Waruu?! | 0:26:31 | 0:26:32 | |
Absolutely, Minister. I'll get right onto it. | 0:26:32 | 0:26:35 | |
VOICEOVER: Two hunters would travel far from the camp | 0:27:20 | 0:27:23 | |
to collect food for their family. | 0:27:23 | 0:27:25 | |
The older hunter would always bring more back. | 0:27:32 | 0:27:35 | |
This was because he had a special boomerang. | 0:27:37 | 0:27:40 | |
His was much faster and would never miss. | 0:27:42 | 0:27:45 | |
The younger hunter asked the old | 0:27:49 | 0:27:52 | |
people where he could get a boomerang like this. | 0:27:52 | 0:27:55 | |
The old people told him of a special tree, | 0:27:55 | 0:28:00 | |
so the younger hunter headed out to | 0:28:00 | 0:28:02 | |
cut himself a stronger and much larger boomerang. | 0:28:02 | 0:28:06 | |
But the younger hunter did not | 0:28:07 | 0:28:09 | |
notice that the tree's blood ran hot and poured like lava. | 0:28:09 | 0:28:13 | |
It was the blood that made the | 0:28:15 | 0:28:18 | |
older hunter's boomerang so powerful. | 0:28:18 | 0:28:21 | |
It would cut through his prey, killing them instantly. | 0:28:21 | 0:28:24 | |
Araluen, wait! | 0:28:38 | 0:28:40 | |
It's not... | 0:28:40 | 0:28:42 | |
I haven't seen you in such a good mood in ages. | 0:29:29 | 0:29:32 | |
You got laid, didn't you? | 0:29:32 | 0:29:34 | |
All right, just pull up over here, OK? | 0:29:34 | 0:29:36 | |
We've got sections 95, 96, and 97 to do today. | 0:29:36 | 0:29:39 | |
Come on, focus. | 0:29:39 | 0:29:40 | |
So where did you guys meet? | 0:29:49 | 0:29:51 | |
I said legit, man, you got to drop it. | 0:29:51 | 0:29:53 | |
You are giving me nothing. | 0:29:55 | 0:29:56 | |
And it will remain that way. | 0:29:58 | 0:30:00 | |
Hey, heads up. | 0:30:01 | 0:30:03 | |
Hendricks! | 0:30:06 | 0:30:08 | |
In trouble? | 0:30:08 | 0:30:10 | |
Sir? | 0:30:14 | 0:30:15 | |
Now, what you do in your own time is up to you. | 0:30:20 | 0:30:23 | |
I'm interested in the guy in the hoodie. | 0:30:23 | 0:30:25 | |
Him I don't know. He was just there with a Subbie. | 0:30:27 | 0:30:31 | |
Drives a red minivan, had a woman with him. | 0:30:31 | 0:30:34 | |
Last numbers on the plate were something like 971. | 0:30:36 | 0:30:39 | |
So where's your boyfriend? | 0:30:41 | 0:30:43 | |
You don't know anything about him. | 0:30:44 | 0:30:46 | |
Alinta. | 0:30:50 | 0:30:52 | |
Mum! | 0:31:16 | 0:31:17 | |
What are you doing? | 0:31:24 | 0:31:26 | |
He's CA. | 0:31:30 | 0:31:32 | |
Grab your stuff. | 0:31:37 | 0:31:38 | |
Culture is difficult to control, | 0:31:44 | 0:31:47 | |
and being a Cleverman forces you to be consumed by it. | 0:31:47 | 0:31:51 | |
-How's that? -Ah, you listen to the voices in your head. | 0:31:52 | 0:31:57 | |
Some people think that you're crazy. | 0:31:57 | 0:31:59 | |
The more they say it, the more you believe it, | 0:32:00 | 0:32:03 | |
and you find yourself in a dark place where no words can help you. | 0:32:03 | 0:32:08 | |
If you couldn't handle everything, what makes you think I can? | 0:32:08 | 0:32:11 | |
Well, you've been dealing with this your whole life - | 0:32:11 | 0:32:14 | |
people talking about you, putting you down, "The whore's child." | 0:32:14 | 0:32:18 | |
But it's moulded you, shaped you for this role. | 0:32:19 | 0:32:23 | |
You're ready for this. | 0:32:25 | 0:32:27 | |
Boondee. | 0:34:34 | 0:34:36 | |
It's still me. | 0:35:11 | 0:35:12 | |
I thought I'd never see you again. | 0:35:25 | 0:35:28 | |
I'm here to take you home. | 0:35:28 | 0:35:29 | |
There is no home. | 0:35:32 | 0:35:34 | |
We're going to leave the city. | 0:35:36 | 0:35:38 | |
Start again. | 0:35:38 | 0:35:40 | |
We've done it before, remember? | 0:35:43 | 0:35:45 | |
Latani and Djukara? | 0:35:48 | 0:35:51 | |
Djukara. | 0:36:00 | 0:36:01 | |
Oh... Oh, my boy. | 0:36:03 | 0:36:06 | |
I told him to be calm. | 0:36:29 | 0:36:30 | |
Shh. Latani, there's Latani. | 0:36:37 | 0:36:41 | |
We need to find her. | 0:36:41 | 0:36:42 | |
But you're safe. | 0:36:47 | 0:36:49 | |
When you look like me... | 0:36:55 | 0:36:56 | |
..the CA don't shoot. | 0:36:58 | 0:37:00 | |
They prefer to pretend that I'm not here. | 0:37:04 | 0:37:07 | |
You are here. | 0:37:10 | 0:37:11 | |
If you give me your keys and a list of things you need, | 0:37:27 | 0:37:30 | |
I'm happy to go get them. | 0:37:30 | 0:37:32 | |
I can't ask you to do that. | 0:37:32 | 0:37:33 | |
It's fine. I better go. | 0:37:35 | 0:37:37 | |
You're really scared of him, aren't you? | 0:37:39 | 0:37:41 | |
What's happened? | 0:37:41 | 0:37:43 | |
I can't say. | 0:37:45 | 0:37:47 | |
Might make you less scared if you talk about it. | 0:37:48 | 0:37:51 | |
Hey. Won't go any further than this room. | 0:37:51 | 0:37:54 | |
I'm sorry. I just can't. | 0:37:56 | 0:37:58 | |
You don't have to protect him, you know. | 0:38:00 | 0:38:02 | |
Why are you sitting here in the dark? | 0:40:18 | 0:40:20 | |
Are you all right? | 0:40:23 | 0:40:25 | |
Not really. | 0:40:28 | 0:40:29 | |
What can I get you? | 0:40:32 | 0:40:33 | |
My DNA comes up as positive for subhuman. | 0:40:36 | 0:40:39 | |
Why is that? | 0:40:41 | 0:40:42 | |
My darling, we're having a baby, just like we dreamed of. | 0:40:49 | 0:40:53 | |
-Oh, my God. -It's going to be the | 0:40:53 | 0:40:55 | |
healthiest child that's ever been born. | 0:40:55 | 0:40:58 | |
-You did this? -For us - I did it for us. | 0:40:58 | 0:41:00 | |
-Don't touch me! -Look, I know this is a shock, but once you... | 0:41:00 | 0:41:06 | |
You implanted something in me without my knowledge, | 0:41:06 | 0:41:10 | |
something not human. | 0:41:10 | 0:41:11 | |
And that clinic, the doctors? | 0:41:13 | 0:41:15 | |
How many people, Jarrod? | 0:41:16 | 0:41:18 | |
How many people know what I'm carrying? | 0:41:18 | 0:41:20 | |
No-one else knows - just you, me, and our doctor. | 0:41:20 | 0:41:22 | |
-You can trust him, I promise you. -Trust? | 0:41:22 | 0:41:24 | |
You did this to your wife! | 0:41:24 | 0:41:26 | |
So that we can raise our child together. | 0:41:26 | 0:41:28 | |
We can be an example to those that come after. | 0:41:28 | 0:41:30 | |
When were you going to tell me? What, after it was born? | 0:41:30 | 0:41:33 | |
I wanted to tell you, believe me, but you were so happy. | 0:41:33 | 0:41:36 | |
I... I didn't want to confuse you. | 0:41:36 | 0:41:39 | |
I didn't know how you'd react. | 0:41:39 | 0:41:41 | |
Can I carry this baby safely to term? | 0:41:41 | 0:41:44 | |
How long is the term? | 0:41:44 | 0:41:45 | |
Do you know? Do you know any of that? | 0:41:45 | 0:41:47 | |
Or is it just cross your fingers and hope for the best? | 0:41:47 | 0:41:50 | |
And you say that you love me! | 0:41:50 | 0:41:52 | |
I wouldn't do this unless I was sure it was safe. | 0:41:52 | 0:41:54 | |
I'd never hurt you. | 0:41:54 | 0:41:56 | |
You're experimenting on me! | 0:41:56 | 0:41:58 | |
You're risking my life! | 0:41:58 | 0:42:00 | |
You'll be safe, I promise you. | 0:42:00 | 0:42:02 | |
All right, show me, then. | 0:42:05 | 0:42:07 | |
-What? -I said show me. | 0:42:09 | 0:42:11 | |
I want to see everything. | 0:42:11 | 0:42:12 | |
Jarrod! | 0:42:39 | 0:42:40 | |
Oh, my God! | 0:42:43 | 0:42:46 | |
SHE SCREAMS | 0:42:46 | 0:42:50 | |
No, no! | 0:42:50 | 0:42:53 | |
I'm pregnant! | 0:42:53 | 0:42:54 | |
Please don't hurt me! | 0:42:54 | 0:42:56 | |
My child's a Hairy! | 0:42:56 | 0:42:58 | |
Please! Please! | 0:42:58 | 0:42:59 | |
DREAMLIKE ECHOES | 0:43:23 | 0:43:25 | |
BUZZING | 0:43:25 | 0:43:29 | |
WHISPERS | 0:43:40 | 0:43:45 | |
WHISPERS | 0:43:53 | 0:43:58 | |
Mum? | 0:45:24 | 0:45:25 | |
You can't fix the situation. | 0:45:38 | 0:45:41 | |
It's happened. | 0:45:42 | 0:45:44 | |
Learn from it. | 0:45:45 | 0:45:47 | |
You knew, didn't you? | 0:46:25 | 0:46:27 | |
-Take it easy. -Did she kill them? | 0:46:27 | 0:46:29 | |
Answer me! Did Linda kill my parents? | 0:46:32 | 0:46:35 | |
Yeah, she did. | 0:46:37 | 0:46:38 | |
Well done, little brother. | 0:46:51 | 0:46:53 | |
You finally figured it out. | 0:46:55 | 0:46:57 | |
Linda's never been the woman you thought she was. | 0:47:00 | 0:47:03 | |
She's cold-blooded. | 0:47:04 | 0:47:06 | |
She knew exactly what she was doing when she rammed their car. | 0:47:06 | 0:47:10 | |
She was after you, too. | 0:47:10 | 0:47:12 | |
The unborn child of the woman sleeping with her husband. | 0:47:14 | 0:47:16 | |
Sheer luck you're still here. | 0:47:18 | 0:47:20 | |
It's curfew. | 0:47:25 | 0:47:27 | |
I'm getting a drink. | 0:47:27 | 0:47:28 | |
You lied to me all my life. | 0:47:38 | 0:47:40 | |
I know why you came here. | 0:47:41 | 0:47:43 | |
Do you? | 0:47:45 | 0:47:47 | |
There's only one person in the world who knows how you feel right now. | 0:47:47 | 0:47:50 | |
Me. | 0:47:50 | 0:47:52 | |
We're brothers. | 0:48:01 | 0:48:03 | |
Nothing changes that. | 0:48:05 | 0:48:06 | |
Is that why you sold me to Slade? | 0:48:10 | 0:48:12 | |
And then abandoned your family, | 0:48:14 | 0:48:17 | |
all of us, to the CA? | 0:48:17 | 0:48:20 | |
Nerida, Linta. | 0:48:21 | 0:48:24 | |
Why'd you do it? | 0:48:29 | 0:48:31 | |
I was lost. | 0:48:35 | 0:48:37 | |
Made a mistake. | 0:48:39 | 0:48:40 | |
Look at this place. | 0:49:00 | 0:49:01 | |
No! | 0:49:07 | 0:49:09 | |
No! | 0:49:24 | 0:49:26 | |
This is my place. | 0:49:59 | 0:50:01 | |
My place. | 0:50:10 | 0:50:11 |